:''The Hindu is also the name of an Indian daily newspaper.'' A Hindu is any person who practices good karma (action), bhakti (worship), or dhyana (meditation) for achieving Moksha (freedom from rebirths and union with God). Hinduism is the oldest religion in the world., with origins perhaps as far back as to the prehistoric times, or 5000 years and is the predominant religious tradition of the Indian Subcontinent. As used in the Constitution of India, the word "Hindu" is also attributed to all persons professing any Indian religion (i.e. Hinduism, Jainism, Buddhism or Sikhism). In common use today, it refers to an adherent of Hinduism.

With more than a billion adherents, Hinduism is the world's third largest religion. The vast majority of Hindus, approximately 940 million, live in India. Other countries with large Hindu populations include Nepal, Bangladesh, Mauritius and the island of Bali.

Etymology

The word ''Hindu'' is derived from the Sanskrit word ''Sindhu'', first mentioned in the Rig Veda, was the historic local appellation for the Indus River in the northwestern part of the Indian subcontinent.

The Brihaspati Agama says:

The usage of the word ''Hindu'' was further popularized for Arabs and further west by the Arabic term ''al-Hind'' referring to the land of the people who live across river Indus and the Persian term Hindū referring to all Indians. By the 13th century, ''Hindustān'' emerged as a popular alternative name of India, meaning the "land of ''Hindus''".

Originally, ''Hindu'' was a secular term which was used to describe all inhabitants of the Indian subcontinent (or ''Hindustan'') irrespective of their religious affiliation. It occurs sporadically in some 16th-18th century Bengali Gaudiya Vaishnava texts, including ''Chaitanya Charitamrita'' and ''Chaitanya Bhagavata'', usually to contrast Hindus with Yavanas or Mlecchas. It appears in South Indian and Kashmiri texts from at least 1323 CE, and increasingly so during British rule. It was only towards the end of the 18th century that the European merchants and colonists referred collectively to the followers of Indian religions as ''Hindus''. Eventually, it came to define a precisely religious identity that includes any person of Indian origin who neither practiced Abrahamic religions nor non-Vedic Indian religions, such as Jainism, Sikhism or Buddhism, thereby encompassing a wide range of religious beliefs and practices related to Sanātana Dharma.

The term ''Hinduism'' was formed around 1830 to denote the culture and religion of the high-caste Brahmans in contrast to other religions. It was soon appropriated by the Hindus in India themselves as they tried to establish a national, social and cultural identity opposed to European colonialism in India.

History

The notion of grouping the indigenous religions of India under a single umbrella term ''Hindu'' emerges as a result of various invasions in India bringing forth non-indigenous religions such as Islam to the Indian Subcontinent Numerous Muslim invaders, such as Aurangzeb, destroyed Hindu temples and persecuted non-Muslims; some, such as Akbar, were more tolerant. Hinduism underwent profound changes, in large part due to the influence of the prominent teachers Ramanuja, Madhva and Chaitanya. Followers of the Bhakti movement moved away from the abstract concept of Brahman, which the philosopher Adi Shankara consolidated a few centuries before, with emotional, passionate devotion towards the more accessible Avatars, especially Krishna and Rama.

Indology as an academic discipline of studying Indian culture from a European perspective was established in the 19th century, led by scholars such as Max Müller and John Woodroffe. They brought Vedic, Puranic and Tantric literature and philosophy to Europe and the United States. At the same time, societies such as the Brahmo Samaj and the Theosophical Society attempted to reconcile and fuse Abrahamic and Dharmic philosophies, endeavouring to institute societal reform. This period saw the emergence of movements which, while highly innovative, were rooted in indigenous tradition. They were based on the personalities and teachings of individuals, as with Ramakrishna and Ramana Maharshi. Prominent Hindu philosophers, including Aurobindo and Prabhupada (founder of ISKCON), translated, reformulated and presented Hinduism's foundational texts for contemporary audiences in new iterations, attracting followers and attention in India and abroad.

Others, such as Vivekananda, Paramahansa Yogananda, B.K.S. Iyengar and Swami Rama, have also been instrumental in raising the profiles of Yoga and Vedanta in the West. Today modern movements, such as ISKCON and the Swaminarayan Faith, attract a large amount of followers across the world.

Definition

Other aspects include folk and conservative Vedic Hinduism. Since the 18th century, Hinduism has accommodated a host of new religious and reform movements, with Arya Samaj being one of the most notable Hindu revivalist organizations.

Due to the wide diversity in the beliefs, practices and traditions encompassed by Hinduism, there is no universally accepted definition on who a Hindu is, or even agreement on whether the term Hinduism represents a religious, cultural or socio-political entity. In 1995, Chief Justice P. B. Gajendragadkar was quoted in an Indian Supreme Court ruling: :When we think of the Hindu religion, unlike other religions in the world, the Hindu religion does not claim any one prophet; it does not worship any one god; it does not subscribe to any one dogma; it does not believe in any one philosophic concept; it does not follow any one set of religious rites or performances; in fact, it does not appear to satisfy the narrow traditional features of any religion or creed. It may broadly be described as a way of life and nothing more.

Thus some scholars argue that the Hinduism is not a religion ''per se'' but rather a reification of a diverse set of traditions and practices by scholars who constituted a unified system and arbitrarily labeled it Hinduism. The usage may also have been necessitated by the desire to distinguish between "Hindus" and followers of other religions during the periodic census undertaken by the colonial British government in India. Other scholars, while seeing Hinduism as a 19th century construct, view Hinduism as a response to British colonialism by Indian nationalists who forged a unified tradition centered on oral and written Sanskrit texts adopted as scriptures.

While Hinduism contains both "uniting and dispersing tendencies", it also has a common central thread of philosophical concepts (including dharma, moksha and samsara), practices (puja, bhakti etc.) and cultural traditions. These common elements originating (or being codified within) the Vedic, Upanishad and Puranic scriptures and epics. Thus a Hindu could : follow any of the Hindu schools of philosophy, such as Advaita (non-dualism), Vishishtadvaita (non-dualism of the qualified whole), Dvaita (dualism), Dvaitadvaita (dualism with non-dualism), etc. follow a tradition centered on any particular form of the Divine, such as Shaivism, Vaishnavism, Shaktism, etc.

practice any one of the various forms of yoga systems; including bhakti (Hindu devotional movements) in order to achieve ''moksha''.

The Republic of India is in the peculiar situation that the Supreme Court of India has repeatedly been called upon to define "Hinduism" because the Constitution of India, while it prohibits "discrimination of any citizen" on grounds of religion in article 15, article 30 foresees special rights for "All minorities, whether based on religion or language". As a consequence, religious groups have an interest in being recognized as distinct from the Hindu majority in order to qualify as a "religious minority". Thus, the Supreme Court was forced to consider the question whether Jainism is part of Hinduism in 2005 and 2006. In the 2006 verdict, the Supreme Court found that the "Jain Religion is indisputably not a part of the Hindu Religion". In 1995, while considering the question "who are Hindus and what are the broad features of Hindu religion", the Supreme Court of India highlighted Bal Gangadhar Tilak's formulation of Hinduism's defining features: :Acceptance of the Vedas with reverence; recognition of the fact that the means or ways to salvation are diverse; and the realization of the truth that the number of gods to be worshipped is large, that indeed is the distinguishing feature of Hindu religion.

Some thinkers have attempted to distinguish between the concept of Hinduism as a religion, and a Hindu as a member of a nationalist or socio-political class. In Hindu nationalism, the term "Hindu" combines notions of geographical unity, common culture and common race. Thus, Veer Savarkar in his influential pamphlet "Hindutva: Who is a Hindu?" defined a Hindu as a person who sees India "as his Fatherland as well as his Holy land, that is, the cradle land of his religion". This conceptualization of Hinduism, has led to establishment of Hindutva as the dominant force in Hindu nationalism over the last century.

Ethnic and cultural fabric

Hinduism, its religious doctrines, traditions and observances are very typical and inextricably linked to the culture and demographics of India. Hinduism has one of the most ethnically diverse bodies of adherents in the world. It is hard to classify Hinduism as a religion because the framework, symbols, leaders and books of reference that make up a typical religion are not uniquely identified in the case of Hinduism. Hinduism is almost 4,000 years old. Most commonly it can be seen as a "way of life" which gives rise to many other forms of religions.

Large tribes and communities indigenous to India are closely linked to the synthesis and formation of Hindu civilization. People of East Asian roots living in the states of north eastern India and Nepal were also a part of the earliest Hindu civilization. Immigration and settlement of people from Central Asia and people of Indo-Greek heritage have brought their own influence on Hindu society.

The roots of Hinduism in southern India, and among tribal and indigenous communities is just as ancient and fundamentally contributive to the foundations of the religious and philosophical system.

Ancient Hindu kingdoms arose and spread the religion and traditions across Southeast Asia, particularly Thailand, Nepal, Burma, Malaysia, Indonesia, Cambodia, Laos, Philippines, and what is now central Vietnam. A form of Hinduism particularly different from Indian roots and traditions is practiced in Bali, Indonesia, where Hindus form 90% of the population. Indian migrants have taken Hinduism and Hindu culture to South Africa, Fiji, Mauritius and other countries in and around the Indian Ocean, and in the nations of the West Indies and the Caribbean.

See also

Hindu festivals

Initiation in Hinduism

Samskaram

Notes

Further reading

References

First revised edition.

Category:Hinduism Category:Religious identity

de:Hindu es:Hindú hi:सनातन धर्म id:Umat Hindu mk:Хинду јазик ml:ഹിന്ദു ja:ヒンドゥー教徒 nn:Hinduar ru:Индус

name	Jagjit Singh
background	solo_singer
born	February 08, 1941Sri Ganganagar, Rajasthan, India
genre	Ghazal, Classical, Devotional, Folk
occupation	Composer, Singer, Music Director, Activist, Entrepreneur
instrument	Vocals, Harmonium, Tanpura, Piano
years active	1966–present
label	EMI, HMV, Saregama, Universal Music, Sony BMG Music Entertainment, Polydor, TIPS, Venus, T-Series
spouse	Chitra Singh
website	www.jagjitsingh.co.uk }}

Jagjit Singh (, , ) (born February 8, 1941) is a prominent Indian Ghazal singer, composer, music director, activist and entrepreneur. Popularly known as "The Ghazal King" he gained acclaim together with his wife, another renowned Indian Ghazal singer Chitra Singh, in the 1970s and 1980s, as the first ever successful duo act (husband-wife) in the history of recorded Indian music. Together, they are considered to be the pioneers of modern Ghazal singing and regarded as most successful recording artistes outside the realm of Indian film music. He has sung in Punjabi, Hindi, Urdu, Bengali, Gujarati, Sindhi and Nepali languages. He was awarded India's third highest civilian honour, the Padma Bhushan, in 2003.

Widely credited for the revival and popularity of Ghazal, an Indian classical art form, through his music in landmark films such as ''Prem Geet'' (1981), Arth and ''Saath Saath'' (1982), and TV serials Mirza Ghalib (1988) and Kahkashan (1991), Jagjit Singh is considered to be the most successful ghazal singer and composer of all time, in terms of both critical acclaim and commercial success. With a career spanning over five decades and a repertoire comprising 80 albums the range and breadth of his work has been regarded as genre-defining. He is the only composer and singer to have composed and recorded songs written by Prime Minister - Atal Behari Vajpayee, also a critically acclaimed poet - in two albums, ''Nayi Disha'' (1999) and ''Samvedna'' (2002). India's current Prime Minister Manmohan Singh and his wife Gursharan Kaur are known to be his avid admirers.

On May 10, 2007, in a milestone joint session held in the historic Central Hall of India's Parliament (Sansad Bhawan), Jagjit Singh rendered the last Moghul Emperor, Bahadur Shah Zafar's famous ghazal ''"Lagta nahin hai dil mera"'' to commemorate the 150th anniversary of India's First War of Independence (1857). President A P J Abdul Kalam, Prime Minister Manmohan Singh, Vice-President Bhairon Singh Shekhawat, Lok Sabha Speaker Somnath Chatterjee, Congress President Sonia Gandhi and dignitaries including former Prime Ministers, Members of Parliament, Foreign Ambassadors and High Commissioners were in attendance.

Jagjit Singh is the first Indian composer, and together with his wife Chitra Singh the first recording artist in the history of Indian music to use digital multi-track recording for their (India's first digitally recorded) album, ''Beyond Time'' (1987). He is regarded as one of India's most influential artistes. Together with sitar legend Ravi Shankar and other leading figures of Indian classical music and literature, Singh has voiced his concerns over politicisation of arts and culture in India and lack of support experienced by the practitioners of India's traditional art forms, particularly folk artists and musicians. He has lent active support to several philanthropic endeavors such as the library at St. Mary's School, Mumbai, Bombay Hospital, CRY, Save the Children and ALMA.

Early years and background

Jagjit Singh was born in Sri Ganganagar, Rajasthan to Amar Singh Dhiman, a government employee, a native of Dalla village in Punjab (India) and his mother, Bachan Kaur from Ottallan village, Samrala. He had four sisters and two brothers and he is known as Jeet by his family. He was raised as a Sikh by religion.

He went to Khalsa High School in Sri Ganganagar and then studied science after matriculation at Government College, Sri Ganganagar and went onto graduate in Arts at DAV College, Jalandhar. He is a post-graduate in history from Kurukshetra University in Haryana.

His association with music goes back to his childhood. He learnt music under Pandit Chaganlal Sharma for two years in Ganganagar, and later devoted six years to learning Khayal, Thumri and Dhrupad forms of Indian Classical Music from Ustad Jamaal Khan of the Sainia Gharana school.

Career

Early career

The Vice-Chancellor of Punjab University and Kurukshetra University, Late Professor Suraj Bhan encouraged his interest in music. He arrived in Mumbai in 1965 in search of better opportunities for being a musician and singer. His early struggle in the music industry, though not too harsh by his own account, still had its share of trials and tribulations. He lived as a paying guest and his earlier assignments were singing advertisement jingles or performing at weddings and parties.

First Entry Into Movies

Jagjit Singh was first offered to sing in a Gujarati Film. "Dharati Na Chhoru" produced by Mr. Suresh Amin, famously known by Jagjit Singh as "Jholi Vaaley Baba" : known so, because he carried a Red Shoulder Bag wherever he went. Mr Suresh Amin was from Baroda-Gujarat and was associated with Scad Consultants Pvt Ltd. When, Mr Suresh Amin died in 1998 and Scad Consultants, Baroda, Organized a Live Concert by Jagjit singh in December 1998 - Jagjit Singh [Famously Called by friends as Maharaj] paid a special Tribute to Mr Suresh Amin and dedicated the Scad Consultants Concert to Mr Suresh Amin by Singing the song " Chitthi Na Koi Sandesh ", the perfect song to match his unawareness of Suresh Amin's Death.

Rise to fame

During 1970s, the art of ghazal singing was dominated by well-established names like Noor Jehan, Malika Pukhraj, Begum Akhtar, Talat Mahmood and Mehdi Hassan. However, he was able to make his mark and carve out a niche for himself. In 1976, his album ''The Unforgetables'' (On HMV LP Records) hit music stores. Essentially a ghazal album, its emphasis on melody and Jagjit's fresh voice was a departure from the prevalent style of ghazal rendition, which was heavily based on classical and semi-classical Indian music. Skeptics had their own reservations, purists scorned it but it was widely successful among listeners and the album set new sales records.

In 1967, Jagjit met Chitra, also a singer. After a two year courtship they got married (1969). They epitomize the first successful husband-wife singing team. Jagjit and Chitra Singh have made immense contributions to 'Ghazal' music and the Indian music industry in general.

Successful releases of the duo include ''Ecstasies'', ''A Sound Affair'' and ''Passions''. While these albums were breezy, ''Beyond Time'' released in the opening years of 1990s was an experimentation with sounds and conveyed a feeling that was beyond space and time.

Around this time the duo was struck by grief, when their only son, Vivek (21), met an untimely death in a road accident on 28 July 1990. Their subsequent album 'Someone Somewhere' was the last album with ghazals sung by both. The album is a tour of the soul, ethereal, conscientious and introspective. These ghazals have a moving quality to them since they embody a feeling of deep personal loss. After that Chitra Singh quit singing.

Jagjit Singh's later albums, including ''Hope'', ''In Search'', ''Insight'', ''Mirage'', ''Visions'', ''Kahkashan'' (meaning "Galaxy"), ''Love Is Blind'', ''Chirag'' (meaning "Lamp"/"Flame") also achieved success. ''Sajda'' (an Urdu word meaning "prostration"), which has ghazals sung by Jagjit and Lata Mangeshkar was another brilliant release and made its mark as a classic Ghazal album. The combined successes of his many albums made him the number one ghazal singer in India. The audience wanted more and Jagjit Singh obliged with his Punjabi albums. Ebullient, effervescent and bubbly, his Punjabi songs are pleasant as well as joyous. His enchanting ghazals use the choicest poetry by renowned poets including Mirza Ghalib, Firaq Gorakhpuri, Qateel Shifai, Shahid Kabir, Ameer Meenai, Kafeel Aazer, Sudarshan Faakir and Nida Fazli, and contemporary writers like Zaka Siddiqi, Nazir Bakri, Faiz Ratlami and Rajesh Reddy.

Jagjit also sang (as playback singer) for various songs in Bollywood films including ''Arth'', ''Saath Saath'', and ''Premgeet'' (all from 1980s). These scores remain popular even today. In fact, all the songs of film ''Premgeet'' were composed by Jagjit. His compositions for the TV serial ''Mirza Ghalib'' (based on the life of the poet Mirza Ghalib), remain extremely popular among ghazal aficionados. The exclusive element of Ghalib's poetry was sensitively and wonderfully brought out in the soulful compositions of Ghalib's ghazals by Jagjit Singh. The album could veritably be called a magnum opus.

Compared to his earlier ghazals (sung during 70s and 80s) his later ghazals have acquired a more soulful and poignant demeanour, as in albums such as ''Marasim'', ''Face To Face'', ''Aaeena'', ''Cry For Cry''. But all through this, romance never took a backseat! The journey to the soul is punctuated by romantic pauses like ''Dil Kahin Hosh Kahin''. A testimony to his popularity is his ghazals in recent Bollywood flicks like ''Dushman'', ''Sarfarosh'', ''Tum Bin'' and ''Tarkeeb''.

Most of the earlier albums of Jagjit Singh had English titles. Later, these had Urdu names like ''Sahar'' (meaning "Dawn"/"Morning"), ''Muntazir'' (meaning "In waiting"), ''Marasim'' (meaning "Relation"/"Relationship"/"Affinity" ), and "Soz" (meaning Pathos). The switchover may not be deliberate but marks a milestone in his singing. These new albums show a far better selection of lyrics and his singing has scaled new peaks.

Besides ghazals, Jagjit Singh has also sung Bhajans and Gurbani (Hindu and Sikh devotional hymns respectively). Albums such as ''Maa'', ''Hare Krishna'', ''Hey Ram...Hey Ram'', ''Ichhabal'' and also ''Man Jeetai Jagjeet'' in Punjabi, put him in the league of Bhajan singers such as Mukesh, Hari Om Sharan, Yesudas, Anup Jalota and Purushottam Das Jalota. The soothing effect that Jagjit's voice has on frayed nerves has prompted psychiatrists in metros (as large cities in India are called) to prescribe them as stress relievers.

Influence

Jagjit Singh is accredited with bringing the ghazal genre, which was previously restricted to the elite classes, to the masses. His music direction can be seen to be pioneering in changing the sound layout by adding more Western instruments while mostly retaining the traditional orchestra (which includes a tablaa, dholak, bongos, sitar, sarod, santoor, flute, and harmonium, and a couple of string instruments]. Jagjit Singh is also nicknamed Ghazaljeet Singh.

Jagjit Singh is accredited with finding a famous singer of modern times Kumar sanu. Sanu himself confessed that Jagjit singh offered him the first chance to sing.

Jagjit Singh voiced his opinion against artists from Pakistan being allowed to sing in India, when Pakistan refuses to reciprocate the gesture.

In addition to cultivating his own successful career, Jagjit Singh has been involved in guiding many new, talented singers such as Abhijeet, Talat Aziz, Ghanshyam Vaswani, Ashok Khosla, Siza Roy, Vikram Singh, and Vinod Sehgal. He also lends active support to several philanthropic endeavors such as the Library at St. Mary's (Mumbai), Bombay Hospital, CRY, and ALMA (an organization that adopts under-privileged students for further education and development). He assisted Peta India in asking the Minister of Railways to enforce speed restrictions to prevent further elephant deaths from collisions with speeding trains.

Personal life

Jagjit Singh married the popular singer Chitra Singh in 1969. They live in Vivek Singh Lane (a road dedicated to their son) on Breach Candy in Mumbai. Their only son, Vivek, died in a road accident in the early 1990s.

In January 1998, Jagjit Singh had his heart attack, which led him to quit smoking. In October 2007, he was hospitalized following blood circulation problems.

Music career

Ghazals

There are many successful ghazals composed by Jagjit Singh. Some of them are listed below:-

Yaarian Rab Kar Ke (Sang for Shiv K. Batalvi)

Umr Jalwon mein basar ho

Der lagi aane mein tumko

Apni aankho ke samundar mein utar jaane de

Koi paas aayaa sawere-sawere

Apne hothon par sajaana chaahta hoon

Meri zindagi kisi aur ki, mere naam ka koi aur hai

Apne haathon kee lakeeron mein

Sadma to hai mujhe bhi ke tujhse juda hoon main

Aadmi aadmi ko kya degaa

Haath chhooten bhi to

Garaj baras pyaasi dharthi par phir paani de maula

Apni marzi se kahan apne safar ke hum hain

Ik barahman ne kaha hai

Main na hindu na musalmaan mujhe jeene do

Kaise kaise haadse sehte rahe

Wo jo hum mein tumme qaraar tha

Patta-patta boota-boota haal hamaara jaane hai

Chak jigar ke see lete hain

Main bhool jaaoon tumhe, ab yahi munaasib hai

Jaate jaate wo mujhe achchhi nishaani de gaya

Shaam se aankh mein namin si hai

Tere baare mein jab socha nahin thaa

Tere aane ki jab khabar mehke

Tamanna fir machal jaaye agar tum milne aa jaao

Ab main ration ki kataron mein nazar aata hoon

Tujhse milne ki saza denge tere shehar ke log

Patthar ke khuda, patthar ke sanam

Huzoor aapka bhi ahtraam karta chaloon

Din aa gaye sabaab ke aanchal sambhaaliye

Gulshan ki faqat phoolon se nahin kaaton se bhi zeenat hoti hai

Baat saaqi ki na taali jaayegi

Roshan jamal-e-yaar se hai anjuman tamaam

Tera chehra kitna suhaana lagta hai

Tum nahin, gham nahin sharaab nahin

Sarakti jaaye hain rukh se naqaab aahistaa-aahista

Ae khuda ret ke sehra ko samandar kar de

Yeh daulat bhi le lo, yeh shohrat bhi le lo

Hoshwalo ko khabar

Honthon se chhoo lo tum

Koi yeh kaise bataye

Tere khat

Bahut khoobsurat hai

Kiska Chehera

Kal chodvi ki raat thi

Baat niklegi to

Der laagi ane mein tumko

Main nashe mein hoon

Pyar mujhse jo kiya tumne

Tera chehera hai aaeene jaisa

Chitthi na koi sandesh

Tum itna jo muskura rahe ho

Jab se kareeb ho kay chale zindagi se hum

Koi fariyaad

Kahin duur jab din

Kehta hai baabul

Jhuki jhuki si nazar

Tumko dekha to yeh khayal

Sehma sehma

Yaad kiya dil ne kaha ho tum

Aap ko dekh kar

Jab saamne tum

Hazaron khwaishe aisi

Ya to mit jaaeeye ya mita deejiye

Tere aane ki jab khabar mehke

woh khat ke purje jala raha tha

tum ye kaise khafa ho gaye

hum to hai perdes mein desh mein

Jeevan Maran Chhe Ek (in Gujarati)

Woh kaaghaz ki kashti

Badi Najuk he ye manzil mohabbat ka safar he

Awards

In 2003, he was awarded the Padma Bhushan, one of India's highest civilian honours, by the Government of India

In 2006, he was presented the Teacher's Achievement Awards

Discography

Song for films

Film Name !! Year !! Details
Dear Friend Hitler	2011	"''Har or tabahi ka manzar''"
Pyar Kare Dis : Feel The Power of Love	2007
Umar	2006
Kasak	2005
Dhoop''	2003
Joggers' Park	2003
Aapko Pehle Bhi Kahin Dekha Hai	2003
Leela	2002
Vadh	2002
Deham	2001
Tum Bin	2001
Tarkieb	2000
Shaheed Udham Singh	2000
Bhopal Express	1999
Sarfarosh	1999
Dushman	1998
Khudai	1994
Mammo	1994
Khal Nayak	1993
Nargis	1992
Billoo Badshah	1989
Aakhri Kahani	1989
Doosra Kanoon	1989
Kaanoon Ki Awaaz	1989
Mirza Ghalib	1988
Rahi	1987
Aashiana	1986
Long Da Lishkara	1986
Phir Aayee Barsat	1985
Ravan	1984
Bahuroopi	1966
Bhavna	1984
Kalka	1983
Tum Laut Aao	1983
Zulf Ke Saye Saye	1983
Arth (film)	Arth	1982
Saath Saath	1982
Sitam	1982
Prem Geet	1981
Ek Baar Kaho	1980
Griha Pravesh	1979
Avishkaar	1973
Heena	1999
Neem Ka Ped	1994
Hello Zindagi	19**

Ghazal albums

The Unforgettables (1976)

Birha Da Sultan(Shiv Kumar Batalvi) Jagjit & Chitra (1978

Live in Pakistan (1979)

A Milestone (1980)

Main aur Meri Tanhaayee (1981)

The Latest (1982)

Ae mere Dil (1983)

Live at Royal Albert Hall ª(1983)

Ecstasies (1984)

A Sound Affair (1985)

Echoes (1985–86)

Beyond Time (1987)

Mirza Ghalib (Two Volumes) (1988), TV Serial Directed by Gulzar

Passion / Black Magic (1988)

Ghazals from Films (1989)

Emotions

Man Jite Jagjit (1990)

Memorable Ghazals of Jagjit and Chitra (1990)

Someone Somewhere (1990)

H O P E (1991)

Sajda (Two Volumes with Lata Ji) (1991)

Kahkashan (Two Volumes) (1991–92), TV Serial Directed by Jalal Agaa

Visions (Two Volumes) (1992)

In Search (1992)

Rare Gems (1992)

Face to face (1993)

Your Choice (1993)

Chiraag (1993)

Desires (1994)

Insight (1994)

Cry for Cry (1995)

Mirage

Unique (1996)

Come Alive in a Concert (1998 (CD))

Live at the Wembley

Love is Blind (1998)

Silsilay (1998) (Lyrics by Javed Akhtar)

Marasim (1999) (Lyrics by Gulzar)

jaam utha(1999)

Saher (2000)

Samvedna 2002 (Atal Behari Vajpayee's poetry))

Soz (2002) (Lyrics by Javed Akhtar)

Forget Me Not (2002)

Muntazir (2004)

Jeevan Kya Hai (2005)

Tum To Nahin Ho (Lyrics by Bashir Badr) (2005)

Life Story (2006)

Best of Jagjit & Chitra Singh (includes Mere Darwaaze Se Ab Chand Ko Ruksat Kar do by Ali Sardar Jaffrey)

Koi Baat Chale (Lyrics by Gulzar)

Jazbaat(2008)

Inteha (2009)(Promoted on Banoo Main Teri Dulhann)

Aeena (2009)

Vakratunda Mahakaya (2009)

His Nepali Ghazal 'Kun Maya Sadar Bho, Mero maya badar bho...' [which love has been granted, my love has been disproved]is a big hit... some other songs in the same album is romantic song which is 'not his type'sung with Sadhana Sargam. though his nepali pronunciation in romantic songs are not perfect still worth listening.

Vakratunda Mahakaya

The album Vakratunda Mahakaya was released on December 4, 2009 and was published by Times Music, a subsidiary of The Times Group. The album contained 3 tracks, each about 30min in length.

Tracks

Vakratunda Mahakaya

Om Gam Ganapatayenamah

Jai Ganesh Deva - Aarti

All three tracks are composed of multiple layers of Jagjit's voice with a subtle Tabla rhythm in the background to produce a powerful, transcendental tone to the music.

Trivia

The album 'Beyond Time' is the first digitally recorded album of India.It was recorded in the studio 'Western outdoor' by sound recordists duo 'Daman Sood and Avinash Oak.

References

External links

Jagjit Singh's Official website

IMDB entry

Twitter

Article on the Genius of Jagjit Singh in Asian Lite Magazine by Sreeram Chaulia

Review of Jagjit Singh's Biography, ''Beyond Time'', in Asia Times by Sreeram Chaulia

Jagjit Singh Lyrics and Translations

Bazm-E-Jagjit

Jagjit Singh Albums and Lyrics

Ghazal singer Jagjit Singh in Dulhann

Dollar Mehta does a PhD on Jagjit-Singh

Category:1941 births Category:Living people Category:Indian composers Category:Indian ghazal singers Category:Indian Sikhs Category:Recipients of the Padma Bhushan Category:People from Sri Ganganagar district

gu:જગજીત સિંઘ hi:जगजीत सिंह kn:ಜಗಜಿತ್ ಸಿಂಗ್ pa:ਜਗਜੀਤ ਸਿੰਘ ps:جګجيت سنګهـ pt:Jagjit Singh te:జగ్జీత్ సింగ్ ur:جگجیت سنگھ