It has been suggested that this article or section be merged with There Is a Mountain. (Discuss) Proposed since April 2012.

"Mountain Jam" is an improvised instrumental jam by The Allman Brothers Band. The song's first known recording is on 5-4-1969 at Macon Central Park, but was officially released later on the albums; Live at Ludlow Garage: 1970, Live at the Atlanta International Pop Festival: July 3 & 5, 1970, The Fillmore Concerts, deluxe edition of At Fillmore East (1971), and Eat A Peach (1972).

Origin and influences[link]

The song is based on Donovan's 1967 hit-single "There Is a Mountain" (Jimi Hendrix's "Third Stone from the Sun" is also quoted musically in the piece, roughly 22 minutes in). On albums, the song first appeared on Donovan in Concert (1968) and then later on Donovan's Greatest Hits.

The Grateful Dead performed a 22:57 minute version of Mountain Jam on July 28, 1973 at Grand Prix Racecourse in Watkins Glen, NY.^[1] They also played a 55 second version of Mountain Jam to transition between "Going Down The Road Feeling Bad" and "Not Fade Away" on November 6, 1970 at Capitol Theater in Port Chester, NY.^[2]

Structure[link]

At 33:41, the song is instrumental and features solos from all of the band members. Duane Allman starts with a guitar solo, after which Gregg Allman solos on Hammond organ, followed by a guitar solo by Dickey Betts. Midway through the song there is a drum duet by Butch Trucks and Jaimoe, later joined by a bass guitar solo by Berry Oakley. Then Duane comes back in for the slide guitar climax, and produces some of his best known slide guitar; 23 minutes in. Mountain Jam was originally released on the Eat a Peach album, as well as a different version on Live at Atlanta Pop Festival, where there are two recordings of it (the second of which features guest musicians Johnny Winter on slide guitar, and Thom Doucette on harmonica), and various live recordings of the band.

Notes[link]

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Duane Allman
At Fillmore East, 1971
Background information
Birth name	Howard Duane Allman
Also known as	Skydog
Born	(1946-11-20)November 20, 1946 Nashville, Tennessee
Died	October 29, 1971(1971-10-29) (aged 24) Macon, Georgia
Genres	Southern rock, blues, blues-rock, soul, rock, jazz
Occupations	Musician, songwriter
Instruments	Guitar, vocals
Years active	1961–1971
Labels	Mercury, Capricorn
Associated acts	The Hour Glass, Wilson Pickett, The Allman Brothers Band, Derek and the Dominos, Aretha Franklin, Herbie Mann, Gregg Allman, The Allman Joys
Website	AllmanBrothersBand.com
Notable instruments
Gibson Les Paul Gibson SG Fender Stratocaster Gibson ES-345

Duane Allman (born Howard Duane Allman; November 20, 1946 – October 29, 1971) was an American guitarist, session musician and the primary co-founder and leader of the The Allman Brothers Band, until his early death in a motorcycle accident in 1971 at the age of 24.

ABB was formed in 1969 and, unusually for the time, based in the Southeastern United States. In the early 1970s the band was hugely successful. Duane is best remembered for his brief but influential tenure in that band and in particular for his expressive slide guitar playing and inventive improvisational skills.^[1] In 2003, Rolling Stone magazine ranked Allman at #2 in their list of the 100 greatest guitarists of all time, second only to Jimi Hendrix and in 2011 he was ranked #9.^[2] His tone (achieved with a Gibson Les Paul and two 50-watt bass Marshall amplifiers) was named one of the greatest guitar tones of all time by Guitar Player.^[3]

A sought-after session musician both before and during his tenure with the band, Duane Allman performed with such established stars as King Curtis, Aretha Franklin, Wilson Pickett, and Herbie Mann. He also contributed heavily to the 1970 album Layla and Other Assorted Love Songs by Derek and the Dominos.

Duane Allman’s skills as a guitarist were complemented by personal qualities such as his intensity, drive and ability to draw the best out of others in making music.^[4] He is still referred to by his nickname "Skydog".^[5]

Early years[link]

Duane Allman was born November 20, 1946 in Nashville, Tennessee. He was the eldest son of Willis Allman, a career United States Army sergeant, and Geraldine (née Robbins). His younger brother Gregg Allman was born in late 1947.

While the family were living near Norfolk, Virginia, his father was murdered by a fellow veteran hitchhiker.^[6] In order to retrain as an accountant, Geraldine "Mama A" Allman sent Duane and Gregg to Castle Heights Military Academy in Lebanon, Tennessee, which they both disliked intensely.^[7] In 1957, the family moved to Daytona Beach, Florida where the boys attended Seabreeze High School.

The boys returned to Nashville to spend summers with their grandmother where Gregg learned guitar basics from a neighbour. In 1960, Gregg had saved enough money to buy his first guitar, a Japanese-made Teisco Silvertone while Duane acquired a Harley 165 motorbike which he soon wrote off. So Duane began to take an interest in the guitar leading to fights over it and eventually their mother bought Duane a Gibson Les Paul Junior.^[8]

It was also in Nashville that the boys became musically inspired by a rhythm and blues concert they attended, at which blues guitar legend B. B. King performed. Apparently, Duane turned to Gregg and said, "We got to get into this." ^[8]

Duane learned to play very quickly and soon became the better guitarist of the two, dropping out of high school to stay home during the day and focus on developing his guitar skills.

Allman Joys and Hour Glass[link]

The two Allman brothers started playing publicly in 1961, joining or forming a number of small, local groups. Shortly thereafter, Duane quit high school to stay home during the day and focus on his guitar playing. Their band the Escorts opened for The Beach Boys in 1965 but disbanded and eventually became the Allman Joys. After Gregg graduated from Seabreeze High School in 1965, the Allman Joys went on the road, performing throughout the Southeast and eventually being based in Nashville and St. Louis, Missouri.

The Allman Joys morphed into another not-completely-successful band, The Hour Glass, which moved to Los Angeles in early 1967. There the Hour Glass produced two albums that left the band unsatisfied. Liberty, their record company, tried to market them as a pop band, completely ignoring the band's desire to play more blues-oriented material.

In 1968, Gregg Allman went to visit Duane on his 22nd birthday. Duane was sick in bed. Gregg brought along a bottle of Coricidin pills for his fever and the debut album by guitarist Taj Mahal as a gift. "About two hours after I left, my phone rang," Gregg states. "Baby brother, baby brother, get over here now!" When Gregg got there, he found that Duane had poured the pills out of the bottle, washed off the label and was using it as a slide to play "Statesboro Blues", an old Blind Willie McTell song that Taj Mahal covered. "Duane had never played slide before," says Gregg, "he just picked it up and started burnin'. He was a natural."^{[citation needed]} The song would go on to become a part of the Allman Brothers Band's repertoire, and Duane's slide guitar became crucial to their sound.

The Hour Glass broke up in early 1968, and Duane and Gregg Allman went back to Florida, where they played on demo sessions with the 31st of February, a folk rock outfit whose drummer was Butch Trucks. Gregg returned to California to fulfill Hour Glass obligations, while Duane jammed around Florida for months but didn't get another band going.

Session musician[link]

Allman's playing on the two Hour Glass albums and an Hour Glass session in early 1968 at FAME Studios in Muscle Shoals, Alabama, had caught the ear of Rick Hall, owner of FAME. In November 1968 Hall hired Allman to play on an album with Wilson Pickett. Allman's work on that album, Hey Jude (1968), got him hired as a full-time session musician at Muscle Shoals and brought him to the attention of a number of other musicians, such as Eric Clapton, who later said, "I remember hearing Wilson Pickett's 'Hey Jude' and just being astounded by the lead break at the end. I had to know who that was immediately—right now."

Allman's performance on "Hey Jude" blew away Atlantic Records producer and executive Jerry Wexler when Hall played it over the phone for him. Wexler immediately bought Allman's recording contract from Hall and wanted to use him on sessions with all sorts of Atlantic R&B artists. While at Muscle Shoals, Allman was featured on releases by a number of artists, including Clarence Carter, King Curtis, Aretha Franklin, Laura Nyro, Wilson Pickett, Otis Rush, Percy Sledge, Johnny Jenkins, Boz Scaggs, Delaney & Bonnie and jazz flautist Herbie Mann. Shortly after he recorded the lead break in "Hey Jude", he recorded all of the lead guitar in Boz Scaggs' "Loan Me a Dime". For his first sessions with Aretha, Allman traveled to New York, where in January 1969 he went as an audience member to the Fillmore East to see Johnny Winter and told fellow Shoals guitarist Jimmy Johnson that in a year he'd be on that stage. That December, the Allman Brothers Band indeed played the Fillmore.

Formation of The Allman Brothers Band[link]

The limits of full-time session playing frustrated Allman. The few months in Muscle Shoals were by no means a waste, however; besides meeting the great artists and other industry professionals he was working with, Allman had rented a small, secluded cabin on a lake and spent many solitary hours there refining his playing. Perhaps most significantly, Allman got together with R&B and jazz drummer Jaimoe Johanson, who came to meet Allman at the urging of Otis Redding's manager, Phil Walden, who by now was managing Allman and wanted to build a three-piece band around him. Allman and Jaimoe got Chicago-born bassist Berry Oakley to come up from Florida and jam as a trio, but Berry was committed to his rock band with guitarist Dickey Betts, the Second Coming, and returned south.

Getting fed up with Muscle Shoals, in March Allman took Jaimoe with him back to Jacksonville, Florida, where they moved in with Butch Trucks. Soon a jam session of these three plus Betts, Oakley, and Reese Wynans took place and forged what all present recognized as a natural, or even magical, bond. With the addition of brother Gregg, called back from Los Angeles to sing and replace Wynans on keyboards, at the end of March 1969, the Allman Brothers Band was formed. (Wynans became well known over a decade later as organist with Stevie Ray Vaughan & Double Trouble.) After a bit of rehearsing and gigging, the sextet moved to Macon, Georgia, in April to be near Walden and his Capricorn Sound Studios. While living in Macon, Allman met Donna Roosman, who bore his only child, Galadrielle. Despite their child, the relationship quickly ended.

[edit] Success: Layla, At Fillmore East

The Allman Brothers Band went on to become one of the most influential rock groups of the 1970s, described by Rolling Stone's George Kimball in 1971 as "the best damn rock and roll band this country has produced in the past five years."^[9] After months of nonstop rehearsing and gigging, including free shows in Macon's Central City Park and Atlanta's Piedmont Park, the group was ready to settle on the Allman Brothers Band name, and to record. Their debut album, The Allman Brothers Band, was recorded in New York in September 1969 and released a few months later. In the midst of intense touring, work began in Macon and Miami (Atlantic South - Criteria Studios), and a little bit in New York, on the band's second album, Idlewild South. Produced mostly by Tom Dowd, Idlewild South was released in August 1970 and broke new ground for them by quickly hitting the Billboard charts.

A group date in Miami, also that August, gave Allman the chance to participate in Eric Clapton's Layla and Other Assorted Love Songs. Clapton had long wanted to meet Allman; when he heard that the Allman Brothers were due to play in Miami, where he had just started work on Layla with producer Tom Dowd, he insisted on going to see their concert, where he met Allman. At one point, Allman approached Clapton, fully admiring his ability to play guitar as much as Clapton admired his, and cautiously asked Clapton if he could come by the studio to watch. Clapton was in no way reluctant to say yes, as he knew that his masterful playing combined with Allman's would be greater than the sum of its parts. After the show the two bands—the Allman Brothers Band and Derek and the Dominos—returned to Criteria, where Allman and Clapton quickly formed a deep rapport during an all-night jam session.^[10] Allman wound up participating on most of the album's tracks, contributing some of his best-known work. Allman never left the Allman Brothers Band, though, despite being offered a permanent position with Clapton. Allman never toured with Derek and the Dominos, but he did make three appearances with them on December 1, 1970 at the Curtis Hixon Hall in Tampa (Soulmates LP) and the following day at Onondaga County War Memorial, and one appearance (or possibly just Delaney Bramlett or both Duane and Delaney) November 20, 1970^[11] at the Santa Monica Civic Auditorium, California.

In an interview, Duane told listeners how to tell who played what: Eric played the Fender parts and Duane played the Gibson parts. He continued by nonchalantly noting that the Fender had a sparklier sound, while the Gibson produced more of a "full-tilt screech".^[12]

The Allman Brothers went on to record At Fillmore East in March 1971. Meanwhile, Allman continued contributing session work to other artists' albums whenever he could. According to Skydog: the Duane Allman Story, Allman was in the habit of spontaneously dropping in at recording sessions and contributing to whatever was being taped that day. He received cash payments but no recording credits, making it virtually impossible to compile a complete discography of his works.

Allman was well known for his melodic, extended and attention-holding guitar solos. During this period two of his stated influences were Miles Davis and John Coltrane, having listened extensively to Kind of Blue for two years.^[12][13]

As Allman's distinctive electric bottleneck steel sound began to mature it evolved in time into the musical voice of what would come to be known as Southern Rock, being picked up and redefined in their own styles by slide guitarists that included bandmate Dickey Betts (after Duane's passing), Rory Gallagher, Derek Trucks and Gary Rossington of Lynyrd Skynyrd.

Death[link]

Duane Allman was killed in a motorcycle accident only months after the release and initial success of At Fillmore East.^[14] While in the western part of Macon on October 29, 1971 during a band break from touring and recording, Allman was riding his motorcycle at high speed toward an intersection as a flatbed truck carrying a lumber crane approached. The flatbed truck stopped suddenly in the intersection, forcing Duane to swerve his Harley Davidson Sportster motorcycle sharply to the left to avoid a collision. As he was doing so, he struck either the back of the truck or the ball on the lumber crane and was immediately thrown from the motorcycle. The motorcycle bounced up in the air and landed on Allman and proceeded to skid another 90 feet with Duane pinned underneath, crushing his internal organs. Though he was still alive when he arrived at the hospital, despite emergency surgery, he died several hours later from massive internal injuries. He was just weeks from his 25th birthday.

Memorial[link]

After Allman's funeral and some weeks of mourning, the five surviving members of the Allman Brothers Band carried on, resuming live performances and finishing the recording work interrupted by Duane's death. They named their next album Eat a Peach for Duane's response to an interviewer's question: "How are you helping the revolution?" Allman replied: "There ain't no revolution, only evolution, but every time I'm in Georgia I 'eat a peach' for peace." Released in February, 1972, this double album contains a side of live and studio tracks with Allman, two sides of "Mountain Jam", recorded with Duane at the same At Fillmore East stand in March, and a side of tracks by the surviving five member band.

Bass guitarist Berry Oakley died less than 13 months later in a similar motorcycle crash with a city bus, three blocks from the site of Duane Allman's fatal accident. Oakley's remains were laid to rest beside Duane Allman's in Macon, Georgia's Rose Hill Cemetery.

The variety of Allman's session work and Allman Brothers Band bandleading can be heard to good effect on two posthumous Capricorn releases, An Anthology (1972) and An Anthology Volume II (1974). There are also several archival releases of live Allman Brothers Band performances from what the band calls "Duane's Era".

Shortly after Duane's death, Ronnie Van Zant of Lynyrd Skynyrd dedicated the song "Free Bird", to the memory of Duane Allman. Van Zant would sometimes allude to this in concert; in the "Free Bird" performance at Skynyrd's famed 1976 appearance at Knebworth, England, Van Zant says to pianist Billy Powell, "Play it for Duane Allman." Many people assume the song was written about Duane. However, it had actually been written well before Duane died. (Allen Collins wrote the song after his then girlfriend asked him the question "if I leave here tomorrow, would you still remember me?")

In 1973, fans carved the very large letters "REMEMBER DUANE ALLMAN" in a dirt embankment along Interstate Highway 20 near Vicksburg, Mississippi.^[15][16] A photograph was published in Rolling Stone magazine and in the Rolling Stone Illustrated History of Rock & Roll; the carving itself lasted for over ten years.^[17]

In 1998 the Georgia State Legislature passed a resolution designating a stretch of State Highway 19, US 41, within Macon as the "Duane Allman Boulevard" in his honor.^[18]

Country singer Travis Tritt, in the song "Put Some Drive In Your Country" on his debut album, sings "Now I still love old country/I ain't tryin' to put it down/But damn I miss Duane Allman/I wish he was still around."

Equipment[link]

Allman Joys, Hour Glass[link]

• Fender Telecaster, modified with a Stratocaster neck.^[19]
• Marshall amplifier, with six 10-inch speakers and two horns.^[19]

Early session work[link]

• 1954 Fender Stratocaster, used on the Muscle Shoals Sound Studio studio sessions, now at the Hard Rock Cafe in London at the Vault.^[20]
• Dallas Arbiter Fuzz Face, which used old 9V batteries because "they make a special sound."
• Fender Twin Reverb with JBL speakers.^[19]
• Maestro Echoplex.^[19]
• 1959 Fender Bassman.^[19]

Allman Brothers Band, "Layla", later session work[link]

• 1961 Fender Stratocaster (for early session work overlapping with formation of the Band).^[19]
• 1958-1962 Gibson ES-345 Semi-hollow body (first album)^[20]
• 1957 Gibson Les Paul Standard goldtop, serial no. 7 3312. Traded on September 16, 1970 for a 1959 Gibson Les Paul Standard cherry sunburst, except for the pickups.
• 1959 Gibson Les Paul Standard cherry sunburst, acquired on September 16, 1970, except for the pickups.
• 1958 Gibson Les Paul Standard tobacco sunburst,^[20] acquired in June 1971.
• 1961 Gibson SG,^[20] used for slide,^[19] given by Dickey Betts.
• Marshall 50-watt^[3] head, two Marshall 4x12 cabinets with JBL speakers.^[19]
• Fender Champ combo amplifier ("Layla")

Other[link]

• Gibson L-00 acoustic guitar^[19]
• Fender Rock N' Roll 150 strings (Hour Glass)
• Coricidin medicine bottle (slide)

Discography[link]

Biography portal

References[link]

Further reading[link]

External links[link]

• Duane Allman.com
• Duane Allman on allmanbrothersband.com
• Duane Allman.info
• In memory of Duane Allman: 35 years after his death, Skydog still among rock's very best guitarists, on MSNBC
• The 100 Greatest Guitarists of All Time
• Georgia House of Representatives SR653, designating Duane Allman Boulevard and Raymond Berry Oakley Bridge
• "Duane Allman". Find a Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=1189. Retrieved September 2, 2010. 
• Inducted into the Rock & Roll Hall of Fame 1995

Warren Haynes
Haynes performing with Govt Mule, July 9, 2006
Background information
Born	(1960-04-06) April 6, 1960 (age 52) Asheville, North Carolina United States
Genres	Southern rock, hard rock, blues, blues-rock
Occupations	Musician Songwriter Record producer
Instruments	Guitar, vocals
Years active	1982-present
Labels	Epic, Sony, Sanctuary, Evil Teen Records
Associated acts	The Allman Brothers Band, Gov't Mule, The Warren Haynes Band, Dickey Betts Great Southern Band, The Dead, Dave Matthews Band, David Allan Coe
Website	Official website,
Notable instruments
Gibson Les Paul

Warren Haynes (born April 6, 1960) is an American rock and blues guitarist, vocalist and songwriter. Haynes is best known for his work as long time guitarist with The Allman Brothers Band and as founding member of the jam band Gov't Mule.^[1] Early in his career he was a guitarist for David Allan Coe and The Dickey Betts Band.^[2] Haynes also is known for his associations with the remaining members of The Grateful Dead, including touring with Phil Lesh and Friends and The Dead.^[3] In addition, Haynes founded and manages Evil Teen Records.^[4] He is ranked number #23 on Rolling Stone magazine's 100 Greatest Guitarists of all time.

Personal background and style[link]

In addition to singing and playing acoustic and electric guitar, Haynes is also a songwriter. He spent his formative years in Asheville, North Carolina, where he lived with his two older brothers and his father, Edward Haynes. Warren began to play the guitar at age 12. His primary guitar is a Gibson Les Paul '58 Reissue Electric Guitar. His choice of a '58 is most likely because of Duane Allman's famed '58 Les Paul and the tone he achieved with that, rather than the more commonly used '59 Les Paul model, popularized by guitarists such as Eric Clapton and Jimmy Page).

Haynes has referred to himself as a "Gibson man", often playing Gibson Firebird and Gibson ES-335 models as well as the Les Paul models. This was acknowledged by the American guitar maker Gibson Guitar Corp. which has included a limited edition Warren Haynes signature Les Paul in its product line. Built according to Haynes' specifications and modeled on his '58 Les Paul.^[5] Haynes is married to Stefani Scamardo, a DJ for Sirius radio and the long-time manager of Gov't Mule.

Influences[link]

In a 2006 interview with Gibson.com's Backstage Pass Haynes explains his early influences ^[6]: "When I first started—chronologically speaking—Hendrix and Clapton and Johnny Winter were the first three people I got turned on to. That was the Cream era of Clapton. Then eventually, I heard the Allman Brothers and everybody else from that era that I stole something from (laughs). Of course, I would read interviews with all these people and find out who they listened to. And they all listened to B.B. King and Freddie King and Albert King and Howlin' Wolf and Muddy Waters and Elmore James, so I would go back and discover that stuff."

During the same 2006 interview Haynes talked about his realization of how much the blues had influenced his one-time employer, David Allen Coe. "When I joined Coe’s band, I realized how much he loved blues. Whenever his voice was tired on tour, we would go out just the two of us and open up with a bunch of Jimmy Reed songs. Then segue that into the show. One by one, the drummer would walk on and the bass player would walk on, and eventually the whole band would be onstage. He was really influenced by Jimmy Reed and Lightnin’ Hopkins. That stuff was way back in his formative years, so whenever it came out, it was very genuine." ^[6]

Professional career[link]

The early years and David Allan Coe[link]

Warren Haynes joined David Allan Coe's touring and recording band in 1980 when he was 20 years old. He remained with Coe's band for four years.

After Coe, Haynes got a gig with The Nighthawks, while continuing to play with local musicians and doing session guitar and vocal work. One notable achievement of this period is a song he co-wrote^[1] with Dennis Robbins and Bobby Boyd for the famed country-rock musician Garth Brooks, titled "Two of a Kind, Workin' on a Full House", which was released on the album No Fences and remained the number 1 single on Billboard's Hot Country Singles & Tracks chart for twenty weeks.

Dickey Betts Band and The Allman Brothers Band[link]

Around 1987, Haynes got a call to perform back up vocals on a studio album by Dickey Betts, along with Dennis Robbins. Betts, who had concentrated on his solo career following the break-up of The Allman Brothers Band, decided to add Haynes to his band as his guitarist after the session. With Matt Abts on drums and Johnny Neel on keyboards the now formed Dickey Betts Band released the 1988 album Pattern Disruptive. In the same year, Haynes also co-wrote the title track for Gregg Allman's solo album Just Before the Bullets Fly.

In 1989, The Allman Brothers Band decided to reunite, and Betts recruited Haynes to join the band. Also joining were Johnny Neel on keyboards and Allen Woody on bass guitar. Haynes has since played on four well-received studio albums, including the gold certified Where It All Begins (1994). He also has played on four official live releases from the band, including the 2003 DVD Live at the Beacon Theatre. Haynes and Woody left the group in March 1997 to focus solely on their side project Gov't Mule. Shortly after Woody's untimely death on August 26, 2000, Haynes began appearing with The Allman Brothers Band again in 2000 alongside young guitar prodigy Derek Trucks. He returned to the band as a full time member a few months later.

Gov't Mule[link]

Haynes playing with Gov't Mule, 2008

In 1994, Haynes formed Gov't Mule with Abts and Woody. Haynes and Woody initially split time between Gov't Mule and The Allman Brothers Band, but after The Allman Brothers' last show of their 1997 run at New York's Beacon Theatre on March 26, 1997, both left the band to focus on Gov't Mule full-time. They released three albums and became known for their powerful live performances. Some of these performances have been released as official live albums (Live At Roseland Ballroom, Live With A Little Help From Our Friends and Mulennium – the latter two capture their annual New Year's Eve shows).

In August 2000 Woody died, and a decision was made to finish the tour acoustically as the "Smile at Half-Mast" tour. Gov't Mule released two studio albums (The Deep End, Volume 1 and The Deep End, Volume 2) and a live album/DVD (The Deepest End, Live in Concert) featuring many of Woody's favorite bass players. In 2003 Andy Hess (bass) and Danny Louis (keyboard/organ) were added as permanent members to the group and in late 2004 they released their first studio effort, Deja Voodoo, which later included an EP of newly recorded material titled Mo Voodoo. After recording 2006's High & Mighty, Gov't Mule also released a dub EP titled Mighty High and a DVD titled Tail of 2 Cities that contained two full performances recorded in 2004 and 2006. The two shows on the DVD captured the first show of the Deja Voodoo Tour and the last show of the High & Mighty Tour, serving to encapsulate what was created over those two years. In 2008, Andy Hess left Gov't Mule to pursue other projects and was replaced by relative unknown Jorgen Carlsson. By a Thread, the first studio album from Gov't Mule with Jorgen, was released in 2009 on Haynes' own label, Evil Teen Records.

In 2010 they went back to the vault and released Mulennium a 3 disc recording of a show from New Year's Eve 1999 in Atlanta. This was the first official recording released of the original trio since the death of Allen Woody in 2000. It also featured an appearance by Little Milton, one of Haynes's guitar heroes from his youth.

The Dead[link]

Since the death of Jerry Garcia in 1995, Warren has performed and toured with many of the remaining members of the Grateful Dead. In 1997 Haynes and Abts came onstage to jam with Bob Weir and Rob Wasserman in a small club that was being filmed for Robert Mugge's film on Robert Johnson, Hellhound On My Trail. Then in 2000 Phil Lesh approached him to play lead guitar and sing for his solo group Phil Lesh & Friends, where he played for 3 years. In 2004 when The Dead (remaining members of the Grateful Dead) were in need of a new guitarist they called upon Haynes to come play lead and sing for that summer's "Wave That Flag Tour". His run with The Dead ended on a night where he came in with them, then performed a solo acoustic set, and then ended the night playing with The Allman Brothers Band and started out on his next tour with them. He played lead guitar for The Dead again in late 2008 when they performed at a benefit at Penn State for then-presidential candidate Barack Obama and then toured with them in the Spring of 2009.

Solo artist and guest appearances[link]

Performing at Peaches Records, Sunrise Blvd., Fort Lauderdale, Florida

In 1993, Haynes released his first solo album, Tales of Ordinary Madness, which was produced by former Allman Brother keyboardist Chuck Leavell. He toured briefly in support of the record with various musicians.

In 2003 and 2004, Haynes released two solo acoustic albums, The Lone EP, a collection of live performances and Live From Bonnaroo which documents his solo performance at the 2003 Bonnaroo Music Festival. When not touring with one of his electric bands, Haynes will often take time out to do solo acoustic shows which include a variety of well-known and rare covers along with his own material. In 2004, Warren Haynes performed five full-length solo acoustic shows, as well as opened 23 times for The Dead and once for The Allman Brothers Band.

He has also made 45 song appearances and 28 concert appearances with Dave Matthews Band, including on two released live albums: Live at Central Park Concert in which he performed "Cortez the Killer", and "Jimi Thing", and Live at Piedmont Park where he performed "What Would You Say".

In 2005 Haynes performed a one time only show under the name Warren Haynes & Friends. The band included Abts on drums, Dave Schools of Widespread Panic on bass, John Medeski of Medeski Martin & Wood, and Skerik the avant-garde sax player of bands such as Critters Buggin' and Les Claypool's Fearless Flying Frog Brigade. The group played a selection of blues songs, including songs of Led Zeppelin, Jimi Hendrix, Tom Waits, and Gov't Mule standards. The band was also featured as the house band during a number of tapings of Carson Daly's late show in early February 2005. During one of these tapings, the scheduled musical act was absent, so Haynes performed an acoustic rendition of U2's One. The song also appeared on his Live from Bonnaroo album. Haynes covered the Bob Dylan song "I Shall Be Released" with the band Coheed and Cambria in 2008 as a part of an encore performance the band played during their Neverender shows.

After recording Gov't Mule's By a Thread album, Haynes formed The Warren Haynes Band. The group included George Porter Jr. on bass, Ivan Neville on keys and Raymond Weber on drums. Also joining them on keys was Ian McLagan, as well as vocalist Ruthie Foster and Ron Holloway on tenor sax. The Warren Haynes Band made their debut performance at Haynes' annual Christmas Jam in Asheville, North Carolina on December 11, 2010.^[7] The album Man in Motion was released in May 2011 and debuted in the Billboard Top 20. An extensive tour occurred after the release through the rest of 2011; the touring version of the band included Holloway, drummer Terence Higgins of the Dirty Dozen Brass Band, bassist Ron Johnson, keyboardist Nigel Hall, and various vocalists, either Foster, Alfreda Gerald, or Alecia Chakour.^[8].

The Warren Haynes Band "Live at The Moody Theater" 2CD/1DVD package came out in April of 2012 on Stax Records with the lineup of Warren Haynes (Vocals & Guitar), Ron Holloway (Sax), Ron Johnson (Bass), Terence Higgins (Drums), Nigel Hall (Keys) & Alecia Chakour (Vocals).

Haynes has stated that his further solo efforts might take him into still other fields. "There are other projects I want to do, too," he relates. "I'm interested in recording a singer-songwriter oriented album with more acoustic instruments, a jazzy instrumental CD and a straight-up blues record. But like Man In Motion, those albums will have to wait until the time is right." ^[9]

The Christmas Jam[link]

Starting in 1989, Haynes put together an annual charity benefit show, inviting musicians originally from his home town of Asheville who were home for Christmas, the only time of year they would all be in town at the same time. The first show, held at the 45 Cherry club in Asheville on December 29, 1989, was dubbed "The Christmas Jam: Musician's X-Mas Reunion." Some of the artists at the first Christmas Jam were Warren Haynes, Mike Barnes, Crystal Zoo, The Stripp Band and the McBad Brothers Band.

In the initial years the proceeds from the concert were donated to various charities but eventually the organizers decided to focus on Habitat for Humanity,^[10] a charity that builds houses for the disadvantaged. In tribute to his financial support of Habitat for Humanity, a subdivision in Lower Hominy, North Carolina, a suburb of Asheville, North Carolina has a street named after Warren Haynes.^[11] In 2002, Haynes was presented the Key to the City of Asheville by Mayor Charles Worley. In 2003, Mayor Worley proclaimed December 18 "Warren Haynes Day." ^[12]

The event has continued to grow every year and is now dubbed "Warren Haynes Presents: The Christmas Jam." Due to increasing audience demand the show was eventually moved to the Asheville Civic Center, and was now featuring many well known artists and friends Haynes played with over the years.

Some past performers include The Allman Brothers Band, Blues Traveler, Jackson Browne, Johnny Winter, Drive-By Truckers, DJ Logic, Peter Frampton, Gov't Mule, John Hiatt, Bruce Hornsby, Hot Tuna, John Paul Jones (musician), Ray LaMontagne, Phil Lesh & Friends, Umphrey's McGee, Little Feat, Living Colour, Branford Marsalis, Dave Matthews, Neville Brothers, New Orleans Social Club, North Mississippi Allstars, Phish's Trey Anastasio and Mike Gordon, Grace Potter & The Nocturnals, Robert Randolph & The Family Band, John Scofield, Dr.Ralph Stanley, Marty Stuart, Taj Mahal Trio, Susan Tedeschi, The Derek Trucks Band,Bob Weir, Widespread Panic's John Bell, Dave Schools, John (Jo Jo) Herman, Todd Nance & Jimmy Herring, Kevn Kinney from Drivin' N Cryin', and Edwin McCain.

In 2008, for its twentieth anniversary, "The Christmas Jam" consisted of two nights of music; including "The Christmas Jam By Day," ^[13] a series of events including daytime concerts, movie screenings, and art, photo, and poster exhibits taking place in downtown Asheville on the days leading up to the show. The event reverted to one night in 2009 but retained the "The Christmas Jam By Day," and included the new "Christmas Comedy Jam." ^[14] The same format was repeated in 2010.

Instructional Videos[link]

Haynes has recorded two instructional videos; Electric Blues & Slide Guitar ^[15] and Acoustic Slide and the art of Electric Improvisation.^[16] He discusses his influences and shows an array of techniques such as "call and response", string bending, vibrato, slide guitar in standard tuning and some acoustic open tuning licks in G and E tunings. For the demonstrations of the Electric Improvisation section of the second video he is accompanied by Allen Woody and Matt Abts.

Taping policy[link]

All of Warren Haynes' projects allow audio taping/trading/online distribution. He does not approve of video recording or photography of his performances and does not provide 'soundboard patches'.^[17] The Allman Brothers Band also allows pro-taping/trading, but discourages distribution of their shows via the internet via applications such as BitTorrent. In a 2005 USA Today article, Haynes stated that while widespread tape-trading may cut into band profits, "it does more good than harm. It brings more people into the fold"^[18]

Discography[link]

Allman Brothers Band[link]

• Seven Turns, 1990
• Shades of Two Worlds, 1991
• An Evening with the Allman Brothers Band: First Set, 1992 (live)
• Where It All Begins, 1994
• An Evening with the Allman Brothers Band: 2nd Set, 1995 (live)
• Hittin' the Note, 2003
• One Way Out, 2004 (live)

Gov't Mule[link]

• Gov't Mule, 1995
• Live at Roseland Ballroom, 1996
• Dose, 1998
• Live ... With A Little Help From Our Friends, 1998
• Life Before Insanity, 2000
• Wintertime Blues: The Benefit Concert, 2000
• The Deep End, Volume 1, 2001
• The Deep End, Volume 2, 2002
• The Deepest End, Live In Concert, 2003
• Deja Voodoo, 2004
• Mo' Voodoo (EP), 2005
• High & Mighty, 2006
• Mighty High, 2007
• Holy Haunted House, 2007 (Live)
• By a Thread, 2009
• Mulennium, 2010 (Live)

Dave Matthews Band[link]

• Live at Piedmont Park
• The Central Park Concert
• Live Trax Vol. 20

Warren Haynes[link]

• Tales of Ordinary Madness - 1993
• The Lone EP - 2003 (live)
• Live at Bonnaroo - 2004 (live)
• Man in Motion - 2011
• Live at The Moody Theater - 2012 (live CD/DVD)

Phil Lesh & Friends[link]

• There and Back Again - 2002

Garth Brooks[link]

• No Fences, writing credits on song "Two of a Kind, Workin' on a Full House" - 1990

David Allan Coe[link]

• Live - If That Ain't Country... , 1997 (live)

Corrosion of Conformity[link]

• America's Volume Dealer - Stare Too Long - 2000

The Derek Trucks Band[link]

• Already Free, writing credits on song "Back Where I Started" - 2009
• Out Of The Madness, vocal obligato and lead guitar on "Good Morning Little Schoolgirl", "Forty-Four" and "Death Letter" - 1998

Compilation[link]

• Freeway Jam: To Beck and Back Jeff Beck Tribute - 2007 - Track #7 "The Pump"

Kevn Kinney (Drivin' N Cryin')[link]

• The Flower & The Knife - Producer, Backup Vocalist and Guitarist on most of the tracks - 2000

References[link]

External links[link]

• Warren Haynes

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2010)

Scott Murawski (born 21 October 1956 in Agawam, MA) is an American multi-instrumentalist, specializing on the electric guitar. He has achieved fame primarily on guitar with the American rock band Max Creek.^[1] He is a member of Phish bassist Mike Gordon's solo band, and BK3, a trio led by Grateful Dead drummer Bill Kreutzmann.

References[link]

External links[link]

• Scott Murawski official website
• Max Creek official website

This article on an individual musician is a stub. You can help Wikipedia by expanding it. v t e

Levon Helm
Levon Helm performing in 2004 on the Village Green in Woodstock, New York.
Background information
Birth name	Mark Lavon Helm
Born	(1940-05-26)May 26, 1940 Elaine, Arkansas, United States
Died	April 19, 2012(2012-04-19) (aged 71) New York City, New York, United States
Genres	Rock and roll, rhythm and blues, rock, blues, country, folk
Occupations	Musician, songwriter, actor, producer
Instruments	Vocals, drums, percussions, mandolin, guitar, bass, harmonica, banjo, violin
Years active	1957–2012
Labels	Capitol, Mobile Fidelity, MCA, Breeze Hill, Levon
Associated acts	The Band, Ronnie Hawkins & The Hawks, Bob Dylan, Levon Helm's Ramble on the Road, Levon Helm and The RCO All-Stars, Ringo Starr & His All-Starr Band, Eric Clapton
Website	levonhelm.com

Mark Lavon "Levon" Helm (May 26, 1940 – April 19, 2012)^[1] was an American rock multi-instrumentalist and actor who achieved fame as the drummer and frequent lead and backing vocalist for The Band.

Helm was known for his deeply soulful, country-accented voice, and creative drumming style highlighted on many of the Band's recordings, such as "The Weight", "Up on Cripple Creek", "Ophelia" and "The Night They Drove Old Dixie Down". His 2007 comeback album Dirt Farmer earned the Grammy Award for Best Traditional Folk Album in February 2008, and in November of that year, Rolling Stone magazine ranked him #91 in the list of The 100 Greatest Singers of All Time.^[2] In 2010, Electric Dirt, his 2009 follow-up to Dirt Farmer, won the first ever Grammy Award for Best Americana Album, an inaugural category in 2010.^[3] In 2011, his live album Ramble at the Ryman was nominated for the Grammy in the same category and won.^[4]

On April 17, 2012, his wife and daughter announced on Helm's website that he was "in the final stages of his battle with cancer" and thanked fans while requesting prayers. Two days later, Helm died at Memorial Sloan-Kettering Cancer Center in New York City.^[5][6]

Biography[link]

Early years[link]

Born in Elaine, Arkansas,^[7], Helm grew up in Turkey Scratch, a hamlet west of Helena, Arkansas. His parents, Nell and Diamond Helm, cotton farmers and also great lovers of music, encouraged their children to play and sing. Young Lavon (as he was christened) began playing the guitar at the age of eight and also played drums during his formative years. He saw Bill Monroe & his Blue Grass Boys at the age of six and decided then to become a musician.

Arkansas in the 1940s and 50s stood at the confluence of a variety of musical styles—blues, country and R&B—that later became known as rock and roll. Listening to all these styles on the Grand Ole Opry show on radio station WSM and R&B on radio station WLAC out of Nashville, Tennessee influenced Helm. He also saw traveling shows such as F.S. Walcott's Rabbit's Foot Minstrels that featured top African-American artists of the time.

Another early influence on Helm was the work of harmonica, guitarist and singer Sonny Boy Williamson II, who played blues and early rhythm and blues on the King Biscuit Time radio show on KFFA in Helena and performed regularly in Marvell with blues guitarist Robert Lockwood, Jr. In his 1993 autobiography, This Wheel's on Fire - Levon Helm and the Story of The Band, Helm describes watching Williamson's drummer, James "Peck" Curtis, intently during a live performance in the early 1950s and later imitating this R&B drumming style. Helm established his first band, The Jungle Bush Beaters, while in high school.

Helm also witnessed some of the earliest performances by Southern country music, blues and rockabilly artists such as Elvis Presley, Conway Twitty, Bo Diddley and a fellow Arkansan, Ronnie Hawkins. At age 17, Helm began playing in clubs and bars around Helena.

The Hawks[link]

After graduating from high school, Helm was invited to join Ronnie Hawkins' band, The Hawks, a popular Southern bar and club act which also had success in Canada, where rockabilly acts were very popular. Soon after, Helm joined The Hawks, and they moved to Toronto, Ontario, Canada, where, in 1959, they signed with Roulette Records and released several singles, including a few hits.

Helm reports in his biography, This Wheel's on Fire, that fellow Hawks band members had difficulty pronouncing "Lavon" correctly, and started calling him "Levon" (/ˈliːvɒn/ LEE-von) because it was easier to pronounce.

In the early 1960s, Helm and Hawkins recruited an all-Canadian lineup of musicians: guitarist Robbie Robertson, bassist Rick Danko, pianist Richard Manuel, and organist Garth Hudson- although all the musicians were multi-instrumentalists. In 1963, the band parted ways with Hawkins and started touring under the name "Levon and The Hawks," and later as "The Canadian Squires" before finally changing back to "The Hawks." They recorded two singles, but remained mostly a popular touring bar band in Texas, Arkansas, Canada, and on the East Coast of the United States, where they found regular summer club gigs on the New Jersey shore.

Helm with The Band, at the Santa Cruz Civic Auditorium 1976 Photo: David Gans

By the mid 1960s, songwriter and musician Bob Dylan was interested in performing electric rock music and asked The Hawks to be his backing band. Disheartened by fans' negative response to Dylan's new sound, Helm returned to Arkansas for what turned out to be a two-year layoff, being replaced by drummer Mickey Jones. During this period, Helm ended up working on off-shore oil rigs in the Gulf of Mexico until he was asked to rejoin the band.

After The Hawks toured Europe with Dylan, they followed him to live around Woodstock, New York, and remained under salary to him. The Hawks recorded a large volume of demo and practice tapes in Woodstock, playing almost daily with Dylan, who had completely withdrawn from public life the previous year. These recordings were widely bootlegged and were partially released officially in 1975 as The Basement Tapes. The songs and themes developed during this period played a crucial role in the group's future direction and style. The Hawks members also began writing their own songs. Rick Danko and Richard Manuel also shared writing credits with Dylan on a few songs. In 1967, Danko called Helm and invited him to return to the band in Woodstock.

The Band[link]

Helm returned to the group, then referred to simply as "the band." While contemplating a recording contract, Helm had dubbed the band as "The Crackers." However, when Robertson and their new manager Albert Grossman worked out the contracts, the group's name was cited as "The Band." Under these contracts, The Band was contracted to Grossman, who in turn contracted their services to Capitol Records. This arrangement allowed The Band to release recordings on other labels if the work was done in support of Dylan. This allowed The Band to play on Dylan's Planet Waves album and on The Last Waltz, both non-Capitol releases. The Band also recorded their own album Music from Big Pink, which catapulted them into stardom.

Helm, center, performing with The Band. Hamburg, 1971.

On Music From Big Pink, Manuel was the most prominent vocalist and Helm sang mainly backup, with the exception of "The Weight." However, as Manuel's health deteriorated and Robbie Robertson's songwriting increasingly looked to the South for influence and direction, subsequent albums relied more and more on Helm's vocals, alone or in harmony with Danko. Helm played drums for perhaps 85% of The Band's songs,^{[citation needed]} including most of those for which he sang lead. On the others, Manuel switched to drums while Helm played mandolin or, on rare occasion, guitar or bass guitar. The entire group was multi-instrumental and certain songs featured Manuel on drums, Helm on mandolin (as on "Evangeline"), rhythm guitar (the 12-string guitar backdrop to "Daniel and the Sacred Harp" is by Helm), or bass (while Danko played fiddle).^[8]

Helm remained with The Band until their 1976 farewell performance, The Last Waltz, which was recorded in a documentary film by director Martin Scorsese.The documentary is widely considered the greatest rock and roll film ever made.

Many music enthusiasts know Helm through his appearance in the concert film, a performance remarkable for the fact that Helm's vocal tracks appear substantially as he sang them during a grueling concert. However, Helm repudiated his involvement with The Last Waltz shortly after the completion of its final scenes. In his autobiography, Helm offers scathing criticisms of the film and of Robertson, who produced it.^[9]

Solo artist and the reformed Band[link]

Helm playing mandolin in 1971

With the breakup of The Band in its original form, Helm began working on a solo album Levon Helm and the RCO All Stars, followed by Levon Helm. Helm recorded solo albums in 1980 and 1982 entitled American Son and (once again) Levon Helm. Helm also participated in musician Paul Kennerley's 1980 country music concept album, The Legend of Jesse James, singing the role of Jesse James alongside Johnny Cash, Emmylou Harris and Albert Lee.

In 1981, Helm married the former Sandra Dodd.

In 1983, The Band reunited without Robbie Robertson, with Jim Weider on guitar. In 1986, while on tour, Manuel committed suicide. Helm, Danko and Hudson continued in The Band, releasing the album Jericho in 1993 and High on the Hog in 1996. The final album from The Band was the 30th anniversary album, Jubilation, released in 1998.

In 1989, Helm and Danko toured with drummer Ringo Starr and His All-Starr Band. Other musicians in the band included singer/guitarist Joe Walsh, singer/pianist Dr. John, guitarist Nils Lofgren, singer Billy Preston, saxophonist Clarence Clemons and drummer Jim Keltner. Garth Hudson was a guest on accordion on certain dates. Levon played drums and harmonica, and sang "The Weight" and "Up On Cripple Creek" each night.

Helm performed with Danko and Hudson as The Band in 1990 at Roger Waters' epic The Wall – Live in Berlin Concert in Germany to an estimated 300,000 to half a million people.

In 1993, Helm published an autobiography entitled This Wheel's on Fire – Levon Helm and the Story of The Band.

The Midnight Ramble[link]

Helm's performance career in the 2000s revolved mainly around the Midnight Ramble at his home and studio, "The Barn," in Woodstock, New York. These concerts, featuring Helm and a variety of musical guests, allowed Helm to raise money for his medical bills and to resume performing after a nearly career-ending bout with cancer.

In the late 1990s, Helm was diagnosed with throat cancer suffering hoarseness. Advised to undergo a laryngectomy, Helm instead underwent an arduous regimen of radiation treatments at Memorial Sloan–Kettering Cancer Center in New York City. Although the tumor was then successfully removed, Helm's vocal cords were damaged, and his clear, powerful tenor voice was replaced by a quiet rasp. Initially Helm only played drums and relied on guest vocalists at the Rambles, but Helm's singing voice grew stronger. On January 10, 2004, he sang again of his Ramble Sessions. In 2007, during production of Dirt Farmer, Helm estimated that his singing voice was 80% recovered.

The Levon Helm Band featured his daughter guitarist Amy Helm, along with Larry Campbell, Teresa Williams, Jim Weider (the Band's last guitarist), Jimmy Vivino, Mike Merritt, Brian Mitchell, Erik Lawrence, Steven Bernstein, Howard Johnson (tuba player in the horn section who played on The Band's "Rock of Ages" and "The Last Waltz" live albums), Byron Isaacs, and blues harmonica player Little Sammy Davis. Helm hosted Midnight Rambles at his home in Woodstock that were open to the public.

Helm performing in Central Park, New York, 2007

The Midnight Ramble was an outgrowth of an idea Helm explained to Martin Scorsese in The Last Waltz. Earlier in the 20th century, Helm explained, traveling medicine shows and music shows such as F.S. Walcott Rabbit's Foot Minstrels, featuring African-American blues singers and dancers, would put on titillating performances in rural areas. This was also turned into a song by the Band, "The W.S. Walcott Medicine Show," with the name altered so the lyric was easier to sing.

"After the finale, they'd have the midnight ramble," Helm told Scorsese. With young children off the premises, the show resumed: "The songs would get a little bit juicier. The jokes would get a little funnier and the prettiest dancer would really get down and shake it a few times. A lot of the rock and roll duck walks and moves came from that."

Artists who performed at the Rambles include Helm's former bandmate Garth Hudson, as well as Elvis Costello, Emmylou Harris, Dr. John, Chris Robinson, Allen Toussaint, Donald Fagen of Steely Dan, Jon Herington of Steely Dan, Jimmy Vivino of "Late Night with Conan O'Brien's" The Max Weinberg 7, Sean Costello, The Muddy Waters Tribute Band, Pinetop Perkins, Hubert Sumlin, Carolyn Wonderland, Kris Kristofferson, Gillian Welch, David Rawlings, Justin Townes Earle, Bow Thayer, Luther "Guitar Junior" Johnson, Rickie Lee Jones, Kate Taylor, Ollabelle, The Holmes Brothers, Catherine Russell, Norah Jones, Elvis Perkins in Dearland, Phil Lesh (along with his sons Grahame and Brian), Hot Tuna (although Jorma Kaukonen introduced the group as "The Secret Squirrels"), Michael Angelo D'Arrigo with various members of the Sistine Chapel, Johnny Johnson, Ithalia, David Bromberg and Grace Potter and the Nocturnals^[10].

As for his drumming, in recent years Helm switched to the matched grip and adopted a less busy, greatly simplified style, as opposed to his years with The Band when he played with the traditional grip.^[11]

Helm was busy touring every year during 2000s, generally traveling by tour bus to venues in Eastern Canada and the Eastern United States. Since 2007, Helm had performed in large venues such the Beacon Theater in New York. Dr. John and Warren Haynes (The Allman Brothers Band, Gov't Mule) and Garth Hudson played at the concerts as well along with several other guests. At a show in Vancouver, Canada, Elvis Costello joined to sing "Tears of Rage." The Alexis P. Suter Band was a frequent opening act. Helm was a favorite of radio personality Don Imus and was frequently featured on Imus in the Morning. In the Summer of 2009, it was reported that a reality television series centering around the Midnight Ramble was in development.

[edit] Dirt Farmer and after

The Levon Helm Band performing at Austin City Limits Music Festival 2009

Levon Helm at Life is Good Festival in 2011

The Fall of 2007 saw the release of Dirt Farmer, Helm's first studio solo album since 1982. Dedicated to Helm's parents and co-produced by his daughter Amy, the album combines traditional tunes Levon recalled from his youth with newer songs (by Steve Earle, Paul Kennerley and others) which flow from similar historical streams. The album was released to almost immediate critical acclaim, and earned him a Grammy Award in the Traditional Folk Album category for 2007.

Helm declined to attend the Grammy Awards ceremony, instead holding a "Midnight Gramble" and celebrating the birth of his grandson, named Lavon (Lee) Henry Collins.^[12][13][14]

In 2008, Helm performed at Warren Haynes' Mountain Jam Music Festival in Hunter, New York. Helm played alongside Warren Haynes on the last day of the three-day festival. Levon also joined guitarist Bob Weir and his band RatDog on stage as they closed out the festival. Helm performed to great acclaim at the 2008 Bonnaroo Music Festival in Manchester, Tennessee.^[15][16]

Helm drummed on a couple of tracks for Jorma Kaukonen's February, 2009 album River of Time, recorded at the Levon Helm studio.

Helm released the album Electric Dirt on his own label on June 30, 2009.^[17] The album won a best album Grammy for the newly created Americana category in 2010. Helm performed on the CBS Television program David Letterman Show on July 9, 2009. He also toured that same year in a supporting role with the band Black Crowes.

In March, 2010, a documentary on Helm's day-to-day life titled Ain't in It for My Health: A Film About Levon Helm was released. Directed by Jacob Hatley, it made its debut at the South by Southwest film festival in Austin, Texas, and went on to screen at the Los Angeles Film Festival in June 2009.^[18]

On May 11, 2011, Helm released Ramble at the Ryman, a live album recorded during his September 17, 2008 performance at Nashville's Ryman Auditorium. The album features Helm's band playing six songs by The Band and other cover material, including some songs from previous Helm solo releases.^[19] The album won the Grammy Award for Best Americana Album.^[20]

Acting career[link]

In addition to his work as musician, Helm also acted in several dramatic films after the breakup of The Band. His first acting role was the 1980 film Coal Miner's Daughter in which he portrayed Loretta Lynn's father, followed three years later when he appeared as U.S. Air Force test pilot and engineer, Jack Ridley, in The Right Stuff. He also had a brief cameo as a weapons expert in the film "Shooter (film)" with Mark Walberg.

Death[link]

Levon Helm's grave at Woodstock Cemetery, May 26, 2012

In 2012, during the Rock and Roll Hall of Fame Induction Ceremonies in Cleveland, Robbie Robertson sent “love and prayers” to Helm, fueling speculation on Helm's health. Helm had previously cancelled several performances, citing poor health or a "slipped disk" in his back.^[21]

On April 17, 2012, Helm's wife Sandy and daughter Amy revealed that Helm had end-stage cancer. They posted the following message on Helm's website:

"Dear Friends,

Levon is in the final stages of his battle with cancer. Please send your prayers and love to him as he makes his way through this part of his journey.

Thank you fans and music lovers who have made his life so filled with joy and celebration... he has loved nothing more than to play, to fill the room up with music, lay down the back beat, and make the people dance! He did it every time he took the stage...

We appreciate all the love and support and concern.

From his daughter Amy, and wife Sandy"^[22]

On April 18, Robertson revealed on his Facebook page that he had a long visit with Helm at the hospital the previous Sunday.^[23] On the same day, Garth Hudson posted on his personal website that he was "too sad for words". He then left a link for a video of himself and the Alexis P. Suter band performing Bob Dylan’s song "Knocking on Heaven's Door".^[24]

Surrounded by family and friends, Helm died on April 19, 2012, at 1:30 pm at Memorial Sloan-Kettering Cancer Center in New York.^[25][26][27]

Fans were invited to a public wake at Helm's Barn studio complex on April 26. Approximately 2,000 fans came to pay their respects to the fallen musical icon. After a private funeral service and a procession through the streets of Woodstock, Helm was interred in the Woodstock Cemetery the following day, within sight of the grave of his longtime bandmate Rick Danko.

Tributes[link]

Elton John wrote the song "Levon" and named his son after Helm.^[28]

Marc Cohn wrote the song "Listening to Levon" in 2007. "The Man Behind the Drums," written by Robert Earl Keen and Bill Whitbeck, appeared on Keen's 2009 album The Rose Hotel.

In 1994, Helm was inducted into The Rock and Roll Hall of Fame as a member of The Band.^[29]

At their May 2, 2012 concert at the Prudential Center in Newark, NJ, Bruce Springsteen and the E Street Band performed "The Weight" as a tribute to Helm.^[30]Springsteen called Helm "one of the greatest, greatest voices in country, rockabilly and rock 'n' roll ... staggering ... while playing the drums. Both his voice and his drumming were so incredibly personal. He had a feel on the drums that comes out of certain place in the past and you can't replicate it." Springsteen also said it was one of the songs that he had drummer Max Weinberg audition with prior to joining the band.

List of works[link]

Discography[link]

Filmography[link]

• The Last Waltz (1978)
• Coal Miner's Daughter (1980)
• The Right Stuff (1983)
• The Dollmaker (1984)
• Smooth Talk (1985)
• End of the Line (1987)
• Staying Together (1989)
• Feeling Minnesota (1996)
• Fire Down Below (1997)
• The Three Burials of Melquiades Estrada (2005)
• Shooter (2007)
• In the Electric Mist (2009)

References[link]

External links[link]

Wikimedia Commons has media related to: Levon Helm

• Official website
• Levon Helm at the Internet Movie Database
• Allmusic
• Review of Dirt Farmer
• RS Editor's Review: Electric Dirt
• Levon Helm lyrics