Blasphemy is irreverence toward holy personages, religious artifacts, customs, and beliefs. The Abrahamic religions condemn blasphemy vehemently. Some countries have laws to punish blasphemy, while others have laws to give recourse to those who are offended by blasphemy. Those laws may discourage blasphemy as a matter of ''blasphemous libel'', ''vilification of religion'', ''religious insult'', or ''hate speech''.

History

The word "blasphemy" came via Middle English ''blasfemen'' and Old French ''blasfemer'' and Late Latin ''blasphemare'' from Greek βλασφημέω, from βλάπτω = "I injure" and φήμη = "reputation". From ''blasphemare'' also came Old French ''blasmer'', from which English "blame" came.

Blasphemy laws

In some countries with a state religion blasphemy is oulawed under the criminal code. It has been claimed that such laws can be used to victimize non-members of, and dissident members of, the state religion.

Blasphemy in Judaism

In the third book of the Torah, Leviticus 24:16 states that those who speak blasphemy "shall surely be put to death". See also List of capital crimes in the Torah. The Seven laws of Noah which Judaism sees as applicable to all of humankind prohibits blasphemy.

Blasphemy in Christianity

Christian theology condemns blasphemy. It is spoken of in the Mark 3:29, where blaspheming the Holy Spirit is spoken of as unforgivable - the eternal sin. However, there is dispute over what form this blasphemy may take and whether it qualifies as blasphemy in the conventional sense.

Blasphemy has been condemned as a serious, or even the most serious, sin by the major creeds and Church theologians. Thomas Aquinas says that “it is clear that blasphemy, which is a sin committed directly against God, is more grave than murder, which is a sin against one's neighbor. … it is called the most grievous sin, for as much as it makes every sin more grievous.” The Book of Concord calls blasphemy “the greatest sin that can be outwardly committed”. The ''Baptist Confession of Faith'' says: “Therefore, to swear vainly or rashly by the glorious and awesome name of God…is sinful, and to be regarded with disgust and detestation. …For by rash, false, and vain oaths, the Lord is provoked and because of them this land mourns.” ''The Heidelberg Catechism'' answers question 100 about blasphemy by stating that “no sin is greater or provokes God's wrath more than the blaspheming of His Name”. The ''Westminster Larger Catechism'' explains that “The sins forbidden in the third commandment are, the abuse of it in an ignorant, vain, irreverent, profane...mentioning...by blasphemy...to profane jests, ...vain janglings, ...to charms or sinful lusts and practices.” Calvin found it intolerable “when a person is accused of blasphemy, to lay the blame on the ebullition of passion, as if God were to endure the penalty whenever we are provoked.”

The Catholic Encyclopedia has a more extensive article on blasphemy.

Catholic prayers and reparations for blasphemy

In the Catholic Church, there are specific prayers and devotions as Acts of Reparation for blasphemy. For instance, The Golden Arrow Holy Face Devotion (Prayer) first introduced by Sister Marie of St Peter in 1844 is recited "''in a spirit of reparation for blasphemy''". This devotion (started by Sister Marie and then promoted by the Venerable Leo Dupont) was approved by Pope Leo XIII in 1885. The Raccolta Catholic prayer book includes a number of such prayers. The Five First Saturdays devotions are done with the intention in the heart of making reparation to the Blessed Mother for blasphemies against her, her name and her holy initiatives.

The Holy See has specific "Pontifical organizations" for the purpose of the reparation of blasphemy through Acts of Reparation to Jesus Christ, e.g. the ''Pontifical Congregation of the Benedictine Sisters of the Reparation of the Holy Face.''

Death sentence

Historically, blasphemy against God had been a crime punishable by death in much of the Christian world.

In Britain's last blasphemy execution, 20-year-old Thomas Aikenhead was executed for the crime in 1697. He was prosecuted for denying the veracity of the Old Testament and the legitimacy of Christ's miracles. In recent years, George Rosie wrote in the newspaper ''The Scotsman'' that "The killing of Thomas Aikenhead, like the hounding of Salman Rushdie for the same 'offence,' was a disgrace…a prime example of a God-fixated state killing a man in an attempt to stop the spread of an idea."

Blasphemy in Islam

According to Pakistani religious scholar, Javed Ahmed Ghamidi, there is nothing in Islam which supports blasphemy law.

Blasphemy and the United Nations

In the early 21st century, blasphemy became an issue for the United Nations. The General Assembly passed several resolutions which called upon the world to take action against the "defamation of religions."

Colloquial usage

Blasphemy has been used to mean "irreverence" in a non-religious context. Sir Francis Bacon uses "blasphemy" in this way in ''Advancement of Learning'', where he speaks of "blasphemy against teaching".

"Blasphemy" may be used as a substitute for "profanity" or "cursing" as it is used in this sentence: "With much hammering and blasphemy, the locomotive's replacement spring was finally fitted."

In contemporary language, the notion of blasphemy is often used hyperbolically. This usage has garnered some interest among linguists recently, and the word 'blasphemy' is a common case used for illustrative purposes.

See also

Apostasy

Eternal sin

Freedom of speech versus blasphemy

Heresy

Impiety

Minced oath

Profanity

Gerard Reve

Sacrilege

Verbal offence

Victimless crime

Blasphemy Day is a holiday in which individuals and groups are encouraged to openly express their criticism of, or even disdain for, religion.

References

Further reading

''Maledicta: The International Journal of Verbal Aggression'' (ISSN US 0363-3659)

Levy, L. ''Blasphemy''. Chapel Hill, 1993.

Comprehensive academic study comparing global legal approaches to blasphemy in light of the Jyllands-Posten controversy

Dartevelle, P., S Borg, Denis, Ph., Robyn, J. (eds.). Blasphèmes et libertés. Paris: CERF, 1993

Plate, S. Brent ''Blasphemy: Art that Offends'' (London: Black Dog Publishing, 2006) [ISBN 1904772536]

External links

The Rational Response Squad: The Blasphemy Challenge

A More4 news film report on how insulting the prophet Mohammed in Pakistan is a capital offence, and defiling the Koran carries life imprisonment.

review of laws relating to blasphemy and sacrilege in various jurisdictions

Catholic Encyclopedia - Blasphemy

Jewish Encyclopedia - Blasphemy

Category:Crimes in religion Category:Religious law Category:Christian law Category:Religious terminology

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Coordinates	53°25′″N21°53′″N
Name	Robbie Williams
Background	solo_singer
Birth name	Robert Peter Williams
Born	February 13, 1974Stoke-on-Trent, Staffordshire, England
Instrument	Vocals, guitar, bass guitar, synthesiser, drums, piano, violin, harmonica, marimba
Genre	Pop rock, soft rock, dance, britpop
Occupation	Singer-songwriter, musician, vocal coach, record producer, actor
Years active	1990–present
Label	Chrysalis/EMI (1990-2011)Universal/RCA (USA) (2011 – present)
Associated acts	Take That
Website	}}

Robert Peter "Robbie" Williams (born 13 February 1974) is an English singer-songwriter, vocal coach and occasional actor. He is a member of the pop group Take That. Williams rose to fame in the band's first run in the early- to mid-1990s. After many disagreements with the management and certain group members, Williams left the group in 1995 to launch his solo career. On 15 July 2010, it was announced he had rejoined Take That and that the group intended to release a new album in November 2010.

Williams has sold more than 57 million albums worldwide. He is the best-selling British solo artist in the United Kingdom and the best selling non-Latino artist in Latin America. Six of his albums are among the top 100 biggest-selling albums in the United Kingdom. He has also been honoured with seventeen BRIT Awards—more than any other artist—and seven ECHO Awards. In 2004, he was inducted into the UK Music Hall of Fame after being voted as the "Greatest Artist of the 1990s."

Life and career

1974–89: early life

Williams was born to Peter and Janet Williams in Stoke-on-Trent on 13 February 1974. His parents ran a pub called the Red Lion in the town of Burslem, before his father become the licensee at the Port Vale F.C. Social Club - this led to Williams' lifelong affinity for the team. Williams attended Mill Hill Primary School at Stoke-on-Trent then St Margaret Ward Roman Catholic School in Tunstall, and also attended dance school UKDDF in Tunstall. He participated in several school plays, and his biggest role was that of the Artful Dodger in a production of ''Oliver!''.

1990–95: Take That

In 1990, the sixteen year old Williams was the youngest member to join Take That. According to the documentary ''Take That: For the Record'', his mother read an advertisement seeking members for a new boy band and suggested that he try out for the group. He met fellow member Mark Owen on the day of his audition/interview with Nigel Martin-Smith. During the heights of the band's popularity, Williams was known as the extrovert and practical joker of the band. Although the majority of the band's material was written and performed by Gary Barlow, Williams did perform lead vocals on their first Top Ten hit "Could It Be Magic", "I Found Heaven", and "Everything Changes". However, he had conflicts with Martin-Smith over the restrictive rules for Take That members, and he began drinking more alcohol and dabbling in cocaine.

In July 1995, Williams's drug abuse had escalated to the point of his having a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards. According to the documentary ''For the Record'', he stated that he was unhappy with his musical ideas not being taken seriously by lead singer Barlow and Nigel Martin-Smith, because his desire to explore hip hop and rap conflicted with the band's usual ballads. Barlow explained in interviews that Williams had given up trying to offer creative input and merely did as he was told. As well as Williams's friction with the management of the band, Jason Orange had problems with his increasingly belligerent behaviour, his lack of interest in performing, and his frequent habit of missing the band's rehearsals.

Both Orange and Barlow confronted Martin-Smith about the internal conflict, because they did not want him dropping out while touring and before any possible future touring of America, which never took place. During one of the last rehearsals before the tour commenced, the group confronted Williams about his attitude and stated they wanted to do the tour without him. He agreed to quit the band and left; it would be the last time for twelve years that they were all together. Despite the departure of Williams, Take That completed their Nobody Else Tour as a four-piece band. They later disbanded on 13 February 1996, Williams's twenty-second birthday.

Shortly afterwards, Williams was photographed by the press partying with the members of Oasis at Glastonbury Festival. Following his departure, he became the subject of talk shows and newspapers as he acknowledged his plans to become a solo singer, and he was spotted partying with George Michael in France. However, a clause in his Take That contract prohibited him from releasing any material until after the group was officially dissolved, and he was later sued by Martin-Smith and forced to pay $200,000 in commission. After various legal battles over his right to a solo career, Williams was victorious in getting released from his contract with BMG. On 27 June 1996, Williams formally announced that he had signed with Chrysalis Records.

1996–98: ''Life Thru a Lens'' and ''I've Been Expecting You''

After leaving Take That, Williams launched his solo career starting things off in 1996 by covering George Michael's "Freedom", the single reached number two in the UK Singles Chart, twenty-six places higher than George Michael's original.

Recordings for Williams's first album began at London's Maison Rouge studios in March of that year. Shortly after his introduction to Guy Chambers, Williams released "Old Before I Die" which would be the first single taken from his début album. Co-written by Williams with Eric Bazilian and Desmond Child, the single was released in April 1997, hitting number two on the UK Charts; however, it was largely ignored on international charts. The second single, "Lazy Days", was released in mid-1997. Although Williams was going through drug rehabilitation on the advice of his friend Elton John, he was allowed to check out to shoot the video for the song, but promotion for the single was virtually non-existent, so whilst the single charted at number eight in the United Kingdom, it struggled to reach the top forty of any European chart.

His debut album, ''Life Thru a Lens'', was released in September 1997. The album launched with his first live solo gig at the Élysée Montmartre theatre in Paris, France. At first, the album was slow to take off, debuting at number eleven of the UK Album Charts. The third single of the album, "South of the Border", failed to make a significant impact on the UK Charts. When it was released in September 1997, it reached number fourteen.

After Williams met the record company's concerns about his future, he released what would be the fourth single taken from his album, not knowing it would become his biggest single in the United Kingdom so far, and one of his best-known and most successful songs to date. "Angels" became Williams' best-seller in the United Kingdom, being certified 2x Platinum by the BPI. The song, apart from becoming a hit around Europe and Latin America, caused sales of his album to skyrocket. The album remained inside the British top ten for forty weeks and spent 218 weeks there altogether, making it the 58th best selling album in UK History with sales of over 2.4 million. The album eventually managed to sell over three million copies in Europe alone.

Williams and Chambers started writing the second album in Jamaica in early 1998. The first single, "Millennium", was inspired by John Barry's, theme song for ''You Only Live Twice'', the James Bond movie. The song became Williams' first solo number one single in the United Kingdom when it was released in September of that year. The song went on to ship over 400,000 copies in the UK alone being certified Gold by the BPI in November 1998. It also became a top twenty hit in many European countries, as well becoming a hit in Latin America and Australia.

When the album ''I've Been Expecting You'' was released in late October 1998, it débuted at number one in the UK Albums Chart. The album received more attention outside the United Kingdom, leaving its mark in the European and Latin American markets with hits such as "No Regrets", a collaboration with The Pet Shop Boys' singer Neil Tennant and The Divine Comedy's Neil Hannon. The single "No Regrets" was released in November 1998, reaching number four in the UK Singles Chart, backed with the cover of Adam and the Ants, "Antmusic". The single eventually sold over 200,000 copies in the United Kingdom being certified Silver in October 2004, almost six years after its original release.

The third single "Strong" from the album debuted at number four in the United Kingdom and number nine in New Zealand, however peaked moderately at only number 68 in Germany, number 99 in France and number 55 in the Netherlands. The fourth single, "She's the One", a cover of a track from World Party's album, ''Egyptology'', became his second number one hit in the United Kingdom. The single was released as a double a-side with "It's Only Us", the official theme for FIFA 2000. The single became a massive success shipping over 400,000 copies in the UK alone being certified Gold by the BPI in early 2000. Williams finished the year with an extensive European Tour late in 1999.

The album ''I've Been Expecting You'' was a smash hit, selling almost 3 million copies in the United Kingdom alone: certified 10x Platinum by the BPI. In Europe alone, the album sold over 4 million copies.

1999–2001: ''Sing When You're Winning'' and ''Swing When You're Winning''

In 1999, Williams was signed to Capitol Records in the United States, which is a part of EMI. Williams embarked on a US promotional tour and when his first U.S. and Canadian single, "Millennium" was released, it hit number 72 on the ''Billboard'' Hot 100, the album ''The Ego Has Landed'' was released in July 1999 in the United States and Canada, not having the success that he enjoyed in Europe - the album peaked at number 63 in the U.S. ''Billboard'' Albums Chart and number 17 on the Canadian SoundScan album chart. Despite this, Williams enjoyed good video airplay and received a nomination for the MTV Video Music Awards for "Best Male Video" he did not win, but the exposure helped sales of the album.

Capitol Records, trying to make Williams a bigger star, released a second single from the album, the ballad "Angels". Williams shot a new video for it, and when it was released in fall of that year, the song became a somewhat bigger hit than "Millennium", peaking at number 53, but this was not enough for Williams, so he concentrated on the rest of the world where he was already an established act. The album went on to ship 500,000 copies in the United States, certified Gold by the RIAA in November of that year. The compilation was released worldwide (as a limited edition in Europe); the album was a success in New Zealand reaching number one on the official album charts.

In the middle of promotion and the tours in 1999, becoming an established worldwide pop star, Williams found time to start work on what would be his third studio album. This time he had finally found his inner confidence.

The first single taken from the album was "Rock DJ", a song inspired by Williams's UNICEF mentor, the late Ian Dury. The video showed Williams in an attempt to get noticed by a group of females, first stripping and then tearing chunks of skin and muscle from his body, and caused controversy in the United Kingdom and many other countries. The video was edited by Top of the Pops for its graphic content and many other channels followed suit. The song became an instant hit, making number one in the United Kingdom and becoming his third number one single as a solo artist exactly a year after his sell-out concert at the Slane Castle. The song also reached number one in New Zealand and hit the Top 10 placings in many countries including Germany, Switzerland, Austria, Norway, Italy and Australia. Despite this success, the song failed to break into the United States charts, but it did get some TV Airplay on channels such as MTV and VH1. The song went on to win several awards; among them, "Best Song of 2000" at the MTV Europe Music Awards, "Best Single of the Year" at the BRIT Awards and an MTV Video Music Award for Best Special Effects. It sold over 600,000 copies in the UK alone, being certified Platinum by the BPI.

When the album, ''Sing When You're Winning'' was released in August 2000, it topped the charts in many different countries all over the world including Germany, New Zealand and The Netherlands and secured top ten placings in Italy, Austria, Australia, Finland and Sweden, among many others. As for the UK, the album débuted at number one being certified 2x Platinum on its first week of release.

The album's second single, a collaboration with Australian singer Kylie Minogue, titled "Kids", was written when Minogue approached Williams to write material for what would be her first album under Parlophone – ''Light Years''. Williams decided to include the track on his album and release it as a single. It was an instant hit when it was released in October of that year, hitting number two in the United Kingdom and reaching top twenty placings in countries like Australia and New Zealand. Kids became one of the biggest hits of that year selling over 200,000 copies in the UK alone and was certified Silver.

Further singles, such as "Supreme" (which Williams also recorded in French), and "Better Man" became big hits reaching the top 10 in numerous countries around the world.

"Eternity", a track that was not featured on the album, was released in mid 2001 backed with "The Road to Mandalay" - the former was written by Williams. It became his fourth number one single in the United Kingdom, selling over 70,000 copies in its first week in the UK alone, and also hit the top 10 in many countries including Germany, Switzerland, Austria and Italy among others.

The album spent 91 weeks inside the UK Charts, going on to sell 2.4 million copies in the UK alone and was certified 8x Platinum by the BPI. It became the 51st Best Selling album in UK Music History and went on to sell over 4 million copies in Europe alone.

After the success of his third album, Williams wanted to take another musical direction. He took two weeks off from his tour to record what would be his fourth studio album, the big band album he had always dreamed of making. Born from his life-long love for Frank Sinatra combined with the success of the track "Have You Met Miss Jones?" that he recorded for the film ''Bridget Jones' Diary'' in early 2001 the album was recorded at the Capitol Studios in Los Angeles, California.

Williams took the chance to duet with his long-time friend Jonathan Wilkes, ''Little Voice'' star Jane Horrocks, ''Saturday Night Live'' star Jon Lovitz, Rupert Everett and the Academy Award winning actress Nicole Kidman. The first single released from the album was a duet with Kidman, on "Somethin' Stupid". Originally a hit for Frank and Nancy Sinatra, the song became Williams' fifth number one hit in the United Kingdom, selling almost 100,000 copies in its first week of release, as well as hitting the top 5 in Germany, Switzerland, Austria, Italy, The Netherlands, Belgium and New Zealand. It eventually went on to become one of the biggest hits of 2001, selling over 200,000 copies in the UK alone. After spending three weeks at the top of the charts in 2001, it was certified Silver in January 2002.

When the album ''Swing When You're Winning'' (in reference to his 2000 studio album ''Sing When You're Winning'') was released in late 2001, it became an instant hit in the United Kingdom (spending six consecutive weeks at number one), Ireland, New Zealand, Austria, Germany and Switzerland and it reached the top ten in the rest of the world, going on to sell over 2 million copies by the end of 2001 and over 7 million altogether. A second single was released from the album, a double a-side "Mr. Bojangles/I Will Talk and Hollywood Will Listen". It was, however, released only in Central and Eastern Europe. "Mack the Knife" was released as a radio single in Mexico.

The album spent 85 weeks inside the UK Charts, selling more than 2.1 million copies. It was certified 7x Platinum in the United Kingdom and ultimately became the 49th Best Selling Album in UK Music History. "Beyond the Sea" was put in the credits of the film ''Finding Nemo'' in 2003 and was also released on the film's soundtrack CD.

A DVD called ''Robbie Williams Live at the Albert Hall'' was released in December of that year. So far, it has become one of the best selling music DVDs in Europe, being certified 6x Platinum in the United Kingdom and 2x Platinum in Germany.

2002–05: ''Escapology'' and ''Intensive Care''

In 2002, Williams signed a record-breaking £80 million contract with EMI. The contract included a number of provisos, including the label ceding greater creative control to the artist and a commitment to breaking Williams into the US market. So far it is the biggest music deal in British history. The deal was brokered by Ingenious Media, a leading UK corporate finance advisory business.

Williams began working on what would be his fifth studio album, spending a year in the recording studio. The album heralded a new era for Williams. He had taken a more active role in the making of this album, giving an indication of his growing confidence in the studio. "One Fine Day", "Nan's Song", and "Come Undone" were the first songs that Williams wrote without the input of Guy Chambers. Most of the songs were recorded in Los Angeles.

The album's first single, "Feel", written by Williams and Chambers, was recorded as a demo. When they started working on the album and were trying to re-record the vocals, Williams felt unsatisfied with it, so he decided to include the demo version and then release it as the first single. When the single was released in late 2002, it became Williams' biggest international hit, going number one in countries like The Netherlands and Italy, as well as reaching the top ten in almost every single European country.

When Williams' fifth studio album, ''Escapology'', was released in late 2002, it hit number one in at least 10 countries around the world including the United Kingdom, Germany, Switzerland, Austria, Sweden, Finland, and Denmark. Elsewhere, it made the top ten. In the United States, however, it failed to make such an impact, reaching only number forty-three on the Billboard Albums Chart.

The album's second single, "Come Undone" became a top ten hit around the world. Due to its controversial video, it was heavily censored by MTV Networks Europe for depicting a debauched (but fully-clothed) Williams having three-way sex with two women. The video was about some young people having a party and it showed footage of fights, drug taking and alcohol abuse. It also showed unsettling images of insects and reptiles. The uncensored version of the video was released on DVD single in Europe and was also included on the Enhanced CD Single. BBC Radio 2 also banned the song for its explicit content. At that time, it was confirmed that Williams and Guy Chambers were to officially split up. The single version of "Come Undone" is not the same version as the one on the album, but instead is listed by producer Steve Power as being "from an original production by Guy Chambers/Steve Power".

The third single taken from the album was "Something Beautiful". The song was written in Barbados. It was first offered to Tom Jones, who declined, after which it was reworked for its inclusion on Williams' album. The single was released in mid-2003. While it had minor success compared to Williams' previous songs, it did manage to enter the top ten in the United Kingdom, New Zealand and Denmark. However it failed to make much of an impact in the music charts in other countries. The video featured a number of people from all over Europe vying to win the chance to perform as Robbie Williams at the end of the same video. The three winners had the chance to meet Williams. Three different versions of the video were released in different parts of the world, featuring the different winners. Williams started his world tour in the mid-2003, and he was about to do three live concerts in Knebworth. The Knebworth shows attracted a total of 375,000 fans.

''Escapology'' ended up selling almost 2 million copies by the end of 2003 in the United Kingdom. It was certified 6x Platinum by the BPI, becoming the 60th best selling album in UK music history. The album went on to sell over 5 million copies in Europe alone.

In October 2003, Williams released his first live album, ''Live at Knebworth'' which peaked at number two in the UK. The album reached the top position in Germany and Austria and became a top ten album throughout the rest of Europe, Australasia and Latin America. The live record ended up selling a little over 600,000 copies in the United Kingdom and was certified 2x Platinum by the BPI. It sold a total of 2 million units in Europe alone.

In October 2004, Williams released a retrospective of his career, and also, to reveal the new tracks he had been working on with the then-new collaborator, Stephen Duffy. "Radio", the compilation's first single was released in October 2004, which debuted at number one of the UK Singles Chart (becoming Williams' sixth number-one hit) selling 41,732 copies. The song was also a number one hit in Denmark, and it hit the top ten in The Netherlands, Italy, Austria and Norway.

When the compilation ''Greatest Hits'' was released two weeks later, it went on to sell 320,000 copies in its first week in the United Kingdom debuting at number one. The album also hit the top spot in other countries like Switzerland, Italy, Portugal, Austria, The Netherlands, Australia and New Zealand.

The album's second single, the ballad "Misunderstood", which was also the soundtrack of the film ''Bridget Jones: The Edge of Reason'' hit the top ten in Italy and Denmark in December of that year, making the album the best selling album of the year in the United Kingdom and becoming the 61st Best Selling Album in UK Music History, with sales over 2 million copies, becoming certified 6x Platinum by the BPI. It also became the best selling album of the year in Europe, being certified 5x Platinum, with over 5 million copies sold.

Eight years after the release of "Angels", in February 2005 the British public voted it as the "Best Single of the Past Twenty-Five Years" at the 2005 BRIT Awards.

After touring Latin America in late 2004 for the promotion of his ''Greatest Hits'' album, Williams started working on his sixth studio album. Recorded in his bedroom in the Hollywood Hills, the album was co-written by Stephen Duffy over the course of 24 months.

The track "Ghosts" was inspired by the Human League's "Louise", about a man who breaks off a relationship with his partner and realises he still has strong feelings for her.

The album's first single "Tripping", was released on 3 October 2005, it became an international success topping the charts in Germany, Austria, the Netherlands, Italy, Switzerland, Sweden, Norway and Spain.

The album ''Intensive Care'' was launched in Berlin, Germany on 9 October. It became a smash hit around the world, hitting number one in the United Kingdom, as well as topping the charts in Germany, Switzerland, Austria, Australia, Sweden, New Zealand, the Netherlands, Finland and many other countries.

In November 2005, Williams took home the MTV Europe Music Award for 'Best Male', but also, entered in ''The Guinness Book of World Records'' when he announced his World Tour for 2006, selling 1.6 million tickets in one single day. But after the success, Gary Barlow, Mark Owen, Jason Orange, and Howard Donald had agreed to reunite in Notting Hill, west London, for a preview screening of a documentary about Take That. The documentary screened on ITV1 on 16 November 2005. Unfortunately, according to a source quoted by The Sunday Mirror, "Robbie announced he wasn't coming. The rest of the band were gutted but felt the show had to go on."

By December, the second single from the album was released. The ballad "Advertising Space" reached the top ten in some European countries including the UK, Germany, Switzerland, Austria and Italy.

Williams kicked off his ''Close Encounters World Tour'' in South Africa in April 2006, when he finished his European leg of the tour. 2.5 million had seen the show, and after touring Latin America and Australia the numbers went up to 3 million.

After a long gap between singles, the third cut from the album was released in the mid-2006. "Sin Sin Sin" was the first song Williams and Duffy wrote together, the video of which was shot in Cape Town, South Africa right before the start of his tour. The track became Williams' first single not to make the UK Top 20, charting at only number 22, but managed to enter the top 20 in some countries including Germany, Switzerland, Austria, The Netherlands, Denmark and Italy.

By the end of the promotion of the album, it was announced that it had sold over five million copies in Europe alone, and was certified 5x Platinum by the IFPI. It was also certified 5x Platinum in the United Kingdom becoming, at the time, his lowest selling studio album in the country.

2006–09: ''Rudebox'' and ''Reality Killed the Video Star''

Williams's seventh studio album was announced in early 2006. It was to be a dance/electro album with collaborations with the Pet Shop Boys, William Orbit, Soul Mekanik, Joey Negro, Mark Ronson, Chris Grierson, The Orr Boys and more.

The first single, "Rudebox", was premièred on radio by Scott Mills on his show on BBC Radio 1. The event caused some controversy, as the record label's embargo date was broken, although the artist himself later backed the presenter for doing so. More controversy followed due to the first single's radical change of direction when compared to his older releases. British newspaper ''The Sun'' named the song "The Worst Song Ever". However, Victoria Newton stated that there were sure-fire hits on the album. The song was released in September that year reaching number four in the UK Singles Chart. It hit the number one spot in Germany, Switzerland and Italy.

Williams released his much anticipated dance/electro album, ''Rudebox'', on 23 October 2006. It received mixed reviews: Allmusic gave it a four star rating, the ''NME'' 8 out of 10, and Music Week and MOJO were equally positive, but it received much weaker reviews from some of the British press. Despite reaching the number one spot, sales were far below what was expected by his label, and overall sales in the UK were overtaken by his former band, Take That's ''Beautiful World''. The album has sold a little under 500,000 copies in the United Kingdom, becoming his lowest-selling album in the country, being certified 2x Platinum by the BPI. The album was received with a warmer reception by the public in other parts of the world where it hit number one including Germany, Switzerland, Austria, Finland and Italy.

The album sold 2x Platinum in Europe with sales of over 2 million making it the fastest platinum-selling album of 2006. The album finished at number eighteen in the list of 2006's best selling albums worldwide. Neil Tennant claimed the album had sold 4.5 million copies by early 2007.

The second single, "Lovelight", came out right before the release of the album, and was commercially released on 13 November. The single reached the top ten in the United Kingdom, The Netherlands, Finland, Denmark and Italy, but failed to reach the success of Williams' previous releases when the track showed no longevity in the charts.

The third single, "She's Madonna" included remixes from Kris Menace and Chris Lake and was released on European radio in late January to precede the commercial release which was scheduled for 5 March 2007. The track reached only number sixteen on the Singles Chart in the United Kingdom, but fared better in Continental Europe hitting the top ten in most countries. It rose to number one on the European Airplay Chart after spending four weeks at number two, a feat his former band, Take That, failed to achieve. It was confirmed that this single was not going to be released in Latin America or Australia, but did receive heavy airplay in the latter country. Despite this, the single was released as Digital Download in Mexico in four different formats. In August 2007, the single reached number 12 on the U.S. Billboard Hot Dance Club Play Chart.

"Bongo Bong and Je Ne T'Aime Plus", a collaboration with British singer Lily Allen, was released as the third single in Latin America and other European countries, hitting radio in January 2007, and as a Digital Download in February. To promote his album, Williams commissioned a series of short films. ''Goodbye to the Normals'' was directed by Jim Field Smith and features "Burslem Normals" by Robbie Williams.

On 4 October 2007, Williams made a return to the live stage after almost ten months, when he made a guest appearance at Mark Ronson's concert in Los Angeles. He performed The Charlatans' song "The Only One I Know", which features on Ronson's album ''Version''.

Rumours of a new studio album co-written with Guy Chambers had surfaced in early 2007, along with known commitments required by Williams to his EMI contract. British singer-songwriter Laura Critchley commented that she had sung vocals for three songs, and said that it would not be released until 2009.

On 16 January 2008 UK tabloid ''The Sun'' announced that Williams had been working on some songs with The Blockheads member Chaz Jankel. The article went on to state that the reunion with Chambers hadn't worked out and that the material that Williams is working on with Jankel will form the basis of his next studio album. However, although it had been confirmed on the Blockheads' official site that Jankel was writing with Williams, the rumour that Chambers was no longer working with him was not official. In late August 2008, Williams' friend Callum Blue commented that he was still working on the album. In February 2009, it was confirmed that Williams had written material with Guy Chambers and Mark Ronson. A spokesman said that Williams was planning to begin the recording sessions in March and that the new album would be released in late 2009. This will probably be the last Williams album released by EMI. On his official website, Williams confirmed that he is working with producer Trevor Horn on his new album; he described himself as "buzzing" and that the new album sounds "big. Very, very big". The new album will be titled ''Reality Killed the Video Star'', a reference to the song "Video Killed the Radio Star" by Horn's former band The Buggles. The album was released on 9 November 2009 in the United Kingdom. The new song "Bodies" saw its first play on 4 September 2009 during the Chris Moyles Show on BBC Radio 1, where Moyles described it as "a grower", with Williams later agreeing that it may take a few listens for people to like it.

On 11 October 2009 Williams published a 12-track compilation album, titled ''Songbook'', as a free CD for the newspaper ''The Mail on Sunday''. The CD is a one-off album of some of his biggest hits - including several rare live performances and images from his new album. The CD also included the 'completemyartist' software which gave access to more exclusive content and playlists online. That same evening, Williams made his "comeback" on ''The X Factor'' results show, performing his new single "Bodies" for the first time live. The appearance proved to be somewhat controversial as press and viewers alike questioned Williams' well-being following a bizarre and erratic performance. A spokesperson for Williams later issued a public statement declaring that Williams had not been taking drugs. On 12 December 2009 Williams appeared again on the show to duet with finalist Olly Murs. There were claims that Robbie missed his cue, and he was unaware of the long instrumental and therefore began too early. However, after laughing it off and picking up his place again from Olly Murs, he managed to complete the performance without any other negative incidents.

On 20 October 2009 Williams opened the BBC Electric Proms at the London RoundHouse. It was his first live concert for 3 years and was beamed across 200 cinemas around the world. Accompanied by a string section, horn section, full band and producer Trevor Horn, Williams performed several new tracks from ''Reality Killed the Video Star'' and several of his greatest hits. Among the musicians, the harpist in the band Lucinda Belle was spotted in this live show by BBC DJ Fearne Cotton, which directly led to her being signed by Universal Records with a five-record deal worth 1.25 million pounds.

''Reality Killed the Video Star'' was exclusively previewed in the UK on the Spotify music streaming service on 6 November 2009, three days before its official release on 9 November. In a high profile chart battle, Williams' album was pitted against X Factor 2008 runners-up JLS who released their debut album the same day. JLS beat Williams to the number one spot by 1500 sales - both were the two biggest-selling albums of the year so far in the UK - making ''Reality...'' Williams' first studio album not to reach no.1 in the UK. However it reached number 1 globally that week.

The album was also released in the United States (Williams' first album to be released there since 2002's ''Escapology''). However, the album peaked at #160 on the Billboard 200 album chart, and dropped out of the chart after only one week.

In late November 2009, Williams traveled to Australia to perform at the ARIA Music Awards of 2009.

2010–2011: ''In and Out of Consciousness'' and reunion with Take That

In June 2010, it was officially announced that Williams was ready to release his second greatest hits album, ''In and Out of Consciousness: The Greatest Hits 1990–2010'', to celebrate his 20 years as a performing artist. Williams new single, also included on the album, will be "Shame", which is written and sung by Williams and Gary Barlow, his Take That bandmate. The single was set to released on 4 October 2010, while the album was set for release on 11 October 2010 in both CD and DVD formats.

On 15 July 2010, Robbie Williams announced he was returning to Take That. A joint statement between Williams and the group said "The rumours are true... Take That: the original lineup, have written and recorded a new album, to be called, ''Progress'' for release later this year," read the band's statement. "Following months of speculation Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams confirmed they have been recording a new studio album as a five-piece, which they will release in November."

On 26 August 2010, it was announced Williams would become a guest vocal coach on the ninth series of German reality television show ''Popstars: Girls forever'' to teach candidates for a girl group. On 20 September 2010, Williams released his second book called "You Know Me" in collaboration with Chris Heath. The book features a collection of photographs of Williams from the past 20 years of his career and discussion of them by Williams as transcribed by Heath.

In October, Media Control named Robbie Williams the most successful album-artist of the millennium due to the fact that he had spent No. 1 on the German Albums Chart for 38 weeks since 2000. He also reached that chart's Top Ten 135 times.

On 15 and 16 July 2011, Take That were scheduled to perform two sold-out concerts in Copenhagen, Denmark as part of their Progress Tour. Unfortunately, the day after the first concert, Robbie announced that he had acquired a stomach infection and (despite treatment attempts) was unable to take part in the concert. Due to this, the entire event was cancelled, leaving thousands of fans in frustration. This was the first time Take That ever cancelled a concert. It was not rescheduled.

2011-present New album

Robbie Williams has announced that he has been working with Gary Barlow on a new solo album which will be released late 2011. It was also announced that the album will be produced by Barlow. Robbie confirmed on his official site that he will be doing a new duet. Rumors so far have included artists such as Adele and Adam Lambert

Other projects

Reunion of Take That

Williams announced in December 2008 that he was planning to relocate to the UK prior to releasing his eighth studio album in late-2009, and a possible reunion with Take That. Photos also showed Williams with his new tattoo of the Take That logo on his right arm, in tribute to his former bandmates. Williams bought a £7 million home in the village of Compton Bassett, Wiltshire.

On 27 March 2009, Williams stated he felt ready to re-join Take That. He said: "I'm in regular contact with them, even Gaz, and it's looking more likely by the week. The lads all seem up for it and some people think it's a done deal. I think it would be fun." Williams was eager to re-join the band on their The Circus Live tour, but these plans never materialised. In September 2009, Williams was reported to be working in New York with Take That, however these rumours were never confirmed.

While it was rumoured that Williams would reunite with Take That on 12 November 2009 for a Children In Need charity concert at The Royal Albert Hall, they merely greeted each other warmly on stage between performances. However, both did join with the other acts in the final song of the evening, with Robbie putting his arm around Gary Barlow and singing Hey Jude happily together. Williams subsequently implied in an interview that a proper reunion was still a distinct possibility. On 15 February 2010, tabloid newspaper ''The Sun'' printed an interview with Robbie, stating that he and Take That had been sighted going to an Los Angeles studio together.

It was announced on 15 July that Robbie Williams had rejoined Take That. In November 2010 the Take That album Progress was released, becoming the fastest selling album since 2000 and second fastest selling album in UK history. Williams explained that the long-standing friction between himself and Gary has been resolved, and how close they are now.

The band also announced the Progress Live 2011 tour which will travel across the UK in the Summer and finish with a record breaking 8 nights at Wembley Stadium in London. The tour will also visit some of the biggest venues across Europe after the tour of the UK. The tour was the fastest selling tour in UK history with ticket hotlines and websites crashing under the demand.

Reception in North America

Williams's first United States single, "Millennium", made it to #72 on the ''Billboard'' Hot 100 chart. Its highest position on American charts was #20 in Top 40 Mainstream. His second single, "Angels", was a success on the Hot Adult Contemporary Chart where it peaked at #10. It also hit #41 in the Hot 100, becoming his highest peaking track on the main American chart and the most commonly known Robbie Williams song in the United States (later covers by Jessica Simpson and David Archuleta would be released as singles). In 1999, Williams released a special, US only, compilation of his first two albums, titled ''The Ego Has Landed''. The album peaked at #63 and went Gold shipping over 500,000 copies in the US.

Later in 2000, "Rock DJ", a single taken from Williams's second US album ''Sing When You're Winning'', was released; it reached #24 in the Hot Dance Club Play Chart, but failed to chart on the Hot 100. The album peaked at #110 on the Billboard 200 and only stayed on the charts for four weeks.

Together with a promotional tour, EMI hoped that the release of ''Escapology'' would be the album to successfully break the American market. Williams performed the lead song "Feel" on such shows as ''Good Morning America'' and ''The Tonight Show with Jay Leno''. However, this single did not reach Hot 100 but peaked at #28 on the Adult Top 40. The album ''Escapology'' also failed to catch fire in America and peaked at #43 on the US Album Billboard Charts. ''Intensive Care'' and ''Rudebox'' were not released on an American label, but they were made available on iTunes. Williams's 2009 album, ''Reality Killed The Video Star'', was released in the US, but was also a commercial failure, peaking at #160 and remained on the chart for only one week.

Williams's single "Lovelight" was released in the United States by Virgin Records, debuting at #23 in the Billboard Hot Dance Club Play Chart on March 2008 and eventually peaking at #8 by May 2008. It was the third single from the British singer to hit the American dance chart. It was also his sixth single to reach American charts and his second highest-charting single in an American chart to date. Other singles from Rudebox were released in the United States: ''She's Madonna'', ''We're the Pet Shop Boys'' and ''We're the Pet Shop Boys (Close My Eyes)''. These songs peaked at #12, #5 and #7 respectively in the Hot Dance Club Play chart.

In Canada, Williams has enjoyed more success, with "Feel" reaching the top ten there. A few of his other songs have gained popularity there, notably "Angels", "Millennium", "Rock DJ", "Tripping" and "She's Madonna". Williams has received a Platinum certification for his ''The Ego Has Landed'' for sales of over 100,000 and Gold for ''Swing When You're Winning'' as well as for Escapology selling over 50,000 units of each.

Collaborations

One of his most famous collaborations was on the song "Kids", a duet with Australian pop star Kylie Minogue. The single peaked at number 2 on the UK singles charts in 2000. Williams also collaborated with Australian film star Nicole Kidman on a cover of Frank and Nancy Sinatra's "Somethin' Stupid". The single reached number 1 on the UK singles chart in 2001. His single "No Regrets" featured Neil Tennant, and Neil Hannon on backing vocals.

In 2002, Williams appeared on the track "My Culture" on the ''1 Giant Leap'' album, alongside rapper Maxi Jazz (which features lyrics from the hidden track "Hello Sir" from ''Life Thru a Lens''). Williams also features on a double CD titled ''Concrete'' which was released on the same day as ''Rudebox''. The CD features a concert recorded for the BBC featuring the Pet Shop Boys and Williams singing their classic hit "Jealousy". Their joint effort, "She's Madonna", was released as a single in March 2007. On 13 August 2007, a Dean Martin duets album was released, on which Williams sings "Please Don't Talk About Me When I'm Gone". Most recently it was announced that Williams has recorded what is going to be Mexican singer Thalía's first single from her upcoming English-language album. In 2010 he announced that he was to release "Shame", a duet with Take That lead singer songwriter Gary Barlow as the first single from his greatest hits collection ''In and Out of Consciousness: The Greatest Hits 1990–2010''.

Video game

Williams features in his own karaoke video game, "We Sing Robbie Williams." It will feature 25 tracks accompanied by all the original videos. The game is to be released by publisher Nordic Games, which struck a licensing deal with EMI. The game also features the single Shame featuring both Robbie Williams and Gary Barlow as an extra 26th playable track.

Achievements

It has been claimed that Williams has sold more albums in the UK than any other British solo artist in history and has won more BRIT Awards than any other artist to date. His album sales stands at over 57 million worldwide. Williams was entered in ''The Guinness Book of World Records'' when, after he announced his World Tour for 2006, 1.6 million tickets were sold in one single day.

He has been presented many awards, including seventeen BRIT and seven ECHO awards. In 2004, he was inducted into the UK Music Hall of Fame, after being voted as the Greatest artist of the 1990s.

He appears in the list of the all-time Top 100 biggest selling albums in the United Kingdom six times.

On 23 October 2009 it was announced that he would receive the Outstanding Contribution To British Music award at the 2010 BRIT Awards. Williams received his award on 16 February 2010 at the end of the ceremony and performed a live medley of his greatest hits including ''Let Me Entertain You'', ''No Regrets'', and ''Angels''.

On Friday 3 September 2010, on a show that included "The Wanted" and Alesha Dixon, he switched on the world famous Blackpool illuminations, stating that it was one of the greatest honours he'd ever achieved.

Personal life

Since 2006, Williams has spent most of his time in Los Angeles, California. Williams moved back to the UK in 2009 when he bought an £8.5 million mansion in Compton Bassett, Wiltshire, nearby to close friend Jonathan Wilkes who lives in Swindon. Williams sold the mansion a year later to move back to Los Angeles.

Williams has reportedly battled mental illness, obesity, self-esteem issues, alcoholism, and substance abuse throughout his life. He once discussed how his friend Elton John booked him into a clinic to cope with his drug use that emerged from the depression he was experiencing while still in Take That. He entered a rehabilitation centre in Tucson for his addiction to the prescription pills Xanax, Seroxat, Vicodin, and the energy drink Lucozade in February 2007 Williams used to smoke up to 60 cigarettes a day; he gave up in 2009 for his girlfriend Ayda Field.

Williams has a strong interest in UFOs and related paranormal phenomena, and has pursued this interest during his 2007–08 sabbatical. His interest in the subject led to him taking part in a documentary for BBC Radio 4 with Jon Ronson. The documentary followed them to a UFO convention in Nevada. During an interview with Joss Stone on ''The Jeremy Kyle Show'' in 2008, Williams revealed that while out of his head on dispirin he has seen UFOs three times. Williams said his first UFO sighting was when he was a child in Britain while he spotted his second in Beverly Hills, and added that the third sighting was just after he had written a song about alien contact.

Relationships

Since May 2006, Williams has been in a relationship with the Turkish American actress Ayda Field. They have reportedly been together for almost five years. Despite several break up stories in the press Williams and Field have been spotted together many times this year. On 29 January 2008 they were pictured on vacation together at Mammoth Ski Resort in California, accompanied by Max Beesley. She was featured in a UFO documentary that Williams did for BBC Radio 4 in April and took part in a field investigation he did in Trout Lake, Washington in August 2008.

On 8 November 2008, Williams was spotted with Field at football match at the Emirates Stadium home of Arsenal, where he was also seen with Gary Barlow accompanied by his two oldest children, and Williams's longtime friend Jonathan Wilkes. The couple has been living together in a mansion in Wiltshire since the beginning of 2009 according to ''The Sun''. In October 2009, Field appeared in the video of Williams comeback single Bodies. Williams has been referring to Field as his "wife" in recent interviews.

In November 2009, Williams announced to Jonathan Ross that he was 'in love' with Field. On 26 November 2009, Williams proposed to Ayda Field live on the Australian radio channel 2dayfm in an interview on the Kyle and Jackie O Show. However, it was later revealed by Williams' manager that it was "done as a joke following suggestions it was a stunt which was set up prior to the radio show." His spokesman confirmed: 'He did say it, but he did it in a jocular manner. They are not engaged.' A few days later Williams himself denied the engagement, using his official blog to say "Hey all. We are not engaged. Rob.". On 7 August 2010, Williams and Field married at his home in Los Angeles.

Sexuality

Williams won a libel case against MGN and Northern & Shell in December 2005 relating to articles which had reported he was a closet homosexual. In the libel action that resulted from this, Williams accepted substantial damages, and the publishers accepted that the stories were untrue. His counsel, Tom Shields QC, told the court, ''"Mr Williams is not, and has never been, homosexual."'' Gay rights campaigner Peter Tatchell called for any damages paid out from the libel case to be donated to gay charities, claiming Williams' legal actions had created the impression that it is "bad to be gay." Williams responded that he was not bothered about being labelled as a gay man, and he would have taken the same action had it been regarding a heterosexual relationship. In 2008, Williams's friend, actor Max Beesley, rejected claims that Williams was gay. Beesley said, ''"Some of the stuff written about him is enough to make me mad, the rumours about him being gay, for example. Not true. I've never met anybody less gay in my life!"''

Wealth

In 2009, the Sunday Times Rich List claimed he was worth over £130 million. In 2011 his wealth was estimated at £90 million.

Williams is a lifelong supporter of Port Vale, based in his home town of Stoke-on-Trent. In February 2006 he bought £240,000 worth of shares in the club, making him the majority shareholder. He also has a restaurant at Vale Park named in his honour.

Health

He revealed in 2011 he had been battling a lethargy caused by a type of Hormone imbalance called a Andropause for a number of years and thought at first it was a return of his depression.

Charity

Williams has set up a charity in his home town entitled ''Give It Sum'', with its goal being to "improve local conditions and strengthen community life by giving money to those who are disadvantaged." Williams, with the help of friend Jonathan Wilkes, organised a charity football match Soccer Aid to raise money for UNICEF UK. This match was played in May 2006 at Old Trafford, Manchester. The participants were a mixture of celebrities and professional football players. It was continued in September 2008 and again in June 2010. Williams has been the Patron of the children's charity the Donna Louise Trust based in his home town of Stoke-on-Trent, for the last 8 years. The charity offers respite and palliative care to terminally ill and life-limited children who are not expected to live past the age of 16.

Awards

Williams has won a large number of awards over the years, including more BRIT Awards than any other artist in music history (17), as well as seven Echo Awards in six consecutive years from 2001 until 2007 and 1 other Echo Award in 2010.

Discography

; Studio albums

''Life thru a Lens'' (1997)

''I've Been Expecting You'' (1998)

''Sing When You're Winning'' (2000)

''Swing When You're Winning'' (2001)

''Escapology'' (2002)

''Intensive Care'' (2005)

''Rudebox'' (2006)

''Reality Killed the Video Star'' (2009)

''TBA'' (2011/2012)

; Compilation albums

''The Ego Has Landed'' (1999)

''Greatest Hits'' (2004)

''The Best So Far'' (2006) (released only in Brazil)

''Songbook'' (2009) (released only in the UK with ''The Mail on Sunday'')

''In and Out of Consciousness: Greatest Hits 1990–2010'' (2010)

; Live albums

''Live at Knebworth'' (2003)

Tours

The Show Off Must Go On (October–November 1997)

The Ego Has Landed (May–June 1998)

One More for the Rogue Tour / For a Few Dollars More... Tour (1998–99)

Robbie Williams North American Tours (1999)

The Sermon on the Mount Tour (2000–01)

Weddings, Barmitzvahs & Stadiums Tour / Sing When You're Pacific Rimming Tour (2001)

Weekends of Mass Distraction Tour / Cock of Justice/Aussie Typo Tour (2003)

Close Encounters Tour (2006)

References

External links

180 years of Robbie's Farrell Family Tree

Category:1974 births Category:Living people Category:BRIT Award winners Category:Capitol Records artists Category:English dance musicians Category:English expatriates in the United States Category:English football chairmen and investors Category:English-language singers Category:English male singers Category:English pop singers Category:English singer-songwriters Category:Hollywood United players Category:Ivor Novello Award winners Category:Music from Stoke-on-Trent Category:People from Stoke-on-Trent Category:People self-identifying as substance abusers Category:Port Vale F.C. Category:Take That members Category:World Music Awards winners

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Coordinates	53°25′″N21°53′″N
name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, Surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Matt Stone, Trey Parker
notable work	''Monty Python's Flying Circus'' (1969–1974)''And Now for Something Completely Different'' (1971)''Monty Python and the Holy Grail'' (1974)''Monty Python's Life of Brian'' (1979)''Monty Python Live at the Hollywood Bowl'' (1982)''Monty Python's The Meaning of Life'' (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created their influential ''Monty Python's Flying Circus'', a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to Elvis Presley's influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, they changed the way performers entertained audiences. The Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''Saturday Night Live'' through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before ''Flying Circus''

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue ''Cambridge Circus'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''Goodies'' (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of ''Yes Minister'' and ''Yes, Prime Minister''). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before ''Monty Python's Flying Circus''. ''The Frost Report'' is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

''I'm Sorry, I'll Read That Again'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

''The Frost Report'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

''At Last the 1948 Show'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

''Twice a Fortnight'' (1967) [Palin and Jones: cast members and writers]

''Do Not Adjust Your Set'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

''We Have Ways of Making You Laugh'' (1968) [Idle: cast member & writer] – [Gilliam: animation]

''How to Irritate People'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

''The Complete and Utter History of Britain'' (1969) [Palin and Jones: cast members & writers]

''Doctor in the House'' (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of ''Do Not Adjust Your Set'', originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

''Monty Python's Flying Circus''

Development of the series

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on ''Beyond the Fringe'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''Not Only... But Also''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series ''Q5'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''Toad Elevating Moment'', ''A Bucket, a Horse and a Spoon'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show

''Flying Circus'' popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is ''The Liberty Bell'', a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece ''Venus, Cupid, Folly, and Time'' by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''Monty Python's Life of Brian'' they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

End of ''Flying Circus''

Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.

Time-Life Films had the right to distribute all BBC-TV programs in America, however they had decided that British comedy simply would not work in the U.S.A. Therefore, it was not worth the investment to convert the Python shows from the European PAL standard to the American NTSC standard, which meant PBS stations could not afford the programmes. Finally, in 1974, Greg Garrison, TV producer for Dean Martin, used a couple of Python sketches ("Bicycle Repairman" and "The Dull Life of a Stockbroker") on the NBC series ''ComedyWorld'', a summer replacement series for ''The Dean Martin Show''. Payment for use of these segments was enough to pay for the conversion of the entire Python library to NTSC standard. At last, they could be sold to non-commercial TV stations, where officially they began airing in October 1974—exactly 5 years after their BBC debut. One PBS station had a program director (Ron Devillier) so eager that he 'jumped the gun' and started broadcasting the 'Flying Circus' episodes in that summer on the unlikely KERA in Dallas. The ratings shot through the roof—and was an encouraging sign to the other 100 stations that had signed up to air the shows. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''Are You Being Served?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

Life after the ''Flying Circus''

Filmography

''And Now for Something Completely Different'' (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

''Monty Python and the Holy Grail'' (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''Monty Python and the Holy Grail'' was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

''Monty Python's Life of Brian'' (1979)

Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle once flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.

''Monty Python Live at the Hollywood Bowl'' (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for ''The Meaning of Life'', this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''Monty Python's Contractual Obligation Album''.

''Monty Python's The Meaning of Life'' (1983)

Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''The Crimson Permanent Assurance''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''Parrot Sketch Not Included,'' where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

''Secret Policeman's Ball'' benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the ''Secret Policeman's Ball'' shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the USA where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''A Poke In The Eye (With A Sharp Stick)''—where they performed several Python sketches. In this first show they were collectively billed as ''Monty Python''. (Peter Cook deputised for the errant Idle in one major sketch ''The Courtroom''.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''A Fish Called Wanda'' (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in ''Time Bandits'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''Jabberwocky'' (1977), and also directed and co-wrote ''Brazil'' (1985) and ''The Adventures of Baron Munchausen'' (1988), which featured Palin and Idle respectively. ''Yellowbeard'' (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series ''Ripping Yarns'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''Erik the Viking'', also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel ''The Wind in the Willows''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including ''Cheers'', ''3rd Rock from the Sun'', Q's assistant in the James Bond movies, and ''Will & Grace''), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom ''Fawlty Towers'' (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with ''Rutland Weekend Television'' in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary ''All You Need Is Cash''), and as an actor in ''Nuns on the Run'' (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''Spamalot'' has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by ''Not the Messiah (He's a Very Naughty Boy)'', which repurposes ''The Life of Brian'' as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions

Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the ''Parrot Sketch Not Included – 20 Years of Monty Python'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''Mr. Toad's Wild Ride''.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD ''The Life of Python''. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original ''Grail'' and ''Brian'' films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''Spamalot'', based on ''Monty Python and the Holy Grail''. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005, that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''Monty Python's Personal Best.'' Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six part documentary entitled ''Monty Python: Almost the Truth (The Lawyer's Cut)'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of ''Not the Messiah (He's a Very Naughty Boy)'' at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''A Liar's Autobiography'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before ''The Meaning of Life'').

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''Splitting Heirs'' (written, produced by and starring him) and 1998's ''An Alan Smithee Film: Burn Hollywood Burn'' (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''Spamalot'', based on the ''Holy Grail'' movie. He also wrote ''Not the Messiah (He's a Very Naughty Boy)'', an oratorio derived from the ''Life of Brian''.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.

Associate Pythons

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the ''7th Python'', in a style reminiscent of associates of The Beatles being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''Monty Python Live at the Hollywood Bowl''. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for ''All You Need is Cash'' (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''Chicago Tribune'' in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the ''Flying Circus'', she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors

Cleese's wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in ''Monty Python and the Holy Grail''. Cleese and Booth later co-wrote and co-starred in ''Fawlty Towers''.

Douglas Adams was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode ''The Light Entertainment War'', Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''Mr. Neutron'', Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''Out of the Trees.'' He also contributed to a sketch on the soundtrack album for ''Monty Python and the Holy Grail''.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as ''Live at Aspen'').

Cultural influence

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of animated series the Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''South Park'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

''Good Eats'' creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of ''Montypythonoides riversleighensis'' in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book ''The Reptile Room'' by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''Monty Python's Flying Circus'' as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film ''Dead Poets Society''.

Media

Television

''Monty Python's Flying Circus'' (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

''Monty Python's Fliegender Zirkus'' (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

''Monty Python's Personal Best'' (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

Films

There were five Monty Python productions released as theatrical films:

''And Now for Something Completely Different'' (1971)

:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.

''Monty Python and the Holy Grail'' (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

''Monty Python's Life of Brian'' (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

''Monty Python Live at the Hollywood Bowl'' (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

''Monty Python's The Meaning of Life'' (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

''Monty Python: Almost the Truth (The Lawyer's Cut)'' (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

''A Liar's Autobiography: Volume IV'' (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums

''Monty Python's Flying Circus'' (1970)

''Another Monty Python Record'' (1971)

''Monty Python's Previous Record'' (1972)

''The Monty Python Matching Tie and Handkerchief'' (1973)

''Monty Python Live at Drury Lane'' (1974)

''The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail'' (1975)

''Monty Python Live at City Center'' (1976)

''The Monty Python Instant Record Collection'' (1977)

''Monty Python's Life of Brian'' (1979)

''Monty Python's Contractual Obligation Album'' (1980)

''Monty Python's The Meaning of Life'' (1983)

''The Final Rip Off'' (1988)

''Monty Python Sings'' (1989)

''The Monty Python Instant Record Collection, Volume 2'' (1991)

''The Ultimate Monty Python Rip Off'' (1994)

''The Instant Monty Python CD Collection'' (1994)

''Spamalot'' (Broadway version of ''Monty Python and the Holy Grail'' with Tim Curry as King Arthur) (2005)

''The Hastily Cobbled Together for a Fast Buck Album'' (unreleased)

Theatre

''Monty Python's Flying Circus'' – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

''Monty Python's Spamalot'' – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

''Not the Messiah (He's a Very Naughty Boy)'' – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. ''Not the Messiah'' was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books

''Monty Python's Big Red Book'' (1971) ISBN 0-413-29520-6.

''The Brand New Monty Python Bok'' (1973) ISBN 0-7493-1170-3.

''Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)'' (1977) ISBN 0-413-38520-5.

''MONTYPYTHONSCRAPBOOK/ The Life of Brian'' (1979) ISBN 0-413-46550-0.

''Monty Python's Flying Circus – Just The Words'' Volume 1 (1989) ISBN 0-413-62540-0.

''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) ISBN 0-413-62550-8.

''The Complete Monty Python's Flying Circus'' Volumes 1 & 2

''The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book'' (1994) ISBN 0-413-69000-8

''Michael Palin Diaries 1969–1979''

''The Pythons: Autobiography by the Pythons''

''The Life of Brian/Jesus'' (2011) ISBN 978-184876-628-0.

Games

''Monty Python's Flying Circus'' (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

''Monty Python's Complete Waste of Time'' (1994) released by 7th Level for PC / DOS

''Monty Python & the Quest for the Holy Grail'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

''Monty Python's The Meaning of Life'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc. ''Monty Python Fluxx'' (2008), a card game released by Looney Labs

''Blazing Dragons''

See also

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References

Further reading

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

The SOTCAA Monty Python Pages

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by ''TIME'' magazine

Monty Python Reunion event, New York, 15 October 2009

Category:British comedy troupes Category:British television comedy Category:Virgin Records artists Category:Arista Records artists Category:European Film Awards winners (people) Category:Charisma Records artists

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Coordinates	53°25′″N21°53′″N
name	Christopher Hitchens
birth name	Christopher Eric Hitchens
birth date	April 13, 1949
birth place	Portsmouth, England
death date	December 15, 2011
death place	Houston, Texas, U.S.
occupation	Writer, journalist, public speaker
alma mater	Balliol College, Oxford
nationality	English American
citizenship	British and American
religion	None
subject	Politics, religion, history, biography, literature
spouse
relatives	Peter Hitchens (brother)
influences	George Orwell, Leszek Kolakowski, Thomas Paine, Thomas Jefferson, George Eliot, Karl Marx, Leon Trotsky, Rosa Luxemburg, John Stuart Mill, Joseph Heller, Richard Dawkins, Daniel Dennett, Noam Chomsky, Gore Vidal, Edward Said, Salman Rushdie, Vladimir Nabokov, Richard Llewellyn, Aldous Huxley, PG Wodehouse, Evelyn Waugh, Richard Hofstadter, Paul Mark Scott, James Fenton, James Joyce, Albert Camus, Oscar Wilde, Conor Cruise O'Brien, Martin Amis, Kingsley Amis, Ian McEwan, Colm Tóibín, Bertrand Russell, Wilfred Owen, Israel Shahak, Isaiah Berlin, Émile Zola, W. H. Auden, Susan Sontag
influenced	Johann Hari, Martin Amis, Sam Harris, Richard Dawkins
signature	CH Signature 2.jpg|200px
website	}}

Christopher Eric Hitchens, nicknamed "Hitch", (13 April 1949 – 15 December 2011) was an English American author, essayist and journalist, whose books, essays, and journalistic career spanned more than four decades. He was a columnist and literary critic for ''The Atlantic'', ''Free Inquiry'', ''The Nation'', ''Salon'', ''Slate'', ''Vanity Fair'', ''World Affairs'', and became a media fellow at the Hoover Institution in September 2008. He was a staple of talk shows and lecture circuits and in 2005 was voted the world's fifth top public intellectual in a ''Prospect''/''Foreign Policy'' poll.

Hitchens was known for his admiration of George Orwell, Thomas Paine and Thomas Jefferson and for his excoriating critiques of Mother Teresa, Bill and Hillary Clinton, Henry Kissinger and Britain's royal family, among others. His confrontational style of debate made him both a lauded and controversial figure. As a political observer, polemicist and self-defined radical, he rose to prominence as a fixture of the left-wing publications in his native Britain and in the United States. His departure from the established political left began in 1989 after what he called the "tepid reaction" of the Western left following Ayatollah Khomeini's issue of a ''fatwā'' calling for the murder of Salman Rushdie. The September 11 attacks strengthened his internationalist embrace of an interventionist foreign policy, and his vociferous criticism of what he called "fascism with an Islamic face". His numerous editorials in support of the Iraq War caused some to label him a neoconservative, although Hitchens insisted he was not "a conservative of any kind".

Identified as a champion of the "New Atheism" movement, Hitchens described himself as an antitheist and a believer in the philosophical values of the Enlightenment. Hitchens said that a person "could be an atheist and wish that belief in god were correct", but that "an antitheist, a term I'm trying to get into circulation, is someone who is relieved that there's no evidence for such an assertion." According to Hitchens, the concept of a god or a supreme being is a totalitarian belief that destroys individual freedom, and that free expression and scientific discovery should replace religion as a means of teaching ethics and defining human civilization. He wrote at length on atheism and the nature of religion in his 2007 book ''God Is Not Great''.

Though Hitchens retained his British citizenship, he became a United States citizen on the steps of the Jefferson Memorial on 13 April 2007, his 58th birthday. Asteroid 57901 Hitchens is named after him. His memoir, ''Hitch-22'', was published in June 2010. Touring for the book was cut short later in the same month so he could begin treatment for newly diagnosed esophageal cancer. On 15 December 2011, Hitchens died from pneumonia, a complication of his cancer, in the MD Anderson Cancer Center in Houston, Texas.

Life and career

Early life and education

His mother, Yvonne Jean (née Hickman), and father, Eric Ernest Hitchens (1909–1987), met in Scotland while both were serving in the Royal Navy during World War II. Yvonne was at the time a "Wren" (a member of the Women's Royal Naval Service), and Eric a "purse-lipped and silent" commander, whose ship HMS ''Jamaica'' helped sink Nazi Germany's battleship ''Scharnhorst'' in the Battle of the North Cape. His father's naval career required the family to move a number of times from base to base throughout Britain and its dependencies, including in Malta, where Christopher's brother Peter was born in Sliema in 1951.

Hitchens's mother having argued that "if there is going to be an upper class in this country, then Christopher is going to be in it,", in the late fifties and early sixties he was educated at Mount House School in Tavistock in Devon, then at the independent Leys School in Cambridge, and then at Balliol College in Oxford, where he was tutored by Steven Lukes and read philosophy, politics, and economics. Hitchens was "bowled over" in his adolescence by Richard Llewellyn's ''How Green Was My Valley'', Arthur Koestler's ''Darkness at Noon,'' Fyodor Dostoyevsky's ''Crime and Punishment'', R. H. Tawney's critique on ''Religion and the Rise of Capitalism,'' and the works of George Orwell. In 1968, he took part in the TV quiz show ''University Challenge''.

Hitchens has written of his homosexual experiences when in boarding school in his memoir, ''Hitch-22''. These experiences continued in his college years, when he allegedly had relationships with two men who eventually became a part of the Thatcher government.

In the 1960s Hitchens joined the political left, drawn by his anger over the Vietnam War, nuclear weapons, racism, and "oligarchy", including that of "the unaccountable corporation". He would express affinity with the politically charged countercultural and protest movements of the 1960s and 1970s. However, he deplored the rife recreational drug use of the time, which he describes as hedonistic.

He joined the Labour Party in 1965, but along with the majority of the Labour students' organization was expelled in 1967, because of what Hitchens called "Prime Minister Harold Wilson's contemptible support for the war in Vietnam". Under the influence of Peter Sedgwick, who translated the writings of Russian revolutionary and Soviet dissident Victor Serge, Hitchens forged an ideological interest in Trotskyist and anti-Stalinist socialism. Shortly after he joined "a small but growing post-Trotskyist Luxemburgist sect".

Journalistic career (1970–1981)

Hitchens began working as a correspondent for the magazine ''International Socialism'', published by the International Socialists, the forerunners of today's British Socialist Workers Party. This group was broadly Trotskyist, but differed from more orthodox Trotskyist groups in its refusal to defend communist states as "workers' states". Their slogan was "Neither Washington nor Moscow but International Socialism".

Hitchens left Oxford with a third class degree. His first job was with the London ''Times Higher Education Supplement'', where he served as social science editor. Hitchens admitted that he hated the position, and was later fired; he recalled, "I sometimes think if I'd been any good at that job, I might still be doing it." In the 1970s, he went on to work for the ''New Statesman'', where he became friends with the authors Martin Amis and Ian McEwan, among others. At the ''New Statesman'' he acquired a reputation as a fierce left-winger, aggressively attacking targets such as Henry Kissinger, the Vietnam War, and the Roman Catholic Church.

In November 1973, Hitchens' mother committed suicide in Athens in a suicide pact with her lover, a former clergyman named Timothy Bryan. They overdosed on sleeping pills in adjoining hotel rooms, and Bryan slashed his wrists in the bathtub. Hitchens flew alone to Athens to recover his mother's body. Hitchens said he thought his mother was pressured into suicide by fear that her husband would learn of her infidelity, as their marriage had been strained and unhappy. Both her children were then independent adults. While in Greece, Hitchens reported on the constitutional crisis of the military junta. It became his first leading article for the ''New Statesman''.

American career (1981–2011)

After moving to the United States in 1981, Hitchens wrote for ''The Nation'', where he penned vociferous critiques of Ronald Reagan, George H. W. Bush and American foreign policy in South and Central America. He became a contributing editor of ''Vanity Fair'' in 1992, writing ten columns a year. He left ''The Nation'' in 2002 after profoundly disagreeing with other contributors over the Iraq War. There is speculation that Hitchens was the inspiration for Tom Wolfe's character Peter Fallow in the 1987 novel ''The Bonfire of the Vanities'', but others — including Hitchens (or he indicated as such while alive) — believe it to be ''Spy Magazine''s "Ironman Nightlife Decathlete" Anthony Haden-Guest. In 1987, his father died from cancer of the esophagus.

Hitchens spent part of his early career in journalism as a foreign correspondent in Cyprus. Through his work there he met his first wife Eleni Meleagrou, a Greek Cypriot, with whom he had two children, Alexander and Sophia. His son, Alexander Meleagrou-Hitchens, born in 1984, has worked as a researcher for London think tanks the Policy Exchange and the Centre for Social Cohesion. Hitchens continued writing essay-style correspondence pieces from a variety of locales, including Chad, Uganda and the Darfur region of Sudan. His work took him to over 60 countries. In 1991 he received a Lannan Literary Award for Nonfiction.

Before Hitchens' political shift, the American author and polemicist Gore Vidal was apt to speak of Hitchens as his "Dauphin" or "heir". In 2010, Hitchens attacked Vidal in a ''Vanity Fair'' piece headlined "Vidal Loco," calling him a "crackpot" for his adoption of 9/11 conspiracy theories. Also, on the back of his book ''Hitch-22,'' among the praise from notable writers and figures, a Vidal quote endorsing Hitchens as his successor is crossed out with a red 'X' and a message saying "NO C.H." His strong advocacy of the war in Iraq had gained Hitchens a wider readership, and in September 2005 he was named one of the "Top 100 Public Intellectuals" by ''Foreign Policy'' and ''Prospect'' magazines. An online poll ranked the 100 intellectuals, but the magazines noted that the rankings of Hitchens (5), Noam Chomsky (1), and Abdolkarim Soroush (15) were partly due to supporters publicising the vote.

In 2007 Hitchens' work for ''Vanity Fair'' won him the National Magazine Award in the category "Columns and Commentary". He was a finalist once more in the same category in 2008 for some of his columns in ''Slate'' but lost out to Matt Taibbi of ''Rolling Stone''. He won the National Magazine Award for Columns about Cancer in 2011. Hitchens also served on the Advisory Board of Secular Coalition for America and offered advice to Coalition on the acceptance and inclusion of nontheism in American life.

Literature reviews

Hitchens wrote a monthly essay on books in ''The Atlantic'' and contributed occasionally to other literary journals. One of his books, ''Unacknowledged Legislation: Writers in the Public Sphere'', is a collection of such works, and ''Love, Poverty and War'' contains a section devoted to literary essays. In ''Why Orwell Matters'', he defends Orwell's writings against modern critics as relevant today and progressive for his time. In the 2008 book ''Christopher Hitchens and His Critics: Terror, Iraq, and the Left'', many literary critiques are included of essays and other books of writers, such as David Horowitz and Edward Said.

During a three-hour interview by ''Book TV'', he named authors who have had influence on his views, including Aldous Huxley, George Orwell, Evelyn Waugh, P. G. Wodehouse and Conor Cruise O'Brien.

Political views

The ''San Francisco Chronicle'' referred to Hitchens as a "gadfly with gusto". In 2009, Hitchens was listed by ''Forbes'' magazine as one of the "25 most influential liberals in the U.S. media". However, the same article noted that he would "likely be aghast to find himself on this list", since it reduces his self-styled radicalism to mere liberalism. Hitchens' political perspective can be found in his wide ranging writings which include many of the political dialogues he published.

Socialism

Hitchens became a socialist "largely [as] the outcome of a study of history, taking sides ... in the battles over industrialism and war and empire." In 2001, he told Rhys Southan of ''Reason'' magazine that he could no longer say "I am a socialist." Socialists, he claimed, had ceased to offer a positive alternative to the capitalist system. Capitalism had become the more revolutionary economic system, and he welcomed globalisation as "innovative and internationalist", but added, "I don't think that the contradictions, as we used to say, of the system, are by any means all resolved." He stated that he had a renewed interest in the freedom of the individual from the state, but that he still considered libertarianism "ahistorical" both on the world stage and in the work of creating a stable and functional society, adding that libertarians are "more worried about the over-mighty state than the unaccountable corporation" whereas "the present state of affairs ... combines the worst of bureaucracy with the worst of the insurance companies."

In 2006, in a town hall meeting in Pennsylvania debating the Jewish Tradition with Martin Amis, Hitchens commented on his political philosophy by stating, "I am no longer a socialist, but I still am a Marxist". In a June 2010 interview with ''The New York Times'', he stated that "I still think like a Marxist in many ways. I think the materialist conception of history is valid. I consider myself a very conservative Marxist". In 2009, in an article for ''The Atlantic'' entitled "The Revenge of Karl Marx", Hitchens frames the late-2000s recession in terms of Marx's economic analysis and notes how much Marx admired the capitalist system he was calling for the end of, but says that Marx ultimately failed to grasp how revolutionary capitalist innovation was. Hitchens was an admirer of Che Guevara, commenting that "[Che's] death meant a lot to me and countless like me at the time, he was a role model, albeit an impossible one for us bourgeois romantics insofar as he went and did what revolutionaries were meant to do — fought and died for his beliefs." However, in an essay written in 1997, he distanced himself somewhat from some of Che's actions.

He continued to regard both Vladimir Lenin and Leon Trotsky as great men, and the October Revolution as a necessary event in the modernization of Russia. In 2005, Hitchens praised Lenin's creation of "secular Russia" and his discrediting of the Russian Orthodox Church, describing it as "an absolute warren of backwardness and evil and superstition".

Iraq War and the war on terror

The years after the ''fatwa'' issued against Salman Rushdie saw Hitchens looking for allies and friends. In the United States he became increasingly critical of what he called "excuse making" on the left. At the same time, he was attracted to the foreign policy ideas of some on the Republican-right that promoted pro-liberalism intervention, especially the neoconservative group that included Paul Wolfowitz. Around this time, he befriended the Iraqi dissident and businessman Ahmed Chalabi. In 2004, Hitchens stated that neoconservative support for US intervention in Iraq convinced him that he was "on the same side as the neo-conservatives" when it came to contemporary foreign policy issues. Hitchens had also been known to refer to his association with "temporary neocon allies".

Following the September 11 attacks, Hitchens and Noam Chomsky debated the nature of radical Islam and the proper response to it. In October 2001, Hitchens wrote criticisms of Chomsky in ''The Nation''. Chomsky responded and Hitchens issued a rebuttal to Chomsky to which Chomsky again responded. Approximately a year after the September 11 attacks and his exchanges with Chomsky, Hitchens left ''The Nation'', claiming that its editors, readers and contributors considered John Ashcroft a bigger threat than Osama bin Laden, and that they were making excuses on behalf of Islamist terrorism; in the following months he wrote articles increasingly at odds with his colleagues.

Christopher Hitchens argued the case for the Iraq War in a 2003 collection of essays entitled ''A Long Short War: The Postponed Liberation of Iraq'', and he has held numerous public debates on the topic with George Galloway and Scott Ritter. Though he admitted to the numerous failures of the war, and its high civilian casualties, he stood by the position that deposing Saddam Hussein was a long-overdue responsibility of the United States, after decades of poor policy, and that holding free elections in Iraq had been a success not to be scoffed at. He argued that a continued fight in Iraq against insurgents, whether they be former Saddam loyalists or Islamic extremists, was a fight worth having, and that those insurgents, not American forces, should have been the ones taking the brunt of the blame for a slow reconstruction and high civilian casualties.

Criticism of George W. Bush

Prior to September 11, 2001, and the invasion of Iraq and Afghanistan, Hitchens was highly critical of Bush's "non-interventionist" foreign policy. He also criticized Bush's support of intelligent design and capital punishment.

Although Hitchens defended Bush's post-September 11 foreign policy, he criticized the actions of U.S. troops in Abu Ghraib and Haditha, and the U.S. government's use of waterboarding, which he unhesitatingly deemed as torture after being invited by ''Vanity Fair'' to voluntarily undergo it. In January 2006, Hitchens joined with four other individuals and four organizations, including the American Civil Liberties Union and Greenpeace, as plaintiffs in a lawsuit, ''ACLU v. NSA'', challenging Bush's warrantless domestic spying program; the lawsuit was filed by the ACLU.

Presidential endorsements

Hitchens would elaborate on his political views and ideological shift in a discussion with Eric Alterman on Bloggingheads.tv. In this discussion Hitchens revealed himself to be a supporter of Ralph Nader in the 2000 U.S. presidential election, who was disenchanted with the candidacy of both George W. Bush and Al Gore.

Hitchens made a brief return to ''The Nation'' just before the 2004 U.S. presidential election and wrote that he was "slightly" for Bush; shortly afterwards, ''Slate'' polled its staff on their positions on the candidates and mistakenly printed Hitchens' vote as pro-John Kerry. Hitchens shifted his opinion to "neutral", saying: "It's absurd for liberals to talk as if Kristallnacht is impending with Bush, and it's unwise and indecent for Republicans to equate Kerry with capitulation. There's no one to whom he can surrender, is there? I think that the nature of the jihadist enemy will decide things in the end".

In the 2008 presidential election, Hitchens in an article for ''Slate'' stated, "I used to call myself a single-issue voter on the essential question of defending civilization against its terrorist enemies and their totalitarian protectors, and on that 'issue' I hope I can continue to expose and oppose any ambiguity." He was critical of both main party candidates, Barack Obama and John McCain. Hitchens went on to support Obama, calling McCain "senile", and his choice of running mate Sarah Palin "absurd", calling Palin a "pathological liar" and a "national disgrace".

Blumenthal–Hitchens feud

Hitchens and Carol Blue chose to submit an affidavit to the trial managers of the Republican Party in the trial of impeachment of Bill Clinton. In the affidavit, Blue and Hitchens swore that their then-friend, Sidney Blumenthal, had described Monica Lewinsky as a stalker. This allegation contradicted Blumenthal's own sworn deposition in the trial, and it resulted in a hostile exchange of opinion in the public sphere between Hitchens and Blumenthal. Following the publication of Blumenthal's ''The Clinton Wars,'' Hitchens wrote several pieces in which he accused Blumenthal of manipulating the facts.

Israel–Palestine

Hitchens had said of himself, "I am an Anti-Zionist. I'm one of those people of Jewish descent who believes that Zionism would be a mistake even if there were no Palestinians."

A review of his autobiography ''Hitch-22'' in the ''Jewish Daily Forward'' refers to Hitchens as "a prominent anti-Zionist" and says that he views Zionism "as an injustice against the Palestinians". Others have commented on his anti-Zionism as well suggesting that his memoir was "marred by the occasional eruption of [his] anti-Zionism". The ''Jewish Daily Forward'' quoted him saying of Israel's prospects for the future, "I have never been able to banish the queasy inner suspicion that Israel just did not look, or feel, either permanent or sustainable."

In ''Slate'', Hitchens pondered the notion that, instead of curing antisemitism through the creation of a Jewish state, "Zionism has only replaced and repositioned" it, saying: "there are three groups of 6 million Jews. The first 6 million live in what the Zionist movement used to call Palestine. The second 6 million live in the United States. The third 6 million are distributed mainly among Russia, France, Britain, and Argentina. Only the first group lives daily in range of missiles that can be (and are) launched by people who hate Jews." Hitchens argued that instead of supporting Zionism, Jews should help "secularize and reform their own societies", believing that unless one is religious, "what the hell are you doing in the greater Jerusalem area in the first place?"

During a town hall function in Pennsylvania with Martin Amis, Hitchens stated that "one must not insult or degrade or humiliate people" and that he "would be opposed to this maltreatment of the Palestinians if it took place on a remote island with no geopolitical implications". Hitchens described Zionism as "an ethno-nationalist quasi-religious ideology" and stated his desire that if possible, he would "re-wind the tape [to] stop Hertzl from telling the initial demagogic lie (actually two lies) that a land without a people needs a people without a land".

He continued to say that Zionism "nonetheless has founded a sort of democratic state which isn't any worse in its practice than many others with equally dubious origins." He stated that settlement in order to achieve security for Israel is "doomed to fail in the worst possible way", and the cessation of this "appallingly racist and messianic delusion" would "confront the internal clerical and chauvinist forces which want to instate a theocracy for Jews". However, Hitchens contended that the "solution of withdrawal would not satisfy the jihadists" and wondered "What did they imagine would be the response of the followers of the Prophet [Muhammad]?" Hitchens bemoaned the transference into religious terrorism of Arab secularism as a means of democratization: "the most depressing and wretched spectacle of the past decade, for all those who care about democracy and secularism, has been the degeneration of Palestinian Arab nationalism into the theocratic and thanatocratic hell of Hamas and Islamic Jihad". He maintained that the Israel-Palestine conflict is a "trivial squabble" that has become "so dangerous to all of us" because of "the faith-based element."

Hitchens collaborated on this issue with prominent Palestinian advocate Edward Said, in 1988 publishing ''Blaming the Victims: Spurious Scholarship and the Palestinian Question''.

Domestic policy

Hitchens actively supported drug policy reform and called for the abolition of the "War on Drugs" which he described as an "authoritarian war" during a debate with William F. Buckley. He supported the legalization of cannabis for both medical and recreational purposes, citing it as a cure for glaucoma and as treatment for numerous side-effects induced by chemotherapy, including severe nausea, describing the prohibition of the drug as "sadistic". On the issue of abortion, Hitchens prioritized in affirming that he believed a fetus should be regarded as an "unborn child", but opposed the overturning of ''Roe v. Wade'' and supported the development of medical abortion techniques, and fundamentally believed in access to contraceptives and reproductive rights as "the only thing that is known to cure poverty", and in order to prevent surgical abortion altogether.

Other

Other issues Hitchens wrote on the subjects of included his support for the reunification of Ireland, abolition of the British monarchy, and his condemnation of the war crimes of Slobodan Milošević and Franjo Tuđman in Yugoslavia, and the Bosnian War.

Critiques of specific individuals

Hitchens was known for his scathing critiques of public figures. Three figures — Bill Clinton, Henry Kissinger, and Mother Teresa — were the targets of three separate full length texts, ''No One Left to Lie To: The Triangulations of William Jefferson Clinton'', ''The Trial of Henry Kissinger'', and ''The Missionary Position: Mother Teresa in Theory and Practice''. Hitchens also wrote book-length biographical essays about Thomas Jefferson (''Thomas Jefferson: Author of America''), George Orwell (''Why Orwell Matters''), and Thomas Paine (''Thomas Paine's "Rights of Man": A Biography'').

However, the majority of Hitchens's critiques took the form of short opinion pieces, some of the more notable being his critiques of: Jerry Falwell, George Galloway, Mel Gibson, Tenzin Gyatso, the 14th Dalai Lama, Michael Moore, Daniel Pipes, Ronald Reagan, Jesse Helms, and Cindy Sheehan.

Views on religion

Hitchens often spoke out against the Abrahamic religions, or what he called "the three great monotheisms" (Judaism, Christianity and Islam). He said: "The real axis of evil is Christianity, Judaism, and Islam". In his book, ''God Is Not Great'', Hitchens expanded his criticism to include all religions, including those rarely criticized by Western secularists such as Hinduism and neo-paganism. His book had mixed reactions, from praise in ''The New York Times'' for his "logical flourishes and conundrums" to accusations of "intellectual and moral shabbiness" in the ''Financial Times''. ''God Is Not Great'' was nominated for a National Book Award on 10 October 2007.

Hitchens contended that organized religion is "the main source of hatred in the world", "[v]iolent, irrational, intolerant, allied to racism, tribalism, and bigotry, invested in ignorance and hostile to free inquiry, contemptuous of women and coercive toward children", and that accordingly it "ought to have a great deal on its conscience". In ''God Is Not Great'', Hitchens contends that:

[A]bove all, we are in need of a renewed Enlightenment, which will base itself on the proposition that the proper study of mankind is man and woman [referencing Alexander Pope]. This Enlightenment will not need to depend, like its predecessors, on the heroic breakthroughs of a few gifted and exceptionally courageous people. It is within the compass of the average person. The study of literature and poetry, both for its own sake and for the eternal ethical questions with which it deals, can now easily depose the scrutiny of sacred texts that have been found to be corrupt and confected. The pursuit of unfettered scientific inquiry, and the availability of new findings to masses of people by electronic means, will revolutionize our concepts of research and development. Very importantly, the divorce between the sexual life and fear, and the sexual life and disease, and the sexual life and tyranny, can now at last be attempted, on the sole condition that we banish all religions from the discourse. And all this and more is, for the first time in our history, within the reach if not the grasp of everyone.

His book rendered him one of the major advocates of the "New Atheism" movement, and he also was made an Honorary Associate of the National Secular Society. Hitchens said he would accept an invitation from any religious leader who wished to debate with him. He also served on the advisory board of the Secular Coalition for America, a lobbying group for atheists and humanists in Washington, DC. In 2007, Hitchens began a series of written debates on the question "Is Christianity Good for the World?" with Christian theologian and pastor, Douglas Wilson, published in ''Christianity Today'' magazine. This exchange eventually became a book by the same title in 2008. During their book tour to promote the book, film producer Darren Doane sent a film crew to accompany them. Doane produced the film ''Collision'': "Is Christianity GOOD for the World?" which was released on 27 October 2009.

On 26 November 2010 Hitchens appeared in Toronto, Canada at the Munk Debates, where he debated religion with former British Prime Minister Tony Blair, a convert to Roman Catholicism. Blair argued religion is a force for good, while Hitchens was against it. Preliminary results on the Munk website said 56 per cent of the votes backed the proposition (Hitchens' position) before hearing the debate, with 22 per cent against (Blair's position), and 21 per cent undecided, with the undecided voters leaning toward Hitchens, giving him a 68 per cent to 32 per cent victory over Blair, after the debate.

In February 2006, Hitchens helped organize a pro-Denmark rally outside the Danish Embassy in Washington, DC in response to the Jyllands-Posten Muhammad cartoons controversy.

Hitchens was accused by William A. Donohue of the Catholic League for Religious and Civil Liberties of being particularly anti-Catholic. Hitchens responded "when religion is attacked in this country [...] the Catholic Church comes in for a little more than its fair share". Hitchens had also been accused of anti-Catholic bigotry by others, including Brent Bozell, Tom Piatak in ''The American Conservative'', and UCLA Law Professor Stephen Bainbridge. In an interview with ''Radar'' in 2007, Hitchens said that if the Christian right's agenda were implemented in the United States "It wouldn't last very long and would, I hope, lead to civil war, which they will lose, but for which it would be a great pleasure to take part." When Joe Scarborough on 12 March 2004 asked Hitchens whether he was "consumed with hatred for conservative Catholics", Hitchens responded that he was not and that he just thinks that "all religious belief is sinister and infantile". Piatak claimed that "A straightforward description of all Hitchens's anti-Catholic outbursts would fill every page in this magazine", noting particularly Hitchens' assertion that U.S. Supreme Court Justice John Roberts should not be confirmed because of his faith.

Hitchens was raised nominally Christian, and went to Christian boarding schools but from an early age declined to participate in communal prayers. Later in life, Hitchens discovered that he was of partially Jewish ancestry. According to Hitchens, when his brother Peter took his fiancée to meet their maternal grandmother, who was then in her 90s, she said of his fiancée, "She's Jewish, isn't she?" and then announced: "Well, I've got something to tell you. So are you." Hitchens found out that his maternal grandmother, Dorothy Levin, was raised Jewish (Dorothy's father and maternal grandfather had both been born Jewish, and Dorothy's maternal grandmother – Hitchens' matrilineal great-great-grandmother – was a convert to Judaism). Hitchens' maternal grandfather converted to Judaism before marrying Dorothy Levin. Hitchens' Jewish-born ancestors were immigrants from Eastern Europe (including Poland). In an article in the ''The Guardian'' on 14 April 2002, Hitchens stated that he could be considered Jewish because Jewish descent is matrilineal. In a 2010 interview at New York Public Library, Hitchens stated that he was against circumcision, a Jewish tradition, and that he believed "if anyone wants to saw off bits of their genitalia they should do when they're grown up and have made the decision for themselves".

In February 2010, he was named to the Freedom From Religion Foundation's Honorary Board of distinguished achievers.

Personal life

Marriages and children

Hitchens married Eleni Meleagrou, a Greek Cypriot, in a Greek Orthodox church in 1981; the couple had a son, Alexander and a daughter, Sophia. In 1989 Hitchens left Meleagrou for Carol Blue, an American writer. The couple married in a New York synagogue; they had a daughter, Antonia.

Relationship with his younger brother

Hitchens' younger brother by two-and-a-half years, Peter Hitchens, is a Christian and socially conservative journalist in London, although, like his brother, he had been a Trotskyist in the 1970s. The brothers had a protracted falling-out after Peter wrote that Christopher had once joked that he "didn't care if the Red Army watered its horses at Hendon" (a suburb of London). Christopher denied having said this and broke off contact with his brother. He then referred to his brother as "an idiot" in a letter to ''Commentary'', and the dispute spilled into other publications as well. Christopher eventually expressed a willingness to reconcile and to meet his new nephew (born in 1999); shortly thereafter the brothers gave several interviews together in which they said that their personal disagreements had been resolved. They appeared together on 21 June 2007 edition of the BBC current affairs discussion show ''Question Time''. The pair engaged in a formal televised debate for the first time on 3 April 2008, at Grand Valley State University, and at the Pew Forum on 12 October 2010.

Smoking and drinking

A June 2006 profile on Hitchens by NPR stated: "Hitchens is known for his love of cigarettes and alcohol — and his prodigious literary output." However, in late 2007 he gave up smoking, undergoing an epiphany in Madison, Wisconsin. His brother Peter later wrote of his surprise at this decision. It was while writing his memoir ''Hitch-22'' that he resumed smoking cigarettes and continued until his cancer diagnosis. Hitchens admitted to drinking heavily; in 2003 he wrote that his daily intake of alcohol was enough "to kill or stun the average mule", noting that many great writers "did some of their finest work when blotto, smashed, polluted, shitfaced, squiffy, whiffled, and three sheets to the wind."

British politician George Galloway, founder of the socialist Respect Party, on his way to testify in front of a United States Senate sub-committee investigating the scandals in the U.N. Oil-for-Food programme, called Hitchens a "drink-sodden ex-Trotskyist popinjay", to which Hitchens quickly replied, "only some of which is true". Later, in a column for ''Slate'' promoting his debate with Galloway which was to take place on 14 September 2005, he elaborated on his prior response: "He says that I am an ex-Trotskyist (true), a 'popinjay' (true enough, since the word's original Webster's definition is a target for arrows and shots), and that I cannot hold a drink (here I must protest)."

Oliver Burkeman writes, "Since the parting of ways on Iraq [...] Hitchens claims to have detected a new, personalised nastiness in the attacks on him, especially over his fabled consumption of alcohol. He welcomes being attacked as a drinker 'because I always think it's a sign of victory when they move on to the ad hominem.' He drinks, he says, 'because it makes other people less boring. I have a great terror of being bored. But I can work with or without it. It takes quite a lot to get me to slur.'"

In the question and answer session following a speech Hitchens gave to the Commonwealth Club of California on 9 July 2009, one audience member asked what was Hitchens' favorite whisky. Hitchens replied that "the best blended scotch in the history of the world" is Johnnie Walker Black Label. He also playfully indicated that it was the favorite whisky of, among others, the Iraqi Ba'ath Party, the Palestinian Authority, the Libyan dictatorship, and "large branches of the Saudi Arabian Royal Family". He concluded his answer by calling it the "breakfast of champions" and exhorted the audience to "accept no substitute".

In his 2010 memoir ''Hitch-22'', Hitchens wrote: "There was a time when I could reckon to outperform all but the most hardened imbibers, but I now drink relatively carefully." He described his current drinking routine on working-days as follows: "At about half past midday, a decent slug of Mr. Walker's amber restorative, cut with Perrier water (an ideal delivery system) and no ice. At luncheon, perhaps half a bottle of red wine: not always more but never less. Then back to the desk, and ready to repeat the treatment at the evening meal. No 'after dinner drinks' — ​most especially nothing sweet and never, ever any brandy. 'Nightcaps' depend on how well the day went, but always the mixture as before. No mixing: no messing around with a gin here and a vodka there."

Reflecting on the lifestyle that supported his career as a writer he said:

I always knew there was a risk in the bohemian lifestyle ... I decided to take it because it helped my concentration, it stopped me being bored — it stopped other people being boring. It would make me want to prolong the conversation and enhance the moment. If you ask: would I do it again? I would probably say yes. But I would have quit earlier hoping to get away with the whole thing. I decided all of life is a wager and I'm going to wager on this bit ... In a strange way I don't regret it. It's just impossible for me to picture life without wine, and other things, fueling the company, keeping me reading, energising me. It worked for me. It really did.

Esophageal cancer and death

In June 2010, Hitchens postponed his book tour for ''Hitch-22'' to undergo treatment for esophageal cancer. He announced that he was undergoing treatment in a ''Vanity Fair'' piece entitled "Topic of Cancer". Hitchens said that he recognised the long-term prognosis was far from positive, and that he would be a "very lucky person to live another five years". In November 2010, Hitchens canceled a scheduled appearance in New York, where he was to debate religion writers David Hazony and Stephen Prothero on the subject of the Ten Commandments. Earlier that year, he published a piece in ''Vanity Fair'' on the subject, and was working on a book about the Ten Commandments as well.

During his illness, Hitchens was under the care of Francis Collins and was the subject of Collins' new cancer treatment which maps out the human genome and selectively targets damaged DNA.

In April 2011, Hitchens was forced to cancel an appearance at the American Atheist Convention, and instead sent a letter that stated, "Nothing would have kept me from joining you except the loss of my voice (at least my speaking voice) which in turn is due to a long argument I am currently having with the specter of death." He closed with "And don't keep the faith." The letter also dismissed the notion of a possible deathbed conversion, in which he claimed that "redemption and supernatural deliverance appears even more hollow and artificial to me than it did before." In June 2011, he spoke to a University of Waterloo audience via a home video link.

In October 2011, Hitchens made a public appearance at the Texas Freethought Convention in Houston, TX. ''Atheist Alliance of America'' was also a participant in the joint convention.

In November 2011, George Eaton wrote in the ''New Statesman'':

The tragedy of Hitchens' illness is that it came at a time when he enjoyed a larger audience than ever. Of his tight circle of friends – Amis, Fenton, McEwan, Rushdie – Hitchens was the last to gain international renown, yet he is now read more widely than any of them." Eaton revealed that Hitchens would like to be remembered as a man who fought totalitarianism in all its forms although many remember him as a "lefty who turned right", and his support of the Iraq War and not his support of the War in Bosnia on the side of the Moslems. Eaton concluded, "The great polemicist is certain to be remembered, but, as he is increasingly aware, perhaps not as he would like."

Hitchens died on December 15th, 2011 at the University of Texas MD Anderson Cancer Center in Houston.

In accordance with his wishes, his body was donated to medical research.

Reactions to death

Former British Prime Minister Tony Blair said, "Christopher Hitchens was a complete one-off, an amazing mixture of writer, journalist, polemicist, and unique character. He was fearless in the pursuit of truth and any cause in which he believed. And there was no belief he held, that he did not advocate with passion, commitment and brilliance. He was an extraordinary, compelling and colorful human being whom it was a privilege to know."

Richard Dawkins, British evolutionary biologist at the University of Oxford and a friend of Hitchens', said, "I think he was one of the greatest orators of all time. He was a polymath, a wit, immensely knowledgeable, and a valiant fighter against all tyrants including imaginary supernatural ones."

Norman Finkelstein, American political scientist and author, wrote, "When I first learned that Hitchens was diagnosed with an excruciating and terminal cancer, it caused me to doubt my atheism. The news came just as Hitchens was about to go on a book tour for his long-awaited memoir. It was as if he was setting out on his victory lap when the adulating crowds were supposed to fawn over him and — wham! — his legs were lopped off at the kneecaps. The irony could not be more perfect: the god that the vindictive but witty Mr. Hitchens made a career scoffing at turns out to be ... vindictive but witty. When I heard that Hitchens was dead, I took a deep breath. The air felt cleaner, as if after a 40-day and 40-night downpour." Finkelstein also added, "I get no satisfaction from Hitchens's passing. Although he was the last to know it, every death is a tragedy, if only for the bereft child — or, as in the case of Cindy Sheehan, bereft parent — left behind.

Sam Harris, American writer and neuroscientist, wrote, "I have been privileged to witness the gratitude that so many people feel for Hitch’s life and work — for, wherever I speak, I meet his fans. On my last book tour, those who attended my lectures could not contain their delight at the mere mention of his name — and many of them came up to get their books signed primarily to request that I pass along their best wishes to him. It was wonderful to see how much Hitch was loved and admired — and to be able to share this with him before the end. I will miss you, brother."

Francis Collins, director of the National Institutes of Health and former head of the Human Genome Project who helped treat Hitchens' illness, wrote, "I will miss Christopher. I will miss the brilliant turn of phrase, the good-natured banter, the wry sideways smile when he was about to make a remark that would make me laugh out loud. No doubt he now knows the answer to the question of whether there is more to the spirit than just atoms and molecules. I hope he was surprised by the answer. I hope to hear him tell about it someday. He will tell it really well."

British columnist and author Peter Hitchens, who had a tumultuous relationship with his older brother Christopher, wrote that he and Christopher "got on surprisingly well in the past few months, better than for about 50 years as it happens," and praised his brother as "courageous."

Irish-American political journalist Alexander Cockburn, founder of the left-wing political magazine ''CounterPunch'' wrote an obituary critical of Hitchens, criticizing his support for the Iraq War, criticisms of Mother Teresa, and criticisms of their mutual friend Edward Said and concluded, "I found the Hitchens cult of recent years entirely mystifying. He endured his final ordeal with pluck, sustained indomitably by his wife Carol."

Tributes followed from the philosopher Daniel Dennett, the physicist Lawrence Krauss, the actor Stephen Fry, the writer Ian McEwan, the philosopher A.C. Grayling; and ''Vanity Fair'', in which he was remembered as an "incomparable critic and masterful rhetorician".

Film and television appearances

As referenced from the Internet Movie Database, Hitchens Web or Charlie Rose. {|class="wikitable" style="text-align:center" |- ! Year ! Film and/or Television |- |1984 |align="left" | ''Opinions'': "Greece to their Rome" |- |1988 |align="left" | ''Frontiers (TV series)'' |- |1993 |align="left" | ''Everything You Need to Know'' |- |1994 |align="left" | ''Tracking Down Maggie: The Unofficial Biography of Margaret Thatcher'' |- |1994 |align="left" | ''Hell's Angel'' |- |1996 |align="left" | ''Where's Elvis This Week?'' |- |1996–2010 |align="left" | ''Charlie Rose (talk show)'' (13 episodes) |- |1998 |align="left" | ''Princess Diana: The Mourning After'' |- |1999–2002 |align="left" | ''Dennis Miller Live'' (TV show) (4 episodes) |- |2002 |align="left" | ''The Trials of Henry Kissinger'' |- |2003 |align="left" | ''Hidden in Plain Sight'' |- |2003–2009 |align="left" | ''Real Time with Bill Maher'' (TV show) (6 episodes) |- |2004 |align="left" | ''Mel Gibson: God's Lethal Weapon'' |- |2004–2006 |align="left" | ''Newsnight'' (TV show) (3 episodes) |- |2004–2010 |align="left" | ''The Daily Show'' (TV show) (4 episodes) |- |2005 |align="left" | ''Penn & Teller: Bullshit!'' (TV show)(1 episode, s03e05) |- |2005 |align="left" | ''The Al Franken Show'' (TV show)(1 episode) |- |2005 |align="left" | ''Confronting Iraq: Conflict and Hope'' |- |2005 |align="left" | ''Heaven on Earth: The Rise and Fall of Socialism'' |- |2005–2008 |align="left" | ''Hardball with Chris Matthews'' (TV show)(3 episodes) |- |2006 |align="left" | ''American Zeitgeist'' |- |2006 |align="left" | ''Blog Wars'' |- |2007 |align="left" | ''Manufacturing Dissent'' |- |2007 |align="left" | ''Question Time (TV series)'' (1 episode) |- |2007 |align="left" | ''Your Mommy Kills Animals'' |- |2007 |align="left" | ''Personal Che'' |- |2007 |align="left" | ''Heckler'' |- |2007 |align="left" | ''In Pot We Trust'' |- |2008 |align="left" | ''Discussions with Richard Dawkins'': Episode 1: "The Four Horsemen" |- |2008 | style="text-align:left;"| ''Expelled: No Intelligence Allowed '' |- |2009 |align="left" | ''Holy Hell'' |- |2009 |align="left" | ''Presidency'' |- |2009 |align="left" | ''Collision: "Is Christianity GOOD for the World?"'' |- |2010 |align="left" | ''Phil Ochs: There But For Fortune'' |}

Selected publications

1984 ''Cyprus''. Quartet. Revised editions as ''Hostage to History: Cyprus from the Ottomans to Kissinger'', 1989 (Farrar, Straus & Giroux) and 1997 (Verso)

1988 ''Blaming the Victims: Spurious Scholarship and the Palestinian Question'' (contributor; co-editor with Edward Said) Verso, ISBN 0-86091-887-4 Reissued, 2001

1990 ''The Monarchy'', Chatto & Windus Ltd

1990 ''Blood, Class and Nostalgia: Anglo-American Ironies'', Farrar Straus & Giroux (T)(June 1990)

1995 ''The Missionary Position: Mother Teresa in Theory and Practice'', Verso

1997 ''The Parthenon Marbles: The Case for Reunification'', Verso

1999 ''No One Left to Lie To: The Values of the Worst Family'', Verso

2000 ''Unacknowledged Legislation: Writers in the Public Sphere'', Verso

2001 ''The Trial of Henry Kissinger''. Verso.

2001 ''Letters to a Young Contrarian'', Basic Books

2002 ''Why Orwell Matters'' also ''Orwell's Victory'', Basic Books, ISBN 0-465-03050-5

2004 ''Love, Poverty, and War: Journeys and Essays'', Thunder's Mouth, Nation Books, ISBN 1-56025-580-3

2005 ''Thomas Jefferson: Author of America'', Eminent Lives/Atlas Books/HarperCollins Publishers, ISBN 0-06-059896-4

2007 "Thomas Paine's Rights of Man: A Biography ", Atlantic Monthly Press, ISBN 0871139553

2007 ''The Portable Atheist: Essential Readings for the Non-Believer'', [Editor] Perseus Publishing. ISBN 978-0-306-81608-6

2007 ''God Is Not Great: How Religion Poisons Everything'', Twelve/Hachette Book Group USA/Warner Books, ISBN 0-446-57980-7 / Published in the UK as ''God Is Not Great: The Case Against Religion'', Atlantic Books, ISBN 978-1-84354-586-6

2008 ''Christopher Hitchens and His Critics: Terror, Iraq and the Left'' (with Simon Cottee and Thomas Cushman), New York University Press

2008 ''Is Christianity Good for the World? — A Debate'' (co-author, with Douglas Wilson), Canon Press, ISBN 1-59128-053-2

2010 ''Hitch-22: A Memoir'', Twelve, ISBN 978-0-446-54033-9

2011 ''Arguably: Essays by Christopher Hitchens'', Twelve. UK edition as ''Arguably: Selected Prose'', Atlantic, ISBN 1-4555-0277-4 / ISBN 978-1-4555-0277-6

References

External links

Daily Hitchens, an archive of material on or by Hitchens

in 2010

Drexel Interview (One-hour video interview) with Paula Marantz Cohen, June 2010

Christopher Hitchens collected news and commentary at ''The Boston Globe''

"Journalist Christopher Hitchens fully embraces the Bush war camp" from the World Socialist Website, October 2002

"Christopher Hitchens" feature story in ''Prospect'' magazine, May 2008

"Incendiary Author Spares No Targets" feature story in ''The New Zealand Herald'', May 2008

"Such, Such are His Joys" David Brooks assessment in ''The New York Times'', 1 July 2010

Hitchens on Dying with Cancer, video interview with ''The Atlantic'', August 2010

"Christopher Hitchens: 'You have to choose your future regrets'" ''The Guardian'', 13 November 2010

"Christopher Hitchens's Jewish Problem" feature article on ''Jewish Ideas Daily,'' 13 December 2010

A debate between Hitchens and Berlinski 2010

Outspoken and outrageous: Christopher Hitchens a 60 Minutes profile aired 6 March 2011

''Booknotes'' interview with Hitchens on ''For the Sake of Argument'', 17 October 1993.

;Articles by Hitchens

Contributor page at ''Vanity Fair''

Column archive at ''The Atlantic''

Article archive at ''The Guardian''

Hitchens articles at ''Slate''

Article archive at Journalisted

Category:1949 births Category:2011 deaths Category:Alumni of Balliol College, Oxford Category:Anti-Zionism Category:Anti–Vietnam War activists Category:Antitheists Category:Atheism activists Category:English people of Jewish descent Category:English people of Polish descent Category:British republicans Category:Cancer deaths in Texas Category:Deaths from esophageal cancer Category:English atheists Category:English biographers Category:English emigrants to the United States Category:English essayists Category:English expatriates in the United States Category:English humanists Category:English journalists Category:English Marxists Category:English political writers Category:Genital integrity activists Category:Materialists Category:Naturalized citizens of the United States Category:Old Leysians Category:People from Portsmouth Category:Slate (magazine) people Category:Socialist Workers Party (UK) members Category:The Nation (U.S. magazine) people Category:University Challenge contestants

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James "Jim" Jefferies (born 22 November 1950 in Musselburgh) is a Scottish football former player and manager. Jefferies played for Heart of Midlothian for almost his whole playing career and enjoyed a successful first managerial spell with the club, winning the 1998 Scottish Cup. Jefferies has also managed Gala Fairydean, Berwick Rangers, Falkirk, Bradford City and Kilmarnock.

Playing career

Jefferies made more than 300 competitive appearances for Heart of Midlothian. The main highlight of his playing career was playing in the 1976 Scottish Cup Final, which Hearts lost 3–1 to Rangers. Jefferies eventually left Hearts in 1981, and spent the last two seasons of his career with Berwick Rangers making 71 appearances, 60 in the league, 5 in the Scottish Cup and 6 in the League Cup. His first game was on 14 Nov 1981 L2 Montrose 0-2 Berwick Rangers and His last 14 May 1983 L2 Albion Rovers 2-1 Berwick Rangers.

Managerial career

Jefferies left Berwick in 1983 to become a manager at East of Scotland Football League club Gala Fairydean, but returned to the club to begin his senior managerial career in September 1988. Despite a great deal of financial turmoil during that time, he turned the struggling team around to the extent that they set a club record of 21 games unbeaten in the league during season 1988–89. In the 1990 close season Jefferies took over at Falkirk , guiding them to the Scottish First Division title (and promotion to the Scottish Premier Division) in 1991 and 1994. Falkirk also won the Scottish Challenge Cup in 1993.

In August 1995, Jefferies returned to Hearts. He was manager of the Hearts team that won the Scottish Cup in 1998, his greatest success in the game to date.

Jefferies moved south of the border on 20 November 2000 to replace Chris Hutchings as manager of then Premier League side Bradford City. He was given the task of selling players by chairman Geoffrey Richmond and was unable to prevent them from going down. He resigned in December 2001 after a poor start to the season left them with no hope of a promotion challenge.

On 28 February 2002, he returned to management back in his native Scotland with Kilmarnock. He kept Kilmarnock in a respectable position despite the necessity of drastically reducing the club's wage bill, reaching the 2007 Scottish League Cup Final. Following Alex McLeish's departure from Rangers at the end of the 2005–06 season, Jefferies was the longest-serving manager in the Scottish Premier League. He left Kilmarnock by "mutual consent" on 11 January 2010.

Jefferies was appointed manager of Hearts for a second time on 29 January 2010, just hours after Csaba László was sacked from the position. Hearts finished third in the SPL in the 2010–11 season, having threatened the dominance of the Old Firm until falling away after February. Jefferies and right hand man Billy Brown were sacked by Hearts on 1 August 2011, after just two games of the 2011–12 SPL season.

Honours

Player

;Heart of Midlothian

Runners-up

*Scottish Cup: (1) 1975–76

Managerial

;Falkirk

Winners

*Scottish First Division: (2) 1990–91, 1993–94

Winners

*Scottish Challenge Cup: (1) 1993

;Heart of Midlothian

Winners

*Scottish Cup: (1) 1997–98

Runners-up

*Scottish Cup: (1) 1995–96

*Scottish League Cup: (1) 1996–97

;Kilmarnock

Runners-up

*Scottish League Cup: (1) 2006–07

Personal awards and achievements

Scottish Premier League Manager of the Month: August 2006

Scottish Premier League Manager of the Month: August 2008 Scottish Premier League Manager of the Month: November 2010

References

External links

London Hearts profile of Jefferies as Hearts manager

Category:1950 births Category:Living people Category:People from Musselburgh Category:Scottish footballers Category:Association football defenders Category:Scottish Football League players Category:Berwick Rangers F.C. players Category:Heart of Midlothian F.C. players Category:Heart of Midlothian F.C. managers Category:Scottish football managers Category:Scottish Premier League managers Category:Berwick Rangers F.C. managers Category:Falkirk F.C. managers Category:Bradford City A.F.C. managers Category:Kilmarnock F.C. managers Category:Premier League managers Category:People educated at Musselburgh Grammar School

cy:Jim Jefferies it:Jim Jefferies lt:Jim Jefferies pl:Jim Jefferies simple:Jim Jefferies fi:Jim Jefferies