This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | The Notorious B.I.G. |
---|---|
Background | solo_singer |
Birth name | Christopher George Latore Wallace |
Alias | Biggie Smalls, The Notorious B.I.G., Big Poppa |
Birth date | May 21, 1972 |
Birth place | |
Death date | March 09, 1997 |
Death place | |
Occupation | Rapper, songwriter |
Genre | Hip hop |
Years active | 1992–1997 |
Label | Uptown Records Bad Boy |
Associated acts | Lil' Kim, Sean Combs, Junior M.A.F.I.A., Total, 112, The Commission |
Website | }} |
Wallace was raised in the Brooklyn borough of New York City. When Wallace released his debut album ''Ready to Die'' in 1994, he became a central figure in the East Coast hip-hop scene and increased New York's visibility at a time when West Coast artists were more common in the mainstream. The following year, Wallace led his childhood friends to chart success through his protégé group, Junior M.A.F.I.A. While recording his second album, Wallace was heavily involved in the East Coast/West Coast hip-hop feud, dominating the scene at the time.
On March 9, 1997, Wallace was killed by an unknown assailant in a drive-by shooting in Los Angeles. His double-disc set ''Life After Death'', released 15 days later, hit #1 on the U.S. album charts and was certified Diamond in 2000 (one of the few hip hop albums to receive this certification). Wallace was noted for his "loose, easy flow", dark semi-autobiographical lyrics and storytelling abilities. Since his death, a further two albums have been released. MTV ranked him at #3 on their list of ''The Greatest MCs (Rappers) of All Time''. He has certified sales of 17 million units in the United States.
At his request, Wallace transferred out of the private Roman Catholic Bishop Loughlin Memorial High School to attend the state-funded George Westinghouse Information Technology High School. Jay-Z and Busta Rhymes were also students at that school. According to his mother, Wallace was still a good student, but developed a "smart-ass" attitude at the new school. At seventeen, Wallace dropped out of high school and became further involved in crime. In 1989, he was arrested on weapons charges in Brooklyn and sentenced to five years' probation. In 1990, he was arrested on a violation of his probation. A year later, Wallace was arrested in North Carolina for dealing crack cocaine. He spent nine months behind bars until he made bail.
In March 1992, Wallace featured in ''The Source''
Wallace gained exposure later in the year on a remix to Mary J. Blige's single "Real Love", under the pseudonym The Notorious B.I.G., the name he would record under for the remainder of his career, after finding the original moniker "Biggie Smalls" was already in use. "Real Love" peaked at #7 on the ''Billboard'' Hot 100 chart and was followed by a remix of Blige's "What's the 411?". He continued this success, to a lesser extent, on remixes with Neneh Cherry ("Buddy X") and reggae artist Super Cat ("Dolly My Baby", also featuring Combs) in 1993. In April 1993, his solo track, "Party and Bullshit", appeared on the ''Who's the Man?'' soundtrack. In July 1994, he appeared alongside LL Cool J and Busta Rhymes on a remix to label mate Craig Mack's "Flava in Ya Ear", reaching #9 on the Hot 100.
''Ready to Die'' was released on September 13, 1994, and reached #13 on the ''Billboard'' 200 chart, eventually being certified four times Platinum. The album, released at a time when West Coast hip hop was prominent in the U.S. charts, according to ''Rolling Stone'', "almost single-handedly... shifted the focus back to East Coast rap". It gained strong reviews on release and has received much praise in retrospect. In addition to "Juicy", the record produced two hit singles; the Platinum-selling "Big Poppa", which reached #1 on the U.S. rap chart, and "One More Chance" featuring Faith Evans, a loosely related remix of an album track and its best selling single.
In his year of success, Wallace became involved in a rivalry between the East and West Coast hip-hop scenes with Tupac Shakur, his former associate. In an interview with ''Vibe'' magazine in April 1995, while serving time in Clinton Correctional Facility, Shakur accused Uptown Records' founder Andre Harrell, Sean Combs, and Wallace of having prior knowledge of a robbery that resulted in him being shot repeatedly and losing thousands of dollars worth of jewelry on the night of November 30, 1994. Though Wallace and his entourage were in the same Manhattan-based recording studio at the time of the occurrence, they denied the accusation.
Following release from prison, Shakur signed to Death Row Records on October 15, 1995. Bad Boy Records and Death Row, now business rivals, became involved in an intense quarrel.
On March 23, 1996, Wallace was arrested outside a Manhattan nightclub for chasing and threatening to kill two autograph seekers, smashing the windows of their taxicab and then pulling one of the fans out and punching them. He pleaded guilty to second-degree harassment and was sentenced to 100 hours of community service. In mid-1996, he was arrested at his home in Teaneck, New Jersey, for drug and weapons possession charges.
In June 1996, Shakur released "Hit 'Em Up", a diss song in which he explicitly claimed to have had sex with Wallace's wife (at the time estranged) and that Wallace copied his style and image. Wallace referred to the first claim about his wife's pregnancy on Jay-Z's "Brooklyn's Finest" where he raps: "If Faye (Faith Evans, his wife at the time) have twins, she'd probably have two 'Pacs. Geddit? 2Pac's?". However, Wallace did not directly respond to the record during his lifetime, stating in a 1997 radio interview that it was "not [his] style" to respond.
Shakur was shot multiple times in a drive-by shooting in Las Vegas, Nevada, on September 7, 1996. He would die six days later of complications from the gunshot wounds. Rumors of Wallace's involvement with Shakur's murder were reported almost immediately, and later in a two-part article by investigative reporter Chuck Philips in the ''Los Angeles Times'' in September 2002. Wallace denied the allegation claiming he was in a New York recording studio at the time. The ''Times'' later determined the article written by Philips "relied heavily on information that The Times no longer believes to be credible", including false FBI reports, and the paper published a retraction. Following his death, an anti-violence hip hop summit was held.
On October 29, 1996, Faith Evans gave birth to Wallace's son, Christopher "C.J." Wallace, Jr. The following month Junior M.A.F.I.A. member Lil' Kim released her debut album, ''Hard Core'', under Wallace's direction while the two were involved in an apparent love affair. She was also pregnant with Wallace's child but decided to have an abortion.
In January 1997, Wallace was ordered to pay US$41,000 in damages following an incident involving a friend of a concert promoter who claimed Wallace and his entourage beat him up following a dispute in May 1995. He faced criminal assault charges for the incident which remain unresolved, but all robbery charges were dropped. Following the events of the previous year, Wallace spoke of a desire to focus on his "peace of mind". "My mom... my son... my daughter... my family... my friends are what matters to me now".
On March 9, 1997, at around 12:30 a.m., Wallace left with his entourage in two GMC Suburbans to return to his hotel after the Fire Department closed the party early because of overcrowding. Wallace traveled in the front passenger seat alongside his associates, Damion "D-Roc" Butler, Junior M.A.F.I.A. member Lil' Cease and driver, Gregory "G-Money" Young. Combs traveled in the other vehicle with three bodyguards. The two trucks were trailed by a Chevrolet Blazer carrying Bad Boy's director of security.
By 12:45 a.m., the streets were crowded with people leaving the event. Wallace's truck stopped at a red light from the museum. A black Chevrolet Impala SS pulled up alongside Wallace's truck. The driver of the Impala, an African American male dressed in a blue suit and bow tie, rolled down his window, drew a 9 mm blue-steel pistol and fired at the GMC Suburban; four bullets hit Wallace in the chest. Wallace's entourage rushed him to Cedars-Sinai Medical Center, but he was pronounced dead at 1:15 a.m.
In 2002, Randall Sullivan released ''LAbyrinth'', a book compiling information regarding the murders of Wallace and Shakur based on evidence provided by retired LAPD detective, Russell Poole. Sullivan accused Marion "Suge" Knight, co-founder of Death Row Records and an alleged Bloods affiliate, of conspiring with David Mack, an LAPD officer and alleged Death Row security employee, to kill Wallace and make Shakur and his death appear the result of a fictitious bi-coastal rap rivalry. Sullivan believed that one of Mack's associates, Amir Muhammad (also known as Harry Billups), was the hitman based on evidence provided by an informant, and due to his close resemblance to the facial composite. Filmmaker Nick Broomfield released an investigative documentary, ''Biggie & Tupac'', based mainly on the evidence used in the book.
An article published in ''Rolling Stone'' by Sullivan in December 2005 accused the LAPD of not fully investigating links with Death Row Records based on evidence from Poole. Sullivan claimed that Sean Combs "failed to fully cooperate with the investigation" and according to Poole, encouraged Bad Boy staff to do the same. The accuracy of the article was later refuted in a letter by the Assistant Managing Editor of the ''LA Times'' accusing Sullivan of using "shoddy tactics." Sullivan, in response, quoted the lead attorney of the Wallace estate calling the newspaper "a co-conspirator in the cover-up."
In January 2011, the case was reinvigorated as a result of new information reported by Anderson Cooper's AC360 "Cold Case" show and blog that it was being re-investigated by a law enforcement task force composed of the LAPD, the L.A. County District Attorney's Office, and the FBI. In April, the FBI released redacted documents about their investigation into the shooting, revealing that the bullets were rare 9mm Gecko ammunition manufactured in Germany. The documents reported that LAPD officers monitoring the party Wallace was attending were also employed as security personnel for Knight; the documents also speculated that the Genovese crime family was withholding evidence about Wallace's death.
Basketball player Shaquille O'Neal was a close friend of Wallace's and on the night of Wallace's death, he was supposed to meet him at an after party. O'Neal has reportedly struggled with guilt about Wallace's death since that night.
On January 19, 2007, Tyruss Himes (better known as Big Syke), a friend of Shakur who was implicated in the murder by television channel KTTV and ''XXL'' magazine in 2005, had a defamation lawsuit regarding the accusations thrown out of court.
On April 16, 2007, relatives of Wallace filed a second wrongful death lawsuit against the city of Los Angeles. The suit also named two LAPD officers in the center of the investigation into the Rampart scandal, Rafael Perez and Nino Durden. According to the claim, Perez, an alleged affiliate of Death Row Records, admitted to LAPD officials that he and Mack (who was not named in the lawsuit) "conspired to murder, and participated in the murder of Christopher Wallace". The Wallace family said the LAPD "consciously concealed Rafael Perez's involvement in the murder of ... Wallace". A U.S. district judge dismissed the lawsuit on December 19, 2007. Los Angeles Judge Florence-Marie Cooper reinstated the lawsuit on May 9, 2008. With the agreement of both sides, the lawsuit was dismissed April 5, 2010 without prejudice to refiling.
Its lead single, "Hypnotize", was the last music video recording in which Wallace would participate. His biggest chart success was with its follow-up "Mo Money Mo Problems", featuring Sean Combs (under the rap alias "Puff Daddy") and Mase. Both singles reached #1 in the Hot 100, making Wallace the first artist to achieve this feat posthumously. The third single, "Sky's The Limit", featuring the band 112, was noted for its use of children in the music video, directed by Spike Jonze, who were used to portray Wallace and his contemporaries, including Sean Combs, Lil' Kim, and Busta Rhymes. Wallace was named Artist of the Year and "Hypnotize" Single of the Year by ''Spin'' magazine in December 1997.
In mid-1997, Combs released his debut album, ''No Way Out'', which featured Wallace on five songs, notably on the third single "Victory". The most prominent single from the record album was "I'll Be Missing You", featuring Combs, Faith Evans and 112, which was dedicated to Wallace's memory. At the 1998 Grammy Awards, ''Life After Death'' and its first two singles received nominations in the rap category. The album award was won by Combs' ''No Way Out'' and "I'll Be Missing You" won the award in the category of Best Rap Performance By A Duo Or Group in which "Mo Money Mo Problems" was nominated.
Wallace had founded a hip hop supergroup called The Commission, which consisted of Jay-Z, Lil' Cease, Combs, Charli Baltimore and himself. The Commission was mentioned by Wallace in the lyrics of "What's Beef" on ''Life After Death'' and "Victory" from ''No Way Out'' but never completed an album. A song on ''Duets: The Final Chapter'' titled "Whatchu Want (The Commission)" featuring Jay-Z was based on the group.
In December 1999, Bad Boy released ''Born Again''. The record consisted of previously unreleased material mixed with guest appearances including many artists Wallace had never collaborated with in his lifetime. It gained some positive reviews but received criticism for its unlikely pairings; ''The Source'' describing it as "compiling some of the most awkward collaborations of his career". Nevertheless, the album sold 3 million copies. Over the course of time, Wallace's vocals would appear on hit songs such as "Foolish" by Ashanti and "Realest Niggas" in 2002, and the song "Runnin' (Dying to Live)" with Shakur the following year. He also appeared on Michael Jackson's 2001 album, ''Invincible''. In 2005, ''Duets: The Final Chapter'' continued the pattern started on ''Born Again'' and was criticized for the lack of significant vocals by Wallace on some of its songs. Its lead single "Nasty Girl" became Wallace's first UK #1 single. Combs and Voletta Wallace have stated the album will be the last release primarily featuring new material.
Since his death, Wallace's lyrics have been sampled and quoted by a variety of hip hop, R&B; and pop artists including Jay-Z, 50 Cent, Alicia Keys, Fat Joe, Nelly, Ja Rule, Eminem, Lil Wayne, Game, Clinton Sparks, Michael Jackson and Usher. On August 28, 2005, at the 2005 MTV Video Music Awards, Sean Combs (then using the rap alias "P. Diddy") and Snoop Dogg paid tribute to Wallace: an orchestra played while the vocals from "Juicy" and "Warning" played on the arena speakers. In September 2005, VH1 had its second annual "Hip Hop Honors", with a tribute to Wallace headlining the show.
Wallace had begun to promote a clothing line called Brooklyn Mint, which was to produce plus-sized clothing but fell dormant after he died. In 2004, his managers, Mark Pitts and Wayne Barrow, launched the clothing line, with help from Jay-Z, selling T-shirts with images of Wallace on them. A portion of the proceeds go to the Christopher Wallace Foundation and to Jay-Z's Shawn Carter Scholarship Foundation. In 2005, Voletta Wallace hired branding and licensing agency Wicked Cow Entertainment to guide the Estate's licensing efforts. Wallace-branded products on the market include action figures, blankets, and cell phone content.
The Christopher Wallace Memorial Foundation holds an annual black-tie dinner ("B.I.G. Night Out") to raise funds for children's school equipment and supplies and to honor the memory of the late rapper. For this particular event, because it is a children's schools' charity, "B.I.G." is also said to stand for "Books Instead of Guns".
Wallace mostly rapped on his songs in a deep tone described by ''Rolling Stone'' as a "thick, jaunty grumble", which went deeper on ''Life After Death''. He was often accompanied on songs with ad libs from Sean "Puffy" Combs. On ''The Source''
Allmusic describe Wallace as having "a loose, easy flow" with "a talent for piling multiple rhymes on top of one another in quick succession". ''Time'' magazine wrote Wallace rapped with an ability to "make multi-syllabic rhymes sound... smooth", while Krims describes Wallace's rhythmic style as "effusive". Before starting a verse, Wallace sometimes used onomatopoeic vocables to "warm up" (for example "uhhh" at the beginning of "Hypnotize" and "Big Poppa" and "whaat" after certain rhymes in songs such as "My Downfall").
Lateef of Latyrx notes that Wallace had, “intense and complex flows”, Fredro Starr of Onyx says, “Biggie was a master of the flow”, and Bishop Lamont states that Wallace mastered “all the hemispheres of the music”. “Notorious B.I.G. also often used the single-line rhyme scheme to add variety and interest to his flow”. Wallace was known to compose lyrics in his head, rather than write them down on paper, in a similar way to Jay-Z.
Wallace would occasionally vary from his usual style. On "Playa Hater" from his second album, he sang in a slow-falsetto. On his collaboration with Bone Thugs-n-Harmony, "Notorious Thugs", he modified his style to match the rapid rhyme flow of the group.
Guerilla Black, in the book ''How to Rap'', describes how Wallace was able to both “glorify the upper echelon” and “[make] you feel his struggle”. According to Touré of ''The New York Times'' in 1994, Wallace's lyrics "[mixed] autobiographical details about crime and violence with emotional honesty". Marriott of ''The New York Times'' (in 1997) believed his lyrics were not strictly autobiographical and wrote he "had a knack for exaggeration that increased sales". Wallace described his debut as "a big pie, with each slice indicating a different point in my life involving bitches and niggaz... from the beginning to the end".
''Ready to Die'' is described by ''Rolling Stone'' as a contrast of "bleak" street visions and being "full of high-spirited fun, bringing the pleasure principle back to hip-hop". ''Allmusic'' write of "a sense of doom" in some of his songs and the ''NY Times'' note some being "laced with paranoia"; Wallace described himself as feeling "broke and depressed" when he made his debut. The final song on the album, "Suicidal Thoughts", featured Wallace contemplating suicide and concluded with him committing the act.
On ''Life After Death'', Wallace's lyrics went "deeper". Krims explains how upbeat, dance-oriented tracks (which featured less heavily on his debut) alternate with "reality rap" songs on the record and suggests that he was "going pimp" through some of the lyrical topics of the former. ''XXL'' magazine wrote that Wallace "revamped his image" through the portrayal of himself between the albums, going from "midlevel hustler" on his debut to "drug lord".
Allmusic wrote that the success of ''Ready to Die'' is "mostly due to Wallace's skill as a storyteller"; In 1994, ''Rolling Stone'' described Wallace's ability in this technique as painting "a sonic picture so vibrant that you're transported right to the scene". On ''Life After Death'' Wallace notably demonstrated this skill on "I Got a Story to Tell" telling a story as a rap for the first half of the song and then as a story "for his boys" in conversation form.
In early October 2007, open casting calls for the role of Wallace began. Actors, rappers and unknowns all tried out. Beanie Sigel auditioned for the role, but was not picked. Sean Kingston claimed that he would play the role of Wallace, but producers denied he would be in the film. Eventually it was announced that rapper Jamal "Gravy" Woolard was cast as Wallace while Wallace's son, Christopher Wallace, Jr. was cast to play Wallace as a child. Other cast members include Angela Bassett as Voletta Wallace, Derek Luke as Sean Combs, Antonique Smith as Faith Evans, Naturi Naughton formerly of 3LW as Lil' Kim, and Anthony Mackie as Tupac Shakur. Bad Boy released a soundtrack album to the film on January 13, 2009; the album contains hit singles of B.I.G. such as "Hypnotize", "Juicy", and "Warning" as well as rarities.
name | The Notorious B.I.G. |
---|---|
awards | 4 |
nominations | 11 |
billboardw | 2 |
billboardn | 2 |
grammyn | 4 |
mtvvideow | 1 |
mtvvideon | 2 |
soulw | 1 |
souln | 3 }} |
Wallace received two nominations from the Billboard Music Awards in 1995, including Rap Artist of the Year and Rap Single of the Year. The song "Mo Money Mo Problems" received several nominations in 1998, including Best Rap Performance by a Duo or Group at the Grammy Awards; Best Rap Video at the MTV Video Music Awards; and Best R&B;/Soul Album and Best R&B;/Soul or Rap Music Video at the Soul Train Music Awards. Overall, Wallace has received four awards from eleven nominations; one award and six nominations were received posthumously.
|- |rowspan="2"| 1995 || The Notorious B.I.G. || Rap Artist of the Year || |- | "One More Chance" || Rap Single of the Year ||
|- | || "Big Poppa" || Best Rap Solo Performance || |- |rowspan="3"| || "Hypnotize" || Best Rap Solo Performance || |- | "Mo Money Mo Problems" (with Mase and Puff Daddy) || Best Rap Performance by a Duo or Group || |- | ''Life After Death'' || Best Rap Album ||
|- | || "Hypnotize" || Best Rap Video || |- | || "Mo Money Mo Problems" (with Mase and Puff Daddy) || Best Rap Video ||
|- |rowspan="3"| 1998 || ''Life After Death'' || Best R&B;/Soul Album, Male || |- |rowspan="2"| "Mo Money Mo Problems" (with Mase and Puff Daddy) || Best R&B;/Soul Album || |- | Best R&B;/Soul or Rap Music Video ||
|- |rowspan="4"| 1995 || The Notorious B.I.G. || New Artist of the Year, Solo || |- | ''Ready to Die'' || Album of the Year || |- | The Notorious B.I.G. || Lyricist of the Year || |- | The Notorious B.I.G. || Live Performer of the Year ||
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
alt | A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare. |
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background | solo_singer |
birth name | Michael Joseph Jackson |
alias | Michael Joe Jackson, MJ, King of Pop |
birth date | August 29, 1958 |
birth place | Gary, Indiana, U.S. |
death date | June 25, 2009 |
death place | Los Angeles, California, U.S. |
instrument | Vocals |
genre | R&B;, pop, rock, soul, dance, funk, disco, new jack swing |
occupation | Singer-songwriter, musician, composer, dancer, choreographer, record producer, actor, businessman, philanthropist |
years active | 1964–2009 |
label | Motown, Epic, Legacy |
associated acts | The Jackson 5 |
relatives | Janet Jackson (sister) |
website | }} |
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, entertainer, and businessman. Often referred to as the King of Pop, or by his initials MJ, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance, and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The seventh child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5, then the Jacksons in 1964, and began his solo career in 1971.
In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs, including those of "Beat It", "Billie Jean", and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive musical sound and vocal style have influenced numerous hip hop, post-disco, contemporary R&B;, pop and rock artists.
Jackson's 1982 album ''Thriller'' is the best-selling album of all time. His other records, including ''Off the Wall'' (1979), ''Bad'' (1987), ''Dangerous'' (1991), and ''HIStory'' (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him the most-awarded recording artist in the history of popular music.
Jackson had a troubled relationship with his father, Joe.
The group's sales began declining in 1973, and the band members chafed under Motown's strict refusal to allow them creative control or input. Although they scored several top 40 hits, including the top 5 disco single "Dancing Machine" and the top 20 hit "I Am Love", the Jackson 5 left Motown in 1975.
Category:1958 births Category:2009 deaths Category:African American dancers Category:African American male singers Category:African American record producers Category:African American singer-songwriters Category:American beatboxers Category:American businesspeople Category:American child singers Category:American choreographers Category:American dance musicians Category:American dancers Category:American disco musicians Category:American male singers Category:American boogie musicians Category:American pop singers Category:American rhythm and blues singers Category:American rock singers Category:American soul singers Category:American tenors Category:American vegetarians Category:Boy sopranos Category:Brit Award winners Category:Burials at Forest Lawn Memorial Park (Glendale) Category:Child pop musicians Category:Drug-related deaths in California Category:English-language singers Category:Epic Records artists Category:Expatriates in Bahrain Category:Former Jehovah's Witnesses Category:Grammy Award winners Category:Grammy Legend Award Michael Jackson Category:Manslaughter victims Category:Motown artists Category:Musicians from Indiana Category:People acquitted of sex crimes Category:People from Gary, Indiana Category:People from Santa Barbara County, California Category:Rock and Roll Hall of Fame inductees Category:Songwriters from Indiana Category:Songwriters Hall of Fame inductees Michael Jackson Category:World Music Awards winners Category:Young Artist Award winners
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name | DJ BoBo |
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background | solo_singer |
birth name | Peter René Cipiriano Baumann |
birth date | January 05, 1968 |
origin | Kölliken, Switzerland |
genre | Dance, Hi-NRG, Europop, Eurodance, Rap, Reggae |
occupation | Singer, Songwriter, Dancer, Music producer |
years active | 1989–present |
label | Fresh Music (1989–1993)EAMS (1994–2001)BMG (2002–2003)Yes Music (2004–present) }} |
As a dance music producer, his first big success came with the single "Somebody Dance With Me", which borrows its melody from Rockwell's Somebody's Watching Me. After this, he charted well with the singles "Keep on Dancing", "Take Control", "Everybody", "Let the Dream Come True", "Love is All Around", "Freedom", "Pray" and "What a Feeling", as well as "Chihuahua", almost all of which comprised fast-paced Eurodance techno sound with female catchy refrains and rap performed by René. Between 1992 through 2007, he had 27 single chart-hits in Switzerland and Germany, and has won 10 World Music Awards for being Switzerland's best selling artist. René has received numerous Gold and Platinum certifications for his singles and albums and has found success in Europe (primarily in Germany and Switzerland), Asia and South America.
Baumann began his DJ career in 1985, a year after which he was a runner-up in the Swiss DJ Championships. "Somebody Dance with Me" was certified Gold in Germany for selling well over 250,000 units. His second hit "Keep on Dancing", which followed the same technique as its predecessor, reached the top-5 both at home and in Germany, and landed in the top-10 in other parts of Europe. The single reached a Gold status in Germany for sales of 250,000 units sold. The long awaited album, ''Dance with Me'' was released in October, 1993 and remained in the charts all over Europe for quite some time which was followed by another single, "Take Control", again from his debut album, earning him yet another Gold-award in Germany for sales of over 250,000 units, which also entered the top-20 in numerous countries. While DJ BoBo appeared to have already separated himself from one-hit wonders, he released his next single "Everybody", in the summer of 1994, which climbed as high as number 2 in Germany and was certified Platinum for selling 500,000 units there. "Everybody" differed from the previously released singles in terms of its structure, it diverged from techno leaning towards a mixture of house and hip-hop with female catchy refrains and rap performed again by René.
In the fall of 1994, his second studio album ''There is a Party'' saw light. While the album peaked at number 4 in Switzerland where it was certified Platinum for selling over 50,000 units, it entered the top-10 in Germany where it spent total of 26 weeks on the chart eventually reaching a Gold status for selling over 250,000 units. The first single "Let the Dream Come True" from the album topped the charts in Switzerland and entered the top-5 in Germany where it was certified Gold for sales over 250,000 units. While the follow-up second single "Love Is All Around" entered the top-20 in Switzerland, Austria, Belgium, Sweden, and Norway, it was certified Gold in Germany being the sixth golden record in a row. During the course of this ongoing success, in 1995, DJ BoBo represented Switzerland in the World Music Awards in Monaco with his "Everybody" for being the "World's Best Selling Swiss Artist of the Year."
In the summer of 1995, DJ BoBo went on a tour which took place in most parts of Asia which was followed by a promotional tour in Australia. Later that year, DJ BoBo also traveled all over Europe performing before as many as 400,000 spectators.
DJ BoBo released his first ballad "Love Is the Price" in January, 1996, which was introduced in Thomas Gottschalk's TV show ''Wetten, dass..?''. Baumann, later that year, ended up again at the World Music Awards in Monaco for being the "World's Best Selling Swiss Artist of the Year" performing there two songs back to back, "Freedom" (which was his eighth Golden Record in a row in Germany) as well as his newly released ballad "Love Is the Price".
In April 1997, DJ BoBo received his third World Music Award in Monaco for being the "World's Best Selling Swiss Artist of the Year" where he performed his single "Respect Yourself".
DJ BoBo maintained his original sound and experimented with new sounds and vocal arrangements when he introduced his singing skills first on his single "Where is Your Love", which was released in March, 1998. A month thereafter, in April 1998, his album ''Magic'' was released which managed to stay in the number 1 position for four consecutive weeks in his native country and earned him a Platinum-award for sales of over 50,000 units. In Germany, the album peaked at number 5 and spent total of 21 weeks on the chart, eventually earning the Swiss artist another Gold-award for sales of over 250,000 units. In May of that the same year, DJ BoBo received the World Music Award for being the "World's Best Selling Swiss Artist of the Year" once again for the fourth time. Soon after, his single "Celebrate" was released introducing his ''The Ultimate Megamix '99''. During this time René and his crew were busy preparing for his "Life on Tour" concert as well as the shows of the ''Magic'', which were watched by 250,000 people in 35 concert arenas in Europe. Shortly thereafter, DJ BoBo was rewarded with yet another World Music Award for being the "World's Best Selling Swiss Artist of the Year" for the fifth time in a row.
René and his co-producer Axel Breitung managed to complete DJ BoBo's next album ''Planet Colors'' within a period of seven months which they released on the 5th of February, 2001. The first single "What a Feeling" featuring Irene Cara from this album, which was the cover version of her original hit Flashdance... What a Feeling, peaked at number 2 in Switzerland, number 11 in Austria and in Germany it peaked at number 3. Two other singles were followed "Hard to Say I'm Sorry" and "Colors of Life". His tour "Planet Colors-The Show" was enjoyed by more than a million spectators within Europe.
DJ BoBo's next studio album called ''Visions'', released in February 2003, brought somewhat a new side to his music which aside from the usual dance-sounds, portrayed him in more acoustic elements, the good examples of this would be the songs like "Angel" and "Do You Remember" wherein one could notice guitars coming into the picture. The Album ''Visions'' which peaked at number 3 in Switzerland, eventually became a Platinum record in Switzerland. In 2003, DJ BoBo received yet another World Music Award for being Switzerland's Best Selling Artist of the year.
One of Baumann's most successful singles turned out to be his single "Chihuahua" which initially was released in 2002 and later re-released again Europe-wide. The track was produced upon the request of Coca-Cola in Spain. They were in search of an artist who could produce an attention-drawing mambo-song for their new campaign. However, the condition was that it had to be done within a period of ten days. This task was completed and handed over to Coca-Cola by René and his co-producer Axel Breitung within the given time-limit. It took only a couple of weeks for the single "Chihuahua" to reach the number 1 position on the Spanish single chart. The song eventually became number 1 in Switzerland and France also. It was certified Platinum in Switzerland for sales of over 40,000 units and in France the single reached a Diamond status for sales of over one million units.
René released his ''Greatest hits'' album in 2006, which contained his previous hits, some re-recorded and some remaining in their original format. The single "Secrets of Love", released before the album, was a pleasant pop-dance duet with '80's mega-star Sandra. The song's music video was filmed at Disney Resort Paris. His ''Greatest hits'' compilation album eventually earned him a Gold certification in Switzerland.
On October 11, 2006, DJ BoBo announced in a press conference that he had applied to represent Switzerland at the Eurovision Song Contest 2007. The first single "Vampires Are Alive", reached the number 3 in Switzerland and charted moderately in the rest of the German speaking countries, but gained success in Finland where it reached the number 7. Two other singles were released, "We Gotta Hold On" and "Because of You" off the album ''Vampires''.
In 2007, René was chosen to sing the official 2008 UEFA European Football Championship song. On the DJ BoBo website, he put a poll on to choose which song out of two would be the official song. The public chose "Ole Ole" over "Let the Games Begin". On 11 April 2008, "Olé Olé" was released as a single, being accompanied by an album called ''Olé Olé - Party''. ''Olé Olé - Party'' included 5 new songs, 9 party hits, a medley, a newly remixed version of DJ BoBo's mega-hit "Everybody" and a new version of "Vampires Are Alive" (EAPM Remix).
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Category:1968 births Category:Living people Category:People from Zofingen District Category:Eurodance musicians Category:Swiss musicians Category:Swiss Eurovision Song Contest entrants Category:Eurovision Song Contest entrants of 2007 Category:Swiss people of Italian descent Category:World Music Awards winners
als:DJ BoBo ar:ديجي بوبو bg:Dj BoBo ca:DJ Bobo cs:DJ BoBo da:DJ BoBo de:DJ BoBo el:DJ BoBo es:DJ BoBo eo:DJ BoBo fa:دی جی بوبو fr:DJ BoBo it:DJ BoBo ka:დიჯეი ბობო lt:DJ BoBo lmo:DJ BoBo hu:DJ BoBo nl:DJ BoBo no:DJ Bobo pl:DJ BoBo pt:DJ Bobo ro:DJ Bobo rm:DJ BoBo ru:DJ BoBo simple:DJ BoBo fi:DJ Bobo sv:DJ Bobo tr:DJ Bobo vi:DJ BoboThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Neil Postman |
---|---|
birth date | March 08, 1931 |
birth place | New York City |
death date | October 05, 2003 |
death place | New York City |
occupation | writer, professor}} |
Neil Postman (March 8, 1931 - October 5, 2003) was an American author, media theorist and cultural critic, who is best known by the general public for his 1985 book about television, ''Amusing Ourselves to Death''. For more than forty years, he was associated with New York University. Postman was a humanist, who believed that "new technology can never substitute for human values."
He draws on the ideas of media theorist Marshall McLuhan to argue that different media are appropriate for different kinds of knowledge, and describes how cultures value and transfer information oral, literate, and televisual in different ways. He states that 19th century America was the pinnacle of rational argument, an Age of Reason, in which the dominant communication medium was the printed word. During this period, complicated arguments could be transmitted without oversimplification.
''Amusing Ourselves to Death'' was translated into eight languages and sold 200,000 copies worldwide.
"But what started out as a liberating stream has turned into a deluge of chaos. If I may take my own country as an example, here is what we are faced with: In America, there are 260,000 billboards; 11,520 newspapers; 11,556 periodicals..." "...Everything from telegraphy and photography in the 19th century to the silicon chip in the twentieth has amplified the din of information, until matters have reached such proportions today that for the average person, information no longer has any relation to the solution of problems."
According to his speech, "the tie between information and action has been severed."
"Information is now a commodity that can be bought and sold, or used as a form of entertainment, or worn like a garment to enhance one's status. It comes indiscriminately, directed at no one in particular, disconnected from usefulness; we are glutted with information, drowning in information, have no control over it, don't know what to do with it."
He also compares contemporary society to the Middle Ages, where instead of individuals believing in anything told to them by religious leaders, now individuals believe everything told to them by science, making people more naive than in Middle Ages. Individuals in a contemporary society, one that is mediated by technology, could possibly believe in anything and everything, whereas in the Middle Ages the populace believed in the benevolent design they were all part of and there was order to their beliefs.
Postman argues that the United States is the only country to have developed into a technopoly. He claims that the U.S has been inundated with technophiles who do not see the downside of technology. This is dangerous because technophiles want more technology and thus more information. However, according to Postman, it is impossible for a technological innovation to have only a one-sided effect. With the ever-increasing amount of information available Postman argues that: “Information has become a form of garbage, not only incapable of answering the most fundamental human questions but barely useful in providing coherent direction to the solution of even mundane problems.”
In a 1996 interview, Postman re-emphasized his solution for technopoly, which was to give students an education in the history, social effects and psychological biases of technology, so they may become adults who “use technology rather than being used by it”.
Postman has been criticized by being called a Luddite, despite his statement in the conclusion of ''Amusing Ourselves to Death'' that "We must not delude ourselves with preposterous notions such as the straight Luddite position."
In a television interview conducted in 1995 on the MacNeil/Lehrer Hour Postman spoke about his opposition to the use of personal computers in schools. He felt that school was a place to learn together as a cohesive group and that it should not be used for individualized learning. Postman also worried that the personalized computer was going to take away from individuals socializing as citizens and human beings.
Anyone who has studied the history of technology knows that technological change is always a Faustian bargain: Technology giveth and technology taketh away, and not always in equal measure. A new technology sometimes creates more than it destroys. Sometimes, it destroys more than it creates. But it is never one-sided. The invention of the printing press is an excellent example. Printing fostered the modern idea of individuality but it destroyed the medieval sense of community and social integration. Printing created prose but made poetry into an exotic and elitist form of expression. Printing made modern science possible but transformed religious sensibility into an exercise in superstition. Printing assisted in the growth of the nation-state but, in so doing, made patriotism into a sordid if not a murderous emotion.
A new technology tends to favor some groups of people and harms other groups. School teachers, for example, will, in the long run, probably be made obsolete by television, as blacksmiths were made obsolete by the automobile, as balladeers were made obsolete by the printing press. Technological change, in other words, always results in winners and losers.
Television is altering the meaning of "being informed" by creating a species of information that might properly be called disinformation. Disinformation does not mean false information. It means misleading information - misplaced, irrelevant, fragmented or superficial information - information that creates the illusion of knowing something, but which in fact leads one away from knowing.
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy.
A definition is the starting point of a dispute, not the settlement.
''When I hear people talk about the information super highway, it will become possible to shop at home, and bank at home, and get your texts at home, and get your entertainment at home, so I often wonder if this doesn't signify the end of any community life.''
In reference to the overload of information since the 1800s Postman speaks about ''overcoming the limitations of time, space and form.'' Information has become full of ''Information junkies, Information glut and Information meaningless.''
Category:1931 births Category:2003 deaths Category:Alternative education Category:American academics Category:American cultural critics Category:American educationists Category:American education writers Category:American essayists Category:American sociologists Category:Media theorists Category:Television studies Category:Teachers College, Columbia University alumni Category:North American cultural studies Category:People from New York City Category:Youth rights individuals Category:American humanists Category:New York University faculty Category:State University of New York at Fredonia alumni Category:Deaths from lung cancer
cs:Neil Postman de:Neil Postman es:Neil Postman fa:نیل پستمن fr:Neil Postman ko:네일 포스트먼 it:Neil Postman he:ניל פוסטמן nl:Neil Postman no:Neil Postman pl:Neil Postman pt:Neil Postman fi:Neil Postman sv:Neil PostmanThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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