name | Brave New World |
---|---|
author | Aldous Huxley |
cover artist | Leslie Holland |
country | United Kingdom |
language | English |
genre | Science fiction, dystopian fiction |
publisher | Chatto and Windus (London) |
release date | 1932 |
media type | Print (Hardback & Paperback) |
pages | 288 pp (Paperback edition) |
words | 64106 |
isbn | ISBN 0-06-080983-3 (Paperback edition) |
oclc | 20156268 |
followed by | }} |
Brave New World is Aldous Huxley's fifth novel, written in 1931 and published in 1932. Set in London of AD 2540 (632 A.F. in the book), the novel anticipates developments in reproductive technology and sleep-learning that combine to change society. The future society is an embodiment of the ideals that form the basis of futurology. Huxley answered this book with a reassessment in an essay, Brave New World Revisited (1958), summarized below, and with his final work, a novel titled Island (1962).
In 1999, the Modern Library ranked Brave New World fifth on its list of the 100 best English-language novels of the 20th century.
This line itself is ironic; Miranda was raised for most of her life on an isolated island, and the only people she ever knew were her father and his servants, an enslaved savage and a spirit. When she sees other people for the first time, she is understandably overcome with excitement, and utters, among other praise, the famous line above. However, what she is actually observing is not men acting in a refined or civilized manner, but rather drunken sailors staggering off the wreckage of their ship. Huxley employs the same irony when the "savage" John refers to what he sees as a "brave new world." Another possible source for or reference in the title is from Rudyard Kipling's 1919 poem The Gods of the Copybook Headings:
Translations of the title often allude to similar expressions used in domestic works of literature in an attempt to capture the same irony: the French edition of the work is entitled Le Meilleur des mondes ("The Best of All Worlds"), an allusion to an expression used by the philosopher Gottfried Leibniz and satirized in Candide, Ou l'Optimisme by Voltaire (1759). The German title of the book is Schöne Neue Welt ("Beautiful New World"), though originally the word "brave" was translated literally as tapfer, "valiant", with the Dutch title as Heerlijke Nieuwe Wereld ("Glorious New World"). In Serbian the title is Vrli novi svet ("Virtuous New World"), in Italian Il mondo nuovo, simply "The New World", while in Spanish it is Un mundo feliz ("A Happy World") and in Portuguese its Admirável Mundo Novo ("Admirable New World").
The quotation is also used by Edwin A. Abbott on the first page of Part II of Flatland: A Romance of Many Dimensions. This begins the section in which A. Square, an inhabitant of a two-dimensional universe, receives visions of Lineland and Pointland, and eventually is visited by a Sphere from Spaceland. Whereas the irony is maintained in the first two examples, obviously it is lost in the third.
Brave New World was inspired by H. G. Wells' utopian novel Men Like Gods. Wells' optimistic vision of the future gave Huxley the idea to begin writing a parody of the novel, which became Brave New World. Contrary to the most popular optimist utopian novels of the time, Huxley sought to provide a frightening vision of the future. Huxley referred to Brave New World as a "negative utopia" (see dystopia), somewhat influenced by Wells' own The Sleeper Awakes (who was dealing with subjects like corporate tyranny and behavioral conditioning) and the works of D. H. Lawrence.
George Orwell believed that Brave New World must be partly derived from the novel We by Yevgeny Zamyatin. However, in a 1962 letter, Huxley says that he wrote Brave New World long before he had heard of We. According to We translator Natasha Randall, Orwell believed that Huxley was lying.
Huxley visited the newly opened and technologically advanced Brunner and Mond plant, part of Imperial Chemical Industries, or ICI, Billingham, and gives a fine and detailed account of the processes he saw. The introduction to the most recent print of Brave New World states that Huxley was inspired to write the classic novel by this Billingham visit.
Although the novel is set in the future, it contains contemporary issues of the early 20th century. The Industrial Revolution had transformed the world. Mass production had made cars, telephones, and radios relatively cheap and widely available throughout the developed world. The political, cultural, economic and sociological upheavals of the then-recent Russian Revolution of 1917 and the First World War (1914–1918) were resonating throughout the world as a whole and the individual lives of most people. Accordingly, many of the novel's characters are named after widely recognized, influential and in many cases contemporary people, for example, Polly Trotsky (Leon Trotsky), Benito Hoover (Benito Mussolini; Herbert Hoover), Lenina Crowne (Vladimir Lenin; John Crowne), Fanny Crowne (Fanny Brawne; John Crowne), Mustapha Mond (Mustafa Kemal Atatürk; Alfred Mond), Helmholtz Watson (Hermann von Helmholtz; John B. Watson), and Bernard Marx (George Bernard Shaw; Karl Marx).
Huxley was able to use the setting and characters from his science fiction novel to express widely held opinions, particularly the fear of losing individual identity in the fast-paced world of the future. An early trip to the United States gave Brave New World much of its character. Not only was Huxley outraged by the culture of youth, commercial cheeriness, sexual promiscuity and the inward-looking nature of many Americans, he had also found a book by Henry Ford on the boat to America. There was a fear of Americanization in Europe, so to see America firsthand, as well as read the ideas and plans of one of its foremost citizens, spurred Huxley to write Brave New World with America in mind. The "feelies" are his response to the "talkie" motion pictures, and the sex-hormone chewing gum is a parody of the ubiquitous chewing gum, which was something of a symbol of America at that time. In an article in the 4 May 1935 issue of the Illustrated London News, G. K. Chesterton explained that Huxley was revolting against the "Age of Utopias" — a time, mostly before the First World War, inspired by what H. G. Wells and George Bernard Shaw were writing about socialism and a World State.
After the Age of Utopias came what we may call the American Age, lasting as long as the Boom. Men like Ford or Mond seemed to many to have solved the social riddle and made capitalism the common good. But it was not native to us; it went with a buoyant, not to say blatant optimism, which is not our negligent or negative optimism. Much more than Victorian righteousness, or even Victorian self-righteousness, that optimism has driven people into pessimism. For the Slump brought even more disillusionment than the War. A new bitterness, and a new bewilderment, ran through all social life, and was reflected in all literature and art. It was contemptuous, not only of the old Capitalism, but of the old Socialism. Brave New World is more of a revolt against Utopia than against Victoria.
For Brave New World, Huxley unsurprisingly received nearly universal criticism from contemporary critics, although his work was later embraced. Even the few sympathetic critics tended to temper their praises with disparaging remarks.
To maintain the World State's Command Economy for the indefinite future, all citizens are conditioned from birth to value consumption with such platitudes as "spending is better than mending," i.e., buy a new one instead of fixing the old one, because constant consumption, and near-universal employment to meet society's material demands, is the bedrock of economic and social stability for the World State. Beyond providing social engagement and distraction in the material realm of work or play, the need for transcendence, solitude and spiritual communion is addressed with the ubiquitous availability and universally endorsed consumption of the drug soma. Soma is an allusion to a mythical drink of the same name consumed by ancient Indo-Aryans. In the book, soma is a hallucinogen that takes users on enjoyable, hangover-free "holidays", developed by the World State to provide such inner-directed personal experiences within the socially managed context of State-run 'religious' organizations, social clubs, and the hypnopaedically inculcated affinity to the State-produced drug as a self-medicating comfort mechanism in the face of stress or discomfort, thereby eliminating the need for religion or other personal allegiances outside or beyond the World State.
Recreational sex is an integral part of society. According to The World State, sex is a social activity, rather than a means of reproduction (sex is encouraged from early childhood). The few women who can reproduce are conditioned to use birth control (a "Malthusian belt", resembling a cartridge belt holding "the regulation supply of contraceptives", is a popular fashion accessory). The maxim "everyone belongs to everyone else" is repeated often, and the idea of a "family" is considered pornographic; sexual competition and emotional, romantic relationships are rendered obsolete because they are no longer needed. Marriage, natural birth, parenthood, and pregnancy are considered too obscene to be mentioned in casual conversation. Thus, society has developed a new idea of reproductive comprehension.
Spending time alone is considered an outrageous waste of time and money. Wanting to be an individual is horrifying. This is why John, a character in the book, is later afforded celebrity-like status. Conditioning trains people to consume and never to enjoy being alone, so by spending an afternoon not playing "Obstacle Golf," or not in bed with a friend, one is forfeiting acceptance.
In The World State, people typically die at age 60 having maintained good health and youthfulness their whole life. Death isn't feared; anyone reflecting upon it is reassured by the knowledge that everyone is happy, and that society goes on. Since no one has family, they have no ties to mourn.
The conditioning system eliminates the need for professional competitiveness; people are literally bred to do their jobs and cannot desire another. There is no competition within castes; each caste member receives the same food, housing, and soma rationing as every other member of that caste. There is no desire to change one's caste, largely because a person's sleep-conditioning teaches that his or her caste is superior to the other four. To grow closer with members of the same class, citizens participate in mock religious services called Solidarity Services, in which twelve people consume large quantities of soma and sing hymns. The ritual progresses through group hypnosis and climaxes in an orgy.
In geographic areas nonconducive to easy living and consumption, securely contained groups of "savages" are left to their own devices.
In its first chapters, the novel describes life in The World State as wonderful and introduces Lenina and Bernard. Lenina is a socially accepted woman, normal for her society, while Bernard, a psychologist, is an outcast. Although an Alpha Plus, Bernard is shorter in stature than the average of his caste—a quality shared by the lower castes, which gives him an inferiority complex. His work with sleep-teaching has led him to realize that what others believe to be their own deeply held beliefs are merely phrases repeated to children while they are asleep. Still, he recognizes the necessity of such programming as the reason why his society meets the emotional needs of its citizens. Courting disaster, he is vocal about being different, once stating he dislikes soma because he'd "rather be himself." Bernard's differences fuel rumors that he was accidentally administered alcohol while incubated, a method used to keep Epsilons short.
Lenina, a woman who seldom questions her own motivations, is reprimanded by her friends because she is not promiscuous enough. However, she is still highly content in her role as a woman. Both fascinated and disturbed by Bernard, she responds to Bernard's advances to dispel her reputation for being too selective.
Bernard's only friend is Helmholtz Watson, an Alpha Plus lecturer at the College of Emotional Engineering (Department of Writing). The friendship is based on their similar experiences as misfits, but unlike Bernard, Watson's sense of loneliness stems from being too gifted, too handsome, and too physically strong. Helmholtz is drawn to Bernard as a confidant: he can talk to Bernard about his desire to write poetry.
In typical tourist fashion, Bernard and Lenina watch what at first appears to be a quaint native ceremony. The village folk, whose culture resemble the contemporary Indian groups of the region, descendants of the Anasazi, including the Puebloan peoples of Acoma, Laguna, and Zuni, and the Ramah Navajo, begin by singing, but the ritual quickly becomes a passion play where a village boy is whipped to unconsciousness.
Soon after, the couple encounters Linda, a woman formerly of The World State who has been living in Malpais since she came on a trip and became separated from her group and her date, to whom she refers as "Tomakin" but who is revealed to be Bernard's boss, the Director of Hatcheries and Conditioning, Thomas. She became pregnant because she mistimed her "Malthusian Drill" and there were no facilities for an abortion. Linda gave birth to a son, John (later referred to as John the Savage) who is now eighteen.
Conversations with Linda and John reveal that their life has been hard. For eighteen years, they have been treated as outsiders: the natives hate Linda for sleeping with all the men of the village, as she was conditioned to do, and John was mistreated and excluded for his mother's actions, not to mention the role of racism. John's one joy was that his mother had taught him to read, although he only had two books: a scientific manual from his mother's job, which he called a "beastly, beastly book," and a collection of the works of Shakespeare (a work banned in The World State). John has been denied the religious rituals of the village, although he has watched them and even has had some of his own religious experiences in the desert.
Old, weathered and tired, Linda wants to return to her familiar world in London; she is tired of a life without soma. John wants to see the "brave new world" his mother has told him so much about. Bernard wants to take them back as revenge against Thomas, who had just threatened to reassign Bernard to Iceland as punishment for his antisocial beliefs. Bernard arranges permission for Linda and John to leave the reservation.
Spared from reassignment, Bernard makes John the toast of London. Pursued by the highest members of society, able to bed any woman he fancies, Bernard revels in attention he once scorned. The victory, however, is short lived. Linda, decrepit, toothless, friendless, goes on a permanent soma holiday while John, appalled by what he perceives to be an empty society, refuses to attend Bernard's parties. Society drops Bernard as swiftly as it had taken him. Bernard turns to the person he'd believed to be his one true friend, only to see Helmholtz fall into a quick, easy camaraderie with John. Bernard is left an outcast yet again as he watches the only two men with whom he ever connected find more of interest in each other than they ever did in him.
John and Helmholtz's island of peace is brief. John grows frustrated by a society he finds wicked and debased. He is moved by Lenina, but also loathes her sexual advances, which revolt and shame him. He is heartbroken when his mother succumbs to soma and dies in a hospital. John's grief bewilders and revolts the hospital workers, and their lack of reaction to Linda's death prompts John to try to force humanity from the workers by throwing their soma rations out a window. The ensuing riot brings the police, who soma-gas the crowd. Bernard and Helmholtz arrive to help John, but only Helmholtz helps him, while Bernard stands to the side, torn between risking involvement by helping or escaping the scene.
Following the riot, Bernard, Helmholtz and John are brought before Mustapha Mond, the Resident World Controller for Western Europe. Bernard and Helmholtz are told they will be exiled to islands of their choice. Mond explains that this exile is not so much a threat to force freethinkers to reform and rejoin society, as it is a chance for them to act as they please because they will not be able to influence the population. He also divulges that he too once risked banishment to an island because of some scientific experiments that were deemed controversial by the state, giving insight into his sympathetic tone. Helmholtz chooses the Falkland Islands, believing that their terrible weather will inspire his writing, but Bernard simply does not want to leave London; he struggles with Mond and is thrown out of the office. After Bernard and Helmholtz have left, Mustapha and John engage in a philosophical argument on the morals behind the godless society and then John is told the "experiment" will continue and he will not be sent to an island.
In the final chapter, John isolates himself from society in a lighthouse outside London where he finds his hermit life interrupted from mourning his mother by the more bitter memories of civilization. To atone, John brutally whips himself in the open, a ritual the Indians in his own village had denied him. His self-flagellation, caught on film and shown publicly, destroys his hermit life. Hundreds of gawking sightseers, intrigued by John's violent behavior, fly out to watch the savage in person. Even Lenina comes to watch, crying a tear John does not see. The sight of the woman whom he both adores and blames is too much for him; John attacks and whips her. This sight of genuine, unbridled emotion drives the crowd wild with excitement, and—handling it as they are conditioned to—they turn on each other, in a frenzy of beating and chanting that devolves into a mass orgy of soma and sex. In the morning, John, hopeless, alone, horrified by his drug use and the orgy in which he participated that countered his beliefs, makes one last attempt to escape civilization and atone. When thousands of gawking sightseers arrive that morning, frenzied at the prospect of seeing the savage perform again, they find that John has hanged himself.
Bernard Marx - An Alpha male who fails to fit in because of his inferior physical stature. He holds unorthodox beliefs about sexual relationships, sports, and community events. His insecurity about his size and status makes him discontented with the World State. Bernard’s surname recalls Karl Marx, the nineteenth-century German author best known for writing Das Kapital, a monumental critique of capitalist society. Unlike his famous namesake, Bernard’s discontent stems from his frustrated desire to fit into his own society, rather than from a systematic or philosophical criticism of it. When threatened, Bernard can be petty and cruel.
Helmholtz Watson - An Alpha lecturer at the College of Emotional Engineering, Helmholtz is a prime example of his caste, but feels that his work is empty and meaningless and would like to use his writing abilities for something more meaningful. He and Bernard are friends because they find common ground in their discontent with the World State, but Helmholtz’s criticisms of the World State are more philosophical and intellectual than Bernard’s more petty complaints. As a result, Helmholtz often finds Bernard’s boastfulness and cowardice tedious.
Lenina Crowne - A vaccination worker at the Central London Hatchery and Conditioning Centre. She is an object of desire for a number of major and minor characters, including Bernard Marx and John. Her behavior is sometimes intriguingly unorthodox, which makes her attractive to the reader. For example, she defies her culture’s conventions by dating one man exclusively for several months, she is attracted to Bernard—the misfit—and she develops a violent passion for John the Savage. Ultimately, her values are those of a conventional World State citizen: her primary means of relating to other people is through sex, and she is unable to share Bernard’s disaffection or to comprehend John’s alternate system of values.
Mustapha Mond - The Resident World Controller of Western Europe, one of only ten World Controllers. He was once an ambitious, young physicist performing illicit research. When his work was discovered, he was given the choice of going into exile or training to become a World Controller. He chose to give up science, and now he censors scientific discoveries and exiles people for unorthodox beliefs. He also keeps a collection of forbidden literature in his safe, including Shakespeare and religious writings. The name "Mond" is similar to the French word "monde", which means “world”, and Mond is indeed the most powerful character in the world of this novel.
Fanny Crowne - Lenina Crowne’s friend (they have the same last name because only about ten thousand last names are in use in the World State). Fanny’s role is mainly to voice the conventional values of her caste and society. Specifically, she warns Lenina that she should have more men in her life because it looks bad to concentrate on one man for too long.
Henry Foster - One of Lenina’s many lovers, he is a perfectly conventional Alpha male, casually discussing Lenina’s body with his coworkers. His success with Lenina, and his casual attitude about it, infuriate the jealous Bernard.
Linda - John’s mother, and a Beta. While visiting the New Mexico Savage Reservation, she became pregnant with the Director’s son. During a storm, she got lost, suffered a head injury and was left behind. A group of Indians found her and brought her to their village. Linda could not get an abortion on the Reservation, and she was too ashamed to return to the World State with a baby. Her World State–conditioned promiscuity makes her a social outcast. She is desperate to return to the World State and to soma. When she returned she was treated to a series of soma baths and a pleasant death.
The Director - The Director administrates the Central London Hatchery and Conditioning Centre. He is a threatening figure, with the power to exile Bernard to Iceland. But he is secretly vulnerable because he fathered a child (John), a scandalous and obscene act in the World State.
The Arch-Community-Songster - The Arch-Community-Songster is the secular, shallow equivalent of an archbishop in the World State society.
Popé - Popé was Linda’s lover on the New Mexico Savage Reservation. He gave Linda a copy of The Complete Works of Shakespeare.
The Warden - The Warden is the talkative chief administrator for the New Mexico Savage Reservation. He is an Alpha.
From birth, members of every class are indoctrinated by recorded voices repeating slogans while they sleep (called "hypnopædia" in the book) to believe their own class is superior, but that the other classes perform needed functions. Any residual unhappiness is resolved by an antidepressant and hallucinogenic drug called soma (named for an intoxicating drink in ancient India) distributed by the Arch-Community Songster of Canterbury, a secularised version of the Christian sacrament of Communion ("The Body of Christ").
The biological techniques used to control the populace in Brave New World do not include genetic engineering; Huxley wrote the book before the structure of DNA was known. However, Gregor Mendel's work with inheritance patterns in peas had been re-discovered in 1900 and the eugenics movement, based on artificial selection, was well established. Huxley's family included a number of prominent biologists including Thomas Huxley, half-brother and Nobel Laureate Andrew Huxley, and brother Julian Huxley who was a biologist and involved in the eugenics movement. Nonetheless, Huxley emphasizes conditioning over breeding (see nature versus nurture); human embryos and fetuses are conditioned via a carefully designed regimen of chemical (such as exposure to hormones and toxins), thermal (exposure to intense heat or cold, as one's future career would dictate), and other environmental stimuli, although there is an element of selective breeding as well.
In 1982, Polish author Antoni Smuszkiewicz in his book Zaczarowana gra presented accusations of plagiarism against Huxley. Smuszkiewicz presented similarities between Brave New World and two science fiction novels written by Polish author Mieczysław Smolarski, namely Miasto światłości (The City of the Sun, 1924) and Podróż poślubna pana Hamiltona (The Honeymoon Trip of Mr. Hamilton, 1928).
Journalist Christopher Hitchens, who has himself published several articles on Huxley and a book on Orwell, notes the difference between the two texts in the introduction to his 1999 article "Why Americans Are Not Taught History":
==Brave New World Revisited== Brave New World Revisited (Harper & Row, US, 1958; Chatto & Windus, UK, 1959), written by Huxley almost thirty years after Brave New World, was a non-fiction work in which Huxley considered whether the world had moved toward or away from his vision of the future from the 1930s. He believed when he wrote the original novel that it was a reasonable guess as to where the world might go in the future. In Brave New World Revisited, he concluded that the world was becoming like Brave New World much faster than he originally thought.
Huxley analysed the causes of this, such as overpopulation as well as all the means by which populations can be controlled. He was particularly interested in the effects of drugs and subliminal suggestion. Brave New World Revisited is different in tone because of Huxley's evolving thought, as well as his conversion to Hindu Vedanta in the interim between the two books.
The last chapter of the book aims to propose action which could be taken in order to prevent a democracy from turning into the totalitarian world described in Brave New World. In Huxley's last novel, Island, he again expounds similar ideas to describe a utopian nation, which is generally known as a counterpart to his most famous work.
Brave New World (film) (1980). Directed by Burt Brinckerhoff
Brave New World (1998)
Brave New World (1998). Directed by Leslie Libman and Larry Williams
Brave New World (2011)
Brave New World (film) (scheduled 2011) Ridley Scott, Leonardo DiCaprio collaborating
Category:1932 novels Category:British science fiction novels Category:Dystopian novels Category:Futurology books Category:Genetic engineering in fiction Category:Novels by Aldous Huxley Category:Satirical novels Category:Titles derived from the works of William Shakespeare Category:Novels set in London
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