‌
Space
Punctuation apostrophe ( ’ ' ) brackets ( [ ], ( ), { }, ⟨ ⟩ ) colon ( : ) comma ( , ، 、 ) dash ( ‒, –, —, ― ) ellipsis ( …, ..., . . . ) exclamation mark ( ! ) full stop/period ( . ) guillemets ( « » ) hyphen ( ‐ ) hyphen-minus ( - ) question mark ( ? ) quotation marks ( ‘ ’, “ ”, ' ', " " ) semicolon ( ; ) slash‌/stroke‌/solidus ( /,  ⁄  ) Word dividers space ( ) ( ) ( ) interpunct ( · ) General typography ampersand ( & ) at sign ( @ ) asterisk ( * ) backslash ( \ ) bullet ( • ) caret ( ^ ) dagger ( †, ‡ ) degree ( ° ) ditto mark ( 〃 ) inverted exclamation mark ( ¡ ) inverted question mark ( ¿ ) number sign‌/pound‌/hash ( # ) numero sign ( № ) obelus ( ÷ ) ordinal indicator ( º, ª ) percent, per mil ( %, ‰, ‱ ) pilcrow ( ¶ ) prime ( ′, ″, ‴ ) section sign ( § ) tilde ( ~ ) underscore‌/understrike ( _ ) vertical bar‌/broken bar‌/pipe ( ¦, | ) Intellectual property copyright symbol ( © ) registered trademark ( ® ) service mark ( ℠ ) sound recording copyright ( ℗ ) trademark ( ™ ) Currency currency (generic) ( ¤ ) currency (specific) ( ₳ ฿ ₵ ¢ ₡ ₢ ₠ $ ₫ ৳ ₯ € ƒ ₣ ₲ ₴ ₭ ℳ ₥ ₦ ₧ ₱ ₰ £ ₹ ₨ ₪ ₸ ₮ ₩ ¥ ៛ ) Uncommon typography asterism ( ⁂ ) tee ( ⊤ ) up tack ( ⊥ ) index/fist ( ☞ ) therefore sign ( ∴ ) because sign ( ∵ ) interrobang ( ‽ ) irony punctuation ( ؟ ) lozenge ( ◊ ) reference mark ( ※ ) tie ( ⁀ ) Related diacritical marks whitespace characters non-English quotation style ( « », „ ” ) In other scripts Chinese punctuation
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In writing, a space ( ) is a blank area devoid of content, serving to separate words, letters, numbers, and punctuation. Conventions for interword and intersentence spaces vary among languages, and in some cases the spacing rules are quite complex.

In the classical period, Latin was written with interpuncts (centred dots) as word separators, but that practice was abandoned sometime around the year AD 200 in favour of scriptio continua, i.e., with the words running together without any word separators. In around AD 600–800, blank spaces started being inserted between words in Latin, and that practice carried over to all languages using the Latin alphabet (e.g. English). In typesetting, spaces have historically been of multiple lengths with particular space-lengths being used for specific typographic purposes, such as separating words or separating sentences or separating punctuation from words. Following the invention of the typewriter and the subsequent overlap of designer style-preferences and computer-technology limitations, much of this reader-centric variation was lost in normal use.

In computer representation of text, spaces of various sizes, styles, or language characteristics (different space characters) are indicated with unique code points.

Use of the space in natural languages[link]

Spaces between words[link]

Modern English uses a space to separate words, but not all languages follow this practice. Spaces were not used to separate words in Latin until roughly AD 600–800. Ancient Hebrew and Arabic did use spaces, partly to compensate in clarity for the lack of vowels. Traditionally, all CJK languages have no spaces: modern Chinese and Japanese (except when written with little or no kanji) still do not, but modern Korean uses spaces.

Spaces between sentences[link]

Languages with a Latin-derived alphabet have used multiple methods of sentence spacing since the advent of movable type in the 15th century.

• One space (French Spacing). This is the current convention in countries that use the ISO basic Latin alphabet for published and final written work, as well as digital (World Wide Web) media.^[1]

• Double space (English Spacing). This convention stems from the use of the monospaced font on typewriters.^[2] This historical convention was carried on by tradition until it was replaced by the single space convention in published print and digital media today.^{[3][4][5][6][7][8][9][10][11][12][13]}

• One widened space, typically one-and-a-third to slightly less than two times wider than a word space. This spacing has been seen in early typesetting practices (prior to the nineteenth century). It has also been used in other non-typewriter typesetting systems such as the Linotype machine^[14] and the TeX system.^[15] Modern computer-based digital fonts can adjust the spacing after terminal punctuation as well, creating a space slightly wider than a standard word space.^[16]

• No space. According to Lynne Truss, "young people" today using digital media "are now accustomed to following a full stop with a lower-case letter and no space".^[17]

There has been some controversy regarding the proper amount of sentence spacing in typeset material. The Elements of Typographic Style states that only a single word space is required for sentence spacing since "Larger spaces...are themselves punctuation."^[18]

Spaces and unit symbols[link]

In Canadian Style: A Guide to Writing and Editing:

• When symbols are used, the prefix symbol and unit symbols are run together:

5 cm

7 hL

4 dag

13 kPa

• When a symbol consists entirely of letters, leave a full space between the quantity and the symbol:

45 kg not 45kg

• When the symbol includes a non-letter character as well as letter, leave no space:

32°C not 32° C or 32 °C

• For the sake of clarity, a hyphen may be inserted between a numeral and a symbol used adjectivally:

35-mm film

60-W bulb

Space characters and digital typography[link]

Variable-width general-purpose space[link]

In computer character encodings, there is a normal general-purpose space (Unicode character U+0020; 32 decimal) whose width will vary according to the design of the typeface. Typical values range from 1/5-em to 1/3-em (in digital typography an em is equal to the nominal size of the font, so for a 10-point font the space will probably be between 2 and 3.3 points). Sophisticated fonts may have differently sized spaces for bold, italic, and small-caps faces, and often compositors will manually adjust the width of the space depending on the size and prominence of the text.

In addition to this general-purpose space, it is possible to encode a space of a specific width. See the table below for a complete list.

In monospaced proofreading copy, only em- and en-spaces are represented using this character (which is called an em-quad or an en-quad), while other types of spaces are represented with a number sign (see Number sign#Space in particular).

Breaking and non-breaking spaces[link]

By default, computer programs usually assume that, in flowing text, a line break may as necessary be inserted at the position of a space. The non-breaking space, U+00A0 (160 decimal), is intended to render the same as a normal space but prevents line-wrapping at that position.

However, there are programs which do not follow this intent exactly, for example even such a modern and widespread web browser like the Mozilla Firefox 3.5 series, released in 2009. It (correctly) suppresses the line-wrapping when rendering the non-breaking space, but it (incorrectly) ignores the word-spacing CSS property for non-breaking spaces. This was corrected in Firefox version 3.6, released in 2010. Other programs may also suffer from the same flaw. The following simple HTML code demonstrates this flaw on affected browsers:

<source lang="html4strict"> <html><body style="word-spacing:1em">

This paragraph shows extremely wide spaces between words,
because of the 1em word-spacing CSS value.

This paragraph contains non-breaking spaces and 
should show the same spaces as the first one.

</body></html> </source>

Here are the above two paragraphs rendered in your current browser:

Hair spaces around dashes[link]

In American typography, both en dashes and em dashes are set continuous with the text (as illustrated by use in the Chicago Manual of Style, 6.80, 6.83–86). However, an em dash can optionally be surrounded with a so-called hair space, U+200A (8202 decimal), or thin space, U+2009 (8201 decimal). The thin space can be written in HTML by using the named entity   and the hair space can be written using numeric character reference   or  . This space should be much thinner than a normal space, and is seldom used on its own.

Spaces in Unicode[link]

Unicode defines^[22] several space characters with specific semantics and rendering characteristics, as shown in the table below. Depending on the browser and fonts used to view this table, not all spaces may display properly:

Unicode also provides some visible characters to stand in for space when necessary:

Use of the space in computing[link]

In programming language syntax, spaces are frequently used to explicitly separate tokens. Aside from this use, spaces and other whitespace characters are usually ignored by modern programming languages. Exceptions are Haskell, occam, ABC, and Python, which use the amount of whitespace in indentation to indicate the bounds of a block, and a whimsical language called Whitespace, where whitespace is the only meaningful syntactical element.

In commands processed by command processors, e.g. in scripts and typed in, the space character can cause problems as it has two possible functions: as part of a command or parameter, or as a parameter or name separator. Ambiguity can be prevented either by prohibiting embedded spaces, or by enclosing a name with embedded spaces between quote characters.

Text editors, word processors, and desktop publishing software differ in how they represent whitespace on the screen, and how they represent spaces at the ends of lines longer than the screen or column width. In some cases, spaces are shown simply as blank space; in other cases they may be represented by an interpunct or other symbols. Many different characters (described below) could be used to produce spaces, and non-character functions (such as margins and tab settings) can also affect whitespace.

Hard spaces (contrasted with "soft spaces") may be defined by some word processors and operating systems as either a non-breaking space, a non-combining/non-expanding space, or some other special character.

Space characters in markup languages[link]

Generalised markup languages, such as SGML, do not treat space characters differently from other characters.

However, special-purpose markup languages may. In particular, web markup languages such as XML and HTML treat whitespace characters specially, including space characters, for programmers' convenience. One or more space characters read by conforming Display-time processors of those markup languages are collapsed to 0 or 1 space, depending on their semantic context. For example, double (or more) spaces within text are collapsed to a single space, and spaces which appear on either side of the "=" that separates an attribute name from its value have no effect on the interpretation of the document. Element end tags can contain trailing spaces, and empty-element tags in XML can contain spaces before the "/>".

In XML attribute values, sequences of whitespace characters are treated as a single space when the document is read by a parser.^[31] Whitespace in XML element content is not changed in this way by the parser, but an application receiving information from the parser may choose to apply similar rules to element content. An XML document author can use the xml:space="preserve" attribute on an element to force the parser to discourage the downstream application from altering whitespace in that element's content.

In most HTML elements, a sequence of whitespace characters is treated as a single inter-word separator, which may manifest as a single space character when rendering text in a language that normally inserts such space between words.^[32] Conforming HTML renderers are required to apply a more literal treatment of whitespace within a few prescribed elements, such as the pre tag and any element for which CSS has been used to apply pre-like whitespace processing. In such elements, space characters will not be "collapsed" into inter-word separators.

In both XML and HTML, the non-breaking space character, along with other non-"standard" spaces, is not treated as collapsible "whitespace", so it is not subject to the rules above.

See also[link]

• Internal field separator
• Paren space
• Sentence spacing

References[link]

External links[link]

• Unicode spaces, by Jukka "Yucca" Korpela.
• Commonly confused characters

This article's lead section may not adequately summarize its contents. Please consider expanding the lead to provide an accessible overview of the article's key points. (January 2011)

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2009)

Carl Cox
Carl Cox, 2005
Background information
Birth name	Carl Cox
Born	(1962-07-29) 29 July 1962 (age 49)
Origin	Barbados[1]
Genres	Techno, house
Occupations	Producer, DJ
Labels	Intec Digital
Associated acts	DJ Relentless
Website	http://www.carlcox.com/

Carl Cox (born 29 July 1962, Barbados)^[1] is a British techno and house music DJ and producer.

Biography[link]

This section requires expansion.

Cox grew up in Oldham, Lancashire, before attending Glastonbury High Boys secondary modern school on Glastonbury Road in Morden.^{[citation needed]} Cox began his career as a hardcore and rave DJ in the mid 1980s^[2]. One of the first gigs he played was in legendary promoters John Binton and Terry Onion's Squeeze my buttered Onions! club in Hackney, London^[3] Unconfirmed reports suggest he was coerced into swallowing an onion on stage, one of Terry's famous requests he gave to his acts^[4]. He was named the "Three Deck Wizard" after playing on three turntables simultaneously at the Second Summer of Love in 1988.^{[citation needed]} He has performed at clubs such as The Eclipse, Edge, Shelly's, Sterns Nightclub, Heaven, Sir Henry's in Cork, Ireland and Angels and The Haçienda, as well as raves for Fantazia, Dreamscape, and Amnesia House. He now spearheads two record labels, Intec Records and 23rd Century Records. He also has his own stage every year at Ultra Music Festival called Carl Cox and Friends.

He also ran Ultimate Base at the now defunct Velvet Underground on Charing Cross Road in the mid to late 1990s. Of his many DJ highlights, he also managed to cram in the Millennium (1999 to 2000) New Year's Eve twice by flying and cheating the timezones. He has had shows on Kiss FM and was a monthly live, global resident for BBC Radio One's Essential Mix in 1998–99, as well as over a decades worth of Ibiza live mixes broadcast from Club Space.

Discography[link]

Albums[link]

• 1996: At The End Of The Cliche, Edel UK Records/Worldwide Ultimatum Records
• 1999: Phuture 2000, Edel UK Records/Worldwide Ultimatum Records
• 2005: Second Sign, Play It Again Sam
• 2011: All Roads Lead To The Dancefloor, Intec Digital

Singles[link]

• 1991: "I Want You (Forever)", Perfecto Records – UK No.23
• 1992: "Does It Feel Good To You", Perfecto Records – UK No.35
• 1993: "The Planet of Love", Perfecto Records – UK No.44
• 1995: "Two Paintings And A Drum", Edel UK Records – UK No.24
• 1996: "Sensual Sophis-ti-cat" / The Player", Worldwide Ultimatum Records – UK No.25
• 1996: "Tribal Jedi", Edel UK Records/Worldwide Ultimatum Records
• 1998: "The Latin Theme", Edel UK Records – UK No.52
• 1998: "Phuture 2000", Worldwide Ultimatum Records – UK No.40
• 1999: "Dr. Funk", Edel UK Records/Worldwide Ultimatum Records
• 1999: "The Latin Theme", Edel UK Records/Worldwide Ultimatum Records
• 2002: "Club Traxx Vol.1", Trust the DJ
• 2003: "Club Traxx Vol.2", Trust the DJ
• 2003: "Dirty Bass", 23rd Century Records^[5]
• 2011: "Chemistry" ft. Shelley Segal, Intec Digital^[6]

Compilations[link]

• 1994: Nonstopmix 1994, Liquid Rec.
• 1994: Fantazia III – Made in Heaven Remix, Fantazia
• 1994: Fantazia The DJ Collection Carl Cox, Fantazia
• 1995: F.A.C.T., React
• 1997: F.A.C.T. 2, Worldwide Ultimatum Records
• 1998: DJF 250, Sony Music Entertainment
• 1998: Non Stop 98/01, FFRR Records
• 1998: The Sound Of Ultimate B.A.S.E., Worldwide Ultimatum Records
• 1999: Non Stop 2000, FFRR Records
• 1999: F.A.C.T. Australia, X-Over Recordings
• 2000: Mixed Live Crobar Nightclub, Chicago, Moonshine Music
• 2002: Global, Play It Again Sam
• 2002: Mixed Live 2nd Session Area 2, Detroit, Moonshine Music
• 2003: F.A.C.T. Australia II, Warner Music Group
• 2003: U60311 Compilation Techno Division Vol. 3, V2 Records
• 2004: Back To Mine, DMC Publishing
• 2004: Pure Intec, Intec Records
• 2005: Live at space, featuring Allan Banford
• 2005: The Latin Theme,^[7]
• 2006: Intec 50 EP, Intec Records
• 2007: Global, Play It Again Sam
• 2008: Ultimate Carl Cox, Ministry of Sound Australia
• 2010: Global Underground 38 – Black Rock Desert

Remixes[link]

• 1991: Supreme Love Gods – "Cherry White (Carl Cox Remix)", One Little Indian
• 1991: art of Noise – "Shades Of Paranoimia (Carl Cox Remix)", China Records
• 1992: Eternal – "Eternal (Carl Cox Remix)", Underground Level Recordings
• 1992: Robert Owens – "Gotta Work (Carl's Renaissance Remix)", Freetown Inc.
• 1992: Patti Day – "Hot Stuff (Carl Cox Remix)", Starway Records
• 1992: DJ Phantasy – "Jepron (Carl Cox Remix)", Liquid Wax Recordings
• 1992: Sunscreem – "Perfect Motion (Carl Cox's Rhythm's A Drug Remix)", Sony BMG Music Entertainment
• 1993: Visa – "Let Me See Ya Move (Carl Cox's Militant March Remix)", MMR Productions
• 1993: Smooth But Hazzardous – "Made You Dance (Carl Cox Remix)", Sound Entity Records
• 1994: Laurent Garnier – "Astral Dreams (Carl Cox's MMR Remix)", F-Communications
• 1994: Trevor Rockcliffe Presents Glow – "Break The Law (Carl's Reconstructed Remix)", MMR Productions
• 1994: Quench – "Hope (Carl Cox Remix)", Infectious Records
• 1994: FKW – "Jingo (Carl Cox Remix)", PWL
• 1994: O.T.T. – "Raw (Carl Cox Remix)", Industrial Strength Records
• 1994: Aurora Borealis – "Raz (Carl's MMR Remix)", F-Communications
• 1994: English Muffin – "The Blood Of An English Muffin (Carl Cox Remix)", MMR Productions
• 1994: Lunatic Asylum – "The Meltdown (Carl Cox & John Selway's Circular Cycle Remix)", MMR Productions
• 1995: Jam & Spoon – "Angel (Ladadi O-Heyo) (Carl Cox Remix)", Epic Records
• 1995: The Stone Roses – "Begging You (Cox's Ultimatum Remix)", Geffen Records
• 1995: Yello – "L'Hotel (Carl Cox's Hands On Yello Remix)", Urban
• 1995: Dr. Fernando "Stomach Substance (Carl Cox Remix)", MMR Productions
• 1995: Infrequent Oscillation – "Burning Phibes (Carl Cox Remix)", MMR Productions
• 1995: Technohead – "Get Stoned (Carl Cox Remix)", Mokum Records
• 1995: AWeX – "It's Our Future (Carl Cox's Ultimate Remix)", Plastic City UK
• 1995: Slab – "Rampant Prankster (Carl Cox's Jumper Remix)", Hydrogen Dukebox
• 1995: Steve Mason & Tony Crooks – "Shallow Grave (Carl Cox's After Hours Remix)", Rain Forest Records
• 1995: Josh Abrahams – "March Time (Carl Cox Remix)", MMR Productions
• 1996: System 7 – "Hangar 84 (Cox's W.W. Ultimatum Remix)", Butterfly Records
• 1996: Electroliners – "Loose Caboose (Carl Cox Remix)", XL Recordings
• 1996: Barefoot Boys – "Need No Man (Cox's Harder Remix), Stealth Records
• 1996: The Advent – "Mad Dog (Carl Cox Remix)", Internal
• 1996: JX – "There's Nothing I Won't Do (Carl Cox's Full House Remix)", FFRR Records
• 1996: Consolidated – "This Is Fascism (Carl Cox's Burning Gold Remix)", MC Projects
• 1996: Vernon – "Vernon's Wonderland (Carl Cox's Full Remix)", Eye Q
• 1996: Poltergeist – "Vicious Circles (Carl Cox's MMR Remix)", Manifesto
• 1997: DJ SS – "DJs Anthem (Carl Cox Remix)", Formation Records
• 1997: Tenth Chapter – "Prologue (Carl Cox & Paul van Dyk Remix)", Jackpot
• 1999: Needle Damage – "That Zipper Track (Carl Cox Remix)", Worldwide Ultimatum Records
• 1999: Grooverider – "Where's Jack The Ripper (Carl Cox's Techno Radio Edit)", Higher Ground Records
• 2000: Tony Moran Featuring Cindy Mizelle – "Shine On (Carl Cox's Sweat Dub)", Contagious Records
• 2001: Slam – "Positive Education (Carl Cox's Intec Remix)", VC Recordings
• 2001: Trevor Rockcliffe & Blake Baxter – "Visions Of You (Carl Cox Remix)", Intec Records
• 2001: Ramirez – "Volcan De Passion (Carl Cox Remix)", Terapia
• 2002: Cormano – "Mangamana vs. Revenge (Carl Cox's Turntable Remix)" 4 Play Records, Inc.
• 2003: Tomaz vs Filterheadz – "Sunshine (Carl Cox Remix)", Intec Records
• 2003: Bad Cabbage – "You're Rude (Get Fucked) (Carl Cox's Not So Rude Remix)", Mutant Disc
• 2004: Eric Powell^{[disambiguation needed ]} – "Don't Deny It (Carl Cox Remix)", 23rd Century Records
• 2004: Johan Cyber – "Natural Funk (Carl Cox Remix)", 23rd Century Records
• 2004: Cohen vs Deluxe – "Just Kick! (Carl Cox Remix)", Intec Records
• 2007: Sander Van Doorn – "Riff (Carl Cox's Global Remix)", Doorn Records
• 2010: Moby – "Walk With Me (Carl Cox Remix)", thelittleidiot

References[link]

External links[link]

• CarlCox.com – Official website
• Discogs.com – Discography
• Coxy's big break – the move to Frankston
• Carl Cox at Heaven
• Carl Cox live at Space Ibiza (video)
• Carl Cox talks about social media and how he uses technology (Video interview)
• Music with Carl Cox

Joris Voorn (25 February 1977, Moergestel) is a Dutch DJ who resides in Amsterdam. Joris is the co-owner of the Amsterdam based labels Rejected (with Edwin Oosterwal) and Green. He plays his own house-style which is considered close to Detroit Techno. Additionally Joris is a graduate in architecture.

Like many musicians, Voorn had a strong affiliation with music at a young age growing up in the city of Schiedam when he learned how to play the guitar and violin (his father was a composer of music). However, once the radio opened his mind to newer influences, Voorn became hooked on Techno. During his education he won a DJ competition in Enschede which kick-started Joris' music career. Since 1997 Joris has been regularly booked for gigs and had a residency at the ATAK. However his first production was not until 2002 when he released his "Muted Trax" EP. This release, as well as support from Carl Craig, Derrick May and Laurent Garnier^[1] made him decide to (temporarily) give up architecture and focus on his DJing career. In 2003 his "Lost Memories" EP became another hit. In the same year Joris was crowned Talent of the Year at the Dutch DJ Awards.

2009/2010[link]

2009 was the year in which Joris Voorn's popularity exploded. He released the "Balance014" compilation. It managed to mix approximately 100 songs into a double CD, morphing them into a collective mix. Only Richie Hawtin had managed to create such a challenging feed successfully in the past in his DE9 series.

Joris also released the "Dusty House Room" EPs which were a tremendous commercial success. His remix of Nalin & Kane's "Beachball" was one of the greater productions heard at the Miami Winter Music Conference and his "Sweep the Floor" was the Ibiza anthem of 2009. Joris Voorn was crowned Best Breakthrough at the annual Ibiza DJ Awards and climbed from 35th to 10th place in the Resident Advisor's DJ top 100.^[2] 2009 included performances at Awakenings Festival, Space Ibiza, Amnesia and Sensation, as well as appearing in Pete Tong's Essential Mix. He is working on a new album to be released in 2012.

Releases[link]

Singles[link]

Muted Trax Pt 1 & Pt 2 (Keynote, 2002)

Lost Memories Pt 1 & Pt 2 (SINO, 2003)

A1 Incident

The Deep

Deep Side Of The Moog

Let's Go Juno (Rejected, 2007)

Dusty House Room 1 (Rejected, 2009)

A1 Sweep The Floor

B1 Empty Trash

Dusty House Room 2 (Rejected, 2009)

A1 Chase The Mouse

B1 We're All Clean

The Secret (Cocoon Recordings, 2010)

Incident (Miyagi)

Together Feat Nic Fanciulli (Rejected, 2011)

Goodbye Fly (2012)

Albums[link]

Future History (SINO, 2004)

From A Deep Place (Green, 2007)

Mix-Compilations[link]

Fuse Presents Joris Voorn (Music Man Records / Minimaxima, 2005)

Balance 014 (EQ Recordings, 2009)

The Sound Of Sundays At Space Ibiza (Mixmag, 2010)

Remixes[link]

Beach Kisses (Joris Voorn Green Mix) - Dosem

For 12 Minutes She Danced With An Alien (Joris Voorn Ruff Mix) - Gerd

Believer (Joris Voorn Dub) - Goldfrapp

Phuture (Joris Voorn Remix) - Harry Choo Choo Romero

One Life Stand (Joris Voorn Dusty Flower Remix) - Hot Chip

Destination Nagano (Joris Voorn Remix) - Nagano Kitchen

Beachball (Joris Voorn Remix) - Nalin & Kane

Random Violence (Joris Voorn Green Mix) - Ripperton

Dark Flower (Joris Voorn Magnolia Mix) - Robert Babicz

Callisto - (Joris Voorn Remix) - Stephan Bodzin, Marc Romboy

Kobra Dance (Joris Voorn Dub) - Wigald Boning

The Tide (Joris Voorn Edit) - Mark Fanciulli

After The Rain Comes the Sun (Joris Voorn Remix) - Solomun

I Believe in Love - Arthur Baker featuring Jimmy Somerville

After The After (Joris Voorn Edit) - Moby

References[link]

1. ^ http://www.gomagazine.nl/article/read/5822-joris-voorn.html
2. ^ http://www.residentadvisor.net/feature.aspx?1119

External links[link]

• http://www.ibiza-voice.com/story/news/1874
• http://www.djmag.com/top100/detail/2672
• http://www.discogs.com/artist/Joris+Voorn
• http://www.myspace.com/jorisvoorn