• Arthur Hutchings
  Arthur James Bramwell Hutchings (1906–1989) was professor of music at the University of Durham, England. He wrote extensively on topics as varied as nineteenth-century English church music, Schubert, Edmund Rubbra, and baroque concertos; but his most famous work was the ''Companion to Mozart's Piano Concertos'', published in 1948.
  http://wn.com/Arthur_Hutchings
• Benjamin Britten
  Edward Benjamin Britten, Baron Britten, OM CH (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. Showing prodigious talent from an early age – he composed Quatre Chansons françaises for soprano and orchestra at the age of fourteen – he first came to public attention with the a cappella choral work A Boy Was Born. With the premiere of his opera Peter Grimes in 1945 he leapt to international fame, and for the next fifteen years he devoted much of his compositional attention to writing operas, several of which now appear regularly on international stages. Britten's interests as a composer were wide-ranging; he produced important music in such varied genres as orchestral, choral, solo vocal (much of it written for the tenor Peter Pears), chamber and instrumental, as well as film music. He also took a great interest in writing music for children and amateur performers, and was a fine pianist and conductor.
  http://wn.com/Benjamin_Britten
• Boudicca
  http://wn.com/Boudicca
• Curtis Price
  Sir Curtis Alexander Price, KBE (born in Springfield, Missouri, in 1945) has been Warden of New College, Oxford since October 2009. He was previously Principal of the Royal Academy of Music from 1995 to 2008 and Professor of Music in the University of London.
  http://wn.com/Curtis_Price
• 
  Dario Marianelli
  Dario Marianelli (born June 21, 1963 in Pisa, Italy) is a composer of piano, orchestral, and film music. He has composed the soundtracks for The Brothers Grimm (2005) and Pride & Prejudice (2005). He received Oscar nominations for Best Achievement in Music Written for Motion Pictures, Original Score for Pride & Prejudice and Atonement. He has won Best Original Score for the score of Atonement at the 80th Academy Awards and Golden Globe Award for Best Original Score. He has collaborated with Joe Wright for three times, including Pride & Prejudice, Atonement, and
  http://wn.com/Dario_Marianelli
• 
  Don Quixote
  (; , see spelling and pronunciation below), fully titled The Ingenious Hidalgo Don Quixote of La Mancha (), is a novel written by Spanish author Miguel de Cervantes. Cervantes created a fictional origin for the story by inventing a Moorish chronicler for Don Quixote named Cide Hamete Benengeli. Published in two volumes a decade apart (in 1605 and 1615), Don Quixote is the most influential work of literature from the Spanish Golden Age in the Spanish literary canon. As a founding work of modern Western literature, it regularly appears high on lists of the greatest works of fiction ever published.
  http://wn.com/Don_Quixote
• Edward Henry Purcell
  Edward Henry Purcell (died 1765), organist, printer, and music publisher, was the son of Edward Purcell, and grandson of the English Baroque master, Henry Purcell. He was a chorister in the Chapel Royal in 1737.Holman, Peter, and Thompson, Robert 'Edward Henry Purcell' in Grove Music Online (ed. L. Macy), , accessed 15 March 2008 Upon the death of his father in 1740, he succeeded him as organist of St Clement, Eastcheap.
  http://wn.com/Edward_Henry_Purcell
• Edward Joseph Dent
  Edward Joseph Dent, generally known by his initials as E. J. Dent (6 July 1876, Ribston, Yorkshire – 22 August 1957, London) was a British writer on music.
  http://wn.com/Edward_Joseph_Dent
• Handel
  http://wn.com/Handel
• Henry Cooke
  Henry Cooke (Captain Henry Cooke; c. 1616 - 13 July 1672) was an English composer, actor and singer. At the outbreak of the English Civil War he was a Gentleman of the Chapel Royal and joined the Royalist cause, in the service of which he rose to the rank of Captain. With the Restoration of Charles II he returned to the Chapel Royal as Master of the Children and was responsible for the rebuilding of the Chapel and the introduction of instrumental music into the services. The choristers in his charge included his successor and eventual son-in-law Pelham Humfrey, as well as Henry Purcell and John Blow.
  http://wn.com/Henry_Cooke
• Imogen Holst
  Imogen Claire Holst, CBE (12 April 1907 — 9 March 1984) was a British composer and conductor, and sole child of composer Gustav Holst.
  http://wn.com/Imogen_Holst
• J. M. Dent
  Joseph Malaby Dent (30 August 1849 – 9 May 1926) was a British book publisher who produced the Everyman's Library series.
  http://wn.com/J_M_Dent
• Jack Westrup
  Sir Jack Westrup (26 July 1904 – 21 April 1975) was an English musicologist, writer, teacher and occasional composer.
  http://wn.com/Jack_Westrup
• 
  James II of England
  James II & VII (14 October 1633 – 16 September 1701) was King of England and King of Ireland as James II and King of Scotland as James VII, from 6 February 1685. He was the last Catholic monarch to reign over the Kingdoms of England, Scotland, and Ireland. Increasingly Britain's political and religious leaders opposed him as too pro-French, too pro-Catholic, and too much of an absolute monarch. When he produced a Catholic heir, the tension exploded and the leaders called on William III of Orange (his son-in-law and nephew) to land an invasion army from the Netherlands. James fled England (and thus abdicated) in the Glorious Revolution of 1688. He was replaced by William of Orange who became king as William III, ruling jointly with his wife (James's daughter) Mary II. Thus William and Mary, both Protestants, became joint rulers in 1689. James made one serious attempt to recover his crowns, when he landed in Ireland in 1689 but, after the defeat of the Jacobite forces by the Williamite forces at the Battle of the Boyne in the summer of 1690, James returned to France. He lived out the rest of his life as a pretender at a court sponsored by his cousin and ally, King Louis XIV.
  http://wn.com/James_II_of_England
• 
  John Dryden
  John Dryden (9 August 1631 – 1 May 1700) was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden.
  http://wn.com/John_Dryden
• John Gostling
  John Gostling (1644–1733) was a 17th century Church of England clergyman and bass singer famed for his range and power. He was a favourite singer of Charles II and is particularly associated with the music of Henry Purcell.
  http://wn.com/John_Gostling
• 
  John Playford
  John Playford (1623–1686/7) was a London bookseller, publisher, and member of the Stationers' Company, who published books on music theory, instruction books for several instruments, and psalters with tunes for singing in churches. He is perhaps best known today for his publication of The English Dancing Master in 1651.
  http://wn.com/John_Playford
• Jonathan Keates
  Jonathan Basil Keates, (born 2 May 1946 in Paris, France) is an English writer, biographer and novelist. He was educated at Bryanston School and went on to read for his undergraduate degree at Magdalen College, Oxford.
  http://wn.com/Jonathan_Keates
• Josias Priest
  Josias Priest (c. 1645 – 3 January 1735 in Chelsea, London) was an English dancer, dancing-master and choreographer.
  http://wn.com/Josias_Priest
• 
  Klaus Nomi
  Klaus Sperber (January 24, 1944 – August 6, 1983), better known as Klaus Nomi, was a German countertenor noted for his wide vocal range and an unusual, otherworldly stage persona.
  http://wn.com/Klaus_Nomi
• 
  Mark Gasser
  Mark Gasser (; born 1972 in Sheffield, South Yorkshire) is a British concert pianist.
  http://wn.com/Mark_Gasser
• 
  Mary II of England
  Mary II (30 April 1662 – 28 December 1694) was Queen regnant of England, Scotland, and Ireland from 1689 until her death. Mary, a Protestant, came to the thrones following the Glorious Revolution, which resulted in the deposition of her Roman Catholic father, James II and VII. Mary reigned jointly with her husband and first cousin, William III and II, who became the sole ruler of both countries upon her death in 1694. Popular histories usually refer to the joint reigns as those of "William and Mary".
  http://wn.com/Mary_II_of_England
• Maureen Duffy
  Maureen Patricia Duffy (born 21 Oct 1933 in Worthing, Sussex) is a contemporary British poet, playwright and novelist. She has also published a literary biography of Aphra Behn, and The Erotic World of Faery a book-length study of eroticism in faery fantasy literature.
  http://wn.com/Maureen_Duffy
• Michael Burden
  Michael Burden is Fellow in Music, Dean and Chattels Fellow, Pictures Fellow and Keeper of the Silver at New College, Oxford, as well as Director of New Chamber Opera (a college group made up of students) and Titular Reader in Opera Studies in the University of Oxford.
  http://wn.com/Michael_Burden
• 
  Michael Nyman
  Michael Laurence Nyman, CBE (born 23 March 1944) is an English composer of minimalist music, pianist, librettist and musicologist, known for the many film scores he wrote during his lengthy collaboration with the filmmaker Peter Greenaway, and his multi-platinum soundtrack album to Jane Campion's The Piano. His operas include The Man Who Mistook His Wife for a Hat, Letters, Riddles and Writs, Noises, Sounds & Sweet Airs, Facing Goya, , Love Counts, and Sparkie: Cage and Beyond, and he has written six concerti, four string quartets, and many other chamber works, many for his Michael Nyman Band, with and without whom he tours as a performing pianist. Nyman has stated his preference for writing opera to other sorts of music.
  http://wn.com/Michael_Nyman
• 
  Nahum Tate
  Nahum Tate (1652 – July 30, 1715) was an Irish poet, hymnist, and lyricist, who became England's poet laureate in 1692.
  http://wn.com/Nahum_Tate
• 
  Nathaniel Lee
  Nathaniel Lee (c. 1653 – 6 May 1692) was an English dramatist.
  http://wn.com/Nathaniel_Lee
• Pausanias (general)
  Pausanias (Greek: Παυσανίας) (d. c. 470 BC) was a Spartan general of the 5th century BC. He was the son of Cleombrotus and nephew of Leonidas I, serving as regent after the latter's death, since Leonidas' son Pleistarchus was still under-age. Pausanias was also the father of Pleistoanax, who later became king. Pausanias was responsible for the Greek victory over Mardonius and the Persians at the Battle of Plataea in 479 BC, and was the leader of the Hellenic League created to resist Persian aggression during the Greco-Persian Wars.
  http://wn.com/Pausanias_(general)
• Pelham Humfrey
  Pelham Humfrey (Humphrey, Humphrys) (London 1647 – Windsor 14 July 1674) was the first to prominence of the new generation of English composers at the beginning of the Restoration.
  http://wn.com/Pelham_Humfrey
• 
  Pete Townshend
  Peter Dennis Blandford "Pete" Townshend (; born 19 May 1945) is an English rock guitarist, vocalist, songwriter and author, known principally as the guitarist and songwriter for The Who, as well as for his own solo career. His career with The Who spans more than forty years, during which time the band grew to be considered one of the most influential bands of the 60s and 70s, and, according to Eddie Vedder, "possibly the greatest live band ever."
  http://wn.com/Pete_Townshend
• 
  Peter Greenaway
  Peter Greenaway, CBE (born 5 April 1942, Newport, Monmouthshire, Wales) is a British film director. He is currently professor of cinema studies at the European Graduate School in Saas-Fee, Switzerland.
  http://wn.com/Peter_Greenaway
• Rodney Milnes
  Rodney Milnes Blumer (26 July 1936, Stafford) is an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.
  http://wn.com/Rodney_Milnes
• Thomas d'Urfey
  '''Thomas D'Urfey (Tom Durfey''') (1653 – 26 February 1723) was an English writer and wit. He composed plays, songs, and poetry, in addition to writing jokes. He was an important innovator and contributor in the evolution of the Ballad opera.
  http://wn.com/Thomas_d'Urfey
• Wendy Carlos
  Wendy Carlos (born Walter Carlos on 14 November 1939) is an American composer and electronic musician. Carlos first came to notice in the late 1960s with recordings made on the Moog synthesizer, then a relatively new and unknown instrument; most notable were LPs of synthesized Bach and the soundtrack for Stanley Kubrick's film A Clockwork Orange. Several years prior, two Carlos compositions using classical (pre-Moog) electronic techniques had been issued on LP (Variations for Flute and Tape and Dialogues for Piano and Two Loudspeakers). Although the first Carlos Moog albums were interpretations of the works of classical composers, she later resumed releasing original compositions.
  http://wn.com/Wendy_Carlos

• 
  Canterbury
  Canterbury ( or ) is an English city which lies at the heart of the City of Canterbury, a district of Kent in South East England. It lies on the River Stour.
  http://wn.com/Canterbury
• 
  Chelsea, London
  Chelsea is an area of Central London, England, bounded to the south by the River Thames, where its frontage runs from Chelsea Bridge along the Chelsea Embankment, Cheyne Walk, Lots Road and Chelsea Harbour. Its eastern boundary was once defined by the River Westbourne, which is now in a pipe above Sloane Square tube station. The modern eastern boundary is Chelsea Bridge Road and the lower half of Sloane Street, including Sloane Square, along with parts of Belgravia . To the north and northwest, the area fades into Knightsbridge and South Kensington, but it is safe to say that the area north of King's Road as far northwest as Fulham Road is part of Chelsea.
  http://wn.com/Chelsea_London
• Third Reich
  http://wn.com/Third_Reich
• 
  Westminster
  Westminster is an area of Central London, within the City of Westminster, England. It lies on the north bank of the River Thames, southwest of the City of London and southwest of Charing Cross. It has a large concentration of London's historic and prestigious landmarks and visitor attractions, including Buckingham Palace and Westminster Abbey.
  http://wn.com/Westminster
• 
  Westminster Abbey
  The Collegiate Church of St Peter at Westminster, which is almost always referred to popularly and informally as Westminster Abbey, is a large, mainly Gothic church, in Westminster, London, England (UK), located just to the west of the Palace of Westminster. It is the traditional place of coronation and burial site for English, later British and later still (and currently) monarchs of the Commonwealth Realms. It briefly held the status of a cathedral from 1546–1556, and is a Royal Peculiar.
  http://wn.com/Westminster_Abbey

• Abdelazar
• Allmusic
• Amphitryon (Dryden)
• anthem
• Arthur Hutchings
• Baroque
• Baroque music
• bass (voice type)
• basso profondo
• Benjamin Britten
• Book frontispiece
• Boudicca
• cantata
• Canterbury
• Chapel Royal
• Chelsea, London
• Clarendon Press
• countertenor
• Curtis Price
• Daniel Purcell
• Dario Marianelli
• Der Untergang
• Dettingen Te Deum
• Dido and Aeneas
• Dido's Lament
• Dioclesian
• Don Quixote
• Downfall (film)
• Edward Henry Purcell
• Edward Joseph Dent
• England, My England
• feast day
• George Bell & Sons
• Greenwood Press
• Grove Music Online
• Handel
• Henry Cooke
• I Can See for Miles
• Ignaz Friedman
• Imogen Holst
• infant
• J. M. Dent
• Jack Westrup
• James II of England
• Jeremiah Clarke
• John Blow
• John Dryden
• John Gostling
• John Hingston
• John Playford
• Jonathan Keates
• Josias Priest
• Jubilate Deo
• King Arthur (opera)
• Klaus Nomi
• Klaus Nomi (album)
• Leicester Fields
• libretto
• Lillibullero
• Mark Gasser
• Mary II of England
• Maureen Duffy
• Michael Ball
• Michael Burden
• Michael Nyman
• Nahum Tate
• Nathaniel Lee
• ode
• Ogg
• Opera in English
• organist
• Orpheus Britannicus
• Ostinato
• Pausanias (general)
• Pelham Humfrey
• Pete Townshend
• Peter Greenaway
• Philip Massinger
• Pinball Wizard
• Pride and Prejudice
• Project Gutenberg
• Psalms
• Purcell Club
• Purcell Society
• recitative
• Rodney Milnes
• Ronald Stevenson
• sacred music
• Saint Cecilia
• secular music
• semi-opera
• Sonata
• St Clement Eastcheap
• St Paul's Cathedral
• St. Martin’s Press
• Te Deum
• The Fairy-Queen
• The Tempest
• The Tempest (Dryden)
• The Who
• Third Reich
• Thomas Betterton
• Thomas d'Urfey
• Thomas Purcell
• tuberculosis
• Tyrannick Love
• Wendy Carlos
• Westminster
• Westminster Abbey
• Westminster School

• Fantazia No. 1 in 3 parts
• Fantazia No. 2 in 3 parts
• Fantazia No. 3 in 3 parts
• Fantazia No. 4 in 4 parts
• Fantazia No. 5 in 4 parts
• Fantazia No. 6 in 4 parts
• Fantazia No. 7 in 4 parts
• Fantazia No. 8 in 4 parts
• Fantazia No. 9 in 4 parts
• Fantazia No. 10 in 4 parts
• Fantazia No. 11 in 4 parts
• Fantazia No. 12 in 4 parts
• Fantazia upon one note in 5 parts
• In nomine in 6 parts
• In nomine in 7 parts

• The Indian Queen, Z. 630: Trumpet Overture
• Jubilate Deo in D major
• Dido and Aeneas, Z. 626: Overture
• Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor)
• Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance
• Dido and Aeneas, Z. 626: Act III, Scene II. "When I am laid in earth" (Dido)
• Four-Part Fantazias: VII. Fantazia in C minor, Z. 738
• Amphitryon, Z. 572 "The 2 Sosias": A Pastoral Dialogue Betwixt Thyrsis and Iris
• The Fairy Queen, Z. 629: Act IV. Symphony
• Blow up the trumpet in Sion, Z. 10
• Chacony, Z. 730
• Music on the Death of Queen Mary: March, Z. 860A
• Music on the Death of Queen Mary: Thou knowest, Lord, the secrets of our hearts, Z. 58B
• Suite No. 2 in G minor, Z. 661: III. Corant
• Now that the sun hath veiled his light, "An Evening Hymn on a Ground", Z. 193
• The Indian Queen, Z. 630: Trumpet Tune
• Welcome to all the pleasures, "Ode on St. Cecilia's Day", Z. 339

• Incidental music to "Abdelazer or the moor's revenge", Z 750: Minuet
• Sonata in D major for flute and continuo
• Music for the Funeral of Queen Mary: March
• Anthem, Z 002: Behold, I bring you glad tidings
• Voluntary on the Doxology (Old 100th)

• If music be the food of Love (Z.379c)
• Corinna is divinely fair
• Ah! How sweet it is to love
• What a sad fate is mine, a song on a Ground
• Caprice de chacone
• O Solitude
• Music For A While
• Ground In C For Harpsichord
• Ground In C For Harpsichord
• O! Fair Cedaria
• Man Is For The Woman Made
• Not All My Torments Can Your Pity Move
• On The Brow Of Richmond Hill
• Pious Celinda goes to pray'rs
• When First I Saw Aurelia's Eyes
• Prelude In D
• The Cares of Lovers
• The fatal hour comes on apace
• I loved fair Celia
• When her languishing eyes said 'Love'
• Prelude In D Minor
• A Morning Hymn (Thou wakeful shepherd)
• Prelude [in E]
• The earth trembled
• Now that the sun has veil'd his light
• If music be the food of love (Z.379a)

• The Indian Queen, First Music - First Air
• The Indian Queen, First Music - Second Air
• The Indian Queen, Second Music - First Hornpipe
• The Indian Queen, Second Music - Second Hornpipe
• The Indian Queen, Overture - Adagio
• The Indian Queen, Overture - Allegro
• The Indian Queen, Trumpet Tune
• The Indian Queen, Prologue, Wake, Quivera
• The Indian Queen, Prologue, Why should men quarrel here
• The Indian Queen, Prologue, By ancient prophecies we have been told
• The Indian Queen, Prologue, Trumpet Tune - reprise
• The Indian Queen, Act II, Symphony, Canzona
• The Indian Queen, Act II, Symphony, Adagio
• The Indian Queen, Act II, Symphony, Allegro
• The Indian Queen, Act II, I come to sing great Zempoalla's story
• The Indian Queen, Act II, What flatt'ring noise is this
• The Indian Queen, Act II, Scorn'd Envy, here's nothing that thou canst blast
• The Indian Queen, Act II, I fly from the place where flattery reigns
• The Indian Queen, Act II, Begone, curst fiends of Hell
• The Indian Queen, Prelude - I come to sing great Zempoalla's story
• The Indian Queen, Act III, Air
• The Indian Queen, Act III, Minuet
• The Indian Queen, Act III, Ye twice ten hundred deities
• The Indian Queen, Act III, Symphony for hautboys
• The Indian Queen, Act III, Seek not to know what must not be reveal'd
• The Indian Queen, Act III, Trumpet Overture
• The Indian Queen, Act III, Ah! how happy are we!
• The Indian Queen, Act III, We the spirits of the air
• The Indian Queen, Act III, I attempt from love's sickness to fly in vain
• The Indian Queen, Act III, We the spirits of the air - reprise
• The Indian Queen, Act III, Third Act Tune
• The Indian Queen, Act IV, They tell us that your mighty powers
• The Indian Queen, Act V, While thus we bow before your shrine

• Dido and Aeneas, Act I, Overture
• Dido and Aeneas, Act I, Shake the cloud off from your brow
• Dido and Aeneas, Act I, Ah Belinda, I am prest with torment not to be confest
• Dido and Aeneas, Act I, Grief increases by concealing ... When monarchs unite
• Dido and Aeneas, Act I, Whence could so much virtue spring?
• Dido and Aeneas, Act I, Fear no danger to ensue
• Dido and Aeneas, Act I, See, your royal guest appears ... Cupid only throws the dart
• Dido and Aeneas, Act I, If not for mine, for Empire's sake ... Pursue thy conquest
• Dido and Aeneas, Act I, The Triumphing Dance
• Dido and Aeneas, Act II, Prelude for the witches. Wayward sisters
• Dido and Aeneas, Act II, The queen of Carthage ... Ho ho ho ho ho ho!
• Dido and Aeneas, Act II, But ere we this perform, we'll conjure up a storm
• Dido and Aeneas, Act II, In our deep vaulted cell
• Dido and Aeneas, Act II, Ritornelle. Thanks to these lonesome vales
• Dido and Aeneas, Act II, Oft she visits this lov'd mountain
• Dido and Aeneas, Act II, Behold, upon my bending spear ... Haste, haste to town
• Dido and Aeneas, Act II, Stay, Prince, and hear great Jove's command
• Dido and Aeneas, Act II, Then since our charms have sped. The Grove's Dance
• Dido and Aeneas, Act III, Come away, fellow sailors
• Dido and Aeneas, Act III, See, see the flags and streamers
• Dido and Aeneas, Act III, Destruction's our delight, delight our greatest sorrow
• Dido and Aeneas, Act III, The Witches' Dance
• Dido and Aeneas, Act III, Your counsel all is urg'd in vain
• Dido and Aeneas, Act III, Great minds against themselves conspire ... Thy hand, Belinda
• Dido and Aeneas, Act III, When I am laid in earth
• Dido and Aeneas, Act III, With drooping wings
• King Arthur, Overture
• King Arthur, Air
• King Arthur, Act I, Woden, first to thee a milk-white steed
• King Arthur, Act I, The white horse neigh'd ... To Woden, our defender
• King Arthur, Act I, The lot is cast, and Tanfan pleas'd
• King Arthur, Act I, Brave souls, to be renown'd in story
• King Arthur, Act I, I call you all to Woden's Hall
• King Arthur, Act I, "Come if you dare", our trumpets sound

• Sonata I in B minor: I. Adagio
• Sonata I in B minor: II. Canzona
• Sonata I in B minor: III. Largo
• Sonata I in B minor: IV. Vivace
• Sonata II in E-flat major: I. Adagio
• Sonata II in E-flat major: II. Canzona: Allegro
• Sonata II in E-flat major: III. Adagio
• Sonata II in E-flat major: IV. Largo
• Sonata II in E-flat major: V. Allegro
• Sonata III in A minor: I. Grave
• Sonata III in A minor: II. Largo
• Sonata III in A minor: III. Adagio
• Sonata III in A minor: IV. Canzona
• Sonata III in A minor: V. [Allegro] Grave
• Sonata IV in D minor: I. Adagio
• Sonata IV in D minor: II. Canzona
• Sonata IV in D minor: III. Adagio
• Sonata IV in D minor: IV. Vivace
• Sonata IV in D minor: V. Largo
• Sonata V in G minor: I. []
• Sonata V in G minor: II. Canzona
• Sonata V in G minor: III. Largo
• Sonata V in G minor: IV. Adagio
• Sonata V in G minor: V. Presto
• Sonata V in G minor: VI. Allegro
• Sonata V in G minor: VII. Adagio
• Sonata VI in G minor: I. Adagio
• Sonata VII in C major: I. Vivace
• Sonata VII in C major: II. Largo
• Sonata VII in C major: III. Grave
• Sonata VII in C major: IV. Canzona
• Sonata VII in C major: V. Allegro
• Sonata VII in C major: VI. Adagio
• Sonata VIII In G Minor: I. Adagio
• Sonata VIII In G Minor: II. Canzona
• Sonata VIII In G Minor: III. Grave
• Sonata VIII In G Minor: IV. Largo
• Sonata VIII In G Minor: V. Vivace
• Sonata IX in F major: I. []
• Sonata IX in F major: I. Adagio
• Sonata IX in F major: II. Canzona: Allegro
• Sonata IX in F major: III. Grave
• Sonata IX in F major: IV. Allegro
• Sonata X in D major: I. Adagio
• Sonata X in D major: II. Canzona: Allegro
• Sonata X in D major: III. Grave
• Sonata X in D major: IV. Largo
• Sonata X in D major: V. Allegro

• Overture
• 'Shake the cloud from off your brow'
• 'Ah! Belinda I am prest with torment'
• 'Grief increases by concealing'
• 'Whence could so much virtue spring?'
• 'See, your royal guest appears'
• 'Cupid only throws the dart'
• 'If not for mine, for Empire's sake' -
• Gittars Chacony
• 'To the hills and vales'
• Triumphing Dance
• Prelude - 'Wayward sisters' - 'Harms our delight'
• 'The Queen of Carthage' - 'Ho ho ho!'
• 'Ruin'd 'ere the set of sun?' - 'Ho ho ho!'
• 'In our deep vaulted cell the charm we'll prepare'
• Echo Dance of Furies
• Ritornelle
• 'Thanks to these lonsome vales'
• Gittars Passacaille
• 'Oft she visits this lone mountain'
• 'Behold, upon my bending spear' - 'Haste, haste to town'
• 'Stay, Prince, and hear great Jove's command'
• 'Then since our charms have sped'
• Prelude - 'Come away, fellow sailors' - The Sailors' Dance
• 'See the flags and streamers curling'
• 'Our next motion'
• The Witches' Dance
• Almand - 'Your counsel all is urg'd in vain'
• 'Great minds against themselves conspire'
• 'Thy hand, Belinda, darkness shades me'
• 'With drooping wings ye Cupids come'

• The Prophetess, Z 624: I. First Musick
• The Prophetess, Z 624: II. Second Musick
• The Prophetess, Z 624: III. Symphony for Trumpets & violins
• The Prophetess, Z 624: IV. Retornella
• The Prophetess, Z 624: V. Dance of the Furies: Soft music - Dance
• The Prophetess, Z 624: VI. The Chair Dance
• The Prophetess, Z 624: VII. Retornella
• The Fairy Queen, Z 629: Act 1, I. First music, Prelude
• The Fairy Queen, Z 629: Act 1, II. First music, Hornpipe
• The Fairy Queen, Z 629: Act 1, III. Second music, Air
• The Fairy Queen, Z 629: Act 1, IV. Second music, Rondeau
• The Fairy Queen, Z 629: Act 1, V. Overture
• The Fairy Queen, Z 629: Act 1, VI. First act tune, Jig
• The Fairy Queen, Z 629: Act 2, I. A prelude
• The Fairy Queen, Z 629: Act 2, II. 'A bird's Prelude'
• The Fairy Queen, Z 629: Act 2, III. Echo
• The Fairy Queen, Z 629: Act 2, IV. A Fairies Dances
• The Fairy Queen, Z 629: Act 2, V. A dance for the Followers of Night
• The Fairy Queen, Z 629: Act 2, VI. Second act tune, Air
• The Fairy Queen, Z 629: Act 3, I. Prelude 'Love's a sweet passion'
• The Fairy Queen, Z 629: Act 3, I. Overture, symphony while the swams come forward
• The Fairy Queen, Z 629: Act 3, II. Dance for the Fairies
• The Fairy Queen, Z 629: Act 3, III. Dance for the Green men
• The Fairy Queen, Z 629: Act 3, IV. Dance for the Haymakers
• The Fairy Queen, Z 629: Act 3, V. Third act tune: hornpipe
• The Fairy Queen, Z 629: Act 4, I. Symphony: Prelude, Canzona, Largo, Allegro, Adagio, Allegro
• The Fairy Queen, Z 629: Act 4, II. Entry of Phoebus
• The Fairy Queen, Z 629: Act 4, III. Fourth act tune, Air
• The Fairy Queen, Z 629: Act 5, I. Prelude
• The Fairy Queen, Z 629: Act 5, II. Entry dance
• The Fairy Queen, Z 629: Act 5, III. Symphony
• The Fairy Queen, Z 629: Act 5, IV. Monkey's dance
• The Fairy Queen, Z 629: Act 5, V. Chaconne, Dance for the Chinese Man and Woman
• The Fairy Queen, Z 629: Act 5, VI. 'Fifth act tune'

• Fantasia upon One Note in F major, Z 645
• Fantasia No. 1 in 3 parts in D minor, Z 732
• Fantasia No. 3 in 3 parts in G minor, Z 734
• Fantasia No. 2 in 3 parts in F major, Z 733
• Fantasia No. 4 in 4 parts in G minor, Z 735 (10 June 1680)
• Fantasia No. 5 in 4 parts in B-flat major, Z 736 (11 June 1680)
• Fantasia No. 6 in 4 parts in F major, Z 737 (14 June 1680)
• In Nomine in 6 parts in G minor, Z 746
• Fantasia No. 7 in 4 parts in C minor, Z 738 (19 June 1680)
• Fantasia No. 8 in 4 parts in D minor, Z 739 (22 June 1680)
• Fantasia No. 9 in 4 parts in A minor, Z 740 (23 June 1680)
• Fantasia No. 10 in 4 parts in E minor, Z 741 (30 June 1680)
• Fantasia No. 11 in 4 parts in G major, Z 742 (18 August 1680)
• Fantasia No. 12 in 4 parts in D minor, Z 743 (31 August 1680)
• In Nomine Dorian in 7 parts in G minor, Z 747

• Amphitryon, Z. 572 "The Two Sosias": I. Overture
• Amphitryon, Z. 572 "The Two Sosias": II. Saraband
• Amphitryon, Z. 572 "The Two Sosias": III. Hornpipe
• Amphitryon, Z. 572 "The Two Sosias". "Celia, That I Once Was Blest"
• Amphitryon, Z. 572 "The Two Sosias": IV. Scotch Tune
• Amphitryon, Z. 572 "The Two Sosias". "For Iris I Sigh"
• Amphitryon, Z. 572 "The Two Sosias": V. Air
• Amphitryon, Z. 572 "The Two Sosias": VI. Minuet
• Amphitryon, Z. 572 "The Two Sosias". A Pastoral Dialogue Betwixt Thrsis and Iris
• Amphitryon, Z. 572 "The Two Sosias": VII. Hornpipe
• Amphitryon, Z. 572 "The Two Sosias": VIII. Borree
• Sir Barnay Whigg, Z. 589: "Blow, Boreas, Blow"
• The Gordion Knot Unty'd, Z. 597. Overture
• The Gordion Knot Unty'd, Z. 597. Second Music: Air
• The Gordion Knot Unty'd, Z. 597. Second Music II: Minuet
• The Gordion Knot Unty'd, Z. 597. First Act Tune: Air
• The Gordion Knot Unty'd, Z. 597. Second Act Tune: Rondo Minuet
• The Gordion Knot Unty'd, Z. 597. Third Act Tune: Air
• The Gordion Knot Unty'd, Z. 597. Fourth Act Tune: Jig
• The Gordion Knot Unty'd, Z. 597. Chaconne
• Circe, Z. 575. "We Must Assemble By a Sacrific"
• Circe, Z. 575. "Their Necessary Aid You Use"
• Circe, Z. 575. "Come Every Demon"
• Circe, Z. 575. Magicians' Dance
• Circe, Z. 575. "Pluto, Arise!"
• Circe, Z. 575. "Lovers Who To Their First Embraces Go"

• Suite No. 1 in G major, Z 660: I. Prelude
• Suite No. 1 in G major, Z 660: II. Almand
• Suite No. 1 in G major, Z 660: III. Corant
• Suite No. 1 in G major, Z 660: IV. [Minuet]
• Chacone in G minor, ZT 680 (from "Timon of Athens")
• Suite No. 2 in G minor, Z 661: I. Prelude
• Suite No. 2 in G minor, Z 661: II. [Almand]
• Suite No. 2 in G minor, Z 661: III. Corant
• Suite No. 2 in G minor, Z 661: IV. Sarabande
• Ground, ZT 681 (from "Ye tuneful Muses")
• Suite No. 3 in G major, Z 662: I. Prelude
• Suite No. 3 in G major, Z 662: II. Almand
• Suite No. 3 in G major, Z 662: III. Courante
• A New Ground, ZT 682 (from "Welcome to all the pleasures")
• Suite No. 4 in A minor, Z 663: I. Prelude
• Suite No. 4 in A minor, Z 663: II. Almand
• Suite No. 4 in A minor, Z 663: III. Corante
• Suite No. 4 in A minor, Z 663: IV. Saraband
• Suite No. 4 in A minor, Z 663: V. Jig
• Ground in Gamut, Z 645
• Suite No. 5 in C major, Z 666: I. Prelude
• Suite No. 5 in C major, Z 666: Ia. Prelude
• Suite No. 5 in C major, Z 666: II. Almand
• Suite No. 5 in C major, Z 666: III. Corant
• Suite No. 5 in C major, Z 666: IV. Saraband
• Ground, ZD 221
• Suite No. 6 in D major, Z 667: I. Prelude
• Suite No. 6 in D major, Z 667: II. Almand
• Suite No. 6 in D major, Z 667: III. Hornpipe
• Round O, ZT 684 (from "Abdelazer")
• Suite No. 7 in D minor, Z 668: I. [Improvised prelude]
• Suite No. 7 in D minor, Z 668: II. Almand, very slow. 'Bell-barr'
• Suite No. 7 in D minor, Z 668: III. Corant
• Suite No. 7 in D minor, Z 668: IV. Hornpipe
• Ground, ZD 222 (from "Celebrate the festival")
• Suite No. 8 in F major, Z 669: I. Prelude
• Suite No. 8 in F major, Z 669: II. Almand
• Suite No. 8 in F major, Z 669: III. Courante
• Suite No. 8 in F major, Z 669: IV. Minuet

• The Fairy Queen, Z. 629 No. 40: "The plaint (O let me weep)"
• If Music Be the Food of Love, Z. 379
• The Indian Queen, Z. 630 No. 17h: "I attempt from love's sickness to fly"
• King Arthur, Z. 628 No. 38: Aria "Fairest isle"
• Pausanius, Z. 585 No. 1: "Sweeter than roses"
• Not All My Torments Can Your Pity Move, Z. 400
• The Fairy Queen, Z. 629 No. 39bc: "Thrice happy lovers"
• An Evening Hymn "Now that the sun hath veiled his light", Z. 193
• Don Quixote, Z. 578 No. 9: "From Rosy Bow'rs"
• Bonduca, Z. 574 No. 17: "O lead me to some peaceful gloom"
• The History of King Richard II, Z. 581 No. 1: "Retir'd from any mortal's sight"
• Oedipus, Z. 583 No. 2: "Music for awhile"
• Prophetess, Z. 627 No. 31: "Since from my dear Astrea's sight"
• O Solitude, My Sweetest Choice, Z. 406

• Overture
• Act I: Shake the cloud from off your brow (Belinda, Chorus)
• Act I: Ah! Belinda, I am press'd with torment (Dido)
• Act I: Grief increases by concealing (Belinda, Dido, Chorus)
• Act I: Whence could so much virtue spring (Dido, Belinda)
• Act I: Fear no danger to ensue (Belinda, 2nd Woman and Chorus)
• Act I: See, your Royal guest appears (Belinda, Aeneas, Dido)
• Act I: Cupid only throws the dart (Chorus)
• Act I: If not for mine, for Empire's sake (Aeneas)
• Act I: Pursue thy conquest, Love (Belinda)
• Act I: To the hills and the vales (Chorus)
• Act I: The Triumphing Dance
• Act II Scene 1: Prelude for the Witches
• Act II Scene 1: Wayward sisters (Sorceress, 1st Witch)
• Act II Scene 1: Harm's our delight (Chorus)
• Act II Scene 1: The Queen of Carthage, whom we hate (Sorceress, Chorus)
• Act II Scene 1: Ruin'd ere the set of sun (1st and 2nd Witches, Sorceress, Chorus)
• Act II Scene 1: But, ere we this perform (1st and 2nd Witches)
• Act II Scene 1: In our deep vaulted cell (Chorus)
• Act II Scene 1: Echo Dance of Furies
• Act II Scene 2: Ritornelle
• Act II Scene 2: Thanks to these lonesome vales (Belinda, Chorus)
• Act II Scene 2: Oft she visits this lone mountain (2nd Woman)
• Act II Scene 2: Behold, upon my bended spear (Aeneas, Dido)
• Act II Scene 2: Haste to town (Belinda, Chorus)
• Act II Scene 2: Stay, Prince! and hear great Jove's command (Spirit, Aeneas)
• Act II Scene 2: Then since our Charm's have sped (Chorus)
• Act III Scene 1: Prelude - Come away, fellow sailors (Sailor, Chorus)
• Act III Scene 1: The Sailor's Dance
• Act III Scene 1: See, the flags and streamers curling (Sorceress, 1st and 2nd Witches)
• Act III Scene 1: Our next motion (Sorceress)
• Act III Scene 1: Destruction's our delight (Chorus)
• Act III Scene 1: The Witches' Dance
• Act III Scene 2: Your counsel all is urg'd in vain (Dido, Belinda, Aeneas)
• Act III Scene 2: Great minds against themselves conspire (Chorus)
• Act III Scene 2: Thy hand, Belinda; darkness shades me (Dido)
• Act III Scene 2: When I am laid in earth (Dido)
• Act III Scene 2: With drooping wings ye cupids come (Chorus)
• St. Matthew Passion, BWV 244, Part II: Aria: Erbarme dich, mein Gott
• Serse (Xerxes), HWV 40, Act I: Frondi tenere e belle… Ombra mai fu, "Largo"
• Dido and Aeneas, Z. 626, Act III: Thy hand, Belinda … When I am laid in earth

• Round O, Z. 684
• Ground in C major, Z. 681
• Harpsichord Suite No. 2 in G minor, Z. 661: I. Prelude
• Harpsichord Suite No. 2 in G minor, Z. 661: II. Almand
• Harpsichord Suite No. 2 in G minor, Z. 661: III. Corant
• Harpsichord Suite No. 2 in G minor, Z. 661: IV. Saraband
• Harpsichord Suite No. 6 in D major, Z. 667: I. Prelude
• Harpsichord Suite No. 6 in D major, Z. 667: II. Almand
• Harpsichord Suite No. 6 in D major, Z. 667: III. Hornpipe
• A New Ground in E minor, Z. 682
• Harpsichord Suite No. 3 in G major, Z. 662: I. Prelude
• Harpsichord Suite No. 3 in G major, Z. 662: II. Almand
• Harpsichord Suite No. 3 in G major, Z. 662: III. Corant
• Harpsichord Suite No. 7 in D minor, Z. 668: I. Prelude
• Harpsichord Suite No. 7 in D minor, Z. 668: II. Corant
• Harpsichord Suite No. 7 in D minor, Z. 668: III. Hornpipe
• Ground in Gamut, Z. 645
• Harpsichord Suite No. 4 in A minor, Z. 663: I. Prelude
• Harpsichord Suite No. 4 in A minor, Z. 663: II. Almand
• Harpsichord Suite No. 4 in A minor, Z. 663: III. Corante
• Harpsichord Suite No. 4 in A minor, Z. 663: IV. Sarabande
• Harpsichord Suite No. 5 in C major, Z. 666: I. Prelude
• Harpsichord Suite No. 5 in C major, Z. 666: II. Almand
• Harpsichord Suite No. 5 in C major, Z. 666: III. Corant
• Harpsichord Suite No. 5 in C major, Z. 666: IV. Saraband
• Ground in D minor, ZD. 222
• Harpsichord Suite No. 8 in F major, Z. 669: I. Prelude
• Harpsichord Suite No. 8 in F major, Z. 669: II. Almand
• Harpsichord Suite No. 8 in F major, Z. 669: III. Corant
• Harpsichord Suite No. 8 in F major, Z. 669: IV. Minuet
• Harpsichord Suite No. 1 in D major, Z. 660: I. Prelude
• Harpsichord Suite No. 1 in D major, Z. 660: II. Almand
• Harpsichord Suite No. 1 in D major, Z. 660: III. Corant
• Harpsichord Suite No. 1 in D major, Z. 660: IV. Minuet
• Ground in C major, ZD. 221

• Trio Sonata of 3 parts No. 1 in G minor, Z. 790: I. Adagio
• Trio Sonata of 3 parts No. 1 in G minor, Z. 790: II. Vivace
• Trio Sonata of 3 parts No. 1 in G minor, Z. 790: III. Adagio, Presto
• Trio Sonata of 3 parts No. 1 in G minor, Z. 790: IV. Largo
• Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: I. Adagio
• Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: II. Largo, Presto
• Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: III. Adagio
• Trio Sonata of 3 parts No. 2 in B-flat major, Z. 791: IV. Allegro
• Trio Sonata of 3 parts No. 3 in D minor, Z. 792: I. Grave, Adagio
• Trio Sonata of 3 parts No. 3 in D minor, Z. 792: II. Canzona
• Trio Sonata of 3 parts No. 3 in D minor, Z. 792: III. Poco Largo, Allegro
• Trio Sonata of 3 parts No. 4 in F major, Z. 793: I. Adagio
• Trio Sonata of 3 parts No. 4 in F major, Z. 793: II. Canzona
• Trio Sonata of 3 parts No. 4 in F major, Z. 793: III. Poco Largo
• Trio Sonata of 3 parts No. 4 in F major, Z. 793: IV. Allegro
• Trio Sonata of 3 parts No. 5 in A minor, Z. 794: I. Canzona
• Trio Sonata of 3 parts No. 5 in A minor, Z. 794: II. Adagio
• Trio Sonata of 3 parts No. 5 in A minor, Z. 794: III. Largo
• Trio Sonata of 3 parts No. 5 in A minor, Z. 794: IV. Grave, Canzona
• Trio Sonata of 3 parts No. 6 in C major, Z. 795: I. Adagio
• Trio Sonata of 3 parts No. 6 in C major, Z. 795: II. Canzona
• Trio Sonata of 3 parts No. 6 in C major, Z. 795: III. Largo
• Trio Sonata of 3 parts No. 6 in C major, Z. 795: IV. Allegro
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace
• Trio Sonata of 3 parts No. 8 in G major, Z. 797: I. Canzona
• Trio Sonata of 3 parts No. 8 in G major, Z. 797: II. Poco Largo, Allegro
• Trio Sonata of 3 parts No. 8 in G major, Z. 797: III. Grave, Vivace
• Trio Sonata of 3 parts No. 9 in C minor, Z. 798: I. Adagio
• Trio Sonata of 3 parts No. 9 in C minor, Z. 798: II. Largo
• Trio Sonata of 3 parts No. 9 in C minor, Z. 798: III. Canzona, Adagio
• Trio Sonata of 3 parts No. 9 in C minor, Z. 798: IV. Allegro
• Trio Sonata of 3 parts No. 10 in A major, Z. 799: I. Adagio
• Trio Sonata of 3 parts No. 10 in A major, Z. 799: II. Largo
• Trio Sonata of 3 parts No. 10 in A major, Z. 799: III. Grave, Presto
• Trio Sonata of 3 parts No. 11 in F minor, Z. 800: I. Adagio
• Trio Sonata of 3 parts No. 11 in F minor, Z. 800: II. Canzona
• Trio Sonata of 3 parts No. 11 in F minor, Z. 800: III. Adagio
• Trio Sonata of 3 parts No. 11 in F minor, Z. 800: IV. Largo
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco Largo
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave, Presto
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: V. Allegro

• Prelude
• Hornpipe
• Air
• Rondeau
• Overture
• Song in two parts: 'Come, come, come, let us leave the Town'
• Scene of the drunken poet: 'Fill up the bowl'
• First act tune: Jig
• Prelude and song: 'Come all ye songsters of the sky'
• Prelude
• Trio: 'May the God of wit inspire'
• Echo
• Chorus: 'Now joyn your Warbling Voices all'
• A dance of Fairies
• Song and chorus: 'Sing while we trip it on the green'
• Song: 'See, even Night her self is here' (NIGHT)
• Song: 'I am come to lock all fast' (MYSTERY)
• Song: 'One charming Night' (SECRESIE)
• Song and chorus: 'Hush, no more, be silent all' (SLEEP)
• A dance for the followers of Night
• Second act tune: Air
• A song in two parts and chorus: 'If Love's a sweet passion'
• Overture: Symphony while the swans come forward
• Dance for the Fairies
• Dance for the Green Men
• Song: 'Ye gentle spirits of the air, appear'
• Dialogue between Coridon and Mopsa: 'Now the maids and the men'
• Song: 'When I have often heard' (A NYMPH)
• A Dance of Haymakers
• Song and chorus: 'A thousand thousand ways we'll find'
• Third Act Tune: Hornpipe

• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Symphony. Largo - Allegro - Adagio
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Symphony - Come, come, ye sons of Art
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Come, come, ye sons of Art
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Sound the trumpet
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Symphony
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Strike the viol
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: The day that such a blessing gave
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: The day that such a blessing gave
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Bid the Virtues
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: These are the sacred charms
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: See Nature, rejoicing
• Ode for the Birthday of Queen Mary, 1694 "Come, ye sons of Art", Z 323: Thus Nature, rejoicing
• Praise the Lord, O Jerusalem, Z 46
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Symphony
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Love's goddess sure was blind
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Those eyes, that form
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Sweetness of nature
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Long may she reign
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: May her blest example chase
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Many, many such days
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: May she to Heaven late return
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: As much as we below shall mourn
• Ode for the Birthday of Queen Mary, 1692 "Love's goddess sure", Z 331: Our short, but their eternal choice
• Music for the Funeral of Queen Mary, 1695: Drum Processional
• Music for the Funeral of Queen Mary, 1695: March, Z 860a
• Music for the Funeral of Queen Mary, 1695: Canzona, Z 860b
• Music for the Funeral of Queen Mary, 1695: Drum Recessional
• Man that is born of a woman, Z 27
• In the midst of life, Z 17b
• Thou know'st, Lord, the secrets of our hearts, Z 58b
• Funeral Anthem of Queen Mary, 1695: Thou knowest, Lord, the secrets of our hearts, Z 58c

• King Arthur, Z. 628: Ouverture
• King Arthur, Z. 628: Air
• King Arthur, Z. 628: Symphony
• King Arthur, Z. 628: Act I. "Woden first to thee"
• King Arthur, Z. 628: Act I. "To Woden thanks we render"
• King Arthur, Z. 628: Act I. "The lot is cast"
• King Arthur, Z. 628: Act I. "Brave souls"
• King Arthur, Z. 628: Act I. "I call you all"
• King Arthur, Z. 628: Act I. "Come if you dare"
• King Arthur, Z. 628: Act II. "Hither this way"
• King Arthur, Z. 628: Act II. "Let not a moon-born elf"
• King Arthur, Z. 628: Act II. "Hither this way"
• King Arthur, Z. 628: Act II. "Come follow me"
• King Arthur, Z. 628: Act II. "How blest are shepherds"
• King Arthur, Z. 628: Act II. "Shepherd, shepherd, leave decoying"
• King Arthur, Z. 628: Act II. "Come, shepherds"
• King Arthur, Z. 628: Act II. Symphony
• King Arthur, Z. 628: Act III. The Frost Scene
• King Arthur, Z. 628: Act III. "What ho!"
• King Arthur, Z. 628: Act III. "What Power art thou"
• King Arthur, Z. 628: Act III. "Thou doting fool"
• King Arthur, Z. 628: Act III. "Great love"
• King Arthur, Z. 628: Act III. "No part of my dominion"
• King Arthur, Z. 628: Act III. Prelude
• King Arthur, Z. 628: Act III. Chorus "See, see"
• King Arthur, Z. 628: Act III. "Tis I that have warm'd ye"
• King Arthur, Z. 628: Act III. Duet "Sound a parley"
• King Arthur, Z. 628: Act III. Symphony
• King Arthur, Z. 628: Act IV. "Two daughters of this aged stream"
• King Arthur, Z. 628: Act IV. Passacaglia "How happy the lover"
• King Arthur, Z. 628: Act IV. Symphony
• King Arthur, Z. 628: Act V. Trumpet Tune
• King Arthur, Z. 628: Act V. "Ye Blust'ring brethren"
• King Arthur, Z. 628: Act V. Symphony
• King Arthur, Z. 628: Act V. "Round thy coast"
• King Arthur, Z. 628: Act V. "For folded flocks"
• King Arthur, Z. 628: Act V. "Your hay it is mow'd"
• King Arthur, Z. 628: Act V. "Fairest isle"
• King Arthur, Z. 628: Act V. Duet. "You say 'tis love"
• King Arthur, Z. 628: Act V. Trumpet Tune / Chorus "Our natives"
• King Arthur, Z. 628: Act V. Chaconne

• O solitude, my sweetest choice!, Z. 406
• If music be the food of love, Z. 379
• The fatal hour comes on apace, Z. 421
• What a sad fate is mine, Z. 428
• While Thyrsis, wrapt in downy sleep, Z. 437
• The Fairy Queen, Z. 629: Act V. Air
• Distressed Innocence, Z. 577: Slow Air
• The Fairy Queen, Z. 629: "I attempt from love's sickness"
• Ask me to love no more, Z. 358
• Beneath a dark and melancholy grove, Z. 461
• If pray'rs and tears, Z. 380
• Incassum Lesbia, incassum rogas, Z. 383
• In Cloris all soft charm agree, Z. 384
• A thousand sev'ral ways I tried, Z. 359
• Intermède instrumental
• Bacchus is a pow'r divine, Z. 360
• Intermèdes instrumentaux
• Song Tune Instrumental
• Young Thyrsis' fate, ye hills and groves, deplore, Z. 473
• Now that the sun hath veiled his light, Z. 193

• The Fairy Queen, Z. 629: First Music: Prelude
• The Fairy Queen, Z. 629: First Music: Hornpipe
• The Fairy Queen, Z. 629: Second Music: Aire
• The Fairy Queen, Z. 629: Second Music: Rondeau
• The Fairy Queen, Z. 629: Atto I. Overture
• The Fairy Queen, Z. 629: Atto I. Duetto "Come, come, come let us leave the town"
• The Fairy Queen, Z. 629: Atto I. Scene of the drunken poet
• The Fairy Queen, Z. 629: Atto I. First Act Tune: Jig
• The Fairy Queen, Z. 629: Atto II. Solo "Come, all ye songsters"
• The Fairy Queen, Z. 629: Atto II. Interludio
• The Fairy Queen, Z. 629: Atto II. Terzetto "May the God of wit inspire"
• The Fairy Queen, Z. 629: Atto II. Echo
• The Fairy Queen, Z. 629: Atto II. Coro "Now join your warbling voices all"
• The Fairy Queen, Z. 629: Atto II. Solo, Coro "Sing while we trip it" - Faires dance
• The Fairy Queen, Z. 629: Atto II. Solo "See, even Night herself is here"
• The Fairy Queen, Z. 629: Atto II. Solo "I am come to lock all fast"
• The Fairy Queen, Z. 629: Atto II. Solo "One charming night"
• The Fairy Queen, Z. 629: Atto II. Solo, coro " Hush, no more, be silent all"
• The Fairy Queen, Z. 629: Atto II. Dance of the Followers of Night
• The Fairy Queen, Z. 629: Atto II. Second Act Tune: Aire
• The Fairy Queen, Z. 629: Atto III. Solo, coro "If love's a sweet passion"
• The Fairy Queen, Z. 629: Atto III. Symphony while the swans come forward (Overture)
• The Fairy Queen, Z. 629: Atto III. Dance for the Faires
• The Fairy Queen, Z. 629: Atto III. Dance of the Green Men
• The Fairy Queen, Z. 629: Atto III. Solo "Ye gentle spirits of the air"
• The Fairy Queen, Z. 629: Atto III. Dialog between Coridon and Mopsa
• The Fairy Queen, Z. 629: Atto III. Solo "When I have often heard"
• The Fairy Queen, Z. 629: Atto III. Dance of the Haymakers
• The Fairy Queen, Z. 629: Atto III. Solo, coro "A thousand, thousand ways
• The Fairy Queen, Z. 629: Atto III. Third Act Tune: Hornpipe

• Rejoice in the Lord Alway, Z 49
• Blow Up the Trumpet in Sion, Z 10
• O God, Thou Art My God, Z 35
• Chacony in G minor, Z 730
• O God, Thou Hast Cast Us Out, Z 36
• My Heart Is Inditing, Z 30
• Remember Not, Lord, Our Offences, Z 50

• Come let us drink, Z. 245
• The miller's daughter riding, Z. 277
• Sir Walter enjoying his damsel, Z. 273
• A health to the nut-brown lass, Z. 240
• Prithee be n't so sad and serious, Z. 269
• I gave her cakes and I gave her ale, Z. 256
• Young John the gard'ner, Z. 292
• Once, twice, thrice I Julia tried, Z. 265
• Of all the instruments that are, Z. 263
• Under this stone lies Gabriel John, Z. 286
• Since time so kind to us does prove, Z. 272
• 'Tis women makes us love, Z. 281
• If ever I more riches did desire, Z. 544
• Laudate ceciliam, Z. 329

• Dido and Aeneas, Z. 626: Overture
• Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda)
• Dido and Aeneas, Z. 626: Act I. Chorus "Banish sorrow, banish care"
• Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am pressed with torment" (Dido)
• Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" (Belinda, Dido)
• Dido and Aeneas, Z. 626: Act I. Chorus "When monarchs unite, how happy their state"
• Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Belinda, Dido)
• Dido and Aeneas, Z. 626: Act I. Chorus "Fear no danger to ensue" (Belinda, Second Woman)
• Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Aeneas, Belinda, Dido)
• Dido and Aeneas, Z. 626: Act I. Chorus "Cupid only throws the dart"
• Dido and Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Aeneas, Belinda)
• Dido and Aeneas, Z. 626: Act I. Chorus "To the hills and the vales"
• Dido and Aeneas, Z. 626: Act I. The Triumphing Dance
• Dido and Aeneas, Z. 626: Act II, Scene I. "Wayward sisters, you that fright" (Sorceress) / Chorus "Harm's our delight"
• Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage, whom we hate" (Sorceress) / Chorus "Ho Ho Ho!"
• Dido and Aeneas, Z. 626: Act II, Scene I. "Ruined ere the set of sun?" (Sorceress, Two Witches) / Chorus "Ho Ho Ho!"
• Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform" (Two Witches)
• Dido and Aeneas, Z. 626: Act II, Scene I. Chorus "In our deep vaulted cell"
• Dido and Aeneas, Z. 626: Act II, Scene I. Echo Dance of Furies
• Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle
• Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales" (Belinda)
• Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits this lone mountain" (Second Woman)
• Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" (Aeneas, Dido)
• Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Haste, haste to town" (Belinda)
• Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince, and hear great Jove's command" (Aeneas, Spirit)
• Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Come away, fellow sailors" (First Sailor)
• Dido and Aeneas, Z. 626: Act III, Scene I. The Sailor's Dance
• Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" (Sorceress, Two Witches)
• Dido and Aeneas, Z. 626: Act III, Scene I. "Our next motion" (Sorceress)
• Dido and Aeneas, Z. 626: Act III, Scene I. Chorus "Destruction's our delight"
• Dido and Aeneas, Z. 626: Act III, Scene I. The Witches' Dance
• Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urged in vain" (Aeneas, Belinda, Dido)
• Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "Great minds against themselves conspire"
• Dido and Aeneas, Z. 626: Act III, Scene II. "Thy hand, Belinda; darkness shades me" (Dido)
• Dido and Aeneas, Z. 626: Act III, Scene II. "When I am laid in earth" (Dido)
• Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings"

• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Ouverture
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Sound the trumpet
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Come, ye sons of Art, come away
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Strike the viol
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: The day that such a blessing
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: Bid the Virtues
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: These, are the sacred charms
• Birthday Ode for Queen Mary "Come Ye Sons of Art Away", Z. 323: See Nature, rejoicing
• Music for the Funeral of Queen Mary, Z. 860: March
• Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 1: Man that is born
• Music for the Funeral of Queen Mary, Z. 860: Canzona
• Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 2: In the midst of life
• Music for the Funeral of Queen Mary, Z. 860: Canzona
• Funeral Sentences for the Funeral of Queen Mary, Z. 27 No. 3: Thou knowest, Lord, the secrets of our Hearts
• Music for the Funeral of Queen Mary, Z. 860: March

• I was glad when they said unto me, 1685
• O consider my adversity, Z 032
• Beati omnes qui timent Dominum, Z 131
• I was glad when they said unto me, Z 019
• In the black dismal dungeon, Z 190
• Save me, O God, Z 051
• Te Deum in B flat, Z 230
• Jubilate in B flat, Z 230
• Thy way, O God, is holy, Z 060
• Drum Processional
• March, Z 860
• Man that is born of a woman, Z 027
• In the midst of life, Z 017b
• Thou knowest, Lord, the secrets of our hearts, Z 058b
• Thou knowest, Lord, the secrets of our hearts, Z 058c
• Canzona, Z 860
• Drum Recessional

• The Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly"
• The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all"
• The Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky"
• The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire"
• The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all"
• The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then"
• The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here"
• The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast"
• The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night"
• The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more"
• The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night"
• The Fairy Queen, Z. 629: Part III "The sweet passion": Overture
• The Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion"
• The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!"
• The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay"
• The Fairy Queen, Z. 629: Part III "The sweet passion": "A dance of haymakers"
• The Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways"
• The Fairy Queen, Z. 629: Part III "The sweet passion": "Hornpipe and rondeau"

• First Book of Songs: Song for 4 Voices and Lute "Come Again: Sweet Love Doth now Invite"
• First Book of Songs: Song for 4 Voices and Lute "If my Complaints Could Passions Move"
• First Book of Songs: Song for 4 Voices and Lute "Away With These Self-Loving Lads"
• Second Book of Songs: Song for 2 Voices and Lute "Flow my Tears, Fall From Your Springs"
• Song for Voice, Lute & Bass Viol "Never Weather-Beaten Saile"
• Song for Voice, Lute & Bass Viol "The Sypres Curten of the Night"
• Song for Voice, Lute & Bass Viol "It was a Lover and his Lass"
• Song for Voice & 4 Viols "O Lord, how Vain are all our Frail Delights"
• Fantasia for 4 Viols, No. 9
• Madrigal for 5 Voices "Though Amaryllis Dance in Green"
• Song, Z 739 "If Music be the Food of Love" 1692 setting
• Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: Air
• Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: Air
• The Fairy Queen, Z 729: Act V. The Plaint "O, let me Weep"
• King Arthur, or, The British Worthy, Z 628: Act V. "Fairest Isle" (Venus)
• Song, Z 413 "She Loves and she Confesses too"
• Dido and Aeneas, Z 626: Act III "Thy Hand Belinda" / Dido's Lament "When I am Laid in Earth"

• In All Our Cinthia's Shining Sphere
• Tell Me Why
• As Amoret and Thyrsis Lay
• Fair Iris and Her Swain
• Go Tell Amynta, Gentle Swain
• Why, My Daphne, Why Complaining?
• What Can We Poor Females Do?
• Love and Despair
• In Some Kind Dream
• What a Sad Fate Is Mine
• Lost Is My Quiet for Ever
• Stript of Their Green Our Groves Appear
• You say,'tis Love
• For Love Ev'ry Creature Is Formed by His Nature

• Abdelazer: Overture - Rondeau
• Oedipus: Music for a while
• Pausanias: Sweeter than Roses
• The Old Bachelor: Rondeau - Menuet - Boree - March - Jig
• Chaconne in G minor
• If Music be the Food of Love
• The Libertine: Prelude
• An Evening Hymn: Now that the sun
• The Fairy Queen: Symphony
• King Arthur: Fairest Isle
• Amphitryon: Hornpipe - Scotch Tune
• Dido and Aeneas: When I am laid in earth
• Abdelazer: Air - Jig - Hornpipe - Air
• Birthday Song for Queen Mary: Crown the Altar, deck the Shrine
• The Married Beau: Trumpet Air - March - Hornpipe
• I was glad

• Dido and Aeneas, Z. 626: Overture
• Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda)
• Dido and Aeneas, Z. 626: Act I. "Ah! Belinda, I am prest with torment" (Dido)
• Dido and Aeneas, Z. 626: Act I. "Whence could so much virtue spring?" (Dido)
• Dido and Aeneas, Z. 626: Act I. "Fear no danger to ensue" (Belinda, Second Woman)
• Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda)
• Dido and Aeneas, Z. 626: Act II. Prelude for the Witches - "Wayward sisters" (Sorceress)
• Dido and Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (First Witch)
• Dido and Aeneas, Z. 626: Act II. Ritornelle - "Thanks to these lonesome vales" (Belinda)
• Dido and Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second Woman)
• Dido and Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Aeneas)
• Dido and Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit)
• Dido and Aeneas, Z. 626: Act III. Prelude - "Come away, fellow sailors" (First Sailor)
• Dido and Aeneas, Z. 626: Act III. "See the flags and streamers curling" (Sorceress)
• Dido and Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido)
• Dido and Aeneas, Z. 626: Act III. "But Death, alas! ... When I am laid in earth" (Dido)
• Dido and Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus)

• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: I. Symphony - Canzona & Adagio- Allegro - Grave - Allegro
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: II. "Hail! Bright Cecilia"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: III. "Hark! Hark! Each tree"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: IV. "'Tis nature's voice"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: V. "Soul of the world!"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VI. "Thou tun'st this world below"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VII. "With that sublime celestial lay"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: VIII. "Voluntary" - "Wonderous machine!"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: IX. "The airy violin"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: X. "In vain the am'rous flute"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XI. "The fife and all the harmony of war"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XII. "Let these amongst themselves contest"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XIII. "Hail! Bright Cecilia"
• Hail! Bright Cecilia "Ode on St Cecilia's Day", Z. 328: XIV. "With rapture of delight" - "Hail! Bright Cecilia"

• St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: I. Symphony
• St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: II. "Welcome to all the pleasures"
• St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: III. "Here the deities approve" - "While joys celestial"
• St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: IV. "Then lift up your voices"
• St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: V. "Beauty, thou scene of love"
• St. Cecilia's Day Ode "Welcome to All the Pleasures", Z. 339: VI. "In a consort of voices"
• Funeral Sentences for the Death of Queen Mary II: "Man that is born of a woman", Z. 27
• Funeral Sentences for the Death of Queen Mary II: "In the midst of life", Z. 17A
• Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58B
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: I. Symphony [Adagio - Allegro] - Adagio
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: II. "Come ye sons of art, away"
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: III. "Sound the trumpet"
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IV. "Come ye sons of art, away"
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: V. "Strike the viol"
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VI. "The day that such a blessing gave"
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VII. "Bid the virtues"
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: VIII. "These are the sacred charms"
• Ode For Queen Mary's Birthday "Come Ye Sons of Art", Z. 323: IX. "See, nature, rejoicing"
• Funeral Sentences for the Death of Queen Mary II: March, Z. 860i
• Funeral Sentences for the Death of Queen Mary II: "Thou knowest, Lord", Z. 58C
• Funeral Sentences for the Death of Queen Mary II: Canzona, Z. 860ii

• Trio Sonata in 3 parts No. 1 in G minor, Z. 790
• Trio Sonata in 3 parts No. 2 in B-flat major, Z. 791
• Trio Sonata in 3 parts No. 3 in D minor, Z. 792
• Trio Sonata in 3 parts No. 4 in F major, Z. 793
• Trio Sonata in 3 parts No. 5 in A minor, Z. 794
• Trio Sonata in 3 parts No. 6 in C major, Z. 795
• Trio Sonata in 3 parts No. 7 in E minor, Z. 796
• Trio Sonata in 3 parts No. 8 in G major, Z. 797
• Trio Sonata in 3 parts No. 9 in C minor, Z. 798
• Trio Sonata in 3 parts No. 10 in A major, Z. 799
• Trio Sonata in 3 parts No. 11 in F minor, Z. 800
• Trio Sonata in 3 parts No. 12 in D major, Z. 801

• Hail! Bright Cecilia, Z 328: I. Symphony. Maestoso - Canzona. Allegro - Adagio - Allegro - Grave
• Hail! Bright Cecilia, Z 328: II. Hail! Bright Cecilia (soloists and choir)
• Hail! Bright Cecilia, Z 328: III. Hark! hark! Each Tree (alto, bass)
• Hail! Bright Cecilia, Z 328: IV. 'Tis Nature's Voice (alto)
• Hail! Bright Cecilia, Z 328: V. Soul of the World! (choir)
• Hail! Bright Cecilia, Z 328: VI. Thou tun'st this World (soprano)
• Hail! Bright Cecilia, Z 328: VII. With that sublime Celestial Lay (alto, alto, bass)
• Hail! Bright Cecilia, Z 328: VIII. Wondrous Machine! (bass)
• Hail! Bright Cecilia, Z 328: IX. The airy Violin (alto)
• Hail! Bright Cecilia, Z 328: X. In vain the Am'rous flute (alto, tenor)
• Hail! Bright Cecilia, Z 328: XI. The fife and all the Harmony of War (alto)
• Hail! Bright Cecilia, Z 328: XII. Let these among themselves contest (bass, bass)
• Hail! Bright Cecilia, Z 328: XIII. (choir, alto, alto, tenor, bass)
• Welcome to all the pleasures, Z 339: I. Symphony
• Welcome to All the Pleasures, Z 339: II. Welcome to All the Pleasures (alto, tenor, bass, choir)
• Welcome to all the pleasures, Z 339: III. Here the deities approve (alto)
• Welcome to all the pleasures, Z 339: IV. While joys celestial (soprano, soprano, tenor)
• Welcome to all the pleasures, Z 339: V. Then lift up your voices (bass, choir)
• Welcome to all the pleasures, Z 339: VI. Beauty thou scene of love (tenor)
• Welcome to all the pleasures, Z 339: VII. In a consort of voices (tenor, choir)

• Suite No. 1 in G major, Z. 660: I. Prelude
• Suite No. 1 in G major, Z. 660: II. Almand
• Suite No. 1 in G major, Z. 660: III. Corant
• Suite No. 1 in G major, Z. 660: IV. Minuet
• Overture in G minor "The Virtuous Wife", ZT. 693
• Suite No. 2 in G minor, Z. 661: I. Prelude
• Suite No. 2 in G minor, Z. 661: II. Almand
• Suite No. 2 in G minor, Z. 661: III. Corant
• Suite No. 2 in G minor, Z. 661: IV. Saraband
• Chaconne in G minor "Timon of Athens", ZT. 680
• Suite No. 3 in G major, Z. 662: I. Prelude
• Suite No. 3 in G major, Z. 662: II. Almand
• Suite No. 3 in G major, Z. 662: III. Courante
• A New Ground in E minor, ZT. 682
• Suite No. 4 in A minor, Z. 663: I. Prelude
• Suite No. 4 in A minor, Z. 663: II. Almand
• Suite No. 4 in A minor, Z. 663: III. Corant
• Suite No. 4 in A minor, Z. 663: IV. Saraband
• Bonduca, Z. 574/1: Overture in C major
• Suite No. 5 in C major, Z. 666: I. Prelude
• Suite No. 5 in C major, Z. 666: II. Almand
• Suite No. 5 in C major, Z. 666: III. Corant
• Suite No. 5 in C major, Z. 666: IV. Saraband
• Overture in D major "The Fairy Queen", ZT. 692
• Suite No. 6 in D major, Z. 667: I. Prelude
• Suite No. 6 in D major, Z. 667: II. Almand
• Suite No. 6 in D major, Z. 667: III. Hornpipe
• King Arthur, Z. 628/2: Overture in D minor
• Suite No. 7 in D minor, Z. 668: I. Almand "Bell-barr"
• Suite No. 7 in D minor, Z. 668: II. Corant
• Suite No. 7 in D minor, Z. 668: III. Hornpipe
• Round O "Abdelazer", Z. 684
• Suite No. 8 in F major, Z. 669: I. Prelude
• Suite No. 8 in F major, Z. 669: II. Almand
• Suite No. 8 in F major, Z. 669: III. Courante
• Suite No. 8 in F major, Z. 669: IV. Minuet
• Alternative Prelude for Suite No. 2 in G minor
• Alternative Prelude for Suite No. 4 in A minor

• Overture
• Belinda & Chorus: 'Shake the cloud from off your brow'
• Dido: 'Ah! Belinda, I am press'd with torment'
• Belinda & Dido: 'Grief increases by concealing'
• Chorus: 'When monarchs unite how happy their state'
• Dido & Belinda: 'Whence could so much virtue spring?'
• Belinda, 2nd Woman & Chorus: 'Fear no danger to ensue'
• Belinda, Aeneas, Dido: 'See, your Royal guest appears'
• Chorus: 'Cupid only throws the dart'
• Aeneas & Belinda: 'If not for mine, for Empire's sake'
• Guitar's Chaconne
• Chorus: 'To the hills and the vales'
• The Triumphing Dance
• Prelude for the Witches (Sorceress & 1st Witch): 'Wayward sisters'
• Chorus: 'Harm's our delight'
• Sorceress: 'The Queen of Carthage, whom we hate'
• Chorus: 'Ho ho ho, ho ho ho!'
• 1st & 2nd Witches, Sorceress: 'Ruin'd ere the set of sun?'
• Chorus: 'Ho ho ho, ho ho ho!' (2)
• Sailor's Dance
• 1st & 2nd Witches: 'But, ere we this perform'
• Chorus: In our deep vaulted cell
• Echo Dance of Furies
• Ritornelle
• Belinda & Chorus: 'Thanks to these lonesome vales'
• Guitar Dance, 2nd Woman: 'Oft she visits this lone mountain'
• Aeneas & Dido: 'Behold, upon my bended spear'
• Belinda & Chorus: 'Haste to town'
• Spirit & Aeneas: 'Stay, Prince! and hear great Jove's command'
• Ritornelle (2)
• 1st Sailor & Chorus: 'Come away, fellow sailors'
• The Sailor's Dance
• Sorceress, 1st & 2nd Witches: 'See, the flags and streamers curling'
• Sorceress: 'Our next motion'
• Chorus: 'Destruction's our delight'
• The Witches' Dance
• Dido, Belinda & Aeneas: 'Your counsel all is urg'd in vain'
• Chorus: 'Great minds against themselves conspire'
• Dido: 'Thy hand, Belinda; darkness shades me'
• Dido: 'When I am laid in earth'
• Chorus: 'With drooping wings ye Cupids come'

• Dido and Aeneas: Overture / Act I. "Shake the cloud from off your brow" (Belinda, Chorus)
• Dido and Aeneas: Act I. "Ah! Belinda" (Dido, Belinda, Chorus)
• Dido and Aeneas: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido, Chorus)
• Dido and Aeneas: Act I. The Triumphing Dance
• Dido and Aeneas: Act II. "Wayward sisters" (Sorceress, Chorus)
• Dido and Aeneas: Act II. "But ere we this perform" (Witches, Chorus)
• Dido and Aeneas: Act II. "Thanks to these lonesome vales" (Belinda, Chorus)
• Dido and Aeneas: Act II. "Oft she visits this lov'd mountain (2nd Woman, Aeneas, Dido, Belinda)
• Dido and Aeneas: Act II. "Stay, Prince" (Spirit, Aeneas)
• Dido and Aeneas: Act III. Prelude / Sailors' Dance (Sailor, Chorus)
• Dido and Aeneas: Act III. "See the flags and streamers curling" (Sorceress, Witches, Chorus)
• Dido and Aeneas: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas, Chorus)
• Dido and Aeneas: Act III. "Thy hand, Belinda" (Dido)
• Dido and Aeneas: Act III. "With drooping wings" (Chorus)

• Fantazia 4
• Fantazia 5
• Fantazia 6
• Fantazia 7
• Fantazia 8
• Fantazia 9
• Fantazia 10
• Fantazia 11
• Fantazia 12
• Fantazia 1
• Fantazia 2
• Fantazia 3
• 4 part Fantazia (incomplete)
• 5 part Fantazia "Upon One Note"
• 6 part In nomine
• 7 part In nomine

• King Arthur: Overture
• King Arthur: Air
• King Arthur: Act I. "Woden, first to thee"
• King Arthur: Act I. "The white horse neigh'd aloud"
• King Arthur: Act I. "The lot is cast, and Tanfan pleas'd"
• King Arthur: Act I. "Brave souls, to be renown'd in story"
• King Arthur: Act I. "I call you all to Woden's Hall"
• King Arthur: Act I. "Come if you dare" - First Act Tune
• King Arthur: Act II. "Hither, this way, this way bend"
• King Arthur: Act II. "Let not a moonborn elf mislead ye" - "Hither this way, this way bend"
• King Arthur: Act II. "Come, follow me"
• King Arthur: Act II. "How blest are shepherds"
• King Arthur: Act II. "Shepherd, shepherd, leave decoying"
• King Arthur: Act II. "Come, shepherds, lead up a lively measure" - Hornpipe
• King Arthur: Act II. Second Act Tune (Air)
• King Arthur: Act III. Prelude
• King Arthur: Act III. "What ho! thou genius of this isle"
• King Arthur: Act III. Prelude while the Cold Genius rises - "What power art thou"
• King Arthur: Act III. "Thou doting fool"
• King Arthur: Act III. "Great Love, I know thee now"
• King Arthur: Act III. "No part of my dominion"
• King Arthur: Act III. Prelude
• King Arthur: Act III. "See, see, we assemble" - Dance
• King Arthur: Act III. "'Tis I that have warm'd ye" - "'Tis Love that has warm'd us"
• King Arthur: Act III. "Sound a parley" - "'Tis Love that has warm'd us"
• King Arthur: Act III. Third Act Tune (Hornpipe)

• Didon & Enée : Ouverture
• Le roi Arthur : Acte III
• Come, ye sons of art : Sound the trumpet - Come, ye sons of art, away
• Ode à Sainte Cécile : Hail ! Bright Cecilia
• Musique pour la reine Mary : March - Man that is born
• La reine indienne : Trumpet Overture
• Didon & Enée : Prélude pour les sorcières - In our deep vaulted cell
• Didon & Enée : Thy hand, Belinda - When I am laid in earth with drooping wings
• La tempête : No stars again shall hurt you
• Ode à Sainte Cécile : Choeur final
• Le roi Arthur : Air (Air pour le 2e Acte)

• The Double Dealer: Overture - Hornpipe
• Come, ye sons of Art - Sound the trumpet
• The Old Bachelor: Rondeau - Menuet - Boree - March - Jig
• Birthday Song for Queen Mary: Crown the Altar
• Oedipus: Music for a while
• Amphitryon: Hornpipe - Scotch Tune
• King Arthur: Fairest Isle
• Bonduca: Divine Andate, presidents of war
• The Fairy Queen: O let Me Weep
• Sonata No. 9 in F major
• Dido and Aeneas: Thy Hand Belinda...When I am Laid
• Abdelazer: Overture - Rondeau
• Bess of Bedlam
• The Married Beau: Trumpet Air - March - Hornpipe on a Ground
• Hear my prayer, O Lord
• Rejoice in the Lord alway

• Staircase Overture
• If Music Be the Food of Love
• Cebell
• To Arms, to Arms, Heroic Prince
• To Arms
• Tell Me, Some Pitying Angel
• Slow Air
• We Come To Sing
• Oh Lead Me to Some Peaceful Gloom
• O Solitude
• Hark! hark! The Echoing air
• Trumpet Tune
• Sweeter Than Roses
• Fairest Isle
• She that Would Gain a Faithful Lover
• Cupid, the Slyest Rogue Alive
• I Attempt from Love's Sickness to Fly
• Jig
• Music for a While
• The Fatal Hour Comes on Apace
• Hear, Mighty Love
• Plainte: O, Let Me Weep
• Chacony in G minor

• Rejoice in the Lord Always, Z. 49
• Remember Not, Lord, Our Offences, Z. 50
• Blow up the Trumpet in Sion, Z. 10
• Hear My Prayer, O Lord, Z. 15
• My Heart Is Inditing, Z. 30
• Funeral Sentences for the Death of Queen Mary II: March, Z. 860 / "Man that is born of a woman", Z. 27 / Canzona, Z. 860 / "In the midst of life", Z. 17 / Canzona, Z. 860/ "Thou knowest, Lord", Z. 58C / March, Z. 860
• O Lord God of Hosts, Z. 37
• Te Deum in D major, Z. 232

• Welcome, Welcome Glorious Morn, Z. 338
• Fly, Bold Rebellion, Z 324: "Be welcome then, great sir"
• O! Fair Cedaria, Hide Those Eyes, Z. 402
• Hear My Prayer, o Lord, Z. 015
• Dido & Aeneas, Z. 626: "When I am laid in earth" (Dido)
• Let Mine Eyes Run Down With Tears, Z. 024
• From Hardy Climes and Dangerous Toils of War, Z. 325: "The sparrow and the gentle dove"
• If Music Be the Food of Love, Z. 379
• Rejoice in the Lord Always, Z. 049
• Hosanna to the Highest, Z. 187
• Thou Know'st, Lord, the Secrets of Our Hearts, Z. 058
• King Arthur, or The British Worthy, Z. 628: Aria "Fairest isle, all isles excelling"
• Raise, Raise the Voice, Z. 334: "Mark, how readily each pliant string"
• Come, Ye Sons of Art, Away, Z. 323: "Sound the trumpet"
• She Loves and She Confesses Too, Z. 413
• Why, Why Are All the Muses Mute?, Z. 343: "O how blest is the isle"
• Remember Not, Lord, Our Offences, Z. 050
• Now That the Sun Hath Veiled His Light, Z. 193: "Now that the sun hath veiled his light"
• Te Deum and Jubilate in D major, Z. 232: "Vouchsafe, o Lord, to keep us this day"
• Hail, Bright Cecilia, Z. 328: "With rapture of delight... Hail bright Cecilia"

• Harpsichord Suite No. 1 in G major, Z. 660: I. Prelude
• Harpsichord Suite No. 1 in G major, Z. 660: II. Almand
• Harpsichord Suite No. 1 in G major, Z. 660: III. Corant
• Harpsichord Suite No. 1 in G major, Z. 660: IV. Minuet
• Harpsichord Suite No. 2 in G minor, Z. 661: I. Prelude
• Harpsichord Suite No. 2 in G minor, Z. 661: II. Almand
• Harpsichord Suite No. 2 in G minor, Z. 661: III. Corant
• Harpsichord Suite No. 2 in G minor, Z. 661: IV. Sarabande
• Harpsichord Suite No. 3 in G major, Z. 662: I. Prelude
• Harpsichord Suite No. 3 in G major, Z. 662: II. Almand
• Harpsichord Suite No. 3 in G major, Z. 662: III. Corant
• Harpsichord Suite No. 4 in A minor, Z. 663: I. Prelude
• Harpsichord Suite No. 4 in A minor, Z. 663: II. Almand
• Harpsichord Suite No. 4 in A minor, Z. 663: III. Corant
• Harpsichord Suite No. 4 in A minor, Z. 663: IV. Sarabande
• Harpsichord Suite No. 5 in C major, Z. 666: I. Prelude
• Harpsichord Suite No. 5 in C major, Z. 666: II. Almand
• Harpsichord Suite No. 5 in C major, Z. 666: III. Corant
• Harpsichord Suite No. 5 in C major, Z. 666: IV. Sarabande
• Harpsichord Suite No. 5 in C major, Z. 666: V. Jigg
• Harpsichord Suite No. 6 in D major, Z. 667: I. Prelude
• Harpsichord Suite No. 6 in D major, Z. 667: II. Almand
• Harpsichord Suite No. 6 in D major, Z. 667: III. Hornpipe
• Harpsichord Suite No. 7 in D minor, Z. 668: I. Almand
• Harpsichord Suite No. 7 in D minor, Z. 668: II. Corant
• Harpsichord Suite No. 7 in D minor, Z. 668: III. Hornpipe
• Harpsichord Suite No. 8 in F major, Z. 669: I. Prelude
• Harpsichord Suite No. 8 in F major, Z. 669: II. Almand
• Harpsichord Suite No. 8 in F major, Z. 669: III. Corant
• Harpsichord Suite No. 8 in F major, Z. 669: IV. Minuet
• Voluntary in G, Z. 720
• Voluntary for double organ in D minor, Z. 719

• Hark, Damon, hark Z. 541
• How pleasant is this flowery plain and grove! Z. 543
• Pavan in G minor Z. 751
• We reap all the pleasures Z. 547
• Hark how the wild musicians sing Z. 542
• Pavan in A minor Z. 749
• Pavan in A major Z. 748
• See where she sits ('Weeping') Z. 508
• Oh! what a scene does entertain my sight Z. 506
• Pavan in B flat major Z. 750
• Soft notes and gently raised (A Serenading Song) Z. 510
• If ever I more riches did desire Z. 544

• Music for the Funeral of Queen Mary, Z. 860: The Queen's Funeral March (procession)
• Music for the Funeral of Queen Mary, Z. 860: Canzona
• Thou Know'st, Lord, the Secrets of Our Hearts (1st Setting), Z. 58a
• Music for the Funeral of Queen Mary, Z. 860: The Queen's Funeral March (recession)
• Man That Is Born of a Woman, Z. 27
• In the Midst of Life, Z. 17a
• Thou Know'st, Lord, the Secrets of Our Hearts (2nd setting), Z. 58c
• Rejoice in the Lord Alway, Z. 49
• Remember Not, Lord, Our Offences, Z. 50
• Voluntary in C, Z. 717
• Give Sentence With Me, o God, Z. 12
• Jehova, quam multi sunt hostes, Z. 135
• O, I'm Sick of Life, Z. 140
• A Double Verse in G
• My Beloved Spake, Z. 28
• Hear My Prayer, O Lord, Z. 15
• O God, Thou Art My God, Z. 35

• Sonata IX - F Major - The Golden Sonata
• Sonata VII - C Major
• Sonata VIII - G Major
• Sonata X - D Major
• Sonata III - A Minor
• Sonata IV - D Minor
• Sonata I - B Minor
• Sonata VI - G Minor
• Sonata II - E Flat Major
• Sonata V - G Minor

• Oedipus: Music for a while
• Abdelazer: I. Overture
• Abdelazer: II. Rondeau - Air - Air - Menuet
• Abdelazer: III. Air - Jig - Hornpipe - Air
• If Music Be the Food of Love
• Bess of Bedlam
• Don Quixote: From rosie bow'rs
• Chacony, Z730
• Pausanias: Sweeter tha roses
• The Libertine: I. Nymphs and shepherds
• The Libertine: II. We come
• The Libertine: III. Prelude
• The Libertine: IV. Prepare, prepare, new guests draw near
• The Libertine: V. To arms, heroic prince
• Circe: I. We must assemble by a sacrifice
• Circe: II. Their necessary aid you use
• Circe: III. Come every demon
• Circe: IV. Lovers, who to their first embraces go
• Circe: V. Magicians' Dance - Pluto, arise!
• An Evening Hymn

• Ouverture
• Act II - Masque of Devils - No.1 - Duet & Chorus; ''Where Does the Black Fiend''
• Act II - Chorus; ''Around, Around We Pace''
• Act II - Air; ''Arise, Ye Subterranean Winds''
• Act II - Dance of Winds
• Act III - Song & Chorus; ''Comme Unto These Yellow Sands''
• Act III - Song & Chorus; ''Full Fathom Five''
• Act III - Air; ''Dry Those Eyes''
• Act III - Air; ''Kind Fortune Smiles''
• Act IV - No.9 - Dance of Devils
• Act IV - ''the Sailor's Dance''
• Act IV - Air; ''Dear Pretty Youth''
• Act V - Récit & Air; ''Great Neptune!''
• Act V - Chorus: ''the Nereids and Tritons''
• Act V - Récit & Air; ''Aeolus, You Must Appear''
• Act V - Récit & Air; ''Your Awful Voice I Hear''
• Act V - Air; ''Halcyon Days''
• Act V - Air; ''See, See, the Heavens Smile''
• Act V - Duet & Chorus; ''No Stars Again Shall Hurt You''

• Dido and Aeneas: Overture
• Dido and Aeneas: Act I. "Shake the cloud from off your brow"
• Dido and Aeneas: Act I. "Ah! Belinda, I am prest with torment"
• Dido and Aeneas: Act I. "When monarchs unite"
• Dido and Aeneas: Act I. "Whence could so much virtue spring?"
• Dido and Aeneas: Act I. "Fear no danger" / Dance
• Dido and Aeneas: Act I. "See, your royal guest appears"
• Dido and Aeneas: Act I. "Cupid only throws the dart"
• Dido and Aeneas: Act I. "If not for mine"
• Dido and Aeneas: Act I. "Pursue thy conquest, Love"
• Dido and Aeneas: Act I. A Dance Gittars Chacony
• Dido and Aeneas: Act I. "To the hills and the vales"
• Dido and Aeneas: Act I. The triumphing Dance
• Dido and Aeneas: Act II. Prelude for the Witches / "Wayward sisters"
• Dido and Aeneas: Act II. "Harm's our delight"
• Dido and Aeneas: Act II. "The Queen of Carthage, whom we hate"
• Dido and Aeneas: Act II. "In our deep vaulted cell"
• Dido and Aeneas: Act II. Echo Dance of Furies
• Dido and Aeneas: Act II. Ritornelle / "Thanks to these lonesome vales"
• Dido and Aeneas: Act II. Gitter ground / a dance
• Dido and Aeneas: Act II. "Oft she visits" / Ritornelle
• Dido and Aeneas: Act II. "Behold, upon my bending spear"
• Dido and Aeneas: Act II. "Haste, haste to town"
• Dido and Aeneas: Act II. "Stay, Prince"
• Dido and Aeneas: Act II. Ritornelle
• Dido and Aeneas: Act III. Prelude / "Come away, fellow sailors"
• Dido and Aeneas: Act III. The Sailors' Dance
• Dido and Aeneas: Act III. "See the flags and streamers curling"
• Dido and Aeneas: Act III. "Destruction's our delight"
• Dido and Aeneas: Act III. The Witches' Dance
• Dido and Aeneas: Act III. "Your counsel all is urg'd in vain"
• Dido and Aeneas: Act III. "Great minds against themselves conspire"
• Dido and Aeneas: Act III. "Thy hand Belinda" / "When I am laid in earth"
• Dido and Aeneas: Act III. "With drooping wings"

• Dido & Aeneas, Z. 626: Overture - Act I
• Dido & Aeneas, Z. 626: Act II, Scene I
• Dido & Aeneas, Z. 626: Act II, Scene II
• Dido & Aeneas, Z. 626: Act III, until "Great minds against themselves conspire"
• Dido & Aeneas, Z. 626: Act III, Monologue & Dido's Death

• Voluntary in G major, Z. 720
• Voluntary in D minor for Double organ, Z. 19
• Verse in F major, Z. 716
• Voluntary in C major, Z. 717
• Voluntary in D minor, Z. 718
• A Ground in Gamut in G major, Z. 645
• March in C major, ZT. 687
• Trumpet Tune in C major, ZT. 698
• Chaconne in G minor, ZT. 68
• Trumpet Tune in C major, called "The Cibell", ZT. 678
• Ground in C minor, ZD. 221
• Voluntary on The Old 100th, Z. 721
• Trumpet Voluntary in D major
• Voluntary in D minor
• Voluntary in A major
• Voluntary in G major
• Voluntary in C major
• Voluntary in G minor
• Double Voluntary in D minor
• Voluntary No. 62 in A minor from Melothesia
• Voluntary No. 63 in F major from Melothesia
• Voluntary No. 64 in A minor from Melothesia
• Voluntary No. 65 in D minor from Melothesia
• Voluntary No. 66 in G major from Melothesia
• Voluntary No. 67 in A minor from Melothesia
• Voluntary No. 68 in D minor for Double organ from Melothesia

• King Arthur, Z. 628: Overture & Aria
• King Arthur, Z. 628: Act I, Scene II
• King Arthur, Z. 628: Act II, Scene II
• King Arthur, Z. 628: Act III, Scene II (beginning)
• King Arthur, Z. 628: Act V, Scene II. Aria "Ye blust'ring brethren of the skies"
• King Arthur, Z. 628: Act V, Scene II. Symphony
• King Arthur, Z. 628: Act V, Scene II. Song Tune
• King Arthur, Z. 628: Act V, Scene II. Aria "Fairest isle"
• King Arthur, Z. 628: Act V, Scene II. Trumpet Tune
• King Arthur, Z. 628: Act V, Scene II. Aria & Chorus "St. George, the patron of our isle"
• King Arthur, Z. 628: Act V, Scene II. Chaconne

• Three Parts upon a Ground in D major, Z 731
• Trio Sonata in 4 parts in G minor, Z. 807
• Pavan in 4 parts (for 3 violins) in G minor, Z. 752
• Chacony in 4 parts in G minor, Z. 730
• Pavan of 3 parts in B-flat major, Z. 750
• Pavan of 3 parts in G minor, Z. 751
• Pavan of 3 parts in A minor, Z. 749
• Pavan of 3 parts in A major, Z. 748
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave
• Trio Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco largo
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: V. Presto
• Trio Sonata of 3 parts No. 12 in D major, Z. 801: VI. Allegro
• Overture of 4 parts in D minor, Z. 771
• Overture of 4 parts in G major, Z. 336
• Overture of 5 parts in G minor, Z. 772
• Suite of 4 parts in G major, Z. 770: I. Overture
• Suite of 4 parts in G major, Z. 770: II. Sarabande
• Suite of 4 parts in G major, Z. 770: III. Bourrée
• Suite of 4 parts in G major, Z. 770: IV. Minuet
• Suite of 4 parts in G major, Z. 770: V. Jig

• I Love and I Must
• When Her Languishing Eyes Said "Love"
• Not All My Torments Can Your Pity Move
• Ah! Cruel Nymph
• Sylvia, Now Your Scorn Give Over
• Since One Poor View Has Drawn My Heart
• I Resolve Against Cringing and Whining
• Gentle Shepherds
• If Grief Has Any Power to Kill
• She That Would Gain a Faithful Lover
• Fly Swift, Ye Hours
• Hears Not My Phillis How the Birds
• Phillis, Talk No More of Passion
• Celia's Fond
• In Vain We Dissemble
• When My Amelia Smiles
• Farewell, Ye Rocks
• What a Sad Fate Is Mine
• I Take No Pleasure
• Love's Power in My Heart
• How Delightful's the Life
• She, Who My Poor Heart Possesses
• Love Arms Himself in Celia's Eyes
• When First My Shepherdess and I
• Through Mornful Shades and Solitary Groves
• If Music Be the Food of Love (2nd version)
• Scarce Had the Rising Sun Appeared
• Who but a Slave Can Well Express
• High on a Throne
• Incassum Lesbia

• She Loves and She Confesses Too
• Amintas, to My Grief I See
• Corinna Is Divinely Fair
• Amintor, Heedless of His Flocks
• He Himself Courts His Own Ruin
• No, to What Purpose Should I Speak
• Sylvia, 'tis True You're Fair
• Lovely Albina's Come Ashore
• Spite of the Godhead Pow'rful Love
• If Music Be the Food of Love
• Phillis, I Can Ne'er Forgive It
• Bacchus Is a Pow'r Divine
• From Silent Shades
• Let Formal Lovers Still Pursue
• I Came, I Saw, and Was Undone
• Who Can Behold Florella's Charms
• Cupid, the Slyest Rogue Alive
• If Pray'rs and Tears
• In Cloris All Soft Charms Agree
• Let Us, Kind Lesbia, Give Away
• Love Is Now Become a Trade
• Ask Me to Love No More
• O Solitude, My Sweetest Choice
• Olinda in the Shades Unseen
• Pious Celinda Goes to Prayers
• When Strephon Found His Passion Vain
• The Fatal Hour Comes On Apace
• Sawney Is a Bonny Lad
• Toung Thirsis' Fate

• Draw Near, You Lovers
• While Thirsis, Wrapped in Downy Sleep
• Love, Thou Canst Hear, Tho' Thou Art Blind
• I Loved Fair Celia
• What Hope Remains Now He Is Gone?
• Pastora's Beauties When Unblown
• A Thousand Sev'ral Ways I Tried
• Urge Me No More
• Farewell, All Joys
• If Music Be the Food of Love
• Admidst the Shades and Cool Refreshing Streams
• They Say You're Angry
• Let Each Gallant Heart
• This Poet Sings to the Trojan War
• Ah, How Pleasant 'tis to Love
• My Heart, Whenever You Appear
• On the Brow of Richmond Hill
• Rashly I Swore I Would Disown
• Since the Pox or the Plague
• Beneath a Dark and Melancholy Grave
• Musing on Cares of Human Fate
• Whils Synthia Sun, All Angry Winds Lay Still
• How I Sigh When I Think of the Charms of My Swain
• Ye Happy Swains, Whose Nymphs Are Kind
• Beware Poor Shepherds
• See How the Fading Glories of the Year
• Cease, Anxious World,, Your Fruitless Pain
• O! Fair Cedaria, Hide Those Eyes

• Trio Sonata in 4 parts No. 1 in G minor, Z. 802: I. Adagio
• Trio Sonata in 4 parts No. 1 in G minor, Z. 802: II. Canzona: Allegro
• Trio Sonata in 4 parts No. 1 in G minor, Z. 802: III. Largo
• Trio Sonata in 4 parts No. 1 in G minor, Z. 802: IV. Vivace - Grave
• Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: I. Adagio
• Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: II. Canzona: Allegro
• Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: III. Adagio
• Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: IV. Largo
• Trio Sonata in 4 parts No. 2 in E flat major, Z. 803: V. Allegro
• Trio Sonata in 4 parts No. 3 in A minor, Z. 804: I. Grave
• Trio Sonata in 4 parts No. 3 in A minor, Z. 804: II. Largo
• Trio Sonata in 4 parts No. 3 in A minor, Z. 804: III. Adagio
• Trio Sonata in 4 parts No. 3 in A minor, Z. 804: IV. Canzona
• Trio Sonata in 4 parts No. 3 in A minor, Z. 804: V. [Allegro] 9/8 - Grave
• Trio Sonata in 4 parts No. 4 in D minor, Z. 805: I. Adagio
• Trio Sonata in 4 parts No. 4 in D minor, Z. 805: II. Canzona
• Trio Sonata in 4 parts No. 4 in D minor, Z. 805: III. Adagio
• Trio Sonata in 4 parts No. 4 in D minor, Z. 805: IV. Vivace
• Trio Sonata in 4 parts No. 4 in D minor, Z. 805: V. Largo
• Trio Sonata in 4 parts No. 5 in G minor, Z. 806: I.
• Trio Sonata in 4 parts No. 5 in G minor, Z. 806: II. Canzona
• Trio Sonata in 4 parts No. 5 in G minor, Z. 806: III. Largo
• Trio Sonata in 4 parts No. 5 in G minor, Z. 806: IV. Adagio
• Trio Sonata in 4 parts No. 5 in G minor, Z. 806: V. Presto
• Trio Sonata in 4 parts No. 5 in G minor, Z. 806: VI. Allegro - Adagio
• Trio Sonata in 4 parts No. 6 in G minor "Ground on the Bass of Lully's 'Scocca pur'", Z. 807
• Trio Sonata in 4 parts No. 7 in C major, Z. 808: I. Vivace
• Trio Sonata in 4 parts No. 7 in C major, Z. 808: II. Largo
• Trio Sonata in 4 parts No. 7 in C major, Z. 808: III. Grave
• Trio Sonata in 4 parts No. 7 in C major, Z. 808: IV. Canzona
• Trio Sonata in 4 parts No. 7 in C major, Z. 808: V. Allegro
• Trio Sonata in 4 parts No. 7 in C major, Z. 808: VI. Adagio
• Trio Sonata in 4 parts No. 8 in G minor, Z. 809: I. Adagio
• Trio Sonata in 4 parts No. 8 in G minor, Z. 809: II. Canzona
• Trio Sonata in 4 parts No. 8 in G minor, Z. 809: III. Grave
• Trio Sonata in 4 parts No. 8 in G minor, Z. 809: IV. Largo
• Trio Sonata in 4 parts No. 8 in G minor, Z. 809: V. Allegro
• Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: I.
• Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: II. Adagio
• Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: III. Canzona: Allegro
• Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: IV. Grave
• Trio Sonata in 4 parts No. 9 in F major "Golden", Z. 810: V. Allegro
• Trio Sonata in 4 parts No. 10 in D major, Z. 811: I. Adagio
• Trio Sonata in 4 parts No. 10 in D major, Z. 811: II. Canzona: Allegro
• Trio Sonata in 4 parts No. 10 in D major, Z. 811: III. Grave
• Trio Sonata in 4 parts No. 10 in D major, Z. 811: IV. Largo
• Trio Sonata in 4 parts No. 10 in D major, Z. 811: V. Allegro
• Trio Sonata in 4 parts No. 7 in C major, Z. 808 [appendix]: Largo
• Trio Sonata in 4 parts No. 7 in C major, Z. 808 [appendix]: Grave
• Trio Sonata in 4 parts No. 7 in C major, Z. 808 [appendix]: Canzona
• Trio Sonata in 4 parts No. 8 in G minor, Z. 809 [appendix]: Grave
• Trio Sonata in 4 parts No. 8 in G minor, Z. 809 [appendix]: Largo

• O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Symphony
• O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: O sing unto the Lord a new song
• O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Sing unto the Lord, and praise him
• O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: The Lord is great, and cannot worthily be praised
• O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: O worship the Lord in the beauty of holiness
• O sing unto the Lord, anthem for soprano, alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 44: Tell it out among the heathen that the Lord is king
• O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Symphony; O praise God in His holiness
• O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Praise him in his noble acts
• O praise God in His holiness, anthem for alto, tenor, 2 basses, chorus, 2 violins, viola & organ, Z. 42: Praise him upon the well-tuned cymbals
• Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & organ, Z. 46: Symphony
• Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & organ, Z. 46: Praise the Lord, O Jerusalem
• Praise the Lord, O Jerusalem, anthem for 2 sopranos, alto, tenor, bass, chorus, 2 violins, viola & organ, Z. 46: Be thou exalted, Lord, in thine own strength
• It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: Symphony; It is a good thing to give thanks
• It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: To tell of thy loving kindness early in the morning
• It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: O Lord, how glorious are thy works
• It is a good thing to give thanks, anthem for soloists, chorus, strings & organ, Z. 18: For thou Lord, hast made me glad through thy works
• O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: O give thanks unto the Lord, for he is gracious
• O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: Who can express the noble acts of the Lord
• O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: Remember me, O Lord
• O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: That I may see the felicity of thy chosen
• O give thanks unto the Lord, anthem for soloists, chorus, 2 violins & continuo, Z. 33: Blessed be the Lord God of Israel
• Let mine eyes run down with tears, anthem for soloists, chorus & organ, Z. 24: Let mine eyes run down with tears night and day
• Let mine eyes run down with tears, anthem for soloists, chorus & organ, Z. 24: We acknowledge, O Lord, our wickedness
• Let mine eyes run down with tears, anthem for soloists, chorus & organ, Z. 24: Do not abhor us, for thy name's sake
• My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Symphony; My beloved spake and said unto me
• My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: For lo! the winter is past, the rain is over
• My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: And the time of the singing of birds is come.
• My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: Symphony; The fig tree putteth forth her green
• My beloved spake, anthem for alto, tenor, 2 basses, chorus, strings & continuo, Z. 28: My beloved is mine, and I am his. Alleluia

• Voluntary in G major, Z 720
• A Morning Hymn : "Thou wakeful Shepherd", Z 198
• A Divine Hymn : "Lord, what is Man ?", Z 192
• Voluntary in D minor, Z 718
• The Aspiration : "How long, great God", Z 189
• "In the black dismal Dungeon of Despair", Z 190
• "O solitude", Z 406
• Voluntary in C major, Z 714
• The Blessed Virgin's Expostulation : "Tell me, some pitying Angel", Z 196
• Voluntary in D minor, for Double Organ, Z 719
• On our Saviour's Passion : "The Earth trembled", Z 197
• "With sick and famished eyes", Z 200
• Verse in F major, Z 716
• "Full of wrath", Z 185
• Voluntary on the Old 100th (A major), Z 721
• Adam's Sleep : "Sleep, Adam, Sleep", Z 195
• An Evening Hymn : "Now that the sun", Z 193

• Blow up the trumpet in Sion, Z10
• The Lord is king, be the people never so impatient, Z53
• Lord, what is man, lost man?, Z192
• Let mine eyes run down with tears, Z24
• Jehova, quam multi sunt hostes mei, Z135
• O dive custos Auriacae domus, Z 504
• Beati omnes qui timent Dominum, Z131
• Out of the deep have I called, Z45
• Now that the sun hath veil'd his light (An Evening Hymn), Z193

• Dido and Aeneas, Z. 626: Act I. Overture
• Dido and Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" / Chorus "Banish sorrow"
• Dido and Aeneas, Z. 626: Act I. "Ah! Belinda" - Ritornelle
• Dido and Aeneas, Z. 626: Act I. "Grief increases by concealing" / Chorus "When monarchs unite"
• Dido and Aeneas, Z. 626: Act I. "Fear no danger"
• Dido and Aeneas, Z. 626: Act I. "See, your royal guest appears" / Chorus "Cupid only throws the dart" / "If not for mine..." / "Pursue thy conquest, love"
• Dido and Aeneas, Z. 626: Act I. A Dance Gittars Chacony
• Dido and Aeneas, Z. 626: Act I. Chorus "To the hills and the vales"
• Dido and Aeneas, Z. 626: Act I. The Triumphing Dance
• Dido and Aeneas, Z. 626: Act II, Scene I. Prelude - "Wayward sisters" / Chorus "Harm's our delight"
• Dido and Aeneas, Z. 626: Act II, Scene I. "The Queen of Carthage" / Chorus "Ho ho ho" / "Ruin'd ere the set of sun?" / Chorus "Ho ho ho"
• Dido and Aeneas, Z. 626: Act II, Scene I. "But ere we this perform"
• Dido and Aeneas, Z. 626: Act II, Scene I. Chorus "In our deep vaulted cell"
• Dido and Aeneas, Z. 626: Act II, Scene I. "Echo dance of furies"
• Dido and Aeneas, Z. 626: Act II, Scene II. Ritornelle
• Dido and Aeneas, Z. 626: Act II, Scene II. Chorus "Thanks to these lonesome vales"
• Dido and Aeneas, Z. 626: Act II, Scene II. Dance - Gitter ground
• Dido and Aeneas, Z. 626: Act II, Scene II. "Oft she visits" - Ritornelle
• Dido and Aeneas, Z. 626: Act II, Scene II. "Behold, upon my bending spear" / Chorus "Haste, haste to town"
• Dido and Aeneas, Z. 626: Act II, Scene II. "Stay, Prince"
• Dido and Aeneas, Z. 626: Act III, Scene I. Prelude / Chorus "Come away, fellow sailors" - The Sailor's Dance
• Dido and Aeneas, Z. 626: Act III, Scene I. "See the flags and streamers curling" / "Our next motion" / Chorus "Destruction's our delight" - The Witches' Dance
• Dido and Aeneas, Z. 626: Act III, Scene II. "Your counsel all is urg'd in vain"
• Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "Great minds against themselves conspire"
• Dido and Aeneas, Z. 626: Act III, Scene II. "Thy hand, Belinda" / "When I am laid in earth"
• Dido and Aeneas, Z. 626: Act III, Scene II. Chorus "With drooping wings" - Cupid's Dance

• King Arthur: First Music: Chaconne
• King Arthur: Second Music: Air
• King Arthur: Second Music: Overture
• King Arthur, Act I: Woden, first to thee / We have sacrific'd
• King Arthur, Act I: The white horse neigh'd aloud / To Woden thanks we render
• King Arthur, Act I: The lot is cast
• King Arthur, Act I: Brave Souls
• King Arthur, Act I: I call you all to Woden's Hall
• King Arthur, Act I: Come if you dare / First Act Tune
• King Arthur, Act II: Hither, this way bend
• King Arthur, Act II: Let not a moon-born elf mislead ye
• King Arthur, Act II: Hither, this way bend
• King Arthur, Act II: Come Follow Me
• King Arthur, Act II: How blest are sheperds
• King Arthur, Act II: Symphony / Sheperd, sheperd, leave decoying
• King Arthur, Act II: Come Sheperds
• King Arthur, Act II: Second Act Tune: Air
• King Arthur, Act III: Prelude
• King Arthur, Act III: What ho!
• King Arthur, Act III: What power art thou
• King Arthur, Act III: Thou doting fool, forbear
• King Arthur, Act III: Great Love, I know thee now
• King Arthur, Act III: No part of my dominion
• King Arthur, Act III: Prelude
• King Arthur, Act III: See, see, we assemble
• King Arthur, Act III: 'Tis I, 'this I that have warm'd ye
• King Arthur, Act III: Sound a parley / 'Tis Love, 'tis Love that has warm'd us
• King Arthur, Act III: Third Act Tune: Hornpipe

• Ode, Z 323 "Come ye sons of Art, away": I. Symphony
• Ode, Z 323 "Come ye sons of Art, away": II. Aria (Alto) - Chorus "Come ye sons of Art, away"
• Ode, Z 323 "Come ye sons of Art, away": III. Duet (Altos I-II) - Chorus "Sound the trumpet"
• Ode, Z 323 "Come ye sons of Art, away": IV. Aria (Alto) - Ritornello "Strike the viol, touch the lute"
• Ode, Z 323 "Come ye sons of Art, away": V. Aria (Bass) - Chorus "The day that such a blessing gave"
• Ode, Z 323 "Come ye sons of Art, away": VI. Aria (Soprano) "Bid the virtues, bid the Graces"
• Ode, Z 323 "Come ye sons of Art, away": VII. Aria (Bass) "These are the sacred charms that shield"
• Ode, Z 323 "Come ye sons of Art, away": VIII. Duet (Soprano, Bass) - Chorus "See Nature, rejoicing, has shown us the way"
• Ode, Z 340 "Welcome, viceregent of the mighty king": I. Symphony - Chorus "Welcome, Viceregent of the mighty king"
• Ode, Z 340 "Welcome, viceregent of the mighty king": II. Duet (Alto, Bass) - Ritornello "Ah! Mighty Sir, if you to such long absence are inclined"
• Ode, Z 340 "Welcome, viceregent of the mighty king": III. Chorus - Ritornello "But your blest presence now"
• Ode, Z 340 "Welcome, viceregent of the mighty king": IV. Aria (Tenor) - Chorus "Your influous approach"
• Ode, Z 340 "Welcome, viceregent of the mighty king": V. Duet (Sopranos I-II) "When the Summer, in his glory"
• Ode, Z 340 "Welcome, viceregent of the mighty king": VI. Chorus "All loyalty and honour be"
• Ode, Z 340 "Welcome, viceregent of the mighty king": VII. Aria (Tenor) - Chorus - Ritornello - Chorus "Music the food of love"
• Ode, Z 343 "Why, why are all the Muses mute?": I. Aria (Tenor) - Chorus - Symphony "Why, why are all the Muses mute?"
• Ode, Z 343 "Why, why are all the Muses mute?": II. Aria (Tenor) - Chorus "When should each soul exalted be"
• Ode, Z 343 "Why, why are all the Muses mute?": III. Aria (Alto) - Ritornello "Britain, thou now art great"
• Ode, Z 343 "Why, why are all the Muses mute?": IV. Trio (Alto, Tenor, Bass) - Chorus "Look up, and to our Isle returning see"
• Ode, Z 343 "Why, why are all the Muses mute?": V. Aria (Bass) - Duet (Sopranos I-II) "Accurs'd rebellion reared his head"
• Ode, Z 343 "Why, why are all the Muses mute?": VI. Ritornello - Duet (High Tenor, Bass) "Caesar for milder virtues honour'd more"
• Ode, Z 343 "Why, why are all the Muses mute?": VII. Aria (Tenor) - Chorus "The many-headed beast is quelled at home"
• Ode, Z 343 "Why, why are all the Muses mute?": VIII. Duet (Basses I-II) "In the equal balance laid"
• Ode, Z 343 "Why, why are all the Muses mute?": IX. Aria (Tenor) - Ritornello - Chorus "O how blest is the Isle to which Caesar is given"

• Ode, Z 333 "Of old, when heroes thought it base": I. Symphony
• Ode, Z 333 "Of old, when heroes thought it base": II. Aria (Bass) - Duet (High Tenor, Bass) " Of old, when heroes thought it base"
• Ode, Z 333 "Of old, when heroes thought it base": III. Aria (Tenor) - Chorus "The bashful Thames, for beauto so renown'd"
• Ode, Z 333 "Of old, when heroes thought it base": IV. Ritornello - Aria (Alto) "The pale and the purple rose"
• Ode, Z 333 "Of old, when heroes thought it base": V. Duet (Tenor, Bass) - Chorus "And in each track of glory since"
• Ode, Z 333 "Of old, when heroes thought it base": VI. Symphony
• Ode, Z 333 "Of old, when heroes thought it base": VII. Duet (Tenor, Bass) "And now when the renown'd Nassau"
• Ode, Z 333 "Of old, when heroes thought it base": VIII. Duet (Basses I-II) "They did no storms, nor threat'nings fear"
• Ode, Z 333 "Of old, when heroes thought it base": IX. Aria (Tenor) "So when the glitt'ring Queen of Night"
• Ode, Z 333 "Of old, when heroes thought it base": X. Chorus "Let music join"
• Ode, Z 333 "Of old, when heroes thought it base": XI. Aria (Tenor) - Ritornello "Sound trumpets, sound!"
• Ode, Z 333 "Of old, when heroes thought it base": XII. Aria (Bass) - Chorus "Sound all to him"
• Ode, Z 336 "Swifter, Isis, swifter flow": I. Symphony - Aria (High Tenor) - Ritornello "Swifter, Isis, swifter flow"
• Ode, Z 336 "Swifter, Isis, swifter flow": II. Aria (Bass) "Land him safely on her shore"
• Ode, Z 336 "Swifter, Isis, swifter flow": III. Ritornello - Aria (Tenor) - Ritornello "Hark, hark! just now my listening ears"
• Ode, Z 336 "Swifter, Isis, swifter flow": IV. Trio (Alto, High Tenor, Bass) - Chorus "Welcome, dread Sir, to town"
• Ode, Z 336 "Swifter, Isis, swifter flow": V. Aria (Bass) - Aria (Tenor) - Chorus "But with so great devotion meet"
• Ode, Z 336 "Swifter, Isis, swifter flow": VI. Duet (Soprano, Alto) "The King whose presence like the Spring"
• Ode, Z 336 "Swifter, Isis, swifter flow": VII. Chorus "Then since, Sir, from you all our blessings do flow"
• Ode, Z 341 "What, what shall be done in behalf of the man": I. Symphony
• Ode, Z 341 "What, what shall be done in behalf of the man": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "What shall be done in behalf of the man"
• Ode, Z 341 "What, what shall be done in behalf of the man": III. Aria (High Tenor) - Ritornelle - Chorus "All the grandeur he possesses"
• Ode, Z 341 "What, what shall be done in behalf of the man": IV. Aria (Bass) - Chorus - Ritornello "Mighty Charles, though joined with thee"
• Ode, Z 341 "What, what shall be done in behalf of the man": V. Duet (Sopranos I-II) - Chorus "May all factious troubles cease"

• Ode, Z 331 "Love's goddess sure was blind": I. Symphony
• Ode, Z 331 "Love's goddess sure was blind": II. Aria (Alto) - Ritornello "Love's goddess sure was blind"
• Ode, Z 331 "Love's goddess sure was blind": III. Aria (Bass) "Those eyes, that form"
• Ode, Z 331 "Love's goddess sure was blind": IV. Duet (Alto, High Tenor) "Sweetness of Nature and true wit"
• Ode, Z 331 "Love's goddess sure was blind": V. Aria (Soprano) - Chorus "Long may she reign over this Isle"
• Ode, Z 331 "Love's goddess sure was blind": VI. Aria (Soprano) - Ritornello "May her blest example chase"
• Ode, Z 331 "Love's goddess sure was blind": VII. Duet (Alto, High Tenor) "Many such days may she behold"
• Ode, Z 331 "Love's goddess sure was blind": VIII. Chorus - Quartet (Soprano, Alto, Tenor, Bass) - Chorus "May she to Heaven late return"
• Ode, Z 334 "Raise raise the voice": I. Symphony
• Ode, Z 334 "Raise raise the voice": II. Aria (Bass) - Chorus - Ritornello "Raise, raise the voice"
• Ode, Z 334 "Raise raise the voice": III. Aria (Soprano) - Trio (Soprano, Tenor, Bass) "The God himself says he'll be present here"
• Ode, Z 334 "Raise raise the voice": IV. Aria (Soprano) - Chorus - Ritornello - Chorus "Mark how readily each pliant string"
• Ode, Z 329 "Laudate Ceciliam": I. Symphony - Trio (Alto, High Tenor, Bass) "Laudate Ceciliam"
• Ode, Z 329 "Laudate Ceciliam": II. Trio (Alto, High Tenor, Bass) "Modulemni psalmum novum"
• Ode, Z 329 "Laudate Ceciliam": III. Symphony
• Ode, Z 329 "Laudate Ceciliam": IV. Duet (Alto, High Tenor) - Trio (Alto, High Tenor, Bass) "Dicite Virgini, canite Martyri"
• Ode, Z 326 "From those serene and rapturous joys": I. [Symphony]
• Ode, Z 326 "From those serene and rapturous joys": II. Aria (Alto) - Ritornello "From those serene and rapturous joys"
• Ode, Z 326 "From those serene and rapturous joys": III. Aria (Bass) - Chorus "Behold th' indulgent Prince is come"
• Ode, Z 326 "From those serene and rapturous joys": IV. Duet (Sopranos I-II) - Ritornello "Not with an Helmet or a glitt'ring Spear"
• Ode, Z 326 "From those serene and rapturous joys": V. Aria (Bass) - Chorus "Welcome as soft refreshing show'rs"
• Ode, Z 326 "From those serene and rapturous joys": VI. Aria (Tenor) - Ritornello "Welcome, more welcome does he come"
• Ode, Z 326 "From those serene and rapturous joys": VII. Duet (Tenor, Bass) - Ritornello "Nor does the Sun more comfort bring"
• Ode, Z 326 "From those serene and rapturous joys": VIII. Ritornello - Aria (Tenor) - Chorus "With trumpets and shouts we receive the World's Wonder"

• Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony
• Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn"
• Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return"
• Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove"
• Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle"
• Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight"
• Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast"
• Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard"
• Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd"
• Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns"
• Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres"
• Ode, Z 327 "Great parent, hail to thee": I. [Symphony]
• Ode, Z 327 "Great parent, hail to thee": II. Trio (Alto, Tenor, Bass) - Chorus "Great Parent, Hail!"
• Ode, Z 327 "Great parent, hail to thee": III. Aria (Alto) "Another Century commencing"
• Ode, Z 327 "Great parent, hail to thee": IV. Duet (Tenor, High Tenor) "After War's, Alarms repeated"
• Ode, Z 327 "Great parent, hail to thee": V. Aria (Bass) "Awful Matron take thy Seat"
• Ode, Z 327 "Great parent, hail to thee": VI. Aria (Tenor) - Chorus " She was the first who did inspire"
• Ode, Z 327 "Great parent, hail to thee": VII. Duet (High Tenor, Bass) "Succeeding Princes next recite"
• Ode, Z 327 "Great parent, hail to thee": VIII. Chorus "But chiefly Recommend to Fame"
• Ode, Z 327 "Great parent, hail to thee": IX. Symphony - Aria (Soprano) "Thy Royal Patron sung"
• Ode, Z 327 "Great parent, hail to thee": X. Chorus "With themes like these"
• Ode, Z 337 "The summer's absence unconcerned we bear": I. Symphony
• Ode, Z 337 "The summer's absence unconcerned we bear": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "The summer's absence we unconcerned bear"
• Ode, Z 337 "The summer's absence unconcerned we bear": III. Aria (Alto) - Chorus - Ritornello "And when late from your Throne"
• Ode, Z 337 "The summer's absence unconcerned we bear": IV. Aria (Bass) - Duet (Sopranos I-II) - Chorus "Ah! had we, Sir, the power or art"
• Ode, Z 337 "The summer's absence unconcerned we bear": V. Trio (Alto, High Tenor, Bass) - Ritornello "Happy while all her neighbours bled"
• Ode, Z 337 "The summer's absence unconcerned we bear": VI. Aria (Tenor) "So happily still you your counsels employ"
• Ode, Z 337 "The summer's absence unconcerned we bear": VII. Aria (Alto) - Ritornello "These had by their ill usage"
• Ode, Z 337 "The summer's absence unconcerned we bear": VIII. Aria (Tenor) - Chorus "But these no more shall dare repine"

• Ode, Z 344 "Ye tuneful muses": I. Symphony
• Ode, Z 344 "Ye tuneful muses": II. Duet (Basses I-II) - Ritornello - Chorus "Ye tuneful muses"
• Ode, Z 344 "Ye tuneful muses": III. Aria (High Tenor) - Chorus - Ritornello "Be lively then and gay"
• Ode, Z 344 "Ye tuneful muses": IV. Aria (Bass) - Chorus "In his just praise"
• Ode, Z 344 "Ye tuneful muses": V. Ritornell - Aria (Tenor) - Chorus "From the rattling of drums"
• Ode, Z 344 "Ye tuneful muses": VI. Trio (Alto, High Tenor, Bass) "To music's softer but yet kind"
• Ode, Z 344 "Ye tuneful muses": VII. Aria (Alto) - Ritornello "With him he brings the partner of his throne"
• Ode, Z 344 "Ye tuneful muses": VIII. Duet (Sopranos I-II) "Happy in a mutual love"
• Ode, Z 344 "Ye tuneful muses": IX. Aria (High Tenor) - Chorus "Whilst in music and verse our duty we show"
• Ode, Z 322 "Celestial music did the gods inspire": I. Symphony
• Ode, Z 322 "Celestial music did the gods inspire": II. Aria (Bass) - Chorus "Celestial music did the Gods inspire"
• Ode, Z 322 "Celestial music did the gods inspire": III. Aria (Alto) "Her charming strains expel tormenting care"
• Ode, Z 322 "Celestial music did the gods inspire": IV. Aria (Soprano) "Thus Virgil's Genius lov'd"
• Ode, Z 322 "Celestial music did the gods inspire": V. Duet (High Tenor, Bass) - Ritornello "Whilst Music did improve Amphion's song"
• Ode, Z 322 "Celestial music did the gods inspire": VI. Aria (Alto) "When Orpheus sang all Nature did rejoice"
• Ode, Z 322 "Celestial music did the gods inspire": VII. Trio (Alto, Tenor, Bass) - Chorus "Let Phyllis by her voice"
• Ode, Z 325 "From hardy climes": I. Symphony
• Ode, Z 325 "From hardy climes": II. Aria (Bass) - Chorus - Ritornello "From hardy Climes and dangerous Toils of War"
• Ode, Z 325 "From hardy climes": III. Aria (High Tenor) - Duet (Sopranos I-II) - Ritornello "As Fame, Great Sir, before you ran"
• Ode, Z 325 "From hardy climes": IV. Aria (Bass) - Chorus - Ritornello "Wake then, my Muse"
• Ode, Z 325 "From hardy climes": V. Aria (Tenor) - Ritornello "The Sparrow and the gentle Dove"
• Ode, Z 325 "From hardy climes": VI. Trio (Alto, High Tenor, Bass) - Ritornello "So all the Boons indulgent"
• Ode, Z 325 "From hardy climes": VII. Aria (Soprano) - Chorus "Hence without Scheme or Figure to descry"

• Ode, Z 324 "Fly, bold rebellion": I. Symphony
• Ode, Z 324 "Fly, bold rebellion": II. Quintet - Ritornello - Aria (Bass) - Chorus "Fly, bold rebellion"
• Ode, Z 324 "Fly, bold rebellion": III. Aria (High Tenor) - Ritornello - Chorus "Rivers from their channels turned"
• Ode, Z 324 "Fly, bold rebellion": IV. Aria (Bass, Tenor) - Ritornello "If then we've found the want of his rays"
• Ode, Z 324 "Fly, bold rebellion": V. Trio (Sopranos I-II, Tenor) - Ritornello "But Heaven has now dispelled those fears"
• Ode, Z 324 "Fly, bold rebellion": VI. Aria (Alto, Tenor, Bass) - Chorus "Come then, change your notes"
• Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir"
• Ode, Z 324 "Fly, bold rebellion": VIII. Septet - Chorus "Welcome to all those wishes fulfilled"
• Ode, Z 335 "Sound the trumpet, beat the drum": I. Symphony
• Ode, Z 335 "Sound the trumpet, beat the drum": II. Aria (High Tenor, Bass) - Chorus "Sound the trumpet, beat the drum"
• Ode, Z 335 "Sound the trumpet, beat the drum": III. Aria (High Tenor) - Chorus "Crown the year and crown the day"
• Ode, Z 335 "Sound the trumpet, beat the drum": IV. Aria (Alto, High Tenor) - Ritornello "Let Caesar and Urania live"
• Ode, Z 335 "Sound the trumpet, beat the drum": V. Aria (Tenor, Bass) - Chorus "What greater bliss can Fate bestow"
• Ode, Z 335 "Sound the trumpet, beat the drum": VI. Chaconne
• Ode, Z 335 "Sound the trumpet, beat the drum": VII. Aria (Bass) "While Caesar like the morning star"
• Ode, Z 335 "Sound the trumpet, beat the drum": VIII. Aria (Alto, Tenor, Bass) - Sextet - Chorus "To Urania and Caesar delights without measure"
• Ode, Z 321 "Celebrate this Festival": I. Symphony
• Ode, Z 321 "Celebrate this Festival": II. (Soloists, Chorus) "Celebrate this Festival"
• Ode, Z 321 "Celebrate this Festival": III. Aria (Sopranos I-II) - Chorus "Britain now thy cares beguile"
• Ode, Z 321 "Celebrate this Festival": IV. Aria (Soprano, Trumpet) - Chorus "'Tis sacred, bid the trumpet cease"
• Ode, Z 321 "Celebrate this Festival": V. Aria (Soprano) - Chorus "Let sullen Discord smile"
• Ode, Z 321 "Celebrate this Festival": VI. Aria (Alto) "Crown the altar, deck the shrine"
• Ode, Z 321 "Celebrate this Festival": VII. Aria (Bass) - Chorus "Expected Spring at last is come"
• Ode, Z 321 "Celebrate this Festival": VIII. Aria (Alto) - Ritornello "April, who till now has mourned"
• Ode, Z 321 "Celebrate this Festival": IX. Aria (High Tenor) Departing thus youæll hear him say"
• Ode, Z 321 "Celebrate this Festival": X. Ritornello - Aria (Alto, Tenor, Bass) "Happy realm beyond expressing"
• Ode, Z 321 "Celebrate this Festival": XI. Aria (Bass, Trumpet) "While, for a righteous cause he arms"
• Ode, Z 321 "Celebrate this Festival": XII. Aria (High Tenor) - Eight-part Chorus "Return, fond Muse, the thoughts of war"
• Ode, Z 321 "Celebrate this Festival": XIII. Aria (Soprano) - Chorus "Kindly treat Maria's day"

• Ode, Z 328 "Hail! bright Cecilia": I. Symphony
• Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia"
• Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks"
• Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice"
• Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World"
• Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below"
• Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay"
• Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!"
• Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin"
• Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute"
• Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War"
• Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest"
• Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia"
• Ode, Z 342 "Who can from joy refrain": I. Overture
• Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain"
• Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race"
• Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane"
• Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine"
• Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet"
• Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame"

• Ode, Z 320 "Arise, My Muse": I. Symphony
• Ode, Z 320 "Arise, My Muse": II. Aria (Alto) "Arise, my muse"
• Ode, Z 320 "Arise, My Muse": III. Chorus - Ritornello "Ye sons of music"
• Ode, Z 320 "Arise, My Muse": IV. Aria (Tenor, Bass) - Chorus "Then sound your instruments"
• Ode, Z 320 "Arise, My Muse": V. Aria (Alto) "See how the glitt'ring ruler of the day"
• Ode, Z 320 "Arise, My Muse": VI. Aria (Altos I-II) - Chorus - Ritornello "Hail, gracious Gloriana, hail"
• Ode, Z 320 "Arise, My Muse": VII. Aria (Bass) "And since the time's distress to wars' alarms"
• Ode, Z 320 "Arise, My Muse": VIII. Aria (Alto, Tenor, Bass) "To quell his country's foes"
• Ode, Z 320 "Arise, My Muse": IX. Aria (Alto) "But, ah, I see Eusebia drown'd in tears"
• Ode, Z 320 "Arise, My Muse": X. Aria (Bass) - Aria (Alto) - Chorus "But Glory cries"
• Ode, Z 339 "Welcome to All the Pleasures": I. Symphony
• Ode, Z 339 "Welcome to All the Pleasures": II. Aria (Alto, Tenor, Bass) - Chorus - Ritornello "Welcome to all the pleasures that delight"
• Ode, Z 339 "Welcome to All the Pleasures": III. Aria (Alto) - Ritornello "Here the Deities approve"
• Ode, Z 339 "Welcome to All the Pleasures": IV. Aria (Sopranos I-II, Bass) - Ritornello "While joys celestial"
• Ode, Z 339 "Welcome to All the Pleasures": V. Aria (Alto, Tenor, Bass) - Chorus "Then lift up your voices"
• Ode, Z 339 "Welcome to All the Pleasures": VI. Ritornello - Aria (Tenor) - Ritornello "Beauty, thou scene of love"
• Ode, Z 339 "Welcome to All the Pleasures": VII. Aria (Tenor) - Chorus "In a consort of voices"
• Ode, Z 332 "Now Does the Glorious Day Appear": I. Symphony
• Ode, Z 332 "Now Does the Glorious Day Appear": II. Chorus - Ritornello "Now does the glorious day appear"
• Ode, Z 332 "Now Does the Glorious Day Appear": III. Aria (Tenor, Bass) "Not any one such joy could bring"
• Ode, Z 332 "Now Does the Glorious Day Appear": IV. Aria (Tenor) - Ritornello "Now does the glorious day appear"
• Ode, Z 332 "Now Does the Glorious Day Appear": V. Chorus - Ritornello "Now does the glorious day appear"
• Ode, Z 332 "Now Does the Glorious Day Appear": VI. Aria (Bass) "It was a work of full as great a weight"
• Ode, Z 332 "Now Does the Glorious Day Appear": VII. Aria (Alto) "By beauteous softness mixed with majesty"
• Ode, Z 332 "Now Does the Glorious Day Appear": VIII. Aria (Basses I-II) "Her hero too"
• Ode, Z 332 "Now Does the Glorious Day Appear": IX. Aria (Soprano, Alto, Tenor) "Our dear religion"
• Ode, Z 332 "Now Does the Glorious Day Appear": X. Aria (Tenor) - Ritornello "No more shall we the great Eliza boast"
• Ode, Z 332 "Now Does the Glorious Day Appear": XI. Chorus "Now, now, with one united voice"

• The Fairy Queen: I. Prelude & Hornpipe in g
• The Fairy Queen: II. Air & Rondeau in B
• The Fairy Queen: III. Overture in D
• The Fairy Queen: IV. Prelude & Entry Dance in C, Dance for the Fairies in G
• The Fairy Queen: V. Overture in g - Air in G - Prelude in g
• The Fairy Queen: VI. Hornpipe in D
• The Fairy Queen: VII. Symphony / Canzona-Largo-Allegro-Adagio-Allegro
• Dido & Aeneas: I. Overture & Air in c, The Triumphing Dance in C
• Dido & Aeneas: II. Ritornelle in d, Air, Dance in d
• Dido & Aeneas: III. Echo Dance of Furies in F
• Dido & Aeneas: IV. The Sailors' Dance in B
• Dido & Aeneas: V. The Witches' Dnace in B
• Dido & Aeneas: VI. Chacony
• King Arthur: I. Overture in d, Air in d, Overture in D
• King Arthur: II. Symphony in g, Air in G, Hornpipe in g
• King Arthur: III. Air in d, Air in a, Song tune in a
• King Arthur: IV. Symphony in C, Trumpet tune in C
• King Arthur: V. Frost Dance in c, Hornpipe in G
• King Arthur: VI. Passacaglia in g
• Abdelazer: I. Overture in d
• Abdelazer: II. Rondeau in d
• Abdelazer: III. Air in D, Air in G
• Abdelazer: IV. Minuett in G, Air in g
• Abdelazer: V. Jigg in g
• Abdelazer: VI. Hornpipe in B, Air in g

• Te Deum and Jubilate Deo in D major, Z. 232: I. "We praise thee"
• Te Deum and Jubilate Deo in D major, Z. 232: II. "Thou art the King of Glory"
• Te Deum and Jubilate Deo in D major, Z. 232: III. "Vouchsafe, O Lord, to keep us this day without sin"
• Te Deum and Jubilate Deo in D major, Z. 232: IV. Jubilate in D major
• Funeral Sentences: "Man that is born", Z. 27 / "In the midst of life", Z. 17b / "Thou know'st, Lord", Z. 58b
• Remember Not, Lord, Our Offences, Z. 50
• Music for the Funeral of Queen Mary, Z. 860: I. March / II. Canzona
• Thou Know'st, Lord, the Secrets of Our Hearts, Z. 58c
• I Was Glad When They Said Unto Me, O Lord, Z. 19
• O Lord God of Hosts, Z. 37
• O Give Thanks Unto the Lord, Z. 33

• Dido & Aeneas: Overture and Act I
• Dido & Aeneas: Act II Scene 1 (The Cave)
• Dido & Aeneas: Act II Scene 2 (The Grove)
• Dido & Aeneas: Act III (The Ships)

• Overture
• Shake the Cloud from off Your Brow
• Ah! Ah! Ah! Belinda, I Am Press'd
• Grief Increase by Concealing
• Fear No Danger to Ensue
• See, See Your Royal Guest Appears
• The Triumphing Dance
• Wayward Sisters, You that Fright
• In Our Deep Vaulted Cell the Charm We'll Prepare
• Thanks to These Lovesome Vales
• Oft She Visits This Lov'd Mountain
• Behold, upon My Bending Spear
• Stay, Prince and Hear Great Jove's Command
• Come away, Fellow Sailors, Your Anchors Be Weighing
• See the Flags and Streamers Curling
• Your Counsel is All Urged in Vain
• Thy Hand, Belinda, Darkness Shades Me

• Trio Sonata No. 9 in F major "Golden", Z 810
• Trio Sonata No. 4 in D minor, Z 805
• Voluntary for organ in G major, Z 720
• Trio Sonata No. 8 in G minor, Z 809
• Variant to two movements of Trio Sonata No. 8
• Trio Sonata No. 7 in C major, Z 808
• Trio Sonata No. 3 in A minor, Z 804
• Voluntary for organ in D minor, Z 718
• Trio Sonata No. 10 in D major, Z 811
• Prelude for solo violin in G minor, ZN 733 (violin: Catherine Mackintosh)
• Trio Sonata No. 5 in G minor, Z 806
• Trio Sonata No. 6 in G minor, Z 807

• Dido & Aeneas, Z. 626: Overture
• Dido & Aeneas, Z. 626: Act I. "Shake the cloud from off your brow" (Belinda) / "Banish sorrow, bannish care" (Chorus)
• Dido & Aeneas, Z. 626: Act I. "Ah! Belinda, I am press'd with torment" (Dido) / "Grief increases by concealing..." (Belinda, Dido) / "When monarchs unite, how happy their state" (Chorus)
• Dido & Aeneas, Z. 626: Act I. "Whence could so much virtue spring" (Dido, Belinda) / "Fear no danger to ensue" (Belinda, Second Woman, Chorus)
• Dido & Aeneas, Z. 626: Act I. "See, your royal guest appears" (Belinda, Æneas, Dido) / "Cupid only throws the dirt" (Chorus)
• Dido & Aeneas, Z. 626: Act I. "If not for mine, for empire's sake" (Æneas) / "Pursue thy conquest, Love" (Belinda) / "To the hills and the vales, to the rocks and the mountains" (Chorus)
• Dido & Aeneas, Z. 626: Act I. The Triumphing Dance
• Dido & Aeneas, Z. 626: Act II. Prelude for the Witches: "Wayward sisters, you that fright" (Sorceress, First Witch) / "Harm's our delight and mischief all our skill" (Chorus) / "The Queen of Carthage, whom we hate" (Sorceress) / "Ho, ho, ho" (Chorus)
• Dido & Aeneas, Z. 626: Act II. "Ruin'd ere the set of sun" (Witches, Sorceress) / "Ho, ho, ho" (Chorus) / "But ere we this perform" (Witches)
• Dido & Aeneas, Z. 626: Act II. "In our deep-vaulted cell the charm we'll prepare" (Chorus)
• Dido & Aeneas, Z. 626: Act II. Echo Dance of Furies
• Dido & Aeneas, Z. 626: Act II. Ritornelle / "Thanks to these lonesome vales" (Belinda, Chorus)
• Dido & Aeneas, Z. 626: Act II. "Oft she visits this lone mountain" (Second woman) / Ritornelle
• Dido & Aeneas, Z. 626: Act II. "Behold, upon my bending spear" (Æneas, Dido) / "Haste, haste to town" (Belinda, Chorus)
• Dido & Aeneas, Z. 626: Act II. "Stay, Prince, and hear great Jove's command" (Spirit, Æneas)
• Dido & Aeneas, Z. 626: Act III. Prelude "Come away, fellow sailors, your anchors be weighting" (First sailor, Chorus)
• Dido & Aeneas, Z. 626: Act III. The Sailors' Dance / "See the flags and streamers curling" (Sorceress, Witches)
• Dido & Aeneas, Z. 626: Act III. "Our next motion" (Sorceress) / "Destruction's our delight" (Chorus)
• Dido & Aeneas, Z. 626: Act III. The Witches' Dance
• Dido & Aeneas, Z. 626: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Æneas) / "Great minds against themselves conspire" (Chorus)
• Dido & Aeneas, Z. 626: Act III. "Thy hand, Belinda, darkness shades me" (Dido) / "When I am laid in earth" (Dido)
• Dido & Aeneas, Z. 626: Act III. "With drooping wings ye Cupids come" (Chorus)

• The Fairy Queen, First Musick: Prelude
• The Fairy Queen, First Musick: Hornpipe
• The Fairy Queen, Second Musick: Air
• The Fairy Queen, Second Musick: Rondo
• The Fairy Queen, Second Musick: Overture
• The Fairy Queen, Act I: Duet: "Come, let us leave the town"
• The Fairy Queen, Act I: Scene of the Drunken Poet: "Fill up the bowl"
• The Fairy Queen, Act I: First Act Tune: Jig
• The Fairy Queen, Act II: "Come all ye songsters"
• The Fairy Queen, Act II: Prelude
• The Fairy Queen, Act II: Chorus: "May the God of Wit inspire" / Echo
• The Fairy Queen, Act II: Chorus: "Now join your warbling voices all" / "Sing while we trip it" / Dance of Fairies
• The Fairy Queen, Act II: Entrance of Night: "See, even Night herself is here"
• The Fairy Queen, Act II: Entrance of Mystery: "I am come to lock all fast"
• The Fairy Queen, Act II: Entrance of Secrecy: "One charming night gives more delight"
• The Fairy Queen, Act II: Entrance of Sleep: "Hush, no more"
• The Fairy Queen, Act II: Dance for the followers of Night
• The Fairy Queen, Act II: Second Act Tune: Air
• The Fairy Queen, Act III: "If Love's a sweet passion"
• The Fairy Queen, Act III: Symphony while the Swans come forward
• The Fairy Queen, Act III: Dance for the Fairies
• The Fairy Queen, Act III: Dance for the Green Men
• The Fairy Queen, Act III: "Ye gentle Spirits of the Air"
• The Fairy Queen, Act III: Dialogue between Coridon and Mopsa
• The Fairy Queen, Act III: "When I have often heard young maids complaining"
• The Fairy Queen, Act III: Dance for the Haymakers
• The Fairy Queen, Act III: "A thousand, thousand ways"
• The Fairy Queen, Act III: Third Act Tune: Hornpipe

• Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture
• Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures
• Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Here the deities approve / While joys celestial
• Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love
• Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: In a consort of voices
• Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Overture
• Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Love's goddess sure was blind
• Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign
• Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May her blest example chase
• Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Many such days
• Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May she to Heaven late return

• Overture
• Air
• Overture
• Woden, first to thee - The White Horse Neigh'd Aloud - To Woden Thanks We Render
• The Lot Is Cast, And Tanfan Pleas'd
• Brave Souls, To Be Renown'd In Story
• I Call You All To Woden's Hall
• Come If You Dare
• Hither, This Way, This Way Bend
• Let Not A Moonborn Elf Mislead Ye
• Hither, This Way, This Way Bend
• Come, Follow Me
• How Blest Are Shepherds
• Sheperd, Leave Decoying
• Come, Shepherds, Lead Up A Lively Measure
• Second Act Tune: Air
• Prelude - The Frost Scene - What Ho! Thou Genius Of This Isle
• Prelude While The Cold Genius Rises - What Power ArtThou
• Thou Doting Fool
• Great Love, I Know Thee Now
• No Part Of My Dominion
• Prelude - See, See, We Assemble
• 'Tis I That Have Warm'd Ye - 'Tis Love That Has Warm'd Us
• Sound A Parley - 'Tis Love That Has Warm'd Us
• Third Act Tune: Hornpipe

• Rejoice in the Lord ('The Bell Anthem')
• Remember not, Lord, our offences
• I was glad
• O Lord, rebuke me not
• Praise the Lord, O my soul, and all that is within me
• Now that the sun hath veiled his light ('An Evening Hymn')
• Hear my prayer, O Lord
• My heart is inditing

• Music for the Funeral of Queen Mary: I. March
• Music for the Funeral of Queen Mary: II. "Man That Is Born"
• Music for the Funeral of Queen Mary: III. Canzona
• Music for the Funeral of Queen Mary: IV. "In the Midst of Life We Are in Death"
• Music for the Funeral of Queen Mary: V. Canzona
• Music for the Funeral of Queen Mary: VI. "Thou Knowest, Lord, the Secrets of Our Hearts"
• Music for the Funeral of Queen Mary: VIII. March
• Music for the Chapel Royal of England: Motet "Jehovah, quam multi sunt hostes mei"
• Music for the Chapel Royal of England: Verse Anthem "My beloved spake"
• Music for the Chapel Royal of England: Full Anthem "O God, thou hast cast us out and scatter'd us abroad"
• Music for the Chapel Royal of England: Full Anthem "Hear my prayer"
• Music for the Chapel Royal of England: Verse Anthem "Rejoice in the Lord alway"
• Music for the Chapel Royal of England: Verse Anthem "My heart is inditing"

• Te Deum Laudamus
• Jubilate Deo
• My Heart Is Inditing
• O Sing Unto the Lord
• They That Go Down to the Sea in Ships
• Praise the Lord, O Jerusalem

• The Fairy Queen: First Musick, Prelude, Hornpipe
• The Fairy Queen: Acte II. Choeur "May the god of Wit inspire"
• The Fairy Queen: Acte II. Choeur "Now join your warbling voices all" & Danse des Fées
• The Fairy Queen: Acte III. Dialogue entre Coridon et Mopsa
• King Arthur: Acte III. Scène 2
• Dido & Aeneas: Acte III. Monologue et mort de Didon
• Sonate VII en mi mineur, Z.796: Adagio
• Sonate VII en mi mineur, Z.796: Canzona
• Sonate VII en mi mineur, Z.796: Largo
• Sonate VII en mi mineur, Z.796: Grave
• Chacony a 4 en sol mineur, Z.730
• Music for a while (Oedipus)
• Fair est Isle (King Arthur)
• O Solitude (Poèeme Katherine Philips)
• Ode on St. Cecilia's Day (1683): Ouverture
• Ode on St. Cecilia's Day (1683): Choeur "Welcome to all the pleasures"
• Ode on Queen Mary's Birthday (1692): Ouverture
• Ode on Queen Mary's Birthday (1692): "Love's Goddess sure was blind" (alto solo)
• Ode on Queen Mary's Birthday (1692): "Sweetness of nature" (duo altos)
• Ode on Queen Mary's Birthday (1692): "Long may she reigne" (soprano, choeur)
• Ode on Queen Mary's Birthday (1692): "May the blest example chase" (alto solo)
• Ode on Queen Mary's Birthday (1692): "May such days" (duo altos)
• Ode on Queen Mary's Birthday (1692): "May she to heaven late return" (choeur)

• Te Deum
• Jubilate
• In guilty night
• Pavan 1 in G minor
• Jehova, quam multi sunt hostes mei
• Pavan 2 in A minor
• When on my sick bed I languish
• Pavan 3 in A major
• Beati omnes qui timent Dominum
• Pavan 4 in B flat major
• My beloved spake

• The Indian Queen: Trumpet Ouverture
• Abdelazer, or The Moor's Revenge: Rondeau
• The Gordian Knot Unty'd: Chaconne
• The Indian Queen: Symphony & Dance
• If music be the food of love
• Fantasie D major (Three Parts Upon a Ground)
• Close thine eyes and sleep secure
• Ground in Gamut
• Rejoice in the Lord always
• Voluntary in d minor
• Funeral Sentences: Man that is born of a woman
• Funeral Sentences: In the midst of life
• Funeral sentences: Thou knowest, Lord, the secrets of our hearts
• Fantasie for viola da gamba VIII
• Of all the instruments that are
• Masque of the four seasons: Entry of Phoebus
• Masque of the four seasons: Prelude: When a cruel long winter has frozen the earth
• Masque of the four seasons: Chorus: Hail! Great parent of usall
• Masque of the four seasons: Spring: Thus the ever grateful spring
• Masque of the four seasons: Summer: Here's the summer
• Masque of the four seasons: Autumn: See my many colour'd fields
• Masque of the four seasons: Winter: Next, winter comes slowly
• Masque of the four seasons: Chorus: Hail! Great parent of usall

• The Fairy Queen: Overture
• The Fairy Queen, Act I: Come let us leave the Town
• The Fairy Queen, Act I: Fill up the bowl then
• The Fairy Queen, Act I: First Act Tune: Jig
• The Fairy Queen, Act II: Come all ye songsters of the Sky
• The Fairy Queen, Act II: Prelude
• The Fairy Queen, Act II: May the God of Wit inspire
• The Fairy Queen, Act II: Now join your Warbling Voices all
• The Fairy Queen, Act II: Sing while we trip it on the Green
• The Fairy Queen, Act II: See, even Night her self is here
• The Fairy Queen, Act II: I am come to lock all fast
• The Fairy Queen, Act II: One charming Night
• The Fairy Queen, Act II: Hush, no more, be silent all
• The Fairy Queen, Act III: Dance for the followers of Night
• The Fairy Queen, Act III: If love's a Sweet Passion, why does it torment?
• The Fairy Queen, Act III: Symphony while the swans come forward
• The Fairy Queen, Act III: Dance for the Fairies
• The Fairy Queen, Act III: Dance for the Green Men
• The Fairy Queen, Act III: Ye Gentle Spirits of the Air, appear
• The Fairy Queen, Act III: Now the Maids and the men are making of hay
• The Fairy Queen, Act III: Dance for the Haymakers
• The Fairy Queen, Act III: When I have often heard you Maids complaining
• The Fairy Queen, Act III: A Thousand Thousand ways we'll find

• Dido & Aeneas: Overture
• King Arthur: Third Act
• Come, Ye Sons of Art: Sound the Trumpet - Come, Ye Sons of Art, Away
• Ode for St. Cecilia's Day: Hail! Bright Cecilia
• Music for Queen Mary: March - Man That Is Born
• The Indian Queen: Trumpet Overture
• Dido & Aeneas: Prelude for the Witches - In Our Deep Vaulted Cell
• Dido & Aeneas: Thy Hand Belinda - When I Am Laid in Earth - With Drooping Wings
• The Tempest: No Stars Again Shall Hurt You
• Ode for St. Cecilia's Day: Final Chorus
• King Arthur: Air (2nd Act Tune)

• Celia Has a Thousand Charms
• Fly Swift Ye Hours
• Gentle Sheperds, You That Know (A pastoral elegy upon the death of Mr. John Playford)
• A New Ground en Mi mineur
• I See She Fly's Me
• Sweeter Than Roses
• I Came, I Saw, and I Was Undone (The Thraldom)
• Ground en Ré mineur
• If Musick Be the Food of Love
• From Silent Shades and the Elizium Groves (Bess of Bedlam)
• Love in Their Little Veins Inspires
• From Rosie Bow'rs
• Fairest Isle of Isles Excelling
• Round O en Ré mineur
• Ah! How Sweet It Is to Love
• The Fatal Hour Comes on Apace
• Oh Solitude! My Sweetest Choice
• Since From My Dear Astrea's Sight
• Chaconne en Sol mineur
• Oh! Lead Me to Some Peaceful Gloom
• Thrice Happy Lovers

• Te Deum
• The Noise of Foreign Wars (première recording)
• Raise, Raise the Voice
• Trumpet Sonata No. 1: Allegro
• Trumpet Sonata No. 1: Adagio
• Trumpet Sonata No. 1: Allegro
• Ode for St. Cecilia's Day
• Jubilate Deo in D

• Jehova, Quam Multi Sunt Hostes Mei (Z 135) (feat. Tenor; Andrew Carwood & Bass; Michael McCarthy)
• Remember Not, Lord, Our Offences (Z 50)
• I Will Sing Unto the Lord, as Long as I Live (Z 22)
• Voluntary in D Minor (Z 718)
• O God, Thou Art My God (Z 35)
• O God, the King of Glory (Z 34)
• Voluntary in G Major (Z 720)
• Lord, How Long Wilt Thou Be Angry? (Z 25)
• Hear My Prayer, O Lord (Z 15)
• Voluntary in C Major (Z 717)
• Blow Up the Trumpet in Sion (Z 10)
• O God, Thou Hast Cast Us Out (Z 36)
• Music on the Death of Queen Mary: March (Z 860a)
• Music on the Death of Queen Mary: Man That Is Born of a Woman (Z 27)
• Music on the Death of Queen Mary: In the Midst of Life We Are in Death (Z 17a)
• Music on the Death of Queen Mary: Thou Knowest, Lord, the Secrets of Our Hearts (Z 58b)
• Music on the Death of Queen Mary: March (Z 860a)
• Music on the Death of Queen Mary: Incassum, Lesbia - the Queen's Epicedium (Z 383) (feat. Carys-Anne Lane; Soprano)
• Music on the Death of Queen Mary: Canzona (Z 860b)
• Music on the Death of Queen Mary: Thou Knowest, Lord, the Secrets of Our Hearts (Z 58c)
• Music on the Death of Queen Mary: March (Z 860a)

• Dido & Aeneas: Ouverture
• Dido & Aeneas Act I: Shake the cloud (Belinda)
• Dido & Aeneas Act I: Ah! Belinda, I am prest (Dido)
• Dido & Aeneas Act I: Grief increase by conceiling (Belinda)
• Dido & Aeneas Act I: When monarchs unite (Chorus)
• Dido & Aeneas Act I: Whence could so much virtue spring? (Dido)
• Dido & Aeneas Act I: Fear no danger to ensue (Belinda, Second Woman)
• Dido & Aeneas Act I: See, your Royal Guest appears (Belinda)
• Dido & Aeneas Act I: Cupid only throws the dart (Chorus)
• Dido & Aeneas Act I: If not for mine (Aeneas)
• Dido & Aeneas Act I: Pursue thy conquest (Belinda)
• Dido & Aeneas Act I: To the hills and the vales (Chorus)
• Dido & Aeneas Act I: The Triumphing Dance
• Dido & Aeneas Act II: Prelude for the Witches
• Dido & Aeneas Act II: Harm's our delight (Chorus)
• Dido & Aeneas Act II: The Queen of Carthage (Sourceress)
• Dido & Aeneas Act II: Ho, ho ho, ho ho ho! (Chorus)
• Dido & Aeneas Act II: But ere we this perform (Two Witches)
• Dido & Aeneas Act II: In our deep vaulted cell (Chorus)
• Dido & Aeneas Act II: Echo Dance of Furies
• Dido & Aeneas Act II: Ritornelle
• Dido & Aeneas Act II: Thanks to these lovesome vales (Belinda)
• Dido & Aeneas Act II: Oft she visits this lov'd mountain (Second Woman)
• Dido & Aeneas Act II: Behold, upon my bending spear (Aeneas)
• Dido & Aeneas Act II: Haste, haste to town (Belinda)
• Dido & Aeneas Act II: Stay, Prince and hear great Jove's command (Spirit)
• Dido & Aeneas Act II: Then since our Charmes have sped (Chorus)
• Dido & Aeneas Act II: The Grove's Dance
• Dido & Aeneas Act III: Prelude
• Dido & Aeneas Act III: Come away, fellow sailors (Chorus)
• Dido & Aeneas Act III: See the flags and streamers curling (Sorceress)
• Dido & Aeneas Act III: Our next Motion (Sorceress)
• Dido & Aeneas Act III: Destruction's our delight (Chorus)
• Dido & Aeneas Act III: The Witches' Dance
• Dido & Aeneas Act III: Your counsel all is urged in vain (Dido)
• Dido & Aeneas Act III: Great minds against themselves conspire (Chorus)
• Dido & Aeneas Act III: Thy hand, Belinda (Dido)
• Dido & Aeneas Act III: When I am laid in earth (Dido)
• Dido & Aeneas Act III: With dropping wings ye Cupids come (Chorus)

• Birthday: Overture
• Birthday: "Come, ye Sons of Art, come away"
• Birthday: "Sound the Trumpet"
• Birthday: "Come, ye Sons of Art, come away"
• Birthday: "Strike the viol"
• Birthday: "The day that such a blessing"
• Birthday: "Bid the Virtues"
• Birthday: "These, are the sacred charms"
• Birthday: "See Nature, rejoicing"
• Funeral: March
• Funeral: "Man that is born"
• Funeral: Canzona
• Funeral: "In the midst of life"
• Funeral: Canzona
• Funeral: "Thou knowest, Lord, the secrets of our Hearts"
• Funeral: March

• Overture
• Act I: Shake the cloud from off your brow
• Act I: Ah! Belinda, I am prest
• Act I: Whence could so much virtue spring? - Fear no danger
• Act I: See, your Royal Guest appears - The Triumphing Dance
• Act II, Scene 1: Prelude for the Witches
• Act II, Scene 1: Wayward sisters - But ere we this perform
• Act II, Scene 1: In our deep vaulted cell - Echo Dance of the Furies
• Act II, Scene 2: Ritornelle - Thanks to these lonesome vales
• Act II, Scene 2: Oft she visits - Behold, upon my bending spear
• Act II, Scene 2: Stay, Prince - Jove's commands shall be obey'd
• Act III, Scene 1: Prelude - Come away, fellow sailors
• Act III, Scene 1: The Sailors' Dance - See the flags - The Wiches' Dance
• Act III, Scene 2: Your counsel all is urged in vain - But death, alas!
• Act III, Scene 2: Thy hand, Belinda - When I am laid in earth
• Act III, Scene 2: With drooping wings

Born: 1659-09-10

Died: 1695-11-21