A doe-eyed, honey-blond actress of extraordinary beauty, Suzy Kendall was one of the most popular British actresses of the 1960s. Yet she never really sought the spotlight and accepted fame only reluctantly. Born as Freida Harrison, her goal was actually to be a clothing designer, and in fact she majored in fabric and fashion design at Derby College. In pursuing her studies, she inevitably ran into fashion photographers and agents. With few exceptions, they were very taken by her looks and urged her to go into modeling. While not particularly interested in that line of work, she was flattered by the compliments and saw a chance to make some extra income. In addition, she saw it as a way to draw attention to her fashion ideas. So she signed up with a recommended agency, who gave her the name Suzy Kendall. To her surprise, she immediately was in constant demand. This was at a time when there was increased crossover in the British entertainment industry, with singers appearing in motion pictures. Before long, she began to receive film offers and, while not trained as an actress, was persuaded by her agents to accept film and television roles. The first roles were minor in nature, but included a part in the spy caper _The Liquidator (1965)_ (qv), which was a major success. She became internationally known with her prominent role in _To Sir, with Love (1967)_ (qv), a sort of British version of _Blackboard Jungle (1955)_ (qv). That same year, she starred in crime thriller _The Penthouse (1967)_ (qv), playing a woman taken hostage by violent criminal predators. She disliked the film, but it was a major hit. It was around this time that she met a the highly talented and famous but insecure 'Dudley Moore' (qv). They immediately hit it off and gradually became a couple, marrying in 1968. At Moore's urging, she accepted the title role in _Fräulein Doktor (1969)_ (qv), in which she plays a World War I femme fatale, based on 'Mata Hari' (qv). In spite of some good reviews, it was not a success. However, she career was boosted again in _L'uccello dalle piume di cristallo (1970)_ (qv), (aka "The Bird With The Crystal Plumage"), in which she plays the girlfriend of a murder suspect who becomes the target of the real killer. The film was an international success, and made director 'Dario Argento' (qv) a household name among horror fans. By this time, she wanted to become a mother and cut back on her career. But Moore's career had found worldwide success and he didn't think the time was right for raising children. This and their increasing time spent apart took a toll, and the subsequently divorced. However, their marriage ended amicably and they remained good friends for the remainder of his life. She continued to work through the 1970's, mostly as threatened heroines in violent horror films of uneven quality. She soon found herself in a professional rut in an industry that wasn't all that important to her. She remarried and settled into a private life, concentrating on her marriage and raising their child. She did briefly return to the public eye in 2002, when she hosted a memorial service for her late former husband Moore, who was friends not only with her but her current husband, as well, even giving their daughter piano lessons. Her daughter, Elodie Harper, is a journalist with the BBC.
Coordinates | 55°45′06″N37°37′04″N |
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name | Suzy Kendall |
birth name | Frieda Harrison |
birth date | January 01, 1944 |
birth place | Belper, Derbyshire, England |
occupation | Actress |
yearsactive | 1965-1977 |
spouse | Dudley Moore (1968 - 1972; divorced)Sandy Harper (? - present) }} |
Suzy Kendall (born Frieda Harrison 1 January 1944) is a British actress best known for her film roles in the late 1960s and early 1970s. Her blonde attractive looks got her leading roles in some fairly prestigious productions. She later appeared in increasingly lower-profile films, including several giallo thrillers made in Italy and several TV series in the 1970s before retiring to spend more time with her family.
In 1968 Kendall married pianist, comedian and actor Dudley Moore, and though they divorced in 1972, they remained friends throughout the rest of their lives. Following the divorce she remarried shortly afterwards to Sandy Harper. In 2002 she hosted a memorial service for Moore attended by her second husband and daughter.
Kendall and her friend Pat Wellington wrote ''Natural Appeal: Fragrant Natural Preparations for the Care of Skin, Hair and Body'', a book on beauty tips.
Kendall now lives in London with her second husband Sandy Harper. Their daughter Elodie Harper is a BBC journalist.
Category:1944 births Category:Living people Category:English film actors Category:People from Belper
de:Suzy Kendall fr:Suzy Kendall it:Suzy Kendall fi:Suzy Kendall sv:Suzy KendallThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
br:Suzy de:Suzy nl:Suzy pt:Suzy sh:Suzy (razvrstavanje)
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 55°45′06″N37°37′04″N |
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name | Dudley Moore |
birth date | April 19, 1935 |
birth place | London, UK |
death date | March 27, 2002 |
death place | Plainfield, New Jersey, U.S. |
birth name | Dudley Stuart John Moore |
spouse | Suzy Kendall (1968–72) Tuesday Weld (1975–80) Brogan Lane (1988–91) Nicole Rothschild (1994–98) |
occupation | Actor, comedian, musician |
years active | 1961–2002 }} |
Moore first came to prominence as one of the four writer-performers in the ground-breaking comedy revue ''Beyond the Fringe'' in the early 1960s, and then became famous as half of the highly popular television double-act he formed with Peter Cook.
His fame as a comedic film actor was later heightened by success in hit Hollywood movies such as ''10'' with Bo Derek and ''Arthur'' in the late 1970s and early 1980s, respectively. He received an Oscar nomination for the latter role. He was frequently referred to in the media as "Cuddly Dudley" or "The Sex Thimble", a reference to his short stature and reputation as a "ladies' man".
Moore's musical talent won him an organ scholarship to Magdalen College, Oxford. While studying music and composition there, he also performed with Alan Bennett in the Oxford Revue. Bennett then recommended him to the producer putting together ''Beyond the Fringe'', a comedy revue, where he was to first meet Peter Cook. ''Beyond the Fringe'' was at the forefront of the 1960s satire boom and after success in Britain, it transferred to the United States where it was also a hit.
During his university years, Moore took a great interest in jazz and soon became an accomplished jazz pianist and composer. He began working with such leading musicians as John Dankworth and Cleo Laine. In 1960, he left Dankworth's band to work on ''Beyond the Fringe''. During the 1960s he formed the "Dudley Moore Trio" (with drummer Chris Karan and bassists Pete McGurk and later Peter Morgan). Moore's admitted principal musical influences were Oscar Peterson and Errol Garner. In an interview he recalled the day he finally mastered Garner's unique left hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included "My Blue Heaven", "Lysie Does It", "Poova Nova", "Take Your Time", "Indiana", "Sooz Blooz", "Baubles, Bangles and Beads", "Sad One for George" and "Autumn Leaves". The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, The Establishment.
Moore composed the soundtracks for the films ''Bedazzled'', ''Inadmissible Evidence'', ''Staircase'' and ''Six Weeks'' among others.
In 2009 it came to light that at the time three separate British police forces had wanted them to be prosecuted under obscenity laws for their comedy recordings made during the late 1970s under the pseudonyms ''Derek and Clive''. Shortly following the last of these, ''Derek and Clive – Ad Nauseam'', Moore made a break with Cook, whose alcoholism was affecting his work, to concentrate on his film career. When Moore began to manifest the symptoms of the disease that eventually killed him (progressive supranuclear palsy), it was at first suspected that he too had a drinking problem. Two of Moore's early starring roles were the titular drunken playboy ''Arthur'' and the heavy drinker George Webber in ''10''.
Moore played Watson to Cook's Holmes in 1978's ''Hound of the Baskervilles''. Moore was noteworthy as a comic foil to Sir Henry and played 3 other roles: one in drag and one as a one legged man. Moore also played the piano for the entire score and appears at the start and end of the film as a flamboyant and mischievous pianist. Moore also scored the film.
In 1981, Moore appeared as the lead in the comedy ''Arthur'', an even bigger hit than ''10'', which also starred Liza Minnelli and Sir John Gielgud. It was both commercially and critically successful; Moore received an Oscar nomination for Best Actor whilst Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to Henry Fonda (for ''On Golden Pond''). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In 1984, Moore had another hit, starring in the Blake Edwards directed ''Micki + Maude'', co-starring Amy Irving. This won him another Golden Globe for Best Actor in a Musical/Comedy.
His subsequent films, including ''Arthur 2: On the Rocks'', a sequel to the original, and an animated adaptation of ''King Kong'', were inconsistent in terms of both critical and commercial reception; Moore eventually disowned the former. In later years, Cook would wind up Moore by claiming he preferred ''Arthur 2: On the Rocks'' to ''Arthur''.
In addition to acting, Moore continued to work as a composer and pianist, writing scores for a number of films and giving piano concerts, which were highlighted by his popular parodies of classical favourites. In addition, Moore collaborated with the conductor Sir Georg Solti to create a 1991 television series, ''Orchestra!'', which was designed to introduce audiences to the symphony orchestra. He later worked with the American conductor Michael Tilson Thomas on a similar television series from 1993, ''Concerto!'', likewise designed to introduce audiences to classical music concertos. He also appeared as Ko-Ko in a Jonathan Miller production of ''The Mikado'' in Los Angeles in March 1988.
In 1987, he was interviewed for the ''New York Times'' by the music critic Rena Fruchter, herself an accomplished pianist. They became close friends. At that time Moore's film career was already on the wane. He was having trouble remembering his lines, a problem he had never previously encountered (for this reason he was fired from Barbra Streisand's film ''The Mirror Has Two Faces''). He opted to concentrate on the piano, and enlisted Fruchter as an artistic partner. They performed as a duo in the U.S. and Australia. However, his disease soon started to make itself apparent there as well, as his fingers would not always do what he wanted them to do. Symptoms such as slurred speech and loss of balance were misinterpreted by the public and the media as a sign of drunkenness. Moore himself was at a loss to explain this. He moved into Fruchter's family home in New Jersey and stayed there for five years, but this, however, placed a great strain on both her marriage and her friendship with Moore, and she later set him up in the house next door.
Moore was deeply affected by the death of Peter Cook in 1995, and for weeks would regularly telephone Cook's home in London just to get the telephone answering machine and hear his friend's voice. Moore attended Cook's memorial service in London and at the time many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organising a two-day salute to Cook in Los Angeles which Moore co-hosted with Lewis.
Moore is the main subject of the play ''Pete and Dud: Come Again'', by Chris Bartlett and Nick Awde. Set in a chat show studio in the '80s, it focuses on Moore's comic and personal relationship with Peter Cook and how their careers took off after the split of the partnership.
He maintained good relationships with Kendall particularly, and also Weld and Lane. However, he expressly forbade Rothschild to attend his funeral. At the time his illness became apparent, he was going through a difficult divorce from Rothschild, despite sharing a house in Los Angeles with her and her previous husband.
Moore dated and was a favourite of some of Hollywood's most attractive women, including Susan Anton. In 1994, Moore was arrested after Rothschild claimed he had beaten her before that year's Oscars; she later withdrew her charges.
In June 1998, Nicole Rothschild was reported to have told an American television show that Moore was "waiting to die" due to a serious illness, but these reports were denied by Suzy Kendall.
On 30 September 1999, Moore announced that he was suffering from the terminal degenerative brain disorder progressive supranuclear palsy, some of whose early symptoms were so similar to intoxication that he had been accused of being drunk, and that the illness had been diagnosed earlier in the year.
He died on 27 March 2002, as a result of pneumonia, secondary to immobility caused by the palsy, in Plainfield, New Jersey. Rena Fruchter was holding his hand when he died, and she reported his final words were, "I can hear the music all around me." Moore was interred in Hillside Cemetery in Scotch Plains, New Jersey. Fruchter later wrote a memoir of their relationship (''Dudley Moore'', Ebury Press, 2004).
In December 2004, the Channel 4 television station in the United Kingdom broadcast ''Not Only But Always'', a TV movie dramatising the relationship between Moore and Cook, although the principal focus of the production was on Cook. Around the same time the relationship between the two was also the subject of a stage play called ''Pete and Dud: Come Again''.
;Further reading
Category:Alumni of Magdalen College, Oxford Category:Best Musical or Comedy Actor Golden Globe (film) winners Category:English jazz pianists Category:Commanders of the Order of the British Empire Category:Deaths from pneumonia Category:Deaths from progressive supranuclear palsy Category:English classical organists Category:English comedians Category:English film actors Category:English jazz musicians Category:English satirists Category:English television actors Category:Grammy Award winners Category:Organ scholars Category:People from Dagenham Category:1935 births Category:2002 deaths Category:English expatriates in the United States
an:Dudley Moore cy:Dudley Moore de:Dudley Moore es:Dudley Moore fr:Dudley Moore hr:Dudley Moore io:Dudley Moore id:Dudley Moore it:Dudley Moore he:דאדלי מור nl:Dudley Moore ja:ダドリー・ムーア no:Dudley Moore pl:Dudley Moore pt:Dudley Moore ro:Dudley Moore ru:Мур, Дадли fi:Dudley Moore sv:Dudley Moore tl:Dudley MooreThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 55°45′06″N37°37′04″N |
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name | Kenneth More |
birth name | Kenneth Gilbert More |
birth date | September 20, 1914 |
birth place | Gerrards Cross, Buckinghamshire, England |
death date | July 12, 1982 |
death place | London, England |
years active | 1935–80 |
spouse | Beryl Johnstone (1939-46)(divorce) 1 childMabel Barkby (1952-68)(divorce) 1 childAngela Douglas (1968-82) (his death) }} |
Kenneth Gilbert More CBE (20 September 1914 – 12 July 1982) was a highly successful English film actor during the post-World War II era and starred in many feature films, often in the role of an archetypal carefree and happy-go-lucky middle-class gentleman.
When More was 17 his father died, and he applied to join the RAF, but failed the medical test for equilibrium. He went to Canada, intending to work as a fur trapper, but was sent back for lacking immigration papers.
In the 1950s, he entered into a contract with the Rank Organisation, which led to a successful career in starring roles for a decade. He enjoyed great success in films of the 1950s after winning a BAFTA Award as best newcomer for ''Doctor in the House'' in 1954. Possibly his most famous role was that of the Royal Air Force fighter ace, Douglas Bader, in ''Reach for the Sky'' in 1956. He played the lead role in the Titanic film ''A Night to Remember'' in 1958. He specialised in likeable, unflappable English heroes ("an air of hectoring confidence ... heroic in a cocky big-brotherly way"), a persona that could in some roles show darker aspects, as with the controlling Crichton in ''The Admirable Crichton'' and the brash Ambrose Claverhouse in ''Genevieve''. In 1959, Rank's John Davis gave permission for More to work outside his contract to appear in ''The Guns of Navarone''. More, however, made the mistake of heckling and swearing at Davis at a BAFTA dinner at the Dorchester, losing both the role (which went to David Niven) and his contract with Rank.
He later appeared in a number of all-star war films, among them ''Sink the Bismarck!'' (1960), ''The Longest Day'' (1962), ''Battle of Britain'' (1969), and ''Oh! What a Lovely War'' (1969).
His film parts got smaller in the 1960s, with some thinking his popularity declined when he left his wife to live with Angela Douglas. His popularity recovered through West End stage performances and television roles, especially following his success in ''The Forsyte Saga'', and as the title character in ATV's 1974 ''Father Brown''. He is also known for his role as the Ghost of Christmas Present in 1970's ''Scrooge''.
He stood in the wings to replace Bernard Lee as M in the James Bond film ''Live and Let Die'' when it wasn't known if an ill Lee would be able to appear.
Kenneth More published two autobiographies, ''Happy Go Lucky'' in 1959 and ''More or Less'' in 1978. In the second book he related how he had had since childhood a recurrent dream of something akin to a huge wasp descending towards him. During the war he experienced a Nazi Stuka bomber descending in just such a manner. After that he claimed never to have had that dream again.
He died in London from Parkinson's disease on 12 July 1982, aged 67, and was cremated at Putney Vale Crematorium.
The Kenneth More Theatre, named in his honour, is in Ilford, Essex. The robot Kryten in the TV series ''Red Dwarf'' was named after More's character in ''The Admirable Crichton''.
Category:1914 births Category:1982 deaths Category:Best British Actor BAFTA Award winners Category:Burials at Putney Vale Cemetery Category:Commanders of the Order of the British Empire Category:Deaths from Parkinson's disease Category:English actors Category:English film actors Category:English stage actors Category:English television actors Category:People from Gerrards Cross Category:Old Victorians Category:Royal Navy officers Category:Royal Navy personnel of World War II
de:Kenneth More es:Kenneth More fr:Kenneth More it:Kenneth More la:Kennethus More nl:Kenneth More ja:ケネス・モア ro:Kenneth More sv:Kenneth MoreThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 55°45′06″N37°37′04″N |
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{{infobox actor | name | Umberto Lenzi | image Umberto_lenzi_sitges2008.jpg | imagesize | caption Umberto Lenzi at the Festival de Cine de Sitges in October 2008. | birth_date August 06, 1931 | birth_place Massa Marittima, Italy | occupation Film director and screenwriter | birthname | academyawards | spouse }} |
Umberto Lenzi (born August 6, 1931), is an Italian film director who was very active in low budget crime films, peplums, spaghetti westerns, war movies, cannibal films and giallo murder mysteries (in addition to writing many of the screenplays himself).
Category:1931 births Category:Living people Category:People from the Province of Grosseto Category:Italian film directors Category:Horror film directors Category:Spaghetti Western directors
de:Umberto Lenzi el:Ουμπέρτο Λέντσι es:Umberto Lenzi fr:Umberto Lenzi it:Umberto Lenzi ja:ウンベルト・レンツィ no:Umberto Lenzi ru:Ленци, Умберто fi:Umberto Lenzi sv:Umberto Lenzi
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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