A nasal consonant is a type of consonant produced with a lowered velum in the mouth, allowing air to escape freely through the nose. Examples of nasal consonants in English are and , in words such as ''nose'' and ''mouth''.

Definition

Nearly all nasal consonants are nasal stops (or nasal continuants), where air escapes through the nose but not through the mouth, as it is blocked by the lips or tongue. The oral cavity still acts as a resonance chamber for the sound. Rarely, consonants other than stop consonants may be nasalized.

Most nasals are voiced, and in fact the nasal sounds and are among the most common sounds cross-linguistically. Voiceless nasals do occur in a few languages, such as Burmese and Welsh. (Compare oral plosives, which block off the air completely, and fricatives, which obstruct the air with a narrow channel. Both stops and fricatives are more commonly voiceless than voiced, and are known as obstruents.)

In terms of acoustics, nasal stops are sonorants, meaning that they do not significantly restrict the escape of air (as it can freely escape out the nose). However, nasals are also stops in their articulation because the flow of air through the mouth is blocked completely. This duality, a sonorant airflow through the nose along with an obstruction in the mouth, means that nasal stops behave both like sonorants and like obstruents. For example, nasal stops tend to pattern with other sonorants such as and , but in many languages they may develop from or into plosives.

Acoustically, nasal stops have bands of energy at around 200 and 2,000 Hz.

[m]

colspan=3	Voiced	Voiceless
! Description	help:IPA>IPA	X-SAMPA>SAMPA	! Description	! IPA	! SAMPA
voiced bilabial nasal		|	voiceless bilabial nasal	or	[m_0]
voiced labiodental nasal	|	[F]	voiceless labiodental nasal	or	[F_0]
voiced dental nasal	|	[n_d]	voiceless dental nasal	or	[n_d_0]
voiced alveolar nasal	|	[n]	Voiceless alveolar nasal	or	[n_0]
voiced retroflex nasal	|	[n`]	voiceless retroflex nasal	or	[n`_0]
voiced palatal nasal	|	[J]	voiceless palatal nasal	or	[J_0]
voiced velar nasal, commonly written ''Ng (digraph)	ng''.	|	[N]	voiceless velar nasal	or	[N_0]
voiced uvular nasal	|	[N\]	voiceless uvular nasal	or	[N\_0]

1. The symbol [n] is commonly used to represent the dental nasal as well, rather than n̪, as it is rarely distinguished from the alveolar nasal.

Examples of languages containing nasal consonants:

The voiced retroflex nasal is [ɳ] is a common sound in Indic languages.

The voiced palatal nasal [ɲ] is a common sound in European languages, such as: Spanish ''ñ''; or French and Italian ''gn''; or Catalan, Hungarian and Luganda ''ny''; or Czech and Slovak ''ň''; or Polish ''ń''; or Occitan and Portuguese ''nh''; or Serbian, Croatian, Bosnian and Montenegrin ''nj''.

English, German and Cantonese have , and . Tamil possesses distinct letters to represent , , , , and (ம,ந,ன,ண,ஞ,ங).

Catalan, Occitan, Spanish, and Italian have , , as phonemes, and and as allophones. (In several American dialects of Spanish, there is no palatal nasal but only a palatalized nasal, , as in English ''canyon''. In Brazilian Portuguese nh is frequently pronounced as a nasalized [ j ], that is, as a nasal glide. This vowel also exists in Guaraní.)

The term 'nasal stop' will often be abbreviated to just "nasal". However, there are also nasal fricatives, nasal flaps, nasal glides, and nasal vowels, as in French, Portuguese, Catalan (dialectal feature), Yoruba, Gbe, Polish, and Ljubljana Slovene. In the IPA, nasal vowels are indicated by placing a tilde (~) over the vowel in question: French ''sang'' .

A select few languages use voiceless nasal consonants. Among them are Icelandic, Burmese, Jalapa Mazatec, Kildin Sami, Welsh, and Central Alaskan Yup'ik.

Languages without nasals

Few languages, perhaps 2.3%, contain no nasal consonants. This has led Ferguson (1963) to assume that all languages have at least one primary nasal consonant. When a language is claimed to lack nasal consonants altogether, as with several Niger–Congo languages, or the Pirahã language of the Amazon, nasal and non-nasal or prenasalized consonants usually alternate allophonically, and it is a theoretical claim on the part of the individual linguist that the nasal version is not the basic form of the consonant. In the case of some Niger–Congo languages, for example, nasal consonants occur before only nasal vowels. Since nasal vowels are phonemic, it simplifies the picture somewhat to assume that nasalization in stops is allophonic. There is then a second step in claiming that nasal vowels nasalize oral stops, rather than oral vowels denasalizing nasal stops, that is, whether are phonemically without full nasal stops, or without prenasalized stops. Postulating underlying oral or prenasalized rather than nasal consonants helps to explain the apparent instability of nasal correspondences throughout Niger–Congo compared with, for example, Indo-European. In older speakers of the Tlingit language, and are allophones. Tlingit is usually described as having an unusual, perhaps unique lack of despite having six lateral obstruents; the older generation could be argued to have but at the expense of having no nasals.

However, several of the Chimakuan, Salish, and Wakashan languages surrounding Puget Sound, such as Quileute, Lushootseed, and Makah, are truly without any nasalization at all, in consonants or vowels, except in special speech registers such as baby-talk or the archaic speech of mythological figures (and perhaps not even that in the case of Quileute). This is an areal feature, only a few hundred years old, where nasal stops became voiced plosives ([m] became [b], etc). The only other places in the world where this occurs is in a dialect of the Rotokas language of Papua New Guinea, where nasal stops are used only when imitating foreign accents (a second dialect does have nasal stops), and in some of the Lakes Plain languages of West Papua.

See also

Oral consonant

List of phonetics topics

Nasalization

Notes and references

Notes

References

Ferguson (1963) 'Assumptions about nasals', in Greenberg (ed.) ''Universals of Language'', pp 50–60.

Saout, J. le (1973) 'Languages sans consonnes nasales', ''Annales de l Université d'Abidjan'', H, 6, 1, 179–205.

Williamson, Kay (1989) 'Niger–Congo overview', in Bendor-Samuel & Hartell (eds.) ''The Niger–Congo Languages'', 3–45.

Category:Consonants

af:Nasaal als:Nasaler Konsonant bn:নাসিক্য ব্যঞ্জনধ্বনি br:Kensonenn dre fri ca:Nasal cs:Nazální souhláska de:Nasal (Phonetik) et:Ninahäälik es:Consonante nasal eo:Naza konsonanto fr:Consonne nasale ko:비강음 id:Konsonan nasal it:Consonante nasale he:עיצורים אפיים lv:Nazāls līdzskanis hu:Nazális hang mk:Назална согласка mr:अनुनासिक ms:Konsonan sengauan nl:Nasale medeklinker ja:鼻音 no:Nasaler nn:Nasal pl:Spółgłoska nosowa pt:Consoante nasal ro:Consoană nazală ru:Носовые согласные fi:Nasaali sv:Nasal konsonant th:เสียงพยัญชนะนาสิก uk:Носовий приголосний zh:鼻音

name	Owl City
landscape	Yes
background	group_or_band
alias	Adam Young
genre	Electronica, Synthpop
origin	Owatonna, Minnesota, United States
years active	2007–present
label	Universal Republic
associated acts	Sky Sailing, Swimming With Dolphins, Matt Thiessen, Lights, Breanne Düren
website
current members	Adam Young }}

Owl City is an American electronica musical project by singer-songwriter and multi-instrumentalist Adam Young formed in 2007 in Owatonna, Minnesota. Young created the project while experimenting with music in his parents' basement. Like many musicians who achieved success in the late 2000s, Owl City developed a following on the social networking site Myspace before signing with Universal Republic in 2008.

After two independent releases, Owl City gained mainstream popularity with the 2009 major label debut album ''Ocean Eyes'', which spawned the quadruple-platinum hit single "Fireflies". The album was certified Platinum in the United States in April 2010.

In 2011, Owl City released his third studio album, ''All Things Bright and Beautiful''.

Early years (2007–2009)

Suffering from insomnia while working loading Coca-Cola trucks in his hometown Owatonna, Minnesota, Young turned to composing music. He began uploading songs recorded in his parents' basement to Myspace. He started to receive favorable attention for his music and then helped cultivate this nascent fanbase by being an open and accessible web presence, responding to any messages he received and constantly posting blogs. His manager Steve Burksy later highlighted the significance of Young's engaging online manner in building his following saying: "People feel like they know him, like they've got a direct connection to him because of how he approaches his connection with them online." Through a deal with the digital aggregator CD Baby, he then started making the songs available for sale through iTunes. In 2007, Owl City released an EP titled ''Of June'', followed by the 2008 release of the album ''Maybe I'm Dreaming''. ''Of June'' reached No. 15 on the ''Billboard'' Electronic Albums chart, and ''Maybe I'm Dreaming'' peaked on the same chart at No. 13.

The viral phenomenon that was building through Myspace caught the attention of Universal Republic presidents Avery and Monte Lipman who approached Young with a view to signing the artist. Republic recommended Young partner up with 27-year-old manager Steve Bursky of Foundations Artist Management and the two began working together in late 2008. When later asked by HitQuarters why the label chose him for a major label act given his relative inexperience, Burksy said:

"I think they saw Owl City as representing the future of our business. This idea of a kid in a tiny town in rural U.S. being able to make songs in his basement that sound like Top 40 radio could never have happened ten years ago. By hiring a young management company who understands the business circa 2011 over a seasoned industry vet, who might not understand the online spaces well, showed a lot of understanding of where this kid was going to end up having success."

Owl City's label deal with Universal Republic was finally confirmed in February 2009. According to Bursky there was initially some disagreement about the direction Owl City should follow, telling HitQuarters: "They were ready to send him into the studio with big producers and polish him up to try to become this thing that he wasn't. But we put our foot down and said, 'Look, the reason you signed this kid is because it’s working. Whatever it is about him - his music, his interaction with his fans, his brilliance in the online space - these things are connecting with people, and as soon as you change that you lose what’s special about this artist.' To their credit, they really listened and they got it."

''Ocean Eyes'' (2009–2010)

''Ocean Eyes'', Owl City's third full-length album and major label debut, was released on iTunes on July 14, 2009, with the physical release following on July 28, 2009. The album debuted at No. 27 on the Billboard 200. Owl City has released three official singles from this album: "Umbrella Beach", "Vanilla Twilight" and "Fireflies". "Fireflies" topped the US and Canadian charts. ''Ocean Eyes'' reached the top ten on the US album charts, topped the US electronic charts, and also reached Amazon MP3's top 10 most downloaded album list. By April 2010, it was certified Platinum in the United States. On January 24, 2010, Owl City reached the No. 1 spot in the UK Top 40 Singles chart with "Fireflies". The song "Tidal Wave" also received significant airplay on Christian music radio stations. On January 2, 2011, it was revealed "Fireflies" was the 20th most downloaded song of all time in the UK.

Young is joined by Breanne Düren on several tracks; the most noted being "The Saltwater Room". Owl City's live band consists of Breanne Düren (background vocals/keyboards), Casey Brown (drums), Laura Musten (violin), Hannah Schroeder (cello), and Daniel Jorgensen (vibes).

Relient K vocalist Matt Thiessen has toured and collaborated with Owl City on several tracks, including "Fireflies", where Matt can be heard providing the backup vocals. Young also produced Relient K's song "Terminals".

"Fireflies" was released as a free download on the game ''Tap Tap Revenge 3'' by Tapulous. Prior to the July 14, 2009 internet release of ''Ocean Eyes'', and the "Fireflies" single, Steve Hoover was hired as a director for a music video for "Fireflies". The video was to have had an exclusive premiere on MySpace, but had been leaked onto YouTube and Dailymotion hours earlier. "Fireflies" became a big sleeper hit, topping the Billboard Hot 100 in the United States for the week ending November 7, 2009.

Owl City is featured on ''Soundtrack 90210'' with a song titled "Sunburn", which was released on October 13, 2009. Owl City has toured with The Scene Aesthetic, Lights, John Mayer, Maroon 5 and Brooke Waggoner. He was also guest featured in the soundtrack to Tim Burton's ''Alice in Wonderland'' with a song entitled "The Technicolor Phase" that had already been featured in his debut album.

In 2010, Young revealed a new musical project known as Sky Sailing, which moved away from his usual electronica genre of music and introduced acoustic guitar and piano accompaniments into his work. The unrefined tracks were recorded in the summer of 2007 before he began making music as Owl City. His first album under this new project is entitled ''An Airplane Carried Me to Bed'', and was released July 13, 2010 via iTunes.

In May 2010, Adam Young collaborated with high-profile British electronic composer, producer, musician, and songwriter Nick Bracegirdle. Under his Chicane alias, Bracegirdle released the single "Middledistancerunner" on August 1, 2010 featuring Adam Young on vocals. This is the first single from the fourth Chicane album ''Giants''. He also worked with famed Dutch producer Armin van Buuren, appearing on a track called 'Youtopia' from the van Buuren album ''Mirage'' on September 10, 2010.

On September 21, 2010 "To the Sky" was officially released via iTunes on the soundtrack for Legend of the Guardians: The Owls of Ga'hoole.

On October 25, 2010, Young released a cover version of the praise and worship song "In Christ Alone" as a streaming mp3 on his website,

On November 13, 2010, a new album was also released for one of his other musical projects, "Windsor Airlift", called "Flight" on iTunes.

On November 23, 2010, a new Christmas single called "Peppermint Winter" was released. A preview had been released the previous week on Facebook.

''All Things Bright and Beautiful'' (2010–2011)

Production on Young's third studio album began around mid-2010, with Young being announced as the executive producer of the album.

On October 18, 2010 Young wrote an entry on his blog regarding his third studio album, saying that the album was nearing completion.

In February 2011, the title of the album was announced to be ''All Things Bright and Beautiful'' and that the album would be released on May 17. However, on April 6, Young released a statement on his website, along with lengthy previews of four of his songs (Dreams Don't Turn to Dust, Alligator Sky Featuring Shawn Chrystopher, Galaxies, and Deer in the Headlights), that the release date for ''All Things Bright and Beautiful'' would be pushed back to June 14.

On March 22, Alligator Sky was released as the lead single from the album on ''iTunes''.

In Late March and Early April, tickets went on sale for The All Things Bright and Beautiful World Tour, and All Things Bright and Beautiful became available for preorder.

On April 19, Galaxies was released as the second single from the album.

On May 6, the music video for Alligator Sky was released. Young discussed the concept in a making-of video posted on Owl City's VEVO account, "The concept is basically about these two guys who are leaving Earth. Rather than it being this very dark post-apocalyptic vibe, it's very optimistic, and so it's like people are excited to leave earth."

On May 23, Deer in the Headlights, the third single from the album, was released on iTunes.

On June 14, All Things Bright and Beautiful was released on iTunes. Although only a few days prior on May 20, almost all of the album leaked onto the internet.

On June 30, the music video for 'Deer in the Headlights' was released. It features Young driving through the night in the DMC DeLorean featured in the Back to the Future trilogy and Canadian musician Lights makes a cameo appearance in the video.

On July 19, "Lonely Lullaby" was released as a single on iTunes, which was previously available only to Owl City Galaxy members.

Young was interviewed in the August issue of Cliché Magazine. He also appeared on the cover of the magazine and the issue also featured some of Young's very own art work.

On July 21, at the Club Nokia concert in Los Angeles, Young announced that the concert was being filming for a Live DVD to be released by the holiday season.

On November 28, the music video for "Youtopia", by Armin van Buuren Featuring Adam Young, was released on YouTube.

Fourth Studio Album (2011-Present)

In Young's final tour dates of 2011, he said that he had begun the recording process of his fourth studio album. He also performed a new song entitled "I Hope You Think of Me".

On January 2, 2012, Young wrote an entry on his blog regarding his fourth studio album. Young said that he would be collaborating with more producers and songwriters, also saying that his new record "Marks a flying leap in this direction". Young expects the album to be released around late Summer to Fall 2012.

Musical styles and influences

Owl City's music is described as indietronica and synthpop and is often described as belonging under the broad "alternative music" label. Young has stated that he is inspired by disco and European electronic music, as well as instrumental genres such as drone, ambient, and post-rock. He cites his biggest influences as Johnathon Ford of Unwed Sailor and Thomas Newman. Young also incorporates a large amount of his Christian faith into his music, since he is a vocal Christian. Young's faith is evident on the new album, "All Things Bright and Beautiful", especially in "Galaxies". Explaining why the faith-filled song was added to the mix, he said, "I feel like if I were ever to hide the fact that that’s what’s so important to me, it would be a crime, that I should probably be put in jail for that."

Owl City also has been compared to The Postal Service, often critically, for his combination of fuzzy synths, ironic lyrics and use of female guest singers. Pitchfork.com goes far enough to say that "The surprise No. 1 single in the country, Owl City's 'Fireflies,' jacks the Postal Service in such a bald-faced, obvious manner that getting into specifics feels redundant at best and tacky at worst." In response to the suggestion that his work is derivative, Adam Young suggested in a 2009 interview with The New York Times that ''Ocean Eyes'' is perhaps the "next chapter" after American band The Postal Service: "The Postal Service released a record in 2003, and that was it. There was really nothing to compare it to until some one else came along and wrote the next chapter. Maybe that's this record. Maybe that's this band."

Other projects

Young also produces music under a wide variety of other projects, which include Port Blue, Dolphin Park, Windsor Airlift, Insect Airport, Seagull Orchestra, Novel, Aquarium, Sky Sailing, and Swimming with Dolphins. Most of these projects were started before Owl City propelled Young to fame. Many of these projects were formed alongside some friends, including Austin Tofte of Swimming with Dolphins.

Young was featured on the track "All About Us" by He Is We released on August 29, 2011, on iTunes. He was also featured on the track "First Noel" on TobyMac's album ''Christmas in Diverse City'' released October 4, 2011.

Band members

;Current members

Adam Young – lead vocals, programming, keyboards, piano, synthesizers, guitars, bass guitar, drums, percussion, vibraphone, accordion

;Current touring members While Young writes, composes, records, and produces all of Owl City's music, during live performances he is accompanied by a group of supporting musicians:

Breanne Düren – keyboards, backing vocals

Daniel Jorgensen – guitar, vibraphone

Laura Musten – violin

Hannah Schroeder – cello

Casey Brown – drums

Concert tours

Discography

;Extended Plays

''Of June'' (2007)

;Studio albums

''Maybe I'm Dreaming'' (2008)

''Ocean Eyes'' (2009)

''All Things Bright and Beautiful'' (2011)

''Untitled Fourth Studio Album'' (2012)

References

External links

Owl City Official Website

Category:Musical groups from Minnesota Category:American indie rock groups Category:American New Wave musical groups Category:Electronic music groups from Minnesota

af:Owl City zh-min-nan:Owl City cs:Owl City da:Owl City de:Owl City es:Owl City fr:Owl City gl:Owl City ko:아울 시티 it:Owl City he:Owl City lv:Owl City li:Owl City nl:Owl City ja:アウル・シティー no:Owl City nn:Owl City pl:Owl City pt:Owl City ru:Owl City simple:Owl City sk:Owl City fi:Owl City sv:Owl City th:อาวล์ซิตี tr:Owl City uk:Owl City vi:Owl City zh:貓頭鷹之城

name	Donna Summer
background	solo_singer
background	solo_singer
alias	Donna Gaines
birth name	LaDonna Adrian Gaines
born	December 31, 1948 Boston, Massachusetts, USA
origin	Dorchester, Massachusetts, USA
genre	Dance-pop, disco, pop, rock, new wave
occupation	Singer-songwriter
years active	1968–present
instrument	Vocals, piano
label	Oasis RecordsCasablanca (1975–1980)Geffen (1980–1988)Atlantic (1988–1991)Mercury (1994–1996) Warner-Elektra-Atlantic (Outside of U.S. 1980–1991)Epic (1999–2001)Burgundy (2006–present)
associated acts	Giorgio Moroder, Brooklyn Dreams }}

LaDonna Adrian Gaines (born December 31, 1948), known by her stage name, Donna Summer, is an American singer/songwriter who gained prominence during the disco era of the 1970s. She has a mezzo-soprano vocal range. Summer is a five-time Grammy winner and was the first artist to have three consecutive double albums reach number one on the US ''Billboard'' chart. She also charted four number-one singles in the US within a thirteen-month period.

Early life and career

Donna Summer was born on New Year's Eve 1948 in the Dorchester neighborhood of Boston, Massachusetts, she was one of seven children raised by devout Christian parents. Influenced by Mahalia Jackson, Summer began singing in the church at a young age. In her teens, she formed several musical groups including one with her sister and a cousin, imitating Motown girl groups such as The Supremes and Martha and the Vandellas in Boston.

In the late 1960s, Summer was influenced by Janis Joplin after listening to her albums as member of Big Brother and the Holding Company, and joined the psychedelic rock group the Crow as lead singer. Beforehand, Summer dropped out of school convinced that music was her way out of Boston, where she had always felt herself to be an outsider, even among her own family who ridiculed her for her voice and her looks. The group was short-lived, as they split upon their arrival in New York. In 1968, Summer auditioned for a role in the Broadway musical, ''Hair''. She lost the part of Sheila to Melba Moore. When the musical moved to Europe, Summer was offered the role. She took it and moved to Germany for several years. While in Germany, where she learned to speak German fluently, she participated in the musicals ''Godspell'' and ''Show Boat''. After settling in Munich, she began performing in several ensembles including the Viennese Folk Opera and even sang as a member of the pop group FamilyTree – "invented" and created by the German music producer Guenter "Yogi" Lauke & the Munich Machine. She came to the group in 1973 and toured with the 11-people pop group throughout Europe. She also sang as a studio session singer and in theaters. In 1971, while still using her birth name Donna Gaines, she released her first single, a cover of "Sally Go 'Round the Roses", though it was not a hit. In 1972, she married Austrian actor Helmuth Sommer and gave birth to their daughter Mimi Sommer in 1973. Citing marital problems caused by his frequent absences, she divorced him but kept his last name, changing the "o" to a "u".

1970s

It was while singing background for the hit-making 1970s trio Three Dog Night that Summer met producers Giorgio Moroder and Pete Bellotte. She eventually made a deal with the European label Groovy Records and issued her first album, ''Lady of the Night'', in 1974. The album was not released in America, but found some limited European success on the strength of the song "The Hostage", which reached number one in Belgium and number two in the Netherlands. Summer's early material consisted of pop rock and folk rock material. She stated years later that had she not recorded disco she would have been a black rock singer, but considering there was not a market for black rock singers, Summer thought it would be hard to get promoted as such.

In 1975, Summer approached Moroder with an idea for a song he and Bellotte were working on for another singer. She had come up with the lyrics "love to love you, baby". Moroder was interested in developing the new sound that was becoming popular and used Summer's lyric to develop the song. Moroder persuaded Summer to record what was to be a demo track for another performer. She later said that she had thought of how the song might sound if Marilyn Monroe had sung it and began cooing the lyrics. To get into the mood of recording the song, she requested the producers turn off the lights while she sat on a sofa inducing moans and groans. After hearing playback of the song, Moroder felt Summer's version should actually be distributed. Released as "Love to Love You" in Europe, some radio stations refused to play it, but the song found modest chart success in several countries there. The song was a real piece of work with sensual elegance.

The song was then sent to America and arrived in the office of Casablanca Records president Neil Bogart in hopes of getting an American release. Casablanca was known around the industry for throwing lavish parties. At one of these parties, Bogart, still undecided about releasing the song on his label, had "Love To Love You" played so he could gauge the reaction of people on the dancefloor. The crowd took to the song (which was less than five minutes) so strongly that they kept asking for it to be played over and over consecutively so they could continue dancing in the same groove. Soon after that night, Bogart informed Summer and Moroder he would release the song but requested that Moroder produce a longer version, about 15 to 20 minutes in length. Moroder, Bellotte, and Summer returned with a 17 minute version that included a soulful chorus and an instrumental break where Summer invoked even more moans. Bogart stated the name would be slightly changed to "Love to Love You Baby" for the American release. Casablanca signed Summer and it released the single in November 1975. The shorter version of the single was promoted to radio stations while clubs received the 17 minute version (the longer version would also appear on the album). When Casablanca released the 17 minute version in its entirety as a single, it became one of the first record labels, to help make popular a format that would later be known as the 12 inch. By early 1976, "Love To Love You Baby" had reached #2 on the US Billboard Hot 100, while the parent album of the same name sold over a million copies. The song generated controversy for Summer's moans and groans and some American radio stations, like several in Europe, refused to play it. ''Time magazine'' would report that 22 orgasms were simulated in the making of the song. Other upcoming singles included "Try Me, I Know We can Make It", US #80; "Could It Be Magic", US #52; "Spring Affair", US #58; and "Winter Melody", US #43. The subsequent albums ''Love Trilogy'' and ''Four Seasons of Love'' both went gold in the US.

In 1977, Summer released the concept album ''I Remember Yesterday''. This album included her second top ten single, "I Feel Love", which reached number six in the US and number one in the UK. These US Hot 100 entries on the singles chart would help get Summer deemed in the press as "The First Lady of Love", a title which she was not totally comfortable with.

Another concept album, also released in 1977, was the double album, ''Once Upon a Time'', which told of a modern-day Cinderella "rags to riches" story through the elements of orchestral disco and ballads. This album would also attain gold status. In 1978, Summer released her version of the Richard Harris ballad, "MacArthur Park", which became her first number one US hit. The song was featured on Summer's first live album, ''Live and More'', which also became her first album to hit number one on the US Billboard 200 chart, and went platinum selling over a million copies. Other studio tracks included the top ten hit, "Heaven Knows", which featured the group Brooklyn Dreams accompanying her on background and Joe "Bean" Esposito singing alongside her on the verses. Summer would later be involved romantically with Brooklyn Dreams singer Bruce Sudano and the couple married two years after the song's release. Also in 1978, Summer acted in the film, ''Thank God It's Friday'', playing a singer determined to perform at a hot disco club. The film met modest success, but a song from the film, entitled "Last Dance", reached number three on the Hot 100 and resulted in Summer winning her first Grammy Award. Its writer, Paul Jabara, won an Academy Award for the composition. Despite her musical success, Summer was struggling with anxiety and depression and fell into a prescription drug addiction for several years.

In 1979, Summer was a performer on the world-televised Music for UNICEF Concert. The United Nations organization Unicef had declared 1979 as the Year of the Child. Summer joined contemporaries like Abba, Olivia Newton-John, the Bee Gees, Andy Gibb, Rod Stewart, John Denver, Earth, Wind and Fire, Rita Coolidge and Kris Kristofferson for an hour's TV special that raised funds and awareness for the world's children. Artists donated royalties of certain songs, some in perpetuity, to benefit the cause.

''Bad Girls'' and the break from disco

Following her recovery from prescription drug addiction, Summer worked on her next album with Moroder and Bellotte. The result was ''Bad Girls'', an album that had been in production for nearly two years. Summer based the concept of the album on a prostitute, as was made clear in the lyrics. The album became a success, spawning the number one hits "Hot Stuff" and Bad Girls, and the number two ballad "Dim All the Lights" With ''MacArthur Park'', ''Hot Stuff'', ''Bad Girls'', and the Barbra Streisand duet "No More Tears (Enough is Enough)" (which appeared on Streisand's album ''Wet''), Summer achieved four number-one hits within a thirteen month period. Those aforementioned songs, along with ''Heaven Knows'', ''Last Dance'', ''Dim All The Lights'', and ''On the Radio'' (from her upcoming double-album) would give her eight US Top 5 singles within a two year period. "Hot Stuff" later won her a second Grammy in the Best Female Rock Vocal Performance, which was the first time that category was ever brought to the award's show. That year, Summer played eight sold-out nights at the Universal Amphitheater in Los Angeles.

Summer released her first greatest hits set in 1979, a double-album entitled ''On The Radio: Greatest Hits Volumes 1 & 2''. The album reached number one in the US, becoming her third consecutive number one album. A new song from the compilation, "On the Radio", reached the US top five.

1980s

After the release of the greatest hits album, Summer wanted to branch out with other musical styles in addition to disco. This led to tensions between her and Casablanca Records. Sensing that they could no longer come to terms, Summer and the label parted ways in 1980, and she signed with Geffen Records, the new label started by David Geffen.

Summer's first release on Geffen Records was ''The Wanderer''; it replaced the disco sound of Summer's previous releases with more of the burgeoning new wave sound and elements of rock, such as the material being recorded at this time by Pat Benatar. The first single, the title track, became a hit and peaked at #3 in the US, subsequent singles were moderate hits. The album achieved gold status in the US, but met limited success on the UK charts.

Summer's projected second Geffen release, entitled ''I'm a Rainbow'', was shelved by Geffen Records (though two of the album's songs would surface in soundtracks of the 1980s films ''Fast Times at Ridgemont High'' and ''Flashdance''). Summer reluctantly parted company with Moroder after seven years working together as Geffen had recruited Quincy Jones to produce her next album. The result was the 1982 album ''Donna Summer''. The album had taken a lengthy six months to record. The album's first single, the dance track "Love Is in Control (Finger on the Trigger)", became an American top ten hit on the Hot 100, followed by more moderate hits "State of Independence"(#41 pop) and "The Woman In Me"(#33 pop). Problems then increased between Summer and Geffen Records after they were notified by Polygram Records, the parent company of Summer's former label Casablanca, that she needed to deliver them one more album to fulfill her agreement with them. Summer delivered the album ''She Works Hard for the Money'' and Polygram released it on its Mercury imprint in 1983. The title song became a hit reaching number three on the US Hot 100, and would provide Summer with a Grammy nomination. The album also featured the reggae-flavored top 20 UK hit "Unconditional Love", which featured the group Musical Youth who were riding high from the success of their single "Pass the Dutchie". The third US single, "Love Has A Mind of Its Own", reached the top forty of the Billboard R&B; chart. The album was certified gold. During the '80's Donna Summers stage and wardrobe designer was James Hopkins of Jopkin Design designing costumes and wardrobe that help tell the story of her music.

In late 1984, with no more albums due to Polygram, Summer returned on Geffen Records with her next release. Geffen, wanting to keep the momentum going, enlisted ''She Works Hard For the Money'''s producer Michael Omartian to produce ''Cats Without Claws''. The album, however, was not as successful as ''She Works Hard For the Money'' and failed to attain gold status of 500,000 copies sold in the US, becoming her first album since her 1974 debut not to do so. It did include a moderate hit in "There Goes My Baby", which peaked at #21.

Controversy

In the mid 1980s, Summer was in the midst of a controversy. She had allegedly made anti-gay remarks regarding the then-relatively new disease AIDS, which as a result had a significantly negative impact on her career and saw thousands of her records being returned to her record company by angered fans. Summer, by this time a born-again Christian, was alleged to have said that AIDS was a punishment from God for the immoral lifestyles of homosexuals. However, she later denied that she had ever made any such comment and, in a letter to the AIDS campaign group ACT UP in 1989, she claimed that it was a ''"terrible misunderstanding. I was unknowingly protected by those around me from the bad press and hate letters....If I have caused you pain, forgive me."'' She went on to apologise for the delay in refuting the rumors and closed her letter with quotes from Chapter 13 of 1 Corinthians from the Bible.

Also in 1989, Summer told ''The Advocate'' magazine that ''"A couple of the people I write with are gay, and they have been ever since I met them. What people want to do with their bodies is their personal preference."''. A couple of years later she filed a lawsuit against ''New York'' magazine when it reprinted the rumors as fact just as she was about to release her album ''Mistaken Identity'' in 1991. According to an ''A&E; Biography'' program dedicated to Summer in which she participated in 1995, the lawsuit was settled out of court though neither side were able to divulge any details.

European success

In 1987, Summer returned with the album ''All Systems Go'', which did not sell well, becoming her second consecutive album not to achieve gold status. It featured the single "Dinner with Gershwin" (written by Brenda Russell), which was only a minor US hit, though it peaked at #13 in the UK. The album's title track, "All Systems Go", was released only in the UK where it peaked at #54.

For Summer's next album, Geffen Records hired the hit production team of Stock Aitken Waterman (or ''SAW''), who had experienced incredible success by writing and producing for such acts as Kylie Minogue, Dead or Alive, Bananarama, and Rick Astley among others. However, Geffen decided not to release the album, entitled ''Another Place and Time'', and Summer and Geffen Records parted ways in 1988. The album was released in Europe in March 1989 on Warner Bros. Records, which had been Summer's label in Europe since 1982. The single "This Time I Know It's For Real" had become a top ten hit in several countries in Europe, prompting the Warner Bros. subsidiary company Atlantic Records to sign Summer in the US and pick up the album for a North American release soon after. The single peaked at #7 on the Hot 100 in the US, and became her twelfth gold single there. It was also Summer's final Top 40 hit on the American pop charts, though she scored two more UK hits from the album, "I Don't Wanna Get Hurt" (UK #7) and "Love's About To Change My Heart" (UK #20).

1990s

In 1990, ''The Best of Donna Summer'' was released on Warner Bros. Records. It featured some of Summer's biggest hits from this period (with the exception of any material from the Mercury album, as this was not a division of Warner Bros.) plus a small selection of her 1970s disco hits licensed from PolyGram.

In 1991, Summer released the new jack swing style album ''Mistaken Identity''. It did not sell well, but did contain the #18 R&B; hit "When Love Cries".

In 1993, Polygram Records released an extended greatest hits collection entitled ''The Donna Summer Anthology''. It included 34 songs totally over two and a half hours of music. It not only included songs from the Polygram-owned labels of Casablanca and Mercury, but also material from Atlantic and Geffen Records as well.

In 1994, Summer return with a new album on Mercury/Polygram, a gospel-influenced Christmas album entitled ''Christmas Spirit''. It included classic Christmas songs such as "O Holy Night", "Joy To The World", and "O Come All Ye Faithful" as well as some original songs.

Some of Summer's dance releases including "Carry On" (her first collaboration with Moroder in a decade) and "Melody of Love (Wanna Be Loved)" charted on the US Dance Chart, with "Melody of Love" reaching number one on that chart and also reaching number 21 on the UK Singles Chart

Also in 1994, Polygram would release yet another Summer album (Polygram's third Summer album within a two year period); a collection called "Endless Summer: Greatest Hits". The differences between this greatest hits album and the ''Anthology'' collection would be that this package contained 18 songs, while ''Anthology'' contained 34; and the songs here were mainly the radio versions heard at the time of their release, while ''Anthology'' contained somewhat longer versions of the songs.

While touring, Summer was offered a role guest-starring on the sitcom ''Family Matters'' as Steve Urkel's (Jaleel White) Aunt Oona in 1994, and again in 1997. In 1998, Summer received a Grammy Award for Best Dance Recording, being the first to do so, after a remixed version of her 1992 collaboration with Giorgio Moroder, "Carry On", was released in 1997. In 1999, Summer taped a live television special for VH1 titled ''Donna Summer – Live and More Encore'', producing the second highest ratings that year for the network, after their annual ''Divas'' special. A CD of the event was released by Epic Records and featured two studio recordings, "I Will Go with You (Con te partirò)" and "Love Is the Healer" reached number one on the Billboard Dance Charts.

2000s

Summer scored top ten hits on Billboard's Dance Chart in the beginning of the new millennium. In 2000, she also appeared on the third annual ''Divas'' special, dedicated to Diana Ross, though Summer sang her own material for the show. In 2004, Summer was inducted to the Dance Music Hall of Fame alongside The Bee Gees and Barry Gibb as an artist. Her classic song, "I Feel Love", was also inducted that night. Also, that year, she became one of the first acts, as both an Artist Inductee and a Record Inductee (for 1977’s “I Feel Love”) into the Dance Music Hall of Fame in New York City.

In 2008, Summer released her first studio album of original music in 14 years since 1994 '' (Christmas Spirit)''; years entitled ''Crayons'', which peaked at #17 on the US Top 200 Album Chart, and achieved modest international success. The album was released on the Sony BMG label Burgundy Records. The songs "I'm A Fire", "Stamp Your Feet", and "Fame (The Game)" reached number one on the US Billboard Dance Chart. The ballad "Sand on My Feet" was released to adult contemporary stations and reached number thirty on that chart.

While commenting on the album, Summer said “I wanted this album to have a lot of different directions on it. I did not want it to be any one baby. I just wanted it to be a sampler of flavors and influences from all over the world. There’s a touch of this, a little smidgeon of that, a dash of something else…like when you’re cooking.” On the song “The Queen Is Back”, Summer reveals her wry and witty self-awareness of her musical legacy and her public persona. “I’m making fun of myself,” she admits. “There’s irony, it’s poking fun at the idea of being called a queen. That’s a title that has followed me, followed me, and followed me. We were sitting and writing and that title kept popping up in my mind and I’m thinking, ‘Am I supposed to write this? Is this too arrogant to write?’ But people call me ‘the queen,’ so I guess it's ok to refer to myself as what everybody else refers to me as. We started writing the song and thought it was kind of cute and funny.” Summer wrote “The Queen Is Back” and “Mr. Music” with J.R. Rotem and Evan Bogart, the son of Neil Bogart, Casablanca Records founder. Neil Bogart died from cancer at the age of 39. He signed Summer to his Casablanca Records label in 1975 and released most of her biggest records during the 1970s. “I adored him and would have given up everything for him to be alive,” says Summer, remembering a time backstage long ago “when the nail person didn’t show up and Neil got on his knees and did my toenails. In many ways he was my mentor and I didn’t get to say goodbye to him.” When Summer met Evan Bogart, she was struck by his uncanny resemblance to his father. “It’s almost like they chiseled him out of his father,” Summer observed. “I’m in the studio looking at him and I get tears in my eyes, he has no idea why. I just wanted to hug him because it’s like I’m seeing someone I haven’t seen since his father passed away. It’s almost like Neil is looking at me through him. Evan and I hit it off immediately; there was a synergy that happened really quickly.”

On December 11, 2009, Summer performed at the Nobel Peace Prize Concert in Oslo, Norway, in honor of US President Barack Obama. She was backed by the Norwegian Radio Orchestra.

2010s

In August 2010, she released the single "To Paris With Love", co-written with Bruce Roberts and produced by Peter Stengaard. In October 2010, the single reached #1 on the US Billboard Dance Chart. Also that month, Summer appeared in the PBS Television Special ''Hitman Returns: David Foster and Friends''. In it, Summer performed with Seal on a medley of the songs "Unbreak My Heart / Crazy / On The Radio", before Summer closed the show with "Last Dance".

On July 29, 2010, Summer gave an interview with allvoices.com where she was asked if she would consider doing an album of standards. She replied:

:"I actually am, probably in September. I will begin work on a standards album. I will probably do an all-out dance album and a standards album. I'm gonna do both, and we will release them however were gonna release them. We are not sure which is going first."

On September 15, 2010, Summer appeared as a guest celebrity singing alongside rising star Prince Poppycock on the television show ''America's Got Talent''.

On October 16, 2010, she performed at a benefit concert at the Phoenix Symphony.

On June 6, 2011, Summer was a guest judge on the show, ''Platinum Hit'' in week two titled, Dance Floor Royalty. ''Platinum Hit'' is a reality competition series on Bravo launched in 2011 in which 12 singer-songwriters compete through innovative songwriting challenges that will test their creativity, patience and drive. Every episode features a different topic from a dance track to a love ballad, that require the contestants to write and perform lyrics from a multiple of genres, for a cash prize of $100,000, a publishing deal with songwriting collective The Writing Camp, and a recording deal with RCA/Jive label

In July, 2011 Summer was working at Paramount Recording Studios in Los Angeles with her nephew, the rapper and producer O'Mega Red. Together they worked on a track entitled "Angel".

Awards and recognition

One NAACP Image Award.

One time Juno Award nomination for Best Selling International Single,"I feel Love".

Three Multi-Platinum albums in the US.

Eleven of her albums went Gold in the US.

Twelve Gold singles.

Six American Music Awards.

She was the first female African American to receive an MTV Video Music Awards nomination. ("Best Female Video" and "Best Choreography" for "She Works Hard For The Money")

Academy Award for Best Original Song "Last Dance".

Two Golden Globe Award nominations (one win for "Last Dance" Song and one nominated for "The Deep" John Barry's Song).

Summer has received five Grammy Awards.

*1979 – Best R&B; Vocal Performance (Female), ''Last Dance''

*1980 – Best Rock Vocal Performance (Female), ''Hot Stuff''

*1984 – Best Inspirational Performance, ''He's a Rebel''

*1985 – Best Inspirational Performance, ''Forgive Me''

*1998 – Best Dance Recording, ''Carry On''

Twelve Grammy Award nominations (total of seventeen).

*1979 – Best Pop Vocal Performance (Female), ''MacArthur Park''

*1980 – Album of the Year, ''Bad Girls''

*1980 – Best Pop Vocal Performance (Female), ''Bad Girls''

*1980 – Best R&B; Vocal Performance (Female), ''Dim All the Lights''

*1980 – Best Disco Recording, ''Bad Girls''

*1981 – Best Pop Vocal Performance (Female), ''On the Radio''

*1982 – Best Rock Vocal Performance (Female), ''Cold Love''

*1982 – Best Inspirational Performance, ''I Believe in Jesus''

*1983 – Best Rock Vocal Performance (Female), ''Protection''

*1983 – Best R&B; Vocal Performance (Female), ''Love is in Control (Finger on the Trigger)''

*1984 – Best Pop Vocal Performance (Female), ''She Works Hard for the Money''

*2000 – Best Dance Recording, ''I Will Go with You (Con te Partiro)''

Summer placed a Top Forty hit on the ''Billboard'' Hot 100 in every year from 1976 ("Love to Love You Baby") to 1984 ("There Goes My Baby").

Summer was the first artist to score three consecutive number-one double albums.

Summer was twice honored by the Dance Music Hall of Fame; once with her induction as a recording artist and again with the induction for her influential single "I Feel Love". Summer's music career has landed her as the eighth most successful female recording artist in history according to ''Billboard'' .

Summer's career span of ''Billboard'' number-one Disco/Club Play hits spans from 1975's "Love to Love You Baby" through 2010's "[To Paris With Love]".

Summer was nominated for 2010 induction into the Rock and Roll Hall of Fame but was not chosen.

Cover versions by other artists

"I Feel Love" has been sampled several times. The song was sampled by Madonna, Whitney Houston, Bette Midler, Diana Ross, Moloko, Britney Spears, Robbie Williams, Darren Hayes, Mylo, David Guetta, Stuart Price, and Moby among others. "I Feel Love" was recorded by classical pop musician Vanessa-Mae for her 1998 album ''Storm''. Italian company Gucci used a special version of it in the "Flora" perfume advertising, filmed by Chris Cunningham. "I Feel Love" has been covered onstage by Madonna, the Red Hot Chili Peppers' John Frusciante, Kylie Minogue, Blondie, Basement Jaxx, and Finnish progressive rock band Kingston Wall. Venus Hum with Blue Man Group also performed this song with Japanese singer Kumi Koda for their album ''The Complex'', and in 2006, Tracy Bonham stood in for Hum on the Blue Man Group tour, performing the song. Bronski Beat and Marc Almond released the track as a duet with an added bridge section and titled it "I Feel Love/Johnny Remember Me", reaching number 3 in the UK charts in April 1985. In 1992 U.K. alterna-pop group Curve recorded a version for the NME's 40th anniversary compilation ''Ruby Trax'', which became an instant underground classic.

"Love to Love You Baby" was sampled in Beyoncé Knowles's "Naughty Girl" and by TLC on their original version of "I'm Good at Being Bad", but was removed by request of Summer on later editions. The song has been covered in portions onstage by Dionne Warwick.

"I Feel Love" was covered by French Canadian artist Jorane for her 2004 album ''The You and the Now''. LA based band Dengue Fever covered this song on their album ''Radio Dance Floor''. Kylie Minogue's team also sampled this for her 2002 KylieFever. Kylie performed "Light Years" which contains elements of "I Feel Love".

Madonna combined her song "Future Lovers" from her hit album ''Confessions on a Dancefloor'' with "I Feel Love" as the opening song on her Confessions Tour in 2006.

Summer's "Starting Over Again" was a number one hit on the Hot Country Songs chart as a single for Dolly Parton in 1980. It also was a top-forty hit for Parton on the Billboard Hot 100. Reba McEntire named her 1995 album after the song, and McEntire's version hit no. 17 on the country singles chart in 1996. McEntire stated in the album's liner notes that her recording of the song was intended as something of a tribute to Summer and Parton, both artists whom she admired.

Summer's "On the Radio" was covered by country artist Emmylou Harris for her 1983 album ''White Shoes''. British singer and actress Martine McCutcheon recorded a version that reached number 7 in the UK charts in February 2001. An acoustic rendition was released by alt. rock band Hypnogaja in January 2010.

Summer's "Sunset People" was covered by E.G. Daily on her ''Wild Child'' album (1985).

Summer's "Dim All the Lights" was a Top 40 Dance hit for Laura Branigan in 1995, appearing on her ''The Best of Branigan'' album.

Summer's "Last Dance" and "On the Radio" were covered by Tejano/pop singer Selena, most famously at one of her last shows at the Houston Astrodome, on February 26, 1995.

Summer's "All Through the Night" was covered in 1982 by KC and The Sunshine Band on their Painter album, and in 1995 by supermodel Naomi Campbell for her album ''Baby Woman'', featuring Luther Vandross on backing vocals.

Summer's "Bad Girls" was recorded by British Jazz and US pop singer Juliet Roberts in 1998, and again in 2000 by Cheryl Chase for the Nick film ''Rugrats in Paris: The Movie''.

Summer's "Love Is in Control" was covered by pop singer Sheena Easton on her 2000 disco album ''Fabulous''.

In 1985 Dusty Springfield reached number 83 on the UK charts with a cover of "Sometimes like Butterflies".

Summer's "Heaven Knows" was recorded by Faith Evans for inclusion on the soundtrack for the film, The Fighting Temptations.

Summer's "The Woman In Me" was recorded by Heart in the early 1990s.

Summer's "She Works Hard For The Money" was often performed by Millie Jackson during her 1980s concerts. "She Works Hard For The Money" was covered by Kris Allen during an American Idol Season 8 episode and recorded by Allen for the American Idol Season 8 CD.

Summer's "All Through The Night" from the album "Bad Girls", is recorded by model Naomi Campbell in 1994 included in her album "BabyWoman".

Jeffree Star covered her song "Bad Girls" for the upcoming movie called "Turn The Beat Around" for MTV.

Monica Naranjo Fuego de pasion "Love's About To Change My Heart".

Mexican singer Lorena Herrera samples "Try Me ,I Know We Can Make It" in her song Dame Amor from the album Desnudame el Alma.

In 2010, Keri Hilson portrayed Summer in her music video for her hit-single, Pretty Girl Rock.

In 2010 – Rhythm Masters and MYNC Project released a remake of "I Feel Love" on CR2 Records in the UK, with vocals by American Electro/Pop/Dance Artist Wynter Gordon.

Donna Summer concert tours

''Once Upon A Time Tour'' (1977–1978)

''Bad Girls Tour'' (1979)

''The Wanderer Tour'' (1981)

''Hard For The Money Tour'' (1983)

''The Rainbow Tour'' (1984)

''Silver Girl Tour'' (1986)

''All Systems Go Tour'' (1987)

''Endless Summer Tour'' (1995)

''Mid Summer Nights Dream Tour'' ( 1996–1997)

''Live & More Encore Tour'' (1999)

''Greatest Hits Tour'' (2005)

''Crayons Tour'' (2008)

Discography

1974: ''Lady of the Night''

1975: ''Love to Love You Baby''

1976: ''A Love Trilogy''

1976: ''Four Seasons of Love''

1977: ''I Remember Yesterday''

1977: ''Once Upon a Time''

1979: ''Bad Girls''

1980: ''The Wanderer''

1981: ''I'm a Rainbow''

1982: ''Donna Summer''

1983: ''She Works Hard for the Money''

1984: ''Cats Without Claws''

1987: ''All Systems Go''

1989: ''Another Place and Time''

1991: ''Mistaken Identity''

1994: ''Christmas Spirit''

2008: ''Crayons''

See also

Brooklyn Dreams

Best selling music artists

References

External links

Official website

A hit search page

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