The English term "poet" is derived from the Latin first-declension masculine noun "poeta, poetae" (literally meaning "poet, of the poet").
French poet Arthur Rimbaud summarized the "poet" by writing,
A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes all men: the great invalid, the great criminal, the great accursed—and the Supreme Scientist! For he attains the unknown! Because he has cultivated his soul, already rich, more than anyone! He attains the unknown, and, if demented, he finally loses the understanding of his visions, he will at least have seen them! So what if he is destroyed in his ecstatic flight through things unheard of, unnameable: other horrible workers will come; they will begin at the horizons where the first one has fallen!Although that is only one opinion of many on a poet's definition.
Category:Literature Category:Spoken word
an:Poeta az:Şair be:Паэт bg:Поет ca:Poeta cv:Сăвăç cy:Bardd da:Digter de:Poet et:Luuletaja el:Ποιητής es:Poeta fa:شاعر fr:Liste chronologique de poètes gd:Bàrd ko:시인 hi:कवि ilo:Mannaniw id:Penyair is:Skáld it:Poeta he:משורר ku:Helbestvan hu:Költő mg:Poeta ml:കവി nl:Dichter ja:詩人 no:Poet mhr:Почеламутчо ru:Поэт sa:काव्यम् simple:Poet sk:Básnik sl:Pesnik so:Abwaan fi:Runoilija sv:Poet th:กวี tr:Şair tk:Şahyr uk:Поет ur:شاعر vec:Poeta yi:דיכטער zh:诗人This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Saul Williams |
---|---|
Background | solo_singer |
Birth name | Saul Stacey Williams |
Born | February 29, 1972 |
Genre | Hip hop, Spoken word, poetry, electronic, Industrial hip hop |
Occupation | PoetWriterSingerMusicianActorVoice Actor |
Instrument | Vocals |
Associated acts | Trent Reznor, Serj Tankian, Zack de la Rocha, Thavius Beck, Atari Teenage Riot, Buckethead |
Website | Official Site }} |
Williams and artist Marcia Jones began their relationship in 1995 as collaborative artists on the Brooklyn performance art and spoken word circuit. Their daughter, Saturn, was born in 1996. His collection of poems ''S/HE'' is a series of reflections on the demise of the relationship. [Marcia Jones], a visual artist and art professor, created the cover artwork for The Seventh Octave, images through-out S/HE in response to Williams, and set designed his 2001 album ''Amethyst Rock Star''. Saturn has recently been performing with her father on his 2008 concert tour .
On his 36th birthday, February 29, 2008, Williams married his girlfriend of five years, actress Persia White. Williams met White in 2003 when he made a guest appearance on the TV show ''Girlfriends'' as a poet named Sivad. (1993). On January 17, 2009, White announced via her MySpace blog that she and Williams were no longer together.
Williams is a vegan.
The following year, Williams landed the lead role in the 1998 feature film ''Slam.'' Williams served as both a writer and actor on the film, which would win both the Sundance Festival Grand Jury Prize and the Cannes Camera D'Or (Golden Camera) and serve to introduce Williams to international audiences.
Williams was at this time breaking into music. He had performed with such artists as Nas, The Fugees, Christian Alvarez, Blackalicious, Erykah Badu, KRS-One, Zack De La Rocha, De La Soul, and DJ Krust, as well as poets Allen Ginsberg and Sonia Sanchez. After releasing a string of EPs, in 2001 he released the LP ''Amethyst Rock Star'' with producer Rick Rubin and in September 2004 his self-titled album to much acclaim. He played several shows supporting Nine Inch Nails on their European tour in summer 2005, and has also supported The Mars Volta.
Williams was also invited to the Lollapalooza music festival in Summer 2005. The Chicago stage allowed Williams to attract a wider audience. He also appeared on NIN's album ''Year Zero'', and supported the group on their 2006 North American tour. On the tour Williams announced that Trent Reznor would co-produce his next album.
This collaboration resulted in 2007's ''The Inevitable Rise and Liberation of NiggyTardust!''. This album was available only at the website niggytardust.com until a physical CD of the album was issued. The physical release included new tracks and extended album artwork. The first 100,000 customers on the website had the option to download a free lower-quality audio version of the album. The other option was for users to pay $5 to support the artist directly and be given the choice of downloading the higher-quality MP3 version or the lossless FLAC version. The material has been produced by Trent Reznor and mixed by Alan Moulder. It was Reznor who said that, after his own recent dealings with record labels, they should release it independently and directly.
As a writer, Williams has been published in ''The New York Times'', ''Esquire'', ''Bomb Magazine'' and ''African Voices'', as well as having released four collections of poetry. As a poet and musician, Williams has toured and lectured across the world, appearing at many universities and colleges. In his interview in the book, ''Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam'', Williams explained why he creates within so many genres, saying:
Williams is a vocal critic of the War on Terrorism and the wars in Iraq and Afghanistan; among his better-known works are the anti-war anthems "Not In My Name" and "Act III Scene 2 (Shakespeare)". In early 2008, a Nike Sparq Training commercial featured Williams' song "List of Demands (Reparations)".
In a November 2008 interview with Wired.com, Williams talked about his forthcoming projects:
In January 2009, he released "NGH WHT - The Dead Emcee Scrolls with The Arditti Quartet", a reading of his 2006 poetry book of the same name. This collaboration with Thomas Kessler (who also set '',said the shotgun to the head'' to music) is released with two payment options: listeners may download Chapters 18-22 of the 27-minute composition for free (in mp3 format), or for $6, can download the entire 33-chapter composition in lossless .aif format, along with the isolated vocal and quartet multitrack stems. The entire paid download totals in size at 563 Megabyte.
He currently resides in Paris, France.
Saul has recently released a new song 'Explain My Heart' from his forthcoming album Volcanic Sunlight. Williams showcased the album at London's Hoxton Bar Kitchen on January 26, 2011. Livemusic.fm interviewed Williams on the evening and made a subsequent film. Artist Alex Templeton-Ward produced the film. When Williams was asked what the point of poetry was he said "I'm making this up, I have no idea but here we go, I think that it would be to express, to share, to relieve, to explore", "for me poetry offers some what of a cathartic experience. I am able to move through emotions and emotional experience particularly, you know, break-ups, difficulties in all the things that I may face, whether that is with an industry or a loved one or whomever, there needs to be an infiltration process, like you have a window open over there. That is the purpose of poetry - it is the window that opens that allows some air in, some other insight, some other possibility so we can explore all that we feel, all that we think but with the space to see more than what we know, because there is so much more than we know.", "If I didn't open myself to the possibilities of the unknown then I would be lost."
Category:1972 births Category:African American actors Category:African American musicians Category:African American poets Category:African American performance poets Category:American activists Category:American anti–Iraq War activists Category:American film actors Category:American poets Category:American rappers Category:American television actors Category:American vegans Category:Anti-corporate activists Category:Copyright activists Category:Integral art Category:Living people Category:Morehouse College alumni Category:Actors from New York Category:Musicians from New York Category:People from Newburgh, New York Category:Slam poets Category:Urban fiction Category:American spoken word artists
cs:Saul Williams de:Saul Williams es:Saul Williams fr:Saul Williams it:Saul Williams hu:Saul Williams no:Saul Williams pl:Saul Williams pt:Saul Williams ru:Уильямс, Сол sv:Saul WilliamsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Mills grew up in Verdun, Quebec and started playing piano at age 3. He attended McGill University for five years. He started in Engineering, switched to a B.Sc. programme, then Arts and finally with the Department of Music. He entertained his fraternity brothers (Delta Upsilon) with songs from ragtime to a new artist Bob Dylan. The fraternity piano had thumbtacks on every hammer and produced a unique sound. In the late 1960s became a member of The Bells. He left the band in 1971 just before it had international success with the single "Stay Awhile."
Mills worked as a pianist for CBC-TV and recorded his first solo album, ''Seven Of My Songs'', which produced the hit single "Love Me, Love Me Love." The song made its debut on the Canadian charts in October 1971 and early the following year peaked at #46 on the Billboard Hot 100 and #8 on Billboard's Easy Listening chart His followup single, a cover of Ricky Nelson's "Poor Little Fool" made Top 25 in Canada but stalled at #106 in the U.S.
Mills released an album in 1974 that featured "Music Box Dancer", but it was not a hit initially. When he re-signed with Polydor Records Canada in 1978, the label released a new song as a single, with "Music Box Dancer" on the B-side. The single was sent to easy listening stations in Canada, but a copy was sent in error to CFRA-AM, a pop station in Ottawa. The program director played the A-side and couldn't figure out why it had been sent to his station, so he played the B-side to see if the record was mistakenly marked. He liked "Music Box Dancer" and added it to his station's playlist, turning the record into a Canadian hit. Iconic Ottawa Valley radio personality Dave "50,000" Watts gave the record extensive airplay on the station. The album went gold in Canada, which prompted Polydor in the US to release the album and single.
In Nashville, news producer Bob Parker at WNGE-TV began playing the song over the closing credits of the newscast. Nashville DJs quickly latched on and both the single and album were hits. The million-selling Gold-certified single reached #3 on the Billboard Hot 100 in the spring of 1979 as well as #4 on the Billboard Easy Listening chart, while the album reached #21 on the Billboard Top Album chart and also went gold. Polydor awarded a gold record to TV station WNGE for breaking the single in the U.S.
It was Mills' only U.S. Top 40 pop hit; the follow-up, another piano instrumental titled "Peter Piper", peaked at #48 on the Billboard Hot 100 although it was a popular Top 10 hit on the Billboard Adult Contemporary chart. Mills managed one final Adult Contemporary chart entry, "Happy Song", which peaked at #41 at the beginning of 1981.
Mills won two Juno Awards in 1980 for "Peter Piper", one for Composer of the Year and one for Instrumental Artist of the Year. He again won in the latter category in 1981.
He continued to release albums until the early 1990s, and in 2010 announced a Christmas tour with Canadian singer Rita MacNeil.
"Music Box Dancer" has been heard on an episode of ''The Simpsons'' and in the ''Kill Bill'' movies. It was used as the theme tune to the BBC2 golf programme, ''A Round with Alliss''.
There is a song in the musical ''Hair'' called Frank Mills, although the number has nothing to do with this artist.
Category:Living people Category:Canadian pop pianists Category:1942 births Category:Juno Award winners
de:Frank Mills fr:Frank Mills it:Frank Mills ja:フランク・ミルズ pt:Frank MillsThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | John Ashbery |
---|---|
birth date | July 28, 1927 |
birth place | Rochester, New York, USA |
occupation | Poet, Professor |
nationality | American |
period | 1949- |
movement | Surrealism |
notableworks | Self-Portrait in a Convex Mirror |
awards | Pulitzer Prize for Poetry, National Book Award, National Book Critics Circle Award, Guggenheim Fellowship |
partner | David Kermani }} |
"No figure looms so large in American poetry over the past 50 years as John Ashbery," Langdon Hammer, chairman of the English Department at Yale University, wrote in 2008. "[N]o American poet has had a larger, more diverse vocabulary, not Whitman, not Pound." Stephen Burt, a poet and Harvard professor of English, has compared Ashbery to T. S. Eliot, the "last figure whom half the English-language poets alive thought a great model, and the other half thought incomprehensible".
After working as a copywriter in New York from 1951 to 1955, from the mid-1950s, when he received a Fulbright Fellowship, through 1965, Ashbery lived in France. He was an editor of the 12 issues of ''Art and Literature'' (1964–67) and the ''New Poetry'' issue of Harry Mathews's ''Locus Solus'' (# 3/4; 1962). To make ends meet he translated French murder mysteries, served as the art editor for the European edition of the ''New York Herald Tribune'' and was an art critic for ''Art International'' (1960–65) and a Paris correspondent for ''Art News'' (1963–66), when Thomas Hess took over as editor. During this period he lived with the French poet Pierre Martory, whose books ''Every Question but One'' (1990), ''The Landscape Is behind the door'' (1994) and ''The Landscapist'' he has translated (2008), as he has Jean Perrault (''Camouflage''), Max Jacob (''The Dice Cup''), Pierre Reverdy and Raymond Roussel. After returning to the United States, he continued his career as an art critic for ''New York'' and ''Newsweek'' magazines while also serving on the editorial board of ''ARTNews'' until 1972. Several years later, he began a stint as an editor at ''Partisan Review'', serving from 1976 to 1980.
During the fall of 1963, Ashbery became acquainted with Andy Warhol at a scheduled poetry reading at the Literary Theatre in New York. He had previously written favorable reviews of Warhol's art. That same year he reviewed Warhol's ''Flowers'' exhibition at Galerie Illeana Sonnabend in Paris, describing Warhol's visit to Paris as "the biggest transatlantic fuss since Oscar Wilde brought culture to Buffalo in the nineties." Ashbery returned to New York near the end of 1965 and was welcomed with a large party at the Factory. He became close friends with poet Gerard Malanga, Warhol's assistant, on whom he had an important influence as a poet.
In the early 1970s, Ashbery began teaching at Brooklyn College, where his students included poet John Yau. He was elected a Fellow of the American Academy of Arts and Sciences in 1983. In the 1980s, he moved to Bard College, where he was the Charles P. Stevenson, Jr., Professor of Languages and Literature, until 2008, when he retired; since that time, he has continued to win awards, present readings, and work with graduate and undergraduates at many other institutions. He was the poet laureate of New York state from 2001 to 2003, and also served for many years as a chancellor of the Academy of American Poets. He serves on the contributing editorial board of the literary journal ''Conjunctions''. He was a Millet Writing Fellow at Wesleyan University, in 2010, and participated in Wesleyan's Distinguished Writers Series. Ashbery lives in New York City and Hudson, New York, with his partner, David Kermani.
His subsequent collection, the more difficult ''Houseboat Days'' (1977), reinforced Ashbery's reputation, as did 1979's ''As We Know,'' which contains the long, double-columned poem "Litany." By the 1980s and 1990s, Ashbery had become a central figure in American and more broadly English-language poetry, as his number of imitators evidenced. His own poetry was accused of a staleness in this period, but books like ''A Wave'' (1985) and the later ''And the Stars Were Shining'' (1994), particularly in their long poems, show the unmistakable originality of a great poet in practice.
Ashbery's works are characterized by a free-flowing, often disjunctive syntax; extensive linguistic play, often infused with considerable humor; and a prosaic, sometimes disarmingly flat or parodic tone. The play of the human mind is the subject of a great many of his poems. Ashbery once said that his goal was "to produce a poem that the critic cannot even talk about." Formally, the earliest poems show the influence of conventional poetic practice, yet by ''The Tennis Court Oath'' a much more revolutionary engagement with form appears. Ashbery returned to something approaching a reconciliation between tradition and innovation with many of the poems in ''The Double Dream of Spring'', though his ''Three Poems'' are written in long blocks of prose. Although he has never again approached the radical experimentation of ''The Tennis Court Oath'' poems or "The Skaters" and "Into the Dusk-Charged Air" from his collection ''Rivers and Mountains,'' syntactic and semantic experimentation, linguistic expressiveness, deft, often abrupt shifts of register, and insistent wit remain consistent elements of his work.
Ashbery's art criticism has been collected in the 1989 volume ''Reported Sightings, Art Chronicles 1957-1987'', edited by the poet David Bergman. He has written one novel, ''A Nest of Ninnies'', with fellow poet James Schuyler, and in his 20s and 30s penned several plays, three of which have been collected in ''Three Plays'' (1978). Ashbery's Charles Eliot Norton Lectures at Harvard University were published as ''Other Traditions'' in 2000. A larger collection of his prose writings, ''Selected Prose'' and his poetry volume ''Where shall I wander?'' appeared in 2005. In 2008, his ''Collected Poems 1956–1987'' was published as part of the Library of America series.
This past October, the Library of America released John Ashbery’s ''Collected Poems (1956–1987)'', making him the first living poet to be “canonised” in the series. It is a fitting honour for a man whose decades-long reign as one of the high priests of the contemporary American poetry scene has always been something of a paradox. Having received nearly every major award for achievement in the humanities, he continues to incite considerable debate as to whether his poems “mean” anything at all. To read an Ashbery poem with the intent to explicate in the traditional sense is to make a daring, perhaps foolhardy, leap of semantic faith.
Category:American poets Category:Members of the American Academy of Arts and Letters Category:Columbia University alumni Category:People from Manhattan Category:New York University alumni Category:Harvard University alumni Category:MacArthur Fellows Category:Gay writers Category:Deerfield Academy alumni Category:LGBT writers from the United States Category:1927 births Category:Living people Category:New York School poets Category:Wesleyan University people Category:National Book Award winners Category:Pulitzer Prize for Poetry winners Category:Bard College faculty Category:Fellows of the American Academy of Arts and Sciences Category:Postmodern writers
bg:Джон Ашбъри ca:John Ashbery de:John Ashbery el:Τζον Άσμπερυ es:John Ashbery fr:John Ashbery it:John Ashbery ja:ジョン・アッシュベリー no:John Ashberry pl:John Ashbery ru:Эшбери, Джон sk:John Ashbery fi:John Ashbery sv:John AshberyThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Kooser lives in Garland, Nebraska, and much of his work focuses on the Great Plains. Like Wallace Stevens, Kooser spent much of his working years as an executive in the insurance industry, although Kooser sardonically noted in an interview with the ''Washington Post'' that Stevens had far more time to write at work than he ever did. Kooser has won two NEA Literary Fellowships (in 1976 and 1984), the Pushcart Prize, the Nebraska Book Awards for Poetry (2001) and Nonfiction (2004), the Stanley Kunitz Prize (1984), the James Boatwright Prize, and the Pulitzer Prize for Poetry (2005).
He hosts the newspaper project "American Life in Poetry."
Category:1939 births Category:Living people Category:American poets Category:American Poets Laureate Category:Writers from Iowa Category:Writers from Nebraska Category:People from Ames, Iowa Category:People from Lincoln, Nebraska Category:Pulitzer Prize for Poetry winners Category:University of Nebraska–Lincoln alumni Category:People from Seward County, Nebraska Category:Iowa State University alumni
de:Ted Kooser he:טד קוסרThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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