Mandopop () is a colloquial abbreviation for ''"
Mandarin popular music."'' It is categorized as a
subgenre of commercial
Chinese-language music within
C-pop. Mandopop was the first variety of popular music in Chinese to establish itself as a viable
industry. As the name implies, Mandopop features songs performed mainly in
Mandarin Chinese. Consumers of the music include fans, especially Mandarin speakers, in
China,
Malaysia,
Singapore,
Taiwan,
Japan and
other countries.
History
Origin
The origin of commercial Chinese-language music began with the
gramophone, a technological innovation brought to Tibet Road in
Shanghai by a Frenchman named Labansat.
Baak Doi () was the first record company to serve as the backbone for the young industry.
1920s: Birth of shidaiqu
Mandarin pop songs in the 1920s were called
shidaiqu (時代曲 - meaning music of the time, thus popular music). They are considered the prototype of any Chinese pop song. Location-wise, Shanghai was the center and quintessential hub for mandopop.
Li Jinhui is generally regarded as the "Father of Chinese Popular Music", having established the genre in the 1920s.
Buck Clayton, the
American jazz musician, also worked alongside Li. Some music enthusiasts suggest that Shidaiqu is the basic form of all Mandarin pop songs up until the transition to
Cantopop. The
Bright Moonlight Song and Dance Troupe (明月歌舞团), established by Li, is also the first modern musical division to be integrated into the
Lianhua Film Company in 1931, making it the first pop music division to enter any
Chinese film industry.
1930s–1940s: The Seven Great Singing Stars era
The original "
Seven Great Singing Stars" in the
Republic of China period secured the place of the genre in Asian society. The singers' style was unlike any Chinese-language music that had come before it. The young
film industry took advantage and engaged singers for acting and soundtrack roles.
Zhou Xuan ()is generally considered the most remarkable Chinese pop star of the era due to her successful singing and film career. This generation saw female singers rise in popularity from "
song girls" to "stars". The era came to an abrupt end when Japanese armies occupied Shanghai during the
Second Sino-Japanese War and
World War II.
1950s: The split
In 1949, the
People's Republic of China was established by the
communist party. One of the first actions taken by the
government was to denounce popular music as
pornography. In the mainland, the communist regime would begin suppressing pop music in order to promote
revolutionary songs.
The Chinese Nationalists' retreat to Taiwan following the Chinese Civil War had established the Republic of China on Taiwan with its capital city Taipei as the new center of Mandopop. Taiwanese youth were drawn to popular styles from abroad in part because the Japanese, who had governed Taiwan since the end of the nineteenth century through World War II, were themselves keen consumers of international entertainment. Popular songs necessarily employed Mandarin after the war though, because Taiwan's new rulers, the KMT, mandated its use, forbidding Japanese and restricting the use of Taiwanese, the actual mother tongue of most of the island's residents. Where Taiwanese pop had existed in the shadow of Japanese pop during Japanese rule, it now operated in the shadow of Mandopop during KMT rule.
1960s: Political era
The 1960s was a highly politically tense era. Some songs in Taiwan such as "Not Going Home Today" (今天不回家) by Yao Surong (姚蘇蓉) were prohibited.
1970s–1980s: Rise of the industry
Mandopop became more popular within mainland China after
Deng Xiaoping opened China's doors to the world. As a result, more young people in China started to enjoy pop music.
In 1979, Singapore launched the Speak Mandarin Campaign to promote the use of Mandarin over the range of Chinese dialects spoken by various segments of the ethnic-Chinese population. Mandarin songs therefore began to replace Hokkien and Cantonese songs on the radio stations and on television.
Teresa Teng () made Mandopop a true mainstay by crossing over to mainland China. Even in the height of censorship, the mainland lifted the ban on Teng in 1986 and proclaimed that "By day, Deng Xiaoping rules China. But by night, Deng Lijun (Teresa Teng) rules". Her songs were considered "Bourgeois Music" by mainland officials.
The popularity of Lo Ta-yu () drove demand for the music to new heights. One of the most successful songs of the era was Lo Ta-yu's "Tomorrow will be Better" (明天會更好/明天会更好). The song was originally performed in 1985 by 60 singers. It quickly became a hit throughout Asia and established itself as a standard. Another song soon followed in 1986 in mainland China called "Let the World be filled with Love" (讓世界充滿愛). At the time, these songs were inspired by the American song "We Are the World".
1990s
Faye Wong (王菲) became the first Chinese singer to perform in
Budokan, Japan. For this reason she is also called the Diva of Asia.
During this period, singers from Hong Kong such as the Four Heavenly Kings - Aaron Kwok, Leon Lai, Andy Lau and Jacky Cheung - also began to dominate Mandopop. Nonetheless, Taiwan has their own popular singers such as Stella Chang, Sky Wu, Wakin Chau (formerly Emil Chau) and Jeff Chang. Rock Records began to emerge in this period as the most influential of the independent labels.
2000s
The 2000s began with an explosion of pop idols, mainly from
Taiwan. The growing
Mainland film industry also increased demand for Mandopop after decades of suppression.
Jay Chou led the popularity of
rhythm and blues and
rap music in the scene. Other successful singers include
Stefanie Sun,
David Tao,
Jolin Tsai and
Leehom Wang. Recent years also saw the rise in crossover appeal of Taiwanese
bubblegum pop boybands and girlbands to the Mainland Chinese scene, such as commercially successful acts like
S.H.E and
Fahrenheit (Taiwanese band). Nationwide singing competitions in the
People's Republic of China, such as the ''
Super Girl'', have greatly boosted Mandopop's influence. Mainland China has a large number of Mandopop singers as pop music becomes increasingly mainstream. Several new boybands have emerged in Mainland China during 2008-2009 like
Top Combine and HIT-5.
Cantopop stars are now also crossing over into the Mandopop industry in order to increase their fan base. After the introduction of S.H.E and Fahrenheit, others have followed such as
Channel V's
Lollipop F and
Hey Girl. They are backed by celebrity shows of their own.
Since the 2000s, the emergence of indie rock in Taiwan had exploded into a flourishing indie music scene in Taiwan, adding various new diversities into Mandopop. Entry of popular Taiwan-based rock bands such as Mayday and Sodagreen had brought a new phase of rock fusion into Mandopop.
In recent years, the burgeoning number of contests have brought an idol concept (偶像, ''ǒuxiàng'') to the Mandopop industry. In Taiwan, the term "quality idol" (優質偶像, ''yōuzhì ǒuxiàng'') has entered the popular lexicon, referring to Mandopop singers who are good-looking, talented and highly educated, among them Wang Leehom and Wei Li-an.
Characteristics
Instruments and setups
The
guqin and
pipa are some of the first instruments used during shidaiqu's early mandopop era. Today's mandopop arrangements are quite westernized, covering many musical styles, including
rhythm and blues, ballads,
Pop. A few Chinese pop musicians, most notably
Jay Chou,
Lin Jun Jie, and
Leehom Wang, have experimented with fusing traditional
Chinese instruments with western influences.
Influential artists like Leehom Wang and David Tao, who use both traditional Chinese instruments and mainstream western hip hop melodies, have influenced many Asian singers worldwide.
Industry
Mandopop stars
While
China has the largest Mandarin-speaking population,
Taiwan is the most significant hub of the genre. The trend is that most artists are branded by where they come from regardless of where they were actually marketed. Mandopop stars come mainly from Taiwan, Hong Kong, China, Singapore and Malaysia.
Labels
Mandopop
record labels includes independent labels such as JVR Music, Linfair Records, B'In Music and subsidiaries of major labels such as Sony Music Taiwan, Universal Music Taiwan, Warner Music Taiwan. In the past few years, mainland labels such as EE-Media, Huayi Brothers, Taihe Rye Music, Show City Times, Idol Entertainment, and Tian Hao Entertainment have also emerged.
Mainland China: EE-Media, Huayi Brothers, Taihe Rye Music, Show City Times, Idol Entertainment, TH Entertainment
Taiwan/Hong Kong: Rock Records, HIM International Music, Avex Taiwan, Gold Typhoon
Overseas
Mandopop titles are also available outside of Asia. Chinese communities established in North America have made Mandopop music accessible through local businesses. In the
United States,
Canada and
Australia they are easily found in many major urban areas, such as
San Francisco,
Los Angeles,
San Diego,
New York,
Seattle,
Houston,
Dallas,
Vancouver,
Toronto,
Sydney,
Brisbane,
Perth and
Melbourne.
Notable Artists
Male
{|
|valign=top|
A-do
Ah Niu
Alan Ke
Alec Su
Alex To
Alien Huang
Allen Su Xing
Amguulan
Anson Hu
Anthony Neely
Aska Yang
Blue J
Bii
Chen Chusheng
Chang Chen-yue
Chang Yu-Sheng
Chen Kun
Chyi Chin
|valign=top|
Danson Tang
David Tao
Evan Yo
Fei Yu-ching
Gary Chaw
Han Geng
Harlem Yu
Hsie He-hsian
Huang Xiaoming
Jacky Cheung
Jackie Chan
Jason Zhang Jie
Jam Hsiao
Jay Chou
Jaycee Chan
Jeff Chang
Jimmy Lin
JJ Lin
|valign=top|
Joe Cheng
Khalil Fong
Leehom Wang
Liu Huan
Michael Wong
Ming Dow
Nicholas Teo
Nicky Wu
Peter Ho
Phil Chang
Richie Ren
Roger Yang
Show Luo
Sky Wu
Stanley Huang
Sun Nan
Tank
Vision Wei Chen
|valign=top|
Wilber Pan
Wong JingLun
Wu Bai
Yen-J
Yoga Lin
Yu Haoming
Z-Chen
|}
Female
{|
|valign=top|
A-mei
Ah Sang
Alan Dawa Dolma
A-Lin
Amber Kuo
Angela An Youqi
Angela Chang
Angelica He Jie
Angelica Lee
Ariel Lin
Baby Zhang
Barbie Hsu
Bibi Zhou Bichang
Chen Lin
Cheer Chen
Chris Lee (Li Yuchun)
Christine Fan
|valign=top|
Cindy Yen
Claire Kuo
Coco Lee
Cyndi Wang
Cynthia Wang
Dai Ai Ling
Dee Hsu
Della Ding Dang
Bai Guang
Bai Hong
Deserts Chang
Elva Hsiao
Evonne Hsu
Faith Yang
Fan Bingbing
Faye Wong
Fish Leong
|valign=top|
Genie Chuo
Gong Qiuxia
Han Hong
Huang Ying
Isabelle Huang
Jane Zhang
Jeno Liu Liyang
Jessie Chiang
Ji Minjia
Jing Chang
Joanna Wang
Jocie Kok
Joey Yung
Jolin Tsai
Kaira Gong
Kym Jin Sha
Landy Wen
|valign=top|
Laure Shang Wenjie
Liu Yifei
Na Ying
Michelle Li Xiaoyun
Pan Chen
Peggy Hsu
Penny Tai
Queen Wei
Rachel Liang
Rainie Yang
Ruby Lin
Sa Dingding
Sara Liu Xijun
Saya Chang
Sitar Tan Weiwei
Shunza
Stefanie Sun
|valign=top|
Tanya Chua
Teresa Teng
Valen Hsu
Xian Zi
Vicky Zhao Wei
Victoria Song
Vivi Jiang Yingrong
Vivian Hsu
Wei Wei
Yao Lee
Yoshiko Ōtaka
Yico Zeng Yike
Yisa Yu Kewei
Yuki Hsu
Zhang Liyin
Zhou Xuan
|}
Groups/Bands
{|
|valign=top|
183 Club
2moro
4 in Love
5566
7 Flowers
8090
A-One
ASOS
Blue Bird Flying Fish
BOBO
BY2
Da Mouth
Dong Cheng Wei
|valign=top|
Dream Girls
Energy
Fahrenheit
F.I.R.
Feng Yun Bang
HIT-5
iMe
Idol Girls
F4
GIA
G.I.P
Hey Girl
K One
|valign=top|
Lollipop
Lotte Girls
Lucille the Lovely Rabbit
Mayday
Milk@Coffee
M.I.C
miss A
Nan Quan Mama
Power Station
Phoenix Legend
Seventeen
S.H.E
SIGMA
|valign=top|
Sisters
Sodagreen
S.P.Y
SuperVC
Super Junior-M
Sweety
Tension
The Flowers
Top Combine
Twins
UP Girls
Y2J
Yu Quan
|}
Awards
Beijing Popular Music Awards (Mainland China)
CCTV-MTV Music Awards (Mainland China)
Chinese Music Awards (Mainland China)
Four Stations Joint Music Awards (Hong Kong)
Golden Melody Awards (Taiwan)
Jade Solid Gold Best Ten Music Awards (Hong Kong)
M Music Awards (Mainland China)
Metro Radio Mandarin Music Awards (Hong Kong)
RTHK Top 10 Gold Songs Awards (Hong Kong)
Singapore Hit Awards (Singapore)
Top Chinese Music Awards (Mainland China)
Ultimate Song Chart Awards (Hong Kong)
Mandopop radio stations
{|class="wikitable"
! width=20% | Station
! width=20% | Location
! width=50% | Frequencies and Platform
|-
|
All Chinese Hits Internet Radio || Silicon Valley, USA ||
Internet radio station: live365.com/stations/bluemonty
|-
|
Kiss Radio Taiwan || Kaohsiung, Taiwan || 99.9 FM, 99.7 FM, 97.1 FM, 98.3 FM and Internet live streaming
|-
|
Hit Fm || Taipei, Taiwan || 90.1 FM, 91.5 FM, 101.7 FM and Internet live streaming
|-
|
Beijing Radio Stations || Beijing, China || 97.4 FM and Internet live streaming
|-
|
Shenzhen Radio Station || Shenzhen, China || 97.1 FM and Internet live streaming
|-
|
Shanghai Media Group || Shanghai, China || 101.7 FM and Internet live streaming
|-
|
KAZN || Los Angeles, USA || Sometimes
|-
|
KSQQ || San Francisco, USA || 96.1 FM
|-
|
Yes 93.3 || Singapore || 93.3 FM and Internet live streaming
|-
|
883 JIA FM || Singapore || 88.3 FM and Internet live streaming
|-
|
MY FM || Malaysia || Frequencies vary according to location
|-
|
MandarinRadio.com || || Internet live streaming (also available on
iTunes Radio)
|-
|}
See also
Music of China
Music of Taiwan
C-pop
Chinese R&B;
J-pop
K-pop
Taiwanese pop
List of best-selling albums in Taiwan
References
External links
Videos about Taiwan's Mandopop Music Empire
Category:C-pop
Category:Pop music genres
Category:Fusion music genres
de:Mandopop
fr:Mandopop
id:Pop Mandarin
it:Mandopop
hu:Mandopop
no:Mandopop
pt:Mandopop
ru:Mandopop
zh:華語流行音樂