name	Showtime
logofile	Showtime.svg
logosize	150px
launch	July 1, 1976
picture format	480i (SDTV)1080i (HDTV)
owner	Showtime Networks, Inc. (CBS Corporation)
slogan	''Brace Yourself''
country	United States
broadcast area	Nationwide
headquarters	New York City
sister names	The Movie ChannelSmithsonian ChannelFlix
web	http://www.sho.com
sat serv 1	DirecTV
sat chan 1	545 Showtime (east) (SD/HD)546 Showtime (west) (SD/HD)547 Showtime 2 (SD/HD)548 Showcase (SD/HD)549 Showtime Extreme (SD/HD)550 Showtime Beyond (HD)551 Showtime Next (HD)552 Showtime Women (HD)1545 Showtime On Demand
sat serv 2	Dish Network
sat chan 2	318 Showtime (east) (SD/HD)319 Showtime (west) (SD/HD)320 Showtime 2 (SD/HD)321 Showcase (SD/HD)322 Showtime Extreme323 Showtime Beyond
cable serv 1	Available on most cable systems
cable chan 1	Check local listings for channels
adsl serv 1	Verizon FiOS
adsl chan 1	See List of Verizon FiOS channels
adsl serv 2	AT&T; U-verse
adsl chan 2	See AT&T; U-verse channel lineup
online chan 1	}}

Showtime is an American premium cable television service featuring programming that consists primarily of theatrically released motion pictures, along with original series, made-for-cable movies, and occasional boxing and mixed martial arts matches. The channel is owned by Showtime Networks, Inc., a division of CBS Corporation.

As of April 2011, Showtime's programming reaches 20 million subscribers in the United States. The Showtime brand is used by a number of channels and platforms around the world, but primarily refers to the group of channels in the United States.

History

Showtime, originally a service of Viacom, went on the air on July 1, 1976, first shown on a local cable system in Dublin, California. Its first program was ''Celebration'', a concert special featuring Rod Stewart, Pink Floyd and ABBA.

On March 7, 1978, Showtime expanded to the national market via satellite, competing with HBO and other pay cable networks.

In 1979, Viacom sold 50% of Showtime to TelePrompTer. In 1982, Westinghouse, who had acquired TelePrompTer the previous year, sold its share of Showtime back to Viacom. In 1983, Viacom and Warner-Amex Satellite Entertainment merged Showtime and The Movie Channel to form Showtime/The Movie Channel, Inc. (later Showtime Networks, Inc.). 1984 saw the premiere of Showtime's first original movie, ''The Ratings Game'', both starring, and directed by, Danny DeVito. In 1985, Viacom acquired Warner's share of Showtime/TMC, making them the sole owner of Showtime once again.

In 1990, Showtime ventured into acquiring and premiering independent films directly for the channel, originally as part of its ''30-Minute Movie'' anthology series of short films. One of its first premieres, ''12:01 PM'', was nominated for an Academy Award. In the years that followed, Showtime expanded its acquisitions into the realm of feature-length fare, including the 1997 remake of ''Lolita'', directed by Adrian Lyne.

In the early 2000s, Showtime launched several additional multiplex channels including Showtime Too (a pun on its current name, Showtime 2), Showcase (formerly Showtime 3), Showtime Beyond and Showtime Extreme. Showtime had also launched several channels exclusively for digital cable: Showtime Family Zone, Showtime Next, and Showtime Women.

Showtime Networks also owns the channels The Movie Channel, The Movie Channel Xtra and Flix. Each multiplex channel offers movies and programs fitting each channel's particular theme. Premieres of popular movies are usually made on the primary channel.

In 2000, Showtime launched the "Showtime Interactive 24.7" channel—providing DVD-like interaction opportunities to its entertainment offerings. In the 2000s, Showtime began test marketing a subscription-video-on-demand SVOD system; the subscription-video-on-demand channel called Showtime On Demand, which users are able to see episodes of Showtime original series, movies, adult programming and boxing, was launched officially in 2002. Showtime also became one of the first cable TV networks to broadcast an HDTV version of its channel, along with Dolby Digital 5.1 surround sound.

In 2005, Viacom and CBS announced its intention to split up only six years after Viacom bought the network and its television assets. The original Viacom was renamed CBS Corporation and got the broadcasting elements, Paramount Television's production operations (renamed CBS Paramount Television, now two separate arms, CBS Television Studios for production and CBS Television Distribution for syndicated program distribution), Viacom Outdoor advertising (renamed CBS Outdoor), Showtime Networks, Simon & Schuster and Paramount Parks, which the company later sold, while the new Viacom kept Paramount Pictures, MTV Networks, BET Networks, and (until it was sold off in 2007), Famous Music. National Amusements retains ownership of both companies to this day.

In May 2010, it was reported that Showtime plans to launch a service to stream episodes of original series to subscribers.

Channels

Showtime operates eight multiplex channels and a video on demand service (Showtime On Demand): Showtime also packages the Eastern and Pacific feeds of the main channel and its multiplex services together, giving viewers a second chance to watch the same movie/program three hours earlier or later — depending on their geographic location. However, certain cable systems only offer the main channel in this manner. Note: the abbreviation in parenthesis is used as an on-screen identifier and in programming guides

Showtime (SHO): The flagship channel; blockbuster movies, first-run films, original series, specials, mixed martial arts events and championship boxing.

Showtime 2, referred on-air as SHO2 (SHO2): Secondary channel; offers more movies, original series and specials. Launched in 1991, the channel was rebranded as Showtime Too from 2001 to 2006. Showcase (SHO3): Similar to Showtime Two, features movies, first-run films and original pictures. The channel was previously known as Showtime 3 from 1996 to 2001. Showtime Beyond (SHOB): The channel features a mix of science fiction, fantasy and horror films as well as Showtime original sci-fi series; launched in 1999.

Showtime Extreme (SHOX): Action and adventure, thrillers, gangster and martial arts. Airs over 60 movies each month and a Sunday double feature spotlighting a different action star; launched in 1998.

Showtime Family Zone (SHOF): Family-oriented programming, including movies and specials aimed at a younger audience. All movies are G, PG, or PG-13 rated and no R-rated movies or TV-MA rated programming airs on Showtime Family Zone. The channel is currently exclusively available on digital cable, but is not available in all areas; launched in 2001. Showtime Next (SHON): Movies geared towards adults 18–24; features over 50 films each month, original pictures, short films and animated shorts; launched in 2001. Showtime Women (SHOW): Targeted to women; airs films, Showtime original series and specials geared primarily at women; launched in 2001.

Other services

Showtime HD

Showtime provides 1080i high definition simulcast feeds of all of its channels except Showtime Family Zone, which are carried by most of the major American television providers.

Showtime On Demand

Showtime On Demand is the Video on Demand counterpart to Showtime and is available to subscribers of Showtime on most providers.

Showtime Anytime

On October 27, 2010, Showtime launched ''Showtime Anytime'' to customers of Comcast's Xfinity TV service who are subscribers to Showtime. Showtime Anytime comprises a web site which distributes around 400 hours of program content available for streaming in standard or high definition. Content includes Showtime original programming, feature films, comedy specials, documentaries and sports programming.

Programming

Showtime has several original programs airing on the network. The most popular shows are ''Dexter'', starring Michael C. Hall as a police department blood-spatter analyst who maintains a secret life as a vigilante serial killer, and ''Weeds'', starring Mary-Louise Parker as a widow from an upper-middle class suburb of Los Angeles who turns to dealing marijuana to support her family after her husband dies. Other shows include ''Dead Like Me'', ''Californication'', ''Nurse Jackie'', ''The Tudors'', ''Shameless'', ''Soul Food'', ''Queer as Folk'', ''The L Word'', ''The Big C'' and ''United States of Tara''.

Although another showtime series ''Brotherhood'' about the intertwining lives of the Irish-American Caffee brothers from Providence, Rhode Island: Tommy a local politician and Michael a professional criminal involved with New England's Irish Mob was also quite popular but, in a different way it was not as popular in terms of ratings but, was quite popular critically with some critics even comparing the show to ''The Wire'' and ''The Sopranos''. It was even said by one critic to be "the jewel Showtime has sought for years."

Showtime 2 carries one original program exclusive to the network, a late night program called ''Big Brother After Dark'' as a companion series to the American ''Big Brother'' series airing on sister broadcast network CBS.

Showtime has long employed a late night block of programming called "Showtime After Hours", a block consisting of programming aimed at adults, airing after 12 a.m. ET; the programming featured within the block, which has existed since the early 1980s, includes smaller feature films and occasionally stand-up comedy specials. Softcore erotica programming typically does not air within the block and adult films have been absent from the main Showtime channel since the mid-2000s (though a limited amount of original erotica series have resurfaced on the main channel in 2010, after having been absent for most of the previous decade), although the network's multiplex channels Showtime 2 and Showcase do occasionally feature adult films on their overnight schedules.

Movie library

As of 2011, Showtime holds first-run premium cable rights to films from Summit Entertainment, The Weinstein Company, Miramax Films (also including rights to Dimension Films releases), DreamWorks Pictures (live-action releases through Touchstone Pictures only), CBS Films, First Look Pictures, IFC Films (rights are shared with Starz), THINKFilm and Anchor Bay Entertainment. Showtime holds sub-run rights to films from MGM, United Artists, Sony Pictures, Paramount and Disney.

After its launch, Showtime signed exclusive first-run agreements with several movie studios. The first exclusive deal between the channel and a movie studio was done in 1977, when United Artists (then a subsidiary of Transamerica) agreed with Showtime for an exclusive first-run deal for the next five years. United Artists was merged with MGM in 1981. The deal expired in 1982. After being merged with WASEC's The Movie Channel, Paramount Pictures (then owned by Gulf + Western) signed an exclusive deal with the newly formed Showtime/The Movie Channel for 75 films for the next five years. In 1986, Showtime/TMC signed deals with Buena Vista Motion Pictures Group and Orion Pictures. They lost the rights for new Paramount films in 1989 after HBO signed a deal with the studio two years earlier for features released from May 1988. By 1989, Showtime had already exclusive deals with Carolco Pictures, Atlantic Entertainment Group, Cannon Films, Buena Vista, Universal Studios, De Laurentiis Entertainment Group, Imagine Entertainment and Weintraub. They lost out the rights for new Disney releases to Liberty's Starz in 1997. On April 13, 1990, Showtime signed an exclusive first-run deal with New Line Cinema. The deal expired in 1995, when the first-run rights were moved to Starz. On November 22, 1993, Showtime signed exclusive first-run premium cable rights with MGM and United Artists which lasted 15 years.

After being acquired by Viacom in 1994, Paramount Pictures began an output deal with Showtime (then also owned by Viacom), effective after 1997, which lasted 10 years. After the old Viacom was split in two corporations, the output deal with Paramount was not renewed after 2007, thus the pay-cable rights transferred in 2009 to Viacom's Epix premium venture. Showtime has also agreements with IFC Films (which it shares broadcasting rights with Starz), ThinkFilm, certain films put out by The Weinstein Company (those that are distributed theatrically in conjunction with MGM Studios), and the newly re-formed United Artists (still a subsidiary of MGM). In 2008, the channel signed a deal with First Look Pictures to air their films.

The future of the channel was put into question when it was announced that three of its major suppliers of films Paramount Pictures, Metro-Goldwyn-Mayer, and Lions Gate Entertainment, as well as their respected subsidiaries (Paramount Vantage and United Artists), would be teaming up together to form a new premium movie channel. Called Epix, it launched in May 2009 as a broadband Internet service, and arrived on television on October 31 of that year. This is primary due to the company split-up of parent company Viacom into two separate entities, Viacom and CBS Corporation, the latter owning Showtime (though both companies are still controlled by National Amusements). Paramount's contract with the channel expired January 2008. This includes such films as ''Cloverfield'' and ''Iron Man'' being available to the new channel upon its initial run. MGM and Lions Gate's contracts expired at the end of 2008.

On July 15, 2008, it was announced that Showtime had signed a seven-year deal with The Weinstein Company to exclusively air their films during their initial premium-channel broadcasts, starting with their 2009 film slate. This includes films such as ''Nine'', ''All Good Things'' and Quentin Tarantino's ''Inglourious Basterds''. The deal also includes films from the studio's subsidiary Dimension Films. On December 4, 2008, Showtime entered into an exclusive 4-year output deal with Summit Entertainment to air 42 of their films during their initial premium cable run. The deal includes all the films in the ''Twilight'' franchise, as well as the films ''Push'', ''Knowing'' with Nicolas Cage, and the horror remake ''Sorority Row''.

Though not owning the broadcasting rights to show first-run movies from 20th Century Fox, Showtime has been able to show independent films the studio owns the home video rights to, even if they didn't release them theatrically, most notably being Mel Gibson's 2004 film, ''The Passion of the Christ''. Others include ''Party Monster'', ''Ong-Bak: Muay Thai Warrior'', ''Woman Thou Art Loosed'' and ''Donnie Darko''. As of 2006, Showtime has a partial deal with Rogue Pictures, allowing them to broadcast particular films put out by the studio (especially those originally produced for video), including ''Carlito's Way: Rise to Power'' and ''Dave Chappelle's Block Party''.

On March 12, 2010, Showtime came to an agreement with The Walt Disney Company, which had recently purchased the distribution rights to DreamWorks Pictures, to air at least 35 movies from the latter studio between 2009 and 2015 during their premium-cable run. This deal also allows Showtime first-choice to renew their contract when the initial tenure lapses. The deal does not include films from DreamWorks Animation (the pay-cable rights to those films are held by HBO and Cinemax). Showtime also inked a pay-cable output deal with CBS Films, which is also owned by the network's parent company CBS Corporation.

Usually films to which Showtime has pay-cable rights will also run on The Movie Channel and Flix during its time of license.

Sports programming

Showtime broadcasts a limited amount of sports programming on its schedule produced by the channel's Showtime Sports division. Beginning in March 1986, Showtime's sports programming consisted largely of boxing matches produced under the banner ''Showtime Championship Boxing''; in 2001, the network launched ''ShoBox: The New Generation'', focusing primarily on up-and-coming boxers. In 2004, Showtime began broadcasting all domestic fights telecast on the channel in high definition. In December 2006, Showtime announced a deal to broadcast mixed martial arts matches from the then-newly formed Elite Xtreme Combat (or EliteXC), an MMA organization formed by Showtime Networks and ProElite, Inc., with all events broadcast under the banner ''ShoXC''; the league folded two years later in 2008.

In 2008, Showtime acquired ''Inside the NFL'', the longest-running program in the history of HBO, from that network when it had cancelled the seasonal analysis and interview program in February 2008. In February 2009, Strikeforce announced a three-year broadcast agreement with Showtime, allowing it to broadcast up to 16 events per year, as well as a deal with sister network CBS for an option to produce up to four events for them. In addition to broadcasting big-ticket Strikeforce events on Showtime, it also announced it would produce ''ShoMMA: Strikeforce Challengers'', an event series highlighting up-and-coming fighters. In 2010, Showtime debuted another original sports insider program ''Inside NASCAR''. Showtime also operates Showtime PPV, formerly SET (Showtime Entertainment Television), which broadcasts boxing matches and other select event programming to pay-per-view subscribers. In 2011, Showtime announced they were expanding their MMA programming by televising events produced by M-1 Global, the Russian PTC company of popular Strikeforce fighter Fedor Emelianenko.

Branding

Showtime's original logo was a circle with a TV screen inside (very similar to the logo used by Brazilian television network Rede Globo, though without the circle in the center), accompanied by a generic "Showtime" text in Avant Garde font. From 1984 to 1990, the screen was accompanied by an italic "Showtime" text in Franklin Gothic type, with the "W" and "T" connected. The TV screen was dropped in 1989, and the italic text became the network logo from that point until 1997. That year, the current logo was implemented, consisting of the network's name in all capitals with the 'SHO' prefix imprinted on a circle (as with Cinemax's highlighting of 'MAX' in their logo, the use of 'SHO' as the logo focal point comes from the channel's former TV Guide abbreviation in the magazine's local listings era).

Showtime was one of the first U.S. premium channels to brand its programming with digital on-screen graphic logos starting in 1999, this originally pertained to only the main Showtime channel and Showtime 2 and was only done during promo breaks between programs; Showtime only shows their logo bug off-and-on during programming, while Showtime 2 runs theirs during all programming. On April 1, 2010 the remaining Showtime multiplex channels, Showtime Beyond, Showtime Extreme, Showtime Family Zone, Showtime Next and Showtime Women (as well as The Movie Channel, The Movie Channel Xtra and Flix) began using on-screen logo bugs during all of their programming.

Just like Starz, Showtime has recently begun to air promotions for upcoming programs during films airing during primetime slots on the main channel and during original series on the main Showtime channel, Showtime 2 and Showcase (in the case of its original series, the closing credits are typically replaced with a marginalized credit sequence similar to those used by the major U.S. broadcast networks).

Network slogans

1976–1982: ''We're Sure You're Going to Like What You See''

1982–1984: ''All Eyes Turn for Showtime'' 1984–1988: ''Showtime Excitement'' / ''We Make Excitement''

1987: ''Showtime Has the Hits HBO Misses''

1987–1990: ''Where the Action Is''

1990–1993: ''We Entertain You Like No One Can''

1993–1995: ''Something Good is Gonna Happen''

1997–2005: ''No Limits''

2005–2011: ''TV. At Its Best.''

2011–present: ''Brace Yourself''

International

Showtime has two main pay TV networks that operate using its name; Showtime Australia and Showtime Arabia. It also has several channels that are licenced to use its name; Showtime Scandinavia (Denmark, Finland, Norway and Sweden), Showtime Extreme (Spain), and others.

Showtime debuted on South African television for the first time as part of the new TopTV satellite provider's package on May 1, 2010.

See also

Showtime Networks

References

External links

Official website

Showtime Anytime

Category:Showtime television network Category:Television channels and stations established in 1976 Category:English-language television stations in the United States Category:American television networks Category:Commercial-free television networks Category:Westinghouse Broadcasting Category:Movie channels

ar:شوتايم bs:Showtime ca:Showtime cs:Showtime da:Showtime de:Showtime et:Showtime es:Showtime (televisión) fr:Showtime id:Showtime it:Showtime (rete televisiva) he:שואוטיים lt:Showtime hu:Showtime nl:Showtime ja:ショウタイム (テレビ局) no:Showtime pl:Showtime pt:Showtime ru:Showtime sh:Showtime fi:Showtime sv:Showtime tr:Showtime (kanal) zh:Showtime頻道

Michael Brauer is a New York-based mix engineer whose credits encompass a wide range of genres, and include The Rolling Stones, Bob Dylan, Paul McCartney, Coldplay, John Mayer, Ash, My Morning Jacket, Ben Folds, Dream Theater, The New Radicals, Change, Fountains of Wayne, David Poe, Wilco, Alpha Rev and Ron Sexsmith.

Brauer has established himself as an A-List mix engineer with a recent string of highly successful albums. He received a Grammy for "Best Male Pop Vocal and Performance" for his work on John Mayer's Continuum, "Best Alternative Album" for Coldplay's ''Parachutes'', and also "Best Rock Album" for Coldplay's "Viva La Vida". Michael mixed James Morrison’s debut album ''Undiscovered'' for Polydor which debuted at #1 in the UK and has since gone platinum in the UK, and The Kooks’ debut album ''Inside In / Inside Out'' which has also been certified triple platinum in the UK. Recent albums Michael mixed include My Morning Jacket's "Evil Urges", Brazilian Girls's "New York City", and The Fray's "The Fray. He has recently mixed singles for John Mayer, The Enemy (#1 UK single chart), Paulo Nutini, Mr. Hudson & The Library, Evans Blue, a surround sound mix for the My Morning Jacket 'Okonokos' DVD, Coldplay, and The Fray.

Brauer is known for an unusual implementation of parallel compression in which vocals or instruments are sent to five compressors, each adjusted for its own timbral and tonal quality. These are then blended by ear to achieve the desired result.

Albums mixed (recent highlights)

BIRDS OF TOKYO – The Saddest Thing I Know(EMI Aus)

CHASE COY – Where The Road Parts(Universal Records)

STARS – Sad Robot(Soft Revolution)

ISAAC RUSSELL – EP(Sony Music)

THE RESCUES – Let Loose the Horses(Universal Republic)

JOHN MAYER – Battle Studies (Columbia)

THE BRAVERY – Stir the Blood(Island Records)

COLBIE CAILLAT – Breakthrough(Universal Records)

REGINA SPEKTOR – ''Far'' (Warner Bros)

Alpha Rev – ''New Morning'' (Hollywood Records)

Barcelona – ''Absolutes'' (Motown Records)

The Fray – ''The Fray'' (Epic Records)

Coldplay – ''Viva La Vida Or Death And All His Friends'' (EMI)

Copeland – ''You are My Sunshine'' (Tooth & Nail)

The Doves – ''Kingdom Of Rust'' (Heavenly Records)

My Morning Jacket – ''Evil Urges'' (ATO)

Mandi Perkins – ''Alice In No Man's Land'' (Sony)

Travis – ''The Boy With No Name'' (Independiente)

KT Tunstall – ''Drastic Fantastic'' (Virgin UK)

John Mayer – ''Continuum'' (Aware/Columbia)

James Morrison – ''Undiscovered'' (Polydor)

The Kooks – ''Inside In / Inside Out'' (EMI)

Idlewild – ''Warnings/Promises'' (EMI)

Dream Theater – ''Octavarium'' (Atlantic)

Coldplay – ''X&Y;'' (EMI) #1 Worldwide

Ben Folds – ''Songs for Silverman'' (Sony)

Bob Dylan – ''Lovesick'' (Sony Legacy)

Paul McCartney – ''Driving Rain Tour'' (Capitol)

Aimee Mann – ''Lost in Space'' (Super Ego Records)

Pet Shop Boys – ''Release'' (Capitol/Parlophone)

Josh Pyke – ''Memories & Dust'' (Ivy League/Island)

Coldplay – ''Parachutes'' (Parlophone) #1 Worldwide

Fountains of Wayne – ''Traffic and Weather'' (Virgin)

The Great Fiction – ''Slow Progress for Simplicity'' (Chrysalis Music)

Young the Giant – ''Young the Giant'' (Roadrunner Records)

Grammy Awards

Coldplay – Viva La Vida (Best Rock Album)

Coldplay – Parachutes (Best Alternative Album)

John Mayer – Continuum (Best Male Pop Vocal and Performance)

John Mayer– Battle Studies (Best Engineer non-classical)

Grammy Award winning albums

Tony Bennett – Unplugged (Album of the Year)

Booker T & The MG's – That's the Way It Should Be (Best Instrumental Performance)

Aretha Franklin – Who's Zoomin' Who (Best Female R&B; Vocal Performance)

Singles mixed (recent highlights)

The Fray – You Found Me (Epic Records)

Coldplay – Viva La Vida (EMI/Parlophone)

Coldplay – Violet Hill (EMI/Parlophone)

Stars – Bitches In Tokyo (Arts & Crafts International)

Evans Blue – The Pursuit (Hollywood)

Paolo Nutini – Last Request (Atlantic)

The Bravery – An Honest Mistake (Island)

Breaking Benjamin – Forget It (Hollywood Records)

Ben Harper – Faded/Whole lotta love (Virgin)

Music education

Michael Brauer has been part of a music education initiative called the Fermatta Master Class Series which is a series of master classes taught to aspiring musicians of the Fermatta Music Academy in Mexico. He has also been teaching week-long seminars during the summer in the south of France at La Fabrique where he shares his knowledge about his mixing and compression techniques.

References

External links

Michael Brauer's Management, Erik Eger Entertainment

Michael Brauer's Website

Category:American audio engineers Category:Grammy Award winners Category:Living people

name	John Mayer
landscape	yes
background	solo_singer
birth name	John Clayton Mayer
birth date	October 16, 1977
birth place	Bridgeport, Connecticut, U.S.
origin	Fairfield, Connecticut, U.S.
instrument	Guitar, vocals, omnichord, piano, vibraphone, harmonica, percussion, flute, clarinet, violin
genre	Blues rock, pop rock, acoustic rock, blue-eyed soul
occupation	Musician, songwriter, record producer, columnist, graphic designer, photographer, comedian, television host
years active	–present
label	Arista, Aware, Columbia
associated acts	John Mayer Trio
website
notable instruments	Fender StratocasterMartin GuitarsGibson Guitars }}

John Clayton Mayer ( ; born October 16, 1977) is an American musician singer-songwriter, recording artist, and music producer. Born in Bridgeport, Connecticut and raised in Fairfield, Connecticut, he attended Berklee College of Music in Boston. He moved to Atlanta in 1997, where he refined his skills and gained a following, and he now lives in New York City. His first two studio albums, ''Room for Squares'' and ''Heavier Things'', did well commercially, achieving multi-platinum status. In 2003, he won a Grammy Award for Best Male Pop Vocal Performance for "Your Body Is a Wonderland."

Mayer began his career performing mainly acoustic rock, but gradually began a transition towards the blues genre in 2005 by collaborating with renowned blues artists such as B. B. King, Buddy Guy, and Eric Clapton, and by forming the John Mayer Trio. The blues influence can be heard on his album ''Continuum'', released in September 2006. At the 49th Annual Grammy Awards in 2007 Mayer won Best Pop Vocal Album for ''Continuum'' and Best Male Pop Vocal Performance for "Waiting on the World to Change". He released his fourth studio album, ''Battle Studies'', in November 2009. He has sold over 10 million albums in the U.S. and 20 million albums worldwide.

Early life

John Clayton Mayer was born on October 16, 1977 in Bridgeport, Connecticut to Margaret, an English teacher, and Richard, a high school principal. He grew up in Fairfield, Connecticut, the second of three children.His father is Jewish, and Mayer has said that he "relat[es] to Judaism". He attended Andrew Warde High School in Fairfield although he was enrolled in the Center for Global Studies at Brien McMahon High School in Norwalk for his junior year. (Then known as the Center for Japanese Studies Abroad, it is a magnet program for students wanting to learn Japanese.) During an appearance on ''Late Night with Conan O'Brien'', Mayer said that he had played the clarinet for a while in middle school, with minor success.

After watching Michael J. Fox's guitar performance as Marty McFly in ''Back to the Future'', Mayer became fascinated with the instrument, and when he turned 13, his father rented one for him.

A neighbor gave Mayer a Stevie Ray Vaughan cassette, which cultivated Mayer's love of blues music. Mayer started taking lessons from a local guitar-shop owner, Al Ferrante, and soon became consumed with playing the instrument. His singular focus concerned his parents, and they took him twice to see a psychiatrist—but Mayer was determined to be fine. Mayer says that the contentious nature of his parents' marriage led him to "disappear and create my own world I could believe in". After two years of practice, he started playing at blues bars and other venues in the area, while he was still in high school. In addition to performing solo, he was a member of a band called Villanova Junction (named for a Jimi Hendrix song) with Tim Procaccini, Joe Beleznay, and Rich Wolf. Mayer considered skipping college to pursue his music, but the disapproval of his parents dissuaded him from doing so.

When Mayer was seventeen, he was stricken with cardiac dysrhythmia and was hospitalized for a weekend. Reflecting on the incident, Mayer said, “That was the moment the songwriter in me was born,” and he penned his first lyrics the night he got home from the hospital. Shortly thereafter, he began suffering from panic attacks, and lived with the fear of having to enter a mental institution. He continues to manage such episodes with Xanax, an anti-anxiety drug. After graduation, he worked for fifteen months at a gas station until he saved enough money to buy a 1996 Stevie Ray Vaughan signature Stratocaster.

Career

Early career

Mayer enrolled in the Berklee College of Music in Boston, Massachusetts, aged 19. However, at the urging of his college friend and Atlanta, Georgia native, Clay Cook, he left school after two semesters and moved with Cook to Atlanta. In Atlanta they formed a two-man band called LoFi Masters and began performing in local coffee houses and club venues such as Eddie's Attic. According to Cook, they began to experience musical differences due to Mayer’s desire to move more towards pop music. As a result, the two parted ways, and Mayer embarked on a solo career.

With the help of local producer and engineer Glenn Matullo, Mayer recorded the independent EP ''Inside Wants Out''. Cook co-wrote many of the songs from the EP including Mayer's first commercial single release, "No Such Thing". The EP includes eight songs with Mayer on lead vocals and guitars. However, Cook's only contribution was backing vocals on the song “Comfortable”. For the opening track, “Back To You”, a full band was enlisted, including the EP’s co-producer David "DeLa" LaBruyere on bass guitars. Mayer and LaBruyere then began to perform throughout Georgia and nearby states.

Major label success

Mayer’s reputation began to build, and a March 2000 appearance at South by Southwest brought him to the attention of "launch" label, Aware Records. After including him in the Aware Festival concerts and having his songs included on Aware compilations, in early 2001, Aware released Mayer's internet-only album entitled, ''Room for Squares''. During this time, Aware inked a deal with Columbia Records that gave Columbia first pick in signing Aware artists, and so in September of the same year, Columbia remixed and re-released ''Room for Squares''. As part of the major label "debut", the album's artwork was updated, and the track "3x5" was added. The re-release also included reworked studio versions of the first four songs from his indie album, ''Inside Wants Out''.

By the end of 2002, ''Room for Squares'' had spawned several radio hits, including "No Such Thing," "Your Body Is a Wonderland", and ultimately, "Why Georgia". In 2003, Mayer won a Grammy for Best Male Pop Vocal Performance for "Your Body Is a Wonderland." In his acceptance speech he remarked, "This is very, very fast, and I promise to catch up." He also figuratively referred to himself as being sixteen, a remark that many mistook to mean that he was only sixteen years old at the time.

In 2003, Mayer released a live CD and DVD of a concert in Birmingham, Alabama titled ''Any Given Thursday''. The concert featured songs previously not recorded, such as "Man on the Side" (co-written with Cook) and "Something's Missing", which later appeared on ''Heavier Things''. The concert also included "Covered In Rain". According to the accompanying DVD documentary, this song is "part two" of the song "City Love", which features the line "covered in rain". Commercially, the album quickly peaked at number seventeen on the ''Billboard'' 200 chart. The CD/DVD received conservative, although consistent, praise, with critics torn between his pop-idol image, and (at the time) emerging guitar prowess. Erik Crawford (of Allmusic) asked "Is he the consummate guitar hero exemplified when he plays a cover of Stevie Ray Vaughan's 'Lenny', or is he the teen idol that the pubescent girls shriek for after he plays 'Your Body Is a Wonderland?'"

''Heavier Things'', Mayer's second album, was released in 2003 to generally favorable reviews. ''Rolling Stone, Allmusic'' and ''Blender'' all gave positive, although reserved, feedback. ''PopMatters'' said that it "doesn't have as many drawbacks as one might assume". The album was commercially successful, and while it did not sell as well as ''Room for Squares'', it peaked at number one on the US Billboard 200 chart. Mayer earned his first number one single with the song "Daughters" as well as a 2005 Grammy for Song of the Year, beating out fellow contenders Alicia Keys and Kanye West. He dedicated the award to his grandmother, Annie Hoffman, who died in May 2004. He also won Best Male Pop Vocal Performance, beating Elvis Costello, Prince, and Seal for the award. In a February 9, 2009 interview on ''The Ellen DeGeneres Show'', Mayer said that he thought he should not have won the Grammy for Song of the year because he thought that Alicia Keys' If I Ain't Got You was the better song. Because of this, he removed the top half of the Grammy and gave it to Keys, and kept the bottom part for himself. At the 37th Annual Songwriters Hall of Fame Induction Ceremony in 2006, Mayer was honored with the Hal David Starlight Award.

Mayer again recorded live concerts across seven nights of his U.S. tour in 2004. These recordings were released to the iTunes Store under the title ''As/Is'', indicating that the errors were included along with the good moments. A few months later, a "best of" CD was compiled from the ''As/Is'' nights. The album included a previously unreleased cover of Marvin Gaye's song "Inner City Blues (Make Me Wanna Holler)", featuring a solo from Mayer's support act, jazz and blues turntablist DJ Logic. All the album covers of the ''As/Is'' releases feature drawings of anthropomorphic bunnies.

With increased exposure, Mayer's talent came into demand in other areas. Steve Jobs invited Mayer to perform during the keynote address of Apple's annual Macworld Conference & Expo, in January 2004, as Jobs introduced the software application GarageBand. The gig led to Mayer becoming a fixture of the event. He rejoined Jobs on stage for a solo performance at Macworld 2007, following the announcement of the iPhone. Mayer has also done endorsements, such as a Volkswagen commercial for the Beetle's guitar outlet and for the BlackBerry Curve.

Change in musical direction

Mayer began to collaborate extensively, often working with artists outside of his own genre. He appeared on Common's song "Go!" and on Kanye West's "Bittersweet Poetry". Following these collaborations, Mayer received praise from rap heavyweights Jay-Z and Nelly. When asked about his presence in the hip hop community, Mayer said, "It's not music out there right now. That's why, to me, hip-hop is where rock used to be."

It was around this time that Mayer began hinting a change in his musical interests, announcing that he was "closing up shop on acoustic sensitivity." In 2005, he began a string of collaborations with various blues artists, including Buddy Guy, B.B. King, Eric Clapton, as well as jazz artist John Scofield. He also went on tour with legendary jazz pianist Herbie Hancock, which included a show at the Bonnaroo Music Festival in Manchester, Tennessee. These collaborations led to recordings with several of these artists, namely, Clapton (''Back Home'', Crossroads Guitar Festival), Guy (''Bring 'Em In)'', Scofield (''That's What I Say''), and King (''80''). Although Mayer has maintained a reputation for being a sensitive singer-songwriter, he has also gained distinction as an accomplished guitarist, influenced by the likes of the above artists, as well as Jimi Hendrix, Stevie Ray Vaughan, Eric Clapton, Tommy Herman, Robert Cray, and Freddie King.

John Mayer Trio

This sample features an extended electric guitar solo.}}

In the spring of 2005, Mayer formed the John Mayer Trio with bassist Pino Palladino and drummer Steve Jordan, both of whom he had met through previous studio sessions. The trio played a combination of blues and rock music. In October 2005, the Trio opened for The Rolling Stones during a sold-out club tour of their own, and that November, released a live album called ''Try!'' The band took a break in mid-2006. In September 2006, Mayer announced plans for the Trio to begin work on a future studio album.

''Continuum''

Mayer's third studio album, titled ''Continuum'', was released on September 12, 2006, and was produced by Mayer and Steve Jordan. Mayer suggested the album was intended to combine his signature pop music with the feel, sound, groove, and sensibilities of the blues. In that vein, two of the tracks from his Trio release ''Try!''—"Vultures" and "Gravity"—also were included on ''Continuum''.

The first single from ''Continuum'' was "Waiting on the World to Change", which debuted on ''The Ron and Fez Show''. The song was the third most downloaded song of the week on the iTunes Store following its release on July 11, 2006, and debuted at #25 on the ''Billboard'' Hot 100 Chart.

On August 23, 2006, Mayer debuted the entire album on the Los Angeles radio station Star 98.7, giving commentary on each track. A subsequent version was released the next day on the Clear Channel Music website as a streaming sneak preview. On September 21, 2006, Mayer appeared on ''CSI: Crime Scene Investigation'', playing "Waiting on the World to Change" and "Slow Dancing in a Burning Room." The song "Gravity" was featured on the television series ''House'', in the episode "Cane & Able", and ''Numb3rs''. He recorded a session for the British program ''Live from Abbey Road'' at Abbey Road Studios on October 22, 2006.

On December 7, 2006, Mayer was nominated for five 2007 Grammy Awards, including Album of the Year. The John Mayer Trio also received a nomination for their album, ''Try!''. He won two: Best Pop Song with Vocal for "Waiting on the World to Change" and Best Pop Album for ''Continuum''. Mayer remixed an acoustic version of his single "Waiting on the World to Change" with vocal additions from fellow musician Ben Harper. In preparation for recording ''Continuum'', Mayer had booked the Village Recorder in Los Angeles to record five demo acoustic versions of his songs with veteran musician Robbie McIntosh. These recordings became ''The Village Sessions'', an EP released on December 12, 2006. As usual, Mayer oversaw the artwork of the release.

Mayer was featured on the cover of ''Rolling Stone'' (#1020) in February 2007, along with John Frusciante and Derek Trucks. He was named as one of the "New Guitar Gods," and the cover nicknamed him "Slowhand, Jr.," a reference to Eric Clapton. Additionally, he was selected by the editors of ''Time'' magazine as one of the 100 Most Influential People of 2007 and was listed among artists and entertainers.

On November 20, 2007, the re-issue of ''Continuum'' became available online and in stores. The release contains a bonus disc of six live songs from his 2007 tour: five from ''Continuum'' and a cover of the Ray Charles song "I Don't Need No Doctor". His new single, "Say", also became available through iTunes. On December 6, 2007, "Belief" was nominated for Best Male Pop Vocal for the 50th Annual Grammy Awards. He accompanied Alicia Keys on guitar on her song "No One" at the ceremony.

In February 2008, Mayer hosted a three-day Caribbean cruise event that included performances with various musicians including David Ryan Harris, Brett Dennen, Colbie Caillat and Dave Barnes, among others. The event was called "The Mayercraft Carrier" and was held aboard the cruise ship known as the ''Carnival Victory''. A follow up cruise titled "Mayercraft Carrier 2" set sail from Long Beach, California from March 27–31, 2009 on the Carnival Splendor.

On July 1, 2008, Mayer released ''Where the Light Is'', a live concert film of Mayer's performance at the Nokia Theatre L.A. Live on December 8, 2007. The film was directed by Danny Clinch. It features an acoustic set and a set with the John Mayer Trio, followed by a set with John's band from the ''Continuum'' album. The DVD and Blu-ray bonus material includes footage of Mayer backstage and playing outside on Mulholland Drive.

Australian artist Guy Sebastian invited Mayer to collaborate on three songs from his 2009 album ''Like It Like That''. Mayer also played guitar on the title track of Crosby Loggins' debut LP, ''Time to Move'', released on July 10, 2009.

On July 7, 2009, Mayer performed an instrumental guitar version of Michael Jackson's "Human Nature" at Jackson's televised memorial service.

''Battle Studies'' and ''Born and Raised''

On November 17, 2009, Mayer's fourth studio album, ''Battle Studies'', was released and debuted at number one on the U.S. Billboard 200 album chart. The album consists of 11 tracks with a total time of 45 minutes. The first single from the album, "Who Says", was released on September 24, 2009 in advance of album, and was followed on October 19 by the single "Heartbreak Warfare" and the single "Half of My Heart" released on June 21, 2010. Despite the album's commercial success, critics were mixed with their praise; while some reviews were glowing, calling it his "most adventurous", others called the album "safe" and noted that "Mayer the singer-songwriter and Mayer the man about town sometimes seem disconnected, like they don’t even belong in the same body."

Mayer admitted to ''Rolling Stone'' that he thought ''Battle Studies'' was not his best album.

Reports indicate that the follow-up to ''Battle Studies'' will be called ''Born and Raised'', and will be released in October 2011.

Other projects

Philanthropy and activism

In 2002, Mayer began the "Back to You" Fund, a nonprofit organization that focuses on fundraising in the areas of health care, education, the arts, and talent development. The foundation raises funds through the auction of exclusive John Mayer items, such as guitar picks, T-shirts, and signed CDs, made available on Mayer's auction site. The auctions have been successful, with some tickets selling for more than seventeen times their face value.

Mayer participated at the East Rutherford, New Jersey location of the Live Earth project, a musical rally to support awareness for global warming held July 7, 2007. In the summer of 2007, the environmental advocacy group Reverb set up informational booths and helped his crew conserve energy on his tour dates. He converted his tour bus to bio-diesel fuel.

Mayer has performed at a number of benefits and telethons for charity throughout his career. In response to the Virginia Tech massacre, Mayer (along with Dave Matthews Band, Phil Vassar, and Nas) performed a free concert at Virginia Tech's Lane Stadium on September 6, 2007. On December 8, 2007, Mayer hosted the first annual Charity Revue, a tradition he has continued each year. Charities who have benefited from the concerts include Toys for Tots, Inner City Arts, and the Los Angeles Mission. Both CDs and DVDs of the first concert were released under the title ''Where the Light Is'' in July 2008. It has not been announced whether the DVD proceeds will go to charity or not. Mayer appeared on ''Songs for Tibet: The Art of Peace'', a celebrity initiative to support Tibet and the 14th Dalai Lama, Tenzin Gyatso.

Design

In a ''Rolling Stone'' interview, Mayer recalled that after former Columbia Records head, Don Ienner, panned ''Continuum'', he briefly considered quitting music and studying design full time. In 2003, Martin Guitars gave Mayer his own signature model acoustic guitar called the OM-28 John Mayer. The guitar was limited to a run of only 404, an Atlanta area code. This model was followed by the release of two Fender signature Stratocaster electric guitars, beginning in 2005. A third Stratocaster, finished in charcoal frost metallic paint with a racing stripe, was also a limited-release, with only 100 guitars made. In January 2006, Martin Guitars released the Martin OMJM John Mayer acoustic guitar. The guitar was intended to have many of the attributes of the Martin OM-28 John Mayer but with a more affordable price tag. In August 2006, Fender started manufacturing SERIES II John Mayer Stratocasters. The new Olympic white with mint green pickguard and cream plastics replaced the shoreline gold model.

In January 2007, Two Rock collaborated with Mayer on custom-designed amps. Only 25 (all signed by Mayer himself) were made available to the public. June 2007 saw the release of the "album art" guitar, with the ''Continuum'' motif repeated on the face of the instrument, as well as a 500-run John Mayer signature Fender Stratocaster in Cypress-Mica, including the limited Cypress-Mica model was the INCSvsJM gig bag on which Mayer collaborated with Incase designs. In 2006, Mayer was estimated to have more than 200 guitars in his personal collection. In 2010, Fender announced a production model of Mayer's "The Black One" guitar.

Writing

With the June 1, 2004, issue of ''Esquire'', Mayer began a column called "Music Lessons with John Mayer". Each article featured a lesson and his (often humorous) take on various topics, both of personal and popular interest. In the August 2005 issue, he invited readers to create music for orphaned lyrics he had written. The winner was Tim Fagan of L.A., as announced in the following January's issue.

Mayer has been active online, and has maintained four blogs: a Myspace page, a blog at his official site, another at Honeyee.com, one at tumblr.com, and a photoblog at StunningNikon.com. He also is one of the most-followed persons on the micro-blogging site Twitter, reaching 3 million followers in January 2010. Although his posts often deal with career-related matters, they also contain jokes, videos, photos, his convictions, and his personal activities; they sometimes overlap in content. He is noted for writing the blogs himself, and not through a publicist. On January 23, 2008, he posted a graphic that read, "Done & Dusted & Self Conscious & Back to Work." on his official blog, followed by the quote "There is danger in theoretical speculation of battle, in prejudice, in false reasoning, in pride, in braggadocio. There is one safe resource, the return to nature.."; all the previous blog entries were deleted.

In the mid-2000s he did stand-up comedy sporadically making random appearances at the famed Comedy Cellar in New York and at other venues. He stated that it helped him write better but that increased media attention made him too careful in his technique.

Television

In 2004, Mayer hosted a one-shot, half-hour comedy special on VH1 entitled ''John Mayer Has a TV Show'', with antics including wearing a bear suit while anonymously teasing concertgoers in the parking lot outside one of his concerts. The American network CBS announced on January 14, 2009 that they were in negotiations with Mayer for a variety show; it may air as a special or as a regular series. In an interview with ''Rolling Stone'', posted online on January 22, 2010, Mayer confirmed that the program, also called ''John Mayer Has a TV Show'', was still in development, and that personnel were being hired. He described the concept as "a high quality music performance show, where I could also steer it a little bit. It's about there being a bastion of artists being made to look good and sound good.".

Mayer has made many appearances on talk shows and other television programs, most notably, on a ''Chappelle's Show'' comedy skit, ''Late Night with David Letterman'' and on the final episode of ''Late Night with Conan O'Brien''. Mayer made an appearance with Rob Dyrdek in the MTV show ''Rob Dyrdek's Fantasy Factory''.

Touring

{{externalvideo | align = right | width = 320px | video1 = Where the Light Is''">Official video Mayer performing an acoustic set from his DVD ''Where the Light Is'' | }} Mayer has toured with many musical groups, including Maroon 5, Guster, Howie Day, Mat Kearney, Counting Crows, Ben Folds, The Wallflowers, Teitur, Brett Dennen, Sheryl Crow, Colbie Caillat, Train, Ellie Goulding, OneRepublic and Paramore. Crow and Mayer, who had just previously appeared on the ''''Cars'' Soundtrack'' together, co-headlined a tour that ran from August to October 2006. In 2007, Mayer toured Europe, hoping to reach the popularity abroad that he enjoys in North America. The initial North American ''Continuum'' tour ended on February 28, 2007, with a show at Madison Square Garden, a performance which the ''New York Post'' described as "career-defining." In 2010, Mayer and Keith Urban performed at a CMT Crossroads concert which saw Mayer and Urban performing a medley of their own songs together and a rendition of George Michael's single, "Faith". This performance was led to Urban and Mayer teaming up again for future performances, including at the 2010 CMT Music Awards.

Mayer allows audio taping at most of his live performances, and he also allows for the non-commercial trading of those recordings. He does this to give fans the opportunity to recreate the live experience, and to encourage fan interaction.

Mayer often shows up at small venues unannounced (or with little advance notice) for surprise concerts—occasionally for free or without accepting the performance fee. He has made appearances throughout the Los Angeles, Atlanta and New York areas, including shows at The Laugh Factory, Eddie's Attic, and the Village Underground. His latest surprise appearace was on January 8, 2011 at Hotel Cafe where he played seven new unreleased songs.

Touring band members

;Current members

David Ryan Harris – guitar, backing vocals (2003–present)

Robbie McIntosh – guitar, slide guitar, backing vocals (2006–present)

Sean Hurley – bass, backing vocals (2008–present)

Bob Reynolds – saxophones, flute (2006–2008, 2010–present)

Bryan Lipps - trumpet (2010–present)

Charlie Wilson – keyboards (2009–present)

Aaron Sterling - drums (2011–present)

;Former members

Pino Palladino - Bass (2010)

Keith Carlock - drums, percussion (2010)

David LaBruyere – bass (1999–2008)

Nir Z - drums (2001)

Matt Mangano - guitar (2001)

Matt Johnson - drums (2002)

Stephen Chopek – drums, percussion (2001–2002)

Michael Chaves – guitar, keyboards, backing vocals (2001–2005)

Kevin Lovejoy – keyboards (2003–2004)

Erik Jekabsen – trumpet, flugelhorn (2003–2004)

Chris Karlic – saxophone, flute (2003–2005)

J.J. Johnson – drums (2003–2005, 2006–2008)

Onree Gill – keyboards (2004–2005)

Chuck McKinnon – trumpet, flugelhorn (2004–2005)

Keith Carlock - drums, percussion (2010–2011)

Ricky Peterson – keyboards, organ, backing vocals (2006–2007)

Charlie Wilson – keyboards (2009–2011)

Tim Bradshaw – keyboards, organ, lap steel guitar, backing vocals (2007–2008)

Kenna Ramsey - backing vocals (2009–2010)

Melanie Taylor - backing vocals (2009–2010)

Steve Jordan – drums, percussion, backing vocals (2003, 2005–2006, 2009–2010)

Brad Mason - trumpet, flugelhorn (2006–2008)

Personal life

Mayer has followed the discipline of Krav Maga.

He hosts an annual Interfaith Baking Contest, in which he judges his favorite from pictures of baked goods sent in by his fans during the end-of-year, holiday season.

Mayer has a number of tattoos. These include: "Home" and "Life" (from the song title) on the back of his left and right arms respectively, "77" (his year of birth) on the left side of his chest, and a koi-like fish on his right shoulder. His entire left arm is covered in a sleeve tattoo that he acquired gradually, ending in April 2008; it includes: "SRV" (for his idol, Stevie Ray Vaughan) on his shoulder, a decorated rectangle on his biceps, a dragon-like figure on his inner arm, and various other floral designs. In 2003, he got a tattoo of three squares on his right forearm, which, he has explained, he will fill in gradually. As of 2011, two are filled.

He is an avid collector of watches and owns timepieces worth tens of thousands of dollars. Mayer also has an extensive collection of sneakers, estimated () at more than 200 pairs.

Mayer's parents concluded an uncontested divorce on May 27, 2009. After the divorce, Mayer moved his (82-year-old) father to an assisted-living facility in Los Angeles.

Mayer sold his home in the Los Angeles suburbs in 2011. He currently lives in his apartment in the New York City neighborhood of SoHo.

Dating and relationship with the media

Mayer dated Jennifer Love Hewitt briefly in 2002. In a comedy routine at the Hollywood Laugh Factory in May 2006, he said that they never consummated their relationship; he later said that he immediately apologized to her for the raunchy routine. Mayer dated Jessica Simpson for about nine months, beginning in the middle of 2006. Rumors started in August of that year with a ''People'' magazine article, but kicked into high gear when Mayer and Simpson spent New Year's holiday together in New York City, both attending Christina Aguilera's New Year's Eve party. When Ryan Seacrest asked Mayer on the red carpet of the 2007 Grammy Awards, about his relationship with Simpson, Mayer responded in Japanese. Despite some initially conflicting translations, he said, "Jessica is a lovely woman, and I'm glad to be with her." However, the couple split in May 2007. He began dating actress Minka Kelly in September 2007, but they split up before the year's end. Mayer began dating actress Jennifer Aniston in April 2008, but Mayer broke it off the following August. They resumed dating in October 2008 and split up again in March 2009. His relationships with high-profile celebrities has led to his having a reputation as a "womanizer." Taylor Swift recently wrote a few songs about her relationship with Mayer, "Dear John". Mayer's relationship with Jessica Simpson coincided with some personal behavior changes that served to significantly increase his tabloid exposure. Previously, Mayer had expressed his resolve to completely avoid drugs, alcohol, clubbing, "red-carpet" events, dating celebrities and anything else that he felt would detract from his focus on his music. In interviews, however, Mayer has alluded to experiencing an extreme "anxiety bender" episode in his twenties that motivated him to be less reclusive. He later said he realized that, "If I wanted to see Jessica more, I had to grow up," and not be afraid to be without his guitar. He called his relationship with her "sexual napalm" and said she had the power to "change [his] values." He began making appearances at clubs in Los Angeles and New York (where he would stage pranks for the paparazzi), and in a ''Rolling Stone'' interview from 2006, he first mentioned that he had begun using marijuana. Mayer joined Aniston at the 81st Academy Awards in February 2009, where she was a presenter.

Mayer's relationship with the media has drawn controversy. He has been called long-winded and self-aware, stemming from his style as an interviewee. Mayer's discourse with the tabloid media (including hosting a TMZ segment and getting in Twitter battles with Perez Hilton) culminated in an impromptu press conference outside of his gym in New York, where he explained why he had broken-up with Aniston. The fall-out was unfavorable, and he was branded a "douchebag" for "saving face"; Mayer later said, "It was one of the worst times of my life," and maintains he did it to take responsibility for hurting her.

Controversies and allegations of racism

Despite assertions that he would not be doing any more press, an interview with ''Playboy'' magazine (posted to their website on February 10, 2010) set off accusations in the media and on Twitter of his being a misogynist, kiss-and-tell ex-boyfriend, and racist. He apologized via Twitter for his use of the word "nigger," saying, "It was arrogant of me to think I could intellectualize...a word that is so emotionally charged." He also tearfully apologized to his band and fans at his concert in Nashville later that night.

Solo discography

''Room for Squares'' (2001)

''Heavier Things'' (2003)

''Continuum'' (2006)

''Battle Studies'' (2009)

''Born & Raised'' (2011)

Awards

Grammy Awards

Mayer has won seven awards from eighteen nominations.

Year	! Awardee	! Category	! Result
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	2008
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Others awards and nominations

Year	! Award	! Category
	MTV Video Music Awards		* Best New Artist in a Video for "No Such Thing" – nominated
Orville H. Gibson Guitar Awards		* Les Paul Horizon Award (Most Promising Up and Coming Guitarist)
VH1 Big in 2002 Awards		* Can't Get You Out of My Head Award for "No Such Thing"
Pollstar Concert Industry Awards		* Best New Artist Tour
	20th Annual ASCAP Awards		* ASCAP Pop Award – "No Such Thing" (shared with Clay Cook)Awarded to songwriters and publishers of the most performed songs in the ASCAP repertory for the award period.
31st Annual American Music Awards		* Favorite Male Artist – Pop or Rock 'n Roll Music
15th Annual Boston Music Awards		* Act of the Year	* Male Vocalist of the Year	* Song of the Year for "Your Body Is a Wonderland"
MTV Video Music Awards		* Best Male Video
Radio Music Awards		* Modern Adult Contemporary Radio Artist of the Year	* Best Hook-Up Song for "Your Body Is a Wonderland"
Teen People Awards		* Choice Music – Male Artist	* Choice Music – Album for ''Any Given Thursday''
Danish Music Awards		* Best New Artist
	BDS Certified Spin AwardsMarch 2004 recipients		* Reached 100,000 spins for "Why Georgia"
	33rd annual American Music Awards		* Adult Contemporary: Favorite Artist
World Music Awards		* World's Best Selling Rock Act
People's Choice Awards		* Favorite Male Artist
	35th Annual American Music Awards		* Adult Contemporary Music — nominated
23rd Annual TEC Awards		* Tour Sound Production (for the Continuum Tour)	* Record Production/Single or Track (for production on "Waiting on the World to Change")	* Record Production/Album (from production on ''Continuum'')

See also

Battle Studies World Tour

Notes

Footnotes

References

Edwards, G. (2006) ''Is Tiny Dancer Really Elton's Little John?'', New York: Crown Publishing Group. ISBN 0-307-34603-X

External links

"Music Lessons with John Mayer", database of Mayer's ''Esquire'' column at Esquire.com

Comprehensive John Mayer guitar tabs

"Square pegged", Mayer's first feature article in 2001, from ''Creative Loafing''

Nikon Podcast #3: "Exclusive Interview with John Mayer" (posted September 9, 2007) (listen)

"John Mayer's Soft-Sell 'World'", NPR ''Morning Edition'' interview from March 2007. (listen) (read)

Category:1977 births Category:American people of Jewish descent Category:American bloggers Category:American male singers Category:American pop singers Category:American rock guitarists Category:American rock singer-songwriters Category:Berklee College of Music alumni Category:Blue-eyed soul singers Category:Grammy Award winners Category:Krav Maga practitioners Category:Live Music Archive artists Category:Living people Category:Musicians from Connecticut Category:People from Bridgeport, Connecticut Category:People with synesthesia

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Name	Bob Dylan
Background	solo_singer
Birth name	Robert Allen Zimmerman
Alias	Elston Gunnn, Blind Boy Grunt, Bob Landy, Robert Milkwood Thomas, Tedham Porterhouse, Lucky/Boo Wilbury, Jack Frost, Sergei Petrov
Origin	Hibbing, Minnesota, U.S.
Birth date	May 24, 1941
Birth place	Duluth, Minnesota, U.S.
Instrument	Vocals, guitar, harmonica, piano, keyboard, bass
Genre	Rock, folk rock, folk, blues, country, gospel, alternative country, country rock
Occupation	Musician, songwriter, producer, visual artist, poet, writer, director, screenwriter
Years active	1959–present
Label	Columbia, Asylum
Associated acts	Traveling Wilburys, The Band, Joan Baez, Grateful Dead, Tom Petty and the Heartbreakers
Website	}}

Bob Dylan (), born Robert Allen Zimmerman, May 24, 1941, is an American singer-songwriter, musician, poet and painter. He has been a major figure in music for five decades and has had immense influence on popular music. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of his early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan proceeded to revolutionize perceptions of the limits of popular music in 1965 with the six-minute single "Like a Rolling Stone".

His lyrics incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the songs of Woody Guthrie, Robert Johnson, Hank Williams, and the performance styles of Buddy Holly and Little Richard, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored numerous distinct traditions in American song—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.

Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the ''Never Ending Tour''. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered to be his songwriting.

Since 1994, Dylan has published three books of drawings and paintings, and his work has been exhibited in major art galleries. As a songwriter and musician, Dylan has received numerous awards over the years including Grammy, Golden Globe, and Academy Awards; he has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame, and Songwriters Hall of Fame. In 2008, a road called the ''Bob Dylan Pathway'' was opened in the singer's honor in his birthplace of Duluth, Minnesota. The Pulitzer Prize jury in 2008 awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."

Life and career

Origins and musical beginnings

Robert Allen Zimmerman (Hebrew name Shabtai Zisel ben Avraham) was born in St. Mary's Hospital on May 24, 1941, in Duluth, Minnesota, and raised in Hibbing, Minnesota, on the Mesabi Iron Range west of Lake Superior. His paternal grandparents, Zigman and Anna Zimmerman, emigrated from Odessa in the Russian Empire (now Ukraine) to the United States following the anti-Semitic pogroms of 1905. His maternal grandparents, Benjamin and Lybba Edelstein, were Lithuanian Jews who arrived in the United States in 1902. In his autobiography ''Chronicles: Volume One'', Dylan writes that his paternal grandmother's maiden name was Kyrgyz and her family originated from Kars, Turkey.

Dylan's parents, Abram Zimmerman and Beatrice "Beatty" Stone, were part of the area's small but close-knit Jewish community. Robert Zimmerman lived in Duluth until age six, when his father was stricken with polio and the family returned to his mother's home town, Hibbing, where Zimmerman spent the rest of his childhood. Robert Zimmerman spent much of his youth listening to the radio—first to blues and country stations broadcasting from Shreveport, Louisiana and, later, to early rock and roll. He formed several bands while he attended Hibbing High School. The Shadow Blasters was short-lived, but his next, The Golden Chords, lasted longer and played covers of popular songs. Their performance of Danny and the Juniors' "Rock and Roll Is Here to Stay" at their high school talent show was so loud that the principal cut the microphone off. In his 1959 school yearbook, Robert Zimmerman listed as his ambition "To follow Little Richard." The same year, using the name Elston Gunnn (sic), he performed two dates with Bobby Vee, playing piano and providing handclaps.

Zimmerman moved to Minneapolis in September 1959 and enrolled at the University of Minnesota, where his early focus on rock and roll gave way to an interest in American folk music. In 1985, Dylan explained the attraction that folk music had exerted on him:

He soon began to perform at the 10 O'clock Scholar, a coffee house a few blocks from campus, and became actively involved in the local Dinkytown folk music circuit.

During his Dinkytown days, Zimmerman began introducing himself as "Bob Dylan". In his autobiography, Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas. Explaining his change of name in a 2004 interview, Dylan remarked: "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free."

1960s

Relocation to New York and record deal

Dylan dropped out of college at the end of his freshman year. In January 1961, he travelled to New York City, hoping to perform there and visit his musical idol Woody Guthrie, who was seriously ill with Huntington's Disease in Greystone Park Psychiatric Hospital. Guthrie had been a revelation to Dylan and was the biggest influence on his early performances. Describing Guthrie's impact on him, Dylan later wrote: "The songs themselves had the infinite sweep of humanity in them ... [He] was the true voice of the American spirit. I said to myself I was going to be Guthrie's greatest disciple." As well as visiting Guthrie in the hospital, Dylan befriended Guthrie's acolyte Ramblin' Jack Elliott. Much of Guthrie's repertoire was actually channeled through Elliott, and Dylan paid tribute to Elliott in ''Chronicles'' (2004).

From February 1961, Dylan played at various clubs around Greenwich Village. In September, he gained some public recognition when Robert Shelton wrote a positive review in ''The New York Times'' of a show at Gerde's Folk City. The same month Dylan played harmonica on folk singer Carolyn Hester's eponymous third album, which brought his talents to the attention of the album's producer John Hammond. Hammond signed Dylan to Columbia Records in October. The performances on his first Columbia album, ''Bob Dylan'' (1962), consisted of familiar folk, blues and gospel material combined with two original compositions. The album made little impact, selling only 5,000 copies in its first year, just enough to break even. Within Columbia Records, some referred to the singer as "Hammond's Folly" and suggested dropping his contract. Hammond defended Dylan vigorously. In March 1962, Dylan contributed harmonica and back-up vocals to the album ''Three Kings and the Queen'', accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records. While working for Columbia, Dylan also recorded several songs under the pseudonym Blind Boy Grunt, for ''Broadside Magazine'', a folk music magazine and record label. Dylan used the pseudonym Bob Landy to record as a piano player on the 1964 anthology album, ''The Blues Project'', issued by Elektra Records. Under the pseudonym Tedham Porterhouse, Dylan contributed harmonica to Ramblin' Jack Elliott's 1964 album ''Jack Elliott''.

Dylan made two important career moves in August 1962. He legally changed his name to Bob Dylan, and signed a management contract with Albert Grossman. Grossman remained Dylan's manager until 1970, and was notable both for his sometimes confrontational personality, and for the fiercely protective loyalty he displayed towards his principal client. Dylan subsequently said of Grossman, "He was kind of like a Colonel Tom Parker figure ... you could smell him coming." Tensions between Grossman and John Hammond led to Hammond being replaced as the producer of Dylan's second album by the young African American jazz producer Tom Wilson.

From December 1962 to January 1963, Dylan made his first trip to the United Kingdom. He had been invited by TV director Philip Saville to appear in a drama, ''The Madhouse on Castle Street'', which Saville was directing for BBC Television. At the end of the play, Dylan performed "Blowin' in the Wind", one of the first major public performances of the song. The recording of ''The Madhouse on Castle Street'' was wiped by the BBC in 1968. While in London, Dylan performed at several London folk clubs, including Les Cousins, The Pinder of Wakefield, and Bunjies. He also learned new songs from several UK performers, including Martin Carthy.

By the time Dylan's second album, ''The Freewheelin' Bob Dylan'', was released in May 1963, he had begun to make his name as both a singer and a songwriter. Many of the songs on this album were labeled protest songs, inspired partly by Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town", for example, was a sardonic account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. His most famous song at this time, "Blowin' in the Wind", partially derived its melody from the traditional slave song "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded and became an international hit for Peter, Paul and Mary, setting a precedent for many other artists who had hits with Dylan's songs. "A Hard Rain's a-Gonna Fall" was based on the tune of the folk ballad "Lord Randall". With its veiled references to nuclear apocalypse, it gained even more resonance when the Cuban missile crisis developed only a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked an important new direction in modern songwriting, blending a stream-of-consciousness, imagist lyrical attack with a traditional folk form.

While Dylan's topical songs solidified his early reputation, ''Freewheelin''' also included a mixture of love songs and jokey, surreal talking blues. Humor was a large part of Dylan's persona, and the range of material on the album impressed many listeners, including The Beatles. George Harrison said, "We just played it, just wore it out. The content of the song lyrics and just the attitude—it was incredibly original and wonderful."

The rough edge of Dylan's singing was unsettling to some early listeners but an attraction to others. Describing the impact that Dylan had on her and her husband, Joyce Carol Oates wrote: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying." Many of his most famous early songs first reached the public through more immediately palatable versions by other performers, such as Joan Baez, who became Dylan's advocate, as well as his lover. Baez was influential in bringing Dylan to national and international prominence by recording several of his early songs and inviting him onstage during her own concerts.

Others who recorded and had hits with Dylan's songs in the early and mid-1960s included The Byrds; Sonny and Cher; The Hollies; Peter, Paul and Mary; The Association; Manfred Mann; and The Turtles. Most attempted to impart a pop feel and rhythm to the songs, while Dylan and Baez performed them mostly as sparse folk pieces. The cover versions became so ubiquitous that CBS started to promote him with the tag "Nobody Sings Dylan Like Dylan."

"Mixed Up Confusion", recorded during the ''Freewheelin''' sessions with a backing band, was released as a single and then quickly withdrawn. In contrast to the mostly solo acoustic performances on the album, the single showed a willingness to experiment with a rockabilly sound. Cameron Crowe described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records."

Protest and ''Another Side''

In May 1963, Dylan's political profile was raised when he walked out of ''The Ed Sullivan Show''. During rehearsals, Dylan had been informed by CBS Television's "head of program practices" that the song he was planning to perform, "Talkin' John Birch Paranoid Blues", was potentially libelous to the John Birch Society. Rather than comply with the censorship, Dylan refused to appear on the program.

By this time, Dylan and Baez were both prominent in the civil rights movement, singing together at the March on Washington on August 28, 1963. Dylan's third album, ''The Times They Are a-Changin''', reflected a more politicized and cynical Dylan. The songs often took as their subject matter contemporary, real life stories, with "Only A Pawn In Their Game" addressing the murder of civil rights worker Medgar Evers; and the Brechtian "The Lonesome Death of Hattie Carroll" the death of black hotel barmaid Hattie Carroll, at the hands of young white socialite William Zantzinger. On a more general theme, "Ballad of Hollis Brown" and "North Country Blues" address the despair engendered by the breakdown of farming and mining communities. This political material was accompanied by two personal love songs, "Boots of Spanish Leather" and "One Too Many Mornings".

By the end of 1963, Dylan felt both manipulated and constrained by the folk and protest movements. These tensions were publicly displayed when, accepting the "Tom Paine Award" from the National Emergency Civil Liberties Committee shortly after the assassination of John F. Kennedy, an intoxicated Dylan brashly questioned the role of the committee, characterized the members as old and balding, and claimed to see something of himself (and of every man) in Kennedy's alleged assassin, Lee Harvey Oswald.

''Another Side of Bob Dylan'', recorded on a single June evening in 1964, had a lighter mood than its predecessor. The surreal, humorous Dylan reemerged on "I Shall Be Free #10" and "Motorpsycho Nightmare". "Spanish Harlem Incident" and "To Ramona" are romantic and passionate love songs, while "Black Crow Blues" and "I Don't Believe You (She Acts Like We Never Have Met)" suggest the rock and roll soon to dominate Dylan's music. "It Ain't Me Babe", on the surface a song about spurned love, has been described as a rejection of the role his reputation had thrust at him. His newest direction was signaled by two lengthy songs: the impressionistic "Chimes of Freedom," which sets elements of social commentary against a denser metaphorical landscape in a style later characterized by Allen Ginsberg as "chains of flashing images," and "My Back Pages," which attacks the simplistic and arch seriousness of his own earlier topical songs and seems to predict the backlash he was about to encounter from his former champions as he took a new direction.

In the latter half of 1964 and 1965, Dylan's appearance and musical style changed rapidly, as he made his move from leading contemporary songwriter of the folk scene to folk-rock pop-music star. His scruffy jeans and work shirts were replaced by a Carnaby Street wardrobe, sunglasses day or night, and pointy "Beatle boots". A London reporter wrote: "Hair that would set the teeth of a comb on edge. A loud shirt that would dim the neon lights of Leicester Square. He looks like an undernourished cockatoo." Dylan also began to spar in increasingly surreal ways with his interviewers. Appearing on the Les Crane TV show and asked about a movie he was planning to make, he told Crane it would be a cowboy horror movie. Asked if he played the cowboy, Dylan replied, "No, I play my mother."

Going electric

Dylan's April 1965 album ''Bringing It All Back Home'' was yet another stylistic leap, featuring his first recordings made with electric instruments. The first single, "Subterranean Homesick Blues", owed much to Chuck Berry's "Too Much Monkey Business"; its free association lyrics have been described as both harkening back to the manic energy of Beat poetry and as a forerunner of rap and hip-hop. The song was provided with an early music video which opened D. A. Pennebaker's cinéma vérité presentation of Dylan's 1965 tour of England, ''Dont Look Back''. Instead of miming to the recording, Dylan illustrated the lyrics by throwing cue cards containing key words from the song on the ground. Pennebaker has said the sequence was Dylan's idea, and it has been widely imitated in both music videos and advertisements.

The B side of ''Bringing It All Back Home'' consisted of four long songs on which Dylan accompanied himself on acoustic guitar and harmonica. "Mr. Tambourine Man" quickly became one of Dylan's best known songs when The Byrds recorded an electric version that reached number one in both the U.S. and the U.K. charts. "It's All Over Now Baby Blue" and "It's Alright Ma (I'm Only Bleeding)" were acclaimed as two of Dylan's most important compositions.

In the summer of 1965, as the headliner at the Newport Folk Festival, Dylan performed his first electric set since his high school days with a pickup group drawn mostly from the Paul Butterfield Blues Band, featuring Mike Bloomfield (guitar), Sam Lay (drums) and Jerome Arnold (bass), plus Al Kooper (organ) and Barry Goldberg (piano). Dylan had appeared at Newport in 1963 and 1964, but in 1965 Dylan, met with a mix of cheering and booing, left the stage after only three songs. One version of the legend has it that the boos were from the outraged folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar. Murray Lerner, who filmed the performance, said: "I absolutely think that they were booing Dylan going electric." An alternative account claims audience members were merely upset by poor sound quality and a surprisingly short set. This account is supported by Kooper and one of the directors of the festival, who reports his audio recording of the concert proves that the only boos were in reaction to the emcee's announcement that there was only enough time for a short set.

Nevertheless, Dylan's 1965 Newport performance provoked a hostile response from the folk music establishment. In the September issue of ''Sing Out!'', singer Ewan MacColl wrote: "Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time... 'But what of Bobby Dylan?' scream the outraged teenagers... Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel." On July 29, just four days after his controversial performance at Newport, Dylan was back in the studio in New York, recording "Positively 4th Street". The lyrics teemed with images of vengeance and paranoia, and it was widely interpreted as Dylan's put-down of former friends from the folk community—friends he had known in the clubs along West 4th Street.

''Highway 61 Revisited'' and ''Blonde on Blonde''

In July 1965, Dylan released the single "Like a Rolling Stone", which peaked at No.2 in the U.S. and at No.4 in the UK charts. At over six minutes, the song has been widely credited with altering attitudes about what a pop single could convey. Bruce Springsteen, in his speech during Dylan's inauguration into the Rock and Roll Hall of Fame said that on first hearing the single, "that snare shot sounded like somebody'd kicked open the door to your mind". In 2004, and again in 2011, ''Rolling Stone Magazine'' listed it as number one on its list of "The 500 Greatest Songs of All Time". The song also opened Dylan's next album, ''Highway 61 Revisited,'' titled after the road that led from Dylan's Minnesota to the musical hotbed of New Orleans. The songs were in the same vein as the hit single, flavored by Mike Bloomfield's blues guitar and Al Kooper's organ riffs. "Desolation Row" offers the sole acoustic exception, with Dylan making surreal allusions to a variety of figures in Western culture during this epic song, which was described by Andy Gill as "an 11-minute epic of entropy, which takes the form of a Fellini-esque parade of grotesques and oddities featuring a huge cast of celebrated characters, some historical (Einstein, Nero), some biblical (Noah, Cain and Abel), some fictional (Ophelia, Romeo, Cinderella), some literary (T.S. Eliot and Ezra Pound), and some who fit into none of the above categories, notably Dr. Filth and his dubious nurse."

In support of the record, Dylan was booked for two U.S. concerts and set about assembling a band. Mike Bloomfield was unwilling to leave the Butterfield Band, so Dylan mixed Al Kooper and Harvey Brooks from his studio crew with bar-band stalwarts Robbie Robertson and Levon Helm, best known at the time for being part of Ronnie Hawkins's backing band The Hawks (later to become The Band). On August 28 at Forest Hills Tennis Stadium, the group was heckled by an audience still annoyed by Dylan's electric sound. The band's reception on September 3 at the Hollywood Bowl was more favorable.

While Dylan and the Hawks met increasingly receptive audiences on tour, their studio efforts floundered. Producer Bob Johnston persuaded Dylan to record in Nashville in February 1966, and surrounded him with a cadre of top-notch session men. At Dylan's insistence, Robertson and Kooper came down from New York City to play on the sessions. The Nashville sessions produced the double-album ''Blonde on Blonde'' (1966), featuring what Dylan later called "that thin wild mercury sound". Al Kooper described the album as "taking two cultures and smashing them together with a huge explosion": the musical world of Nashville and the world of the "quintessential New York hipster" Bob Dylan.

On November 22, 1965, Dylan secretly married 25-year-old former model Sara Lownds. Some of Dylan's friends (including Ramblin' Jack Elliott) claim that, in conversation immediately after the event, Dylan denied that he was married. Journalist Nora Ephron first made the news public in the ''New York Post'' in February 1966 with the headline "Hush! Bob Dylan is wed."

Dylan undertook a world tour of Australia and Europe in the spring of 1966. Each show was split into two parts. Dylan performed solo during the first half, accompanying himself on acoustic guitar and harmonica. In the second half, backed by the Hawks, he played high voltage electric music. This contrast provoked many fans, who jeered and slow handclapped. The tour culminated in a famously raucous confrontation between Dylan and his audience at the Manchester Free Trade Hall in England on May 17, 1966. An official recording of this concert was finally released in 1998: ''The Bootleg Series Vol. 4: Bob Dylan Live 1966''. At the climax of the evening, a member of the audience, angered by Dylan's electric backing, shouted: "Judas!" to which Dylan responded, "I don't believe you ... You're a liar!" Dylan turned to his band and said, "Play it fucking loud!" as they launched into the final song of the night—"Like a Rolling Stone."

During his 1966 tour, Dylan was frequently described as exhausted and acting "as if on a death trip". D. A. Pennebaker, the film maker accompanying the tour, described Dylan as "taking a lot of amphetamine and who-knows-what-else." In a 1969 interview with Jann Wenner, Dylan said, "I was on the road for almost five years. It wore me down. I was on drugs, a lot of things... just to keep going, you know?" In 2011, BBC Radio 4 reported that, in an interview which Robert Shelton had taped in 1966, Dylan claimed that he had kicked a heroin habit in New York City: "I got very, very strung out for a while... I had about a $25-a-day habit and I kicked it." Some journalists questioned the validity of this confession, pointing out that Dylan had "been telling journalists wild lies about his past since the earliest days of his career."

Motorcycle accident and reclusion

After his European tour, Dylan returned to New York, but the pressures on him increased. ABC Television had paid an advance for a TV show they could screen. His publisher, Macmillan, was demanding a finished manuscript of the poem/novel ''Tarantula.'' Manager Albert Grossman had already scheduled an extensive concert tour for that summer and fall.

On July 29, 1966, Dylan crashed his 500cc Triumph Tiger 100 motorcycle on a road near his home in Woodstock, New York, throwing him to the ground. Though the extent of his injuries were never fully disclosed, Dylan said that he broke several vertebrae in his neck. Mystery still surrounds the circumstances of the accident since no ambulance was called to the scene and Dylan was not hospitalized. Dylan's biographers have written that the crash offered Dylan the much-needed chance to escape from the pressures that had built up around him. Dylan confirmed this interpretation of the crash when he stated in his autobiography, "I had been in a motorcycle accident and I'd been hurt, but I recovered. Truth was that I wanted to get out of the rat race." In the wake of his accident, Dylan withdrew from the public and, apart from a few select appearances, did not tour again for eight years.

Once Dylan was well enough to resume creative work, he began editing film footage of his 1966 tour for ''Eat the Document'', a rarely exhibited follow-up to ''Dont Look Back''. A rough-cut was shown to ABC Television and was promptly rejected as incomprehensible to a mainstream audience. In 1967 he began recording music with the Hawks at his home and in the basement of the Hawks' nearby house, called "Big Pink". These songs, initially compiled as demos for other artists to record, provided hit singles for Julie Driscoll ("This Wheel's on Fire"), The Byrds ("You Ain't Goin' Nowhere", "Nothing Was Delivered"), and Manfred Mann ("Mighty Quinn"). Columbia belatedly released selections from them in 1975 as ''The Basement Tapes''. Over the years, more and more of the songs recorded by Dylan and his band in 1967 appeared on various bootleg recordings, culminating in a five-CD bootleg set titled ''The Genuine Basement Tapes'', containing 107 songs and alternate takes. In the coming months, the Hawks recorded the album ''Music from Big Pink'' using songs they first worked on in their basement in Woodstock, and renamed themselves The Band, thus beginning a long and successful recording and performing career of their own.

In October and November 1967, Dylan returned to Nashville. Back in the recording studio after a 19-month break, he was accompanied only by Charlie McCoy on bass, Kenny Buttrey on drums, and Pete Drake on steel guitar. The result was ''John Wesley Harding'', a quiet, contemplative record of shorter songs, set in a landscape that drew on both the American West and the Bible. The sparse structure and instrumentation, coupled with lyrics that took the Judeo-Christian tradition seriously, marked a departure not only from Dylan's own work but from the escalating psychedelic fervor of the 1960s musical culture. It included "All Along the Watchtower", with lyrics derived from the Book of Isaiah (21:5–9). The song was later recorded by Jimi Hendrix, whose version Dylan later acknowledged as definitive. Woody Guthrie died on October 3, 1967, and Dylan made his first live appearance in twenty months at a Guthrie memorial concert held at Carnegie Hall on January 20, 1968, where he was backed by The Band.

Dylan's next release, ''Nashville Skyline'' (1969), was virtually a mainstream country record featuring instrumental backing by Nashville musicians, a mellow-voiced Dylan, a duet with Johnny Cash, and the hit single "Lay Lady Lay." Dylan and Cash also recorded a series of duets, including Dylan's "One Too Many Mornings," but they were not used on the album.

In May 1969, Dylan appeared on the first episode of Johnny Cash's new television show, duetting with Cash on "Girl from the North Country", "I Threw It All Away" and "Living the Blues". Dylan next travelled to England to top the bill at the Isle of Wight rock festival on August 31, 1969, after rejecting overtures to appear at the Woodstock Festival far closer to his home.

1970s

In the early 1970s, critics charged that Dylan's output was of varied and unpredictable quality. ''Rolling Stone'' magazine writer and Dylan loyalist Greil Marcus notoriously asked "What is this shit?" upon first listening to 1970's ''Self Portrait''. In general, ''Self Portrait'', a double LP including few original songs, was poorly received. Later that year, Dylan released ''New Morning'', which some considered a return to form. In November 1968, Dylan had co-written "I'd Have You Anytime" with George Harrison; Harrison recorded both "I'd Have You Anytime" and Dylan's "If Not For You" for his 1970 solo triple album ''All Things Must Pass''. Dylan's surprise appearance at Harrison's 1971 ''Concert for Bangladesh'' attracted much media coverage, reflecting that Dylan's live appearances had become rare.

Between March 16 and 19, 1971, Dylan reserved three days at Blue Rock Studios, a small studio in New York's Greenwich Village. These sessions resulted in one single, "Watching The River Flow", and a new recording of "When I Paint My Masterpiece". On November 4, 1971 Dylan recorded "George Jackson," which he released a week later. For many, the single was a surprising return to protest material, mourning the killing of Black Panther George Jackson in San Quentin Prison that summer. Dylan contributed piano and hamony vocals to Steve Goodman's album, ''Somebody Else's Troubles'', under the pseudonym Robert Milkwood Thomas in September 1972.

In 1972, Dylan signed onto Sam Peckinpah's film ''Pat Garrett and Billy the Kid'', providing songs and backing music for the movie, and playing the role of "Alias," a member of Billy's gang with some historical basis. Despite the film's failure at the box office, the song "Knockin' on Heaven's Door" has proven its durability as one of Dylan's most extensively covered songs.

Return to touring

Dylan began 1973 by signing with a new record label, David Geffen's Asylum Records, when his contract with Columbia Records expired. On his next album, ''Planet Waves'', he used The Band as backing group, while rehearsing for a major tour. The album included two versions of "Forever Young," which became one of his most popular songs. As one critic described it, the song projected "something hymnal and heartfelt that spoke of the father in Dylan", and Dylan himself commented: "I wrote it thinking about one of my boys and not wanting to be too sentimental." Biographer Howard Sounes noted that Jakob Dylan believed the song was about him.

Columbia Records simultaneously released ''Dylan'', a haphazard collection of studio outtakes (almost exclusively cover songs), which was widely interpreted as a churlish response to Dylan's signing with a rival record label. In January 1974, Dylan returned to live touring after a break of seven years; backed by The Band, he embarked on a high-profile, coast-to-coast North American tour, playing 40 concerts. A live double album of the tour, ''Before the Flood'', was released on Asylum Records. Soon, Columbia Records sent word that they "will spare nothing to bring Dylan back into the fold". Dylan had second thoughts about Asylum, apparently miffed that while there had been millions of unfulfilled ticket requests for the 1974 tour, Geffen had managed to sell only 700,000 copies of ''Planet Waves''. Dylan returned to Columbia Records, which subsequently reissued his two Asylum albums on their imprint.

After the tour, Dylan and his wife became publicly estranged. He filled a small red notebook with songs about relationships and ruptures, and quickly recorded a new album entitled ''Blood on the Tracks'' in September 1974. Dylan delayed the album's release, however, and re-recorded half of the songs at Sound 80 Studios in Minneapolis with production assistance from his brother David Zimmerman.

Released in early 1975, ''Blood on the Tracks'' received mixed reviews. In the ''NME'', Nick Kent described "the accompaniments [as] often so trashy they sound like mere practice takes." In ''Rolling Stone'', reviewer Jon Landau wrote that "the record has been made with typical shoddiness." However, over the years critics have come to see it as one of Dylan's greatest achievements, perhaps the only serious rival to his mid-60s trilogy of albums. In Salon.com, Bill Wyman wrote: "''Blood on the Tracks'' is his only flawless album and his best produced; the songs, each of them, are constructed in disciplined fashion. It is his kindest album and most dismayed, and seems in hindsight to have achieved a sublime balance between the logorrhea-plagued excesses of his mid-'60s output and the self-consciously simple compositions of his post-accident years." Novelist Rick Moody called it "the truest, most honest account of a love affair from tip to stern ever put down on magnetic tape."

That summer Dylan wrote a lengthy ballad championing the cause of boxer Rubin "Hurricane" Carter, who had been imprisoned for a triple murder committed in Paterson, New Jersey, in 1966. After visiting Carter in jail, Dylan wrote "Hurricane", presenting the case for Carter's innocence. Despite its 8:32 minute length, the song was released as a single, peaking at No.33 on the U.S. Billboard Chart, and performed at every 1975 date of Dylan's next tour, the Rolling Thunder Revue, named after the Shoshone medicine man, shaman, teacher, and activist Rolling Thunder. The tour was a varied evening of entertainment featuring about one hundred performers and supporters drawn from the resurgent Greenwich Village folk scene, including T-Bone Burnett, Ramblin' Jack Elliott, Joni Mitchell, David Mansfield, Roger McGuinn, Mick Ronson, Joan Baez, and violinist Scarlet Rivera, whom Dylan discovered while she was walking down the street, her violin case hanging on her back. Allen Ginsberg accompanied the troupe, staging scenes for the film Dylan was simultaneously shooting. Sam Shepard was initially hired to write the film's screenplay, but ended up accompanying the tour as informal chronicler.

Running through late 1975 and again through early 1976, the tour encompassed the release of the album ''Desire'', with many of Dylan's new songs featuring an almost travelogue-like narrative style, showing the influence of his new collaborator, playwright Jacques Levy. The spring 1976 half of the tour was documented by a TV concert special, ''Hard Rain'', and the LP ''Hard Rain''; no concert album from the better-received and better-known opening half of the tour was released until 2002's ''Live 1975''.

The fall 1975 tour with the Revue also provided the backdrop to Dylan's nearly four-hour film ''Renaldo and Clara'', a sprawling and improvised narrative, mixed with concert footage and reminiscences. Released in 1978, the movie received generally poor, sometimes scathing, reviews and had a very brief theatrical run. Later in that year, Dylan allowed a two-hour edit, dominated by the concert performances, to be more widely released.

In November 1976, Dylan appeared at The Band's "farewell" concert, along with other guests including Joni Mitchell, Muddy Waters, Van Morrison and Neil Young. Martin Scorsese's acclaimed cinematic chronicle of this show, ''The Last Waltz,'' was released in 1978 and included about half of Dylan's set. In 1976, Dylan also wrote and duetted on the song "Sign Language" for Eric Clapton's ''No Reason To Cry''.

In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Japan, the Far East, Europe and the US, to a total audience of two million people. For the tour, Dylan assembled an eight piece band, and was also accompanied by three backing singers. Concerts in Tokyo in February and March were recorded and released as the live double album, ''Bob Dylan At Budokan''. Reviews were mixed. Robert Christgau awarded the album a C+ rating, giving the album a derisory review, while Janet Maslin defended it in ''Rolling Stone'', writing: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals." When Dylan brought the tour to the US in September 1978, he was dismayed the press described the look and sound of the show as a 'Las Vegas Tour'. The 1978 tour grossed more than $20 million, and Dylan acknowledged to the ''Los Angeles Times'' that he had some debts to pay off because "I had a couple of bad years. I put a lot of money into the movie, built a big house ... and it costs a lot to get divorced in California."

In April and May 1978, Dylan went into the studio in Santa Monica, California, to record an album of new material with the same large band and backing vocalists: ''Street-Legal''. It was described by Michael Gray as, "after ''Blood On The Tracks'', arguably Dylan's best record of the 1970s: a crucial album documenting a crucial period in Dylan's own life". However, it suffered from poor sound recording and mixing (attributed to Dylan's studio practices), muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs' strengths.

Born-again period

In the late 1970s, Dylan became a born-again Christian and released two albums of Christian gospel music. ''Slow Train Coming'' (1979) featured the guitar accompaniment of Mark Knopfler (of Dire Straits) and was produced by veteran R&B; producer, Jerry Wexler. Wexler recalled that when Dylan had tried to evangelize him during the recording, he replied: "Bob, you're dealing with a sixty-two-year old Jewish atheist. Let's just make an album." The album won Dylan a Grammy Award as "Best Male Vocalist" for the song "Gotta Serve Somebody". The second evangelical album, ''Saved'' (1980), received mixed reviews, and was described by Dylan critic Michael Gray as "the nearest thing to a follow-up album Dylan has ever made, ''Slow Train Coming II'' and inferior." When touring from the fall of 1979 through the spring of 1980, Dylan would not play any of his older, secular works, and he delivered declarations of his faith from the stage, such as:

Dylan's embrace of Christianity was unpopular with some of his fans and fellow musicians. Shortly before his murder, John Lennon recorded "Serve Yourself" in response to Dylan's "Gotta Serve Somebody". By 1981, while Dylan's Christian faith was obvious, Stephen Holden wrote in the ''New York Times'' that "neither age (he's now 40) nor his much-publicized conversion to born-again Christianity has altered his essentially iconoclastic temperament."

1980s

In the fall of 1980 Dylan briefly resumed touring for a series of concerts billed as "A Musical Retrospective", where he restored several of his popular 1960s songs to the repertoire. ''Shot of Love'', recorded the next spring, featured Dylan's first secular compositions in more than two years, mixed with explicitly Christian songs; the song "Every Grain of Sand" reminded some critics of William Blake's verses.

In the 1980s the quality of Dylan's recorded work varied, from the well-regarded ''Infidels'' in 1983 to the panned ''Down in the Groove'' in 1988. Critics such as Michael Gray condemned Dylan's 1980s albums both for showing an extraordinary carelessness in the studio and for failing to release his best songs. The ''Infidels'' recording sessions, for example, produced several notable songs that Dylan left off the album. Most well regarded of these were "Blind Willie McTell", a tribute to the dead blues musician and an evocation of African American history, "Foot of Pride" and "Lord Protect My Child". These three songs were later released on ''The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991''.

Between July 1984 and March 1985, Dylan recorded his next studio album, ''Empire Burlesque''. Arthur Baker, who had remixed hits for Bruce Springsteen and Cyndi Lauper, was asked to engineer and mix the album. Baker has said he felt he was hired to make Dylan's album sound "a little bit more contemporary".

Dylan sang on USA for Africa's famine relief fundraising single "We Are the World". On July 13, 1985, he appeared at the climax at the Live Aid concert at JFK Stadium, Philadelphia. Backed by Keith Richards and Ronnie Wood, Dylan performed a ragged version of "Hollis Brown", his ballad of rural poverty, and then said to the worldwide audience exceeding one billion people: "I hope that some of the money ... maybe they can just take a little bit of it, maybe ... one or two million, maybe ... and use it to pay the mortgages on some of the farms and, the farmers here, owe to the banks." His remarks were widely criticized as inappropriate, but they did inspire Willie Nelson to organize a series of events, Farm Aid, to benefit debt-ridden American farmers.

In April 1986, Dylan made a brief foray into the world of rap music when he added vocals to the opening verse of "Street Rock", a song featured on Kurtis Blow's album ''Kingdom Blow''. Dylan's next studio album, ''Knocked Out Loaded'', was released in July 1986 and contained three cover songs (by Little Junior Parker, Kris Kristofferson and the traditional gospel hymn "Precious Memories"), plus three collaborations with other writers (Tom Petty, Sam Shepard and Carole Bayer Sager), and two solo compositions by Dylan. One reviewer commented that "the record follows too many detours to be consistently compelling, and some of those detours wind down roads that are indisputably dead ends. By 1986, such uneven records weren't entirely unexpected by Dylan, but that didn't make them any less frustrating." It was the first Dylan album since ''Freewheelin''' (1963) to fail to make the Top 50. Since then, some critics have called the 11-minute epic that Dylan co-wrote with Sam Shepard, 'Brownsville Girl', a work of genius.

In 1986 and 1987, Dylan toured extensively with Tom Petty and the Heartbreakers, sharing vocals with Petty on several songs each night. Dylan also toured with The Grateful Dead in 1987, resulting in a live album ''Dylan & The Dead''. This album received some very negative reviews: ''Allmusic'' said, "Quite possibly the worst album by either Bob Dylan or the Grateful Dead." After performing with these musical permutations, Dylan initiated what came to be called The Never Ending Tour on June 7, 1988, performing with a tight back-up band featuring guitarist G. E. Smith. Dylan continued to tour with this small but constantly evolving band for the next 20 years.

In 1987, Dylan starred in Richard Marquand's movie ''Hearts of Fire'', in which he played Billy Parker, a washed-up-rock-star-turned-chicken farmer whose teenage lover (Fiona) leaves him for a jaded English synth-pop sensation (played by Rupert Everett). Dylan also contributed two original songs to the soundtrack—"Night After Night", and "I Had a Dream About You, Baby", as well as a cover of John Hiatt's "The Usual". The film was a critical and commercial flop. Dylan was inducted into the Rock and Roll Hall of Fame in January 1988, with Bruce Springsteen's introductory speech declaring, "Bob freed your mind the way Elvis freed your body. He showed us that just because music was innately physical did not mean that it was anti-intellectual.

When Dylan released the album ''Down in the Groove'' in May 1988, it was even more unsuccessful in its sales than his previous studio album. Michael Gray wrote: "The very title undercuts any idea that inspired work may lie within. Here was a further devaluing of the notion of a new Bob Dylan album as something significant." The critical and commercial disappointment of that album was swiftly followed by the success of the Traveling Wilburys. Dylan co-founded the band with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty, and in the fall of 1988 their multi-platinum ''Traveling Wilburys Vol. 1'' reached number three on the US album chart, featuring songs that were described as Dylan's most accessible compositions in years. Despite Orbison's death in December 1988, the remaining four recorded a second album in May 1990, which they released with the unexpected title ''Traveling Wilburys Vol. 3''.

Dylan finished the decade on a critical high note with ''Oh Mercy'' produced by Daniel Lanois. Dylan critic Michael Gray wrote that the album was: "Attentively written, vocally distinctive, musically warm, and uncompromisingly professional, this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s." The track "Most of the Time", a lost love composition, was later prominently featured in the film ''High Fidelity'', while "What Was It You Wanted?" has been interpreted both as a catechism and a wry comment on the expectations of critics and fans. The religious imagery of "Ring Them Bells" struck some critics as a re-affirmation of faith.

1990s

Dylan's 1990s began with ''Under the Red Sky'' (1990), an about-face from the serious ''Oh Mercy''. The album contained several apparently simple songs, including "Under the Red Sky" and "Wiggle Wiggle". The album was dedicated to "Gabby Goo Goo"; this was later explained as a nickname for the daughter of Dylan and Carolyn Dennis, Desiree Gabrielle Dennis-Dylan, who was four at that time. Sidemen on the album included George Harrison, Slash from Guns N' Roses, David Crosby, Bruce Hornsby, Stevie Ray Vaughan, and Elton John. Despite the stellar line-up, the record received bad reviews and sold poorly.

In 1991, Dylan was honored by the recording industry with a Grammy Lifetime Achievement Award from American actor Jack Nicholson. The event coincided with the start of the Gulf War against Saddam Hussein, and Dylan performed his song "Masters of War". Dylan then made a short speech that startled some of the audience.

The next few years saw Dylan returning to his roots with two albums covering old folk and blues numbers: ''Good as I Been to You'' (1992) and ''World Gone Wrong'' (1993), featuring interpretations and acoustic guitar work. Many critics and fans commented on the quiet beauty of the song "Lone Pilgrim", penned by a 19th century teacher and sung by Dylan with a haunting reverence. In November 1994 Dylan recorded two live shows for ''MTV Unplugged''. He claimed his wish to perform a set of traditional songs for the show was overruled by Sony executives who insisted on a greatest hits package. The album produced from it, ''MTV Unplugged'', included "John Brown", an unreleased 1963 song detailing the ravages of both war and jingoism.

With a collection of songs reportedly written while snowed-in on his Minnesota ranch, Dylan booked recording time with Daniel Lanois at Miami's Criteria Studios in January 1997. The subsequent recording sessions were, by some accounts, fraught with musical tension. Late that spring, before the album's release, Dylan was hospitalized with a life-threatening heart infection, pericarditis, brought on by histoplasmosis. His scheduled European tour was cancelled, but Dylan made a speedy recovery and left the hospital saying, "I really thought I'd be seeing Elvis soon." He was back on the road by midsummer, and in early fall performed before Pope John Paul II at the World Eucharistic Conference in Bologna, Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind".

September saw the release of the new Lanois-produced album, ''Time Out of Mind''. With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award.

In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House, paying this tribute: "He probably had more impact on people of my generation than any other creative artist. His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful."

2000s

Dylan commenced the new millennium by winning his first Oscar; his song "Things Have Changed", penned for the film ''Wonder Boys'', won an Academy Award in March 2001. The Oscar (by some reports a facsimile) tours with him, presiding over shows perched atop an amplifier.

''"Love and Theft"'' was released on September 11, 2001. Recorded with his touring band, Dylan produced the album himself under the pseudonym Jack Frost. The album was critically well-received and earned nominations for several Grammy awards. Critics noted that Dylan was widening his musical palette to include rockabilly, Western swing, jazz, and even lounge ballads.

In 2003, Dylan revisited the evangelical songs from his "born again" period and participated in the CD project ''Gotta Serve Somebody: The Gospel Songs of Bob Dylan''. That year also saw the release of the film ''Masked & Anonymous'', which Dylan co-wrote with director Larry Charles under the alias Sergei Petrov. Dylan played the central character in the film, Jack Fate, alongside a cast which included Jeff Bridges, Penelope Cruz and John Goodman. The film polarised critics: many dismissed it as an "incoherent mess"; a few treated it as a serious work of art.

In October 2004, Dylan published the first part of his autobiography, ''Chronicles: Volume One''. The book confounded expectations. Dylan devoted three chapters to his first year in New York City in 1961–1962, virtually ignoring the mid-'60s when his fame was at its height. He also devoted chapters to the albums ''New Morning'' (1970) and ''Oh Mercy'' (1989). The book reached number two on ''The New York Times''' Hardcover Non-Fiction best seller list in December 2004 and was nominated for a National Book Award.

Martin Scorsese's acclaimed film biography ''No Direction Home'' was broadcast in September 2005. It was shown on September 26–27, 2005, on BBC Two in the UK and PBS in the US. The documentary focuses on the period from Dylan's arrival in New York in 1961 to his motorcycle crash in 1966, featuring interviews with Suze Rotolo, Liam Clancy, Joan Baez, Allen Ginsberg, Pete Seeger, Mavis Staples, and Dylan himself. The film received a Peabody Award in April 2006 and a Columbia-duPont Award in January 2007. The accompanying soundtrack featured unreleased songs from Dylan's early career.

Dylan earned yet another distinction in a 2007 study of US legal opinions and briefs that found his lyrics were quoted by judges and lawyers more than those of any other songwriter, 186 times versus 74 by The Beatles, who were second. Among those quoting Dylan were US Supreme Court Chief Justice John Roberts and Justice Antonin Scalia, both conservatives. The most widely cited lines included "you don't need a weatherman to know which way the wind blows" from "Subterranean Homesick Blues" and "when you ain't got nothing, you got nothing to lose" from "Like a Rolling Stone".

''Modern Times'' (2006–08)

May 3, 2006, was the premiere of Dylan's DJ career, hosting a weekly radio program, ''Theme Time Radio Hour'', for XM Satellite Radio, with song selections revolving around a chosen theme. Dylan played classic and obscure records from the 1930s to the present day, including contemporary artists as diverse as Blur, Prince, L.L. Cool J and The Streets. The show was praised by fans and critics as "great radio," as Dylan told stories and made eclectic references with his sardonic humor, while achieving a thematic beauty with his musical choices. In April 2009, Dylan broadcast the 100th show in his radio series; the theme was "Goodbye" and the final record played was Woody Guthrie's "So Long, It's Been Good To Know Yuh". This has led to speculation that Dylan's radio series may have ended.

On August 29, 2006, Dylan released his ''Modern Times'' album. Despite some coarsening of Dylan's voice (a critic for ''The Guardian'' characterised his singing on the album as "a catarrhal death rattle") most reviewers praised the album, and many described it as the final installment of a successful trilogy, embracing ''Time Out of Mind'' and ''"Love and Theft"''. ''Modern Times'' entered the U.S. charts at number one, making it Dylan's first album to reach that position since 1976's ''Desire''.

Nominated for three Grammy Awards, ''Modern Times'' won Best Contemporary Folk/Americana Album and Bob Dylan also won Best Solo Rock Vocal Performance for "Someday Baby". ''Modern Times'' was named Album of the Year, 2006, by ''Rolling Stone'' magazine, and by ''Uncut'' in the UK. On the same day that ''Modern Times'' was released the iTunes Music Store released ''Bob Dylan: The Collection'', a digital box set containing all of his albums (773 tracks in total), along with 42 rare and unreleased tracks.

In August 2007, the award-winning film biography of Dylan ''I'm Not There'', written and directed by Todd Haynes, was released—bearing the tagline "inspired by the music and many lives of Bob Dylan". The movie uses six distinct characters to represent different aspects of Dylan's life, played by Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw. Dylan's previously unreleased 1967 recording from which the film takes its name was released for the first time on the film's original soundtrack; all other tracks are covers of Dylan songs, specially recorded for the movie by a diverse range of artists, including Eddie Vedder, Mason Jennings, Stephen Malkmus, Jeff Tweedy, Karen O, Willie Nelson, Cat Power, Richie Havens, and Tom Verlaine.

On October 1, 2007, Columbia Records released the triple CD retrospective album ''Dylan'', anthologising his entire career under the ''Dylan 07'' logo. As part of this campaign, Mark Ronson produced a re-mix of Dylan's 1966 tune "Most Likely You Go Your Way (And I'll Go Mine)," which was released as a maxi-single. This was the first time Dylan had sanctioned a re-mix of one of his classic recordings.

The sophistication of the ''Dylan 07'' marketing campaign was a reminder that Dylan's commercial profile had risen considerably since the 1990s. This first became evidenced in 2004, when Dylan appeared in a TV advertisement for Victoria's Secret lingerie. Three years later, in October 2007, he participated in a multi-media campaign for the 2008 Cadillac Escalade. Then, in 2009, he gave the highest profile endorsement of his career, appearing with rapper Will.i.am in a Pepsi ad that debuted during the telecast of Super Bowl XLIII. The ad, broadcast to a record audience of 98 million viewers, opened with Dylan singing the first verse of "Forever Young" followed by Will.i.am doing a hip hop version of the song's third and final verse.

In October 2008, Columbia released Volume 8 of Dylan's ''Bootleg Series'', ''Tell Tale Signs: Rare And Unreleased 1989–2006'' as both a two-CD set and a three-CD version with a 150-page hardcover book. The set contains live performances and outtakes from selected studio albums from ''Oh Mercy'' to ''Modern Times'', as well as soundtrack contributions and collaborations with David Bromberg and Ralph Stanley. The pricing of the album—the two-CD set went on sale for $18.99 and the three-CD version for $129.99—led to complaints about "rip-off packaging" from some fans and commentators. The release was widely acclaimed by critics. The plethora of alternative takes and unreleased material suggested to ''Uncut'''s reviewer: "''Tell Tale Signs'' is awash with evidence of (Dylan's) staggering mercuriality, his evident determination even in the studio to repeat himself as little as possible."

''Together Through Life'', ''Christmas in the Heart'' (2009)

Bob Dylan released his album ''Together Through Life'' on April 28, 2009. In a conversation with music journalist Bill Flanagan, published on Dylan's website, Dylan explained that the genesis of the record was when French film director Olivier Dahan asked him to supply a song for his new road movie, ''My Own Love Song''; initially only intending to record a single track, "Life Is Hard," "the record sort of took its own direction". Nine of the ten songs on the album are credited as co-written by Bob Dylan and Robert Hunter.

The album received largely favorable reviews, although several critics described it as a minor addition to Dylan's canon of work. Andy Gill wrote in ''The Independent'' that the record "features Dylan in fairly relaxed, spontaneous mood, content to grab such grooves and sentiments as flit momentarily across his radar. So while it may not contain too many landmark tracks, it's one of the most naturally enjoyable albums you'll hear all year."

In its first week of release, the album reached number one in the Billboard 200 chart in the U.S., making Bob Dylan (67 years of age) the oldest artist to ever debut at number one on that chart.

On October 13, 2009, Dylan released a Christmas album, ''Christmas in the Heart'', comprising such Christmas standards as "Little Drummer Boy", "Winter Wonderland" and "Here Comes Santa Claus". Dylan's royalties from the sale of this album will benefit the charities Feeding America in the USA, Crisis in the UK, and the World Food Programme.

The album received generally favorable reviews. ''The New Yorker'' commented that Dylan had welded a pre-rock musical sound to "some of his croakiest vocals in a while", and speculated that Dylan's intentions might be ironic: "Dylan has a long and highly publicized history with Christianity; to claim there's not a wink in the childish optimism of 'Here Comes Santa Claus' or 'Winter Wonderland' is to ignore a half-century of biting satire." In ''USA Today'', Edna Gundersen pointed out that Dylan was "revisiting yuletide styles popularized by Nat King Cole, Mel Tormé, and the Ray Conniff Singers." Gundersen concluded that Dylan "couldn't sound more sentimental or sincere".

In an interview published by Street News Service, journalist Bill Flanagan asked Dylan why he had performed the songs in a straightforward style, and Dylan responded: "There wasn't any other way to play it. These songs are part of my life, just like folk songs. You have to play them straight too."

2010s

On October 18, 2010, Dylan released Volume 9 of his Bootleg Series, ''The Witmark Demos''. This comprised 47 demo recordings of songs taped between 1962 and 1964 for Dylan's earliest music publishers: Leeds Music in 1962, and Witmark Music from 1962 to 1964. One reviewer described the set as "a kind of alternate early history of Dylan's songwriting process, 'writing five new songs before breakfast,' as he once famously quipped". The critical aggregator website Metacritic awarded the album a Metascore of 86, indicating "universal acclaim". In the same week, Sony Legacy released ''Bob Dylan: The Original Mono Recordings'', a box set which for the first time presented Dylan's eight earliest albums, from ''Bob Dylan'' (1962) to ''John Wesley Harding'' (1967), in their original mono mix in the CD format, accompanied by new liner notes by Dylan critic Greil Marcus.

On April 12, 2011, Legacy Recordings released ''Bob Dylan in Concert – Brandeis University 1963'' . The recording was taped at Brandeis University on May 10, 1963, two weeks prior to the release of ''The Freewheelin' Bob Dylan''. The tape had been discovered in the archive of music writer Ralph J. Gleason, and had previously been available as a limited edition supplement to ''The Bootleg Series Vol. 9''. The recording carries liner notes by Dylan scholar Michael Gray. Gray writes, "(The) Dylan performance it captured, from way back when Kennedy was President and the Beatles hadn't yet reached America, wasn't even on fans' radar.... It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star."

The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organised symposia on his work. The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians from Europe and the US to give papers on aspects of Dylan's work. Other events, including tribute bands, intellectual debates and simple singalongs, took place around the world, as reported in ''The Guardian'': "From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed "Bobcats" will gather today to celebrate the 70th birthday of a giant of popular music."

In August 2011, Dylan's label, Egyptian Records, announced that an album of previously unheard Hank Williams songs, ''The Lost Notebooks of Hank Williams'', would be released in October. Dylan had helped to curate this project, in which songs unfinished when Williams died in 1953 were completed and recorded by a variety of artists, including Dylan himself, his son Jakob Dylan, Levon Helm, Norah Jones, Jack White, and others.

Never Ending Tour

The Never Ending Tour commenced on June 7, 1988, and Dylan has played roughly 100 dates a year for the entirety of the 1990s and the first decade of the 21st century—a heavier schedule than most performers who started out in the 1960s. By the end of 2010, Dylan and his band had played more than 2300 shows, anchored by long-time bassist Tony Garnier, multi-instrumentalist Donnie Herron and guitarist Charlie Sexton. To the dismay of some of his audience, Dylan's performances remain unpredictable as he alters his arrangements and changes his vocal approach night after night. Critical opinion about Dylan's shows remains divided. Critics such as Richard Williams and Andy Gill have argued that Dylan has found a successful way to present his rich legacy of material. Others have criticised his vocal style as a "one-dimensional growl with which he chews up, mangles and spits out the greatest lyrics ever written so that they are effectively unrecognisable", and his lack of interest in bonding with his audience.

Dylan's performances in China in April 2011 generated controversy. Some criticised him for not making any explicit comment on the political situation in China, and for, allegedly, allowing the Chinese authorities to censor his set-list. Others defended Dylan's performances, arguing that such criticism represented a misunderstanding of Dylan's art, and that no evidence for the censorship of Dylan's set-list existed.

Dylan responded to these allegations of censorship by posting a statement on his website: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play."

In April 2011, Dylan performed concerts in Taiwan, China, Vietnam and Australia. Dylan's website has published details of Dylan's 2011 tour of Europe, Israel and the US from June to August, commencing in Cork, Ireland, and concluding in Bangor, Maine.

Artist

Over a decade after Random House had published ''Drawn Blank'' (1994), a book of Dylan's drawings, an exhibit of his art, ''The Drawn Blank Series'', opened in October 2007 at the Kunstsammlungen in Chemnitz, Germany. This first public exhibition of Dylan's paintings showcased more than 200 watercolors and gouaches made earlier in 2007 from the original drawings. The exhibition coincided with the publication of the book ''Bob Dylan: The Drawn Blank Series'', which includes 170 reproductions from the series.

From September 2010 until April 2011, the National Gallery of Denmark exhibited 40 large-scale acrylic paintings by Dylan, ''The Brazil Series''. In July 2011, a leading contemporary art gallery, Gagosian Gallery, announced their representation of Dylan's paintings. The Gagosian Gallery has announced an exhibition of Dylan's art, ''The Asia Series'', will take place at their Madison Avenue Gallery in September-October 2011.

Discography

Awards

Personal life

Family

Dylan married Sara Lownds on November 22, 1965. Their first child, Jesse Byron Dylan, was born on January 6, 1966, and they had three more children: Anna Lea, Samuel Isaac Abraham, and Jakob Luke (born December 9, 1969). Dylan also adopted Sara's daughter from a prior marriage, Maria Lownds (later Dylan, born October 21, 1961). Maria married musician Peter Himmelman, an Orthodox Jew, in 1988. In the 1990s, Dylan's son Jakob became well known as the lead singer of the band The Wallflowers. Jesse Dylan is a film director and a successful businessman. Bob and Sara Dylan were divorced on June 29, 1977.

In June 1986, Dylan married his longtime backup singer Carolyn Dennis (often professionally known as Carol Dennis). Their daughter, Desiree Gabrielle Dennis-Dylan, was born on January 31, 1986. The couple divorced in October 1992. Their marriage and child remained a closely guarded secret until the publication of Howard Sounes' Dylan biography, ''Down the Highway: The Life Of Bob Dylan'' in 2001. Dylan now lives in Malibu, California, when not on the road.

Religious beliefs

Growing up in Hibbing, Minnesota, Dylan and his family were part of the area's small but close-knit Jewish community, and in May 1954 Dylan had his Bar Mitzvah. Around the time of his 30th birthday, in 1971, Dylan visited Israel, and also met Rabbi Meir Kahane, founder of the New York-based Jewish Defense League. Time Magazine quoted Dylan saying about Kahane, "He's a really sincere guy. He's really put it all together." Subsequently, Dylan downplayed the extent of his contact with Kahane.

For a period during the late 1970s and early 1980s, Dylan was a public convert to Christianity. From January to April 1979, he participated in Bible study classes at the Vineyard School of Discipleship in Reseda, California. Pastor Kenn Gulliksen has recalled: "Larry Myers and Paul Emond went over to Bob's house and ministered to him. He responded by saying, 'Yes he did in fact want Christ in his life.' And he prayed that day and received the Lord."

By 1984, Dylan was deliberately distancing himself from the "born-again" label. He told Kurt Loder of ''Rolling Stone'' magazine: "I've never said I'm born again. That's just a media term. I don't think I've been an agnostic. I've always thought there's a superior power, that this is not the real world and that there's a world to come." In response to Loder's asking whether he belonged to any Church or synagogue, Dylan laughingly replied, "Not really. Uh, the Church of the Poison Mind." In 1997 he told David Gates of ''Newsweek'':

In an interview published in ''The New York Times'' on September 28, 1997, journalist Jon Pareles reported that "Dylan says he now subscribes to no organized religion."

Dylan has been described, in the last 20 years, as a supporter of the Chabad Lubavitch movement and has privately participated in Jewish religious events, including the bar mitzvahs of his sons and attending Hadar Hatorah, a Chabad Lubavitch yeshiva. In September 1989 and September 1991, Dylan appeared on the Chabad telethon. Jewish news services have reported that Dylan has visited Chabad synagogues; on September 22, 2007 (Yom Kippur), he attended Congregation Beth Tefillah, in Atlanta, Georgia, where he was called to the Torah for the sixth aliyah.

Dylan has continued to perform songs from his gospel albums in concert, occasionally covering traditional religious songs. He has also made passing references to his religious faith—such as in a 2004 interview with ''60 Minutes'', when he told Ed Bradley that "the only person you have to think twice about lying to is either yourself or to God." He also explained his constant touring schedule as part of a bargain he made a long time ago with the "chief commander—in this earth and in the world we can't see."

In a 2009 interview with Bill Flanagan promoting his Christmas LP, ''Christmas in the Heart'', Flanagan commented on the "heroic performance" Dylan gave of "O Little Town of Bethlehem" and that Dylan "delivered the song like a true believer". Dylan replied: "Well, I am a true believer."

Legacy

Bob Dylan is one of the most influential figures of the 20th century, musically and culturally. Dylan was included in the Time 100: The Most Important People of the Century where he was called "master poet, caustic social critic and intrepid, guiding spirit of the counterculture generation". Biographer Howard Sounes placed him among the most exalted company when he said, "There are giant figures in art who are sublimely good—Mozart, Picasso, Frank Lloyd Wright, Shakespeare, Dickens. Dylan ranks alongside these artists."

Initially modeling his writing style on the songs of Woody Guthrie, and lessons learned from the blues of Robert Johnson, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 60s, infusing it "with the intellectualism of classic literature and poetry". Paul Simon suggested that Dylan's early compositions virtually took over the folk genre: "[Dylan's] early songs were very rich ... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while."

When Dylan made his move from acoustic music to a rock backing, the mix became more complex. For many critics, Dylan's greatest achievement was the cultural synthesis exemplified by his mid-'60s trilogy of albums—''Bringing It All Back Home'', ''Highway 61 Revisited'' and ''Blonde on Blonde''. In Mike Marqusee's words: "Between late 1964 and the summer of 1966, Dylan created a body of work that remains unique. Drawing on folk, blues, country, R&B;, rock'n'roll, gospel, British beat, symbolist, modernist and Beat poetry, surrealism and Dada, advertising jargon and social commentary, Fellini and ''Mad'' magazine, he forged a coherent and original artistic voice and vision. The beauty of these albums retains the power to shock and console."

One legacy of Dylan's verbal sophistication was the increasing attention paid by literary critics to his lyrics. Professor Christopher Ricks published a 500-page analysis of Dylan's work, placing him in the context of Eliot, Keats and Tennyson, and claiming that Dylan was a poet worthy of the same close and painstaking analysis. Former British poet laureate, Andrew Motion, argued that Bob Dylan's lyrics should be studied in schools. Since 1996, academics have lobbied the Swedish Academy to award Dylan the Nobel Prize in Literature.

Dylan's voice was, in some ways, as startling as his lyrics. New York Times critic Robert Shelton described Dylan's early vocal style as "a rusty voice suggesting Guthrie's old performances, etched in gravel like Dave Van Ronk's." David Bowie, in his tribute, "Song for Bob Dylan", described Dylan's singing as "a voice like sand and glue". Dylan's voice continued to develop as he began to work with rock'n'roll backing bands; critic Michael Gray described the sound of Dylan's vocal on his hit single, "Like a Rolling Stone", as "at once young and jeeringly cynical". As Dylan's voice aged during the 1980s, for some critics, it became more expressive. Christophe Lebold writes in the journal ''Oral Tradition'', "Dylan's more recent broken voice enables him to present a world view at the sonic surface of the songs—this voice carries us across the landscape of a broken, fallen world. The anatomy of a broken world in "Everything is Broken" (on the album ''Oh Mercy'') is but an example of how the thematic concern with all things broken is grounded in a concrete sonic reality."

Dylan's influence has been felt in several musical genres. As Edna Gundersen stated in ''USA Today'': "Dylan's musical DNA has informed nearly every simple twist of pop since 1962." Many musicians have testified to Dylan's influence, such as Joe Strummer, who praised Dylan as having "laid down the template for lyric, tune, seriousness, spirituality, depth of rock music." Other major musicians to have acknowledged Dylan's importance include John Lennon, Paul McCartney, Pete Townshend, Neil Young, Bruce Springsteen, David Bowie, Bryan Ferry, Nick Cave, Patti Smith, Syd Barrett, Cat Stevens,Joni Mitchell, and Tom Waits. More directly, both The Byrds and The Band, two 1960s contemporary groups with some measure of influence on popular music themselves, largely owed their initial success to Dylan: the Byrds with their hit of "Mr. Tambourine Man" and subsequent album; and the Band for their association with him on tour in 1966, on retreat in Woodstock, and on their debut album featuring three previously unreleased Dylan songs.

There have been dissenters. Because Dylan was widely credited with imbuing pop culture with a new seriousness, the critic Nik Cohn objected: "I can't take the vision of Dylan as seer, as teenage messiah, as everything else he's been worshipped as. The way I see him, he's a minor talent with a major gift for self-hype." Similarly, Australian critic Jack Marx credited Dylan with changing the persona of the rock star: "What cannot be disputed is that Dylan invented the arrogant, faux-cerebral posturing that has been the dominant style in rock since, with everyone from Mick Jagger to Eminem educating themselves from the Dylan handbook." Joni Mitchell described Dylan as a "plagiarist" and his voice as "fake" in a 2010 interview in the ''Los Angeles Times'', in response to a suggestion that she and Dylan were similar since they had both changed their birthnames. Mitchell's comment led to discussions of Dylan's use of other people's material, both supporting and criticizing Dylan.

If Bob Dylan's legacy in the 1960s was seen as bringing intellectual ambition to popular music, now that he has reached the age of 70, he has been described as a figure who has greatly expanded the folk culture from which he initially emerged. As J. Hoberman wrote in ''The Village Voice'', "Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then—having achieved fame and adoration beyond reckoning—vanish into a folk tradition of his own making."

Footnotes

References

External links

BobDylan.com – Official web site, including lyrics and touring schedule

Expecting Rain – Dylan news and events, updated daily

BobLinks – Comprehensive log of concerts and set lists

Bjorner's Still on the Road – Information on recording sessions and performances

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