{{infobox television | show name

I've Got a Secret | image | caption ''I've Got a Secret'' title card | genre Game show | creator Allan Sherman | presenter Garry Moore (1952–1964)Steve Allen (1964–1973)Bill Cullen (1976)Stephanie Miller (2000–2003)Bil Dwyer (2006) | composer Leroy AndersonNorman ParisSteve Allen | runtime 22–24 minutes | producer Mark GoodsonBill TodmanAllan ShermanChester Feldman | country United States | network CBS (1952–1967, 1976)Syndicated (1972–1973)Oxygen (2000–2003)GSN (2006) | picture_format Black-and-white (1952–1966)Color(1966–2003) | audio_format Monaural (1952–1976) | first_aired | last_aired 2006 | status Ended | num_episodes CBS, 1976: 4GSN, 2006: 40 | related ''What's My Line?'' | website http://www.gsn.com/secret/ }}

''I've Got a Secret'' is a panel game show produced by Mark Goodson and Bill Todman for CBS television. Created by comedy writers Allan Sherman and Howard Merrill, it was a derivative of Goodson-Todman's own panel show ''What's My Line?''. Instead of celebrity panelists trying to determine a contestant's occupation, the panel tries to determine a contestant's "secret": something that is unusual, amazing, embarrassing, or humorous about that person.

The original version of ''I've Got a Secret'' premiered on June 19, 1952 and ran until April 3, 1967. This version began broadcasting in black and white and switched to a color format in 1966, by which time virtually all commercial network programs were being shown in color.

The show was revived for the 1972–1973 season in once-a-week syndication and again from June 15 to July 6, 1976, for a Summer run. Another production ran on the Oxygen cable channel in a daily version, with original episodes airing from 2000 through 2003. GSN ran a revival from April 17 to June 9, 2006 with an all-gay panel. In October 2006, GSN opted not to renew the show for a second season, although reruns remained on its schedule for some time afterward.

Hosts and panelists

The show was originally hosted by radio and television personality Garry Moore. After several months of an ever-changing panel, game show host Bill Cullen, acerbic comedian Henry Morgan, TV hostess Faye Emerson, and actress Jayne Meadows became the four regular panelists. In 1958, Emerson left the show to star in a play and was replaced by actress Betsy Palmer. The following year, Meadows relocated to the West Coast and was replaced by former Miss America Bess Myerson. At various times, guest hosts substituted for Moore, including panelists Morgan and Palmer, among others. Additionally, other comedians and celebrities appeared as guests on the panel when others were away.

Moore left the show after the 1963–64 season, after his comedy program ''The Garry Moore Show'' was canceled. Moore chose to retire from television to travel the world with his wife. Moore was replaced by Steve Allen on September 21, 1964. Allen also hosted the show during the 1972−73 revival. Former panelist Bill Cullen hosted the show for its brief 1976 CBS summer run. The panelists on this revival were Richard Dawson, Henry Morgan, New York-based entertainment critic Pat Collins, and Elaine Joyce.

The version seen on Oxygen was hosted by Stephanie Miller until August 2001. Regular panelists on this version included Jim J. Bullock, Jason Kravits, Amy Yasbeck, and Teri Garr.

The GSN version was hosted by Bil Dwyer and, unlike the earlier versions, featured a permanent panel that appeared on each episode, consisting of Billy Bean, Frank DeCaro, Jermaine Taylor, and Suzanne Westenhoefer.

Original series

Game play

Each typical episode featured two regular contestant rounds, followed by a celebrity guest round, occasionally followed by an additional regular round.

Standard rounds

Each round was a guessing game where the panel tried to determine a contestant's "secret". The concept of a "secret" was fairly wide reaching. Secrets were always intended to be unusual, amazing, embarrassing or humorous. They commonly included such types as something which happened to a person, owning something, or an occupation, hobby, achievement or skill.

One or more contestants would enter. The host would introduce the contestant or ask their name and hometown. He would then ask them to "whisper your secret to me, and we'll show it to the folks at home." The contestant would then ostensibly whisper their secret to the host, while the audience and viewers were shown the secret via text overlay on the screen. Then the host would give the panel a clue, for example, "the secret concerns something that happened to [Contestant's Name]." The host would then select a panelist to begin questioning.

When the show debuted, each panelist had 15 seconds of questioning at a time, running through the panel twice, in order. Each segment of questioning which passed without the panelist guessing the secret won the contestant $10, for a top prize of $80. In mid-1954, the format changed to only once around the panel, with a $20 prize for each panelist stumped. The time limit was no longer fixed, and the buzzer which ended questioning was instead at the discretion of the production staff. This was due, in part, to the program airing live, and sometimes requiring to lengthen or shorten the time allowed for questioning in order to keep the show running on time. Increasingly later in the run, the panelists were sometimes buzzed out when they were getting too close to the secret, were suspected to be about to get it, or simply at a point that would get a laugh; this was precipitated in part by the fact that, like ''What's My Line'', the top payoff never increased with inflation, and the money eventually became somewhat secondary to the gameplay, with the cash awards not even mentioned at all by the end of the series. Similarly, the panelist chosen to question first eventually became a strategy by the producers. When a secret fell within an area that a panelist was knowledgeable on (most commonly Cullen with mechanical, scientific or sports secrets), they would often be chosen first, to give them no preceding clues during their questioning. On occasion when a secret referenced a panelist, the order was usually chosen to put them last.

Following the revelation of a guest's secret, either by guessing or by the host's revelation once the game was over, the host typically either interviewed the contestant about their secret, or, if applicable, the contestant did some kind of demonstration of their secret. These demonstrations sometimes included the host, and occasionally one or more of the panelists.

A number of notable people appeared with secrets including Col Harland Sanders ("I started my restaurant with my first Social Security check"), Philo T. Farnsworth ("I invented electronic television"), Pete Best ("I used to be one of The Beatles"), and an elderly man Samuel J. Seymour who was the last surviving eye witness to Abraham Lincoln's assassination (he was five years old at the time), Bobby Fischer ("I am the US chess champion").

Guest rounds

On each typical episode, a celebrity guest came on the show with a secret. The celebrity usually opened the episode by coming out from the behind the curtain and saying "my name is [Name] and I've Got a Secret!", though sometimes they would say "and this is ''I've Got a Secret''!". Early in the show's run, the celebrities would indeed have a secret. These would sometimes be actual personal secrets similar to the other contestants. Other times the secret would be about something they were there to do. The guest segment frequently was a guise for a demonstration of some new technology or product, which the guest usually interacted with in some way, which was their secret.

An increasingly common activity for the guest was to challenge the panel in some sort of alternate game. Eventually, this became the primary use of the guest segment, and the pretense of having the panel guess the guest's secret was dropped. The guest would simply come out with a challenge for the panel; sometimes ostensibly related to the guest or their current project, but other times not related to the guest at all. Several of these challenges predated future game shows which used the same concepts, such as a game in which Woody Allen challenged the panel to guess words based on definitions written by children, which became the basis for ''Child's Play'', and a pair of segments with Peter Falk and Soupy Sales in which the panel had to identify celebrities based on a series of photos starting with infancy and progressing older. which featured in the format of the show ''Face the Music''.

Often, secrets would involve Henry Morgan in some manner. Since Morgan put forth a 'lovable sourpuss' type of attitude, he attracted a certain "let's see how we can 'get' Henry this time" playfulness from the writers. Sometimes he would be sent on week long trips (often starting as soon as the live broadcast ended) which would be filmed and highlights shown the following week. Some of these trips included being sent to England to buy a proper English Christmas meal from a famous English restaurant while dressed in a stereotypical English derby and morning coat outfit, spending a week at Roy Rogers' dude ranch as a hired hand, and going on an African safari (after the secret was revealed Morgan got his passport photo taken and shots given to him by a nurse on stage as Moore told him about his trip). Other Henry secrets included him being invited to be a background spear holder in an opera at the Met, him playing the dead body in a murder mystery Broadway play, a Christmas episode in which Morgan is dressed up to play Santa for disadvantaged kids, and a Halloween episode in which Arnold Stang came on stage in a traditional bedsheet ghost costume with the secret "This costume was made from Henry Morgan's bedsheet". After the game Moore said "Don't worry Henry, we promise to put these back where we found them", at which point the center stage curtain rose to reveal (what is assumed to be) Morgan's bed.

History and style

''I've Got a Secret'' was more informal than sister show ''What's My Line?'' in most respects. The panel and host were generally on a first-name basis. As noted, the formal time limit on questioning was removed early in the show's run, and time limits were set more for entertainment. The men on the panel always wore normal suits or even sport jackets, though both Morgan and Moore sometimes chose bow ties over straight ties. Until the later years of the series, both Moore, and members of the panel smoked cigarettes on the air, with Moore doing so right up until his last episode. The panel was introduced at the start of each episode by the host, usually with a series of descriptive puns.

Only yes-or-no questions were supposed to be asked by the panel, but the format was often relaxed, and other questions slipped through. Unlike on ''What's My Line?'', the host often offered hints and suggestions when the panel was off in the wrong direction, or when an answer might be misleading. Unlike on ''What's My Line?'', the panelists were not allowed to formally confer with each other, though later in the series, there was no chastising of the panelists for whispering ideas to each other.

The series began in black-and-white, and only in 1966 switched regularly to color, though like most programs of this era, existing records are in black and white. The series was sponsored for most of its run, with the opening of the show featuring a promotion for whichever company was the sponsor, signage on the set, and commercials being included during the show. Some sponsors provided samples of their wares for each contestant, in addition to their winnings. Late in the series' run, sponsorship was discontinued.

The series itself had a cameo in the 1959 film ''It Happened to Jane'', in which the title character appears as a contestant on the show. Moore and the entire panel played themselves in the fictional episode of the show.

A home game of ''I've Got A Secret'' was released in 1956 by the Lowell Toy Manufacturing Corporation of New York.

An Australian version of the show was produced and aired in Brisbane on QTQ Channel 9 from 1967 until 1973. It was hosted by newsreader Don Secombe, and like its American inspiration, featured regular celebrity panelists including Ron Cadee, Babette Stevens and Joy Chambers (future wife of Australian game show impresario Reg Grundy) .

Changes in the revivals

1970s revivals

The format of the 1970s revivals were essentially unchanged from the original series, though celebrity secrets, rather than challenges to the panel (whose members changed weekly), did return. Richard Dawson served as a regular panelist on both versions in the 70's, and Henry Morgan appeared as a panelist a few times as well.

Oxygen revival

On the Oxygen revival, the contestant earned $200 for each stumped panelist, and stumping the entire panel earned a total of $1,000 for the challenger. Stephanie Miller hosted this version and the show's set resembled an upscale city apartment.

GSN revival

On GSN's revival, each panelist had 40 seconds for questioning, with one conference allowed. Stumping the entire panel won the contestant $1,000 and "dinner for 2 in Beverly Hills." The fine print at the end of the show disclosed that contestants were also paid an appearance fee. Losing contestants also received some unspecified parting gifts. Several minor show business professionals demonstrated their performances on the show, including piano juggler Dan Menendez. Another element in the revival was that all the panelists were openly gay, but their "secret" was generally only referenced in double entendres, such as when host Bil Dwyer was introduced as "the straight man to the panel".

Episode status

As with ''What's My Line?'', early episodes from the original series' first season in 1952 appear to have been lost. From late 1952 until the 1967 cancellation, most episodes appear to exist as a digital transfer of the original black-and-white kinescope films. However, the premiere episode, which featured a drastically different set-up, is presumed to be lost.

GSN concluded its most recent airing of ''I've Got A Secret'''s run on July 13, 2008 at 3:30 AM (ET), paired with ''What's My Line?'' at 3:00. However, they began their run in mid-2007 with episodes from late 1961 or early 1962. A good portion of the series is unlikely to be aired, due to the show's longtime sponsorship by Winston cigarettes, which remains an existing brand. It is unclear whether this is mandated legally, or simply a choice by GSN; it is worth noting that GSN had aired many Winston-sponsored episodes in previous years. In addition, the network skipped several episodes through its run which are known to have been skipped in previous runs of the show; this may mean that other episodes are lost or in bad enough condition for GSN not to air them. For a brief period of time in December of 2009 and 2010, GSN aired episodes of the series from the Moore and Allen CBS runs.

All subsequent revivals of ''Secret'' exist in their entirety, except for the 1976 run, whose status is currently unknown. The premiere episode exists among private collectors, and the finale is available in audio. GSN has occasionally aired single episodes from the 1972–1973 season, the latest being an episode featuring Bob Barker as the celebrity guest, to commemorate his retirement from ''The Price Is Right'' in mid-2007. GSN also occasionally adds reruns of its 2006 revival to the regular schedule.

Nielsen ratings

1952-53: not in the top 30 1953-54: not in the top 30 1954-55: #13 1955-56: #10 1956-57: #7 1957-58: #5 1958-59: #9 1959-60: #28 1960-61: not in the top 30 1961-62: not in the top 30 1962-63: #16 1963-64: #12 1964-65: #26 1965-66: #20 1966-67: not in the top 30 1976: not in the top 30

Theme music

The first theme used on the show from 1952 to 1961 was "Plink, Plank, Plunk!", by Leroy Anderson (this theme can be heard on the album ''Classic TV Game Show Themes''; however, the theme on the CD was credited to Norman Paris).

The second theme, used from 1961–1962, was an upbeat arrangement of the "Theme from A Summer Place", by Max Steiner.

The third theme was used from 1962 to 1967. It was an upbeat, spritely march featuring piccolo and xylophone, composed by the show's musical director Norman Paris and played by a live studio combo. It quoted a familiar melody widely associated with schoolyard taunts, to which the words "I've got a secret!" might be sung by children in a teasing manner.

In addition to being used as a tag for his entrance on CBS episodes he hosted, Steve Allen's composition "This Could Be the Start of Something" was used as the opening theme in 1972 arranged by Edd Kalehoff for Score Productions. The closing theme to the 1972 version was also written by Kalehoff. The theme from the 1976 version with Bill Cullen was used one year later on the ABC game show ''Second Chance''. A remix of that theme was also used in the Australian version of ''Family Feud''.

Tim Mosher and Stoker are credited with the 2000 theme, while Alan Ett and Scott Liggett contributed an up jazz theme for Bil Dwyer's 2006 version of the show for GSN.

References

External links

I've Got a Secret - profile of the show from the Museum of Radio and TV

Goodson-Todman Big 4 Guide - an episode guide to all of the major Goodson-Todman panel shows, including IGAS.

Oxygen's I've Got a Secret - website for the 2001 version of IGAS, hosted by Stephanie Miller.

I've Got a Secret online! - IGaS fansite, featuring transcripts, photos, and audio clips.

Eleven minute interview with Betsy Palmer (panelist on I've Got a Secret for 10 years (1957–1967)).

Cole Palen's appearance on I've Got A Secret">Aviation preservationist Cole Palen's appearance on I've Got A Secret in April 1965

Category:1952 television series debuts Category:2006 television series endings Category:1950s American television series Category:1960s American television series Category:1970s American television series Category:2000s American television series Category:American game shows Category:Australian game shows Category:Black-and-white television programs Category:Cable game shows Category:CBS network shows Category:English-language television series Category:First-run syndicated television programs in the United States Category:Game Show Network original programs Category:Panel games Category:Television series by CBS Paramount Television Category:Television series by FremantleMedia Category:Television series by Mark Goodson-Bill Todman Productions

simple:I've Got a Secret

name	Ray Charles
background	solo_singer
birth name	Ray Charles Robinson
origin	Greenville, Florida, United States
born	September 23, 1930Albany, Georgia, United States
died	June 10, 2004Beverly Hills, California, United States
instrument	Vocals, piano, keyboards, alto saxophone, trombone
genre	Rhythm and blues, soul, blues, rock and roll, jazz, country, pop, gospel
occupation	Composer, musician, arranger, bandleader
years active	1947–2004
label	Atlantic, ABC, Warner Bros., Swing Time, Concord, Columbia, Flashback
associated acts	The Raelettes, Quincy Jones, Betty Carter, Marvin Gaye, James Brown, Little Richard
website	Official website 200px|altA signature penned in black inkSignature of Ray Charles }}

Ray Charles Robinson (September 23, 1930June 10, 2004), known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records. He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his ''Modern Sounds'' albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company. Frank Sinatra called Charles “the only true genius in show business.”

The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues and barrelhouse, and stride piano styles.

''Rolling Stone'' ranked Charles number 10 on their list of "100 Greatest Artists of All Time" in 2004, and number two on their November 2008 list of "100 Greatest Singers of All Time". In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"

Early life: 1930–1945

Ray Charles Robinson was the son of Aretha Williams, a sharecropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. Aretha Williams was a devout Christian and the family attended the New Shiloh Baptist Church. When Ray was an infant, his family moved from Albany, Georgia, where he was born, to the poor black community on the western side of Greenville, Florida. In his early years, Charles showed a curiosity for mechanical things and he often watched the neighborhood men working on their cars and farm machinery. His musical curiosity was sparked at Mr. Wiley Pit's Red Wing Cafe when Pit played boogie woogie on an old upright piano. Pit would care for George, Ray's brother, so as to take the burden off Williams. However, George drowned in the Williams' wash tub when he was four years old.

Charles started to lose his sight at the age of five. He went completely blind by the age of seven, apparently due to glaucoma. He attended school at the Florida School for the Deaf and the Blind in St. Augustine from 1937 to 1945, where he developed his musical talent. During this time he performed on WFOY radio in St. Augustine. His father died when he was 10 and his mother died five years after.

In school, Charles was taught only classical music, but he wanted to play the jazz and blues he heard on the family radio. While at school, he became the school's premier musician. On Fridays, the South Campus Literary Society held assemblies where Charles would play piano and sing popular songs. On Halloween and Washington's birthday, the Colored Department of the school had socials where Charles would play. It was here he established "RC Robinson and the Shop Boys" and sang his own arrangement of "Jingle Bell Boogie." He spent his first Christmas at the school, but later the staff pitched in so that Charles could return to Greenville, as he did each summer.

Henry and Alice Johnson, who owned a store not unlike Mr. Pit's store in Greenville, moved to the Frenchtown section of Tallahassee, just west of Greenville; and they, as well as Freddy and Margaret Bryant, took Charles in. He worked the register in the Bryants' store under the direction of Lucille Bryant, their daughter. It's said he loved Tallahassee and often used the drug store delivery boy's motorbike to run up and down hills using the exhaust sound of a friend's bike to guide him. Charles found Tallahassee musically exciting too and sat in with the Florida A&M; University student band. He played with the Adderley brothers, Nat and Cannonball, and began playing gigs with Lawyer Smith and his Band in 1943 at the Red Bird Club and DeLuxe Clubs in Frenchtown and roadhouse theatres around Tallahassee, as well as the Governor's Ball.

Career

Early career: 1945–1952

After his mother died in 1945, Charles was 15 years old and didn't return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Then he moved to Orlando, and later Tampa, where he played with a southern band called The Florida Playboys. This is where he began his habit of always wearing sunglasses, made by designer Billy Stickles.

Charles had always played for other people, but he wanted his own band. He decided to leave Florida for a large city, but Chicago and New York City were too big. After asking a friend to look in a map and note the city in the United States that was farthest from Florida, he moved to Seattle in 1947 (where he first met and befriended a 14 year old Quincy Jones) and soon started recording, first for the Down Beat label as the Maxin Trio with guitarist G.D. McKee and bassist Milton Garrett, achieving his first hit with "Confession Blues" in 1949. The song soared to No. 2 on the R&B; charts. He joined Swing Time Records and under his own name ("Ray Charles" to avoid being confused with boxer Sugar Ray Robinson) recorded two more R&B; hits, "Baby, Let Me Hold Your Hand" (No. 5) in 1951 and "Kissa Me Baby" (No. 8) in 1952. The following year, Swing Time folded and Ahmet Ertegün signed him to Atlantic Records.

Atlantic Records: 1953–1959

Almost immediately after signing with Atlantic, Charles scored his first hit single. "Mess Around" was an R&B; hit in 1953. "It Should Have Been Me" and "Don't You Know" both made the charts in 1954, but "I Got a Woman" (composed with band mate Renald Richard) brought him to national prominence.

The song reached the top of Billboard's R&B; singles chart in 1955 and from there until 1959 he would have a series of R&B; successes including "A Fool For You" (No. 1), "This Little Girl of Mine", "Lonely Avenue", "Mary Ann", "Drown in My Own Tears" (No. 1) and the No. 5 hit "The Night Time (Is the Right Time)", which were compiled on his Atlantic releases ''Hallelujah, I Love Her So'', ''Yes Indeed!'', and ''The Genius Sings the Blues''.

During this time of transition, he recruited a young girl group from Philadelphia, The Cookies, as his background singing group, recording with them in New York and changing their name to the Raelettes in the process.

Crossover success: 1959–1967

After his Atlantic Records contract had ended, Ray Charles signed with ABC-Paramount Records in November 1959, obtaining a much more liberal contract than other artists had at the time. Following his commercial and pop crossover breakthrough with the complex hit single "What'd I Say" earlier that year, ABC offered Charles a $ 50,000 annual advance, higher royalties than previously offered and eventual ownership of his masters — a very valuable and lucrative deal at the time. Composed by Charles himself, the single furthered Charles's mainstream appeal, while becoming a Top 10 pop hit and selling a million copies in the United States, despite the ban placed on the record by some radio stations, in response to the song's sexually-suggestive lyrics. However, by the time of the release of the instrumental jazz LP ''Genius + Soul = Jazz'' (1960) for ABC's subsidiary label Impulse!, Charles had virtually given up on writing original material and had begun to follow his eclectic impulses as an interpreter.

With his first hit single for ABC-Paramount, Charles received national acclaim and a Grammy Award for the Sid Feller-produced "Georgia on My Mind", originally written by composers Stuart Gorrell and Hoagy Carmichael, released as a single by Charles in 1960. The song served as Charles's first work with Feller, who arranged and conducted the recording. Charles also earned another Grammy for the follow-up "Hit the Road Jack", written by R&B; singer Percy Mayfield. By late 1961, Charles had expanded his small road ensemble to a full-scale big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to crossover into mainstream pop with such a level of creative control. This success, however, came to a momentary halt in November 1961, as a police search of Charles's hotel room in Indianapolis, Indiana during a concert tour led to the discovery of heroin in his medicine cabinet. The case was eventually dropped, as the search lacked a proper warrant by the police, and Charles soon returned his focus on music and recording.

The 1962 album, ''Modern Sounds in Country and Western Music'' and its sequel ''Modern Sounds in Country and Western Music, Vol. 2'', helped to bring country into the mainstream of music. His version of the Don Gibson song, ''I Can't Stop Loving You'' topped the Pop chart for five weeks and stayed at No. 1 R&B; for ten weeks in 1962. It also gave him his only number one record in the UK. In 1962, he founded his own record label, Tangerine Records which ABC-Paramount promoted and distributed. He also had major pop hits in 1963 with "Busted" (US No. 4) and ''Take These Chains From My Heart'' (US No. 8), and a Top 20 hit four years later, in 1967, with "Here We Go Again" (US No. 15) (which would be a duet with Norah Jones in 2004).

Later years: 1965-2004

In 1965, Ray Charles was arrested for possession of heroin, a drug to which he had been addicted for nearly 20 years. It was his third arrest for the offense, but he avoided jail time after kicking the habit in a clinic in Los Angeles. He spent a year on parole in 1966, when his single "Crying Time" reached No. 6 on the charts.

During the late 1960s and into the 1970s, Charles's releases were hit-or-miss, with some big hits and critically acclaimed work. His version of "Georgia On My Mind" was proclaimed the state song of Georgia on April 24, 1979, and he performed it on the floor of the state legislature. He also had success with his unique version of "America the Beautiful".

In November 1977 he appeared as the host of NBC's ''Saturday Night Live''. In the 1980s a number of other events increased Charles's recognition among young audiences. He made a cameo appearance in the popular 1980 film ''The Blues Brothers''. In 1985, "The Right Time" was featured in the episode "Happy Anniversary" of ''The Cosby Show'' on NBC. The next year, he sang America The Beautiful at Wrestlemania 2. In a Pepsi Cola commercial of the early 1990s – composed by Kenny Ascher, Joseph C. Caro, and Helary Jay Lipsitz – Charles popularized the catchphrase "You Got the Right One, Baby!" and he was featured in the recording of "We Are the World" for USA for Africa.

After having supported Martin Luther King, Jr. and for the American Civil Rights Movement in the 1960s, Charles courted controversy when he toured South Africa in 1981, during an international boycott of the country because of its apartheid policy.

In 1989, Charles recorded a cover version of the Japanese band Southern All Stars' song "Itoshi no Ellie" as "Ellie My Love" for a Suntory TV advertisement, reaching No. 3 on Japan's Oricon chart. Eventually, it sold more than 400,000 copies, and became that year's best-selling single performed by a Western artist for the Japanese music market.

Charles also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 for Bill Clinton's first.

In the late 1980s/early 1990s, Charles made appearances on the Super Dave Osbourne TV show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. At the height of his newfound fame in the early nineties, Charles did guest vocals for several projects. He also appeared (with Chaka Khan) on long time friend Quincy Jones' hit "I'll Be Good to You" in 1990, from Jones's album ''Back on the Block''. Following Jim Henson's death in 1990, Ray Charles appeared in the one-hour CBS tribute, ''The Muppets Celebrate Jim Henson''. He gave a short speech about Henson, stating that he "took a simple song and a piece of felt and turned it into a moment of great power". Charles was referring to the song "It's Not Easy Being Green", which he later performed with the rest of the Muppet cast in a tribute to Henson's legacy.

During the sixth season of ''Designing Women'', Charles sang "Georgia on My Mind", instead of the song being rendered instrumentally by other musicians as in the previous five seasons. He also appeared in 4 episodes of the popular TV comedy ''The Nanny'' in Seasons 4 & 5 (1997 & 1998) as 'Sammy', in one episode singing "My Yiddish Mamma" to December romance and later fiancee of character Gramma Yetta, played by veteran actress Ann Guilbert.

In 2003, Ray Charles headlined the White House Correspondents Dinner in Washington, D.C. where the President, First Lady, Colin Powell and Condoleezza Rice attended. He also presented one of his greatest admirers, Van Morrison, with his award upon being inducted in the Songwriters Hall of Fame and the two sang Morrison's song "Crazy Love". This performance appears on Morrison's 2007 album, ''The Best of Van Morrison Volume 3''.

In 2003 Charles performed "Georgia On My Mind" and "America the Beautiful" at a televised annual electronic media journalist banquet held in Washington, D.C., at what may have been his final performance in public. His final public appearance came on April 30, 2004, at the dedication of his music studio as a historic landmark in the city of Los Angeles.

Personal life

Family

Charles was married twice and fathered 12 children with nine different women. His first marriage to Eileen Williams was brief: July 31, 1951 to 1952. He had three children from his second marriage, to Della Beatrice Howard Robinson from April 5, 1955 to 1977. His long term girlfriend and partner at the time of his death was Norma Pinella.

A list of his children:

Born ~ 1950: Evelyn Robinson (to Louise Mitchell)

Born ~ 1955: Ray Charles Robinson, Jr. (to Della Robinson)

Born ~ 1958: David Robinson (to Della Robinson)

Born ~ 1959: Charles Wayne Robinson (to Margie Hendricks)

Born ~ 1960: Reverend Robert Robinson (to Della Robinson)

Born ~ 1961: Raenee Robinson (to Mae Mosely Lyles)

Born ~ 1963: Sheila Raye Charles Robinson (to Sandra Jean Betts)

Born ~ 1966: Alicia Robinson (unknown)

Born ~ 1968: Alexandra Robinson (to Chantal Bertrand)

Born ~ 1977: Vincent Robinson (to Arlette Kotchounian)

Born ~ 1978: Robyn Robinson (to Gloria Moffett)

Born ~ 1987: Ryan Corey Robinson (to Mary Anne den Bok)

Charles gave 10 of his 12 children one million USD cheques each in December 2002 at a family luncheon, while the other two could not make it.

Substance abuse and legal issues

On November 14, 1961, Charles was arrested on a narcotics charge in an Indiana hotel room, where he waited to perform. The detectives seized heroin, marijuana, and other items. Charles, then 31, stated that he had been a drug addict since the age of 16. While the case was dismissed because of the manner in which the evidence was obtained, Charles's situation did not improve until a few years later. Individuals such as Quincy Jones and Reverend Henry Griffin felt that those around Charles were responsible for his drug use.

By 1964 Charles's drug addiction caught up with him and he was arrested for possession of marijuana and heroin. Following a self-imposed stay at St. Francis Hospital in Lynwood, California, Charles received five years' probation. Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor", "Let's Go Get Stoned", and the release of his first album since having kicked his heroin addiction in 1966, ''Crying Time''.

Other interests

Charles played chess using a special board with holes for the pieces and raised squares. Charles referred to Willie Nelson as "my chess partner" in a 1991 concert. In 2002, he played and lost to American Grandmaster and former U.S. Champion Larry Evans.

Death

Charles died on June 10, 2004 at 11:35 a.m. of lung cancer at his home in Beverly Hills, California, surrounded by family and friends. He was 73 years old. His body was interred in the Inglewood Park Cemetery.

His final album, ''Genius Loves Company'', released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis. The album won eight Grammy Awards, including five for Ray Charles for Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals for "Here We Go Again" with Norah Jones, and Best Gospel Performance for "Heaven Help Us All" with Gladys Knight; he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen's "Over the Rainbow", sung as a duet by Charles and Johnny Mathis, which recording was later played at his memorial service.

Two more posthumous albums, ''Genius & Friends'' (2005) and ''Ray Sings, Basie Swings'' (2006), were released. ''Genius & Friends'' consisted of duets recorded from 1997 to 2005 with his choice of artists. ''Ray Sings, Basie Swings'' consists of archived vocals of Ray Charles from live mid-1970s performances added to new instrumental tracks specially recorded by the contemporary Count Basie Orchestra and other musicians. Charles's vocals recorded from the concert mixing board were added to new accompaniments to create a "fantasy concert" recording. Gregg Field, who had performed as a drummer with both Charles and Basie, produced the album.

Legacy

Charles possessed one of the most recognizable voices in American music. In the words of musicologist Henry Pleasants:

Sinatra, and Bing Crosby before him, had been masters of words. Ray Charles is a master of sounds. His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm... It is either the singing of a man whose vocabulary is inadequate to express what is in his heart and mind or of one whose feelings are too intense for satisfactory verbal or conventionally melodic articulation. He can’t tell it to you. He can’t even sing it to you. He has to cry out to you, or shout to you, in tones eloquent of despair — or exaltation. The voice alone, with little assistance from the text or the notated music, conveys the message.

Ray Charles is usually described as a baritone, and his speaking voice would suggest as much, as would the difficulty he experiences in reaching and sustaining the baritone's high E and F in a popular ballad. But the voice undergoes some sort of transfiguration under stress, and in music of gospel or blues character he can and does sing for measures on end in the high tenor range of A, B flat, B, C and ev in full voice, sometimes in an ecstatic head voice, sometimes in falsetto. In falsetto he continues up to E and F above high C. On one extraordinary record, "I’m Going Down to the River’ . . . he hits an incredible B flat . . . . giving him an overall range, including the falsetto extension, of at least three octaves.

In 1979, Charles was one of the first of the Georgia State Music Hall of Fame to be recognized as a musician born in the state. Ray's version of "Georgia On My Mind" was made the official state song for Georgia. In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986. He received the Kennedy Center Honors in 1986.

In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1993, he was awarded the National Medal of Arts. In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame. The Grammy Awards of 2005 were dedicated to Charles.

On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano. Later that month, on December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame. He was also presented with the George and Ira Gershwin Award for Lifetime Musical Achievement, during the 1991 UCLA Spring Sing.

In 2003, Charles was awarded an honorary degree by Dillard University. Upon his death, he endowed a professorship of African-American culinary history at the school, which is the first such chair in the nation. A $20 million performing arts center at Morehouse College was named after Charles and was dedicated in September 2010.

The biopic ''Ray'', an October 2004 film portrays his life and career between 1930 and 1966 and stars Jamie Foxx as Charles. Foxx won the 2005 Academy Award for Best Actor for the role. The movie is the all-time number one biopic per screen average, opening on 2006 screens and making 20 million dollars.

The RPM International building is located on the corner of Westmorland Blvd. and Washington Blvd., which is also dedicated as the "Ray Charles Square".

Discography

Filmography

''Swingin' Along'' (1961)

''Ballad in Blue'' (1964)

''The Big T.N.T. Show'' (1966) (documentary)

''The Blues Brothers'' (1980)

Who's The Boss (himself) 1987

''Limit Up'' (1989)

''Listen Up: The Lives of Quincy Jones'' (1990) (documentary)

''Love Affair'' (1994)

''Spy Hard'' (1996)

''The Nanny'' (1999) as Sammy

''Adv. Super Dave'' (2000)

''Blue's Big Musical Movie'' (2000)

References

Bibliography

External links

Ray Charles website

Article from the St. Augustine Record noting Charles' being on WFOY.

Ray Charles - Daily Telegraph obituary

Ray Charles at Songwriters Hall of Fame

Ray Charles at Rock and Roll Hall of Fame

Ray Charles autobiography: The Early Years 1930–1960

I Can't Stop Loving You: Ray Charles and Country Music - Past Exhibit at the Country Music Hall of Fame and Museum

Ray Charles's oral history video excerpts at the National Visionary Leadership Project

Category:1930 births Category:2004 deaths Category:ABC Records artists Category:African American musicians Category:African American singers Category:American blues pianists Category:American blues singers Category:American composers Category:American country singers Category:American gospel singers Category:American keyboardists Category:American male singers Category:American pop pianists Category:American rhythm and blues singers Category:American soul singers Category:American singer-songwriters Category:American soul musicians Category:Atlantic Records artists Category:Blind musicians Category:Blind bluesmen Category:Blues Hall of Fame inductees Category:Burials at Inglewood Park Cemetery Category:Cancer deaths in California Category:Deaths from liver cancer Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Musicians from Georgia (U.S. state) Category:Musicians from Florida Category:Kennedy Center honorees Category:People from Albany, Georgia Category:People from Madison County, Florida Category:People from the Greater Los Angeles Area Category:People self-identifying as substance abusers Category:Rock and Roll Hall of Fame inductees‎ Category:Rhythm and blues pianists Category:Songwriters from Florida Category:Songwriters from Georgia (U.S. state) Category:Urban blues musicians

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name	Nina Simone
background	solo_singer
birth name	Eunice Kathleen Waymon
born	February 21, 1933Tryon, North Carolina, United States
died	April 21, 2003Carry-le-Rouet, Bouches-du-Rhône, France
genre	Jazz, blues, R&B;, folk, gospel
occupation	Singer, songwriter, pianist, arranger, activist
years active	1954–2003
label	Bethlehem, Colpix, Philips, RCA Victor, CTI, Legacy Recordings
website	http://www.ninasimone.com/ }}

Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone (), was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B;, gospel, and pop.

Born the sixth child of a preacher's family in North Carolina, Simone aspired to be a concert pianist as a child. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. She then began playing in a small club in Philadelphia to fund her continuing musical education to become a classical pianist and was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendition of "I Loves You Porgy" became a smash hit in the United States in 1958. and accompanied with her expressive jazz-like singing in her characteristic low tenor. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience-performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years.

After 20 years of performing, she became involved in the civil rights movement and the direction of her life shifted once again.

Biography

Youth (1933–1954)

Simone was born Eunice Kathleen Waymon in Tryon, North Carolina. The sixth of eight children in a poor family, she began playing piano at age three; the first song she learned was "God Be With You, Till We Meet Again". Demonstrating a talent with the instrument, she performed at her local church, but her concert debut, a classical recital, was given when she was twelve. Simone later claimed that during this performance her parents, who had taken seats in the front row, were forced to move to the back of the hall to make way for white people. Simone said she refused to play until her parents were moved back to the front, and that the incident contributed to her later involvement in the civil rights movement.

Simone's mother, Mary Kate Waymon, was a strict Methodist minister and a housemaid. Simone's father, John Divine Waymon, was a handyman who at one time owned a dry cleaning business, but who also suffered bouts of ill health. Mary Kate's employer, hearing of her daughter's talent, provided funds for piano lessons. Subsequently, a local fund was set up to assist in Simone's continued education. With the assistance of this scholarship money she attended high school.

After finishing high school, she had studied for an interview with the help of a private tutor to study piano further at the Curtis Institute, but she was rejected. Simone believed that this rejection was related directly to her race. Simone then moved to New York City, where she studied at the Juilliard School of Music.

Early success (1954–1959)

To fund her private lessons, Simone performed at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, whose owner insisted that she sing as well as play the piano. In 1954 she adopted the stage name Nina Simone. "Nina" (from niña, meaning 'little girl' in Spanish) was a nickname a boyfriend had given to her, and "Simone" was taken from the French actress Simone Signoret, whom she had seen in the movie ''Casque d'or''. Simone's mixture of jazz, blues, and classical music in her performances at the bar earned her a small, but loyal, fan base.

In 1958, she befriended and married Don Ross, a beatnik who worked as a fairground barker, but quickly regretted their marriage. After playing in small clubs, in 1958 she recorded a rendition of George Gershwin's "I Loves You Porgy" (from ''Porgy and Bess''), which she learned from a Billie Holiday album and performed as a favor to a friend. It became her only ''Billboard'' top 40 success in the United States, and her debut album ''Little Girl Blue'' soon followed on Bethlehem Records. Simone missed out on more than $1 million in royalties (mainly because of the successful re-release of ''My Baby Just Cares for Me'' during the 1980s) and never benefited financially from the album, because she had sold her rights to it for $3,000.

Becoming popular (1959–1964)

After the success of ''Little Girl Blue'', Simone signed a contract with Colpix Records, and recorded a string of studio and live albums. Colpix relinquished all creative control to her, including the choice of material that would be recorded, in exchange for her signing the contract with them. At this point, Simone only performed pop music to make money to continue her classical music studies, and was indifferent about having a recording contract. She kept this attitude toward the record industry for most of her career.

Simone married a New York police detective, Andrew Stroud, in 1961; Stroud later became her manager.

Civil rights era (1964–1974)

In 1964, she changed record distributors, from the American Colpix to the Dutch Philips, which also meant a change in the contents of her recordings. Simone had always included songs in her repertoire that drew upon her African-American origins (such as "Brown Baby" and "Zungo" on ''Nina at the Village Gate'' in 1962). On her debut album for Philips, ''Nina Simone In Concert'' (live recording, 1964), however, Simone for the first time openly addressed the racial inequality that was prevalent in the United States with the song "Mississippi Goddam", her response to the murder of Medgar Evers and the bombing of a church in Birmingham, Alabama that killed four black children. The song was released as a single, and it was boycotted in certain southern states. "Old Jim Crow", on the same album, addressed the Jim Crow Laws.

From then on, a civil rights message was standard in Simone's recording repertoire, becoming a part of her live performances. Simone performed and spoke at many civil rights meetings, such as at the Selma to Montgomery marches. Simone advocated violent revolution during the civil rights period, rather than Martin Luther King's non-violent approach, and she hoped that African Americans could, by armed combat, form a separate state. Nevertheless, she wrote in her autobiography that she and her family regarded all races as equal.

She covered Billie Holiday's "Strange Fruit", a song about the lynching of black men in the South, on ''Pastel Blues'' (1965). She also sang the W. Cuney poem "Images" on ''Let It All Out'' (1966), about the absence of pride she saw among African-American women. Simone wrote "Four Women", a song about four different stereotypes of African-American women, and included the recording on her 1966 album ''Wild Is the Wind''.

Simone moved from Philips to RCA Victor during 1967. She sang "Backlash Blues", written by her friend Langston Hughes on her first RCA album, ''Nina Simone Sings The Blues'' (1967). On ''Silk & Soul'' (1967), she recorded Billy Taylor's "I Wish I Knew How It Would Feel to Be Free" and "Turning Point". The album ''Nuff Said'' (1968) contains live recordings from the Westbury Music Fair, April 7, 1968, three days after the murder of Martin Luther King, Jr. She dedicated the whole performance to him and sang "Why? (The King Of Love Is Dead)", a song written by her bass player, Gene Taylor, directly after the news of King's death had reached them. In the summer of 1969 she performed at the Harlem Cultural Festival in Harlem's Mount Morris Park.

Together with Weldon Irvine, Simone turned the late Lorraine Hansberry's unfinished play ''To Be Young, Gifted, and Black'' into a civil rights song. Hansberry had been a personal friend whom Simone credited with cultivating her social and political consciousness. She performed the song live on the album ''Black Gold'' (1970). A studio recording was released as a single, and renditions of the song have been recorded by Aretha Franklin (on her 1972 album ''Young, Gifted and Black'') and by Donny Hathaway.

Later life (1974–2003)

Simone left the United States in September 1970, flying to Barbados and expecting Stroud to communicate with her when she had to perform again. However, Stroud interpreted Simone's sudden disappearance, and the fact that she had left behind her wedding ring, as an indication of a desire for a divorce. As her manager, Stroud was in charge of Simone's income.

When Simone returned to the United States she learned that a warrant had been issued for her arrest for unpaid taxes (as a protest against her country's involvement with the Vietnam War), causing her to return to Barbados again to evade the authorities and prosecution. Simone stayed in Barbados for quite some time and she had a lengthy affair with the Prime Minister, Errol Barrow. A close friend, singer Miriam Makeba, then persuaded her to go to Liberia. After that she lived in Switzerland and the Netherlands, before settling in France during 1992.

She recorded her last album for RCA, ''It Is Finished'', during 1974. Simone did not make another record until 1978, when she was persuaded to go into the recording studio by CTI Records owner Creed Taylor. The result was the album ''Baltimore'', which, while not a commercial success, did get good reviews and marked a quiet artistic renaissance in Simone's recording output. Her choice of material retained its eclecticism, ranging from spiritual songs to Hall & Oates' "Rich Girl". Four years later Simone recorded ''Fodder On My Wings'' on a French label. During the 1980s Simone performed regularly at Ronnie Scott's jazz club in London, where she recorded the album ''Live at Ronnie Scott's'' in 1984. Although her early on-stage style could be somewhat haughty and aloof, in later years, Simone particularly seemed to enjoy engaging her audiences sometimes by recounting humorous anecdotes related to her career and music and by soliciting requests. In 1987, the original 1958 recording of "My Baby Just Cares For Me" was used in a commercial for Chanel No. 5 perfume in the United Kingdom. This led to a re-release of the recording, which stormed to number 4 on the UK's ''NME'' singles chart, giving her a brief surge in popularity in the UK. Her autobiography, ''I Put a Spell on You'', was published in 1992. She recorded her last album, ''A Single Woman'', in 1993.

In 1993, Simone settled near Aix-en-Provence in Southern France. She had suffered from breast cancer for several years before she died in her sleep at her home in Carry-le-Rouet, Bouches-du-Rhône on April 21, 2003. (In addition, Simone received a diagnosis of bipolar disorder in the late 1980s). Her funeral service was attended by singers Miriam Makeba and Patti Labelle, poet Sonia Sanchez, actor Ossie Davis, and hundreds of others. Elton John sent a floral tribute with the message "You were the greatest and I love you". Simone's ashes were scattered in several African countries. She left behind a daughter, Lisa Celeste Stroud, an actress and singer, who took the stage name Simone, and has appeared on Broadway in ''Aida''.

Musical style

Simone standards

Throughout her career, Simone assembled a collection of songs that would become standards in her repertoire. These songs were self-written tunes, tributes to works by others with a new arrangement by Simone, or songs written especially for Simone. Her first hit song in America was her rendition of George Gershwin's "I Loves You, Porgy" (1958). It peaked at number 18 in the pop singles chart and number 2 on the black singles chart. During that same period Simone recorded "My Baby Just Cares for Me", which would become her biggest success years later, in 1987, when it was featured in a Chanel No. 5 perfume commercial. A music video was created by Aardman Studios for the commercial. !!DON'T put detailed cover/sample/soundtrack use of songs here, only the very basics. Put that sort of information on the ARTICLE ABOUT THE SONG OR ALBUM!! Well known songs from her Philips albums include "Don't Let Me Be Misunderstood" on ''Broadway-Blues-Ballads'' (1964), "I Put a Spell on You", "Ne Me Quitte Pas" (a rendition of a Jacques Brel song) and "Feeling Good" on ''I Put A Spell On You'' (1965), "Lilac Wine" and "Wild Is the Wind" on ''Wild is the Wind'' (1966). Especially the songs "Don't Let Me Be Misunderstood", "Feeling Good", and "Sinnerman" (''Pastel Blues'', 1965) have great popularity today in terms of cover versions (most notably a version of the former song by The Animals), sample usage, and its use on soundtracks for various movies, TV-series, and video games. "Sinnerman", in particular, has been featured in the TV series ''Scrubs'' and ''Person of Interest'', on movies such as ''The Thomas Crown Affair'', ''Miami Vice'', and ''Inland Empire'', and sampled by artists such as Talib Kweli and Timbaland. The song "Don't Let Me Be Misunderstood" was sampled by Devo Springsteen on "Misunderstood" from Common's 2007 album ''Finding Forever'', and by little-known producers Rodnae and Mousa for the song "Don't Get It" on Lil Wayne's 2008 album ''Tha Carter III''. The song "See-Line Woman" was sampled by Kanye West for "Bad News" on his album ''808s and Heartbreak''.

Simone's years at RCA-Victor spawned a number of singles and album songs that were popular, particularly in Europe. In 1968, it was "Ain't Got No, I Got Life", a medley from the musical ''Hair'' from the album '''Nuff Said!'' (1968) that became a surprise hit for Simone, reaching number 4 on the UK pop charts and introducing her to a younger audience. In 2006, it returned to the UK Top 30 in a remixed version by Groovefinder. The following single, the Bee Gees' rendition of "To Love Somebody" also reached the UK top 10 in 1969. "House of the Rising Sun" was featured on ''Nina Simone Sings The Blues'' in 1967, but Simone had recorded the song in 1961 and it was featured on ''Nina At The Village Gate'' (1962), predating the versions by Dave Van Ronk and Bob Dylan. It was later covered by The Animals, for whom it became a signature hit.

Performing style

Simone's bearing and stage presence earned her the title "High Priestess of Soul". She was a piano player, singer, and performer, "separately and simultaneously". On stage, Simone moved from gospel to blues, jazz, and folk, to numbers with European classical styling, and Bach-style fugal counterpoint. She incorporated monologues and dialogues with the audience into the program, and often used silence as a musical element. Simone compared it to "mass hypnosis. I use it all the time". Throughout most of her life and recording career she was accompanied by percussionist Leopoldo Fleming and guitarist and musical director Al Schackman.

Simone had a reputation in the music industry for her volatility. In 1995, she shot and wounded her neighbor's son with a pneumatic pistol after his laughter disturbed her concentration. She also fired a gun at a record company executive whom she accused of stealing royalties. According to a biographer, Simone took medication for a condition from the mid-1960s on. All this was only known to a small group of intimates, and kept out of public view for many years, until the biography ''Break Down And Let It All Out'' written by Sylvia Hampton and David Nathan revealed this in 2004 after her death.

Legacy and influence

Music

Musicians who have cited Simone as important for their own musical upbringing include Antony and the Johnsons, Nick Cave, Van Morrison, Christina Aguilera, Elkie Brooks, Talib Kweli, Mos Def, Kanye West, Lena Horne, John Legend, Elizabeth Fraser, Cat Stevens, Anna Calvi, Peter Gabriel, Cedric Bixler-Zavala, Mary J. Blige, Michael Gira, Angela McCluskey, Lauryn Hill, Patrice Babatunde, Alicia Keys, Ian MacKaye, Kerry Brothers, Jr. "Krucial", Amanda Palmer, Steve Adey and Jeff Buckley. John Lennon cited Simone's version of ''"I Put a Spell on You"'' as a source of inspiration for the Beatles song ''"Michelle"''. Musicians who have covered her work (or her specific renditions of songs) include Black Rock Coalition Orchestra, J.Viewz, Carola, Aretha Franklin, Janis Joplin, Marilyn Manson, Donny Hathaway, David Bowie, Elkie Brooks, Roberta Flack, Jeff Buckley, The Animals, Nick Cave, Shivaree (band), Ambrosia Parsley, Muse, Cat Power, Katie Melua, Timbaland, Feist, Shara Worden, Common, Lil Wayne, and Michael Bublé. Simone's music has been featured in soundtracks of various motion pictures and video games, including but not limited to, ''The Big Lebowski'' (1998), ''Point of No Return'' (AKA ''The Assassin'', 1993), ''Notting Hill'' (1999), ''Any Given Sunday'' (1999), ''The Thomas Crown Affair'' (1999), ''Six Feet Under'' (2001), ''The Dancer Upstairs (film)'' (2002), ''Before Sunset'' (2004), ''Cellular'' (2004), ''Inland Empire'' (2006), ''Sex and the City'' (2008), ''The World Unseen'' (2008), ''Revolutionary Road'' (2008), ''Watchmen'' (2009), ''The Saboteur'' (2009), ''Repo Men'' (2010). Frequently her music is used in remixes, commercials, and TV series.

Film

The documentary ''Nina Simone: La Legende'' (''The Legend'') was made in the 1990s by French filmmakers, based on her autobiography ''I Put A Spell On You''. It features live footage from different periods of her career, interviews with friends and family, various interviews with Simone then living in the Netherlands, and while on a trip to her birthplace. A portion of footage from ''The Legend'' was taken from an earlier 26-minute biographical documentary by Peter Rodis, released in 1969 and entitled simply, ''Nina''.

Her filmed 1976 performance at the Montreux Jazz Festival is available on video courtesy of Eagle Rock Entertainment, and it is screened annually in New York City at an event called, "The Rise and Fall of Nina Simone: Montreux, 1976,", which is curated by Tom Blunt.

Plans for a Nina Simone biographical film were released at the end of 2005, to be based on Simone's autobiography ''I Put A Spell On You'' (1992) and to focus on her relationship in later life with her assistant, Clifton Henderson, who died in 2006. TV writer Cynthia Mort (''Will & Grace'', ''Roseanne'') is working on the script, and singer Mary J. Blige will play the lead role. Release of the movie is scheduled for 2012.

Her music was used in the S4C show, "Alys", in 2010.

A song sung by Nina Simone on her 1970 live album, ''Black Gold'', is used in the film ''The Dancer Upstairs''.

In the film ''Point of No Return'', the protagonist choses "Nina" as her codename in honor of Simone, her mother's favorite musical artist as well as her own. Simone's music features prominently in the film.

Honors

On Human Kindness Day 1974 in Washington, D.C., more than 10,000 people paid tribute to Nina Simone. Simone received two honorary degrees in music and humanities, from the University of Massachusetts and Malcolm X College. She preferred to be called "Dr. Nina Simone" after these honors were bestowed upon her. Only two days before her death, Simone was awarded an honorary degree by the Curtis Institute, the music school that had refused to admit her as a student at the beginning of her career. In 2010, Tryon, NC erected a statue in her honor along Trade street.

Discography

! Year	! Album	! Type	! Label	! Billboard
1958		Studio
	'' Nina Simone and Her Friends ''	Studio
'' The Amazing Nina Simone ''	Studio
'' Nina Simone at Town Hall ''	Live and studio
	'' Nina Simone at Newport ''	Live
	Studio
	'' Nina at the Village Gate ''	Live
'' Nina Simone Sings Ellington ''	Live
	'' Nina's Choice ''	Compilation
'' Nina Simone at Carnegie Hall ''	Live
	'' Folksy Nina ''	Live
'' Nina Simone in Concert ''	Live
'' Broadway-Blues-Ballads ''	Studio
		Studio
'' Pastel Blues ''	Studio
	'' Nina Simone with Strings ''	Studio (strings added)	Colpix
'' Let It All Out ''	Live and studio
	Studio
	'' High Priestess of Soul ''	Studio
'' Nina Simone Sings the Blues ''	Studio
'' Silk & Soul ''	Studio
1968	'' Nuff Said ''	Live and studio
	'' Nina Simone and Piano ''	Studio
	Studio
''A Very Rare Evening''	Live	PM Records
1970		Live	RCA Records
		Studio	RCA Records
''Gifted & Black''	Studio	Canyon Records
1972		Live and studio	RCA Records
	''Live at Berkeley''	Live	Stroud
''Gospel According to Nina Simone''	Live	Stroud
	'' It Is Finished ''	Live	RCA Records
''Sings Billie Holiday''	Live	Stroud
1978		Studio	CTI Records
1980	'' The Rising Sun Collection ''	Live	Enja
1982	'' Fodder on My Wings ''	Studio
1984	'' Backlash ''	Live	StarJazz
1985	'' Nina's Back ''	Studio
1985	'' Live & Kickin ''	Live
	'' Let It Be Me ''	Live
	Live	Hendring-Wadham
'' The Nina Simone Collection ''	Compilation	Deja Vu
1993	''A Single Woman''	Studio	Elektra Records
Additional releases
1975	''The Great Show Live in Paris''	Live	RCA?
1997	''Released''	Compilation	RCA Victor Europe
	''Gold''	Studio remastered	Universal/UCJ
''Anthology''	Compilation (from many labels)	RCA/BMG Heritage
2004	''Nina Simone's Finest Hour''	Compilation	Verve/Universal
	''The Soul of Nina Simone''	Compilation + DVD	RCA DualDisc
''Nina Simone Live at Montreux 1976''	DVD only	Eagle Eye Media
	''The Very Best of Nina Simone''	Compilation	Sony BMG
	Remix	Legacy/SBMG	5 (contemp.jazz)
''Songs to Sing: the Best of Nina Simone''	Compilation/Live Compilation	Deluxe
''Forever Young, Gifted, & Black: Songs of Freedom and Spirit''	Remix	RCA
2008	''To Be Free: The Nina Simone Story''	Compilation	Sony Legacy
2009	''The Definitive Rarities Collection - 50 Classic Cuts''	Compilation	Artwork Media
?	''Nina Simone Live''	DVD only: Studio 1961 & '62	Kultur/Creative Arts Television

References

Bibliography

External links

Nina Simone discography – at iMusic.am

Article on Nina Simone in the Encyclopedia of Jazz Musicians

The Nina Simone Database – A comprehensive Nina Simone website

Nina Simone – Legacy Recordings Page

L'hommage: Nina Simone – Tribute and archival site

Nina Simone at The Music Box – A collection of reviews

Eunice Waymon-Nina Simone Memorial Project North Carolina-based scholarship, statue & music festival

Nina Simone Biography at About.com

Obituary from ''The Daily Telegraph''

Nina Simone: The "Princess Noire" - audio report by ''NPR''

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name	Jimmy Page
background	non_vocal_instrumentalist
birth name	James Patrick Page
born	January 09, 1944Heston, Middlesex, England
instrument	Guitar, mandolin, dulcimer, theremin, bass, banjo, harmonica, dobro, sitar, keyboards, tambourine, tamboura, hurdy gurdy, pedal steel guitar
genre	Hard rock, heavy metal, blues rock, rock and roll, folk rock
occupation	Musician, songwriter, producer
years active	1957–present
label	Swan Song, Atlantic, Geffen, Fontana, Mercury
associated acts	The Yardbirds, Led Zeppelin, The Honeydrippers, The Firm, Coverdale and Page, Page and Plant, Herman's Hermits, XYZ, Joe Cocker, The Edge, Jack White, Donovan, The Black Crowes
website
notable instruments	}}

James Patrick "Jimmy" Page, OBE (born 9 January 1944) is an English multi-instrumentalist, songwriter, and record producer. He began his career as a studio session guitarist in London and was subsequently a member of The Yardbirds from 1966 to 1968, after which he founded the English rock band Led Zeppelin.

Jimmy Page is viewed by critics and fans alike as one of the most influential and important guitarists and songwriters in rock music. ''Rolling Stone'' magazine has described him as "the pontiff of power riffing & probably the most digitally sampled artist in pop today after James Brown." In 2010, Jimmy Page was ranked No.2 in Gibson's list of "Top 50 Guitarists of All Time" and, in 2007, No.4 on ''Classic Rock Magazine'''s "100 Wildest Guitar Heroes". Page was ranked ninth in ''Rolling Stone'' magazine's list of the "100 Greatest Guitarists of All Time" in 2003. He has been inducted into the Rock and Roll Hall of Fame twice; once as a member of The Yardbirds (1992), and once as a member of Led Zeppelin (1995).

Early years

Jimmy Page was born to parents James and Patricia Page in the West London suburb of Heston, which today forms part of the London Borough of Hounslow. His father was an industrial personnel manager and his mother was a doctor's secretary. In 1952 they moved to Feltham, and later again to Miles Road, Epsom in Surrey, which is where Page came across his first guitar. "I don't know whether [the guitar] was left behind by the people [in the house] before [us], or whether it was a friend of the family's — nobody seemed to know why it was there." First playing the instrument at the age of twelve years, he took a few lessons in nearby Kingston, but was largely self-taught:

When I grew up there weren't many other guitarists ... There was one other guitarist in my school who actually showed me the first chords that I learned, and I went on from there. I was bored so I taught myself the guitar from listening to records. So obviously it was a very personal thing.

Among Page's early influences were rockabilly guitarists Scotty Moore and James Burton, who both played on recordings made by Elvis Presley. Hearing the Elvis Presley song "Baby Let's Play House" is cited by Page as being his inspiration to take up playing the guitar. Although he appears on BBC1 in 1957 with another guitar, Page states that his first guitar was a second-hand 1959 Futurama Grazioso, which was later replaced by a Telecaster.

Page's musical tastes included skiffle (a popular English music genre of the time) and acoustic folk playing, particularly that of Bert Jansch and John Renbourn, and the blues sounds of Elmore James, B.B. King, Willie Dixon, Otis Rush, Buddy Guy, Freddie King and Hubert Sumlin. "Basically, that was the start: a mixture between rock and blues."

At the age of 13, Page appeared on Huw Wheldon's ''All Your Own'' talent quest programme in a skiffle quartet, one performance of which aired on BBC TV in 1957. The group played "Mama Don't Want To Skiffle Anymore" and another very American-flavoured song, "In Them Ol' Cottonfields Back Home". Televised Contest. When asked by Wheldon what he wanted to do after schooling, Page said, "I want to do biological research" to find a cure for "cancer, if it isn't discovered by then".

In an interview with ''Guitar Player'' magazine, Page stated that "there was a lot of busking in the early days, but as they say, I had to come to grips with it, and it was a good schooling." Page would take a guitar to school each day and have it confiscated and handed back to him at 4:00 P.M. Although he had an interview for a job as a laboratory assistant, he ultimately chose to leave Danetree Secondary School, West Ewell, to pursue music instead.

Initially, Page had difficulty finding other musicians with whom he could play on a regular basis. "It wasn't as though there was an abundance. I used to play in many groups... anyone who could get a gig together, really." Following stints backing recitals by Beat poet Royston Ellis at the Mermaid Theatre between 1960–61, and singer Red E. Lewis, he was asked by singer Neil Christian to join his band, The Crusaders, after Christian had seen a fifteen-year-old Page playing in a local hall. Page toured with Christian for approximately two years and later played on several of his records, including the November 1962 single, "The Road to Love".

During his stint with Christian, Page fell seriously ill with glandular fever (infectious mononucleosis) and couldn't continue touring. While recovering, he decided to put his musical career on hold and concentrate on his other love, painting, and enrolled at Sutton Art College in Surrey. As he explained in 1975:

Session musician

While still a student, Page would often perform on stage at The Marquee with bands such as Cyril Davies' All Stars, Alexis Korner's Blues Incorporated and with guitarists Jeff Beck and Eric Clapton. He was spotted one night by John Gibb of Brian Howard & The Silhouettes, who asked him to help record a number of singles for Columbia Graphophone Company, including "The Worrying Kind". Mike Leander of Decca Records first offered Page regular studio work. His first session for the label was the recording "Diamonds" by Jet Harris and Tony Meehan, which went to Number 1 on the singles chart in early 1963.

After brief stints with Carter-Lewis and the Southerners, Mike Hurst and the Method, and Mickey Finn and the Blue Men, Page committed himself to full-time session work. As a session guitarist he was known as 'Little Jim' so there was no confusion with other noted British session guitarist Big Jim Sullivan. Page was mainly called in to sessions as "insurance" in instances when a replacement or second guitarist was required by the recording artist. "It was usually myself and a drummer", he explained, "though they never mention the drummer these days, just me ... Anyone needing a guitarist either went to Big Jim [Sullivan] or myself." He has also stated that "In the initial stages they just said, play what you want, cos at that time I couldn't read music or anything."

Page was the favoured session guitarist of producer Shel Talmy. As a result, he secured session work on songs for The Who and The Kinks. Page is credited with playing acoustic twelve string guitar on two tracks on The Kinks' debut album "I'm a Lover Not a Fighter" and "I've Been Driving On Bald Mountain" and possibly on the b-side "I Gotta Move". He played six-string rhythm guitar on the sessions for The Who's first single "I Can't Explain" (although Pete Townshend was reluctant to allow Page's contribution on the final recording, Page also played lead guitar on the B-side "Bald Headed Woman"). Page's studio output in 1964 included Marianne Faithfull's "As Tears Go By", The Nashville Teens' "Tobacco Road", The Rolling Stones' "Heart of Stone" (released on ''Metamorphosis''), Van Morrison & Them's "Baby Please Don't Go" and "Here Comes the Night", Dave Berry's "The Crying Game" and "My Baby Left Me", Brenda Lee's "Is It True," and Petula Clark's "Downtown".

In 1965 Page was hired by Rolling Stones manager Andrew Loog Oldham to act as house producer and A&R; man for the newly-formed Immediate Records label, which also allowed him to play on and/or produce tracks by John Mayall, Nico, Chris Farlowe, Twice as Much and Eric Clapton. Page also formed a brief songwriting partnership with then romantic interest, Jackie DeShannon. He also composed and recorded songs for the John Williams album ''The Maureeny Wishful Album'' with Big Jim Sullivan. Page worked as session musician on Donovan Leitch's ''Sunshine Superman'' (1966) and the Johnny Hallyday albums ''Jeune Homme'' (1968) and ''Je Suis Né Dans La Rue'' (1969), the Al Stewart album ''Love Chronicles'' (1969), and played guitar on five tracks of Joe Cocker's debut album, ''With a Little Help from My Friends''.

When questioned about which songs he played on, especially ones where there exists some controversy as to what his exact role was, Page often points out that it is hard to remember exactly what he did given the enormous number of sessions he was playing at the time. In a radio interview he explained that "I was doing three sessions a day, fifteen sessions a week. Sometimes I would be playing with a group, sometimes I could be doing film music, it could be a folk session ... I was able to fit all these different roles."

Although Page recorded with many notable musicians, many of these early tracks are only available as bootleg recordings, several of which were released by the Led Zeppelin fan club in the late 1970s. One of the rarest of these is the early jam session featuring Jimmy Page playing with Rolling Stones guitarist Keith Richards, featuring a cover of "Little Queen of Spades" by Robert Johnson. Several songs which featured Page's involvement were compiled on the twin album release, ''Jimmy Page: Session Man''.

Page decided to leave studio work when the increasing influence of Stax Records on popular music led to the greater incorporation of brass and orchestral arrangements into recordings at the expense of guitars. However, he has stated that his time as a session player served as extremely good schooling for his development as a musician:

The Yardbirds

In late 1964, Page was approached about the possibility of replacing Eric Clapton in The Yardbirds, but he declined the offer out of loyalty to his friend. In February 1965 Clapton quit the Yardbirds, and Page was formally offered Clapton's spot, but because he was unwilling to give up his lucrative career as a session musician, and because he was still worried about his health under touring conditions, he suggested his friend, Jeff Beck. On 16 May 1966, drummer Keith Moon, bass player John Paul Jones, keyboardist Nicky Hopkins, Jeff Beck and Page recorded "Beck's Bolero" in London's IBC Studios. The experience gave Page an idea to form a new supergroup featuring Beck, along with The Who's John Entwistle on bass and Keith Moon on drums. However, the lack of a quality vocalist and contractual problems prevented the project from getting off the ground. During this time, Moon suggested the name "Lead Zeppelin" for the first time, after Entwistle commented that the proceedings would take to the air like a lead balloon.

Within weeks, Page attended a Yardbirds concert at Oxford. After the show he went backstage where Paul Samwell-Smith announced that he was leaving the group. Page offered to replace Samwell-Smith and this was accepted by the group. He initially played electric bass with the Yardbirds before finally switching to twin lead guitar with Beck when Chris Dreja moved to bass. The musical potential of the line-up was scuttled, however, by interpersonal conflicts caused by constant touring and a lack of commercial success, although they released one single, "Happenings Ten Years Time Ago". (While Page and Jeff Beck played together in The Yardbirds, the trio of Page, Beck and Clapton never played in the original group at the same time. The three guitarists did appear on stage together at the ARMS charity concerts in 1983.)

After Beck's departure, the Yardbirds remained a quartet. They recorded one album with Page on lead guitar, ''Little Games''. The album received indifferent reviews and was not a commercial success, peaking at only number 80 on the Billboard Music Charts. Though their studio sound was fairly commercial at the time, the band's live performances were just the opposite, becoming heavier and more experimental. These concerts featured musical aspects that Page would later perfect with Led Zeppelin, most notably performances of "Dazed and Confused".

After the departure of Keith Relf and Jim McCarty in 1968, Page reconfigured the group with a new line-up to fulfill unfinished tour dates in Scandinavia. As he said:

To this end, Page recruited vocalist Robert Plant and drummer John Bonham, and he was also contacted by John Paul Jones who asked to join. During the Scandinavian tour the new group appeared as "The New Yardbirds", but soon recalled the old joke by Keith Moon and John Entwistle. Page stuck with that name to use for his new band. Peter Grant changed it to "Led Zeppelin", to avoid a mispronunciation of ''"Leed Zeppelin."''

Led Zeppelin

Page has explained that he had a very specific idea in mind as to what he wanted Led Zeppelin to be, from the very beginning:

Post-Led Zeppelin career

Led Zeppelin broke up in 1980 following the death of drummer John Bonham at Page's home, The Old Mill House at Clewer in Berkshire. For some time Page refused to touch a guitar out of sadness for the loss of his friend Bonham, but he eventually made a return to the stage at a Jeff Beck show in March 1981 at the Hammersmith Odeon. Also in 1981 Page joined with Yes bassist Chris Squire and drummer Alan White to form a supergroup called XYZ (for ex-Yes-Zeppelin). They rehearsed several times, but the project was shelved. Demos of these sessions have turned up on bootleg and they reveal that some of the material emerged on later projects, notably The Firm's "Fortune Hunter" and Yes songs "Mind Drive" and "Can You Imagine?". Page would later join Yes on stage in 1984 at Westfalenhalle in Dortmund, Germany, playing "I'm Down".

In 1982 Page collaborated with director Michael Winner to record the ''Death Wish II'' soundtrack. This, and several subsequent Page recordings including ''Death Wish III'' soundtrack (1985), were recorded and produced at his own recording studio, The Sol in Cookham, which he had purchased from Gus Dudgeon in the early 1980s.

In 1983 Page appeared with the A.R.M.S. (Action Research for Multiple Sclerosis) charity series of concerts which honoured Small Faces bass player Ronnie Lane, who suffered from the disease. For the first shows at the Royal Albert Hall in London, Page's set consisted of songs from the ''Death Wish II'' soundtrack (with Steve Winwood on vocals) and an instrumental version of "Stairway to Heaven". A four-city tour of the United States followed, with Paul Rodgers of Bad Company replacing Winwood as vocalist. During the US tour, Page and Rodgers also performed "Midnight Moonlight" which would later be recorded for The Firm's first album. All of the shows featured an on stage jam of "Layla" that reunited Page with Yardbirds guitarists Beck and Eric Clapton. According to the book ''Hammer of the Gods'', it was reportedly around this time that Page told friends that he'd just given up heroin after seven years of use. On 13 December 1983, Page joined Robert Plant on-stage for one encore at the Hammersmith Odeon in London.

Page next linked up with Roy Harper for the 1984 album (''Whatever Happened to Jugula?'') and occasional concerts, performing a predominantly acoustic set at folk festivals under various guises such as the MacGregors, and Themselves. Also in 1984 Page recorded with former Led Zeppelin vocalist Robert Plant as The Honeydrippers on the album''The Honeydrippers: Volume 1'', and with John Paul Jones on the film soundtrack ''Scream for Help''.

Page subsequently collaborated with Paul Rodgers to record two albums under the name The Firm. The first album, released in 1985, was the self-titled ''The Firm''. Popular songs included "Radioactive" and "Satisfaction Guaranteed". The album peaked at number 17 on the ''Billboard'' pop albums chart and went gold in the US. It was followed by ''Mean Business'' in 1986. The band toured in support of both albums but soon split up.

Various other projects followed, such as session work for Graham Nash, Stephen Stills and The Rolling Stones (on their 1986 single "One Hit (to the Body)"). In 1986, Page reunited temporarily with his ex-Yardbirds band members to play on several tracks of the Box of Frogs album ''Strange Land''. Page released a solo album entitled ''Outrider'' in 1988 which featured contributions from Robert Plant, with Page contributing in turn to Plant's solo album ''Now and Zen'', which was released the same year. Page also embarked on a collaboration with David Coverdale in 1993 entitled Coverdale Page.

Throughout these years Page also reunited with the other former members of Led Zeppelin to perform live on a few occasions, most notably in 1985 for the Live Aid concert with both Phil Collins and Tony Thompson filling drum duties. However, the band members considered this performance to be sub-standard, with Page having been let down by a poorly tuned Les Paul. Page, Plant and Jones, as well as John Bonham's son Jason, performed at the Atlantic Records 40th Anniversary show on 14 May 1988, closing the 12-hour show. In 1990, a Knebworth concert to aid the Nordoff-Robbins Music Therapy Centre and the British School for Performing Arts and Technology saw Plant unexpectedly joined by Page to perform "Misty Mountain Hop", "Wearing and Tearing" and "Rock and Roll". Page also performed with the band's former members at various private family functions.

In 1994, Page reunited with Plant for the penultimate performance in ''MTV'''s "Unplugged" series. The 90-minute special, dubbed ''Unledded'', premiered to the highest ratings in MTV's history. In October of the same year, the session was released as the CD ''No Quarter: Jimmy Page and Robert Plant Unledded'', and in 2004 as the DVD ''No Quarter Unledded''. Following a highly successful mid-90s tour to support ''No Quarter'', Page and Plant recorded 1998's ''Walking into Clarksdale''.

Since 1990, Page has been heavily involved in remastering the entire Led Zeppelin back catalogue and is currently participating in various charity concerts and charity work, particularly the ''Action for Brazil's Children Trust'' (ABC Trust), founded by his wife Jimena Gomez-Paratcha in 1998. In the same year, Page played guitar for rap singer/producer Puff Daddy's song "Come with Me", which heavily samples Led Zeppelin's "Kashmir" and was included in the soundtrack of ''Godzilla''. The two later performed the song on ''Saturday Night Live''.

In October 1999, Page teamed up with The Black Crowes for a two-night performance of material from the Led Zeppelin catalogue and old blues and rock standards. The concert was recorded and released as a double live album, ''Live at the Greek'' in 2000. In 2001 he made an appearance on stage with Limp Bizkit frontman Fred Durst and Wes Scantlin of Puddle of Mudd at the MTV Europe Video Music Awards in Frankfurt, where they performed a version of Led Zeppelin's "Thank You".

In 2005, Page was appointed Officer of the Order of the British Empire (OBE) in recognition of his Brazilian charity work for Task Brazil and Action For Brazil's Children's Trust, made an honorary citizen of Rio de Janeiro later that year, and was awarded a Grammy award.

In November 2006, Led Zeppelin was inducted into the UK Music Hall of Fame. The television broadcasting of the event consisted of an introduction to the band by various famous admirers (including Roger Taylor, Slash, Joe Perry, Steven Tyler, Jack White and Tony Iommi), a presentation of an award to Jimmy Page, and then a short speech by the guitarist. After this, rock group Wolfmother played a tribute to Led Zeppelin, playing the song "Communication Breakdown".

In 2006, Page attended the induction of Led Zeppelin to the UK Music Hall of Fame. During an interview for the BBC for said event, he expressed plans to record new material in 2007, saying "It's an album that I really need to get out of my system... there's a good album in there and it's ready to come out" and "Also there will be some Zeppelin things on the horizon".

On 10 December 2007, the surviving members of Led Zeppelin, as well as John Bonham's son, Jason Bonham played a charity concert at the O2 Arena London.

For the 2008 Olympics, Jimmy Page, David Beckham and Leona Lewis represented Britain during the closing ceremonies on 24 August 2008. Beckham rode a double-decker bus into the stadium, and Page and Lewis performed "Whole Lotta Love".

In 2008 Page co-produced a documentary film directed by Davis Guggenheim entitled ''It Might Get Loud''. The film examines the history of the electric guitar, focusing on the careers and styles of Page, The Edge, and Jack White. The film premiered on 5 September 2008 at the Toronto Film Festival. Page also participated in the 3 part BBC documentary ''London Calling: The making of the Olympic handover ceremony'' on 4 March 2009. On 4 April 2009, Page inducted Jeff Beck into the Rock and Roll Hall of Fame. Page has announced his 2010 solo tour while talking to the Sky News on 16 December 2009.

On 7 June 2008, Page and John Paul Jones appeared with the Foo Fighters to close out the band's concert at Wembley Stadium, performing "Rock and Roll" and "Ramble On."

In January 2010, Jimmy Page announced he is publishing an autobiography through Genesis Publications, in a hand-crafted, limited edition of 2,500 copies. Page has also been honoured with a first-ever Global Peace Award by the United Nations' Pathways to Peace organisation after confirming reports that he would be among the headliners at a planned Show of Peace Concert in Beijing, China on 10 October 2010.

On 13 July 2011, Page made an unannounced appearance with The Black Crowes at the Shepherd's Bush Empire in London.

Legacy and influence

Page's past experiences both in the studio and with the Yardbirds were very influential in contributing to the success of Led Zeppelin in the 1970s. As a producer, composer, and guitarist he helped make Led Zeppelin a prototype for countless future rock bands, and was one of the major driving forces behind the rock sound of that era, influencing a host of other guitarists. Allmusic states that "just about every rock guitarist from the late '60s/early '70s to the present day has been influenced by Page's work with Led Zeppelin". For example, Dictators bassist Andy Shernoff states that Jimmy Page's sped up, downstroke guitar riff in "Communication Breakdown", an influential song that contained elements of protopunk, was an inspiration for The Ramones guitarist Johnny Ramone's downstroke guitar style. Ramone, who has described Page as "probably the greatest guitarist who ever lived", stated in the documentary ''"Ramones:The True Story"'' that he improved at his down-stroke picking style by playing the song over and over again for the bulk of his early career. Brian May of Queen, who was also influenced by Page, has said "I don't think anyone has epitomised riff writing better than Jimmy Page – he's one of the great brains of rock music". Tom Scholz of Boston was heavily influenced by Jimmy Page and credits the dual guitar harmonies in Led Zeppelin's "How Many More Times" as the inspiration for Boston's distinctive sound. Page's guitar solo from the song "Heartbreaker" has been credited by Eddie Van Halen as being the inspiration for his two-hand tapping technique after he had seen Led Zeppelin perform in 1971. Similarly, Steve Vai has also commented about the song in a September 1998 ''Guitar World'' interview: "This one [Heartbreaker] had the biggest impact on me as a youth. It was defiant, bold, and edgier than hell. It really is the definitive rock guitar solo."

Many other rock guitarists were also influenced by Jimmy Page, such as Ace Frehley, Joe Satriani, John Frusciante, James Hetfield, Kirk Hammett, Zakk Wylde, Yngwie Malmsteen, Ritchie Blackmore, Tony Iommi, Joe Perry, Richie Sambora, Angus Young, Slash, Dave Mustaine, Mike McCready, Jerry Cantrell, Stone Gossard, Mick Mars, Paul Stanley, Alex Lifeson, and Dan Hawkins.

Page has been described by ''Uncut'' as the "rock's greatest and most mysterious guitar hero". According to ''msnbc.com'' Jimmy Page "played some of the most fundamental and memorable guitar in rock history—from the heaviest crunch to the most delicate acoustic finger picking." Page's solo in the famous epic "Stairway to Heaven" has been voted by readers of ''Guitar World'' and ''Total Guitar'' as the greatest guitar solo of all time, and he was named 'Guitarist of the Year' five times during the 1970s in ''Creem'' magazine's annual reader poll. ''Guitar World'' wrote: "Truly a guitar god, Jimmy Page is one of the most captivating soloists the rock world has ever known." In 1996 ''Mojo Magazine'' ranked him number 7 on their list of "100 Greatest Guitarists Of All Time". In 2002 he was voted the second greatest guitarist of all time in a ''Total Guitar'' magazine reader poll. In 2003, ''Rolling Stone'' magazine named him number nine on their list of the "100 greatest guitarists of all time". In 2007, ''Classic Rock Magazine'' ranked him #4 on their list of the "100 Wildest Guitar Heroes". ''Gigwise.com'', an online music magazine, ranked Page #2 on their list of the "50 greatest guitarists ever" in 2008. In August 2009, ''Time Magazine'' ranked him the 6th greatest electric-guitar player of all time. In 2010, Jimmy Page was ranked #2 on Gibson's "Top 50 Guitarists of All Time".

David Fricke, a senior editor at ''Rolling Stone'' magazine, described Jimmy Page in 1988 as "probably the most digitally sampled artist in pop today after James Brown." Roger Daltrey of The Who has been a longtime fan of Page and expressed his desire to form a supergroup with Page in 2010 saying: "I’d love to do something, I’d love to do an album with Jimmy Page." Keith Richards of The Rolling Stones has described Jimmy Page as "one of the best guitar players I've ever known." Jimmy Page was the first inductee onto the British Walk of Fame in August 2004. Page was awarded "Living Legend Award" at ''Classic Rock Magazine'' Roll of Honour 2007. In June 2008, he was awarded an honorary doctorate by the University of Surrey for his services to the music industry. Page was inducted into ''Mojo'' Hall Of Fame at the magazine's award ceremony on 11 June 2010.

In August 2010, Auburn University graduate student Justin Havird named a new species of fish "Lepidocephalichthys zeppelini" after Led Zeppelin, because the fish's pectoral fin reminded him of the double-neck guitar used by Jimmy Page.

Equipment and recording techniques

Guitars

For the recording of most of Led Zeppelin material from Led Zeppelin's second album onwards, Page used a Gibson Les Paul guitar (sold to him by Joe Walsh) with Marshall amplification. A Harmony Sovereign H-1260 was used in-studio on ''Led Zeppelin III'' and ''Led Zeppelin IV'' and on-stage from 5 March 1971 to 28 June 1972. During the studio sessions for ''Led Zeppelin'', and later for recording the guitar solo in "Stairway to Heaven", he used a Fender Telecaster (a gift from Jeff Beck). He also used a Danelectro 3021, tuned to DADGAD, most notably on live performances of "Kashmir".

Page also plays his guitar with a cello bow, as on the live versions of the songs "Dazed and Confused" and "How Many More Times". This was a technique he developed during his session days. On MTV's ''Led Zeppelin Rockumentary'', Page said that he obtained the idea of playing the guitar with a bow from David McCallum, Sr. who was also a session musician. Page used his Fender Telecaster and later his Gibson Les Paul for his bow solos.

Notable guitars

1959 Fender Telecaster (given to Page by Jeff Beck and repainted with a psychedelic dragon design by Page) played with the Yardbirds. Used to record the first Led Zeppelin album and used on the early tours during 1968–1969. In 1972, it was used for recording the "Stairway to Heaven" solo.

1959 Gibson Les Paul Standard (No. 1) (Given as a gift to Page by Joe Walsh) modified with a shaved neck and the addition of a push/pull pot to put the humbuckers out of phase while the toggle is in the middle position. English luthier Roger Giffin re-produced an exact replica of this guitar for Page in 1991 (nicknamed No. 3, Jimmy had a deal with Gibson that he would receive the first guitar from the 26 custom guitars that were designed). Giffin's work was later copied for Gibson's original run of Jimmy Page Signature model Les Pauls in the mid-1990s. This guitar was also used by Gibson as the model for the company's second run of Page signature models in 2004. Produced by Gibson and aged by luthier Tom Murphy, this second generation of Page tribute models was limited to 25 guitars signed by Page himself; and only 150 guitars in total for the aged model issue.

1959 Gibson Les Paul Standard (No. 2) with a shaved down neck to match the profile on his No.1; He added four push/pull pots to coil split the humbuckers as well as phase and series switches which were added under the pick guard after the break-up of Led Zeppelin.

1971 Gibson EDS-1275 (used for playing "Stairway to Heaven", "The Song Remains the Same", "The Rain Song", "Celebration Day" during live concerts and the Knebworth, "Tangerine" at the 1975 Earls Court shows, and "Sick Again" throughout the 1977 North American tour)

1959 Danelectro 59-DC (tuned to DADGAD and used live for "White Summer", "Black Mountain Side", "Kashmir" and "Midnight Moonlight" with The Firm).

Danelectro 3021 (tuned to open G and used on the ''Outrider'' tour for "In My Time Of Dying". This one has a smaller pickguard, as opposed to the large "seal" pickguard on his first Danelectro.

1967 Vox 12-String used during the recording for the Yardbirds Little Games album and for on-stage appearances.

1960 Black Gibson Les Paul Custom (with Bigsby Tremolo) – stolen in 1970. An ad was placed by Page for the recovery of this highly modified instrument but the guitar was never recovered. In 2008 the Gibson Custom Shop produced a limited run of 25 re-creations of the guitar, each with a Bigsby Tremolo and a new custom 6-way toggle switch.

Due to the fact the guitar was too heavy, one of Jimmy Page's Les Paul Custom Black Beauty guitars is now owned by Dan Hawkins of The Darkness.

1969 Gibson Les Paul Standard (seen in "The Song Remains The Same" during the theremin/solo section of "Whole Lotta Love" and for "Kashmir" at the O2 reunion concert. This guitar was later fitted with a Parsons-White B-string bender and used extensively by Page from the mid-to-late 1980s onward, including the Outrider tour, and the Page/Plant "Unledded" special on MTV.

1964 Lake Placid Blue Fender Stratocaster (Used during recording sessions for ''In Through the Out Door'' at Earls Court 1975 and in 1979 at Knebworth for ''In the Evening'').

1966 Cream Fender Telecaster (Used on ''Physical Graffiti'' and on All My Love during the Tour Over Europe 1980).

1953 Brown Fender Telecaster featuring a Parsons and White B-string bender, and neck salvaged from the "Dragon Telecaster". Seen primarily during the 1980s The Firm and Outrider era. Also used at Knebworth in 1979, notably on "Ten Years Gone" and "Hot Dog".

1965 Fender Electric XII (12-String) used to record Thank You and Stairway to Heaven.

Strings

Ernie Ball electric guitar strings

Signature models

Gibson released Jimmy Page Signature Les Paul which was discontinued in 1999, then released another version in 2004, which has also been discontinued. The 2004 version included 25 guitars signed by Page, 150 aged by a former Gibson employee (an acknowledged ageing 'master'), and 840 'unlimited' production guitars. The Jimmy Page Signature EDS-1275 has been produced by Gibson. Recently, Gibson reproduced Page's 1960 Les Paul Black Beauty, the one stolen from him in 1970, with modern modifications. This guitar was sold in 2008 with a run of 25, again signed by Page, plus an additional 500 unsigned guitars.

In December 2009, Gibson released the 'Jimmy Page "Number Two" Les Paul'. This is a re-creation of Page's famous number 2 Les Paul used by him since about 1974 until present. The model includes the same pick-up switching setup as devised by Page, shaved-down neck profile, Burstbucker pick-up at neck and 'Pagebucker' at the bridge. A total of 325 were made in three finishes: 25 Aged by Gibson's Tom Murphy, signed and played by Page ($26,000), 100 aged ($16,000) and 200 with VOS finish ($12,000).

Amplifiers and effects

He usually recorded in studio with a Vox AC30, Fender, and Orange amplification. The first Led Zeppelin album and the solo on "Stairway to Heaven" were played on a Fender Telecaster through a Supro amplifier.

Page used a limited number of effects, including a Maestro Echoplex, a Dunlop Cry Baby, and an MXR phaser and Blue Box (distortion/octaver). Page also played a theremin.

Music production techniques

Jimmy Page is credited for the innovations in sound recording he brought to the studio during the years he was a member of Led Zeppelin, many of which he had initially developed as a session musician:

This apprenticeship ... became a part of [learning] how things were recorded. I started to learn microphone placements and things like that, what did and what didn't work. I certainly knew what did and didn't work with drummers because they put drummers in these little sound booths that had no sound deflection at all, and the drums would just sound awful. The reality of it is the drum is a musical instrument, it relies on having a bright room and a live room ... And so bit by bit I was learning really how ''not'' to record.

He developed a reputation for employing effects in new ways and trying out different methods of using microphones and amplification. During the late 1960s, most British music producers placed microphones directly in front of amplifiers and drums, resulting in the sometimes "tinny" sound of the recordings of the era. Page commented to ''Guitar World'' magazine that he felt the drum sounds of the day in particular "sounded like cardboard boxes." Instead, Page was a fan of 1950s recording techniques, Sun Studios being a particular favourite. In the same ''Guitar World'' interview, Page remarked, "Recording used to be a science", and "[engineers] used to have a maxim: distance equals depth." Taking this maxim to heart, Page developed the idea of placing an additional microphone some distance from the amplifier (as much as twenty feet) and then recording the balance between the two. By adopting this technique, Page became one of the first British producers to record a band's "ambient sound" – the distance of a note's time-lag from one end of the room to the other.

For the recording of several Led Zeppelin tracks, such as "Whole Lotta Love" and "You Shook Me", Page additionally utilised "reverse echo" – a technique which he claims to have invented himself while with The Yardbirds (he had originally developed the method when recording the 1967 single "Ten Little Indians"). This production technique involved hearing the echo before the main sound instead of after it, achieved by turning the tape over and employing the echo on a spare track, then turning the tape back over again to get the echo preceding the signal.

Page has stated that, as producer, he deliberately changed the audio engineers on Led Zeppelin albums, from Glyn Johns for the first album, to Eddie Kramer for ''Led Zeppelin II'', to Andy Johns for ''Led Zeppelin III'' and later albums. He explained that "I consciously kept changing engineers because I didn't want people to think that they were responsible for our sound. I wanted people to know it was me."

John Paul Jones acknowledged that Page's production techniques were a key component of the success of Led Zeppelin:

In an interview that Page himself gave to ''Guitar World'' magazine in 1993, he remarked on his work as a producer:

Personal life

Page had relationships with a number of rock groupies in the 1970s, including Pamela Des Barres, Bebe Buell and Lori Maddox. French model Charlotte Martin was Page's partner from 1970 to about 1982 or 1983. Page called her 'My Lady'. Together they have a daughter, Scarlet Page (born in 1971), who is a photographer.

From 1986 to 1995 Page was married to Patricia Ecker, a model and waitress. They have a son, James Patrick Page III (born April 1988). Page later married Jimena Gómez-Paratcha, whom he met in Brazil on the No Quarter tour. He adopted her oldest daughter Jana (born 1994), and they have two children together: Zofia Jade (born 1997) and Ashen Josan (born 1999).

In 1972 Page bought, from Richard Harris, the home which William Burges (1827–1881) designed for himself in London, The Tower House. "I had an interest going back to my teens in the pre-Raphaelite movement and the architecture of Burges", he said. "What a wonderful world to discover." The reputation of Burges rests on his extravagant designs and his contribution to the Gothic revival in architecture in the nineteenth century.

From 1980 to 2004 Page owned The Mill House, Mill Lane, Windsor, which was formerly the home of actor Michael Caine. Fellow Led Zeppelin band member John Bonham died at the house in 1980.

From the early 1970s to the early 1990s, Page owned the Boleskine House, the former residence of occultist Aleister Crowley. Sections of Page's fantasy sequence in the film ''The Song Remains the Same'' were filmed at night on the mountain side directly behind Boleskine House.

According to ''The Sunday Times'' Rich List, Page's assets are worth £75 million as of 2009. He resides in West Sussex.

Recreational drug use

Page has acknowledged heavy recreational drug use throughout the 1970s. In an interview with ''Guitar World'' magazine in 2003, he stated, "I can't speak for the [other members of the band], but for me drugs were an integral part of the whole thing, right from the beginning, right to the end." After the band's 1973 concert tour of the United States, Page told Nick Kent, "Oh, everyone went over the top a few times. I know I did and, to be honest with you, I don't really remember much of what happened."

In 1975, Page began to use heroin, a fact attributed to Richard Cole, who stated that Page (in addition to himself) was taking the drug during the recording sessions of the album ''Presence'' in that year, and that Page admitted to him shortly afterwards that he was addicted to the drug.

By Led Zeppelin's 1977 tour of the United States, Page's heroin addiction was beginning to hamper his guitar playing performances. By this time the guitarist had lost a noticeable amount of weight. His onstage appearance was not the only obvious change; his addiction caused Page to become so inward and isolated it altered the dynamic between him and Plant considerably. During the recording sessions for ''In Through the Out Door'' in 1978, Page's diminished influence on the album (relative to bassist John Paul Jones) is partly attributed to his heroin addiction, which resulted in his absence from the studio for long periods of time.

Page reportedly kicked his heroin habit in the early 1980s. In a 1988 interview with ''Musician'' magazine, Page took offence when the interviewer noted that heroin had been associated with his name, and insisted "Do I look as if I'm a smack addict? Well, I'm not. Thank you very much."

In an interview he gave to ''Q magazine'' in 2003, Page responded to a question as to whether he regrets getting so involved in heroin and cocaine:

Interest in the occult

The appearance of four symbols on the jacket of Led Zeppelin's fourth album has been linked to Page's interest in the occult. The four symbols represented each member of the band. Page's own so-called "Zoso" symbol originated in 'Ars Magica Arteficii' (1557) by Gerolamo Cardano, an old alchemical grimoire, where it has been identified as a sigil consisting of zodiac signs. The sigil is reproduced in "Dictionary of Occult, Hermetic and Alchemical Sigils" by Fred Gettings.

During tours and performances after the release of the fourth album, Page often had the "Zoso" symbol embroidered on his clothes, along with zodiac symbols. These were visible most notably on his "Dragon Suit", which included the signs for Capricorn, Scorpio and Cancer which are Page's Sun, Ascendant, and Moon signs, respectively.

The artwork inside the album cover of ''Led Zeppelin IV'' is from a painting by William Holman Hunt, influenced by the traditional Rider/Waite Tarot card design for the card called "The Hermit". Page transforms into this character during his fantasy sequence in Led Zeppelin's concert film ''The Song Remains the Same''.

In the early 1970s Page owned an occult bookshop and publishing house, "The Equinox Booksellers and Publishers" in Kensington High Street, London, eventually closing it as the increasing success of Led Zeppelin resulted in his having insufficient time to devote to it. The company published a facsimile of English occultist's Aleister Crowley's 1904 edition of ''The Goetia''. Page has maintained a strong interest in Crowley for many years. In 1978, he explained:

Page was commissioned to write the soundtrack music for the film ''Lucifer Rising'' by another occultist and Crowley admirer, underground movie director Kenneth Anger. Page ultimately produced 23 minutes of music which Anger felt was insufficient because the film ran for 28 minutes and Anger wanted the film to have a full soundtrack. Anger claimed Page took three years to deliver the music, and the final product was only 23 minutes of droning. The director also slammed the guitarist in the press by calling him a "dabbler" in the occult and an addict, and being too strung out on drugs to complete the project. Page countered that he had fulfilled all his obligations, even going so far as to lend Anger his own film editing equipment to help him finish the project.

Although Page collected works by Crowley, he has never described himself as a Thelemite nor was he ever initiated into the O.T.O. The Equinox Bookstore and Boleskine House were both sold off during the 1980s, as Page settled into family life and participated in charity work.

Discography

Single

"She Just Satisfies"/"Keep Moving" (February 1965)

Albums

Pre-Led Zeppelin (1963–1969)

Many pre-Led Zeppelin session recordings have been released on various labels and compilation packages, including:

''Blues Anytime 1, 2, 3'' series on Immediate Records featuring the Immediate All-Stars, mid 1960s

''No Introduction Necessary'' (1968), Recordings feat. John Paul Jones, Albert Lee, Nicky Hopkins, Clem Cattini and Keith de Groot

''Jimmy Page and Friends – Wailing Sounds'' (2006). Includes ''Lord Sutch & Heavy Friends'' album (1970) + six tracks from the 1968 sessions for Keith De Groot's debut album.

''Guitar Boogie'' (1971) Jimmy Page, Jeff Beck, Eric Clapton compilation album from the recordings on the ''Blues Anytime'' series on Immediate Records.

''Special Early Works'' (1972), 1965 session recordings with Sonny Boy Williamson

''Smoke and Fire'' (1984), session recordings with Jeff Beck, Noel Redding and Nicky Hopkins

''Jimmy Page: Session Man Vol. 1'' (1989)

''Jimmy Page: Session Man Vol. 2'' (1990)

''Jimmy's Back Pages...The Early Years'' (1992)

''Jimmy Page and His Heavy Friends: Hip Young Guitar Slinger'' (2000, double cd)

''This Guitar Kills: More 60s Groups & Sessions – remastered by Jimmy Page'' (2007, the 2003 ed. is not remastered) (double cd)

''Jimmy Page and Friends'' (2006, double cd)

Please note that there are several duplicates amongst all these albums.

Post-Led Zeppelin

References

Published sources

Mylett, Howard (1984) ''Jimmy Page: Tangents Within a Framework'', London: Omnibus Press, ISBN 0-7119-0265-8.

Welch, Chris (1985) ''Power & Glory: Robert Plant & Jimmy Page'', London: Zomba Books, ISBN 0-946391-74-2.

External links

Official Jimmy Page site

Official Led Zeppelin site

ASCAP titles

Jimmy Page by Jimmy Page – Genesis Publications Limited Edition Book

Category:English blues guitarists Category:English heavy metal guitarists Category:English rock guitarists Category:English session musicians Category:English songwriters Category:TVT Records artists Category:Grammy Award winners Category:Kerrang! Awards winners Category:Lead guitarists Category:Led Zeppelin members Category:Officers of the Order of the British Empire Category:Pedal steel guitarists Category:People from Heston Category:Musicians from London Category:People from Windsor, Berkshire Category:Slide guitarists Category:The Yardbirds members Category:Atlantic Records artists Category:Skiffle Category:1944 births Category:Living people Category:British rhythm and blues boom musicians

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name	Robert Plant
landscape	Yes
background	solo_singer
birth name	Robert Anthony Plant
born	August 20, 1948West Bromwich, Birmingham, England
instrument	Vocals, harmonica, percussion, guitar, bass guitar
genre	Rock, hard rock, heavy metal, blues rock, folk rock, world music, country rock
occupation	Singer-songwriter, musician
years active	1966–present
label	Atlantic, Swan Song, Es Paranza, Sanctuary, Mercury, Universal, Rounder
associated acts	Band of Joy, Led Zeppelin, The Honeydrippers, Page and Plant, Strange Sensation, Alison Krauss, The New Yardbirds
website	Official website }}

Robert Anthony Plant, CBE (born 20 August 1948), is an English rock singer and songwriter, best known as the vocalist and lyricist of the rock band Led Zeppelin. He has also had a successful solo career. In 2007, Plant released ''Raising Sand'', an album produced by T-Bone Burnett with American bluegrass soprano Alison Krauss, which won the 2009 Grammy Award for Album of the Year at the 51st Grammy Awards.

With a career spanning more than 40 years, Plant is regarded as one of the most significant singers in the history of rock music, and has influenced contemporaries and later singers such as Freddie Mercury and Axl Rose. In 2006, heavy metal magazine ''Hit Parader'' named Plant the "Greatest Metal Vocalist of All-Time". In 2009, Plant was voted "the greatest voice in rock" in a poll conducted by ''Planet Rock''. In 2011, a ''Rolling Stone'' readers' pick placed Plant in first place of the magazine's "Best Lead Singers of All Time".

Life and career

Early career

Plant was born in the Black Country town of West Bromwich (then in Staffordshire now in West Midlands) to parents Robert C. who worked as a civil engineer and Annie C. (Cain) Plant, but grew up in Kidderminster, in Worcestershire. Plant gained an interest in singing and rock and roll music at an early age.

When I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten year old. That was all the ambience I got at ten years old... I think! And I always wanted to be a curtain, a bit similar to that.

He left King Edward VI Grammar School for Boys in Stourbridge in his mid-teens and developed a strong passion for the blues, mainly through his admiration for Willie Dixon, Robert Johnson and early rendition of songs in this genre.

I suppose I was quite interested in my stamp collection and Romano-British history. I was a little grammar school boy and I could hear this kind of calling through the airwaves

He abandoned training as a chartered accountant after only two weeks to attend college in an effort to gain more GCE passes and to become part of the English Midlands blues scene. "I left home at 16", he said "and I started my real education musically, moving from group to group, furthering my knowledge of the blues and of other music which had weight and was worth listening to."

Plant's early blues influences included Robert Johnson, Bukka White, Skip James, Jerry Miller, and Sleepy John Estes. Plant had various jobs while pursuing his music career, one of which was working for the major British construction company Wimpey in Birmingham in 1967 laying tarmac on roads. He also worked at Woolworths in Halesowen town for a short period of time. He cut three obscure singles on CBS Records and sang with a variety of bands, including The Crawling King Snakes, which brought him into contact with drummer John Bonham. They both went on to play in the Band of Joy, merging blues with newer psychedelic trends. Though his early career met with no commercial success, word quickly spread about the "young man with the powerful voice".

Led Zeppelin (1968-1980)

Early years

In 1968, the guitarist Jimmy Page was in search of a lead singer for his new band and met Plant after being turned down by his first choice, Terry Reid, who referred him to a show at a teacher training college in Birmingham— where Plant was singing in a band named Hobbstweedle. Page explained:

When I auditioned him and heard him sing, I immediately thought there must be something wrong with him personality-wise or that he had to be impossible to work with, because I just could not understand why, after he told me he'd been singing for a few years already, he hadn't become a big name yet. So I had him down to my place for a little while, just to sort of check him out, and we got along great. No problems.

According to Plant:

I was appearing at this college when Peter and Jimmy turned up and asked me if I'd like to join The Yardbirds. I knew The Yardbirds had done a lot of work in America - which to me meant audiences who would want to know what I might have to offer - so naturally I was very interested.

Plant and Page immediately hit it off with a shared musical passion and began their writing collaboration with reworkings of earlier blues songs, although Plant would receive no songwriting credits on the band's first album, allegedly because he was still under contract to CBS Records at the time. Plant brought along John Bonham as drummer, and they were joined by John Paul Jones, who had previously worked with Page as a studio musician. Jones called Page on the phone before they checked out Plant, and Page hired Jones immediately.

Initially dubbed the "New Yardbirds" in 1968, the band soon came to be known as Led Zeppelin. The band's self-titled debut album hit the charts in 1969 and is widely credited as a catalyst for the heavy metal genre. Plant has commented that it is unfair for people to think of Zeppelin as heavy metal, as almost a third of their music was acoustic.

In 1975, Plant and his wife Maureen (now divorced) were seriously injured in a car crash in Rhodes, Greece. This significantly affected the production of Led Zeppelin's seventh album ''Presence'' for a few months while he recovered, and forced the band to cancel the remaining tour dates for the year.

In July 1977 his son Karac died aged five of a stomach infection while Plant was engaged on Led Zeppelin's concert tour of the United States. It was a devastating loss for the family. Plant retreated to his home in the Midlands and for months afterward he questioned his future. Karac's death later inspired him to write the song "All My Love" in tribute, featured on Led Zeppelin's final studio LP, 1979's ''In Through the Out Door''.

Lyrics

Plant did not begin writing song lyrics with Led Zeppelin until the making of ''Led Zeppelin II'', in 1969. According to Jimmy Page:

Plant's lyrics with Led Zeppelin were often mystical, philosophical and spiritual, alluding to events in classical and Norse mythology, such as the "Immigrant Song", which refers to Valhalla and Viking conquests. However, the song "No Quarter" is often misunderstood to refer to the god Thor; the song actually refers to Mount Thor (which is named after the god). Another example is "The Rain Song".

Plant was also influenced by J. R. R. Tolkien, whose book series inspired lyrics in some early Led Zeppelin songs. Most notably "The Battle of Evermore", "Misty Mountain Hop", "No Quarter", "Ramble On" and "Over the Hills and Far Away" contain verses referencing Tolkien's ''The Lord of the Rings'' and ''The Hobbit''. Conversely, Plant sometimes used more straightforward blues-based lyrics dealing primarily with sexual innuendo, as in "The Lemon Song", "Trampled Under Foot", and "Black Dog".

Welsh mythology also forms a basis of Plant's interest in mystical lyrics. He grew up close to the Welsh border and would often take summer trips to Snowdonia. Plant bought a Welsh sheep farm in 1973, and began taking Welsh lessons and looking into the mythology of the land (such as Black Book of Carmarthen, Book of Taliesin, etc.) Plant's first son, Karac, was named after the Welsh warrior Caratacus. The song "Bron-Y-Aur Stomp" is named after the 18th Century Welsh cottage Bron-Yr-Aur owned by a friend of his father; it later inspired the song "Bron-Yr-Aur". The songs "Misty Mountain Hop," "That's the Way", and early dabblings in what would become "Stairway to Heaven" were written in Wales and lyrically reflect Plant's mystical view of the land. Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics (including those myth systems of Tolkien and the Norse).

The passion for diverse musical experiences drove Plant to explore Africa, specifically Marrakesh in Morocco where he encountered Umm Kulthum.

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That musical inspiration eventually culminated in the classic track "Kashmir" (which is not in North Africa, but rather in India). Both he and Jimmy Page revisited these influences during their reunion album ''No Quarter: Jimmy Page and Robert Plant Unledded'' in 1994. In his solo career, Plant again tapped from these influences many times, most notably in the 2002 album, ''Dreamland''.

Arguably one of Plant's most significant achievements with Led Zeppelin was his contribution to the track "Stairway to Heaven", an epic rock ballad featured on ''Led Zeppelin IV'' that drew influence from folk, blues, Celtic traditional music and hard rock among other genres. Most of the lyrics of the song were written spontaneously by Plant in 1970 at Headley Grange. While never released as a single, the song has topped charts as the greatest song of all time on various polls around the world.

Plant is also recognised for his lyrical improvisation in Led Zeppelin's live performances, often singing verses previously unheard on studio recordings. One of the most famous Led Zeppelin musical devices involves Plant's vocal mimicking of band mate Jimmy Page's guitar effects. This can be heard in the songs "How Many More Times", "Dazed and Confused", "The Lemon Song", "You Shook Me", "Nobody's Fault but Mine" and "Sick Again".

He is also known for his light-hearted, humorous, and unusual on-stage banter, often referred to as "plantations." Plant often discusses the origin and background of the songs during his shows, and sometimes provides social comment as well. He frequently talks about American blues musicians as his inspiration, mentioning artists like Robert Johnson, Howlin' Wolf, Blind Willie Johnson, and Willie Dixon at the Rock and Roll Hall of Fame induction ceremony and the 2007 Ahmet Ertegün Tribute Concert with Led Zeppelin.

Stage persona

Plant enjoyed great success with Led Zeppelin throughout the 1970s and developed a compelling image as the charismatic rock-and-roll front man, similar to his contemporary in The Who, singer Roger Daltrey (who adopted the look in the late 1960s), Mick Jagger of the Rolling Stones, and his other fellow contemporary, Jim Morrison of The Doors. With his mane of long blond hair and powerful, bare-chested appearance, Plant helped to create the "god of rock and roll" or "rock god" archetype. On stage, Plant was particularly active in live performances, often dancing, jumping, skipping, snapping his fingers, clapping, making emphatic gestures to emphasise a lyric or cymbal crash, throwing back his head, or placing his hands on his hips. As the 1960s-1970s progressed he, along with the other members of Led Zeppelin, became increasingly flamboyant on-stage and wore more elaborate, colourful clothing and jewellery.

According to ''Classic Rock'' magazine, "once [Plant] had a couple of US tours under his belt, 'Percy' Plant swiftly developed a staggering degree of bravado and swagger that irrefutably enhanced Led Zeppelin's rapidly burgeoning appeal." In 1994, during his "Unledded" tour with Jimmy Page, Plant himself reflected tongue-in-cheek upon his Led Zeppelin showmanship:

I can't take my whole persona as a singer back then very seriously. It's not some great work of beauty and love to be a rock-and-roll singer. So I got a few moves from Elvis and one or two from Sonny Boy Williamson II and Howlin' Wolf and threw them all together.

Solo career (since 1982)

As a solo artist

After the break-up of Led Zeppelin in 1980 (following the death of John Bonham), Plant pursued a successful solo career beginning with ''Pictures at Eleven'' in 1982, followed by 1983's ''The Principle of Moments''. Popular tracks from this period include "Big Log" (a Top 20 hit in 1983), "In the Mood" (1983), "Little by Little" (from 1985's ''Shaken 'n' Stirred''), "Tall Cool One" (a #25 hit off 1988's ''Now and Zen'') and "I Believe" (from 1993's ''Fate of Nations''), another song written for and dedicated to his late son, Karac. In 1984, Plant formed a short-lived all-star group with Jimmy Page and Jeff Beck called The Honeydrippers, who had a #3 hit with a remake of the Phil Phillips' tune, "Sea of Love" and a followup hit with a cover of Roy Brown's "Rockin' at Midnight". Although Plant avoided performing Led Zeppelin songs through much of this period, his tours in 1983 (with drummer Phil Collins) and 1985 were very successful, often performing to sold-out arena-sized venues.

Through the 1980s and 1990s, Plant co-wrote three solo albums with keyboardist/songwriter Phil Johnstone. ''Now and Zen'', ''Manic Nirvana'', and ''Fate of Nations'' (featuring Máire Brennan of Clannad). It was Johnstone who talked Plant into playing Led Zeppelin songs in his live shows, something Plant had resisted, not wanting to be forever known as "the former Led Zeppelin vocalist."

Although Led Zeppelin split in 1980, Plant and Page occasionally collaborated on various projects, including ''The Honeydrippers: Volume One'' album in 1984. In the spring 2 years later Robert performed at the Birmingham Heart Beat Charity Concert 1986. The pair again worked together in the studio on the 1988 Page solo effort, ''Outrider'', and in the same year Page contributed to Plant's album ''Now and Zen''. Also, on 15 May 1988 Plant appeared with Page as a member of Led Zeppelin (and in his own right as a solo artist) at the Atlantic Records 40th Anniversary concert.

As Page and Plant (1994-1998)

Page and Plant became a full-fledged performing act from 1994 through 1998, releasing the ''Unledded'' album in 1994 and following with an enormously successful tour in 1995: Fourteen years of speculation from their fans and occasional sniping between the two former members ended when Jimmy Page and Robert Plant of Led Zeppelin reconvened their former musical partnership to produce No Quarter. Having long resisted offers from MTV to reform to do an Unplugged show, they finally accepted as part of a deal that also allowed them to visit Morocco to record new material. The album combines the results of both of these projects. The Led Zeppelin material features new arrangements and new instrumentation, including strings, Egyptian musicians and the haunting vocals of British-Asian star Najma Akhtar. Page and Plant recorded their only post-Zeppelin album of original material on the 1998 album, ''Walking into Clarksdale'', an effort that was unsuccessful commercially, leading Plant to return to his solo career. A song from this album, "Please Read the Letter", was re-recorded by Plant with Alison Krauss, winning the 2009 Grammy Award for Record of the Year.

With Priory of Brion (1999-2000)

Starting in mid-1999, Plant performed until the end of 2000 at several small venues with his folk-rock band, named Priory of Brion.

In 1999, Plant contributed to the tribute album for Moby Grape co-founder Skip Spence, who was terminally ill. The album, ''More Oar: A Tribute to the Skip Spence Album'' (Birdman, 1999), with the album title referring to Spence's only solo album, ''Oar'' (Columbia, 1969), contained Plant's version of Spence's "Little Hands". Plant had been an admirer of Spence and Moby Grape since the release of Moby Grape's eponymous 1967 debut album.

In 2001, Plant appeared on Afro Celt Sound System's album ''Volume 3: Further in Time''. The song "Life Begin Again" features a duet with Welsh folksinger Julie Murphy, emphasising Plant's recurring interest in Welsh culture (Murphy would also tour in support of Plant).

With The Strange Sensation (2001-2007)

In 2002, with his then newly-formed band Strange Sensation, Plant released a widely acclaimed collection of mostly blues and folk remakes, ''Dreamland''. Contrasting with this lush collection of often relatively obscure remakes, the second album with Strange Sensation, ''Mighty ReArranger'' (2005), contains new, original songs. Both have received some of the most favourable reviews of Plant's solo career and four Grammy nominations, two in 2003 and two in 2006. As a former member of Led Zeppelin, along with Page and John Paul Jones, Plant received the Grammy Lifetime Achievement Award in 2005 and the Polar Music Prize in 2006.

From 2001 to 2007, Plant actively toured the US & Europe with The Strange Sensation. His sets typically included recent, but not only, solo material and plenty of Led Zeppelin favourites, often with new and expanded arrangements. A DVD titled ''Soundstage: Robert Plant and the Strange Sensation'', featuring his ''Soundstage'' performance (filmed at the Soundstage Studios in Chicago on 16 September 2005), was released in October 2006.

On 23 June 2006, Plant was the headliner (backed by Ian Hunter's band) at the Benefit For Arthur Lee concert at New York's Beacon Theatre, a show which raised money for Lee's medical expenses from his bout with leukaemia. Plant and band performed thirteen songs - five by Arthur Lee & Love, five Led Zeppelin songs and three others including a duet with Ian Hunter. At the show, Plant told the audience of his great admiration for Arthur Lee dating back to the mid-Sixties. Lee died of his illness six weeks after the concert.

An expansive box set of his solo work, ''Nine Lives'', was released in November 2006, which expanded all of his albums with various b-sides, demos, and live cuts. It was accompanied by a DVD. All his solo works were re-released with these extra tracks individually.

In 2007, Plant contributed two tracks to the Fats Domino tribute album ''Goin' Home: A Tribute to Fats Domino'', "It Keeps Rainin'" with the Lil' Band O' Gold and "Valley of Tears" with The Soweto Gospel Choir.

With Alison Krauss (2007-2008)

From 2007-2008, Plant recorded and performed with bluegrass star Alison Krauss. A duet album, ''Raising Sand'', was released on 23 October 2007 on Rounder Records. The album, recorded in Nashville and Los Angeles and produced by T-Bone Burnett, includes performances of lesser-known material from R&B;, Blues, folk, and country songwriters including Mel Tillis, Townes Van Zandt, Gene Clark, Tom Waits, Doc Watson, Little Milton and The Everly Brothers. The song "Gone Gone Gone (Done Moved On)" from ''Raising Sand'' won a Grammy for Best Pop Collaboration With Vocals in 2008. ''Raising Sand'' also won Album of the Year at the 51st Grammy Awards. The album has been successful critically and commercially, and was certified platinum on 4 March 2008.

Plant and Krauss began an extended tour of the US and Europe in April 2008, playing music from ''Raising Sand'' and other American roots music as well as reworked Led Zeppelin tunes. The album was nominated for the Mercury Prize in July 2008. Also in 2008, Plant performed with bluegrass musicians at the New Orleans Jazz & Heritage Festival and Bonnaroo Music & Arts Festival. He appeared as a surprise guest during Fairport Convention's set at the 2008 Cropredy Festival, performing Led Zeppelin's "The Battle of Evermore" with Kristina Donahue as a tribute to Sandy Denny. In October 2008, it was reported that Plant collaborated on an album by original Fairport vocalist Judy Dyble, but the album has not materialised.

On 8 February 2009, Plant and Krauss won Grammy Awards for Album of the Year, Record of the Year, Pop Collaboration with Vocals, Country Collaboration with Vocals, and Contemporary Folk/Americana Album.

In 2010, Plant realised a lifelong ambition by playing live at Molineux Stadium, home of the Wolverhampton Wanderers F.C. Plant performed with the amateur cover band No Rezerve.

With Band of Joy (2010)

In July 2010, Robert Plant embarked on a twelve-date (summer) tour in the United States with a new group called Band of Joy (reprising the name of his very first band in the 1960s). The group includes singer Patty Griffin, singer-guitarist Buddy Miller, multi-instrumentalist and vocalist Darrell Scott, bassist-vocalist Byron House, and drummer-percussionist-vocalist Marco Giovino.

After a unique show in the United States on 12 September 2010 at the Bowery Ballroom in New York, another eleven-date autumn tour in Europe was announced to last from October to November 2010. North America tour dates were announced 16 November 2010, with the first show being 18 January 2011 in Asheville, North Carolina.

A new studio album called ''Band of Joy'' was released on 13 September 2010 on the Rounder Records label.

The band played their final scheduled show together at the Big Chill Festival at Eastnor Castle Deer Park in Herefordshire on 7 August 2011. The show ended with Plant bidding his bandmates "a fond farewell".

Led Zeppelin-related projects and reunion rumours

Plant performed with living members of Led Zeppelin both on 13 July 1985 for Live Aid (with Phil Collins and Tony Thompson on drums) and on 15 May 1988 for Atlantic Records 40th Anniversary. At the 1988 reunion, Jason Bonham, the son of Led Zeppelin's late drummer John Bonham, played drums. Both sets featured only a few songs, performed with minimal rehearsal. Plant was unhappy with both performances, saying that "it was like sleeping with your ex-wife but not making love." At the 1990 Silver Clef Award Winners Concert at Knebworth, Plant was joined by Jimmy Page. Some of their set was released on the subsequent live album and video. In 1995, Led Zeppelin was inducted into the Rock and Roll Hall of Fame, and Plant performed at the induction show with Jimmy Page, John Paul Jones, Jason Bonham, Neil Young, Steven Tyler and Joe Perry, performing spirited versions of "Bring It On Home", "Honeybee", and "When the Levee Breaks."

After years of reunion rumours, Led Zeppelin performed a full two-hour set on 10 December 2007 at the Ahmet Ertegün Tribute Concert, with Jason again filling in on drums. Despite enormous public demand, Plant declined a $200 million offer to tour with Led Zeppelin after the 2007 show. In interviews following the 2007 show, Plant left the door open to possible future performances with Led Zeppelin, saying that he enjoyed the reunion and felt that the show was strong musically. Although Page, Jones, and Bonham have expressed the strong desire to tour as Led Zeppelin, Plant has consistently opposed a full tour and has responded negatively to questions about another reunion. In a January, 2008 interview, he stated that he does not want to "tour like a bunch of bored old men following the Rolling Stones around." In a statement on his web site in late 2008, Plant stated, "I will not be touring with Led Zeppelin or anyone else for the next two years. Anyone buying Led Zeppelin tickets will be buying bogus tickets."

Personal life

Robert Plant married Maureen Wilson on 9 November 1968. The couple had three children: daughter Carmen Jane (1968) (married to Charlie Jones, Plant's bass player for solo tours); and sons Karac Pendragon (1972–1977) (died of a virus; the reason Led Zeppelin's 1977 North American Tour was cut short), and Logan Romero (1979). The couple divorced in August 1983. Also, Plant has a younger son, Jesse Lee (1991), the son of Shirley Wilson, sister of Maureen.

On 14 August 2009, it was announced via the Wolverhampton Wanderers text message news service that "Rock Legend and lifelong Wolves fan Robert Plant is to become the club's third Vice President." Plant officially received the honour before kick off at the club's first match of the season against West Ham. Plant was five years old when he first visited Molineux. He recalled in an interview with his local paper Express & Star in August 2010: "I was five when my dad took me down for the first time and Billy Wright waved at me. Honest, he did. And that was it – I was hooked from that moment.

According to ''The Sunday Times'' Rich List Plant is worth £80 million as of 2009.

In late 2010 on BBC2, a documentary featured Robert Plant discussing his journey with Led Zeppelin and various projects since.

Legacy

Robert Plant is one of the most significant singers in rock music and has influenced the style of many of his contemporaries, including Geddy Lee, Ann Wilson, Sammy Hagar, and later rock vocalists such as Jeff Buckley and Jack White who imitated his performing style extensively. Freddie Mercury of Queen, and Axl Rose of Guns N' Roses were also influenced by Plant. ''Encyclopædia Britannica'' notes "Exaggerating the vocal style and expressive palette of blues singers such as Howlin' Wolf and Muddy Waters, [Robert] Plant created the sound that has defined much hard rock and heavy metal singing: a high range, an abundance of distortion, loud volume, and emotional excess". Plant received the Knebworth Silver Clef Award in 1990.

In 2006, heavy metal magazine ''Hit Parader'' named Plant #1 on their list of the 100 Greatest Metal Vocalists of All-Time, a list which included Rob Halford (2), Steven Tyler (3), Freddie Mercury (6), Geddy Lee (13), and Paul Stanley (18), all of whom were influenced by Plant. In 2008, ''Rolling Stone'' named Plant as number 15 on their list of the 100 Greatest Singers of All-Time. In 2009, he was voted the "greatest voice in rock" in a poll conducted by ''Planet Rock''. Plant was appointed Commander of the Order of the British Empire (CBE) in the 2009 New Year Honours for his "services to popular music". He was included in the ''Q'' magazine's 2009 list of "Artists Of The Century" and was ranked at number 8 in their list of "100 Greatest Singers" in 2007. In 2009, Plant also won the Outstanding Contribution to Music prize at the Q Awards. He was placed at no. 3 on ''SPIN'''s list of "The 50 Greatest Rock Frontmen of All Time".

On 20 September 2010 National Public Radio (NPR) named Plant as one of the "50 Great Voices" in the world.

Solo discography

References

External links

Led Zeppelin Official Site

Official Robert Plant Homepage

Robert Plant and Alison Krauss Official Site

Category:Atlantic Records artists Category:British harmonica players Category:Commanders of the Order of the British Empire Category:English-language singers Category:English male singers Category:English songwriters Category:English tenors Category:English rock singers Category:English heavy metal singers Category:Grammy Award winners Category:Led Zeppelin members Category:Mercury Records artists Category:People from Halesowen Category:People from West Bromwich Category:Welsh-speaking people Category:1948 births Category:Living people Category:Silver Clef Awards winners Category:Musicians from Birmingham, West Midlands

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