Animation is the rapid display of a sequence of images of 2-D or 3-D artwork or model positions in order to create an illusion of movement. The effect is an optical illusion of motion due to the phenomenon of persistence of vision, and can be created and demonstrated in several ways. The most common method of presenting animation is as a motion picture or video program, although there are other methods.

Etymology

From Latin ''animātiō'', "the act of bringing to life"; from ''animō'' ("to animate" or "give life to") + ''-ātiō'' ("the act of").

Early examples

Early examples of attempts to capture the phenomenon of motion drawing can be found in paleolithic cave paintings, where animals are depicted with multiple legs in superimposed positions, clearly attempting to convey the perception of motion.

A 5,000 year old earthen bowl found in Iran in Shahr-i Sokhta has five images of a goat painted along the sides. This has been claimed to be an example of early animation. However, since no equipment existed to show the images in motion, such a series of images cannot be called animation in a true sense of the word.

A Chinese zoetrope-type device had been invented in 180 AD. The phenakistoscope, praxinoscope, and the common flip book were early popular animation devices invented during the 19th century.

These devices produced the appearance of movement from sequential drawings using technological means, but animation did not really develop much further until the advent of cinematography.

There is no single person who can be considered the "creator" of film animation, as there were several people working on projects which could be considered animation at about the same time.

Georges Méliès was a creator of special-effect films; he was generally one of the first people to use animation with his technique. He discovered a technique by accident which was to stop the camera rolling to change something in the scene, and then continue rolling the film. This idea was later known as stop-motion animation. Méliès discovered this technique accidentally when his camera broke down while shooting a bus driving by. When he had fixed the camera, a hearse happened to be passing by just as Méliès restarted rolling the film, his end result was that he had managed to make a bus transform into a hearse. This was just one of the great contributors to animation in the early years.

The earliest surviving stop-motion advertising film was an English short by Arthur Melbourne-Cooper called ''Matches: An Appeal'' (1899). Developed for the Bryant and May Matchsticks company, it involved stop-motion animation of wired-together matches writing a patriotic call to action on a blackboard.

J. Stuart Blackton was possibly the first American film-maker to use the techniques of stop-motion and hand-drawn animation. Introduced to film-making by Edison, he pioneered these concepts at the turn of the 20th century, with his first copyrighted work dated 1900. Several of his films, among them ''The Enchanted Drawing'' (1900) and ''Humorous Phases of Funny Faces'' (1906) were film versions of Blackton's "lightning artist" routine, and utilized modified versions of Méliès' early stop-motion techniques to make a series of blackboard drawings appear to move and reshape themselves. 'Humorous Phases of Funny Faces' is regularly cited as the first true animated film, and Blackton is considered the first true animator.

Another French artist, Émile Cohl, began drawing cartoon strips and created a film in 1908 called ''Fantasmagorie''. The film largely consisted of a stick figure moving about and encountering all manner of morphing objects, such as a wine bottle that transforms into a flower. There were also sections of live action where the animator’s hands would enter the scene. The film was created by drawing each frame on paper and then shooting each frame onto negative film, which gave the picture a blackboard look. This makes ''Fantasmagorie'' the first animated film created using what came to be known as traditional (hand-drawn) animation.

Following the successes of Blackton and Cohl, many other artists began experimenting with animation. One such artist was Winsor McCay, a successful newspaper cartoonist, who created detailed animations that required a team of artists and painstaking attention for detail. Each frame was drawn on paper; which invariably required backgrounds and characters to be redrawn and animated. Among McCay's most noted films are ''Little Nemo'' (1911), ''Gertie the Dinosaur'' (1914) and ''The Sinking of the Lusitania'' (1918).

The production of animated short films, typically referred to as "cartoons", became an industry of its own during the 1910s, and cartoon shorts were produced to be shown in movie theaters. The most successful early animation producer was John Randolph Bray, who, along with animator Earl Hurd, patented the cel animation process which dominated the animation industry for the rest of the decade.

''El Apóstol'' (Spanish: "The Apostle") was a 1917 Argentine animated film utilizing cutout animation, and the world's first animated feature film.

Techniques

Traditional animation

Traditional animation (also called cel animation or hand-drawn animation) was the process used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, which are first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels, which are filled in with paints in assigned colors or tones on the side opposite the line drawings. The completed character cels are photographed one-by-one onto motion picture film against a painted background by a rostrum camera.

The traditional cel animation process became obsolete by the beginning of the 21st century. Today, animators' drawings and the backgrounds are either scanned into or drawn directly into a computer system. Various software programs are used to color the drawings and simulate camera movement and effects. The final animated piece is output to one of several delivery media, including traditional 35 mm film and newer media such as digital video. The "look" of traditional cel animation is still preserved, and the character animators' work has remained essentially the same over the past 70 years. Some animation producers have used the term "tradigital" to describe cel animation which makes extensive use of computer technology.

Examples of traditionally animated feature films include ''Pinocchio'' (United States, 1940), ''Animal Farm'' (United Kingdom, 1954), and ''Akira'' (Japan, 1988). Traditional animated films which were produced with the aid of computer technology include ''The Lion King'' (US, 1994) ''Sen to Chihiro no Kamikakushi (Spirited Away)'' (Japan, 2001), and ''Les Triplettes de Belleville'' (France, 2003).

Full animation refers to the process of producing high-quality traditionally animated films, which regularly use detailed drawings and plausible movement. Fully animated films can be done in a variety of styles, from more realistically animated works such as those produced by the Walt Disney studio (''Beauty and the Beast'', ''Aladdin'', ''Lion King'') to the more 'cartoony' styles of those produced by the Warner Bros. animation studio. Many of the Disney animated features are examples of full animation, as are non-Disney works such as ''The Secret of NIMH'' (US, 1982), ''The Iron Giant'' (US, 1999), and ''Nocturna'' (Spain, 2007).

Limited animation involves the use of less detailed and/or more stylized drawings and methods of movement. Pioneered by the artists at the American studio United Productions of America, limited animation can be used as a method of stylized artistic expression, as in ''Gerald McBoing Boing'' (US, 1951), ''Yellow Submarine'' (UK, 1968), and much of the anime produced in Japan. Its primary use, however, has been in producing cost-effective animated content for media such as television (the work of Hanna-Barbera, Filmation, and other TV animation studios) and later the Internet (web cartoons).

Rotoscoping is a technique, patented by Max Fleischer in 1917, where animators trace live-action movement, frame by frame. The source film can be directly copied from actors' outlines into animated drawings, as in ''The Lord of the Rings'' (US, 1978), or used in a stylized and expressive manner, as in ''Waking Life'' (US, 2001) and ''A Scanner Darkly'' (US, 2006). Some other examples are: ''Fire and Ice'' (USA, 1983) and ''Heavy Metal'' (1981).

Live-action/animation is a technique, when combining hand-drawn characters into live action shots. One of the earlier uses of it was Koko the Clown when Koko was drawn over live action footage. Other examples would include ''Who Framed Roger Rabbit'' (USA, 1988), ''Space Jam'' (USA, 1996) and ''Osmosis Jones'' (USA, 2002).

Stop motion

Stop-motion animation is used to describe animation created by physically manipulating real-world objects and photographing them one frame of film at a time to create the illusion of movement. There are many different types of stop-motion animation, usually named after the medium used to create the animation. Computer software is widely available to create this type of animation.

Puppet animation typically involves stop-motion puppet figures interacting with each other in a constructed environment, in contrast to the real-world interaction in model animation. The puppets generally have an armature inside of them to keep them still and steady as well as constraining them to move at particular joints. Examples include ''The Tale of the Fox'' (France, 1937), ''The Nightmare Before Christmas'' (US, 1993), ''Corpse Bride'' (US, 2005), ''Coraline'' (US, 2009), the films of Jiří Trnka and the TV series ''Robot Chicken'' (US, 2005–present).

Puppetoon, created using techniques developed by George Pal, are puppet-animated films which typically use a different version of a puppet for different frames, rather than simply manipulating one existing puppet.

Clay animation, or Plasticine animation often abbreviated as ''claymation'', uses figures made of clay or a similar malleable material to create stop-motion animation. The figures may have an armature or wire frame inside of them, similar to the related puppet animation (below), that can be manipulated in order to pose the figures. Alternatively, the figures may be made entirely of clay, such as in the films of Bruce Bickford, where clay creatures morph into a variety of different shapes. Examples of clay-animated works include ''The Gumby Show'' (US, 1957–1967) ''Morph'' shorts (UK, 1977–2000), ''Wallace and Gromit'' shorts (UK, as of 1989), Jan Švankmajer's ''Dimensions of Dialogue'' (Czechoslovakia, 1982), ''The Trap Door'' (UK, 1984). Films include ''Wallace & Gromit: The Curse of the Were-Rabbit'', ''Chicken Run'' and ''The Adventures of Mark Twain''.

Cutout animation is a type of stop-motion animation produced by moving 2-dimensional pieces of material such as paper or cloth. Examples include Terry Gilliam's animated sequences from ''Monty Python's Flying Circus'' (UK, 1969–1974); ''Fantastic Planet'' (France/Czechoslovakia, 1973) ; ''Tale of Tales'' (Russia, 1979), The pilot episode of the TV series (and sometimes in episodes) of ''South Park'' (US, 1997).

* Silhouette animation is a variant of cutout animation in which the characters are backlit and only visible as silhouettes. Examples include ''The Adventures of Prince Achmed'' (Weimar Republic, 1926) and ''Princes et princesses'' (France, 2000).

Model animation refers to stop-motion animation created to interact with and exist as a part of a live-action world. Intercutting, matte effects, and split screens are often employed to blend stop-motion characters or objects with live actors and settings. Examples include the work of Ray Harryhausen, as seen in films such ''Jason and the Argonauts'' (1963), and the work of Willis O'Brien on films such as ''King Kong'' (1933 film).

* Go motion is a variant of model animation which uses various techniques to create motion blur between frames of film, which is not present in traditional stop-motion. The technique was invented by Industrial Light & Magic and Phil Tippett to create special effects scenes for the film ''The Empire Strikes Back'' (1980). Another example is the dragon named ''Vermithrax'' from ''Dragonslayer'' (1981 film).

Object animation refers to the use of regular inanimate objects in stop-motion animation, as opposed to specially created items.

* Graphic animation uses non-drawn flat visual graphic material (photographs, newspaper clippings, magazines, etc.) which are sometimes manipulated frame-by-frame to create movement. At other times, the graphics remain stationary, while the stop-motion camera is moved to create on-screen action.

* Brickfilm A sub genre of object animation involving using LEGO or other similar brick toys in order to make an animation. These have had a recent boost in popularity with the advent of video sharing sites like YouTube, and the availability of cheap cameras, and animation software.

Pixilation involves the use of live humans as stop motion characters. This allows for a number of surreal effects, including disappearances and reappearances, allowing people to appear to slide across the ground, and other such effects. Examples of pixilation include ''The Secret Adventures of Tom Thumb'' and ''Angry Kid'' shorts.

Computer animation

Computer animation encompasses a variety of techniques, the unifying factor being that the animation is created digitally on a computer. This animation takes less time than previous traditional animation.

2D animation

2D animation figures are created and/or edited on the computer using 2D bitmap graphics or created and edited using 2D vector graphics. This includes automated computerized versions of traditional animation techniques such as of, interpolated morphing, onion skinning and interpolated rotoscoping.

2D animation has many applications, including analog computer animation, Flash animation and PowerPoint animation. Cinemagraphs are still photographs in the form of an animated GIF file of which part is animated.

3D animation

3D animation is digitally modeled and manipulated by an animator. In order to manipulate a mesh, it is given a digital skeletal structure that can be used to control the mesh. This process is called rigging. Various other techniques can be applied, such as mathematical functions (ex. gravity, particle simulations), simulated fur or hair, effects such as fire and water and the use of motion capture to name but a few, these techniques fall under the category of 3D dynamics. Well-made 3D animations can be difficult to distinguish from live action and are commonly used as visual effects for recent movies. ''Toy Story'' (1995, USA) is the first feature-length film to be created and rendered entirely using 3D graphics.

Terms

Photo realistic animation, is used primarily for animation that attempts to resemble real life. Using advanced rendering that makes detailed skin, plants, water, fire, clouds, etc. to mimic real life. Examples include ''Up'' (2009, USA), ''Kung-Fu Panda'' (2008, USA), ''Ice Age'' (2002, USA).

Cel-shaded animation, is used to mimic traditional animation using CG software. Shading looked stark and less blending colors. Examples include, ''Skyland'' (2007, France), ''Appleseed'' (2007, Japan), ''The Legend of Zelda: Wind Waker'' (2002, Japan)

Motion capture, is used when live action actors wear special suits that allow computers to copy their movements into CG characters. Examples include ''Polar Express'' (2004, USA), ''Beowulf'' (2007, USA), ''A Christmas Carol'' (2009, USA), ''The Adventures of Tintin'' (2011, USA)

2D animation techniques tend to focus on image manipulation while 3D techniques usually build virtual worlds in which characters and objects move and interact. 3D animation can create images that seem real to the viewer.

Other animation techniques

Drawn on film animation: a technique where footage is produced by creating the images directly on film stock, for example by Norman McLaren, Len Lye and Stan Brakhage.

Paint-on-glass animation: a technique for making animated films by manipulating slow drying oil paints on sheets of glass, for example by Aleksandr Petrov.

Erasure animation: a technique using tradition 2D medium, photographed over time as the artist manipulates the image. For example, William Kentridge is famous for his charcoal erasure films, and Piotr Dumała for his auteur technique of animating scratches on plaster.

Pinscreen animation: makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows. The technique has been used to create animated films with a range of textural effects difficult to achieve with traditional cel animation.

Sand animation: sand is moved around on a back- or front-lighted piece of glass to create each frame for an animated film. This creates an interesting effect when animated because of the light contrast.

Flip book: A flip book (sometimes, especially in British English, called a flick book) is a book with a series of pictures that vary gradually from one page to the next, so that when the pages are turned rapidly, the pictures appear to animate by simulating motion or some other change. Flip books are often illustrated books for children, but may also be geared towards adults and employ a series of photographs rather than drawings. Flip books are not always separate books, but may appear as an added feature in ordinary books or magazines, often in the page corners. Software packages and websites are also available that convert digital video files into custom-made flip books.

Other techniques and approaches

Character animation

Chuckimation

Multi-sketching

Special effects animation

Animatronics

Stop motion

See also

12 basic principles of animation

Adult animation

Animation database

Animation software

Architectural animation

Tradigital art

Avar (animation variable)

Blocking (animation)

Computer generated imagery

History of animation

International Tournée of Animation

List of movie genres

List of animation studios

List of animated feature-length films

List of animated shorts available on DVD

List of animated short series

List of animated television series

List of computer-animated films

List of stop motion films

List of traditional animated feature films

List of motion picture topics

Wire frame model

Motion graphic design

Motion capture

Model sheet

References

Further reading

Anderson, Joseph and Barbara, "The Myth of Persistence of Vision Revisited", ''Journal of Film and Video'', Vol. 45, No. 1 (Spring 1993): 3-12

Culhane, Shamus, ''Animation Script to Screen''

Laybourne, Kit, ''The Animation Book''

Ledoux, Trish, Ranney, Doug, & Patten, Fred (Ed.), ''Complete Anime Guide: Japanese Animation Film Directory and Resource Guide'', Tiger Mountain Press 1997

Lowe, Richard & Schnotz, Wolfgang (Eds) ''Learning with Animation. Research implications for design'' Cambridge University Press, 2008

Masson, Terrence, ''CG101: A Computer Graphics Industry Reference'' Unique and personal histories of early computer animation production, plus a comprehensive foundation of the industry for all reading levels. ISBN 978-0-9778710-0-1

Serenko, Alexander, The development of an instrument to measure the degree of animation predisposition of agent users, Computers in Human Behavior Vol. 23, No. 1 (2007): 478-495.

Thomas, Frank and Johnston, Ollie, ''Disney Animation: The Illusion of Life'', Abbeville 1981

Walters, Faber and Helen (Ed.), ''Animation Unlimited: Innovative Short Films Since 1940'', HarperCollins Publishers, 2004

Williams, Richard, ''The Animator's Survival Kit'' ISBN 978-0-571-20228-7

Bob Godfrey and Anna Jackson, 'The Do-It-Yourself Film Animation Book' BBC Publications 1974 ISBN 978-0-563-10829-0 Now out of print but available s/hand through a range of sources such as Amazon Uk.

Lawson, Tim and Alisa Persons. ''The Magic Behind the Voices'': A Who's Who of Cartoon Voice Actors. University Press of Mississippi. 2004. (A history of cartoon voice-overs and biographies and photographs of many prominent animation voice actors.)

Ball, R., Beck, J., DeMott R., Deneroff, H., Gerstein, D., Gladstone, F., Knott, T., Leal, A., Maestri, G., Mallory, M., Mayerson, M., McCracken, H., McGuire, D., Nagel, J., Pattern, F., Pointer, R., Webb, P., Robinson, C., Ryan, W., Scott, K., Snyder, A. & Webb, G. (2004) ''Animation Art: From Pencil to Pixel, the History of Cartoon, Anime & CGI''. Fulhamm London.: Flame Tree Publishing. ISBN 978-1-84451-140-2

Crafton, Donald (1982). ''Before Mickey''. Cambridge, Massachusetts.: The MIT Press. ISBN 978-0-262-03083-0

Solomon, Charles (1989). ''Enchanted Drawings: The History of Animation''. New York.: Random House, Inc. ISBN 978-0-394-54684-1

External links

Experimental Animation Techniques

How An Animated Cartoon is Made

"Animando", a 12-minute film demonstrating 10 different animation techniques (and teaching how to use them).

CARTOON, the European association of animation film, organising coproduction forums and training seminars for animation professionals.

Animation Magazine, The News, Business, Technology and Art of Animation

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publisher	DC Comics
debut	''All Star Comics'' #8
debutmo	December
debutyr	1941
creators	William Moulton MarstonHarry G. Peter
alter ego	Princess Diana of Themyscira
alliances	Justice LeagueAmazons of ThemysciraDepartment of Metahuman Affairs
partners	Steve TrevorTrevor BarnesNemesisSupermanBatman
aliases	Diana Prince
species	AmazonDemigod (2011 relaunch)
powers	*Superhuman strength, speed, agility, and endurance Flight (only after 1960) Superior hand-to-hand combatant Empathy Healing factor Resistance to Magic Lasso of Truth Access to Magical Weaponry
cvr image	Wwoman1.jpg
cvr caption	Cover for ''Wonder Woman'' #1 (1942). Art by Harry G. Peter.
schedule	Monthly
ongoing	Y
fantasy	first
superhero	y
multigenre	y
pub series	DC Comics
1stishhead	vol. 1
1stishyr	1942
1stishmo	Summer
endishyr	1986
endishmo	February
1stishhead1	vol. 2
1stishyr1	1987
1stishmo1	February
endishyr1	2006
endishmo1	April
1stishhead2	vol. 3
1stishyr2	2006
1stishmo2	August
endishyr2	2010
endishmo2	July
1stishhead3	vol. 1 cont.
1stishyr3	2010
1stishmo3	August
endishyr3	2011
endishmo3	October
1stishhead4	vol. 4
1stishyr4	2011
1stishmo4	September
endishyr4	Present
issues	(vol. 1): 329(vol. 2): 228 (+ 8 Annuals, 1 Special)(vol. 3): 44 (+ 1 Annual)(vol. 1 cont.): 15(vol. 4):
main char team	Princess Diana of Themyscira
writers	(vol. 1)William Moulton Marston, Mike Sekowsky, Robert Kanigher, Martin Pasko, Gerry Conway, Dan Mishkin(vol. 2)Len Wein, George Pérez, Mindy Newell, William Messner-Loebs, John Byrne, Phil Jimenez, Greg Rucka(vol. 3)Allan Heinberg, Gail Simone(vol. 1 cont.)J. Michael Straczynski(vol. 4)Brian Azzarello
pencillers	(vol. 1)Harry G. Peter, Ross Andru, Mike Sekowsky, Dick Giordano, John Rosenberger, Jose Delbo, Gene Colan(vol. 2)George Pérez, Chris Marrinan, Mike Deodato, John Byrne, Phil Jimenez(vol. 3)Terry Dodson, Aaron Lopresti(vol. 1 cont.)Don Kramer(vol. 4)Cliff Chiang
inkers	(vol. 1)Mike Esposito, Dick Giordano, Vince Colletta(vol. 2)Bruce Patterson, Andy Lanning(vol. 3)Rachel Dodson, Matt Ryan
colorists	(vol. 2)Carl Gafford(vol. 3)Alex Sinclair
cat	super
subcat	DC Comics
hero	y
sortkey	Wonder Woman
sort title	Wonder Woman
addcharcat1	All-American Publications characters }}

Wonder Woman is a DC Comics superheroine created by William Moulton Marston. She first appeared in ''All Star Comics'' #8 (December 1941). The ''Wonder Woman'' title has been published by DC Comics almost continuously except for a brief hiatus in 1986.

Wonder Woman is a warrior Princess of the Amazons (based on the Amazons of Greek mythology) and was created by Marston, an American, as a "distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to a world torn by the hatred of men." Known in her homeland as Diana of Themyscira, her powers include superhuman strength, flight (even though the original Wonder Woman did not have this ability), super-speed, super-stamina, and super-agility. She is highly proficient in hand-to-hand combat and in the art of tactical warfare. She also possesses animal-like cunning skills and a natural rapport with animals, which has been presented as an actual ability to communicate with the animal kingdom. She uses her Lasso of Truth, which forces those bound by it to tell the truth, a pair of indestructible bracelets, a tiara which serves as a projectile, and, in some stories, an invisible airplane.

Created during World War II, the character was initially depicted fighting the Axis military forces, as well as an assortment of supervillains. In later decades, some writers maintained the World War II setting, with many of its themes and story arcs, while others updated the series to reflect the present day. Wonder Woman has also regularly appeared in comic books featuring the superhero teams Justice Society (from 1941) and Justice League (from 1960). Arguably the most popular and iconic female superhero in comics, Wonder Woman is also considered a feminist icon. She was named the 20th greatest comic book character by ''Empire'' magazine.

In addition to the comics, the character has appeared in other media; most notably, the 1975–1979 ''Wonder Woman'' TV series starring Lynda Carter, as well as animated series such as the ''Super Friends'' and ''Justice League''. Although a number of attempts have been made to adapt the character to live-action film, none has yet emerged from development hell. An animated film was released in 2009, with Keri Russell voicing the title role. In 2011, Adrianne Palicki starred in a failed pilot for a would-be series about the character.

In May 2011, Wonder Woman placed fifth on IGN's Top 100 Comic Book Heroes of All Time.

Publication history

Creation

In an October 25, 1940 interview published in ''Family Circle'' titled "Don't Laugh at the Comics", William Moulton Marston described what he saw as the great educational potential of comic books. This article caught the attention of comics publisher Max Gaines, who hired Marston as an educational consultant for National Periodicals and All-American Publications, two of the companies that would merge to form DC Comics. At that time, Marston decided to develop a new superhero. ''Family Circle'' published a follow-up article two years later from issue of the Boston University alumni magazine, it was Marston's wife Elizabeth's idea to create a female superheroine:

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Marston introduced the idea to Gaines, co-founder of All-American Publications. Given the go-ahead, Marston developed ''Wonder Woman'' with Elizabeth, whom Marston believed to be a model of that era's unconventional, liberated woman. Marston was also inspired by Olive Byrne, who lived with the couple in a polygamous/polyamorous relationship. Both women served as exemplars for the character and greatly influenced the character's creation. Wonder Woman debuted in ''All Star Comics'' #8 (December 1941), scripted by Marston and with art by Harry G. Peter.

Marston was the creator of a systolic-blood-pressure-measuring apparatus, which was crucial to the development of the polygraph (lie detector). Marston's experience with polygraphs convinced him that women were more honest and reliable than men and could work more efficiently.

"Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world," Marston wrote. Although Gloria Steinem placed Wonder Woman on the first standalone cover of ''Ms.'' in 1972, Marston, writing in an earlier time, designed Wonder Woman to represent a particular form of female empowerment. Feminism argues that women are equal to men and should be treated as such; Marston's representative of femininity is a 6-foot-tall Amazon wielding a golden lasso that forces obedience on those it encircles. In Marston's mind, women not only held the potential to be as good as men but to be superior to men.

In a 1943 issue of ''The American Scholar'', Marston wrote:

During this period, Wonder Woman joined the Justice Society of America as the female member, albeit as the group's secretary, since the custom was that characters who had their own comic books would hold only honorary membership.

Evolution of the character

Initially, Wonder Woman was an Amazon champion who wins the right to return Steve Trevor — a United States intelligence officer whose plane had crashed on the Amazons' isolated island homeland — to "Man's World" and to fight crime and the evil of the Nazis.

During the Silver Age, Wonder Woman's origin was revamped, along with other characters'. The new origin story increased the character's Hellenic and mythological roots: receiving the blessing of each deity in her crib, Diana is destined to become "beautiful as Aphrodite, wise as Athena, stronger than Hercules, and swifter than Mercury."

At the end of the 1960s, under the guidance of Mike Sekowsky, Wonder Woman surrendered her powers in order to remain in Man's World rather than accompany her fellow Amazons to another dimension. Becoming a mod boutique owner, the powerless Diana Prince acquired a Chinese mentor named I Ching. Under I Ching's guidance, Diana learned martial arts and weapons skills and engaged in adventures that encompassed a variety of genres, from espionage to mythology.

Because of the popularity of the ''Wonder Woman'' TV series, the character later returned to her superpowered roots in ''Justice League of America'' and to the World War II era in her own title.

Following the 1985 ''Crisis on Infinite Earths'' series, George Pérez, Len Wein, and Greg Potter relaunched the character, writing Wonder Woman as an emissary and ambassador from Themyscira to Patriarch's World, charged with the mission of bringing peace to the outside world.

In August 2010 (issue #600), DC Comics replaced the character's iconic stars-and-stripes singlet with a blue jacket (later discarded), red and gold top and dark pants, retaining only her tiara and lasso.

In 2011, DC Comics relaunched its entire line of publications to attract a new generation of readers. In this new continuity, Wonder Woman wears a costume similar to her original costume. Also, her origin is significantly changed and she is no longer a clay figure brought to life by the magic of the gods. Instead, she is a demigod, the natural-born daughter of Hippolyta and Zeus.

Powers and abilities

Pre-Crisis

Originally, Wonder Woman owed her abilities to the goddess Aphrodite creating Amazons superior to men, with Diana being the best of their kind.

The Golden Age Wonder Woman was later updated by Marston to be able to will a tremendous amount of brain energy into her muscles and limbs because of her Amazon training, endowing her with extraordinary strength and speed. According to her first appearance, she is stronger and more agile than a hundred of the best human athletes. In ''Sensation Comics'' #6 (June 1942), she is able to tear a steel door off its hinges. In one of her earliest appearances, she is shown running easily at 60 mph. In the same comic, she jumps from a building and lands on the balls of her feet. She can even type at a rate of over 160 words a minute during a test given to her. It was implied, and ultimately confirmed, that ''any'' woman who underwent Amazon training would gain superhuman strength. The TV series took up this notion, and in the first episode of ''Super Friends'', Diana states to Aquaman, "...the only thing that can surpass super strength is the power of the brain." In early ''Wonder Woman'' stories, Amazon training involves strengthening this ability using pure mental energy.

Her powers would be removed in accordance with "Aphrodite's Law" if she allowed herself to be bound or chained by a male. However the effects of ths varied. In the television series, her magic belt allowed her to retain her powers when she was not on Paradise Island; removing it weakened her.

With the inclusion of Wonder Girl and "Wonder Tot" in Diana's back-story, writers provided new explanations of her powers; the character became capable of feats which her sister Amazons could not equal. ''Wonder Woman'' (vol. 1) #105 reveals that Diana was formed from clay by the Queen of the Amazons and was imbued with the attributes of the Greek and Roman gods by Athena — "beautiful as Aphrodite, wise as Athena, swifter than Hermes, and stronger than Hercules." and Martian.

Depending on the writer, Diana's invulnerability and power varied greatly according to the needs of the story. Throughout the late 1950s and early 1960s, Robert Kanigher, for example, portrayed Wonder Woman as being so strong that she, after standing atop her hovering plane and lassoing it with her magic lasso, was able to effortlessly lift Themyscira out of the way of an approaching tsunami using just one hand. She was able to make a coin into a bridge with her strength, or drill through a mountain within seconds, as well as hurl spaceships with enough accuracy she could bowl over a whole fleet. Her fingernails could cut through a steel door. She was even able to flip straight over while nearly paralyzed, and split a tree falling on her with her Amazonian boots. Kanigher showed Wonder Woman as a preteen able to lift whales, push a ship away from a whirlpool, and also as a toddler able to blow so hard on her birthday cake that she sent it into orbit.

In the Silver and Bronze ages of comics, Wonder Woman was able to further increase her strength. She was unable to remove her bracelets without going insane. In times of great need, however, she would do just that, in order to temporarily augment her power tenfold. Since she would become a threat to friend and foe alike, she would use Amazonian berserker rage only as a weapon of last resort.

Before ''Crisis on Infinite Earths'' there were two Wonder Women: the first one lived on Earth-Two; the second, on Earth-One. The first canonical appearance of the Earth-One Wonder Woman is ''Wonder Woman'' (vol. 1) #80 (February 1956). Their first published meeting is ''Justice League of America'' (vol. 1) #100 (August 1972); however, their earliest meeting within the DC continuity is ''Wonder Woman'' (vol. 1) #228 (February 1977), which takes place in 1943, prior to the events of the ''Justice League of America'' story.

Post-Crisis

Wonder Woman's body is a mystical creation made from the clay surrounding Themyscira. Through divine means, her disembodied soul was nurtured in and retrieved from the Cavern of Souls. Once the soul was placed into the body, it immediately came to life and was blessed with metahuman abilities by six Olympian deities.

Demeter, the goddess of agriculture and fertility, blessed Diana with strength drawn from the Earth spirit Gaea, making her one of the physically strongest heroes in the DC Universe. She has been observed assisting in preventing large chunks of the Moon from crashing onto the Earth, supporting the weight of bridges, or hefting entire railroad trains. Although stated as possibly being physically weaker and slower than, for example, Power Girl, Diana's superior warrior training more than makes up for it, along with strength drawn from the earth itself, she is able to overpower either Kara, or her counterpart Supergirl., and hold her own against beings such as Superman and Captain Marvel. Furthermore, unlike most of her contemporaries in Man's World, Diana is willing to use deadly force, which gives her more options to deal with opponents as circumstances dictate.

While not invulnerable, she is capable of withstanding great concussive force, shrugging off high-powered rifle fire with some pain but little injury, being knocked through a building, and even surviving a warp-core explosion. She is durable enough to survive the rigors of space until she runs out of breath. While her superhuman strength affords her great resistance to blunt-force trauma, her skin can be cut by weapons if they are sharp enough. Her muscles do not produce lactic acids, giving her great stamina. This allowed her to once battle a clone of Doomsday.

Aphrodite, the goddess of love and beauty, blessed Diana with great beauty and a loving heart.

Pallas Athena, the goddess of wisdom and war, granted Diana great wisdom, intelligence, and military prowess. Athena's gift has enabled Diana to master over a dozen languages (including those of alien origin), multiple complex crafts, sciences and philosophies, as well as leadership, military strategy, and armed and unarmed combat. She can mimic voices, although it is more difficult for her to mimic a man's voice. More recently, Athena bound her own eyesight to Diana's, granting her increased empathy.

Artemis, goddess of the hunt, animals, and the Moon, graced Diana with the Eyes of the Hunter and Unity with Beasts. The Eyes of the Hunter ability gives Diana a full range of enhanced senses, including enhanced sight and hearing. Unity with Beasts grants her the ability to communicate with all forms of animal life and to calm even the most ferocious of beasts.

Hestia, goddess of hearth and home, granted Diana "sisterhood with fire, that it might open men's hearts to her." This power has been shown to control the "Fires of Truth," which Diana wields through her lasso, making anyone bound by it unable to lie. This ability also grants her resistance to both normal and supernatural fire.

Hermes, the messenger god of speed, granted Diana superhuman speed and the ability to fly. By concentrating, Diana can mystically defy the laws of gravity and propel herself through the air to achieve flight. She is capable of flying at speeds approaching half the speed of light. She is swift enough to deflect bullets, lasers, and other projectiles with her virtually impenetrable bracelets. Her brain can process information at an incredibly fast rate.

Diana possesses the ability to relieve her body of physical injury and toxins by becoming one with the Earth's soil and then reforming her body whole again. During John Byrne's run, it was stated that this is a ritual so sacred that it is used only in the most dire of circumstances.

She is able to astrally project herself into various lands of myth. Her physical body reacts to whatever happens to her on the mythical astral plane, leaving her body cut, bruised, or sometimes strengthened once her mind and body are reunited. She can apparently leave the planet through meditation, and did this once to rescue Artemis while she was in hell.

Skills

All versions of Diana depict her as a masterful athlete, acrobat, fighter and strategist, trained and experienced in many ancient and modern forms of armed and unarmed combat, including exclusively Amazonian martial arts. In some versions, her mother trained her, as Wonder Girl, for a future career as Wonder Woman. From the beginning, she is portrayed as highly skilled in using her Amazon bracelets to stop bullets and in wielding her golden lasso. She is a superior warrior who has beaten Batman, Big Barda, and Black Canary in sparring matches. The modern version of the character differs from her compatriots in that she is willing to use deadly force when she deems it necessary.

Weapons

Diana has an arsenal of powerful god-forged weapons at her disposal, but her signature weapons are her indestructible bracelets and the Lasso of Truth.

Her bulletproof bracelets were formed from the remnants of Athena's legendary shield, the Aegis, to be awarded to her champion. The shield was made from the indestructible hide of the great she-goat, Amalthea, who suckled Zeus as an infant. These forearm guards have thus far proven indestructible and able to absorb the impact of incoming attacks, allowing Wonder Woman to deflect automatic weapon fire and energy blasts. Diana can also slam the bracelets together to create a wave of concussive force capable of making Superman's ears bleed.

The Lasso of Truth, or Lariat of Hestia, was forged by Hephaestus from the golden girdle of Gaea. It is virtually indestructible; the only times it has been broken were when truth itself was challenged, such as when she confronted Rama Khan of Jarhanpur, and by Bizarro in Matt Wagner's non-canonical ''Batman/Superman/Wonder Woman: Trinity''. In ''Sensation Comics'' #6 (June 1942), Hippolyta claims that not even Hercules can break it. The Lasso burns with a magical aura called the Fires of Hestia, forcing anyone within the Lasso's confines to be truthful. It also at one time had the power to force anyone caught to obey any command given them, even overriding other kinds of mind control; this was effective enough to defeat strong-willed beings like Captain Marvel. Diana wields the lasso with great precision and accuracy and can use it as a whip or noose.

As early as the 1950s, Wonder Woman's Golden Tiara has also doubled as a dagger and a throwing weapon, returning to her like a boomerang. Its sharpness and mystical nature proved enough to cut even Superman.

Toys

Wonder Woman has been released in numerous forms by Mattel including Barbie Dolls, Polly Pockets, and DC Universe Classics action figures in Traditional Costume and Blackest Night Star Sapphire Costume.

See also

Alternative versions of Wonder Woman for ''Elseworlds'' and other characters to bear the title

Amazons (DC Comics)

Darna

Diana Prince

List of Wonder Woman enemies

List of Wonder Woman supporting characters

Orana (DC comics)

Portrayal of women in comics

List of female action heroes

Woman warrior

Wonder Woman in literature

References

External links

Wonder Woman Official website at DC Comics.com

Origin story of Wonder Woman at DC Comics.com

Carol A. Strickland's Wonder Woman site

AmazonArchives.com

Wonder of Wonders

Wonder Woman Wiki

Category:All-American Publications characters Category:Atlantis in fiction Category:Characters created by William Moulton Marston Category:Comics characters introduced in 1941 Category:DC Comics Amazons Category:DC Comics characters with accelerated healing Category:DC Comics characters with superhuman strength Category:DC Comics martial artists Category:DC Comics titles Category:Fictional aviators Category:Fictional diplomats Category:Fictional empaths Category:Fictional Greek people Category:Fictional immigrants to the United States Category:Fictional princesses Category:Fictional women soldiers and warriors Category:United States-themed superheroes

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Team name	Justice League
Publisher	DC Comics
Debut	''The Brave and the Bold'' (vol. 1) #28 (February/March 1960)
Creators	Gardner Fox
Base	The Hall and the SatelliteWatchtowerThe RefugeJLI EmbassiesDetroit BunkerSatelliteSecret Sanctuary
Memberlist	List of Justice League members
Cat	teams
Subcat	DC Comics
Hero	y
Sortkey	Justice League }}

The Justice League, also called the Justice League of America or JLA, is a fictional superhero team that appears in comic books published by DC Comics.

First appearing in ''The Brave and the Bold'' #28 (February/March 1960), the League originally appeared with a line-up that included Superman, Batman, Wonder Woman, Flash (Barry Allen), Green Lantern (Hal Jordan), Aquaman, and the Martian Manhunter. However, the team roster has been rotated throughout the years with characters such as Green Arrow, Captain Marvel, Black Canary, the Atom, Hawkman, Hawkgirl, Plastic Man, Red Tornado, Firestorm, Zatanna, other Green Lanterns, and dozens of others. The team received its own comic book title in October 1960, when the first issue was published, and would continue to #261 in April 1987, which was the final issue. Throughout the years, various incarnations or subsections of the team have operated as Justice League America, Justice League Europe, Justice League International, Justice League Task Force, Justice League Elite, and Extreme Justice.

Various comic book series featuring the League have remained generally popular with fans since inception and in most incarnations, its roster includes DC's most popular characters. The League concept has also been adapted into various other entertainment media, including the classic Saturday morning ''Super Friends'' animated series (1973–1986), an unproduced ''Justice League of America'' live-action series, and most recently the animated series ''Justice League'' (2001–2004) and ''Justice League Unlimited'' (2004–2006). A live-action film was in the works in 2008 before being shelved. "

Publication history

Silver and Bronze Age / ''Justice League of America''

title	Justice League of America
schedule	Monthly
format	Ongoing
publisher	DC Comics
date	October 1960 – April 1987
issues	261
writers	Gardner FoxGerry Conway
pencillers	Mike SekowskyDick DillinGeorge Pérez
inkers	Sid GreeneDick GiordanoFrank McLaughlin
creators	Gardner FoxMike Sekowsky }}

Having successfully reintroduced a number of their Golden Age superhero characters (Flash, Green Lantern, etc.) during the late 1950s, DC Comics asked writer Gardner Fox to reintroduce the Justice Society of America. Fox, influenced by the popularity of the National Football League and Major League Baseball, decided to change the name of the team from Justice ''Society'' to Justice ''League''. The Justice League of America debuted in ''The Brave and the Bold'' #28 (1960), and after two further appearances in that title, got their own series which quickly became one of the company's best-selling titles. Fox and artist Mike Sekowsky were the creative team for the title's first eight years. Sekowsky's last issue was #63 (June 1968) and Fox departed with #65 (September 1968).

The initial Justice League lineup included seven of the DC superheroes being published regularly at that time: Superman, Batman, Aquaman, Flash, Green Lantern, Martian Manhunter, and Wonder Woman. However, Superman and Batman barely featured in most of the stories, not even appearing on the cover most of the time. Three of DC's other surviving or revived characters (Green Arrow, Atom, and Hawkman) were added to the roster over the next four years, the latter two having been revamped by Gardner Fox himself. JLA's early success was indirectly responsible for the creation of the Fantastic Four. In his autobiography Stan Lee relates how, during a round of golf, DC publisher Jack Liebowitz mentioned to Marvel-Timely owner Martin Goodman how well DC's new book (''Justice League'') was selling. Later that day Goodman told Lee to come up with a team of superheroes for Marvel; Lee and Jack Kirby produced the Fantastic Four.

The Justice League operated from a secret cave outside of the small town of Happy Harbor, Rhode Island. A teenager named Lucas "Snapper" Carr tagged along on missions, and he became both the team's mascot and an official member. Snapper, noted for speaking in beatnik dialect and snapping his fingers, helped the League to defeat giant space starfish Starro the Conqueror in the team's first appearance. In ''Justice League of America'' #77 (December 1969), Snapper was tricked into betraying the cave headquarters' secret location to the Joker, resulting in his resignation from the team. His resignation followed the resignations of two of the League's original members, Wonder Woman (in ''Justice League of America'' #69) and J'onn J'onzz (in ''Justice League of America'' #71).

Satellite years

In need of a new secure headquarters, the Justice League moved into an orbiting satellite headquarters in ''Justice League of America'' #78 (February 1970). Black Canary, Elongated Man, Red Tornado, Hawkwoman, Zatanna and Firestorm all joined the team during this period, and Wonder Woman returned. In the first two thirds or so of this era, the team was sometimes said to have a twelve-member limit and/or a "no duplication of powers" policy; this was formally rescinded in ''Justice League of America'' #146, allowing Hawkgirl to join.

Those involved in producing the ''Justice League of America'' comic during the 1970s include writers Denny O'Neil, Mike Friedrich, Len Wein, Elliot S! Maggin, Cary Bates, E. Nelson Bridwell, and Steve Englehart, with Dick Dillin handling the art chores from issues #64-181, missing only one issue, #153 and did only a framing sequence for #157. Len Wein wrote issues #100–114 wherein he and Dillin re-introduced the Seven Soldiers of Victory in issues #100-102 and the Freedom Fighters in issues #107-108. Libra, a supervillain created by Wein and Dillin in ''Justice League of America'' #111 (May-June 1974), would play a leading role in Grant Morrison's ''Final Crisis'' storyline in 2008. Writer Gerry Conway had a lengthy association with the title as well. His first ''JLA'' story appeared in issue #125 (December 1975) and he became the series' regular writer with issue #151 (February 1978). With a few exceptions, Conway would write the team's adventures until issue #255 (October 1986). After Dick Dillin's death, George Pérez, Don Heck, and Rich Buckler would rotate as artist on the title. Pérez would leave the title as of issue #200 to concentrate on ''The New Teen Titans'' although he would contribute covers to the ''JLA'' through issue #220 (November 1983).

Detroit

Seeking to capitalize on the popularity of their other team books, which focused upon heroes in their late teens/early 20s, Gerry Conway and artist Chuck Patton revamped the Justice League series. After most of the original heroes failed to arrive in order to help the team fend off an invasion of Martians, Aquaman dissolved the League and reformatted its charter to only allow heroes who would devote their full time to the roster. The new team initially consisted of Aquaman, Zatanna, Martian Manhunter, Elongated Man, the Vixen, and a trio of teenage heroes Gypsy, Steel, and Vibe. Aquaman would leave the team after a year and was replaced as leader by the Martian Manhunter. Because of his own edict of only wanting full-time heroes in the League, Aquaman's estranged wife Mera gave him an ultimatum to stay with either the group or with her to salvage their marriage.

Fan response to the series' new direction was largely negative and even the return of Batman to the team in ''Justice League of America'' #250 could not halt the decline of the series. Thus the fan deeming the name of the worst team of Justice Leaguer's ever, which eventually receded to the comics; such as in a moment of coversation in Justice League vol 2 Vixen said "With our line-up we coundn't even beat Detroit!" Which was responded by Dr Light "Anyone can beat Detroit!" The final storyline for the original ''Justice League of America'' series (#258-261) by writer J. M. DeMatteis and artist Luke McDonnell, culminated a story-arc involving long-time Justice League enemy Professor Ivo's murders of Vibe and Steel (and the resignations of Vixen, Gypsy, and the Elongated Man) during the events of DC's ''Legends'' mini-series, which saw the team disband.

Modern incarnations

Justice League International

The 1986 company-wide crossover featured the formation of a new Justice League. The new team was dubbed "Justice League" then "Justice League International" (JLI) and was given a mandate with less of an American focus. The new series, written by Keith Giffen and J. M. DeMatteis with art by Kevin Maguire (and later Adam Hughes), added quirky humor to the team's stories. In this incarnation, the membership consisted partly of heroes from Earths that, prior to their merging in the Crisis on Infinite Earths, were separate. The initial team included Batman, Black Canary, Blue Beetle, Captain Marvel, Doctor Light (a new Japanese female character, emerging from the Crisis of Infinite Earths, not the supervillain who had appeared previously), Doctor Fate, Martian Manhunter, Mister Miracle, and Guy Gardner; and soon after inception, added Booster Gold, Captain Atom, Fire (then known as the Global Guardians' Green Flame), Ice (then known as the Global Guardians' Icemaiden), and two Rocket Reds (one was a Manhunter spy, and one was Dimitri Pushkin). The series' humorous tone and high level of characterization proved very popular initially, but writers following Giffen and DeMatteis were unable to maintain the same balance of humor and heroics, resulting in the decline of the series' popularity. New writers gave the storylines a more serious tone and re-focused the team on America, resulting in the book being re-branded ''Justice League America''. By the mid- to late-1990s, with the series' commercial success fading, it was eventually canceled, along with spinoffs ''Justice League Europe'', ''Extreme Justice'', and ''Justice League Task Force''.

''JLA''

title	JLA
schedule	Monthly
format	Ongoing
publisher	DC Comics
date	January 1997 – February 2006
issues	125
writers	Grant Morrison, Mark Waid, Joe Kelly, Denny O'Neil, Chuck Austen, Kurt Busiek, Geoff Johns, Allan Heinberg, Bob Harras
pencillers	Howard PorterBryan HitchDoug Mahnke
inkers	John DellPaul Neary
creators	Grant MorrisonHoward Porter }}

The low sales of the various Justice League spinoff books prompted DC to revamp the League as a single team (all the various branch teams were disbanded) on a single title. A Justice League of America formed in the September 1996 limited series ''Justice League: A Midsummer's Nightmare'' by Mark Waid and Fabian Nicieza, which reunited the "Original Seven" of the League for the first time since Crisis on Infinite Earths. In 1997, DC Comics launched a new Justice League series titled ''JLA'', written by Grant Morrison with art by Howard Porter and inker John Dell.

This series, in an attempt at a "back-to-basics" approach, used as its core the team's original seven members (or their successors): Superman, Batman, Wonder Woman, Aquaman, Flash (Wally West), Green Lantern (Kyle Rayner), and the Martian Manhunter. Additionally, the team received a new headquarters, the "Watchtower", based on the Moon. Morrison introduced the idea of the JLA allegorically representing a pantheon of gods, with their different powers and personalities, incorporating such characters as Zauriel, Big Barda, Orion, Huntress, Barbara Gordon (Oracle), Steel (John Henry Irons), and Plastic Man. He also had temporaries as Aztek, Tomorrow Woman, and Green Arrow (Connor Hawke).

Under Morrison, the series pitted the League against a variety of enemies, ranging from murderous White Martians, renegade angels, a new incarnation of the Injustice Gang led by Lex Luthor, the Key awakened from a coma, to the villainy of new villain Prometheus, the alien species of existing JLA villain Starro the Conqueror (revamped as a monstrous creature known as "The Star Conquerer") and Captain Atom villain General Wade Eiling, who transformed a cadre of Marines into deformed super-powered beings known as "The Ultra-Marines" as well as put his mind into the body of the indestructible Shaggy Man, and a futuristic Darkseid. Morrison's run itself featured a myth-arc involving the New Gods preparing the Earth for battle against a creature known as "Maggedon", a super-sentient weapon of mass destruction that was approaching Earth, that culminated in the final Morrison arc "World War III".

The run also had its share of editorial problems, such as Morrison's need to adapt to Superman's changing powers, the death of Wonder Woman and the loss of Green Arrow Connor Hawke, due to plans for a Kevin Smith-penned ''Green Arrow'' series. Still, ''JLA'' quickly became DC's best-selling title, a position it enjoyed off and on for several years. Despite this, DC did not create continuing spinoff series as it had done before.

Morrison departed with issue #41, after which the book saw runs by Mark Waid and Joe Kelly. Subsequent to this, the series switched to a series of rotating writers with issue #91 while Kelly (via ''JLA'' #100) was given a the mini-series ''Justice League Elite'', which featured Green Arrow, Flash, and several other Kelly created characters. The new format saw stories by John Byrne, Chuck Austen, and Kurt Busiek. Geoff Johns and Allan Heinberg would take over the book with #115, which saw a multi-part storyline that dealt with the aftermath of ''Identity Crisis'', and served as a lead-in to the events of "Infinite Crisis", as Superboy-Prime destroyed the Watchtower at the end of issue #119. Bob Harras would ultimately write the book's final storyline (''JLA'' #120-125) as Green Arrow struggled in vain to keep the League afloat.

''52''

In ''52'' Week 24, Firestorm recruits a group to reform the Justice League. It consists of Firehawk, Super-Chief, Bulleteer, and Ambush Bug. They fight a deranged Skeets who takes Super-Chief's powers and kills him as well as numerous people given powers by Lex Luthor's Everyman Project. Afterward, Firestorm breaks up the team.

Also in the series, Luthor's new Infinity, Inc. was informally referred to as a "Justice League" in solicitations and on covers.

''Justice League of America'' (vol. 2)

title	Justice League of America (vol. 2)
schedule	Monthly
format	Ongoing
publisher	DC Comics
date	August 2006 – August 2011
issues	60 (including #0) as of August 2011
writers	Brad MeltzerDwayne McDuffieLen WeinJames Robinson
pencillers	Ed BenesMark BagleyBrett Booth
creators	Brad MeltzerEd Benes }}

One year after the events of ''Infinite Crisis'', Superman, Batman, and Wonder Woman reunite in the Batcave to re-form the League in ''Justice League of America'' #0, the kick-off for a new series by Brad Meltzer and Ed Benes. The series featured a roster which included Green Lantern (Hal Jordan), Black Canary, Red Arrow (Green Arrow's former sidekick), Red Tornado, Vixen, Black Lightning, and Hawkgirl. The first arc of the series focused upon Red Tornado and pitted the team against a new intelligent incarnation of Solomon Grundy and the rebuilt Amazo. The new incarnation of the team has two main headquarters, linked by a transporter. The first site is The Hall, which in mainstream DC Universe is a refurnished version of the Justice Society of America and the All-Star Squadron's former headquarters located in Washington, D.C. Black Canary is elected as the first official Chairperson after the fight against Amazo and Solomon Grundy, and led both the Justice League and Justice Society in a complex quest to reunite time-lost members of the pre-Crisis Legion of Super-Heroes, who had been sent back in time to free both Bart Allen and Flash from the other dimensional realm of the Speed Force. Meltzer left the series at the end of issue #12, with one of his subplots (Per Degaton, a pre-nuclear fire mutation version of Despero, and a circa 1948 version of the Ultra-Humanite gathering for an unknown plot) resolved in the pages of ''Booster Gold''.

Dwayne McDuffie took over the writing job with the ''Justice League Wedding Special'' and the main book with issue #13. Due to DC Comics seeking to launch a spin-off Justice League book led by Hal Jordan, the character was removed from the main League series and replaced by John Stewart. Firestorm also joined the roster, with the series entering into a series of tie-in storylines towards ''Countdown to Final Crisis'', with the arrest of a large number of supervillains (gathered by Lex Luthor and Deathstroke to attack the League on the eve of the wedding of Black Canary and Green Arrow) setting up the ''Salvation Run'' tie-in miniseries. Also, roster members Red Tornado and Geo-Force were written out. McDuffie's initial issues received mixed reviews and experienced minor conroversy due to fan favorite Hal Jordan's removal in favor of Stewart. Jordan ended up being restored to the roster by issue #19 of the series, only to be removed once again by issue #31 once ''Justice League: Cry for Justice'' was completed and ready to be shipped.

Issue #21 saw the return of Libra and the Human Flame, setting up their appearances in ''Final Crisis''. Later issues would resolve issues involving Vixen's power level increase and see the integration of the Milestone Comics characters the Shadow Cabinet and Icon, who fought the Justice League over the remains of the villainous Doctor Light. The group suffered greater losses during ''Final Crisis'' with the deaths of Martian Manhunter and Batman, as well as the resignations of Superman and Wonder Woman, who could no longer devote themselves full-time to the League due to the events of the ''New Krypton'' and ''Rise of the Olympian'' storylines in their respective titles. Hal Jordan would also resign as well, clearing the way for John Stewart's return to the team. Black Canary (now team leader) found herself declaring the League no more, though the group would continue with Canary taking a secondary role in the group. Her last act as leader would be assigning John Stewart and Firestorm the task of hunting down the Human Flame, for his part in the murder of Martian Manhunter, as seen in the ''Final Crisis Aftermath: Run!'' miniseries.

Vixen would take over the team, with Plastic Man rejoining the group. Len Wein wrote a three-part fill-in story for ''Justice League of America'' that ran from #35 to #37. McDuffie was fired from the title before he could return, after discussion postings to the DC Comics message board, detailing behind-the-scenes creative decisions on his run, were republished in the rumor column "Lying In The Gutter". James Robinson was announced as the new ''Justice League of America'' writer.

Wein's fill-in run would be published as "Justice League: Cry For Justice" neared its conclusion, as Vixen and Black Canary's group (sans John Stewart) would confront Hal Jordan and Green Arrow's makeshift Justice League group, which had stumbled upon a plot by the villain Prometheus that had resulted in much death and carnage. During the confrontation over Jordan's group using torture to extra information from the villains being blackmailed into carrying out Prometheus' plan, both Roy Harper and Supergirl would discover that one of Jordan's heroes, Captain Marvel Jr., was really Prometheus in disguise. In the ensuing battle, the League would suffer horrible losses: Roy Harper was maimed and his daughter Lian and hundreds of thousands of people in Star City would be killed by a doomsday device Prometheus activated. Vixen would have her leg broken and Plastic Man would have his powers permanently scrambled, making him a slowly disintegrating puddle creature. To save other cities from being destroyed like Star City, the League reluctantly allowed Prometheus to go free. However, Green Arrow (with help from the Shade) would track down and kill Prometheus.

Following the events of "Blackest Night", Hal Jordan and Donna Troy begin the task of rebuilding the League, with Green Arrow, the Atom, Batman, Mon-El, Donna, Cyborg, Doctor Light, Starfire, Congorilla, and the Guardian.

At the end of issue #43, the majority of the new members leave for various reasons. Mon-El and the Guardian leave after Mon-El returns to the future, Black Canary returns to the Birds of Prey, Starfire leaves to join the R.E.B.E.L.S., Green Lantern leaves locate the other Lantern Corps Entities, and Green Arrow is forced to leave due to his fugitive status. James Robinson revealed this was due to him having second thoughts about his decision to use so many characters, and revealed that the team would have a different roster in the coming months. To replace the departed members, Jade and Jesse Quick were added to the team. Cyborg remained with the team in a reduced capacity, and was eventually given his own co-feature storyline for issues 48–50.

Under Robinson, the title experienced mixed reviews and lower (but stable) sales than under Meltzer and McDuffie, with negative fan respone being leveled at the series due to its usage of lesser known heroes instead of more popular Justice League members. DC eventually announced that Saint Walker of the Blue Lantern Corps would be joining the Justice League during a tie-in to the ''Reign of Doomsday'' crossover, but the character did not become a full member due to the cancellation of the title.

The series ended with issue #60 in August 2011, with the title being one of the numerous DC books cancelled after the ''Flashpoint'' crossover. The issue saw Batman disbanding the League due to most of the individual members becoming preoccupied with personal commitments.

''Justice League''

title	Justice League
Converted	y
schedule	Monthly
format	Ongoing
publisher	DC Comics
date	August 2011 – present
main char team	Justice League of America
writers	Geoff Johns
pencillers	Jim Lee
inkers	Scott Williams
colorists	Alex Sinclair
creators	Geoff JohnsJim Lee }}

In 2011, following the "Flashpoint" crossover storyline, all DC titles were canceled. Fifty-two titles were relaunched with new first issues and new creative teams. ''Justice League of America'' was relaunched as ''Justice League'', and was the first of the new titles released, coming out the same week as the final issue of ''Flashpoint''. The title will be written by Geoff Johns and drawn by Jim Lee, and will feature a brand new origin for the team which is covered in the first six issues of the series that takes place five years before the events of the titles from the other relaunched series. Issue #7 of the series will begin the story of the Justice League in the present which is set to be released in March 2012.

The starting line-up of the team will consist of Superman, Batman, Wonder Woman, Green Lantern (Hal Jordan), Aquaman, the Flash (Barry Allen), and Cyborg, with the Atom (Ryan Choi), Hawkman (Carter Hall), Firestorm (Ronnie Raymond), Green Arrow, Aquaman's wife Mera, Deadman, recently created character Element Woman, and Lady Luck, a revamp of the Golden Age character, as additional members.

In addition to this series, two other ''Justice League''-related titles have been announced and will launch during the same month; a new ''Justice League International'', written by Dan Jurgens and drawn by Aaron Lopresti, featuring a roster consisting of Batman, Booster Gold, Rocket Red, Vixen, Green Lantern (Guy Gardner), Fire, Ice, August General in Iron, and Godiva, and ''Justice League Dark'', written by Peter Milligan and drawn by Mikel Janin, featuring a roster consisting of John Constantine, Shade, the Changing Man, Madame Xanadu, Deadman, Zatanna, and new character Mindwarp.

Various origins of the Justice League

In a story told in flashback in 1962's ''Justice League of America'' #9, Earth was infiltrated by the Appelaxians. Competing alien warriors were sent to see who could conquer Earth first to determine who will become the new ruler of their home planet. The aliens' attacks drew the attentions of Superman, Batman, Wonder Woman, Flash (Barry Allen), Green Lantern (Hal Jordan), Aquaman, and Martian Manhunter. While the superheroes individually defeated most of the invaders, the heroes fell prey to a single competitor's attack; only by working together were they able to defeat the competitor. For many years, the heroes heralded this adventure as the event that prompted them to agree to pool resources when confronted with similar menaces.

Years later, however (as revealed in ''Justice League of America'' #144), Green Arrow uncovered inconsistencies in League records and extracted admissions from his colleagues that the seven founders had actually formed the League after the Martian Manhunter was rescued from Martian forces by the other six founders, along with several other heroes including Robin, Robotman, Congo Bill/Congorilla, Rex the Wonder Dog, and even Lois Lane. Green Lantern participated in this first adventure solely as Hal Jordan, due to the fact that he had yet to become the costumed hero at that time (the biggest inconsistency Arrow found, as they celebrated the earlier incident's date, while recounting only the later one's events). When the group formalized their agreement, they suppressed news of it because of anti-Martian hysteria (mirroring the real-world backdrop of Martian scares and anti-communist hysteria of the 1950s). Because the League members had not revealed their identities to each other at the time, they did not realize that Jordan and Green Lantern were one and the same when he turned up in costume during the event described in #9. While most subsequent accounts of the League have made little mention of this first adventure, the animated ''Justice League'' series adapted this tale as the origin of the League as well.

1989's ''Secret Origins'' #32 updated ''Justice League of America'' #9's origin for Post-Crisis continuity. Differences included the inclusion of the original Black Canary as a founding member and the absence of Batman, Wonder Woman, and Superman (the 1960s time frame was retained, but the post-Crisis versions of DC's three biggest stars were young and early in their careers in the late 1980s). Additionally, while Hal Jordan served as the public face of the Justice League, this iteration of the League's origin cast the Flash as the team's unofficial leader, since it was Allen who usually came up with the plans that best utilized everyone's powers. 1998's ''JLA: Year One'' limited series, by Mark Waid, Brian Augustyn, and Barry Kitson, further expanded upon the ''Secret Origins'' depiction, with the revelation that the group was secretly financed by Oliver Queen, a.k.a. the superhero Green Arrow. It also stated that Superman rejected membership into the group, leading to much animus between him and the other "founders" during the early years of the group.

In 1994's ''Justice League Task Force'' #16, during Zero Hour, an unknown superhuman named Triumph appeared. In a plotline never explored before, Triumph was revealed to have been a founding member of the Justice League and was their leader. On his first mission with the fledgling Justice League Triumph seemingly "saved the world" but was teleported into a dimensional limbo that also affected the timestream, resulting in no one having any memory of him. This explained how all the heroes ended up in Washington for their first meeting.

Further convolutions came with the issue of Batman's involvement with the League; during the 1990s, the editors of Batman sought to distance Batman from the Justice League, to the point of demanding that Batman's entire Justice League membership be removed from the group's canon. According to Christopher Priest, this "Batman was never in the Justice League" edict came down ironically after DC published ''Justice League America Annual'' #9, which featured Batman as a member of the League during its early days. The edict itself was largely haphazardly enforced; while Mark Waid had Batman proclaim to have never been a member of the League in ''Justice League Incarnations'' #7, other writers such as Grant Morrison and Keith Giffen took the stance that Batman had simply never joined the team until the Justice League International era. This edict was ultimately dropped by the early 2000s, as Batman's involvement with the League is now referenced heavily by later writers such as Brad Meltzer.

The convoluted change made to Hawkman's background in the wake of the launching of the Hawkworld ongoing series, in 1990, resulted in a retcon where the original Golden Age/Justice Society Golden Age Hawkman, Carter Hall was now a member of the team as opposed to Katar Hol (who would now not join the group until 1994's Justice League America #0). The details of how Carter Hall joined the team, would be revealed in the 2001 ''Justice League Incarnations'' #1, with the revelation that Carter joined the team to serve as a mentor for then-young heroes.

In 2006's ''Infinite Crisis'' #7, the formation of "New Earth" (the new name for the Post-Crisis Earth) resulted in the retcon that Wonder Woman was a founding member of the Justice League in the early days. In Brad Meltzer's ''Justice League of America'' (vol. 2) #0 (2006), it was also revealed that both Superman and Batman were founding members as well. ''52 - Week 51'' confirmed that the 1989 ''Secret Origins'' and ''JLA: Year One'' origins were still in canon at that time, with Superman, Batman, and Wonder Woman joining the team (consisting of Aquaman, Black Canary, Flash, Green Lantern, and Martian Manhunter) with founding members' status shortly after the group's formation. However, in various issues (particularly issue #12) of the 2006 ''Justice League of America'' series, the founding members of the Justice League are shown to be: Superman, Batman, Wonder Woman, Green Lantern (Hal Jordan), Flash (Barry Allen), Aquaman, and the Martian Manhunter.

With much of DC's past history rebooted by the 2011 "Flashpoint" event, an entirely new origin for the League is introduced in the subsequent ''Justice League'' series which debuted in September 2011. Issue #1 portrays the first meeting between Batman and Hal Jordan, with the two encountering each other during a battle against a Parademon in Gotham City. After realizing the creature is extraterrestrial in origin, the two heroes head to Metropolis to seek out Superman (who is a known alien in the new continuity), and are attacked by him. Later, after a brief fight to which the Flash arrives and Batman convinces Superman they are on the same side, they move to an abandoned newspress building to work on analyzing the mysterious alien box, when it suddenly activates and more Parademons arrive. While fighting them off, the heroes notice them capture people for something. During this they meet two more heroes Aquaman and Wonder Woman who join them.

Related series

''Formerly Known as the Justice League''

In 2003, Giffen, DeMatteis, and Maguire returned with a separate limited series called ''Formerly Known as the Justice League'' with the same humor as their Justice League run, and featuring some of the same characters in a team called the "Super Buddies" (a parody of the ''Super Friends''). A follow-up limited series, entitled ''I Can't Believe It's Not the Justice League'', soon was prepared, although it was delayed due to the events shown in the ''Identity Crisis'' limited series, but was eventually released as the second arc in ''JLA: Classified''. The Super Buddies consisted of Blue Beetle; Booster Gold; Captain Atom, Fire; Mary Marvel; the Elongated Man with his wife, Sue Dibny; Maxwell Lord; and L-Ron. The second story arc of ''JLA: Classified'' focuses on the Super Buddies in a humorous story that features Power Girl, Guy Gardner, and Doctor Fate.

''JLA/Avengers''

In 2004, George Pérez and Kurt Busiek came out with a ''JLA/Avengers'' crossover, an idea that had been delayed for 20 years for various reasons. In this limited series, the Justice League and the Avengers were forced to find key artifacts in one another's universe, as well as deal with the threats of villains Krona and the Grandmaster. A key moment in League history occurs in this series, when the Avenger Hawkeye becomes the first Marvel Comics character to be inducted into the Justice League.

''JLA: Classified''

title	JLA: Classified
schedule	Monthly
format	Ended
publisher	DC Comics
date	January 2005 - May 2008
issues	54
writers	various
artists	various
creators	Grant MorrisonEd McGuinness }}

In 2004, DC began an anthology series titled ''JLA: Classified'', which would feature rotating writers and artists producing self-contained story-arcs and aborted mini-series projects that were reappropriated for publication within the pages of the series, starring the JLA. While the bulk of the stories took place within the continuity of the series (circa ''JLA'' #76–113) some of the stories take place outside of regular DC Universe canon. The series was canceled as of issue #54 (May 2008).

''Justice''

In October 2005, DC began publishing the 12-issue miniseries ''Justice'' by writer Jim Krueger, writer/illustrator Alex Ross, and artist Doug Braithwaite. The story, which takes place outside regular DC continuity, has Lex Luthor assembling the Legion of Doom after he and several other villains begin to have nightmares about the end of the world and the failures of the Justice League to prevent said apocalypse. As the Legion begins engaging in unprecedented humanitarian deeds throughout the world, they also launch a series of attacks on the Justice League and their families. In the end however, the threat that the Legion was warned about destroying the Earth turns out to be caused by Brainiac, who seeks to destroy Earth during the chaos.

''Justice League: Cry for Justice''

Originally a planned ongoing title, ''Justice League: Cry For Justice'' is a mini-series written by James Robinson and drawn by Mauro Cascioli. The mini-series, set after the events of ''Final Crisis'', has Hal Jordan leaving the League following the deaths of Batman and Martian Manhunter, as their deaths have caused Hal to seek out a more proactive manner of dealing with super-villains. Hal, along with Green Arrow and later Supergirl, Captain Marvel Jr., and Batwoman are then recruited by Ray Palmer to investigate a murder of a former colleague carried out on orders from Prometheus. This ties into another string of murders, bringing Starman Mikaal Tomas and Congorilla together as their investigation of the murders of several European super-heroes are also revealed to be the work of Prometheus.

With help from the Hawkman villain I.Q., Prometheus plans on creating the ultimate weapon in mass murder, a massive doomsday device which he plans on using to destroy entire cities, as part of his revenge scheme against the JLA for lobotomizing him. Disguised as Captain Marvel Jr., Prometheus maims Roy Harper and brutally injuring JLA members Dr. Light II, Vixen, and Plastic Man while using the JLA Satellite to activate his doomsday device, which destroys Star City, killing 90,000 innocent civilians, including Roy Harper's young daughter Lian. Prometheus ultimately extorts his freedom from the League in exchange for the codes to shut down his weapon, much to the horror of the JLA members. However, afterwards, Green Arrow (with help from reformed villain the Shade), tracks Prometheus down and kills him by firing an arrow into his head.

The mini-series leads directly into the formation of a brand new JLA roster with Green Lantern Hal Jordan, Donna Troy, Dick Grayson as Batman, Doctor Light (Kimiyo Hoshi), Mon-El, Cyborg, Starfire, Congorilla, Guardian, and Mikaal Tomas.

''JLA/The 99''

Launching in October 2010, ''JLA/The 99'' was a crossover mini-series featuring the Justice League teaming up with the heroes of Teshkeel Comics' ''The 99'' series. The JLA consisted of Batman, Superman, Wonder Woman, Green Lantern (John Stewart), the Flash (Barry Allen), the Atom (Ray Palmer), Doctor Light (Kimiyo Hoshi), Hawkman, and Firestorm (Jason Rusch).

Awards

The original ''Justice League of America'' series has won:

1961 Alley Awards for ''Best Comic Book''

1961 Alley Awards for ''Best Adventure-Hero Group''

1963 Alley Awards for ''Favorite Novel'' ("Crisis on Earth-One/Crisis on Earth-Two" in ''Justice League of America'' #21-22 by Gardner Fox and Mike Sekowsky)

1963 Alley Awards for ''Strip that Should Be Improved''

1963 Alley Awards for ''Artist Preferred on Justice League of America'' (Murphy Anderson)

1973 Shazam Awards for ''Best Inker (Dramatic Division)'' (Dick Giordano)

Collected editions

Silver Age ''Justice League of America''

This series has been collected in the following: {|class="wikitable" |- ! # !! Title !! Material collected |- |1 |Justice League of America Archives volume 1 |''The Brave and the Bold'' #28-30, ''Justice League of America'' #1-6 |- |2 |Justice League of America Archives volume 2 |''Justice League of America'' #7-14 |- |3 |Justice League of America Archives volume 3 |''Justice League of America'' #15-22 |- |4 |Justice League of America Archives volume 4 |''Justice League of America'' #23-30 |- |5 |Justice League of America Archives volume 5 |''Justice League of America'' #31-38, #40* |- |6 |Justice League of America Archives volume 6 |''Justice League of America'' #41-47, #49-50* |- |7 |Justice League of America Archives volume 7 |''Justice League of America'' #51-57, #59-60* |- |8 |Justice League of America Archives volume 8 |''Justice League of America'' #61-66, #68-70* |- |9 |Justice League of America Archives volume 9 |''Justice League of America'' #71-80 |}

omitted issues featured reprints of material from earlier Archives.

''Justice League/Justice League International/Justice League America'' (1987–1996)

This series has been collected in the following hardcover collections:

! # !! Title !! Material collected
''1''	Justice League International Volume 1	''Justice League'' #1-6, ''Justice League International'' (vol. 1) #7
''2''	Justice League International Volume 2	''Justice League International'' (vol. 1) #8-14, ''Justice League'' Annual #1
''3''	Justice League International Volume 3	''Justice League International'' (vol. 1) #15-22
''4''	Justice League International Volume 4	''Justice League International'' (vol. 1) #23-25, ''Justice League America'' #26-30
''5''	Justice League International Volume 5	''Justice League International Annual'' #2-3, ''Justice League Europe'' #1-6

''JLA'' (January 1997 – February 2006)

This series has been collected in the following trade paperbacks:

! # !! Title !! Material collected
''1''	New World Order	''JLA'' #1-4
''2''	American Dreams	''JLA'' #5-9
''3''	Rock of Ages	''JLA'' #10-15
''4''	Strength in Numbers	''JLA'' #16-23, ''JLA Secret Files'' #2, ''Prometheus'' (one-shot)
''5''	Justice For All	''JLA'' #24-33
''6''		''JLA'' #34-41
''7''		''JLA'' #42-46, ''JLA Secret Files'' #3, ''JLA 80-Page Giant'' #1
''8''	Divided We Fall	''JLA'' #47-54
''9''	Terror Incognita	''JLA'' #55-60
''10''	Golden Perfect	''JLA'' #61-65
''11''	The Obsidian Age (Book 1)	''JLA'' #66-71
''12''	The Obsidian Age (Book 2)	''JLA'' #72-76
''13''	Rules of Engagement	''JLA'' #77-82
''14''	Trial By Fire	''JLA'' #84-89
''15''	The Tenth Circle	''JLA'' #94-99
''16''		''JLA'' #101-106
''17''	Syndicate Rules	''JLA'' #107-114, and a story from ''JLA Secret Files'' 2004
''18''	Crisis of Conscience	''JLA'' #115-119
''19''	World Without a Justice League	''JLA'' #120-125

This series has been collected in the following hardcover collections:

! # !! Title !! Material collected
''1''	JLA: The Deluxe Edition Vol. 1	''JLA'' #1-9, plus a story included in ''JLA: Secret Files and Origins'' #1
''2''	JLA: The Deluxe Edition Vol. 2	''JLA'' #10-17, ''Prometheus'' (one-shot), plus ''JLA/WILDCATS''
''3''	JLA: The Deluxe Edition Vol. 3	''JLA'' #22-26, 28-31 and 1,000,000''
''4''	JLA: The Deluxe Edition Vol. 4	''JLA'' #34, 36-41, ''JLA: Classified'' #1-3, ''JLA: Earth II''

''Justice League of America'' (vol. 2) (August 2006 – August 2011)

This series has been collected in the following hardcover collections:

! # !! Title !! Material collected
''1''	The Tornado's Path	''Justice League of America'' (vol. 2) #1-7
''2''	The Lightning Saga	''Justice League of America'' (vol. 2) #0, #8-12; ''Justice Society of America'' (vol. 3) #5-6
''3''	The Injustice League	''Justice League of America'' (vol. 2) #13-16; ''JLA Wedding Special'' #1
''4''	Sanctuary	''Justice League of America'' (vol. 2) #17-21
''5''	The Second Coming	''Justice League of America'' (vol. 2) #22-26
''6''	When Worlds Collide	''Justice League of America'' (vol. 2) #27-28, #30-34
''7''	Team History	''Justice League of America'' (vol. 2) #38-43
''8''	The Dark Things	''Justice League of America'' (vol. 2) #44-48; ''Justice Society of America'' (vol. 3) #41-42
''9''	Omega	''Justice League of America'' (vol. 2) #49-53
'' 10	The Rise of Eclipso	''Justice League of America'' (vol. 2) #54-60

Miscellaneous reprints

These trades don't reprint the series in a coherent fashion, but reprint themed issues. {|class="wikitable" |- ! # !! Title !! Material collected |- |1 |Justice League of America Hereby Elects |''Justice League of America'' #4, 75, 105-106, 146, 161, and 173-174 |- |2 |JLA: The Greatest Stories Ever Told |''Justice League of America'' #19, 77, 122 and 166-168, Justice League #1, JLA Secret Files #1 and JLA #61 |- |3 |Crisis on Multiple Earths volume 1 |''Justice League of America'' ##21-22, 29-30, 37-38 and 46-47 |- |4 |Crisis on Multiple Earths volume 2 |''Justice League of America'' #55-56, 64-65, 73-74 and 82-83 |- |5 |Crisis on Multiple Earths volume 3 |''Justice League of America'' #91-92, 100-102, 107-108 and 113 |- |6 |Crisis on Multiple Earths volume 4 |''Justice League of America'' #123-124, 135-137 and 147-148 |- |7 |Crisis on Multiple Earths volume 5 |''Justice League of America'' #159-160, 171-172 and 183-185 |}

In other media

See also

Justice Society of America

Spin-off groups

Extreme Justice

Justice Leagues

Justice League Antarctica

Justice League Elite

Justice League Europe

Justice League International

Justice League Task Force

Super Buddies

References

External links

Justice League of America at DC Comics.com

The Origin Story of the Justice League of America at DC Comics.com

Justice League of America at Toonopedia

''Justice League Unlimited'' at Cartoon Network "A Monumental Move" (April 5, 2007) WizardUniverse.com - Writer Brad Meltzer discusses the origins and implications of the JLA's new HQ

The Justice League Library

"Super-Exiles of Earth" (''JLA'' #19, May 1963)

Category:1960 introductions Category:1961 comic debuts Category:1997 comic debuts Category:2006 comic debuts Category:DC Comics titles Category:Justice League Category:Characters created by Gardner Fox

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