Freemasonry is a fraternal organisation that arose from obscure origins in the late 16th to early 17th century. Freemasonry now exists in various forms all over the world, with a membership estimated at around six million, including approximately 150,000 under the jurisdictions of the Grand Lodge of Scotland and Grand Lodge of Ireland, over a quarter of a million under the jurisdiction of the United Grand Lodge of England and just under two million in the United States.

The fraternity is administratively organised into independent Grand Lodges or sometimes Orients, each of which governs its own jurisdiction, which consists of subordinate (or ''constituent'') Lodges. The various Grand Lodges recognise each other, or not, based upon adherence to landmarks (a Grand Lodge will usually deem other Grand Lodges who share common landmarks to be regular, and those that do not to be "irregular" or "clandestine").

There are also appendant bodies, which are organisations related to the main branch of Freemasonry, but with their own independent administration.

History

The origins and early development of Freemasonry are a matter of some debate and conjecture. A poem known as the "Regius Manuscript" has been dated to approximately 1390 and is the oldest known Masonic text. There is evidence to suggest that there were Masonic lodges in existence in Scotland as early as the late 16th century (for example the Lodge at Kilwinning, Scotland, has records that date to the late 16th century, and is mentioned in the Second Schaw Statutes (1599) which specified that "ye warden of ye lug of Kilwynning [...] tak tryall of ye airt of memorie and science yrof, of everie fellowe of craft and everie prenteiss according to ayr of yr vocations"). There are clear references to the existence of lodges in England by the mid-17th century.

The first Grand Lodge, the Grand Lodge of England (GLE), was founded on 24 June 1717, when four existing London Lodges met for a joint dinner. This rapidly expanded into a regulatory body, which most English Lodges joined. However, a few lodges resented some of the modernisations that GLE endorsed, such as the creation of the Third Degree, and formed a rival Grand Lodge on 17 July 1751, which they called the "Antient Grand Lodge of England." The two competing Grand Lodges vied for supremacy – the "Moderns" (GLE) and the "Antients" (or "Ancients") – until they united on 25 November 1813 to form the United Grand Lodge of England (UGLE).

The Grand Lodge of Ireland and The Grand Lodge of Scotland were formed in 1725 and 1736 respectively. Freemasonry was exported to the British Colonies in North America by the 1730s – with both the "Antients" and the "Moderns" (as well as the Grand Lodges of Ireland and Scotland) chartering offspring, or "daughter," Lodges, and organising various Provincial Grand Lodges. After the American Revolution, independent U.S. Grand Lodges formed themselves within each state. Some thought was briefly given to organising an over-arching "Grand Lodge of the United States," with George Washington (who was a member of a Virginian lodge) as the first Grand Master, but the idea was short-lived. The various state Grand Lodges did not wish to diminish their own authority by agreeing to such a body.

Although there are no real differences in the Freemasonry practiced by lodges chartered by the Antients or the Moderns, the remnants of this division can still be seen in the names of most Lodges, F.& A.M. being ''Free and Accepted Masons'' and A.F.& A.M. being ''Antient Free and Accepted Masons.'' The oldest jurisdiction on the continent of Europe, the Grand Orient de France (GOdF), was founded in 1728. However, most English-speaking jurisdictions cut formal relations with the GOdF around 1877, when (following the Lausanne Congress of 1875) the GOdF removed the requirement that its members have a belief in a Deity. The Grande Loge Nationale Française (GLNF) is currently the only French Grand Lodge that is in ''regular amity'' with the UGLE and its many concordant jurisdictions worldwide.

Due to the above history, Freemasonry is often said to consist of two branches ''not in mutual regular amity'':

the UGLE and concordant tradition of jurisdictions (mostly termed Grand Lodges) in amity, and

the GOdF, European Continental, tradition of jurisdictions (often termed Grand Orients) in amity.

In most Latin countries, the GOdF-style of European Continental Freemasonry predominates, although in most of these Latin countries there are also Grand Lodges that are in ''regular amity'' with the UGLE and the worldwide community of Grand Lodges that share regular "fraternal relations" with the UGLE. The rest of the world, accounting for the bulk of Freemasonry, tends to follow more closely to the UGLE style, although minor variations exist.

Organisational structure

Grand Lodges and Grand Orients are independent and sovereign bodies that govern Masonry in a given country, state, or geographical area (termed a ''jurisdiction''). There is no single overarching governing body that presides over worldwide Freemasonry; connections between different jurisdictions depend solely on mutual recognition.

Regularity

''Regularity'' is a constitutional mechanism whereby Grand Lodges or Grand Orients give one another mutual recognition. This recognition allows formal interaction at the Grand Lodge level, and gives individual Freemasons the opportunity to attend Lodge meetings in other recognised jurisdictions. Conversely, regularity proscribes interaction with Lodges that are ''irregular.'' A Mason who visits an irregular Lodge may have his membership suspended for a time, or he may be expelled. For this reason, all Grand Lodges maintain lists of other jurisdictions and lodges they consider regular.

Grand Lodges and Grand Orients that afford mutual recognition and allow intervisitation are said to be ''in amity.'' As far as the UGLE is concerned, regularity is predicated upon adherence to a number of fundamental principals (known as ''Landmarks''), set down in the UGLE Constitution and the Constitutions of those Grand Lodges with which they are in amity. Even within this definition there are some variations with the quantity and content of the Landmarks from jurisdiction to jurisdiction. Other Masonic groups organise differently.

Each of the two major branches of Freemasonry considers the Lodges within its branch to be "regular" and those in the other branch to be "irregular." As the UGLE branch is significantly larger, however, the various Grand Lodges and Grand Orients in amity with UGLE are commonly referred to as being "regular" (or "Mainstream") Masonry, while those Grand Lodges and Grand Orients in amity with GOdF are commonly referred to "liberal" or "irregular" Masonry. (The issue is complicated by the fact that the usage of "Lodge" versus "Orient" alone is not an indicator of which branch a body belongs to, and thus not an indication of regularity). The term "irregular" is also universally applied to various self created bodies that call themselves "Masonic" but are not recognised by either of the main branches.

Masonic Lodge

A Lodge (often termed a ''Private Lodge'' or ''Constituent Lodge'' in Masonic constitutions) is the basic organisational unit of Freemasonry. Every new Lodge must have a Warrant or Charter issued by a Grand Lodge, authorising it to meet and work. Except for the very few "time immemorial" Lodges pre-dating the formation of a Grand Lodge, masons who meet as a Lodge without displaying this document (for example, in prisoner-of-war camps) are deemed "Clandestine" and irregular.

A Lodge must hold regular meetings at a fixed place and published dates. It will elect, initiate and promote its members and officers; it will build up and manage its property and assets, including its minutes and records; and it may own, occupy or share its premises. Like any organisation, it will have formal business to manage its meetings and proceedings, annual general meetings and committees, charity funds, correspondence and reports, membership and subscriptions, accounts and tax returns, special events and catering, and so forth. The balance of activities is individual to each Lodge, and under their common constitutions and forms of procedure, Lodges evolve very distinctive traditions.

A man can only be initiated, or made a Mason, in a Lodge, of which he may often remain a subscribing member for life. A Master Mason can generally visit any Lodge meeting under any jurisdiction in amity with his own, and as well as the formal meeting, a Lodge may well offer hospitality. A visitor should first check the regularity of that Lodge, and must be able to satisfy that Lodge of his own regularity; and he may be refused admission if adjudged likely to disrupt the harmony of the Lodge. If he wishes to visit the same Lodge repeatedly, he may be expected to join it and pay a subscription.

Most Lodges consist of Freemasons living or working within a given town or neighbourhood. Other Lodges are composed of Masons with a particular shared interest, profession or background. Shared schools, universities, military units, Masonic appointments or degrees, arts, professions and hobbies have all been the qualifications for such Lodges. In some Lodges, the foundation and name may now be only of historic interest, as over time the membership evolves beyond that envisaged by its "founding brethren"; in others, the membership remains exclusive.

There are also specialist Lodges of Research, with membership drawn from Master Masons only, with interests in Masonic Research (of history, philosophy, etc.). Lodges of Research are fully warranted but, generally, do not initiate new candidates. Lodges of Instruction in UGLE may be warranted by any ordinary Lodge for the learning and rehearsal of Masonic Ritual.

Freemasons correctly meet ''as'' a Lodge, not ''in'' a Lodge, the word "Lodge" referring more to the people assembled than the place of assembly. However, in common usage, Masonic premises are often referred to as "Lodges". Masonic buildings are also sometimes called "Temples" ("of Philosophy and the Arts"). In many countries, ''Masonic Centre'' or ''Hall'' has replaced ''Temple'' to avoid arousing prejudice and suspicion. Several different Lodges, as well as other Masonic or non-Masonic organisations, often use the same premises at different times.

According to Masonic tradition, medieval European stonemasons would meet, eat, and shelter outside working hours in a Lodge on the southern side of a building site, where the sun warms the stones during the day. The social ''Festive Board'' (or ''Social Board'') part of the meeting is thus sometimes called ''the South''. Early Lodges often met in a tavern or any other convenient fixed place with a private room.

Lodge Officers

Every Masonic Lodge elects certain officers to execute the necessary functions of the lodge's work. The Worshipful Master (essentially the lodge President) is always an elected officer. Most jurisdictions will also elect the Senior and Junior Wardens (Vice Presidents), the Secretary and the Treasurer. All lodges will have a Tyler, or Tiler, (who guards the door to the lodge room while the lodge is in session), sometimes elected and sometimes appointed by the Master. In addition to these elected officers, lodges will have various appointed officers – such as Deacons, Stewards, and a Chaplain (appointed to lead a non-denominational prayer at the convocation of meetings or activities – often, but not necessarily, a clergyman). The specific offices and their functions vary between jurisdictions.

Many offices are replicated at the Provincial and Grand Lodge levels with the addition of the word 'Grand' somewhere in the title. For example, where every lodge has a 'Junior Warden', Grand Lodges have a 'Grand Junior Warden' (or sometimes 'Junior Grand Warden'). Additionally, there are a number of offices that exist only at the Grand Lodge level.

Prince Hall Freemasonry

Prince Hall Freemasonry derives from historical events in the early United States that led to a tradition of separate, predominantly African-American Freemasonry in North America.

In 1775, an African-American named Prince Hall was initiated into an Irish Constitution military Lodge then in Boston, Massachusetts, along with fourteen other African-Americans, all of whom were free-born. When the military Lodge left North America, those fifteen men were given the authority to meet as a Lodge, form Processions on the days of the Saints John, and conduct Masonic funerals, but not to confer degrees, nor to do other Masonic work. In 1784, these individuals applied for, and obtained, a Lodge Warrant from the Premier Grand Lodge of England (GLE) and formed African Lodge, Number 459. When the UGLE was formed in 1813, all U.S.-based Lodges were stricken from their rolls – due largely to the War of 1812. Thus, separated from both UGLE and any concordantly recognised U.S. Grand Lodge, African Lodge re-titled itself as the African Lodge, Number 1 – and became a ''de facto'' "Grand Lodge" (this Lodge is not to be confused with the various Grand Lodges on the Continent of Africa). As with the rest of U.S. Freemasonry, Prince Hall Freemasonry soon grew and organised on a Grand Lodge system for each state.

Widespread segregation in 19th- and early 20th-century North America made it difficult for African-Americans to join Lodges outside of Prince Hall jurisdictions – and impossible for inter-jurisdiction recognition between the parallel U.S. Masonic authorities.

Prince Hall Masonry has always been ''regular'' in all respects except constitutional separation, and this separation has diminished in recent years. At present, Prince Hall Grand Lodges are recognised by some UGLE Concordant Grand Lodges and not by others, but they appear to be working toward full recognition, with UGLE granting at least some degree of recognition. There are a growing number of both Prince Hall Lodges and non-Prince Hall Lodges that have ethnically diverse membership.

Other degrees, orders and bodies

There is no degree in Freemasonry higher than that of Master Mason, the Third Degree. There are, however, a number of organisations that require being a Master Mason as a prerequisite for membership. These bodies have no authority over the Craft. These orders or degrees may be described as additional or ''appendant'', and often provide a further perspective on some of the allegorical, moral and philosophical content of Freemasonry.

Appendant bodies are administered separately from Craft Grand Lodges but are styled ''Masonic'' since every member must be a Mason. However, Craft Masonic jurisdictions vary in their relationships with such bodies, if a relationship exists at all. The Articles of Union of the "Modern" and "Antient" craft Grand Lodges (into UGLE in 1813) limited recognition to certain degrees, such as the Royal Arch and the "chivalric degrees", but there were and are many other degrees that have been worked since before the Union. Some bodies are not universally considered to be appendant bodies, but rather separate organisations that happen to require prior Masonic affiliation for membership. Some of these organisations have additional requirements, such as religious adherence (e.g., requiring members to profess Trinitarian Christian beliefs) or membership of other bodies.

Quite apart from these, there are organisations that are often thought of as being related to Freemasonry, but which have no formal or informal connections with Freemasonry. These include such organisations as the Orange Order, which originated in Ireland, the Knights of Pythias, or the Independent Order of Odd Fellows.

Principles and activities

While Freemasonry has often been called a "secret society," Freemasons themselves argue that it is more correct to say that it is an esoteric society, in that certain aspects are private. The most common phrasing is that Freemasonry has, in the 21st century, become less a secret society and more of a "society with secrets." The private aspects of modern Freemasonry are the modes of recognition amongst members and particular elements within the ritual. Despite the organisation's great diversity, Freemasonry's central preoccupations remain charitable work within a local or wider community, moral uprightness (in most cases requiring a belief in a supreme being) as well as the development and maintenance of fraternal friendship, as James Anderson's Constitutions originally urged amongst brethren.

Ritual, symbolism, and morality

Masons conduct their meetings using a ritualised format. There is no single Masonic ritual, and each jurisdiction is free to set (or not set) its own ritual. However, there are similarities that exist among jurisdictions. For example, all Masonic ritual makes use of the architectural symbolism of the tools of the medieval ''operative'' stonemason. Freemasons, as ''speculative'' masons (meaning philosophical building rather than actual building), use this symbolism to teach moral and ethical lessons of the principles of "Brotherly Love, Relief, and Truth;" or as related in France, "Liberty, Equality, Fraternity."

Two of the principal symbolic tools always found in a Lodge are the ''square'' and ''compasses.'' Some Lodges and rituals explain these tools as lessons in conduct: for example, that Masons should "square their actions by the square of virtue" and to learn to "circumscribe their desires and keep their passions within due bounds toward all mankind." However, as Freemasonry is non-dogmatic, there is no general interpretation for these tools (or any Masonic emblem) that is used by Freemasonry as a whole.

These moral lessons are communicated in performance of allegorical ritual. A candidate progresses through ''degrees'' gaining knowledge and understanding of himself, his relationship with others and his relationship with the Supreme Being (per his own interpretation). While the philosophical aspects of Freemasonry tend to be discussed in Lodges of Instruction or Research, and sometimes informal groups, Freemasons, and others, frequently publish, with varying degrees of competence, studies that are available to the public. Any mason may speculate on the symbols and purpose of Freemasonry, and indeed all masons are required to some extent to speculate on masonic meaning as a condition of advancing through the degrees. There is no one accepted meaning, and no one person "speaks" for the whole of Freemasonry.

Some lodges make use of tracing boards. These are painted or printed illustrations depicting the various symbolic emblems of Freemasonry. They can be used as teaching aids during the lectures that follow each of the three Degrees, when an experienced member explains the various concepts of Freemasonry to new members. They can also be used by experienced members as self-reminders of the concepts they learned as they went through their initiations.

Freemasonry uses the metaphors of operative stonemasons' tools and implements, against the allegorical backdrop of the building of King Solomon's Temple, to convey what has been described by both Masons and critics as "a system of morality veiled in allegory and illustrated by symbols."

The Supreme Being and the Volume of Sacred Law

Candidates for regular Freemasonry are required to declare a belief in a Supreme Being. However, the candidate is not asked to expand on, or explain, his interpretation of Supreme Being. The discussion of politics and religion is forbidden within a Masonic Lodge, in part so a Mason will not be placed in the situation of having to justify his personal interpretation. Thus, reference to the Supreme Being can mean the Christian Trinity to a Christian Mason, Allah to a Muslim Mason, Para Brahman to a Hindu Mason, etc. While most Freemasons would take the view that the term Supreme Being equates to God, others may hold a more complex or philosophical interpretation of the term.

In the ritual, the Supreme Being is referred to as the Great Architect of the Universe, which alludes to the use of architectural symbolism within Freemasonry.

A ''Volume of the Sacred Law'' is always displayed in an open Lodge in those jurisdictions which require a belief in the Supreme Being. In English-speaking countries, this is frequently the King James Version of the Bible or another standard translation; there is no such thing as an exclusive "Masonic Bible." Furthermore, a candidate is given his choice of religious text for his Obligation, according to his beliefs. UGLE alludes to similarities to legal practice in the UK, and to a common source with other oath taking processes. In Lodges with a membership of mixed religions it is common to find more than one sacred text displayed. In lodges that follow the Continental tradition other texts may be used, including texts that are non-religious in nature.

Degrees

The three degrees of ''Craft'' or ''Blue Lodge'' Freemasonry are those of:

# ''Entered Apprentice'' – the degree of an Initiate, which makes one a Freemason; # ''Fellow Craft'' – an intermediate degree, involved with learning; and # ''Master Mason'' – the "third degree", a necessity for participation in most aspects of Masonry.

The degrees represent stages of personal development. No Freemason is told that there is only one meaning to the allegories; as a Freemason works through the degrees and studies their lessons, he interprets them for himself, his personal interpretation being bounded only by the Constitution within which he works. A common symbolic structure and universal archetypes provide a means for each Freemason to come to his own answers to life's important philosophical questions.

There is no degree of Craft Freemasonry higher than that of Master Mason. Although some Masonic bodies and orders have further degrees named with higher numbers, these degrees may be considered to be supplements to the Master Mason degree rather than promotions from it. An example is the Scottish Rite, conferring degrees numbered from 4° up to 33°. It is essential to be a Master Mason in order to qualify for these further degrees. They are administered on a parallel system to ''Craft'' or ''Blue Lodge'' Freemasonry; within each organisation there is a system of offices, which confer rank within that degree or order alone.

In some jurisdictions, especially those in continental Europe, Freemasons working through the degrees may be asked to prepare papers on related philosophical topics, and present these papers in open Lodge. There is an enormous bibliography of Masonic papers, magazines and publications ranging from fanciful abstractions which construct spiritual and moral lessons of varying value, through practical handbooks on organisation, management and ritual performance, to serious historical and philosophical papers entitled to academic respect.

Signs, grips and words

Freemasons use ''signs'' (gestures), ''grips'' or ''tokens'' (handshakes) and ''words'' to gain admission to meetings and identify legitimate visitors.

From the early 18th century onwards, many exposés have been written claiming to reveal these signs, grips and passwords to the uninitiated. A classic response was deliberately to transpose certain words in the ritual, so as to catch out anyone relying on the exposé. However, since each Grand Lodge is free to create its own rituals, the signs, grips and passwords can and do differ from jurisdiction to jurisdiction. Furthermore, Grand Lodges can and do change their rituals periodically, updating the language used, adding or omitting sections. Therefore, any exposé can only be valid for a particular jurisdiction at a particular time, and is always difficult for an outsider to verify. Today, an unknown visitor may be required to produce a certificate, dues card or other documentation of membership in addition to demonstrating knowledge of the signs, grips and passwords.

Obligations

Obligations are those elements of ritual in which a candidate swears to abide by the rules of the fraternity, to keep the "secrets of Freemasonry" (which are the various signs, tokens and words associated with recognition in each degree), and to act towards others in accordance with Masonic tradition and law. In regular jurisdictions these obligations are sworn on the aforementioned ''Volume of the Sacred Law'' and in the witness of the Supreme Being and often with assurance that it is of the candidate's own free will.

Details of the obligations vary; some versions are published while others are privately printed in books of coded text. Still other jurisdictions rely on oral transmission of ritual, and thus have no ritual books at all. Moreover, not all printed rituals are authentic – Léo Taxil's exposure, for example, is a proven hoax, while Duncan's Masonic Monitor (created, in part, by merging elements of several rituals then in use) was never adopted by any regular jurisdiction.

Whilst no single obligation is representative of Freemasonry as a whole, a number of common themes appear when considering a range of potential texts. Content which may appear in at least one of the three obligations includes: the candidate promises to act in a manner befitting a member of civilised society, promises to obey the law of his Supreme Being, promises to obey the law of his sovereign state, promises to attend his lodge if he is able, promises not to wrong, cheat nor defraud the Lodge or the brethren, and promises aid or charity to a member of the human family, brethren and their families in times of need if it can be done without causing financial harm to himself or his dependents.

The obligations are historically known amongst various sources critical of Freemasonry for their so-called "bloody penalties," an allusion to the apparent physical penalties associated with each degree. This leads to some descriptions of the Obligations as "Oaths". The corresponding text, with regard to the penalties, does not appear in authoritative, endorsed sources, following a decision "that all references to physical penalties be omitted from the obligations taken by Candidates in the three Degrees and by a Master Elect at his Installation but retained elsewhere in the respective ceremonies." The penalties are interpreted symbolically, and are not applied in actuality by a Lodge or by any other body of Masonry. The descriptive nature of the penalties alludes to how the candidate should feel about himself should he knowingly violate his obligation. Modern actual penalties may include suspension, expulsion or reprimand.

Landmarks

The Landmarks of Masonry are defined as ancient and unchangeable principles; standards by which the regularity of Lodges and Grand Lodges are judged. Each Grand Lodge is self-governing and no single authority exists over the whole of Freemasonry. The interpretation of these principles therefore can and does vary, leading to controversies of recognition.

The concept of Masonic Landmarks appears in Masonic regulations as early as 1723, and seems to be adopted from the regulations of operative masonic guilds. In 1858, Albert G. Mackey attempted to set down 25 Landmarks. In 1863, George Oliver published a Freemason's Treasury in which he listed 40 Landmarks. A number of American Grand Lodges have attempted the task of enumerating the Landmarks; numbers differing from West Virginia (7) and New Jersey (10) to Nevada (39) and Kentucky (54).

Charitable effort

The fraternity is widely involved in charity and community service activities. In contemporary times, money is collected ''only'' from the membership, and is to be devoted to ''charitable'' purposes. Freemasonry worldwide disburses substantial charitable amounts to non-Masonic charities, locally, nationally and internationally. In earlier centuries, however, charitable funds were collected more on the basis of a Provident or Friendly Society, and there were elaborate regulations to determine a petitioner's eligibility for consideration for charity, according to strictly Masonic criteria.

Some examples of Masonic charities include:

Homes that provide sheltered housing or nursing care. Education with both educational grants or schools such as the Royal Masonic School (UK) which are open to all and not limited to the families of Freemasons. Medical assistance.

Masonic Child Identification Programs (CHIP).

In addition to these, there are thousands of philanthropic organisations around the world created by Freemasons. The Masonic Service Association, the Masonic Medical Research Laboratory, and the Shriners Hospitals for Children are especially notable charitable endeavours that Masons have founded and continue to support both intellectually and monetarily.

Membership requirements

Contrary to common misconception, joining Freemasonry is not by invitation only. In fact, in many jurisdictions, the brothers of the lodge are not allowed to ask potential candidates to join (in these jurisdictions, the brethren must wait for the potential candidate to inquire). Other jurisdictions allow for varying degrees of solicitation.

However the initial introduction is made, the official process of becoming a Mason begins when a candidate for Freemasonry formally petitions a lodge. The brethren will then investigate the candidate, to assure themselves of his good character, and hold a secret ballot election (often using an old fashioned ballot box). The number of adverse votes needed to reject a candidate varies from jurisdiction to jurisdiction (in some, one "black ball" is enough to reject, in others up to three are required).

General requirements

Generally, to be accepted for initiation as a regular Freemason, a candidate must:

Be a man who comes of his own free will.

Believe in a Supreme Being (the form of which is left to open interpretation by the candidate).

Be at least the minimum age (from 18–25 years old depending on the jurisdiction. In some jurisdictions the son of a Mason, known as a "Lewis," may join at an earlier age than others).

Be of good morals, and of good reputation.

Be of sound mind and body (lodges had in the past denied membership to a man because of a physical disability; however, now, if a potential candidate says a disability will not cause problems, it will not be held against him).

Be free-born (or "born free", i.e., not born a slave or bondsman). As with the previous, this is entirely an historical holdover, and can be interpreted in the same manner as it is in the context of being entitled to write a will. Some jurisdictions have removed this requirement.

Be capable of furnishing character references, as well as one or two references from current Masons, depending on jurisdiction.

Some Grand Lodges in the United States have an additional residence requirement, candidates being expected to have lived within the jurisdiction for a certain period of time, typically six months.

Having been elected and initiated, a member may subsequently resign from membership if he so desires. Additionally, the fraternity may either suspend or expel a member for cause.

Membership and religion

Freemasonry explicitly and openly states that it is neither a religion nor a substitute for one. "There is no separate Masonic God", nor a separate proper name for a deity in any branch of Freemasonry.

Regular Freemasonry requires that its candidates believe in a ''Supreme Being,'' but the interpretation of this term is subject to the conscience of the candidate. Consequently, Freemasonry accepts men from a range of faiths, including (but not limited to) Buddhism, Christianity, Hinduism, Islam, Judaism, and Sikhism. As a result, Freemasonry uses ''Volume of the Sacred Law'' (VSL) as a generic term for a religious book. As UGLE-based Freemasonry also requires that a VSL be present on the Altar, many Lodges have multiple VSLs available, and a candidate can be obligated on his book of choice.

Since the early 19th century, in the ''irregular'' Continental European tradition (meaning ''irregular'' to those Grand Lodges in amity with the United Grand Lodge of England), a very broad interpretation has been given to a non-dogmatic Supreme Being; in the tradition of Baruch Spinoza and Johann Wolfgang von Goethe – or views of The Ultimate Cosmic Oneness – along with Western atheistic idealism and agnosticism.

The form of Freemasonry most common in Scandinavia, known as the Swedish Rite, accepts only Christians.

Freemasonry and women

Since the adoption of Anderson's constitution in 1723, it has been accepted as fact by regular Masons that only men can be made Masons. Most Grand Lodges do not admit women because they believe it would violate the ancient Landmarks. While a few women, such as Elizabeth Aldworth, were initiated into British speculative lodges prior to 1723, officially regular Freemasonry remains exclusive to men.

While women cannot join regular lodges, there are (mainly within the borders of the United States) many female orders associated with regular Freemasonry and its appendant bodies, such as the Order of the Eastern Star, the Order of the Amaranth, the White Shrine of Jerusalem, the Social Order of Beauceant and the Daughters of the Nile. These have their own rituals and traditions, but are founded on the Masonic model. In the French context, women in the 18th and 19th centuries had been admitted into what were known as "adoption lodges" in which they could participate in ritual life. However, men clearly saw this type of adoption Freemasonry as distinct from their exclusively male variety. From the late 19th century onward, mixed gender lodges have met in France.

In addition, there are many non-mainstream Masonic bodies that do admit both men and women or are exclusively for women. Co-Freemasonry admits both men and women, but it is held to be irregular because it admits women. The systematic admission of women into International Co-Freemasonry began in France in 1882. In more recent times, women have created and maintained separate Lodges, working the same rituals as the all male regular lodges. These Female Masons have founded lodges around the world, and these Lodges continue to gain membership.

Opposition to and criticism of Freemasonry

''Anti-Masonry'' (alternatively called ''Anti-Freemasonry'') has been defined as "opposition to Freemasonry." However, there is no homogeneous anti-Masonic movement. Anti-Masonry consists of widely differing criticisms from diverse (and often incompatible) groups who are hostile to Freemasonry in some form. Critics have included religious groups, political groups, and conspiracy theorists.

There have been many disclosures and exposés dating as far back as the 18th century. These often lack context, may be outdated for various reasons, or could be outright hoaxes on the part of the author, as in the case of the Taxil hoax.

These hoaxes and exposés have often become the basis for criticism of Masonry, often religious or political in nature (usually by totalitarian dictatorial regimes, but also arising in the historical Anti-Masonic Party in the United States), or are based on suspicion of corrupt conspiracy of some form. The political opposition that arose after the "Morgan Affair" in 1826 gave rise to the term "Anti-Masonry," which is still in use today, both by Masons in referring to their critics and as a self-descriptor by the critics themselves.

Religious opposition

Freemasonry has attracted criticism from theocratic states and organised religions for supposed competition with religion, or supposed heterodoxy within the Fraternity itself, and has long been the target of conspiracy theories, which see it as an occult and evil power.

Christianity and Freemasonry

Although members of various faiths cite objections, certain Christian denominations have had high profile negative attitudes to Masonry, banning or discouraging their members from being Freemasons.

The denomination with the longest history of objection to Freemasonry is the Roman Catholic Church. The objections raised by the Roman Catholic Church are based on the allegation that Masonry teaches a naturalistic deistic religion which is in conflict with Church doctrine. A number of Papal pronouncements have been issued against Freemasonry. The first was Pope Clement XII's ''In Eminenti,'' 28 April 1738; the most recent was Pope Leo XIII's ''Ab Apostolici,'' 15 October 1890. The 1917 Code of Canon Law explicitly declared that joining Freemasonry entailed automatic excommunication. The 1917 Code of Canon Law also forbade books friendly to Freemasonry.

In 1983, the Church issued a new Code of Canon Law. Unlike its predecessor, it did not explicitly name Masonic orders among the secret societies it condemns. It states in part: "A person who joins an association which plots against the Church is to be punished with a just penalty; one who promotes or takes office in such an association is to be punished with an interdict." This named omission of Masonic orders caused both Catholics and Freemasons to believe that the ban on Catholics becoming Freemasons may have been lifted, especially after the perceived liberalisation of Vatican II. However, the matter was clarified when Cardinal Joseph Ratzinger (later Pope Benedict XVI), as the Prefect of the Congregation for the Doctrine of the Faith, issued ''Quaesitum est,'' which states: "... the Church’s negative judgment in regard to Masonic association remains unchanged since their principles have always been considered irreconcilable with the doctrine of the Church and therefore membership in them remains forbidden. The faithful who enroll in Masonic associations are in a state of grave sin and may not receive Holy Communion." Thus, from a Catholic perspective, there is still a ban on Catholics joining Masonic Lodges. For its part, Freemasonry has never objected to Catholics joining their fraternity. Those Grand Lodges in amity with UGLE deny the Church's claims and state that they explicitly adhere to the principle that "Freemasonry is not a religion, nor a substitute for religion." Masonic scholar Albert Pike is often quoted (in some cases misquoted) by Protestant anti-Masons as an authority for the position of Masonry on these issues. However, Pike, although undoubtedly learned, was not a spokesman for Freemasonry and was controversial among Freemasons in general, representing his personal opinion only, and furthermore an opinion grounded in the attitudes and understandings of late 19th century Southern Freemasonry of the USA alone. Indeed his book carries in the preface a form of disclaimer from his own Grand Lodge. No one voice has ever spoken for the whole of Freemasonry.

Free Methodist Church founder B.T. Roberts was a vocal opponent of Freemasonry in the mid 19th century. Roberts opposed the society on moral grounds and stated, "The god of the lodge is not the God of the Bible." Roberts believed Freemasonry was a "mystery" or "alternate" religion and encouraged his church not to support ministers who were Freemasons. Freedom from secret societies is one of the "frees" the Free Methodist Church was founded upon.

Since the founding of Freemasonry, many Bishops of the Church of England have been Freemasons, such as Archbishop Geoffrey Fisher. In the past, few members of the Church of England would have seen any incongruity in concurrently adhering to Anglican Christianity and practicing Freemasonry. In recent decades, however, reservations about Freemasonry have increased within Anglicanism, perhaps due to the increasing prominence of the evangelical wing of the church. The current Archbishop of Canterbury, Dr Rowan Williams, appears to harbour some reservations about Masonic ritual, whilst being anxious to avoid causing offence to Freemasons inside and outside the Church of England. In 2003 he felt it necessary to apologise to British Freemasons after he said that their beliefs were incompatible with Christianity and that he had barred the appointment of Freemasons to senior posts in his diocese when he was Bishop of Monmouth.

In 1933, the Orthodox Church of Greece officially declared that being a Freemason constitutes an act of apostasy and thus, until he repents, the person involved with Freemasonry cannot partake of the Eucharist. This has been generally affirmed throughout the whole Orthodox Church. The Orthodox critique of Freemasonry agrees with both the Roman Catholic and Protestant versions: "Freemasonry cannot be at all compatible with Christianity as far as it is a secret organization, acting and teaching in mystery and secret and deifying rationalism."

Regular Freemasonry has traditionally not responded to these claims, beyond the often repeated statement that those Grand Lodges in amity with UGLE explicitly adhere to the principle that "Freemasonry is not a religion, nor a substitute for religion. There is no separate 'Masonic deity,' and there is no separate proper name for a deity in Freemasonry." Some Muslim anti-Masons argue that Freemasonry promotes the interests of the Jews around the world and that one of its aims is to rebuild the Temple of Solomon in Jerusalem after destroying the Al-Aqsa Mosque. In article 28 of its Covenant, Hamas states that Freemasonry, Rotary, and other similar groups "work in the interest of Zionism and according to its instructions ..." Many countries with a significant Muslim population do not allow Masonic establishments within their jurisdictions. However, countries such as Turkey and Morocco have established Grand Lodges, while in countries such as Malaysia and Lebanon there are District Grand Lodges operating under a warrant from an established Grand Lodge. In Pakistan in 1972 Zulfiqar Ali Bhutto, then Prime Minister of Pakistan, placed a ban on Freemasonry and confiscated all the literature. The lodges were then disbanded. Masonic lodges existed in Iraq as early as 1919, when the first lodge under the UGLE was opened in Basra, and later on when the country was under British Mandate just after the First World War. However the position changed in July 1958 following the Revolution, with the abolition of the Monarchy and Iraq being declared a republic, under General Qasim. The licences permitting lodges to meet were rescinded and later laws were introduced banning any further meetings. This position was later reinforced under Saddam Hussein, the death penalty was "prescribed" for those who "promote or acclaim Zionist principles, including freemasonry, or who associate [themselves] with Zionist organisations."

Political opposition

Regular Freemasonry has in its core ritual a formal obligation: to be quiet and peaceable citizens, true to the lawful government of the country in which they live, and not to countenance disloyalty or rebellion. A Freemason makes a further obligation, before being made Master of his Lodge, to pay a proper respect to the civil magistrates. The words may be varied across Grand Lodges, but the sense in the obligation taken is always there. Nevertheless, much of the political opposition to Freemasonry is based upon the idea that Masonry will foment (or sometimes prevent) rebellion.

In 1799 English Freemasonry almost came to a halt due to Parliamentary proclamation. In the wake of the French Revolution, the ''Unlawful Societies Act, 1799'' banned any meetings of groups that required their members to take an oath or obligation. The Grand Masters of both the Moderns and the Antients Grand Lodges called on the Prime Minister William Pitt (who was not a Freemason) and explained to him that Freemasonry was a supporter of the law and lawfully constituted authority and was much involved in charitable work. As a result Freemasonry was specifically exempted from the terms of the Act, provided that each Private Lodge's Secretary placed with the local "Clerk of the Peace" a list of the members of his Lodge once a year. This continued until 1967 when the obligation of the provision was rescinded by Parliament.

Freemasonry in the United States faced political pressure following the disappearance of William Morgan in 1826. Reports of the "Morgan Affair," together with opposition to Jacksonian democracy (Andrew Jackson was a prominent Mason) helped fuel an Anti-Masonic movement, culminating in the formation of a short lived Anti-Masonic Party which fielded candidates for the Presidential elections of 1828 and 1832.

In Italy, Freemasonry has become linked to a scandal concerning the Propaganda Due Lodge (aka P2). This lodge was chartered by the Grande Oriente d'Italia in 1877, as a lodge for visiting Masons unable to attend their own lodges. Under Licio Gelli’s leadership, in the late 1970s, the P2 Lodge became involved in the financial scandals that nearly bankrupted the Vatican Bank. However, by this time the lodge was operating independently and irregularly; as the Grand Orient had revoked its charter in 1976. By 1982 the scandal became public knowledge and Gelli was formally expelled from Freemasonry.

Conspiracy theorists have long associated Freemasonry with the New World Order and the Illuminati, and state that Freemasonry as an organisation is either bent on world domination or already secretly in control of world politics. Historically, Freemasonry has attracted criticism – and suppression – from both the politically extreme right (e.g. Nazi Germany) and the extreme left (e.g. the former Communist states in Eastern Europe). The fraternity has met with approval for supposedly founding, and opposition for supposedly thwarting, liberal democracy (such as in the United States of America).

Even in modern democracies, Freemasonry is sometimes viewed with distrust. In the UK, Masons working in the justice system, such as judges and police officers, were from 1999 to 2009 required to disclose their membership. While a parliamentary inquiry found that there has been no evidence of wrongdoing, it was felt that any potential loyalties Masons might have, based on their vows to support fellow Masons, should be transparent to the public. The policy of requiring a declaration of masonic membership of applicants for judicial office (judges and magistrates) was ended in 2009 by Justice Secretary Jack Straw, (who had initiated the requirement in the 1990s). Straw stated that the rule was considered disproportionate, since no impropriety or malpractice had been shown as a result of judges being Freemasons. The rescinding of the rule did not change the disclosure requirements for police officers.

Freemasonry is both successful and controversial in France; membership is rising, but reporting in the popular media is often negative.

In some countries anti-Masonry is often related to anti-Semitism and anti-Zionism. For example, In 1980, the Iraqi legal and penal code was changed by Saddam Hussein's ruling Ba'ath Party, making it a felony to "promote or acclaim Zionist principles, including Freemasonry, or who associate [themselves] with Zionist organisations." Professor Andrew Prescott of the University of Sheffield writes: "Since at least the time of the Protocols of the Elders of Zion, anti-semitism has gone hand in hand with anti-masonry, so it is not surprising that allegations that 11 September was a Zionist plot have been accompanied by suggestions that the attacks were inspired by a masonic world order."

The Holocaust

The preserved records of the ''Reichssicherheitshauptamt'' (the Reich Security Main Office) show the persecution of Freemasons. RSHA Amt VII (Written Records) was overseen by Professor Franz Six and was responsible for "ideological" tasks, by which was meant the creation of anti-Semitic and anti-Masonic propaganda. While the number is not accurately known, it is estimated that between 80,000 and 200,000 Freemasons were killed under the Nazi regime. Masonic concentration camp inmates were graded as political prisoners and wore an inverted red triangle.

The small blue forget-me-not flower was first used by the Grand Lodge ''Zur Sonne,'' in 1926, as a Masonic emblem at the annual convention in Bremen, Germany. In 1938 the forget-me-not badge – made by the same factory as the Masonic badge – was chosen for the annual Nazi Party ''Winterhilfswerk,'' a Nazi charitable organisation which collected money so that other state funds could be freed up and used for rearmament. This coincidence enabled Freemasons to wear the forget-me-not badge as a secret sign of membership.

After World War II, the forget-me-not flower was again used as a Masonic emblem at the first Annual Convention of the United Grand Lodges of Germany in 1948. The badge is now worn in the coat lapel by Freemasons around the world to remember all those that have suffered in the name of Freemasonry, especially those during the Nazi era.

See also

List of Freemasons

Notes

External links

Freemasonry article from the 1911 (11th Ed.) Encyclopedia Britannica.

Web of Hiram at the University of Bradford. A database of donated Masonic material.

Masonic Books Online of the ''Pietre-Stones Review of Freemasonry''

''The Constitutions of the Free-Masons'' (1734), James Anderson, Benjamin Franklin, Paul Royster. Hosted by the Libraries at the University of Nebraska-Lincoln

''The Mysteries of Free Masonry'', by William Morgan, from Project Gutenberg

,

The United Grand Lodge of England's Library and Museum of Freemasonry, London

The Centre for Research into Freemasonry at the University of Sheffield, UK

A Page About Freemasonry the world's oldest Masonic website.

Articles on Judaism and Freemasonry

Anti-Masonry: Points of View

Category:Esotericism Category:Fraternal and service organizations

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name	Adnan Oktar
residence	Turkey
other names	Harun Yahya, Adnan Hoca
birth name	Adnan Oktar
birth date	February 02, 1956
birth place	Ankara, Turkey
known	Islamic creationism, Anti-Zionism, Anti-Masonry
occupation	Author
religion	Sunni Muslim
website	www.harunyahya.com
weight	}}

Adnan Oktar (born Ankara, February 2, 1956), also known as Harun Yahya, is an author and Islamic creationist. In 2007, he sent thousands of unsolicited copies of the ''Atlas of Creation'' advocating Islamic creationism to American scientists, members of Congress, and science museums. Oktar runs two organizations of which he is also the Honorary President: ''Bilim Araştırma Vakfı'' ("Science Research Foundation", BAV, established 1990), which promotes creationism and ''Milli Değerleri Koruma Vakfı'' ("Foundation to Protect National Values", established 1995) which claimed to promote Turkish nationalism. In the last two decades, Oktar has been involved in a number of legal cases, both as defendant and plaintiff.

Biography

Adnan Oktar was born in Ankara, Turkey on February 2, 1956. He grew up in Ankara, and lived there through his high school years where he studied the works of Islamic scholars like Said Nursi, a Muslim Kurdish scholar who wrote Risale-i Nur, an extensive Qur'anic commentary which includes a comprehensive political and religious ideology.

In 1979, Adnan Oktar came to Istanbul and entered Mimar Sinan University. These years were marked with violence and repression which led to the installation of a military junta following the coup of September 1980. The environment in Turkey was one of political and cultural instability, threatened by Cold War politics, and a clash between Kemalist secular modernisers and a rising tide of Islamic militancy. In this environment he regularly went to the Molla Mosque in Fındıklı locality, close to the academy of fine arts where he studied interior architecture, to pray regardless of threats. Edip Yuksel, who knew him during those years, described him as a "Sunni zealot."

In the early 1980s, he gathered young students around him to share his views of Islam. These students belonged to socially-active and prosperous families of Istanbul. From 1982 to 1984, a group of 20 to 30 was formed. They were joined by private high schools students who were from socially active and well-known families with had a high economic status who had become newly religious. Edip Yüksel said he presented his teachings "gently and in a modern fashion to the children of the privileged class, without intimidating them... a refined and urbanized version of Said Nursi."

In his religious teachings, he argued against Marxism, communism and materialistic philosophy. He attached special importance to refuting the Theory of Evolution and Darwinism because he felt that it had been turned into an ideology used to promote materialism and atheism, and numerous derivative ideologies. He personally funded a pamphlet entitled the ''Theory of Evolution'' which combined "mysticism with scientific rhetoric."

In 1986 he enrolled in the Philosophy Department of Istanbul University. Adnan Oktar appeared as the cover story of ''Nokta'' (The Point) magazine, reporting how he gathered with his friends and held lectures in a mosque. Many university students, mostly from Bosphorus University, one of the most prestigious universities of Turkey, started to participate. Adnan Oktar's name began to appear regularly in the press, sometimes in the headlines. Later that year he published a book titled ''Judaism and Freemasonry'' based on conspiracy theories that state offices, universities, political groups and media were influenced by a "hidden group". Adnan Oktar later qualified those remarks. (see "Conspiracy Theories" below)

Oktar was arrested, charged with promoting a theocratic revolution for which he served 19 months, though he was never formally charged. He was confined to a prison clinic, and then Bakirkoy Mental Hospital, where he was diagnosed with an obsessive-compulsive personality disorder and schizophrenia. Although doubts exist as to the accuracy of the diagnosis, and whether it was personally or politically motivated . Military doctors later declared him mentally sound, he says, but he complains that Turkish media propagated the idea that he was a lunatic. Oktar also claims he was thrown in a mental institution as punishment after the publication of his first book.

Throughout the 1980s and early ’90s, Oktar built up his community. His followers were especially active recruiting in the summer resorts along the shore of the Sea of Marmara. The social organization within the group become more hierarchical and took on a Messianic nature. Oktar says that due to the anarchy and terror in those years, he was unable to continue his studies. He had already begun working on his books, so when he left school he devoted his energy to his books.

In 1990, he founded the ''Science Research Foundation'' (SRF, or, in Turkish, ''Bilim Araştırma Vakfı'', or BAV). Oktar founded the ''Science Research Foundation'' to hold conferences and seminars for scientific activities "that target mass awareness concerning what the real underlying causes of social and political conflicts are", which he describes to be materialism and Darwinism, though some media describe the BAV as "a secretive Islamic sect" and "cult-like organization, that jealously guards the secrets of its considerable wealth". Members of the BAV are sometimes referred to as ''Adnan Hocacılar'' ("Adherents of Adnan the Hodja") by the public

In 1994 the Islamist Welfare Party (Refah Partisi), the predecessor of the Justice and Development Party (AKP), won control of the municipalities of Istanbul and Ankara. The new mayors (in Istanbul this was Recep Tayyip Erdoğan, now Turkey’s Prime Minister) sought broader support. The journalist and editor Fatih Altayli claimed that Oktar made business agreements with municipalities under the control of the Welfare party. This claim was denied by Oktar, and resulted in libel suits against Fatih Altayli with various results.

In 1995, Adnan Oktar founded ''Foundation for Protection of National Values'' (FPNV or in Turkish ''Millî Değerleri Koruma Vakfı''), through which he networks with other conservative Turkish nationalist organizations and individuals based on the ideology of Mustafa Kemal Atatürk, the founder of the Republic of Turkey.

In 1997, after another military intervention, the “bloodless coup” of 1997, the government of Erbakan stepped down and the Welfare Party disbanded. According to the ''New Humanist'', the current AKP government avoids political connections with Oktar and his organization.

In September 1999 Adnan Oktar was arrested and charged with using threats for personal benefit and creating an organization with the intent to commit a crime (see "Legal issues" below). After a court case lasting two years the charges were dismissed.

After September 11, 2001 and the WTC attacks, Oktar published a book called ''Islam Denounces Terrorism''. Oktar spoke more of interfaith dialogue, attempting to unify believers of all stripes. Muslims, Christians and Jews should unite against the corrupting influence of Darwinism, which he held responsible for fascism, anti-Semitism and the holocaust.

Between that time and present, BAV has organized hundreds of conferences on creationism in Turkey and worldwide. He built a large publishing enterprise with publications sold though Islamic bookstore worldwide. He is considered "one of the most widely distributed authors in the Muslim world". His television show is viewed by many in the Arab world. Adnan Oktar has been preaching about the “Turkish-Islamic Union”, which would bring peace to the entire Muslim world under the leadership of Turkey.

In 2007 he sent out thousands of unsolicited copies of his ''Atlas of Creation'' advocating Islam and creationism to schools and colleges in several European countries and the USA.

The next year the 1999 case was reopened by another court (see "Legal issues" below). Adnan Oktar was convicted and sentenced to three years in prison. But the verdict was appealed and in May 2010 it was overturned. During these years he engaged in numerous libel suits with various results (See "Legal Issues" below). In some cases he was successful in blocking high-profile websites in Turkey for slander (See "Blocking Internet Sites" below), including that of Richard Dawkins, as well as the complete Wordpress-site.

In 2010, Adnan Oktar was selected as one of the top fifty of ''The 500 Most Influential Muslims'' in the World by the Royal Islamic Strategic Studies Centre of Jordan for his dissemination of creationism in an Islamic context, and other extensively distributed publications on Islamic topics.

Writings

Oktar has written numerous books under the pen name Harun Yahya. Harun referring to the biblical Aaron and Yahya referring to the New Testament John the Baptist.

Oktar's books on faith-related topics attempt to communicate the existence and oneness of God (Allah in the Qur'an ) according to the Islamic faith, and are written with the main purpose of introducing Islam to those who are strangers to religion. Each of his books on science-related topics stresses his views on the might, sublimity, and majesty of God. These books attempt to display for non-Muslims what Oktar claims to be signs of the existence of God, and the excellence of his creation. A sub-group within this series are the series of "Books Demolishing the Lie of Evolution", a critique of the ideas of materialism, evolution, Darwinism, and atheism.

These publications argue against evolution. They assert that evolution denies the existence of God, abolishes moral values, and promotes materialism and communism. Oktar argues that Darwinism, by stressing the "survival of the fittest", has inspired racism, Nazism, communism and terrorism. A claim not unexpected in Turkey when during the political turmoil before a 1980 military coup, communist bookshops touted Darwin's works as a complement to Karl Marx.

Truman State University physicist Taner Edis, who was born in Turkey, says the secret to BAV's success is the huge popularity of the Harun Yahya books. "They're fairly lavishly produced, on good-quality paper with full-color illustrations all over the place," he says. "They're trying to compete with any sort of science publication you can find in the Western world. And in a place like Turkey, Yahya books look considerably better-published than most scientific publications.". Many of Oktar's books have been made into high-resolution videos which are freely downloadable on the Internet.

Creationism

The spread of organized Christian creationism to Islam began in the 1980s, when the Muslim minister of education in Turkey turned to the ''Institute of Creation Research'' (ICR), a Christian institution in Dallas Texas, for help in developing twofold curriculum that would teach evolution and creation side by side.

In 1990, the ''Science Research Foundation'' (BAV in Turkish) was formed in Istanbul, headed by Oktar.

Oktar for many years drew on the writings of young earth Christian creationists to develop his case against evolution. However, Islam does not require belief in Young Earth creationism, and making use of the fact that earth may have existed for billions of years, Oktar later produced material which was more similar to Intelligent Design. So similar in fact, that Harun Yahya's website was listed as an 'Islamic intelligent design' website by the Discovery Institute. However Oktar does not embrace use of the term 'Intelligent Design' due to its lack of specific mention of God, calling it 'another of Satan's snares'.

In early 1998, the BAV launched its first campaign against evolution/Darwinism. Thousands of free copies of Adnan Oktar's book, ''The Evolution Deceit'', and the booklets based on this book were distributed throughout Turkey. They regularly ran full-page ads against evolution in daily Turkish newspapers and even ran an ad in the U.S. magazine TIME. The funding of the campaigns is unknown. BAV spearheaded an effort to confront Turkish academics who taught evolutionary biology A number of faculty members were harassed, threatened and slandered in fliers, leading to legal action against BAV (see "Legal Issues" below).

In 2005, Professor Ümit Sayın summed up the effect of the BAV's campaign when he said to ''The Pitch'':

In 1998, I was able to motivate six members of the Turkish Academy of Sciences to speak out against the creationist movement. Today, it's impossible to motivate anyone. They're afraid they'll be attacked by the radical Islamists and the BAV.

In September 2008 Oktar issued a challenge offering "10 trillion Turkish lira to anyone who produces a single intermediate-form fossil demonstrating evolution". He has claimed, "Not one [fossil] belongs to strange-looking creatures in the course of development of the kind supposed by evolutionists." Dr Kevin Padian at the University of California has criticized the notion that such fossils do not exist, stating that Oktar "does not have any sense of what we know about how things change through time. If he sees a fossil crab, he says, 'It looks just like a regular crab, there's no evolution.'"

However, the reaction of scientific community is negative and dismissive.

Taner Edis has said "there is nothing new in the Yahya material: scientifically negligible arguments and outright distortions often copied from Christian anti-evolution literature, presented with a conservative Muslim emphasis" concluding it "has no scholarly standing whatsoever". According to Richard Dawkins, Oktar "doesn't know anything about zoology, doesn't know anything about biology. He knows nothing about what he is attempting to refute".

In France, scientists spoke out against the book, and American scientists are unimpressed.

The Atlas of Creation

Oktar published volume 1 of his ''Yaratılış Atlası'' (''The Atlas of Creation''), with Global Publishing, Istanbul, Turkey in October 2006. Volumes 2 and 3 followed in 2007. A dedicated website (yaratilisatlasi.com, English atlasofcreation.com) registered to Global Yayıncılık (Global Publishing), Istanbul, went online also in 2007.

At 11 x 17 inches and 12 pounds, with a bright red cover and almost 800 glossy pages, most of them lavishly illustrated, “Atlas of Creation” is according the New York Times "probably the largest and most beautiful creationist challenge yet to Darwin’s theory, which Mr. Yahya calls a feeble and perverted ideology contradicted by the Koran". Tens of thousands of copies of the book have been delivered, on an unsolicited basis, to schools, prominent researchers and research institutes throughout Europe and the United States.

However, the book has been widely criticized and dismissed by scientists.

Biologist Kevin Padian from University of California, Berkeley, said that people who had received copies were “just astounded at its size and production values and equally astonished at what a load of crap it is." adding that "[Oktar] does not really have any sense of what we know about how things change through time.”

Gerdien de Jong, one of five biologists at Utrecht University who received a copy of the book, has described its reasoning as "absurdly ridiculous"..

Biologist PZ Myers wrote: "The general pattern of the book is repetitious and predictable: the book shows a picture of a fossil and a photo of a living animal, and declares that they haven't changed a bit, therefore evolution is false. Over and over. It gets old fast, and it's usually wrong (they have changed!) and the photography, while lovely, is entirely stolen."

The Council of Europe's Committee on Culture, Science and Education wrote in its report on this book that "None of the arguments in this work are based on any scientific evidence, and the book appears more like a primitive theological treatise than the scientific refutation of the theory of evolution."

Conspiracy theories

Oktar propagates a number of conspiracy theories, beginning with his 1986 ''Yahudilik ve Masonluk'' (''Judaism and Freemasonry''). The book suggests that the principal mission of Jews and Freemasons in Turkey was to erode the spiritual, religious, and moral values of the Turkish people and, thus, make them like animals, as stated in what Oktar refers to as their use of "Distorted Torah." Oktar asserts that "the materialist standpoint, evolution theory, anti-religious and immoral lifestyles were indoctrinated to the society as a whole" by Jews and Freemasons.

Oktar's theory of a global conspiracy of Freemasonry is expounded in his book ''Global Masonluk'' (English ''Global Freemasonry'') and on his websites ''Masonluk'' and ''Global Freemasonry''. According to Oktar, Freemasonry is "the main architect of the world system based on materialist philosophy, but which keeps that true identity concealed." Oktar claims that the theory of evolution is a Masonic conspiracy initiated by the Rosicrucians.

Oktar's recent publications declare Darwinism and Materialism to be conspiracies responsible for anti-semitism and terrorism. In recent publications and interviews (since 2004), Oktar qualifies his condemnations of Zionism and Freemasonry by adding the word atheist before them, as in ''atheist Zionists'' and ''atheist Freemasons''.

According to a July 2009 interview, Oktar's position is essentially merely against atheism as he has met Christians and Jews worldwide. He stated his objectives of a religious alliance "include waging a joint intellectual and spiritual battle against the worldwide growing tide of irreligiousness, unbelief and immorality." The interviewer noted, "But even more unusual is their agreement with regard to the need to rebuild the Jewish Temple, a structure that Mr. Oktar refers to as the 'Masjid (Mosque)' or the 'Palace of Solomon.'"

Holocaust Denial and Affirmation

In 1996, BAV distributed its first book, originally published the previous year, entitled ''Soykırım Yalanı'' (''The Holocaust Lie''). The publication of ''Soykırım Yalanı'' sparked much public debate. This book claims that "what is presented as Holocaust is the death of some Jews due to the typhus plague during the war and the famine towards the end of the war caused by the defeat of the Germans."

A Turkish painter and intellectual, Bedri Baykam, published a strongly worded critique of the book in the Ankara daily newspaper ''Siyah-Beyaz'' ("Black and White"). A legal suit for slander was brought against him. During the trial in September, Baykam exposed the real author of ''The Holocaust Lie'' as Adnan Oktar. The suit was withdrawn in March 1997.

In 2001, the Stephen Roth Institute, of Tel-Aviv University, listed Oktar as a Holocaust denier due to the publication of ''The Holocaust Lie''.

Three years later the Stephen Roth Institute expressed the opinion that Adnan Oktar had increased his tolerance toward others, asserting that "he now works towards promoting inter-religious dialogue". calling upon all Muslims to have "a tolerant and friendly attitude toward other religions".

In 2006, BAV published a book affirming the Holocaust, called ''The Holocaust Violence''. ''The Holocaust Violence'' states "The Nazis subjected European Jews to indisputable and unforgivable cruelty during World War II. They humiliated, insulted and degraded millions of Jewish civilians, forcing them from their homes and enslaving them in concentration camps under inhuman conditions... Certainly the Jewish people, of whom 5.5 million died in concentration camps, were the worst victims of the Nazi barbarity."

In a 2007 interview with ''The Guardian'', Oktar denied writing ''The Holocaust Lie'', a claim that ''The Guardian'' stated was "hard to believe.". The next year in an interview with Der Spiegel, Adnan Oktar stated that "The Holocaust Lie," had been written by a member of his organization who had published his own essays using Oktar's pen-name "Harun Yahya", upon his own initiative. Oktar disclaimed the first book, and said the second book reflected his own opinions.

In 2009, Oktar expressed his views for Jews in his own words, "hatred or anger toward the line of the Prophet Abraham is completely unacceptable. The Prophet Abraham is our ancestor, and the Jews are our brothers. We want the descendants of the Prophet Abraham to live in the easiest, pleasantest and most peaceful manner. We want them to be free to perform their religious obligations, to live as they wish in the lands of their forebears and to frequently remember Allah in comfort and security." In 2009 and 2010, Oktar published several websites of Jewish interest.

Other legal issues

In addition to the slander trial over ''The Holocaust Lie'', Oktar has been involved in other cases. Although most are unrelated to creationism or religion, a BAV spokesperson says Oktar is being persecuted “because of his ideas.” Physicist Taner Edis of Truman State University, who has followed the case closely, says given the political pressures on Turkey’s justice system, that’s “not entirely implausible.”

In the summer of 1986, Oktar was arrested for his statement "I am from the nation of Abraham and Turkish ethnicity" in a newspaper interview. According to the ''New Humanist'', Oktar was arrested for promoting a theocratic revolution for which he served 19 months, though he was never formally charged.

In 1991, Oktar was arrested for possession of cocaine, which he claimed had been planted in one of the books in his library by the security forces, who, he said, also spiked his food with cocaine. He was later acquitted.

A number of faculty members who taught evolution were harassed, threatened and slandered in flyers that labeled them "Maoists". In 1999, six of the professors won a civil court case against the BAV for defamation and were each awarded $4,000.

In 1999, Oktar was arrested and charged with using threats for personal benefit and creating an organization with the intent to commit a crime. BAV's lawyers claimed there were several human rights violations during this police operation, as well as the use of violence during the arrest and afterwards. The judicial process lasted over two years, during which most of the complainants retracted their claims. As a result, cases against Oktar and other BAV members were dismissed.

The 1999 case was reopened by another court in 2008. The indictment from the prosecutor’s office, made public by ''Cumhuriyet'', claimed blackmail and extortion. Among other things, it claimed that BAV used its female members to attract young scholars from rich families with the promise of sexual favors in exchange for attending events. It was claimed that the sexual activities of thousands of people were videotaped with hidden cameras for the purpose of blackmail. Members who wanted to leave the group were threatened that the tapes would be made public. In the face of all these allegations against BAV, the Chairman of the Court announced in the hearing on February 29, 2008, that testimonies obtained through unlawful means may not be considered as evidence based on article 148 of the criminal code.

Oktar was convicted of creating an illegal organization for personal gain. He and 17 other members of his organisation were sentenced to three years in prison. Oktar appealed the verdict. In May 2010, the Court of Appeals overturned the conviction and dismissed the charges.

Blocking of Internet sites

Since 2007 Oktar has successfully had the Turkish government block public access to several websites. In April 2007, Oktar filed a libel lawsuit against the owners of Ekşi Sözlük, a virtual community similar to everything2. The court reviewed the complaint and ordered the service provider to close the site to public access. The site was temporarily suspended so the entry on Oktar could be expunged and locked. Then access to ''Süper Poligon'', a news website, was also restricted following Oktar's complaint. In August 2007, Oktar got a Turkish court to block WordPress.com in all of Turkey. His lawyers argued that blogs on WordPress.com contained libelous material on Oktar and his colleague, which WordPress.com staff was unwilling to remove.

In addition, Edip Yuksel, a Turkish writer who knew Oktar in the 1980s and is now critical of him, had his website banned in Turkey from Oktar's complaints. In addition, Yuksel wrote a Turkish-language book about Oktar called ''The Cult of the Antichrist'', but he has yet to find "a publisher willing to brave Mr. Oktar's lawyers."

On September 19, 2008, a Turkish court banned Internet users in Turkey from viewing the official Richard Dawkins Web site after Oktar claimed its contents were defamatory, blasphemous and insulting religion, arguing that his personality was violated by this site. The ban was lifted on 8th July 2011. Also in September 2008, a complaint by Oktar led to the banning of the internet site of the Union of Education and Scientific Workers (Türk Eğitim Sen). This was followed by a block of the country's third-biggest newspaper site, ''Vatan'', in October.

Television broadcasting

On March 21, 2011, Oktar started television broadcasting on A9 satellite channel where his interviews and night lectures are broadcast live.

Bibliography

thumb|128px| A Call For Unity [of Muslims, Christians and Jews]	thumb|128px|The Signs of Jesus' Second Coming
thumb|128px|Islam Denounces Terrorism	thumb|128px|Wisdom and Sound Advice from the Torah
thumb|128px|Only Love can Defeat Terrorism	thumb|128px|Islam Denounces Antisemitism

Oktar's books and brochures appear in Turkish with "Vural Yayıncılık" ("Global Publishing"), Istanbul. English translations of Oktar's books appear with "Ta-Ha Publishers", London, UK; "Global Publishing", Istanbul, Turkey; "Al-Attique Publishers", Ontario, Canada and "Goodword Books", New Delhi, India.

Publication media includes: Books, Booklets (Pamphlets), Children's Books, Journals, Documentaries, Audio Books, CD's, Posters and over a hundred websites. The total number of books and brochures published by Oktar number in the hundreds. The works are lavishly produced, on good-quality paper with full-color illustrations and sold in Islamic bookstores worldwide.

References

External links

Official Harun Yahya site

Harun Yahya: Catalog of works

Taner Edis: Harun Yahya and Islamic Creationism (2003)

Richard Dawkins on Harun Yahya's Atlas of Creation

Category:Article Feedback Pilot Category:1956 births Category:People from Ankara Category:Turkish Muslims Category:Living people Category:Turkish prisoners and detainees Category:Islamic creationists Category:Conspiracy theorists Category:Internet censorship Category:Anti-Zionism Category:Anti-Masonry

ar:عدنان أوكطار az:Harun Yəhya bn:আদনান ওকতার bs:Harun Yahya bg:Аднан Октар cs:Adnan Oktar de:Harun Yahya es:Adnan Oktar fa:هارون یحیی fr:Adnan Oktar id:Harun Yahya it:Adnan Oktar jv:Harun Yahya hu:Adnan Oktar ml:അദ്‌നാൻ ഓൿതാർ ms:Adnan Oktar nl:Harun Yahya pl:Adnan Oktar pt:Adnan Oktar ru:Аднан Октар sq:Harun Jahja sd:هارون يحيٰ so:Cadnaan Oktaar sr:Аднан Октар fi:Harun Yahya tr:Adnan Oktar

name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Matt Stone, Trey Parker, Matt Groening
notable work	''Monty Python's Flying Circus'' (1969–1974)''And Now for Something Completely Different'' (1971)''Monty Python and the Holy Grail'' (1974)''Monty Python's Life of Brian'' (1979)''Monty Python Live at the Hollywood Bowl'' (1982)''Monty Python's The Meaning of Life'' (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created ''Monty Python's Flying Circus'', a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles's influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''Saturday Night Live'' through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before ''Flying Circus''

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue ''Cambridge Circus'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''Goodies'' (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of ''Yes Minister'' and ''Yes, Prime Minister''). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before ''Monty Python's Flying Circus''. ''The Frost Report'' is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

''I'm Sorry, I'll Read That Again'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

''The Frost Report'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

''At Last the 1948 Show'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

''Twice a Fortnight'' (1967) [Palin and Jones: cast members and writers]

''Do Not Adjust Your Set'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

''We Have Ways of Making You Laugh'' (1968) [Idle: cast member & writer] – [Gilliam: animation]

''How to Irritate People'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

''The Complete and Utter History of Britain'' (1969) [Palin and Jones: cast members & writers]

''Doctor in the House'' (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of ''Do Not Adjust Your Set'', originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

''Monty Python's Flying Circus''

Development of the series

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on ''Beyond the Fringe'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''Not Only... But Also''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series ''Q5'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''Toad Elevating Moment'', ''A Bucket, a Horse and a Spoon'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show

''Flying Circus'' popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is ''The Liberty Bell'', a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece ''Venus, Cupid, Folly, and Time'' by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''Monty Python's Life of Brian'' they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

End of ''Flying Circus''

Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.

Time-Life Films had the right to distribute all BBC-TV programs in America, however they had decided that British comedy simply would not work in the U.S.A. Therefore, it was not worth the investment to convert the Python shows from the European PAL standard to the American NTSC standard, which meant PBS stations could not afford the programmes. Finally, in 1974, Greg Garrison, TV producer for Dean Martin, used a couple of Python sketches ("Bicycle Repairman" and "The Dull Life of a Stockbroker") on the NBC series ''ComedyWorld'', a summer replacement series for ''The Dean Martin Show''. Payment for use of these segments was enough to pay for the conversion of the entire Python library to NTSC standard. At last, they could be sold to non-commercial TV stations, where officially they began airing in October 1974—exactly 5 years after their BBC debut. One PBS station had a program director (Ron Devillier) so eager that he 'jumped the gun' and started broadcasting the 'Flying Circus' episodes in that summer on the unlikely KERA in Dallas. The ratings shot through the roof—and was an encouraging sign to the other 100 stations that had signed up to air the shows. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''Are You Being Served?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

Life after the ''Flying Circus''

Filmography

''And Now for Something Completely Different'' (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

''Monty Python and the Holy Grail'' (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''Monty Python and the Holy Grail'' was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

''Monty Python's Life of Brian'' (1979)

Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.

''Monty Python Live at the Hollywood Bowl'' (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for ''The Meaning of Life'', this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''Monty Python's Contractual Obligation Album''.

''Monty Python's The Meaning of Life'' (1983)

Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''The Crimson Permanent Assurance''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''Parrot Sketch Not Included,'' where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

''Secret Policeman's Ball'' benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the ''Secret Policeman's Ball'' shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the USA where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''A Poke In The Eye (With A Sharp Stick)''—where they performed several Python sketches. In this first show they were collectively billed as ''Monty Python''. (Peter Cook deputised for the errant Idle in one major sketch ''The Courtroom''.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''A Fish Called Wanda'' (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in ''Time Bandits'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''Jabberwocky'' (1977), and also directed and co-wrote ''Brazil'' (1985) and ''The Adventures of Baron Munchausen'' (1988), which featured Palin and Idle respectively. ''Yellowbeard'' (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series ''Ripping Yarns'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''Erik the Viking'', also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel ''The Wind in the Willows''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including ''Cheers'', ''3rd Rock from the Sun'', Q's assistant in the James Bond movies, and ''Will & Grace''), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom ''Fawlty Towers'' (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with ''Rutland Weekend Television'' in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary ''All You Need Is Cash''), and as an actor in ''Nuns on the Run'' (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''Spamalot'' has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by ''Not the Messiah (He's a Very Naughty Boy)'', which repurposes ''The Life of Brian'' as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions

Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the ''Parrot Sketch Not Included – 20 Years of Monty Python'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''Mr. Toad's Wild Ride''.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD ''The Life of Python''. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original ''Grail'' and ''Brian'' films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''Spamalot'', based on ''Monty Python and the Holy Grail''. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005, that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''Monty Python's Personal Best.'' Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six part documentary entitled ''Monty Python: Almost the Truth (The Lawyer's Cut)'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of ''Not the Messiah (He's a Very Naughty Boy)'' at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''A Liar's Autobiography'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before ''The Meaning of Life'').

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''Splitting Heirs'' (written, produced by and starring him) and 1998's ''An Alan Smithee Film: Burn Hollywood Burn'' (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''Spamalot'', based on the ''Holy Grail'' movie. He also wrote ''Not the Messiah (He's a Very Naughty Boy)'', an oratorio derived from the ''Life of Brian''.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.

Associate Pythons

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the ''7th Python'', in a style reminiscent of George Martin (or other associates of The Beatles) being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''Monty Python Live at the Hollywood Bowl''. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for ''All You Need is Cash'' (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''Chicago Tribune'' in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the ''Flying Circus'', she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors

Cleese's first wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in ''Monty Python and the Holy Grail''. Cleese and Booth later co-wrote and co-starred in ''Fawlty Towers''.

Douglas Adams was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode ''The Light Entertainment War'', Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''Mr. Neutron'', Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''Out of the Trees.'' He also contributed to a sketch on the soundtrack album for ''Monty Python and the Holy Grail''.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as ''Live at Aspen'').

Cultural influence

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of animated series the Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''South Park'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

''Good Eats'' creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of ''Montypythonoides riversleighensis'' in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book ''The Reptile Room'' by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''Monty Python's Flying Circus'' as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film ''Dead Poets Society''.

Media

Television

''Monty Python's Flying Circus'' (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

''Monty Python's Fliegender Zirkus'' (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

''Monty Python's Personal Best'' (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

''Monty Python: Almost the truth''(2012)

:Six 1 hour shows about the monty python team and their unwanted celebrity status

Films

There were five Monty Python productions released as theatrical films:

''And Now for Something Completely Different'' (1971)

:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.

''Monty Python and the Holy Grail'' (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

''Monty Python's Life of Brian'' (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

''Monty Python Live at the Hollywood Bowl'' (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

''Monty Python's The Meaning of Life'' (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

''Monty Python: Almost the Truth (The Lawyer's Cut)'' (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

''A Liar's Autobiography: Volume IV'' (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums

''Monty Python's Flying Circus'' (1970)

''Another Monty Python Record'' (1971)

''Monty Python's Previous Record'' (1972)

''The Monty Python Matching Tie and Handkerchief'' (1973)

''Monty Python Live at Drury Lane'' (1974)

''The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail'' (1975)

''Monty Python Live at City Center'' (1976)

''The Monty Python Instant Record Collection'' (1977)

''Monty Python's Life of Brian'' (1979)

''Monty Python's Contractual Obligation Album'' (1980)

''Monty Python's The Meaning of Life'' (1983)

''The Final Rip Off'' (1988)

''Monty Python Sings'' (1989)

''The Monty Python Instant Record Collection, Volume 2'' (1991)

''The Ultimate Monty Python Rip Off'' (1994)

''The Instant Monty Python CD Collection'' (1994)

''Spamalot'' (Broadway version of ''Monty Python and the Holy Grail'' with Tim Curry as King Arthur) (2005)

''The Hastily Cobbled Together for a Fast Buck Album'' (unreleased)

Theatre

''Monty Python's Flying Circus'' – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

''Monty Python's Spamalot'' – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

''Not the Messiah (He's a Very Naughty Boy)'' – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. ''Not the Messiah'' was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books

''Monty Python's Big Red Book'' (1971) ISBN 0-413-29520-6.

''The Brand New Monty Python Bok'' (1973) ISBN 0-7493-1170-3.

''Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)'' (1977) ISBN 0-413-38520-5.

''MONTYPYTHONSCRAPBOOK/ The Life of Brian'' (1979) ISBN 0-413-46550-0.

''Monty Python's Flying Circus – Just The Words'' Volume 1 (1989) ISBN 0-413-62540-0.

''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) ISBN 0-413-62550-8.

''The Complete Monty Python's Flying Circus'' Volumes 1 & 2

''The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book'' (1994) ISBN 0-413-69000-8

''Michael Palin Diaries 1969–1979''

''The Pythons: Autobiography by the Pythons''

''The Life of Brian/Jesus'' (2011) ISBN 978-184876-628-0.

Games

''Monty Python's Flying Circus'' (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

''Monty Python's Complete Waste of Time'' (1994) released by 7th Level for PC / DOS

''Monty Python & the Quest for the Holy Grail'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

''Monty Python's The Meaning of Life'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc. ''Monty Python Fluxx'' (2008), a card game released by Looney Labs

''Blazing Dragons''

See also

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References

Further reading

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

The SOTCAA Monty Python Pages

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by ''TIME'' magazine

Monty Python Reunion event, New York, 15 October 2009

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