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Category:Days of the year Category:February
af:25 Februarie ar:ملحق:25 فبراير an:25 de febrero frp:25 fevriér ast:25 de febreru gn:25 jasykõi az:25 fevral bn:ফেব্রুয়ারি ২৫ zh-min-nan:2 goe̍h 25 ji̍t ba:25 февраль be:25 лютага be-x-old:25 лютага bcl:Pebrero 25 bar:25. Feba bs:25. februar br:25 C'hwevrer bg:25 февруари ca:25 de febrer cv:Нарăс, 25 ceb:Pebrero 25 cs:25. únor cbk-zam:25 de Febrero co:25 di ferraghju cy:25 Chwefror da:25. februar de:25. Februar dv:ފެބްރުއަރީ 25 et:25. veebruar el:25 Φεβρουαρίου myv:Даволковонь 25 чи es:25 de febrero eo:25-a de februaro eu:Otsailaren 25 fa:۲۵ فوریه hif:25 February fo:25. februar fr:25 février fy:25 febrewaris fur:25 di Fevrâr ga:25 Feabhra gv:25 Toshiaght Arree gd:25 an Gearran gl:25 de febreiro gan:2月25號 gu:ફેબ્રુઆરી ૨૫ xal:Лу сарин 25 ko:2월 25일 hy:Փետրվարի 25 hi:२५ फ़रवरी hr:25. veljače io:25 di februaro ig:February 25 ilo:Febrero 25 bpy:ফেব্রুয়ারী ২৫ id:25 Februari ia:25 de februario ie:25 februar os:25 февралы is:25. febrúar it:25 febbraio he:25 בפברואר jv:25 Februari kl:Februaari 25 kn:ಫೆಬ್ರುವರಿ ೨೫ pam:Pebreru 25 ka:25 თებერვალი csb:25 gromicznika kk:Ақпанның 25 sw:25 Februari kv:25 урасьӧм ht:25 fevriye ku:25'ê reşemiyê krc:25 февраль la:25 Februarii lv:25. februāris lb:25. Februar lt:Vasario 25 li:25 fibberwarie jbo:relma'i 25moi lmo:25 02 hu:Február 25. mk:25 февруари mg:25 Febroary ml:ഫെബ്രുവരി 25 mr:फेब्रुवारी २५ arz:25 فبراير ms:25 Februari mn:2 сарын 25 nah:25 tlaōnti nl:25 februari nds-nl:25 febrewaori ne:२५ फेब्रुअरी new:फेब्रुवरी २५ ja:2月25日 nap:25 'e frevaro no:25. februar nn:25. februar nrm:25 Févri nov:25 de februare oc:25 de febrièr mhr:25 Пургыж uz:25-fevral pa:੨੫ ਫ਼ਰਵਰੀ nds:25. Februar pl:25 lutego pt:25 de fevereiro ksh:25. Febrowaa ro:25 februarie qu:25 ñiqin hatun puquy killapi rue:25. фебруар ru:25 февраля sah:Олунньу 25 se:Guovvamánu 25. sco:25 Februar sq:25 Shkurt scn:25 di frivaru simple:February 25 sk:25. február sl:25. februar ckb:٢٥ی شوبات sr:25. фебруар sh:25.2. su:25 Pébruari fi:25. helmikuuta sv:25 februari tl:Pebrero 25 ta:பெப்ரவரி 25 tt:25 февраль te:ఫిబ్రవరి 25 th:25 กุมภาพันธ์ tr:25 Şubat tk:25 fewral uk:25 лютого ur:25 فروری vec:25 de febraro vi:25 tháng 2 vo:Febul 25 fiu-vro:25. radokuu päiv wa:25 di fevrî vls:25 februoari war:Pebrero 25 xmf:25 ფურთუთა yi:25סטן פעברואר yo:25 February zh-yue:2月25號 bat-smg:Vasarė 25 zh:2月25日This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Quinton Jackson |
---|---|
birth name | Quinton Ramone Jackson |
birth date | June 20, 1978 |
birth place | Memphis, Tennessee, U.S. |
other names | Rampage |
nationality | American |
height | |
weight lb | 205 |
weight class | Light Heavyweight |
reach in | 73 |
style | Boxing, Wrestling, Kickboxing |
stance | Orthodox |
fighting out of | Irvine, California |
team | Wolfslair MMA Academy |
trainer | Lance Gibson |
years active | 1999–present (MMA) |
mma win | 32 |
mma kowin | 14 |
mma subwin | 7 |
mma decwin | 11 |
mma loss | 8 |
mma koloss | 3 |
mma subloss | 1 |
mma decloss | 3 |
mma dqloss | 1 |
kickbox win | 2 |
kickbox kowin | 1 |
kickboxing decwins | 1 |
kickbox loss | 0 |
kickbox draw | 0 |
school | Raleigh-Egypt High School |
url | http://www.rampage-jackson.com/ |
sherdog | 348 |
updated | May 29, 2011 }} |
Quinton Ramone Jackson (born June 20, 1978), also known as Rampage Jackson, is an American mixed martial artist and actor. He is a former UFC Light-Heavyweight champion of the world. Jackson rose to prominence in Japan's Pride Fighting Championships where he was noted for his powerful body slams including a knockout victory over Ricardo Arona. In the United States, he is known for his tenure in the Ultimate Fighting Championship (UFC). Jackson is the first person to unify any of the UFC and Pride FC championship belts, defeating Pride Fighting Championships Middleweight title holder Dan Henderson in 2007. Jackson is currently ranked as the #4 Light Heavyweight fighter in the world by Sherdog, MMAWeekly and Yahoo! Sports. He holds notable victories over Chuck Liddell (2x), Lyoto Machida, Wanderlei Silva, Dan Henderson, Murilo 'Ninja' Rua, Minowaman, Igor Vovchanchyn , Keith Jardine and Kevin Randleman.
Jackson appeared for a second time as a coach on the reality series ''The Ultimate Fighter'' opposite Rashad Evans. They were scheduled to fight at UFC 107, but this bout was cancelled when Jackson took a movie role to play B. A. Baracus in ''The A-Team'' feature film. Jackson guest co-hosted WWE Raw on June 7, 2010, along with his A-Team co-stars Bradley Cooper and Sharlto Copley. Jackson recently refuted any doubts to whether acting was getting in the way of his fighting by saying, “I got a whole bunch of movies coming up, they ain’t got nothing to do with my day job,” he retorted at a UFC 135 kickoff presser on July 19, 2011. “I turn down movies all the time to fight. This is my day job [fighting]. This is what pays my bills and puts my kids through college and stuff."
After beating pro-wrestler Alexander Otsuka in a fight for the Battlarts promotion, Jackson was invited back for ''Pride 17'' where he scored a knockout victory over Otsuka's training partner, Yuki Ishikawa. In his next fight, Jackson was disqualified for a low blow against Daijiro Matsui.
Jackson then went on to defeat Masaaki Satake, Igor Vovchanchyn, Kevin Randleman and Mikhail Illoukhine in successive Pride bouts. He also made forays into kickboxing with a pair of victories over kickboxer Cyril Abidi, under K-1 rules. The first kickboxing bout between Abidi and Jackson was on July 14, 2002. Many expected Jackson's wild style of striking would not translate into the K-1 ring, thinking he would be outclassed by such a schooled and disciplined striker as Abidi. Instead, Jackson overwhelmed Abidi from the opening bell, and knocked him down less than a minute into the bout. Jackson then scored a hard underhand right to the chin of Abidi, knocking him out only 1:55 into the very first round.
Later in the year, Abidi wanted to prove that his loss to the undisciplined Jackson was nothing more than a fluke, and faced him on the New Year's Eve ''Inoki Bom-Ba-Ye'' card, again in a K-1 rules bout. Jackson laid a lot of criticism to rest by once again defeating Abidi, this time not by early knockout, but via a clear decision. It would be Jackson's last foray with kickboxing, as he returned to full-time MMA competition after his second win over Abidi.
Around this time, Jackson began stating his intentions to capture the Pride Middleweight (205 lb/93 kg) title from Wanderlei Silva. In the opening round of Pride's 2003 Middleweight Grand Prix, Jackson won a split decision over Murilo Bustamante. Three months later, Jackson defeated UFC fighter Chuck Liddell in the tournament's semi-finals at ''Pride Final Conflict 2003'' by corner stoppage, putting him in place to battle Silva in the tournament finals that night. Jackson fought for the championship against Silva in what was called Fight Of The Year by various MMA media. After taking Wanderlei Silva down and bloodying him, a stand-up was called by the referee and Jackson was stopped with a series of heavy knees to the head, leading to a referee stoppage.
Jackson continued his Pride career with a TKO victory over Ikuhisa Minowa at Pride Shockwave 2003
He then faced Ricardo Arona at Pride Critical Countdown 2004 with the winner to face Wanderlei Silva.Late in the first round Arona caught Jackson in a triangle choke, Jackson immediately picked up Arona and slammed him into the canvas earning the KO win
Prior to his rematch with Silva, the notoriously brash Jackson made headlines with the public announcement of his conversion to be a Christian. In the fight itself, Jackson floored Silva in the opening round and later scored a takedown which led to a series of knees and elbows at the end of the round. Jackson scored another takedown in the second round, but Silva escaped to his feet and proceeded to knock out Jackson with multiple undefended knee strikes to the head.
Soon after his loss to Shogun, Jackson was contacted by veteran boxing and MMA trainer Juanito Ibarra, who saw potential in Jackson's natural abilities but viewed his profane reputation as a downfall. After a short conversation, Jackson entrusted Ibarra, a fellow born again Christian, with the managerial and training direction of his career.
Jackson then defeated Hirotaka Yokoi via TKO at Pride 30
In his final fight for Pride he won a unanimous decision over Yoon Dong-Sik at Pride 31
In an interview on the UFC program Inside the UFC, Jackson said it was finally time for him to enter the organization, and that he had not before because of his friendship with UFC fighter Tito Ortiz. Jackson said that because Ortiz was one of the biggest stars in the UFC, and that both were fighters in the same weight class, he did not want to interfere.
Jackson made his UFC debut at ''UFC 67'', where he knocked out Marvin Eastman, avenging an early career loss.
Jackson then defeated Pride Middleweight Champion Dan Henderson at ''UFC 75'', on September 8, 2007, in London, England via unanimous decision to unify the two organizations' titles.
On July 5, 2008, he fought Griffin for the light heavyweight championship at UFC 86 and lost a judges' decision. In the first round of the fight Jackson wobbled Griffin with two solid power punches, and soon after knocked Griffin down. Jackson's power proved to be problematic for Griffin as Jackson tagged him throughout the fight. In contrast, Griffin pushed the pace of the fight from start to finish and stayed much more aggressive than Jackson for most of the fight with multiple leg kicks and by mounting Quinton and landing elbows and punches to his head. In later rounds Jackson managed to take Griffin down twice and work his own ground game, almost executing his signature power bomb. Many took note as Jackson was showing obvious discomfort from the effects of the leg kicks. The next three rounds were described by Sherdog as "somewhat uneventful" with Jackson searching for the knockout punch while Griffin threw whatever he could with long jabs, leg and body kicks. Griffin was awarded a unanimous decision with the scores 46–48, 46–48 and 46–49 in what many considered an upset. After the fight both Griffin and his coach Randy Couture expressed that they thought the fight was close, and Jackson's coach, Juanito Ibarra, had planned to protest the unanimous decision with the Nevada State Athletic Commission. However, after speaking with the commission about his complaint, he decided not to file because he was informed that even if the judges scores were changed to his satisfaction, the fight would still result in a victory for Griffin by a majority decision. Soon after the fight, Jackson fired his long time trainer/manager Ibarra. There were talks of an immediate rematch after the fight. Following the loss of his belt, Quinton was involved in a hit and run incident and a high speed police pursuit in Newport Beach, California, following charges to which he would plead guilty.
Jackson's next fight was against Keith Jardine at ''UFC 96'' on March 7, 2009. It was announced before the fight that if Jackson won he would fight Rashad Evans for the Light Heavyweight Championship and if he lost Lyoto Machida would fight for the title instead. Jackson then won the fight by unanimous decision. Jackson was on track to get his title shot but lingering injuries kept him from fighting. Lyoto Machida received the title shot and Evans was expected to defend his belt as the main event instead; Jackson had stated he would like to fight Rashad, however, he suffered torn ligaments in his jaw that will require surgery and five weeks of no contact. Therefore, Lyoto Machida replaced Jackson, and Jackson was expected to fight the winner of the Machida vs. Evans bout, though that fight never came to fruition.
Jackson was expected to finally face Rashad Evans at UFC 113, but the bout was scheduled for May 29, 2010, at UFC 114. UFC President Dana White had officially confirmed that the fight against Rashad Evans would determine who would challenge Mauricio Rua in his first UFC Light Heavyweight Title defense. Jackson ended up losing to Rashad Evans via unanimous decision. Jackson was tagged in the opening moments and spent the next two rounds being taken down before hurting Evans in the third, but was unable to finish him.
Jackson was expected to face Thiago Silva but Silva had problems in his UFC 125 drug test and was replaced by Matt Hamill on May 28, 2011, at UFC 130. Jackson won the fight via unanimous decision.
2002-12-31 | Win | Cyril Abidi | Inoki Bom-Ba-Ye 2002, Japan | Decision | 3 | 3:00 |
2002-07-14 | Win | Cyril Abidi | K-1 World Grand Prix 2002 in Fukuoka, Japan | KO (Punch) | 1 | 1:55 |
Year !! Title !! Role !! Notes | |||
2001 | ''Jackass'' | Himself | |
2005 | ''Confessions of a Pit Fighter''| | Matador (a cruel street fighter from Brazil) | Film |
2006 | ''The King of Queens''| | Priority Plus Driver | TV Series (Episode: "Fight Schlub")(uncredited) |
2008 | ''Bad Guys''| | Leroy Johnson | Film |
2008 | ''The Ultimate Fighter: Team Rampage vs. Team Forrest''| | Himself (Team Captain) | TV Series |
2008 | ''The Midnight Meat Train''| | Guardian Angel | Film |
2009 | ''Miss March''| | Himself | Film |
2009 | ''Never Surrender (film)Never Surrender'' || | Rampage | Film |
2009 | ''Hell's Chain''| | Jackson | Film |
2009 | ''Death Warrior''| | Wolf | Film |
2009 | ''The Ultimate Fighter: Heavyweights''| | Himself (Team Captain) | TV Series |
2010 | ''Super Dave's Spike Tacular''| | Himself | TV Series |
2010 | ''Guy's Choice''| | Himself | TV Movie |
2010 | ''WWE Raw''| | Himself (guest host) | TV Series (Episode: dated June 7, 2010) |
2010 | ''The A-Team (film)The A-Team'' || | B.A. Baracus | Major Film |
2010 | ''The Cleveland Show''| | Kunta Kinte 9000 | TV Series (Episode: "How Cleveland Got His Groove Back") (Voice) |
2011 | ''Duel of Legends''| | Jackson | Film (completed) |
Quinton Jackson has been charged with one felony count of evading police while driving recklessly, one felony count of evading police and driving against traffic, three misdemeanor counts of hit and run with property damage, and one misdemeanor count of reckless driving when he nearly hit several pedestrians. If convicted, Jackson would face up to 3 years in prison.
On August 28, 2008, Jackson pleaded not guilty to the above 2 felonies and 4 misdemeanors; however, on January 8, 2009, he pleaded guilty to one felony count of evading a police officer and driving against traffic and one misdemeanor count of driving recklessly as part of a plea agreement. A judge dismissed the charges against Jackson on January 8, 2010, citing that he had successfully completed 200 hours of community service and complied with other terms and conditions.
Holly Griggs is one of the victims in the above police chase. She filed a civil suit against Jackson alleging "the impact of her abdomen with the steering wheel caused her amniotic fluid membranes (bag of waters) to rupture, ultimately resulting in the stillbirth of her baby." She is asking for $25,000 in damages for "property damage, personal injury and emotional distress. Farrah Emami, Spokesperson for the DA's office said "We reviewed all the medical records and spoke with the victim's physician, and the evidence showed that the loss of the fetus was not related to or a result of the crash caused by the defendant".
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Jeremy Lin |
---|---|
Position | Point guard |
Team | Golden State Warriors |
Number | 7 |
Career start | 2010 |
Height ft | 6 |
Height in | 3 |
Weight lb | 200 |
Birth date | August 23, 1988 |
Birth place | |
Nationality | American |
High school | Palo Alto |
College | Harvard (2006-2010) |
Draft year | 2010 |
Years1 | –present |team1Golden State Warriors |
Years2 | 2010–2011 |team2→Reno Bighorns (D-League) |
Highlights |
Joe Lacob, incoming Warriors' owner and Stanford booster, said Stanford's failure to recruit Lin "was really stupid. The kid was right across the street. You can’t recognize that, [then] you've got a problem."
Kerry Keating, the UCLA assistant who offered Lin the opportunity to walk-on, would say in hindsight that Lin would probably have ended up starting at point guard for UCLA.
Rex Walters, University of San Francisco men's basketball coach and a retired NBA player, said NCAA limits on coaches’ recruiting visits impacted Lin. “Most colleges start recruiting a guy in the first five minutes they see him because he runs really fast, jumps really high, does the quick, easy thing to evaluate," Walters said. Lin added, “I just think in order for someone to understand my game, they have to watch me more than once, because I’m not going to do anything that’s extra flashy or freakishly athletic."
Bill Holden, Harvard assistant coach, had initially told Lin's high school coach, Peter Diepenbrock, that Harvard was not interested in Lin. "Three weeks later, he calls me and says, 'I may have spoken a little too soon,'" Diepenbrock said.
By his junior year during the 2008–09 season, he was the only NCAA Division I men's basketball player who ranked in the top ten in his conference for scoring (17.8), rebounding (5.5), assists (4.3), steals (2.4), blocked shots (0.6), field goal percentage (0.502), free throw percentage (0.744), and 3 point shot percentage (0.400), and was a consensus selection for All-Ivy League First Team. He had 27 points, 8 assists, and 6 rebounds in an 82–70 win over 17th-ranked Boston College, three days after the Eagles had knocked off No. 1 North Carolina.
In his senior year (2009–10), Lin averaged 16.4 points, 4.4 rebounds, 4.5 assists, 2.4 steals and 1.1 blocks, and was again a unanimous selection for All-Ivy League First Team. He was one of 30 midseason candidates for the John R. Wooden Award and one of 11 finalists for the Bob Cousy Award. He was also invited to the Portsmouth Invitational Tournament. Fran Fraschilla of ESPN picked Lin among the 12 most versatile players in college basketball. He gained national attention for his performance against the 12th ranked Connecticut Huskies, against whom he scored a career-high tying 30 points and grabbed nine rebounds on the road. After the game, Hall of Fame Connecticut coach Jim Calhoun said of Lin:
"I've seen a lot of teams come through here, and he could play for any of them. He's got great, great composure on the court. He knows how to play."
For the season, Harvard set numerous program records including wins (21), non-conference wins (11), home wins (11) and road/neutral wins (10).
Lin finished his career as the first player in the history of the Ivy League to record at least 1,450 points (1,483), 450 rebounds (487), 400 assists (406) and 200 steals (225).
He graduated from Harvard with a degree in economics and a 3.1 grade-point average.
He later joined the Dallas Mavericks for mini-camp as well as their NBA Summer League team in Las Vegas. Donnie Nelson of the Mavericks was the only General Manager that offered him an invitation to play in the Summer League. "Donnie took care of me," said Lin. "He has a different type of vision than most people do."
In five Summer League games, while playing both guard positions, Lin averaged 9.8 points, 3.2 rebounds, 1.8 assists, and 1.2 steals in 18.6 minutes per game and shot a team leading 54.5% from the floor. Lin turned heads in his matchup against first overall pick John Wall when Lin scored 13 points to Wall's 21, but did so on 6-for-12 shooting in 28 minutes. Wall was 4-for-19 in 33 minutes.
While Wall received the biggest cheer for any player during introductions, the crowd had turned on Wall and was cheering for Lin by the end of the game.
Lin received offers to sign from the Mavericks, Los Angeles Lakers, and an unnamed Eastern Conference team. The Golden State Warriors would also offer Lin a contract in addition to the original three teams.
On October 8 in the Warriors' exhibition opener at their home in Oracle Arena, the loudest ovation of the night from the crowd of 10,004 was for Lin when he entered the game with 10:49 remaining in the fourth quarter. The crowd started chanting for Lin in the third quarter. They cheered whenever he touched the ball. "That really touched me. It's something I'll remember forever," Lin said. He ended up with seven points, three rebounds and two assists in 11 minutes. Warriors' head coach Keith Smart said Lin drew the crowd's attention on the road as well. Scott Howard-Cooper of NBA.com attributes the attention Lin had received out of town to the unique angle of "an Asian-American rising to rare basketball prominence".
Lin notices the expectations that follow him. "I've got news for them," Lin said with a smile, "I won't be an All-Star this year."
The attention Lin has received is tricky for him. While he would prefer to be able to just concentrate on his play without all the attention, he is appreciative of the unbelievable support he has received, especially from the Asian-American community. Lin wants to be a role model to young Asian-Americans. He has found the attention awkward as he says he has not "proven anything to anybody."
Frank Hughes of ''Sports Illustrated'' wrote that Lin talks with the occasional "seeds of self-doubt" which is not common to hear in the NBA. Hughes also found it rare when Lin compared himself to the Phoenix Suns' backup point guard Goran Dragić. “Neither of us is a freak athlete, but we’re both effective and know how to play the game,” Lin said.
Lin and Stephen Curry, 2009–10 runner-up Rookie of the Year and a gold medal winner in the 2010 FIBA World Championship, get more interview requests than any other Warrior. Team officials regularly deny requests for Lin to help him keep his focus. He has been approached to be the subject of documentaries.
Smart planned to take pressure off Lin since Lin has a tendency to be hard on himself and get frustrated. Smart admitted that he succumbed to the home crowd's wishes and put Lin into a game in the wrong situation. He vowed not to repeat that mistake.
Lin made the Warriors' opening day roster for the 2010–11 regular season, but he was placed on the inactive list. While he was disappointed, Lin noted that "part of being on this team is putting your ego aside." Lin made his official NBA debut in the next game against the Los Angeles Clippers. It was Asian Heritage Night for the Warriors' home game, and Lin received a standing ovation from the crowd of 17,408 when he entered the game with 2:32 remaining in the fourth quarter. He did not score in the 109–91 win but recorded one steal after tying up the ball and winning the subsequent jump ball.
In the next game against the Los Angeles Lakers, Lin scored his first NBA basket, had three assists, and recorded four steals. He was applauded by the road crowd at Staples Center when he entered the game in the third quarter. He played 11 of his 16 minutes in the third quarter and committed five fouls but played a role in a 12-1 run by the Warriors. "[Lin] came in and did a good job, gave us a good tempo," Smart said after the 107–83 loss to the defending NBA champions. Lakers' guard Derek Fisher praised him for his energy and aggressiveness.
Similar to the exhibition home opener, Oracle Arena fans continued to root for Lin to play in the end of games and cheered every time he touched the ball. "When I'm on the road, I don't feel like the spotlight is on me," Lin admitted. Smart noted that Lin looked more relaxed on the road. "There's a lot of pressure on him at home, with all of the applause for just checking into the game, so I'm sure that cranks his nerves up a little bit," said Curry. "You can tell on the road he plays a lot better, because he can just go out there, play and have fun."
At Toronto on November 8, the Raptors held Asian Heritage Night to coincide with Lin's visit with the Warriors. Over 20 members of Toronto's Chinese media covered the game. Lin played 15 minutes, most coming in the first half, and finished with three points, three assists, two steals and two blocks in the 109–102 Warriors' win. In the following game at Madison Square Garden against the New York Knicks, Lin again entered the game in the first half. According to ESPN.com NBA editor Matt Wong, "Lin checked into the game to loud applause, presumably from the many Asian-Americans in attendance." He had scored seven total points in his first six games played during the year. In a 89-117 road loss to the Lakers, Lin scored a career-high 13 points in 18 minutes and again earned big cheers from fans in Los Angeles.
An April 5, 2011, article posted by Slam Online stated that during intrasquad scrimmages between Warriors players, head coach Keith Smart implemented a rule. The rule was that no foul committed against Lin would ever be called. The idea behind this is that since Lin was rookie and a not a well-known established player, he would not get many calls from the referees. Thus Jeremy would learn how to play through it and coach Smart acknowledged that Jeremy has. In the same article, Lin credits Reno Bighorns coach Eric Musselman with "helping him regain [his] swagger."
Three times during the season, Lin was assigned to the Warriors' D-League affiliate, the Reno Bighorns. Each time, he was later recalled by the Warriors. He competed in the NBA D-League Showcase and was named to the All-NBA D-League Showcase First Team on January 14, 2011. He helped lead the Bighorns to a 2-0 record at the Showcase with averages of 21.5 points, 6.0 rebounds, 5.5 assists and 3.5 steals. Lin posted a season-high 27 points with the Bighorns on March 18. Lin had some misgivings when sent to the D-League because he felt he was being demoted and was not good enough to play in the NBA. After playing in the D-League, he realized he was still learning and putting in work and getting playing time in the D-League, which he wouldn't have received at the time with the Warriors. Lacob said the Warriors received more than one trade offer for Lin while he was in the D-League, but he was happy with Lin's progress as an undrafted free agent. "He’s a minimum, inexpensive asset. You need to look at him as a developing asset. Is he going to be a superstar? No."
On August 4, 2011, Lin stated that he would consider playing overseas during the 2011 NBA lockout. He wants to be fully recovered from his injury before making a decision.
Lin's high school coach, Peter Diepenbrock, said that people without meaning any harm assume since Lin is Asian that he is not a basketball player. The first time Lin went to a Pro-Am game in Kezar Pavilion in San Francisco, his coach said, someone there informed him: "Sorry, sir, there's no volleyball here tonight. It's basketball." During Lin's college career, fewer than 0.5% of men's Division 1 basketball players were Asian-American.
Lin has regularly heard bigoted jeers at games such as "Wonton soup", "Sweet and sour pork", "Open your eyes!", "Go back to China", "Orchestra is on the other side of campus", or Chinese gibberish. Lin says this occurred even at most if not all Ivy League gyms. He does not react to it. "I expect it, I'm used to it, it is what it is," says Lin. The heckling came mostly from fans and not as much from players. According to Harvard teammate Oliver McNally, a fellow Ivy League player did once call Lin a "chink".
In January 2010, Harvard played against Santa Clara University at the Leavey Center, just 15 miles from his hometown of Palo Alto, California. Playing to a capacity crowd that included droves of Asian Americans wanting to see his homecoming, his teammates told him, "It was like Hong Kong."
Lin considers himself a basketball player more than an Asian American. He understands that there are not many Asians in the NBA. "Maybe I can help break the stereotype," said Lin. Asian Americans who have played in the NBA prior to the 2010–11 NBA season include Wataru Misaka, Raymond Townsend, Corey Gaines, Rex Walters, and Robert Swift. "[Lin's] carrying the hopes of an entire continent. I only had to carry the hopes of Little Rock, Arkansas. He's accomplished a lot more than I have already," said Derek Fisher, who had won five NBA championships with the Lakers, after his first game against Lin. Lin is setting an example for prospective Asian athletes in America who rarely see Asian-Americans playing on their favorite teams. "I don't look Japanese," Walters said, referring to his mother's ethnicity. "When they see [Lin], it's an Asian-American.
Larry Riley, the Warriors' general manager, denied that Lin’s signing was done to cater to the Bay Area’s large Asian population. He understood that some people would look at it that way. “We evaluated him throughout summer league," Riley said. “All that had to happen was for him to confirm what we already believed." While the team was creating a campaign around him, Riley said it would not have been advisable if Lin was not a basketball player first.
In a video interview conducted by Elie Seckbach, he asked Jeremy how it felt to be representing so many people. Jeremy responded by stating, "It's humbling, a privilege, and a honor. I'm really proud of being Chinese, I'm really proud of my parents being from Taiwan. I just thank God for the opportunity." He was then asked if he was fluent in Chinese. Jeremy stated that he could understand it, but could use some help speaking it. In an interview conducted with NBADraft.net, Jeremy stated that he could only speak Mandarin, not Cantonese but can only read and write a little but had also taken classes while attending Harvard to try to improve. In a later interview attended by basketball players (under the age of 19) from Taiwan, he stated he would like to visit Taiwan again but also work on speaking Chinese. Later this summer Jeremy will being making a trip to Asia, which is sponsored by Nike where he hopes to converse with fans in Mandarin.
Category:American sportspeople of Taiwanese descent Category:American sportspeople of Chinese descent Category:American Christians Category:Basketball players from California Category:Harvard Crimson men's basketball players Category:Palo Alto High School alumni Category:Living people Category:1988 births Category:Golden State Warriors players Category:Undrafted National Basketball Association players Category:Reno Bighorns players
es:Jeremy Lin fr:Jeremy Lin it:Jeremy Lin zh:林書豪This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Alicia Keys |
---|---|
background | solo_singer |
birth name | Alicia Augello Cook |
alias | Lellow |
birth place | January 25, 1981 |
origin | New York City, New York, United States |
instrument | Vocals, piano, keyboards, cello, synthesizer, vocoder, guitar, bass guitar |
genre | Soul, R&B;, pop, hip hop, jazz, neo soul, electronic |
occupation | singer-songwriter, record producer, actress |
years active | 1997–present |
label | RCA, J, Arista, Columbia |
website | }} |
Alicia Augello Cook (born January 25, 1981), better known by her stage name Alicia Keys, is an American R&B; singer-songwriter, record producer, and actress. Keys was raised by a single mother in the Hell's Kitchen area of Manhattan in New York City. At age seven, Keys began playing the piano. She attended Professional Performing Arts School and graduated at 16 as valedictorian. Keys released her debut album with J Records, having had previous record deals first with Columbia and then Arista Records.
Keys' debut album, ''Songs in A Minor'', was a commercial success, selling over 12 million copies worldwide. She became the best-selling new artist and best-selling R&B; artist of 2001. The album earned Keys five Grammy Awards in 2002, including Best New Artist and Song of the Year for "Fallin'". Her second studio album, ''The Diary of Alicia Keys'', was released in 2003 and was also another success worldwide, selling eight million copies. The album garnered her an additional four Grammy Awards in 2005. Later that year, she released her first live album, ''Unplugged'', which debuted at number one in the United States. She became the first female to have an ''MTV Unplugged'' album to debut at number one and the highest since Nirvana in 1994.
Keys made guest appearances on several television series in the following years, beginning with ''Charmed''. She made her film debut in ''Smokin' Aces'' and went on to appear in ''The Nanny Diaries'' in 2007. Her third studio album, ''As I Am'', was released in the same year and sold six million copies worldwide, earning Keys an additional three Grammy Awards. The following year, she appeared in ''The Secret Life of Bees'', which earned her a nomination at the NAACP Image Awards. She released her fourth album, ''The Element of Freedom'', in December 2009, which became Keys' first chart-topping album in the United Kingdom. Throughout her career, Keys has won numerous awards and has sold over 30 million albums worldwide and 25 million singles, which makes her one of the best selling artists of all time. ''Billboard'' magazine named her the top R&B; artist of the 2000–2009 decade, establishing herself as one of the best-selling artists of her time. In 2010, VH1 included Keys on its list of the 100 Greatest Artists of All Time. ''Billboard'' magazine placed her number ten on their list of Top 50 R&B;/Hip-Hop Artists of the Past 25 Years.
In 1994 Keys met long-term manager Jeff Robinson after she enrolled in his brother's after-school program. The following year Robinson introduced Keys to her future A&R; at Arista Records, Peter Edge, who later described his first impressions to HitQuarters: "I had never met a young R&B; artist with that level of musicianship. So many people were just singing on top of loops and tracks, but she had the ability, not only to be part of hip-hop, but also to go way beyond that." Edge helped Robinson create a showcase for Keys and also got involved in developing her demo material. He was keen to sign Keys himself but was unable to do so at that time due to being on the verge of leaving his present record company. Keys signed to Columbia Records soon after. At the same time as signing a recording contract with Columbia Records, Keys was accepted into Columbia University. At first, Keys attempted to manage both but after four weeks dropped out of college to pursue her musical career fulltime.
Keys released her first studio album, ''Songs in A Minor'', in June 2001. It debuted at number one on the ''Billboard'' 200 and sold 236,000 copies in its first week. The album sold over 6.2 million copies in the United States, where it was certified six times Platinum by the Recording Industry Association of America (RIAA). It went on to sell over 12 million copies worldwide, establishing Keys' popularity both inside and outside the United States, where she became the best-selling new artist and best-selling R&B; artist of 2001. The album's lead single, "Fallin'", spent six weeks at number one on the ''Billboard'' Hot 100. The album's second single, "A Woman's Worth", was released in February 2002 and peaked at number 7 on the ''Billboard Hot 100'' and number three on the ''Hot R&B;/Hip-Hop Songs'', as her second Top 10 single in both charts. The album's third single, "How Come You Don't Call Me", was released in June 2002 and peaked at number 59 on the ''Billboard Hot 100'' and number 30 on the ''Hot R&B;/Hip-Hop Songs''. The album's fourth single, "Girlfriend", was released in November 2002 in UK and peaked at number 82 on the ''Hot R&B;/Hip-Hop Songs''. The following year, the album was reissued as ''Remixed & Unplugged in A Minor'', which included eight remixes and seven unplugged versions of the songs from the original.
''Songs in A Minor'' led Keys to win five awards at the 2002 Grammy Awards: Song of the Year, Best Female R&B; Vocal Performance, and Best R&B; Song for "Fallin'", Best New Artist, and Best R&B; Album; "Fallin'" was also nominated for Record of the Year. Keys became the second female solo artist to win five Grammy Awards in a single night, following Lauryn Hill at the 41st Grammy Awards. That same year, she collaborated with Christina Aguilera for the latter's upcoming album ''Stripped'' on a song entitled "Impossible", which Keys wrote, co-produced, and provided with background vocals. During the early 2000s, Keys also made small cameos in television series ''Charmed'' and ''American Dreams''.
Keys won Best R&B; Video for "If I Ain't Got You" at the 2004 MTV Video Music Awards; she performed the song and "Higher Ground" with Lenny Kravitz and Stevie Wonder. Later that year, Keys released her novel ''Tears for Water: Songbook of Poems and Lyrics'', a collection of unreleased poems from her journals and lyrics. The title derived from one of her poems, "Love and Chains" from the line: "I don't mind drinking my tears for water." She said the title is the foundation of her writing because "everything I have ever written has stemmed from my tears of joy, of pain, of sorrow, of depression, even of question". The book sold over US$500,000 and Keys made ''The New York Times'' bestseller list in 2005. The following year, she won a second consecutive award for Best R&B; Video at the MTV Video Music Awards for the video "Karma". Keys performed "If I Ain't Got You" and then joined Jamie Foxx and Quincy Jones in a rendition of "Georgia on My Mind", the Hoagy Carmichael song made famous by Ray Charles in 1960 at the 2005 Grammy Awards. That evening, she won four Grammy Awards: Best Female R&B; Vocal Performance for "If I Ain't Got You", Best R&B; Song for "You Don't Know My Name", Best R&B; Album for ''The Diary of Alicia Keys'', and Best R&B; Performance by a Duo or Group with Vocals" for "My Boo" with Usher.
Keys performed and taped her installment of the ''MTV Unplugged'' series in July 2005 at the Brooklyn Academy of Music. During this session, Keys added new arrangements to her original songs and performed a few choice covers. The session was released on CD and DVD in October 2005. Simply titled ''Unplugged'', the album debuted at number one on the U.S. ''Billboard'' 200 chart with 196,000 units sold in its first week of release. The album sold one million copies in the United States, where it was certified Platinum by the RIAA, and two million copies worldwide. The debut of Keys' ''Unplugged'' was the highest for an ''MTV Unplugged'' album since Nirvana's 1994 ''MTV Unplugged in New York'' and the first ''Unplugged'' by a female artist to debut at number one. The album's first single, "Unbreakable", peaked at number 34 on the ''Billboard'' Hot 100 and number four on the Hot R&B;/Hip-Hop Songs. It remained at number one on the ''Billboard'' Hot Adult R&B; Airplay for 11 weeks. The album's second and final single, "Every Little Bit Hurts", was released in January 2006, it failed to enter the U.S. charts.
Keys opened a recording studio in Long Island, New York, called The Oven Studios, which she co-owns with her production and songwriting partner Kerry "Krucial" Brothers. The studio was designed by renowned studio architect John Storyk of WSDG, designer of Jimi Hendrix' Electric Lady Studios. Keys and Brothers are the co-founders of KrucialKeys Enterprises, a production and songwriting team who assisted Keys in creating her albums as well as create music for other artists.
Keys made her film debut in early 2007 in the crime film ''Smokin' Aces'', co-starring as an assassin named Georgia Sykes opposite Ben Affleck and Andy García. Keys received much praise from her co-stars in the film; Reynolds said that Keys was "so natural" and that she would "blow everybody away". ''Smokin' Aces'' had a hit moderate performance at the box office, earning only $57,103,895 worldwide during its theatrical run. In the same year, Keys earned further praise for her second film, ''The Nanny Diaries'', based on the 2002 novel of the same name, where she co-starred alongside Scarlett Johansson and Chris Evans. ''The Nanny Diaries'' had a hit moderate performance at the box office, earning only $44,638,886 worldwide during its theatrical run. She also guest starred as herself in the "One Man Is an Island" episode of the drama series ''Cane''.
Keys released her third studio album, ''As I Am'', in November 2007; it debuted at number one on the ''Billboard'' 200, selling 742,000 copies in its first week. It gained Keys her largest first week sales of her career and became her fourth consecutive number one album, tying her with Britney Spears for the most consecutive number-one debuts on the ''Billboard'' 200 by a female artist. The week became the second largest sales week of 2007 and the largest sales week for a female solo artist since singer Norah Jones' album ''Feels like Home'' in 2004. The album has sold nearly four million copies in the United States and has been certified three times Platinum by the RIAA. It has sold nearly six million copies worldwide. Keys received five nominations for ''As I Am'' at the 2008 American Music Award and ultimately won two. The album's lead single, "No One", peaked at number one on the ''Billboard'' Hot 100 for fifth consecutive weeks and Hot R&B;/Hip-Hop Songs for ten consecutive weeks, became her first number-one single in ''Hot 100'' since 2004's "My Boo" and becoming Keys' third and fifth number-one single on each chart, respectively. The album's second single, "Like You'll Never See Me Again", was released in late 2007 and peaked at number 12 on the ''Billboard'' Hot 100 and number one on the ''Hot R&B;/Hip-Hop Songs'' for seven consecutive weeks. From October 27, 2007, when "No One" reached No. 1, through February 16, 2008, the last week "Like You'll Never See Me Again" was at No. 1, the Keys was on top of the chart for 17 weeks, more consecutive weeks than any other artist in ''Hot R&B;/Hip/Hop Songs'' chart. The album's third single, "Teenage Love Affair", which peaked at number 54 on the '''Billboard Hot 100'' and number three on the ''Hot R&B;/Hip-Hop Songs''. The album's fourth and final single, "Superwoman", which peaked at number 82 on the ''Billboard Hot 100'' and number 12 on the ''Hot R&B;/Hip-Hop Songs''.
"No One" earned Keys the awards for Best Female R&B; Vocal Performance and Best R&B; Song at the 2008 Grammy Awards. Keys opened the ceremony singing Frank Sinatra's 1950s song "Learnin' the Blues" as a "duet" with archival footage of Sinatra in video and "No One" with John Mayer later in the show. Keys also won Best Female R&B; Artist during the show. She starred in "Fresh Takes", a commercial micro-series created by Dove Go Fresh, which premiered during ''The Hills'' on MTV from March to April 2008. The premiere celebrated the launch of new Dove Go Fresh. She also signed a deal as spokesperson with Glacéau's VitaminWater to endorse the product, and was in an American Express commercial for the "Are you a Cardmember?" campaign. Keys, along with The White Stripes' guitarist and lead vocalist Jack White, recorded the theme song to ''Quantum of Solace'', the first duet in Bond soundtrack history. In 2008, Keys was ranked in at number 80 the ''Billboard'' Hot 100 All-Time Top Artists. She also starred in ''The Secret Life of Bees'', a film adaptation of Sue Monk Kidd's acclaimed 2003 bestseller novel of the same name alongside Jennifer Hudson, Dakota Fanning, Paul Bettany and Queen Latifah, released in October 2008 via Fox Searchlight. ''The Secret Life of Bees'' had a hit moderate performance at the box office, earning only $39,947,322 worldwide during its theatrical run. Her role earned her a nomination for Outstanding Supporting Actress in a Motion Picture at the NAACP Image Awards. She also received three nominations at the 2009 Grammy Awards and won Best Female R&B; Vocal Performance for "Superwoman".
In an interview with ''Blender'' magazine, Keys allegedly said "'Gangsta rap' was a ploy to convince black people to kill each other, 'gangsta rap' didn't exist" and went on to say that it was created by "the government". The magazine also claimed she said that Tupac Shakur and The Notorious B.I.G. were "essentially assassinated, their beefs stoked by the government and the media, to stop another great black leader from existing". Keys later wrote a statement clarifying the issues and saying her words were misinterpreted. Later that year, Keys was criticized by anti-smoking campaigners after billboard posters for her forthcoming concerts in Indonesia featured a logo for the A Mild cigarette brand sponsored by tobacco firm Philip Morris. She apologized after discovering that the concert was sponsored by the firm and asked for "corrective actions". In response, the company withdrew its sponsorship.
Keys collaborated with the record producer Swizz Beatz to write and produce "Million Dollar Bill" for Whitney Houston's seventh studio album, ''I Look to You''. Keys had approached Clive Davis for permission to submit a song for the album. Keys also collaborated with the recording artist Jay-Z on the song "Empire State of Mind" from his 2009 album, ''The Blueprint 3''. The song topped the ''Billboard'' Hot 100 and became her fourth number-one single on that chart. At the 53rd Grammy Awards ceremony, "Empire State of Mind" won Best Rap/Sung Collaboration and Best Rap Song. It had also been one of the five nominees for Record of the Year. The following month, the American Society of Composers, Authors and Publishers honored Keys with the Golden Note Award, an award given to artists "who have achieved extraordinary career milestones". She collaborated with Spanish recording artist Alejandro Sanz for "Looking for Paradise", which topped the Hot Latin Songs chart, this was Keys' first number one on all three charts, which also made her the first African-American of non-Hispanic origin to reach #1 on the ''Hot Latin Tracks''. Keys released her fourth studio album, ''The Element of Freedom'', in December 2009. It debuted at number two on the ''Billboard'' 200, selling 417,000 copies in its first week. As part of the promotional drive for the album, she performed at the Cayman Island Jazz Festival on December 5, the final night of the three day festival which will be broadcast on Black Entertainment Television (BET). The album's lead single, "Doesn't Mean Anything", has peaked at number 60 on the ''Billboard'' Hot 100 and number 14 on the ''Hot R&B;/Hip-Hop Songs''. Keys was ranked as the top R&B; recording artist of the 2000–2009 decade by ''Billboard'' magazine and ranked at number five as artist of the decade, while her song, "No One", was ranked at number six on the magazine's songs of the decade. In the United Kingdom, ''The Element of Freedom'' became Keys' first album to top the UK Albums Chart. The album's second single, "Try Sleeping with a Broken Heart", was released in November 2009 and peaked at number 27 on the ''Billboard Hot 100'' and number two on the ''Hot R&B;/Hip-Hop Songs''. The album's third single, "Put It in a Love Song", featuring Grammy-winner Beyoncé, peaked at number 60 on the ''Hot R&B;/Hip-Hop Songs''. The music video for the single, which was filmed in Rio de Janeiro, Brazil, has been postponed several times, and later it was confirmed that Alicia Keys' team made a decision not to release the video. The album's fourth single, "Empire State of Mind (Part II) Broken Down", was released in February 2010 and peaked at number 55 on the ''Billboard Hot 100'' and number 76 on the ''Hot R&B;/Hip-Hop Songs''. The album's fifth single, "Un-Thinkable (I'm Ready)", was released in May 2010 and peaked at number 21 on the ''Billboard Hot 100'' and number one on the ''Hot R&B;/Hip-Hop Songs'', for twelve consecutive weeks and became the album's most successful single, becoming Keys' eighth number-one single on ''Hot R&B;/Hip-Hop Songs'' chart. The album's sixth and final single, "Wait Til You See My Smile", was released in December 2010 in the U.K only.
In May 2009, Swizz Beatz announced that he and Keys were romantically involved, and in May 2010, a representative for Keys and Swizz Beatz confirmed that they were engaged and expecting a child together. During the time of the 2010 FIFA World Cup, the couple took part of a union and had the unborn child blessed in a Zulu ceremony, which took place in the Illovo suburb of Johannesburg, South Africa. Keys and Swizz Beatz were married on the French island of Corsica on July 31, 2010. On October 14, 2010, Keys gave birth to a son, Egypt Daoud Ibarr Dean, in New York City.
On September 23, she performed at ''iHeart Music Festival'' and sang her new song "A Place Of My Own", which is present in her fifth studio album. On October 7, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Keys (and all other artists previously signed to these three labels) will release her future material on the RCA Records brand.
Keys has a vocal range of a contralto, which spans three octaves. She can sing from B flat over an octave below middle C (B2) to B below soprano C (B5). Often referred to as the "Princess of Soul", Keys has been commended as having a strong, raw and impassioned voice; others feel that her voice is "emotionally manufactured" at times and that she pushes her voice out of its natural range. Keys' songwriting is often criticized for lack of depth, which has led to her writing abilities being called limited. Her lyrics have been called generic, clichéd and that her songs revolve around generalities. Greg Kot of the ''Chicago Tribune'' feels that she "[pokes] around for multi-format hits rather than trying to project any sort of artistic vision". Diversely, Jon Pareles of ''Blender'' magazine stated that the musical composition of her songs makes up for their lyrical weakness, while Gregory Stephen Tate of ''The Village Voice'' compared Keys' writing and production to 1970s music.
Joanna Hunkin of ''The New Zealand Herald'' reviewed one of Keys' performances, where Kylie Minogue also attended. She described Minogue's reaction to Keys' performance, saying "it was obvious she was just as much of a fan as the 10,000 other people at Vector Arena". She went on to say that Minogue was "the original pop princess bowing down to the modern-day queen of soul". Hunkin characterized Keys' opening performance as a "headbanging, hip-gyrating performance" and her energy as "high-octane energy most bands save for their closing finale". At the end of her two-hour performance, fans "screamed, stomped and begged for a second encore". Hillary Crosley and Mariel Concepcion of ''Billboard'' magazine noted that her shows are "extremely coordinated" with the audience's attention span "consistently maintained". The show ended with a standing ovation and Keys "proved that a dynamic performance mixed with superior musicianship always wins". Throughout her career, Keys has won numerous awards and is listed on the Recording Industry Association of America's best-selling artists in the United States, with 15 million certified albums. She has sold over 30 million albums worldwide and has established herself as one of the best-selling artists of her time.
Keys has also donated to Frum tha Ground Up, a non-profit organization that aids children and teenagers with scholarships. She performed in Philadelphia, Pennsylvania, as part of the worldwide Live 8 concerts to raise awareness of the poverty in Africa and to pressure the G8 leaders to take action. In 2005, Keys performed on ''ReAct Now: Music & Relief'' and ''Shelter from the Storm: A Concert for the Gulf Coast'', two benefit programs that raised money for those affected by Hurricane Katrina. In July 2007, Keys and Keith Urban performed The Rolling Stones' 1969 song "Gimme Shelter" at Giants Stadium in East Rutherford, New Jersey at the American leg of the Live Earth concerts.
Keys performed Donny Hathaway's 1973 song "Someday We'll All Be Free" at the ''America: A Tribute to Heroes'' televised benefit concert following the September 11 attacks. She participated in the Nobel Peace Prize Concert which took place at the Oslo Spektrum in Oslo, Norway, on December 11, 2007, along with other various artists. She recorded a theme song for Democratic presidential nominee Barack Obama. She joined Joss Stone and Jay-Z on the effort, which served as a theme song for Obama's campaign. For her work, Keys was honored at the 2009 BET Awards with the Humanitarian Award. Keys performed the song "Prelude to a Kiss", retitled "Send Me an Angel", from her 2007 album ''As I Am'' for the "Hope for Haiti Now: A Global Benefit for Earthquake Relief" telethon in response to the 2010 Haiti earthquake.
Television | ||||
!Year | !Title | !Role | !Notes | |
1985 | ''The Cosby Show'' | Maria | ||
2001 | ''Charmed'' | P3 VIP Patron (uncredited) | ||
''American Dreams'' | Fontella Bass | "Rescue Me" (season 2, episode 6) | ||
''The Proud Family'' | Herself (voice) | |||
2005 | ''Sesame Street'' | Herself | Season 36 | |
2006 | ''The Backyardigans'' | Mommy Martian (voice) | ||
Herself | "One Man Is an Island" (season 1, episode 7) | |||
''Elmo's Christmas Countdown'' | Herself | Christmas television special | ||
2008 | Alex | Starred in all five episodes | ||
2010 | American Idol (season 9) | Herself | Mentor | |
Film | ||||
!Year | !Title | !Role | !Notes | |
''Smokin' Aces'' | Georgia Sykes | Debut filmMain role | ||
Lynette | Support role | |||
2008 | June Boatwright | Main role | ||
Director | ||||
!Year | !Title | !Type | !Notes | |
2004 | Music video | MTV Video Music Award for Best R&B; Video | ||
2011 | ''Project 5'' | Short film/Documentary |
Category:1981 births Category:Living people Category:Actors from New York City Category:African American composers Category:African American female singer-songwriters Category:African American film actors Category:African American pianists Category:African American poets Category:African American record producers Category:American contraltos Category:American hip hop musicians Category:American multi-instrumentalists Category:American music arrangers Category:American music video directors Category:American musicians of Irish descent Category:American people of Italian descent Category:American people of Scottish descent Category:American philanthropists Category:American pop singer-songwriters Category:American rhythm and blues keyboardists Category:American rhythm and blues singer-songwriters Category:American soul keyboardists Category:American soul singers Category:American television actors Category:Echo winners Category:Grammy Award winners Category:Hip hop singers Category:Neo soul singers Category:People from Hell's Kitchen, Manhattan Category:J Records artists Category:RCA Records artists Category:Rhythm and blues pianists Category:Singers from New York City Category:Songwriters from New York Category:World Music Awards winners
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birth name | Whitney Elizabeth Houston |
---|---|
background | solo_singer |
birth date | August 09, 1963 |
birth place | |
death date | February 11, 2012 |
death place | |
instrument | Vocals, piano |
genre | R&B;, soul, pop, dance, gospel |
occupation | Singer, actress, model, film producer, record producer, songwriter |
years active | 1977–2012 |
label | Arista, RCA |
associated acts | Cissy Houston, Dionne Warwick, Aretha Franklin, Jermaine Jackson, Mariah Carey, Enrique Iglesias, Bobby Brown |
website | 130pxWhitney Houston's Autograph }} |
Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the ''Guinness World Records'' cited her as the most-awarded female act of all-time. Houston was also one of the world's best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African-American female artists to follow in her footsteps.
Houston is the only artist to chart seven consecutive No. 1 ''Billboard'' Hot 100 hits. She is the second artist behind Elton John and the only female artist to have two number-one ''Billboard'' 200 Album awards (formerly "Top Pop Album") on the ''Billboard'' magazine year-end charts. Houston's 1985 debut album ''Whitney Houston'' became the best-selling debut album by a female act at the time of its release. The album was named ''Rolling Stone''s best album of 1986, and was ranked at number 254 on ''Rolling Stone''s list of the 500 Greatest Albums of All Time. Her second studio album ''Whitney'' (1987) became the first album by a female artist to debut at number one on the ''Billboard'' 200 albums chart.
Houston's first acting role was as the star of the feature film ''The Bodyguard'' (1992). The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single "I Will Always Love You", became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period under Nielsen SoundScan system. The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films ''Waiting to Exhale'' (1995) and ''The Preacher's Wife'' (1996). ''The Preacher's Wife'' soundtrack became the best-selling gospel album in history.
On February 11, 2012, Houston was found dead in her guest room at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known. News of her death, the day before and after the 2012 Grammy Awards, featured prominently in American and international media.
At the age of 11, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girls' high school in Caldwell, New Jersey, where she met her best friend Robyn Crawford, whom she described as the "sister she never had". While Houston was still in school, her mother continued to teach her how to sing. In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.
In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in ''Seventeen'' and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of ''Glamour'', ''Cosmopolitan'', ''Young Miss'', and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time. While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called ''One Down'', which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of ''The Village Voice'' called her contribution "one of the most gorgeous ballads you've ever heard". She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled ''Paul Jabara and Friends'', released by Columbia Records in 1983.
Houston had previously been offered several recording agencies (Michael Zager in 1980, and Elektra Records in 1981), however her mother declined the offers stating her daughter must first complete high school. In 1983, Gerry Griffith, an A&R; representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on ''The Merv Griffin Show''.
Houston signed with Arista in 1983, but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, ''Love Language''. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.
In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US ''Billboard'' Hot 100 chart, and No. 1 on the Hot R&B; chart. As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented; radio stations, which peaked at number ten on the US R&B; Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts. The third US single, "How Will I Know", peaked at No. 1 and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American female artist to receive consistent heavy rotation on MTV.
By 1986, a year after its initial release, ''Whitney Houston'' topped the ''Billboard'' 200 albums chart and stayed there for 14 non-consecutive weeks. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking No. 1 and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a female artist to yield three No. 1 hits. Houston was No. 1 artist of the year and ''Whitney Houston'' was the No. 1 album of the year on the 1986 ''Billboard'' year-end charts, making her the first female artist to earn that distinction. At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, ''Greatest Love Tour''. The album had become an international success, and was certified 13× platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.
At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the Best New Artist category due to her previous hit R&B; duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for Best Pop Vocal Performance, Female for "Saving All My Love for You". At the same award show, she performed that Grammy-winning hit, that performance later winning her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.
Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of ''Rolling Stone''s 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today''. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.
At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the ''Moment of Truth World Tour'', which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to ''Forbes'' magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.
Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to ''Forbes'' magazine.
In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". They felt her singing on record lacked the soul that was present during her live concerts.
At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it". Houston took a more urban direction with her third studio album, ''I'm Your Baby Tonight'', released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. ''Rolling Stone'' felt it was her "best and most integrated album". while ''Entertainment Weekly'', at the time thought Houston's shift towards an urban direction was "superficial".
The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the ''Billboard'' Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B; chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B; top twenty. The album peaked at number three on the ''Billboard'' 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.
In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges.
With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV at Tampa Stadium on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors.
Her rendition was considered the benchmark for singers and critically acclaimed. ''Rolling Stone'' commented that "her singing stirs such strong patriotism. Unforgettable", and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on 9/11, it was released again by Arista Records, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America.
Later in 1991, Houston put together her ''Welcome Home Heroes'' concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the ''I'm Your Baby Tonight World Tour''.
With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston's first film role was in ''The Bodyguard'', released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. ''USA Today'' listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston's mainstream appeal allowed people to look at the movie color-blind.
Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with ''Rolling Stone'' in 1993, the singer commented that "people know who Whitney Houston is – I'm black. You can't hide that fact." Houston received a Razzie Award nomination for Worst Actress. ''The Washington Post'' said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and ''The New York Times'' commented that she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising ticket prices since the time the film was released.
The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. ''Rolling Stone'' said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance". ''Rolling Stone'' and ''USA Today'' called her rendition "the tour-de-force". The single peaked at number one on the ''Billboard'' Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks.
The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the ''Billboard'' 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making ''The Bodyguard'' the biggest-selling album by a female act on the list of the world's Top 10 best-selling albums, topping Shania Twain's 40 million sold for ''Come On Over''.
Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour, ''The Bodyguard World Tour'', in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to ''Forbes'' magazine. Houston placed in the top five of ''Entertainment Weekly''s annual "Entertainer of the Year" ranking and was labeled by ''Premiere'' magazine as one of the 100 most powerful people in Hollywood.
In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".
The film's accompanying soundtrack, ''Waiting to Exhale: Original Soundtrack Album'', was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as ''Entertainment Weekly'' said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.
In 1996, Houston starred in the holiday comedy ''The Preacher's Wife'', with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film "The Bishop's Wife" which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. ''The San Francisco Chronicle'' said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice". Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.
Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. ''The Preacher's Wife: Original Soundtrack Album'' included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of ''USA Today'', noted the presence of her emotional depth, while ''The Times'' said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".
In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's ''Cinderella''. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.
Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert ''Classic Whitney'', live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.
From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's ''The Prince of Egypt'' soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B; Video, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B; Vocal Performance; "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK No. 19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the ''Billboard'' Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.
The album gave Houston some of her strongest reviews ever. ''Rolling Stone'' said Houston was singing "with a bite in her voice" and ''The Village Voice'' called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date ''My Love Is Your Love World Tour''. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B; Female Artist of the Century with certified US sales of 51 million copies at the time and ''The Bodyguard Soundtrack'' was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA). She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B;.
In May 2000, ''Whitney: The Greatest Hits'' was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 ''Precious Moments'' album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on ''The Merv Griffin Show'', and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.
Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book ''The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards'', author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.
In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on ''Michael Jackson: 30th Anniversary Special''. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.
In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.
Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine.
In December 2002, Houston released her fifth studio album, ''Just Whitney...''. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, ''Just Whitney...'' received mixed reviews. The album debuted at number 9 on the ''Billboard'' 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the ''Billboard'' Hot 100, but became Hot Dance Club Play hits. ''Just Whitney...'' was certified platinum in the United States, and sold approximately three million worldwide.
On a June 2003 trip to Israel, Houston said of her visit, "I've never felt like this in any other country. I feel at home, I feel wonderful."
In late 2003, Houston released her first Christmas album ''One Wish: The Holiday Album'', with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.
In early 2004, husband Bobby Brown starred in his own reality TV program, ''Being Bobby Brown'' (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The ''Hollywood Reporter'' said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.
Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere. The interview was billed as "the most anticipated music interview of the decade". Whitney admitted on the show to using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself."
Houston released her new album, ''I Look to You'', in August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since '' The Bodyguard'', and Houston's first studio album to reach number one since 1987's ''Whitney''. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show ''Wetten, dass..?''. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on ''The X Factor'' in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".
The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of ''The X Factor'', performing the same song "Million Dollar Bill" to excellent reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album was re-released in a special edition entitled ''Whitney Houston – The Deluxe Anniversary Edition''.
Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.
In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You". On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors award was held at the Warner Theatre in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper ''The Mirror'' reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration.
Houston also performed the song "I Look to You" on the 2011 BET ''Celebration of Gospel'', with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in a rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process".
In September 2011, ''The Hollywood Reporter'' announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film ''Sparkle''. In the film, Houston portrays Sparks' "not-so encouraging mother". Houston will have executive producer credits on top of acting credits according to Debra Martin Chase, producer of ''Sparkle''. She stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained ''Sparkle'' production rights. R&B; singer Aaliyah - originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of ''Sparkle'' was filmed in the fall of 2011, and is set for release by TriStar Pictures in August 2012.
On February 11, 2012, Houston was found dead in a suite at the Beverly Hilton Hotel, in Beverly Hills, California, submerged in the bathtub. The cause of death was not immediately known. Beverly Hills paramedics arrived at approximately 3:30 p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 4:00 p.m. PST. Local police said there were "no obvious signs of criminal intent."
Houston had an invitation-only memorial on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted for four hours. Stevie Wonder (rewritten version of "Ribbon in the Sky," and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry" and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come") and R. Kelly ("I Look to You") were among those who performed at the funeral, interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Ricky Minor her music director; her cousin Dionne Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service due to illness. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried Sunday, February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey next to her father, John Russell Houston, who died in 2003.
Tony Bennett, who had a drug addiction problem in the 1970s, spoke of Houston's death before performing at Davis' party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston", tying it into his public stance in favor of legalizing drugs. Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"
However, many people were shocked at Davis' decision to continue on the party despite the fact that a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying "I thought that was complete insanity. And knowing Whitney I don't believe that she would have said 'the show must go on.' She's the kind of woman that would've said 'Stop everything! Un-unh. I'm not going to be there.' [...] I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like... I don't understand how that party went on." Sharon Osbourne, on February 15 episode of ''The Talk'', also condemned the Davis party, declaring "I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong."
Several other celebrities released statements responding to Houston's death. Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed'." Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Mariah Carey said, "Heartbroken and in tears over the shocking death of my friend ... She will never be forgotten as one of the greatest voices to ever grace the earth." Oprah Winfrey, who did an in-depth interview with Houston in 2009, wrote on Twitter "To me Whitney was THE VOICE. We got to hear a part of God every time she sang. Heart is heavy, spirit grateful for the GIFT of her." Quincy Jones said, "I am absolutely heartbroken at the news of Whitney’s passing. Ashford & Simpson first made me aware of Whitney when she was just sixteen, and I always regretted not having had the opportunity to work with her. She was a true original and a talent beyond compare. I will miss her terribly."
Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who knew Houston including those that have worked with her, interviewed her along with some of her peers in the music industry. ''Saturday Night Live'' displayed a still photo in silent reverence of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.
Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney".
Ken Ehrlich, executive producer of the 54th Grammy Awards announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012, awards. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston". Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years". At the start of the awards ceremony, a footage of Houston performing "I Will Always Love You" from 1994 Grammys was shown following a prayer read by host, LL Cool J. Later in the program following a montage of photos of musicians who died in 2011 including Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You". New Jersey Governor Chris Christie said that all New Jersey state flags will be flown at half-staff on Tuesday, February 21 to honor Houston.
Jon Caramanica of ''The New York Times'' commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [...] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances." Mariah Carey stated, "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of ''I Look to You'', music critic Ann Powers of the ''Los Angeles Times'' writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano".
Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable," stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [...] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging', it's easy to appreciate Houston's ability to save melisma for just the right moment".
Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from ''The New York Times'', in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer highly, writing, "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." With regard to her singing style, he added: "Her [Houston's] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning."
Elysa Gardner of the ''Los Angeles Times'' in her review for ''The Preacher's Wife Soundtrack'' praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."
Allmusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake". ''The New York Times'' stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of ''Time'' magazine commented on her initial success breaking various barriers:
Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.
Stephen Holden of ''The New York Times'' said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the ''Los Angeles Times'' referred to the singer as a "national treasure". Jon Caramanica, other music critic of ''The New York Times'', called Houston "R&B;'s great modernizer," adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream". He also drew comparisons between Houston's influence and other big names' on 1980s pop:
She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.
''The Independant''s music critic Andy Gill also wrote about Houston's influence on modern R&B; and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist ― Michael Jackson included ― effectively mapped out the course of modern R&B;, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva'," stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".
Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators. ''Rolling Stone'', on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna". ''Essence'' ranked Houston the fifth on their list of 50 Most Influential R&B; Stars of all time, calling her "the diva to end all divas".
A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey, Toni Braxton, Christina Aguilera, LeAnn Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Britney Spears, Ciara, P!nk,Ashanti, Robin Thicke, Jennifer Hudson, Stacie Orrico, Amerie, and Destiny's Child. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told ''USA Today'' that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with ''Good Morning America'' on February 13, 2012, telling "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her." Beyoncé told the ''Globe and Mail'' that Houston "inspired [her] to get up there and do what [she] did". She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."
Mary J. Blige said that Houston inviting her onstage during VH1's ''Divas Live'' show in 1999 "opened doors for [her] all over the world". Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing." Kelly Rowland, in an ''Ebony'' feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."
Alicia Keys, in an interview about her album ''The Element of Freedom'' with ''Billboard'' magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl". Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told ''Newsday'' that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.
In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time". In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010. In November 2010, ''Billboard'' released its "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight number one singles on the R&B;/Hip-Hop Songs chart, but also landed five number ones on R&B;/Hip-Hop Albums.
Houston's debut album is listed as one of the 500 Greatest Albums of All Time by ''Rolling Stone'' magazine and is on Rock and Roll Hall of Fame's Definitive 200 list. In 2004, ''Billboard'' picked the success of her first release on the charts as one of 110 Musical Milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today'' in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist ever to be given a BET Lifetime Achievement Award.
Houston was also one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide. Although she released relatively few albums, she was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone.
She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.
+ Film roles | |||
! Year | ! Title | ! Role | Notes and awards |
1992 | ''The Bodyguard'' | Rachel Marron | Nominated – 1993 MTV Movie Award for Best Female PerformanceNominated – 1993 MTV Movie Award for Best Breakthrough PerformanceNominated – 1993 MTV Movie Award for Best On-Screen Duo with co-star Kevin CostnerNominated – 1992 Golden Raspberry Award for Worst Actress |
1995 | ''Waiting to Exhale'' | Savannah Jackson | Nominated – 1996 NAACP Image Award for Outstanding Actress in a Motion Picture |
1996 | ''The Preacher's Wife'' | Julia Biggs | |
1997 | Fairy Godmother | Made-for-television film, part of a revival of the ''Wonderful World of Disney''.Nominated – 1998 Emmy Award for Outstanding Variety, Music Or Comedy SpecialNominated – 1998 NAACP Image Award for Outstanding Television Movie/Mini-Series | |
2012 | Emma | Posthumous release |
+ Television roles | ! Year | ! Title | ! Network | ! Role | Notes |
1984 | ''Gimme a Break!'' | NBC | Rita | "Katie's College" (Season 3, Episode 20) | |
1985 | ''Silver Spoons'' | NBC | Herself | "Head Over Heels" (Season 4, Episode 1, Air date: September 15, 1985)She performed the edited version of "Saving All My Love for You", changing some of the words. | |
2002 | ''Boston Public'' | Fox | Herself | She performed "Try It On My Own" from the 2002 studio album ''Just Whitney''. |
+ Commercials | |||||||
! Year | ! Company | ! Promoting | ! Country | Notes | |||
Dr Pepper/Seven Up | Canada Dry(soft drink beverage) | United States | * Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar free Canada Dry Ginger Ale. | ||||
Coca-Cola | Diet Coke(soft drink beverage) | United States | * Houston sang the Diet Coke theme song, "Just for the taste of it". | ||||
Coca-Cola | Diet Coke(soft drink beverage) | United States | * Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it". | * Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music. | 1989 MTV Video Music Awards#Video of the Year>Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alikes for them. | ||
Electronics(the stereo, TV) | Japan | Keith Thomas (producer)>Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of ''I'm Your Baby Tonight''. | |||||
AT&T; | Telephone services | United States | * Houston sang its theme song, "True Voice". |
+ Production | |||
! Year | ! Title | ! Director | Notes and awards |
1997 | Robert Iscove | Executive producerNominated – 50th Primetime Emmy Awards | |
2001 | [[Garry Marshall | ProducerWon – 2002 Young Artist Award for Best Family Feature Film – ComedyNominated – 2002 Broadcast Film Critics Association Award for Best Family Film (Live Action) Nominated – 2002 Phoenix Film Critics Society Award for Best Family FilmNominated – 2002 Teen Choice Award for Film – Choice Movie, Comedy | |
2003 | Oz Scott | Producer | |
2004 | ''The Princess Diaries 2: Royal Engagement'' | Garry Marshall | Producer |
2006 | Kenny Ortega | Co-executive producer |
;World tours
;Regional tours
;Televised concerts
Category:1963 births Category:2012 deaths Category:American people of Dutch descent Category:American people of Native American descent Category:Actors from New Jersey Category:African American female singers Category:African American film actors Category:African American record producers Category:African-American film producers Category:American dance musicians Category:American female models Category:American gospel singers Category:American mezzo-sopranos Category:American pop singers Category:American rhythm and blues singers Category:Arista Records artists Category:Articles with inconsistent citation formats Category:Baptists from the United States Category:Death in California Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from East Orange, New Jersey Category:People from Newark, New Jersey Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers
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