Plants are living organisms belonging to the kingdom Plantae. Precise definitions of the kingdom vary, but as the term is used here, plants include familiar organisms such as trees, flowers, herbs, bushes, grasses, vines, ferns, mosses, and green algae. The group is also called green plants or Viridiplantae in Latin. They obtain most of their energy from sunlight via photosynthesis using chlorophyll contained in chloroplasts, which gives them their green color.

Precise numbers are difficult to determine, but as of 2010, there are thought to be 300–315 thousand species of plants, of which the great majority, some 260–290 thousand, are seed plants (see the table below).

The scientific study of plants is known as botany.

Definition

Plants are one of the two groups into which all living things are traditionally divided; the other is animals. The division goes back at least as far as Aristotle (384 BC – 322 BC) who distinguished between plants which generally do not move, and animals which often are mobile to catch their food. Much later, when Linnaeus (1707 – 1778) created the basis of the modern system of scientific classification, these two groups became the kingdoms Vegetabilia (later Metaphyta or Plantae) and Animalia (also called Metazoa). Since then, it has become clear that the plant kingdom as originally defined included several unrelated groups, and the fungi and several groups of algae were removed to new kingdoms. However, these organisms are still often considered plants, particularly in popular contexts.

Outside of formal scientific contexts, the term "plant" implies an association with certain traits, such as being multicellular, possessing cellulose, and having the ability to carry out photosynthesis.

Current definitions of Plantae

When the name Plantae or plant is applied to a specific group of organisms or taxon, it usually refers to one of three concepts. From least to most inclusive, these three groupings are:

! Name(s)	! Scope	! Description
		This group includes the liverworts, hornworts, mosses, and vascular plants, as well as fossil plants similar to these surviving groups.
Green plants - also known as Viridiplantae, Viridiphyta or Chlorobionta		This group includes the land plants plus various groups of green algae, including stoneworts. The names given to these groups vary considerably . Viridiplantae encompass a group of organisms that possess chlorophyll ''a'' and ''b'', have plastids that are bound by only two membranes, are capable of storing starch, and have cellulose in their cell walls. It is this clade which is mainly the subject of this article.
Archaeplastida, Plastida or Primoplantae		This group comprises the green plants above plus Rhodophyta (red algae) and Glaucophyta (glaucophyte algae). This clade includes the organisms that eons ago acquired their chloroplasts directly by engulfing cyanobacteria.

Another way of looking at the relationships between the different groups which have been called "plants" is through a cladogram, which shows their evolutionary relationships. The evolutionary history of plants is not yet completely settled, but one accepted relationship between the three groups described above is shown below. Those which have been called "plants" are in bold. {{barlabel |size=6 |at=3|label=groups traditionally called "algae" |cladogram= }} }} }} }} }} }} }} As is discussed further below, the way in which the groups of green algae are combined and named varies considerably between authors. See also the section Evolution.

Many of the classification controversies involve organisms that are rarely encountered and are of minimal apparent economic significance, but are crucial in developing an understanding of the evolution of modern flora.

Algae

Algae comprise several different groups of organisms which produce energy through photosynthesis and for that reason have been included in the plant kingdom in the past. Most conspicuous among the algae are the seaweeds, multicellular algae that may roughly resemble land plants, but are classified among the brown, red and green algae. Each of these algal groups also includes various microscopic and single-celled organisms. There is good evidence that some of these algal groups arose independently from separate non-photosynthetic ancestors, with the result that many groups of algae are no longer classified within the plant kingdom as it is defined here.

The Viridiplantae, the green plants – green algae and land plants – form a clade, a group consisting of all the descendants of a common ancestor. With a few exceptions among the green algae, all green plants have many features in common, including cell walls containing cellulose, chloroplasts containing chlorophylls ''a'' and ''b'', and food stores in the form of starch. They undergo closed mitosis without centrioles, and typically have mitochondria with flat cristae. The chloroplasts of green plants are surrounded by two membranes, suggesting they originated directly from endosymbiotic cyanobacteria.

Two additional groups, the Rhodophyta (red algae) and Glaucophyta (glaucophyte algae), also have chloroplasts which appear to be derived directly from endosymbiotic cyanobacteria, although they differ in the pigments which are used in photosynthesis and so are different in colour. All three groups together are generally believed to have a single common origin, and so are classified together in the taxon Archaeplastida, whose name implies that the chloroplasts or plastids of all the members of the taxon were derived from a single ancient endosymbiotic event. This is the broadest modern definition of the plants.

In contrast, most other algae (e.g. heterokonts, haptophytes, dinoflagellates, and euglenids) not only have different pigments but also have chloroplasts with three or four surrounding membranes. They are not close relatives of the Archaeplastida, presumably having acquired chloroplasts separately from ingested or symbiotic green and red algae. They are thus not included in even the broadest modern definition of the plant kingdom, although they were in the past.

The green plants or Viridiplantae were traditionally divided into the green algae (including the stoneworts) and the land plants. However, it is now known that the land plants evolved from within a group of green algae, so that the green algae by themselves are a paraphyletic group, i.e. a group which excludes some of the descendants of a common ancestor. Paraphyletic groups are generally avoided in modern classifications, so that in recent treatments the Viridiplantae have been divided into two clades, the Chlorophyta and the Streptophyta (or Charophyta).

The Chlorophyta (a name that has also been used for ''all'' green algae) are the sister group to the group from which the land plants evolved. There are about 4,300 species of mainly marine organisms, both unicellular and multicellular. The latter include the sea lettuce, ''Ulva''.

The other group within the Viridiplantae are the mainly freshwater or terrestrial Streptophyta (or Charophyta), which consist of several groups of green algae plus the stoneworts and land plants. (The names have been used differently, e.g. Streptophyta to mean the group which excludes the land plants and Charophyta for the stoneworts alone or the stoneworts plus the land plants.) Streptophyte algae are either unicellular or form multicellular filaments, branched or unbranched. The genus ''Spirogyra'' is a filamentous streptophyte alga familiar to many, as it is often used in teaching and is one of the organisms responsible for the algal "scum" which pond-owners so dislike. The freshwater stoneworts strongly resemble land plants and are believed to be their closest relatives. Growing underwater, they consist of a central stalk with whorls of branchlets, giving them a superficial resemblance to horsetails, species of the genus ''Equisetum'', which are true land plants.

Fungi

The classification of fungi has been controversial until quite recently in the history of biology. Linnaeus' original classification placed the fungi within the Plantae, since they were unquestionably not animals and this was the only other alternative. With later developments in microbiology, in the 19th century Ernst Haeckel felt that a third kingdom was required to classify newly discovered micro-organisms. The introduction of the new kingdom Protista in addition to Plantae and Animalia, led to uncertainty as to whether fungi truly were best placed in the Plantae or whether they ought to be reclassified as protists. Haeckel himself found it difficult to decide and it was not until 1969 that a solution was found whereby Robert Whittaker proposed the creation of the kingdom Fungi. Molecular evidence has since shown that the last common ancestor (concestor) of the Fungi was probably more similar to that of the Animalia than of any other kingdom, including the Plantae.

Whittaker's original reclassification was based on the fundamental difference in nutrition between the Fungi and the Plantae. Unlike plants, which generally gain carbon through photosynthesis, and so are called autotrophic phototrophs, fungi generally obtain carbon by breaking down and absorbing surrounding materials, and so are called heterotrophic saprotrophs. In addition, the substructure of multicellular fungi is different from that of plants, taking the form of many chitinous microscopic strands called hyphae, which may be further subdivided into cells or may form a syncytium containing many eukaryotic nuclei. Fruiting bodies, of which mushrooms are most familiar example, are the reproductive structures of fungi, and are unlike any structures produced by plants.

Diversity

The table below shows some estimates for the numbers of species of different groups of green plants; note as these are from different sources and are of different dates, they are not necessarily comparable, and like all species counts, are subject to a degree of uncertainty in some cases. The table suggests that there are at least 300,000 species of green plants, of which 85-90% are flowering plants. The next largest group are the "bryophytes", liverworts, mosses and hornworts, with 18,000–20,000 species.

+Diversity of living plant divisions
Informal group	Division name	Common name	No. of living species
	Chlorophyta
Charophyta
	Marchantiophyta
Anthocerotophyta
	Lycopodiophyta
Pteridophyta
	Cycadophyta
Ginkgophyta
Pinophyta
Gnetophyta

The naming of plants is governed by the International Code of Botanical Nomenclature and International Code of Nomenclature for Cultivated Plants (see cultivated plant taxonomy).

Evolution

The evolution of plants has resulted in increasing levels of complexity, from the earliest algal mats, through bryophytes, lycopods, ferns to the complex gymnosperms and angiosperms of today. While the groups which appeared earlier continue to thrive, especially in the environments in which they evolved, each new grade of organisation has eventually become more "successful" than its predecessors by most measures.

Evidence suggests that an algal scum formed on the land , but it was not until the Ordovician Period, around , that land plants appeared. However, new evidence from the study of carbon isotope ratios in Precambrian rocks has suggested that complex photosynthetic plants developed on the earth over 1000 m.y.a. These began to diversify in the late Silurian Period, around , and the fruits of their diversification are displayed in remarkable detail in an early Devonian fossil assemblage from the Rhynie chert. This chert preserved early plants in cellular detail, petrified in volcanic springs. By the middle of the Devonian Period most of the features recognised in plants today are present, including roots, leaves and secondary wood, and by late Devonian times seeds had evolved. Late Devonian plants had thereby reached a degree of sophistication that allowed them to form forests of tall trees. Evolutionary innovation continued after the Devonian period. Most plant groups were relatively unscathed by the Permo-Triassic extinction event, although the structures of communities changed. This may have set the scene for the evolution of flowering plants in the Triassic (~), which exploded in the Cretaceous and Tertiary. The latest major group of plants to evolve were the grasses, which became important in the mid Tertiary, from around . The grasses, as well as many other groups, evolved new mechanisms of metabolism to survive the low and warm, dry conditions of the tropics over the last .

A proposed phylogenetic tree of Plantae, after Kenrick and Crane, is as follows, with modification to the Pteridophyta from Smith et al. The Prasinophyceae may be a paraphyletic basal group to all green plants.

|label2=Pteridophyta |2= }} }} |label2=Lycophytina |2= }} |2=Rhyniophyta † }} }} |2=''Aglaophyton'' † |3=Horneophytopsida † }} }} |2=Bryophyta (mosses) |3=Anthocerotophyta (hornworts) }} }} |2=Marchantiophyta (liverworts) }} }} |2=Charophyta }} }} |3= |2=Ulvophyceae }} }} }} }}

Embryophytes

The plants that are likely most familiar to us are the multicellular land plants, called embryophytes. They include the vascular plants, plants with full systems of leaves, stems, and roots. They also include a few of their close relatives, often called ''bryophytes'', of which mosses and liverworts are the most common.

All of these plants have eukaryotic cells with cell walls composed of cellulose, and most obtain their energy through photosynthesis, using light and carbon dioxide to synthesize food. About three hundred plant species do not photosynthesize but are parasites on other species of photosynthetic plants. Plants are distinguished from green algae, which represent a mode of photosynthetic life similar to the kind modern plants are believed to have evolved from, by having specialized reproductive organs protected by non-reproductive tissues.

Bryophytes first appeared during the early Paleozoic. They can only survive where moisture is available for significant periods, although some species are desiccation tolerant. Most species of bryophyte remain small throughout their life-cycle. This involves an alternation between two generations: a haploid stage, called the gametophyte, and a diploid stage, called the sporophyte. The sporophyte is short-lived and remains dependent on its parent gametophyte.

Vascular plants first appeared during the Silurian period, and by the Devonian had diversified and spread into many different land environments. They have a number of adaptations that allowed them to overcome the limitations of the bryophytes. These include a cuticle resistant to desiccation, and vascular tissues which transport water throughout the organism. In most the sporophyte acts as a separate individual, while the gametophyte remains small.

The first primitive seed plants, Pteridosperms (seed ferns) and Cordaites, both groups now extinct, appeared in the late Devonian and diversified through the Carboniferous, with further evolution through the Permian and Triassic periods. In these the gametophyte stage is completely reduced, and the sporophyte begins life inside an enclosure called a seed, which develops while on the parent plant, and with fertilisation by means of pollen grains. Whereas other vascular plants, such as ferns, reproduce by means of spores and so need moisture to develop, some seed plants can survive and reproduce in extremely arid conditions.

Early seed plants are referred to as gymnosperms (naked seeds), as the seed embryo is not enclosed in a protective structure at pollination, with the pollen landing directly on the embryo. Four surviving groups remain widespread now, particularly the conifers, which are dominant trees in several biomes. The angiosperms, comprising the flowering plants, were the last major group of plants to appear, emerging from within the gymnosperms during the Jurassic and diversifying rapidly during the Cretaceous. These differ in that the seed embryo (angiosperm) is enclosed, so the pollen has to grow a tube to penetrate the protective seed coat; they are the predominant group of flora in most biomes today.

Fossils

Plant fossils include roots, wood, leaves, seeds, fruit, pollen, spores, phytoliths, and amber (the fossilized resin produced by some plants). Fossil land plants are recorded in terrestrial, lacustrine, fluvial and nearshore marine sediments. Pollen, spores and algae (dinoflagellates and acritarchs) are used for dating sedimentary rock sequences. The remains of fossil plants are not as common as fossil animals, although plant fossils are locally abundant in many regions worldwide.

The earliest fossils clearly assignable to Kingdom Plantae are fossil green algae from the Cambrian. These fossils resemble calcified multicellular members of the Dasycladales. Earlier Precambrian fossils are known which resemble single-cell green algae, but definitive identity with that group of algae is uncertain.

The oldest known fossils of embryophytes date from the Ordovician, though such fossils are fragmentary. By the Silurian, fossils of whole plants are preserved, including the lycophyte ''Baragwanathia longifolia''. From the Devonian, detailed fossils of rhyniophytes have been found. Early fossils of these ancient plants show the individual cells within the plant tissue. The Devonian period also saw the evolution of what many believe to be the first modern tree, ''Archaeopteris''. This fern-like tree combined a woody trunk with the fronds of a fern, but produced no seeds.

The Coal measures are a major source of Paleozoic plant fossils, with many groups of plants in existence at this time. The spoil heaps of coal mines are the best places to collect; coal itself is the remains of fossilised plants, though structural detail of the plant fossils is rarely visible in coal. In the Fossil Forest at Victoria Park in Glasgow, Scotland, the stumps of ''Lepidodendron'' trees are found in their original growth positions.

The fossilized remains of conifer and angiosperm roots, stems and branches may be locally abundant in lake and inshore sedimentary rocks from the Mesozoic and Cenozoic eras. Sequoia and its allies, magnolia, oak, and palms are often found.

Petrified wood is common in some parts of the world, and is most frequently found in arid or desert areas where it is more readily exposed by erosion. Petrified wood is often heavily silicified (the organic material replaced by silicon dioxide), and the impregnated tissue is often preserved in fine detail. Such specimens may be cut and polished using lapidary equipment. Fossil forests of petrified wood have been found in all continents.

Fossils of seed ferns such as ''Glossopteris'' are widely distributed throughout several continents of the Southern Hemisphere, a fact that gave support to Alfred Wegener's early ideas regarding Continental drift theory.

Structure, growth, and development

Most of the solid material in a plant is taken from the atmosphere. Through a process known as photosynthesis, most plants use the energy in sunlight to convert carbon dioxide from the atmosphere, plus water, into simple sugars. Parasitic plants, on the other hand, use the resources of its host to grow. These sugars are then used as building blocks and form the main structural component of the plant. Chlorophyll, a green-colored, magnesium-containing pigment is essential to this process; it is generally present in plant leaves, and often in other plant parts as well.

Plants usually rely on soil primarily for support and water (in quantitative terms), but also obtain compounds of nitrogen, phosphorus, and other crucial elemental nutrients. Epiphytic and lithophytic plants often depend on rainwater or other sources for nutrients and carnivorous plants supplement their nutrient requirements with insect prey that they capture. For the majority of plants to grow successfully they also require oxygen in the atmosphere and around their roots for respiration. However, some plants grow as submerged aquatics, using oxygen dissolved in the surrounding water, and a few specialized vascular plants, such as mangroves, can grow with their roots in anoxic conditions.

Factors affecting growth

The genotype of a plant affects its growth. For example, selected varieties of wheat grow rapidly, maturing within 110 days, whereas others, in the same environmental conditions, grow more slowly and mature within 155 days.

Growth is also determined by environmental factors, such as temperature, available water, available light, and available nutrients in the soil. Any change in the availability of these external conditions will be reflected in the plants growth.

Biotic factors are also capable of affecting plant growth. Plants compete with other plants for space, water, light and nutrients. Plants can be so crowded that no single individual produces normal growth, causing etiolation and chlorosis. Optimal plant growth can be hampered by grazing animals, suboptimal soil composition, lack of mycorrhizal fungi, and attacks by insects or plant diseases, including those caused by bacteria, fungi, viruses, and nematodes.

Simple plants like algae may have short life spans as individuals, but their populations are commonly seasonal. Other plants may be organized according to their seasonal growth pattern: annual plants live and reproduce within one growing season, biennial plants live for two growing seasons and usually reproduce in second year, and perennial plants live for many growing seasons and continue to reproduce once they are mature. These designations often depend on climate and other environmental factors; plants that are annual in alpine or temperate regions can be biennial or perennial in warmer climates. Among the vascular plants, perennials include both evergreens that keep their leaves the entire year, and deciduous plants which lose their leaves for some part of it. In temperate and boreal climates, they generally lose their leaves during the winter; many tropical plants lose their leaves during the dry season.

The growth rate of plants is extremely variable. Some mosses grow less than 0.001 millimeters per hour (mm/h), while most trees grow 0.025-0.250 mm/h. Some climbing species, such as kudzu, which do not need to produce thick supportive tissue, may grow up to 12.5 mm/h.

Plants protect themselves from frost and dehydration stress with antifreeze proteins, heat-shock proteins and sugars (sucrose is common). LEA (Late Embryogenesis Abundant) protein expression is induced by stresses and protects other proteins from aggregation as a result of desiccation and freezing.

Plant cell

Plant cells are typically distinguished by their large water-filled central vacuole, chloroplasts, and rigid cell walls that are made up of cellulose, hemicellulose, and pectin. Cell division is also characterized by the development of a phragmoplast for the construction of a cell plate in the late stages of cytokinesis. Just as in animals, plant cells differentiate and develop into multiple cell types. Totipotent meristematic cells can differentiate into vascular, storage, protective (e.g. epidermal layer), or reproductive tissues, with more primitive plants lacking some tissue types.

Physiology

Photosynthesis

Plants are photosynthetic, which means that they manufacture their own food molecules using energy obtained from light. The primary mechanism plants have for capturing light energy is the pigment chlorophyll. All green plants contain two forms of chlorophyll, chlorophyll ''a'' and chlorophyll ''b''. The latter of these pigments is not found in red or brown algae.

Immune system

By means of cells that behave like nerves, plants receive and distribute within their systems information about incident light intensity and quality. Incident light which stimulates a chemical reaction in one leaf, will cause a chain reaction of signals to the entire plant via a type of cell termed a ''"bundle sheath cell".'' Researchers from the Warsaw University of Life Sciences in Poland, found that plants have a specific memory for varying light conditions which prepares their immune systems against seasonal pathogens.

Internal distribution

Vascular plants differ from other plants in that they transport nutrients between different parts through specialized structures, called xylem and phloem. They also have roots for taking up water and minerals. The xylem moves water and minerals from the root to the rest of the plant, and the phloem provides the roots with sugars and other nutrient produced by the leaves.

Ecology

The photosynthesis conducted by land plants and algae is the ultimate source of energy and organic material in nearly all ecosystems. Photosynthesis radically changed the composition of the early Earth's atmosphere, which as a result is now 21% oxygen. Animals and most other organisms are aerobic, relying on oxygen; those that do not are confined to relatively rare anaerobic environments. Plants are the primary producers in most terrestrial ecosystems and form the basis of the food web in those ecosystems. Many animals rely on plants for shelter as well as oxygen and food.

Land plants are key components of the water cycle and several other biogeochemical cycles. Some plants have coevolved with nitrogen fixing bacteria, making plants an important part of the nitrogen cycle. Plant roots play an essential role in soil development and prevention of soil erosion.

Distribution

Plants are distributed worldwide in varying numbers. While they inhabit a multitude of biomes and ecoregions, few can be found beyond the tundras at the northernmost regions of continental shelves. At the southern extremes, plants have adapted tenaciously to the prevailing conditions. (See Antarctic flora.)

Plants are often the dominant physical and structural component of habitats where they occur. Many of the Earth's biomes are named for the type of vegetation because plants are the dominant organisms in those biomes, such as grasslands and forests.

Ecological relationships

Numerous animals have coevolved with plants. Many animals pollinate flowers in exchange for food in the form of pollen or nectar. Many animals disperse seeds, often by eating fruit and passing the seeds in their feces. Myrmecophytes are plants that have coevolved with ants. The plant provides a home, and sometimes food, for the ants. In exchange, the ants defend the plant from herbivores and sometimes competing plants. Ant wastes provide organic fertilizer.

The majority of plant species have various kinds of fungi associated with their root systems in a kind of mutualistic symbiosis known as mycorrhiza. The fungi help the plants gain water and mineral nutrients from the soil, while the plant gives the fungi carbohydrates manufactured in photosynthesis. Some plants serve as homes for endophytic fungi that protect the plant from herbivores by producing toxins. The fungal endophyte, ''Neotyphodium coenophialum'', in tall fescue (''Festuca arundinacea'') does tremendous economic damage to the cattle industry in the U.S.

Various forms of parasitism are also fairly common among plants, from the semi-parasitic mistletoe that merely takes some nutrients from its host, but still has photosynthetic leaves, to the fully parasitic broomrape and toothwort that acquire all their nutrients through connections to the roots of other plants, and so have no chlorophyll. Some plants, known as myco-heterotrophs, parasitize mycorrhizal fungi, and hence act as epiparasites on other plants.

Many plants are epiphytes, meaning they grow on other plants, usually trees, without parasitizing them. Epiphytes may indirectly harm their host plant by intercepting mineral nutrients and light that the host would otherwise receive. The weight of large numbers of epiphytes may break tree limbs. Hemiepiphytes like the strangler fig begin as epiphytes but eventually set their own roots and overpower and kill their host. Many orchids, bromeliads, ferns and mosses often grow as epiphytes. Bromeliad epiphytes accumulate water in leaf axils to form phytotelmata, complex aquatic food webs.

Approximately 630 plants are carnivorous, such as the Venus Flytrap (''Dionaea muscipula'') and sundew (''Drosera'' species). They trap small animals and digest them to obtain mineral nutrients, especially nitrogen and phosphorus.

Importance

The study of plant uses by people is termed economic botany or ethnobotany; some consider economic botany to focus on modern cultivated plants, while ethnobotany focuses on indigenous plants cultivated and used by native peoples. Human cultivation of plants is part of agriculture, which is the basis of human civilization. Plant agriculture is subdivided into agronomy, horticulture and forestry.

Food

Much of human nutrition depends on land plants, either directly or indirectly. Human nutrition depends to a large extent on cereals, especially maize (or corn), wheat and rice. Other staple crops include potato, cassava, and legumes. Human food also includes vegetables, spices, and certain fruits, nuts, herbs, and edible flowers. Beverages produced from plants include coffee, tea, wine, beer and alcohol. Sugar is obtained mainly from sugar cane and sugar beet. Cooking oils and margarine come from maize, soybean, rapeseed, safflower, sunflower, olive and others. Food additives include gum arabic, guar gum, locust bean gum, starch and pectin. Livestock animals including cows, pigs, sheep, and goats are all herbivores; and feed primarily or entirely on cereal plants, particularly grasses.

Nonfood products

Wood is used for buildings, furniture, paper, cardboard, musical instruments and sports equipment. Cloth is often made from cotton, flax or synthetic fibers derived from cellulose, such as rayon and acetate. Renewable fuels from plants include firewood, peat and many other biofuels. Coal and petroleum are fossil fuels derived from plants. Medicines derived from plants include aspirin, taxol, morphine, quinine, reserpine, colchicine, digitalis and vincristine. There are hundreds of herbal supplements such as ginkgo, Echinacea, feverfew, and Saint John's wort. Pesticides derived from plants include nicotine, rotenone, strychnine and pyrethrins. Drugs obtained from plants include opium, cocaine and marijuana. Poisons from plants include ricin, hemlock and curare. Plants are the source of many natural products such as fibers, essential oils, natural dyes, pigments, waxes, tannins, latex, gums, resins, alkaloids, amber and cork. Products derived from plants include soaps, paints, shampoos, perfumes, cosmetics, turpentine, rubber, varnish, lubricants, linoleum, plastics, inks, chewing gum and hemp rope. Plants are also a primary source of basic chemicals for the industrial synthesis of a vast array of organic chemicals. These chemicals are used in a vast variety of studies and experiments.

Aesthetic uses

Thousands of plant species are cultivated for aesthetic purposes as well as to provide shade, modify temperatures, reduce wind, abate noise, provide privacy, and prevent soil erosion. People use cut flowers, dried flowers and houseplants indoors or in greenhouses. In outdoor gardens, lawn grasses, shade trees, ornamental trees, shrubs, vines, herbaceous perennials and bedding plants are used. Images of plants are often used in art, architecture, humor, language, and photography and on textiles, money, stamps, flags and coats of arms. Living plant art forms include topiary, bonsai, ikebana and espalier. Ornamental plants have sometimes changed the course of history, as in tulipomania. Plants are the basis of a multi-billion dollar per year tourism industry which includes travel to arboretums, botanical gardens, historic gardens, national parks, tulip festivals, rainforests, forests with colorful autumn leaves and the National Cherry Blossom Festival. Venus Flytrap, sensitive plant and resurrection plant are examples of plants sold as novelties.

Scientific and cultural uses

Tree rings are an important method of dating in archeology and serve as a record of past climates. Basic biological research has often been done with plants, such as the pea plants used to derive Gregor Mendel's laws of genetics. Space stations or space colonies may one day rely on plants for life support. Plants are used as national and state emblems, including state trees and state flowers. Ancient trees are revered and many are famous. Numerous world records are held by plants. Plants are often used as memorials, gifts and to mark special occasions such as births, deaths, weddings and holidays. Plants figure prominently in mythology, religion and literature. The field of ethnobotany studies plant use by indigenous cultures which helps to conserve endangered species as well as discover new medicinal plants. Gardening is the most popular leisure activity in the U.S. Working with plants or horticulture therapy is beneficial for rehabilitating people with disabilities. Certain plants contain psychotropic chemicals which are extracted and ingested, including tobacco, cannabis (marijuana), and opium.

Negative effects

Weeds are plants that grow where people do not want them. People have spread plants beyond their native ranges and some of these introduced plants become invasive, damaging existing ecosystems by displacing native species. Invasive plants cause billions of dollars in crop losses annually by displacing crop plants, they increase the cost of production and the use of chemical means to control them affects the environment.

Plants may cause harm to animals, including people. Plants that produce windblown pollen invoke allergic reactions in people who suffer from hay fever. A wide variety of plants are poisonous. Toxalbumins are plant poisons fatal to most mammals and act as a serious deterrent to consumption. Several plants cause skin irritations when touched, such as poison ivy. Certain plants contain psychotropic chemicals, which are extracted and ingested or smoked, including tobacco, cannabis (marijuana), cocaine and opium. Smoking causes damage to health or even death, while some drugs may also be harmful or fatal to people. Both illegal and legal drugs derived from plants may have negative effects on the economy, affecting worker productivity and law enforcement costs. Some plants cause allergic reactions when ingested, while other plants cause food intolerances that negatively affect health.

See also

The Plant List

Biosphere

Leaf sensor

Plant defense against herbivory

Plant perception (paranormal)

Plant perception (physiology)

Plant identification

Rapid plant movement

Biological exponential growth

Germination

References

Further reading

;General:

Evans, L. T. (1998). ''Feeding the Ten Billion - Plants and Population Growth''. Cambridge University Press. Paperback, 247 pages. ISBN 0-521-64685-5.

Kenrick, Paul & Crane, Peter R. (1997). ''The Origin and Early Diversification of Land Plants: A Cladistic Study''. Washington, D. C.: Smithsonian Institution Press. ISBN 1-56098-730-8.

Raven, Peter H., Evert, Ray F., & Eichhorn, Susan E. (2005). ''Biology of Plants'' (7th ed.). New York: W. H. Freeman and Company. ISBN 0-7167-1007-2.

Taylor, Thomas N. & Taylor, Edith L. (1993). ''The Biology and Evolution of Fossil Plants''. Englewood Cliffs, NJ: Prentice Hall. ISBN 0-13-651589-4.

Trewavas, A. (2003). Aspects of Plant Intelligence, ''Annals of Botany'' 92: 1-20.

;Species estimates and counts:

International Union for Conservation of Nature and Natural Resources (IUCN) Species Survival Commission (2004). IUCN Red List .

Prance, G. T. (2001). Discovering the Plant World. ''Taxon'' 50: 345-359.

External links

Index Nominum Algarum

Interactive Cronquist classification

Plant Photo Gallery of Japan - Flavon's Wild herb and Alpine plants

Plant Picture Gallery

Plant Resources of Tropical Africa

www.prota.org - PROTA’s mission

Tree of Life

;Botanical and vegetation databases

African Plants Initiative database

Australia

Chilean plants at ''Chilebosque''

Dave's garden plenty of information mostly about garden plants

e-Floras (Flora of China, Flora of North America and others)

Flora Europaea

Flora of Central Europe

Flora of North America

List of Japanese Wild Plants Online

Meet the Plants-National Tropical Botanical Garden

Lady Bird Johnson Wildflower Center - Native Plant Information Network at University of Texas, Austin

The Plant List

United States Department of Agriculture not limited to continental US species

Category:Plant taxonomy

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name	Robert Plant
landscape	Yes
background	solo_singer
birth name	Robert Anthony Plant
born	August 20, 1948West Bromwich, Birmingham, England
instrument	Vocals, harmonica, percussion, guitar, bass guitar
genre	Rock, hard rock, heavy metal, blues rock, folk rock, world music, country rock
occupation	Singer-songwriter, musician
years active	1966–present
label	Atlantic, Swan Song, Es Paranza, Sanctuary, Mercury, Universal, Rounder
associated acts	Band of Joy, Led Zeppelin, The Honeydrippers, Page and Plant, Strange Sensation, Alison Krauss, The New Yardbirds
website	Official website }}

Robert Anthony Plant, CBE (born 20 August 1948), is an English rock singer and songwriter, best known as the vocalist and lyricist of the rock band Led Zeppelin. He has also had a successful solo career. In 2007, Plant released ''Raising Sand'', an album produced by T-Bone Burnett with American bluegrass soprano Alison Krauss, which won the 2009 Grammy Award for Album of the Year at the 51st Grammy Awards.

With a career spanning more than 40 years, Plant is regarded as one of the most significant singers in the history of rock music, and has influenced contemporaries and later singers such as Freddie Mercury and Axl Rose. In 2006, heavy metal magazine ''Hit Parader'' named Plant the "Greatest Metal Vocalist of All-Time". In 2009, Plant was voted "the greatest voice in rock" in a poll conducted by ''Planet Rock''. In 2011, a ''Rolling Stone'' readers' pick placed Plant in first place of the magazine's "Best Lead Singers of All Time".

Life and career

Early career

Plant was born in the Black Country town of West Bromwich (then in Staffordshire now in West Midlands) to parents Robert C. who worked as a civil engineer and Annie C. (Cain) Plant, but grew up in Kidderminster, in Worcestershire. Plant gained an interest in singing and rock and roll music at an early age.

When I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten year old. That was all the ambience I got at ten years old... I think! And I always wanted to be a curtain, a bit similar to that.

He left King Edward VI Grammar School for Boys in Stourbridge in his mid-teens and developed a strong passion for the blues, mainly through his admiration for Willie Dixon, Robert Johnson and early rendition of songs in this genre.

I suppose I was quite interested in my stamp collection and Romano-British history. I was a little grammar school boy and I could hear this kind of calling through the airwaves

He abandoned training as a chartered accountant after only two weeks to attend college in an effort to gain more GCE passes and to become part of the English Midlands blues scene. "I left home at 16", he said "and I started my real education musically, moving from group to group, furthering my knowledge of the blues and of other music which had weight and was worth listening to."

Plant's early blues influences included Robert Johnson, Bukka White, Skip James, Jerry Miller, and Sleepy John Estes. Plant had various jobs while pursuing his music career, one of which was working for the major British construction company Wimpey in Birmingham in 1967 laying tarmac on roads. He also worked at Woolworths in Halesowen town for a short period of time. He cut three obscure singles on CBS Records and sang with a variety of bands, including The Crawling King Snakes, which brought him into contact with drummer John Bonham. They both went on to play in the Band of Joy, merging blues with newer psychedelic trends. Though his early career met with no commercial success, word quickly spread about the "young man with the powerful voice".

Led Zeppelin (1968-1980)

Early years

In 1968, the guitarist Jimmy Page was in search of a lead singer for his new band and met Plant after being turned down by his first choice, Terry Reid, who referred him to a show at a teacher training college in Birmingham— where Plant was singing in a band named Hobbstweedle. Page explained:

When I auditioned him and heard him sing, I immediately thought there must be something wrong with him personality-wise or that he had to be impossible to work with, because I just could not understand why, after he told me he'd been singing for a few years already, he hadn't become a big name yet. So I had him down to my place for a little while, just to sort of check him out, and we got along great. No problems.

According to Plant:

I was appearing at this college when Peter and Jimmy turned up and asked me if I'd like to join The Yardbirds. I knew The Yardbirds had done a lot of work in America - which to me meant audiences who would want to know what I might have to offer - so naturally I was very interested.

Plant and Page immediately hit it off with a shared musical passion and began their writing collaboration with reworkings of earlier blues songs, although Plant would receive no songwriting credits on the band's first album, allegedly because he was still under contract to CBS Records at the time. Plant brought along John Bonham as drummer, and they were joined by John Paul Jones, who had previously worked with Page as a studio musician. Jones called Page on the phone before they checked out Plant, and Page hired Jones immediately.

Initially dubbed the "New Yardbirds" in 1968, the band soon came to be known as Led Zeppelin. The band's self-titled debut album hit the charts in 1969 and is widely credited as a catalyst for the heavy metal genre. Plant has commented that it is unfair for people to think of Zeppelin as heavy metal, as almost a third of their music was acoustic.

In 1975, Plant and his wife Maureen (now divorced) were seriously injured in a car crash in Rhodes, Greece. This significantly affected the production of Led Zeppelin's seventh album ''Presence'' for a few months while he recovered, and forced the band to cancel the remaining tour dates for the year.

In July 1977 his son Karac died aged five of a stomach infection while Plant was engaged on Led Zeppelin's concert tour of the United States. It was a devastating loss for the family. Plant retreated to his home in the Midlands and for months afterward he questioned his future. Karac's death later inspired him to write the song "All My Love" in tribute, featured on Led Zeppelin's final studio LP, 1979's ''In Through the Out Door''.

Lyrics

Plant did not begin writing song lyrics with Led Zeppelin until the making of ''Led Zeppelin II'', in 1969. According to Jimmy Page:

Plant's lyrics with Led Zeppelin were often mystical, philosophical and spiritual, alluding to events in classical and Norse mythology, such as the "Immigrant Song", which refers to Valhalla and Viking conquests. However, the song "No Quarter" is often misunderstood to refer to the god Thor; the song actually refers to Mount Thor (which is named after the god). Another example is "The Rain Song".

Plant was also influenced by J. R. R. Tolkien, whose book series inspired lyrics in some early Led Zeppelin songs. Most notably "The Battle of Evermore", "Misty Mountain Hop", "No Quarter", "Ramble On" and "Over the Hills and Far Away" contain verses referencing Tolkien's ''The Lord of the Rings'' and ''The Hobbit''. Conversely, Plant sometimes used more straightforward blues-based lyrics dealing primarily with sexual innuendo, as in "The Lemon Song", "Trampled Under Foot", and "Black Dog".

Welsh mythology also forms a basis of Plant's interest in mystical lyrics. He grew up close to the Welsh border and would often take summer trips to Snowdonia. Plant bought a Welsh sheep farm in 1973, and began taking Welsh lessons and looking into the mythology of the land (such as Black Book of Carmarthen, Book of Taliesin, etc.) Plant's first son, Karac, was named after the Welsh warrior Caratacus. The song "Bron-Y-Aur Stomp" is named after the 18th Century Welsh cottage Bron-Yr-Aur owned by a friend of his father; it later inspired the song "Bron-Yr-Aur". The songs "Misty Mountain Hop," "That's the Way", and early dabblings in what would become "Stairway to Heaven" were written in Wales and lyrically reflect Plant's mystical view of the land. Critic Steve Turner suggests that Plant's early and continued experiences in Wales served as the foundation for his broader interest in the mythologies he revisits in his lyrics (including those myth systems of Tolkien and the Norse).

The passion for diverse musical experiences drove Plant to explore Africa, specifically Marrakesh in Morocco where he encountered Umm Kulthum.

}}

That musical inspiration eventually culminated in the classic track "Kashmir" (which is not in North Africa, but rather in India). Both he and Jimmy Page revisited these influences during their reunion album ''No Quarter: Jimmy Page and Robert Plant Unledded'' in 1994. In his solo career, Plant again tapped from these influences many times, most notably in the 2002 album, ''Dreamland''.

Arguably one of Plant's most significant achievements with Led Zeppelin was his contribution to the track "Stairway to Heaven", an epic rock ballad featured on ''Led Zeppelin IV'' that drew influence from folk, blues, Celtic traditional music and hard rock among other genres. Most of the lyrics of the song were written spontaneously by Plant in 1970 at Headley Grange. While never released as a single, the song has topped charts as the greatest song of all time on various polls around the world.

Plant is also recognised for his lyrical improvisation in Led Zeppelin's live performances, often singing verses previously unheard on studio recordings. One of the most famous Led Zeppelin musical devices involves Plant's vocal mimicking of band mate Jimmy Page's guitar effects. This can be heard in the songs "How Many More Times", "Dazed and Confused", "The Lemon Song", "You Shook Me", "Nobody's Fault but Mine" and "Sick Again".

He is also known for his light-hearted, humorous, and unusual on-stage banter, often referred to as "plantations." Plant often discusses the origin and background of the songs during his shows, and sometimes provides social comment as well. He frequently talks about American blues musicians as his inspiration, mentioning artists like Robert Johnson, Howlin' Wolf, Blind Willie Johnson, and Willie Dixon at the Rock and Roll Hall of Fame induction ceremony and the 2007 Ahmet Ertegün Tribute Concert with Led Zeppelin.

Stage persona

Plant enjoyed great success with Led Zeppelin throughout the 1970s and developed a compelling image as the charismatic rock-and-roll front man, similar to his contemporary in The Who, singer Roger Daltrey (who adopted the look in the late 1960s), Mick Jagger of the Rolling Stones, and his other fellow contemporary, Jim Morrison of The Doors. With his mane of long blond hair and powerful, bare-chested appearance, Plant helped to create the "god of rock and roll" or "rock god" archetype. On stage, Plant was particularly active in live performances, often dancing, jumping, skipping, snapping his fingers, clapping, making emphatic gestures to emphasise a lyric or cymbal crash, throwing back his head, or placing his hands on his hips. As the 1960s-1970s progressed he, along with the other members of Led Zeppelin, became increasingly flamboyant on-stage and wore more elaborate, colourful clothing and jewellery.

According to ''Classic Rock'' magazine, "once [Plant] had a couple of US tours under his belt, 'Percy' Plant swiftly developed a staggering degree of bravado and swagger that irrefutably enhanced Led Zeppelin's rapidly burgeoning appeal." In 1994, during his "Unledded" tour with Jimmy Page, Plant himself reflected tongue-in-cheek upon his Led Zeppelin showmanship:

I can't take my whole persona as a singer back then very seriously. It's not some great work of beauty and love to be a rock-and-roll singer. So I got a few moves from Elvis and one or two from Sonny Boy Williamson II and Howlin' Wolf and threw them all together.

Solo career (since 1982)

As a solo artist

After the break-up of Led Zeppelin in 1980 (following the death of John Bonham), Plant pursued a successful solo career beginning with ''Pictures at Eleven'' in 1982, followed by 1983's ''The Principle of Moments''. Popular tracks from this period include "Big Log" (a Top 20 hit in 1983), "In the Mood" (1983), "Little by Little" (from 1985's ''Shaken 'n' Stirred''), "Tall Cool One" (a #25 hit off 1988's ''Now and Zen'') and "I Believe" (from 1993's ''Fate of Nations''), another song written for and dedicated to his late son, Karac. In 1984, Plant formed a short-lived all-star group with Jimmy Page and Jeff Beck called The Honeydrippers, who had a #3 hit with a remake of the Phil Phillips' tune, "Sea of Love" and a followup hit with a cover of Roy Brown's "Rockin' at Midnight". Although Plant avoided performing Led Zeppelin songs through much of this period, his tours in 1983 (with drummer Phil Collins) and 1985 were very successful, often performing to sold-out arena-sized venues.

Through the 1980s and 1990s, Plant co-wrote three solo albums with keyboardist/songwriter Phil Johnstone. ''Now and Zen'', ''Manic Nirvana'', and ''Fate of Nations'' (featuring Máire Brennan of Clannad). It was Johnstone who talked Plant into playing Led Zeppelin songs in his live shows, something Plant had resisted, not wanting to be forever known as "the former Led Zeppelin vocalist."

Although Led Zeppelin split in 1980, Plant and Page occasionally collaborated on various projects, including ''The Honeydrippers: Volume One'' album in 1984. In the spring 2 years later Robert performed at the Birmingham Heart Beat Charity Concert 1986. The pair again worked together in the studio on the 1988 Page solo effort, ''Outrider'', and in the same year Page contributed to Plant's album ''Now and Zen''. Also, on 15 May 1988 Plant appeared with Page as a member of Led Zeppelin (and in his own right as a solo artist) at the Atlantic Records 40th Anniversary concert.

As Page and Plant (1994-1998)

Page and Plant became a full-fledged performing act from 1994 through 1998, releasing the ''Unledded'' album in 1994 and following with an enormously successful tour in 1995: Fourteen years of speculation from their fans and occasional sniping between the two former members ended when Jimmy Page and Robert Plant of Led Zeppelin reconvened their former musical partnership to produce No Quarter. Having long resisted offers from MTV to reform to do an Unplugged show, they finally accepted as part of a deal that also allowed them to visit Morocco to record new material. The album combines the results of both of these projects. The Led Zeppelin material features new arrangements and new instrumentation, including strings, Egyptian musicians and the haunting vocals of British-Asian star Najma Akhtar. Page and Plant recorded their only post-Zeppelin album of original material on the 1998 album, ''Walking into Clarksdale'', an effort that was unsuccessful commercially, leading Plant to return to his solo career. A song from this album, "Please Read the Letter", was re-recorded by Plant with Alison Krauss, winning the 2009 Grammy Award for Record of the Year.

With Priory of Brion (1999-2000)

Starting in mid-1999, Plant performed until the end of 2000 at several small venues with his folk-rock band, named Priory of Brion.

In 1999, Plant contributed to the tribute album for Moby Grape co-founder Skip Spence, who was terminally ill. The album, ''More Oar: A Tribute to the Skip Spence Album'' (Birdman, 1999), with the album title referring to Spence's only solo album, ''Oar'' (Columbia, 1969), contained Plant's version of Spence's "Little Hands". Plant had been an admirer of Spence and Moby Grape since the release of Moby Grape's eponymous 1967 debut album.

In 2001, Plant appeared on Afro Celt Sound System's album ''Volume 3: Further in Time''. The song "Life Begin Again" features a duet with Welsh folksinger Julie Murphy, emphasising Plant's recurring interest in Welsh culture (Murphy would also tour in support of Plant).

With The Strange Sensation (2001-2007)

In 2002, with his then newly-formed band Strange Sensation, Plant released a widely acclaimed collection of mostly blues and folk remakes, ''Dreamland''. Contrasting with this lush collection of often relatively obscure remakes, the second album with Strange Sensation, ''Mighty ReArranger'' (2005), contains new, original songs. Both have received some of the most favourable reviews of Plant's solo career and four Grammy nominations, two in 2003 and two in 2006. As a former member of Led Zeppelin, along with Page and John Paul Jones, Plant received the Grammy Lifetime Achievement Award in 2005 and the Polar Music Prize in 2006.

From 2001 to 2007, Plant actively toured the US & Europe with The Strange Sensation. His sets typically included recent, but not only, solo material and plenty of Led Zeppelin favourites, often with new and expanded arrangements. A DVD titled ''Soundstage: Robert Plant and the Strange Sensation'', featuring his ''Soundstage'' performance (filmed at the Soundstage Studios in Chicago on 16 September 2005), was released in October 2006.

On 23 June 2006, Plant was the headliner (backed by Ian Hunter's band) at the Benefit For Arthur Lee concert at New York's Beacon Theatre, a show which raised money for Lee's medical expenses from his bout with leukaemia. Plant and band performed thirteen songs - five by Arthur Lee & Love, five Led Zeppelin songs and three others including a duet with Ian Hunter. At the show, Plant told the audience of his great admiration for Arthur Lee dating back to the mid-Sixties. Lee died of his illness six weeks after the concert.

An expansive box set of his solo work, ''Nine Lives'', was released in November 2006, which expanded all of his albums with various b-sides, demos, and live cuts. It was accompanied by a DVD. All his solo works were re-released with these extra tracks individually.

In 2007, Plant contributed two tracks to the Fats Domino tribute album ''Goin' Home: A Tribute to Fats Domino'', "It Keeps Rainin'" with the Lil' Band O' Gold and "Valley of Tears" with The Soweto Gospel Choir.

With Alison Krauss (2007-2008)

From 2007-2008, Plant recorded and performed with bluegrass star Alison Krauss. A duet album, ''Raising Sand'', was released on 23 October 2007 on Rounder Records. The album, recorded in Nashville and Los Angeles and produced by T-Bone Burnett, includes performances of lesser-known material from R&B;, Blues, folk, and country songwriters including Mel Tillis, Townes Van Zandt, Gene Clark, Tom Waits, Doc Watson, Little Milton and The Everly Brothers. The song "Gone Gone Gone (Done Moved On)" from ''Raising Sand'' won a Grammy for Best Pop Collaboration With Vocals in 2008. ''Raising Sand'' also won Album of the Year at the 51st Grammy Awards. The album has been successful critically and commercially, and was certified platinum on 4 March 2008.

Plant and Krauss began an extended tour of the US and Europe in April 2008, playing music from ''Raising Sand'' and other American roots music as well as reworked Led Zeppelin tunes. The album was nominated for the Mercury Prize in July 2008. Also in 2008, Plant performed with bluegrass musicians at the New Orleans Jazz & Heritage Festival and Bonnaroo Music & Arts Festival. He appeared as a surprise guest during Fairport Convention's set at the 2008 Cropredy Festival, performing Led Zeppelin's "The Battle of Evermore" with Kristina Donahue as a tribute to Sandy Denny. In October 2008, it was reported that Plant collaborated on an album by original Fairport vocalist Judy Dyble, but the album has not materialised.

On 8 February 2009, Plant and Krauss won Grammy Awards for Album of the Year, Record of the Year, Pop Collaboration with Vocals, Country Collaboration with Vocals, and Contemporary Folk/Americana Album.

In 2010, Plant realised a lifelong ambition by playing live at Molineux Stadium, home of the Wolverhampton Wanderers F.C. Plant performed with the amateur cover band No Rezerve.

With Band of Joy (2010)

In July 2010, Robert Plant embarked on a twelve-date (summer) tour in the United States with a new group called Band of Joy (reprising the name of his very first band in the 1960s). The group includes singer Patty Griffin, singer-guitarist Buddy Miller, multi-instrumentalist and vocalist Darrell Scott, bassist-vocalist Byron House, and drummer-percussionist-vocalist Marco Giovino.

After a unique show in the United States on 12 September 2010 at the Bowery Ballroom in New York, another eleven-date autumn tour in Europe was announced to last from October to November 2010. North America tour dates were announced 16 November 2010, with the first show being 18 January 2011 in Asheville, North Carolina.

A new studio album called ''Band of Joy'' was released on 13 September 2010 on the Rounder Records label.

The band played their final scheduled show together at the Big Chill Festival at Eastnor Castle Deer Park in Herefordshire on 7 August 2011. The show ended with Plant bidding his bandmates "a fond farewell".

Led Zeppelin-related projects and reunion rumours

Plant performed with living members of Led Zeppelin both on 13 July 1985 for Live Aid (with Phil Collins and Tony Thompson on drums) and on 15 May 1988 for Atlantic Records 40th Anniversary. At the 1988 reunion, Jason Bonham, the son of Led Zeppelin's late drummer John Bonham, played drums. Both sets featured only a few songs, performed with minimal rehearsal. Plant was unhappy with both performances, saying that "it was like sleeping with your ex-wife but not making love." At the 1990 Silver Clef Award Winners Concert at Knebworth, Plant was joined by Jimmy Page. Some of their set was released on the subsequent live album and video. In 1995, Led Zeppelin was inducted into the Rock and Roll Hall of Fame, and Plant performed at the induction show with Jimmy Page, John Paul Jones, Jason Bonham, Neil Young, Steven Tyler and Joe Perry, performing spirited versions of "Bring It On Home", "Honeybee", and "When the Levee Breaks."

After years of reunion rumours, Led Zeppelin performed a full two-hour set on 10 December 2007 at the Ahmet Ertegün Tribute Concert, with Jason again filling in on drums. Despite enormous public demand, Plant declined a $200 million offer to tour with Led Zeppelin after the 2007 show. In interviews following the 2007 show, Plant left the door open to possible future performances with Led Zeppelin, saying that he enjoyed the reunion and felt that the show was strong musically. Although Page, Jones, and Bonham have expressed the strong desire to tour as Led Zeppelin, Plant has consistently opposed a full tour and has responded negatively to questions about another reunion. In a January, 2008 interview, he stated that he does not want to "tour like a bunch of bored old men following the Rolling Stones around." In a statement on his web site in late 2008, Plant stated, "I will not be touring with Led Zeppelin or anyone else for the next two years. Anyone buying Led Zeppelin tickets will be buying bogus tickets."

Personal life

Robert Plant married Maureen Wilson on 9 November 1968. The couple had three children: daughter Carmen Jane (1968) (married to Charlie Jones, Plant's bass player for solo tours); and sons Karac Pendragon (1972–1977) (died of a virus; the reason Led Zeppelin's 1977 North American Tour was cut short), and Logan Romero (1979). The couple divorced in August 1983. Also, Plant has a younger son, Jesse Lee (1991), the son of Shirley Wilson, sister of Maureen.

On 14 August 2009, it was announced via the Wolverhampton Wanderers text message news service that "Rock Legend and lifelong Wolves fan Robert Plant is to become the club's third Vice President." Plant officially received the honour before kick off at the club's first match of the season against West Ham. Plant was five years old when he first visited Molineux. He recalled in an interview with his local paper Express & Star in August 2010: "I was five when my dad took me down for the first time and Billy Wright waved at me. Honest, he did. And that was it – I was hooked from that moment.

According to ''The Sunday Times'' Rich List Plant is worth £80 million as of 2009.

In late 2010 on BBC2, a documentary featured Robert Plant discussing his journey with Led Zeppelin and various projects since.

Legacy

Robert Plant is one of the most significant singers in rock music and has influenced the style of many of his contemporaries, including Geddy Lee, Ann Wilson, Sammy Hagar, and later rock vocalists such as Jeff Buckley and Jack White who imitated his performing style extensively. Freddie Mercury of Queen, and Axl Rose of Guns N' Roses were also influenced by Plant. ''Encyclopædia Britannica'' notes "Exaggerating the vocal style and expressive palette of blues singers such as Howlin' Wolf and Muddy Waters, [Robert] Plant created the sound that has defined much hard rock and heavy metal singing: a high range, an abundance of distortion, loud volume, and emotional excess". Plant received the Knebworth Silver Clef Award in 1990.

In 2006, heavy metal magazine ''Hit Parader'' named Plant #1 on their list of the 100 Greatest Metal Vocalists of All-Time, a list which included Rob Halford (2), Steven Tyler (3), Freddie Mercury (6), Geddy Lee (13), and Paul Stanley (18), all of whom were influenced by Plant. In 2008, ''Rolling Stone'' named Plant as number 15 on their list of the 100 Greatest Singers of All-Time. In 2009, he was voted the "greatest voice in rock" in a poll conducted by ''Planet Rock''. Plant was appointed Commander of the Order of the British Empire (CBE) in the 2009 New Year Honours for his "services to popular music". He was included in the ''Q'' magazine's 2009 list of "Artists Of The Century" and was ranked at number 8 in their list of "100 Greatest Singers" in 2007. In 2009, Plant also won the Outstanding Contribution to Music prize at the Q Awards. He was placed at no. 3 on ''SPIN'''s list of "The 50 Greatest Rock Frontmen of All Time".

On 20 September 2010 National Public Radio (NPR) named Plant as one of the "50 Great Voices" in the world.

Solo discography

References

External links

Led Zeppelin Official Site

Official Robert Plant Homepage

Robert Plant and Alison Krauss Official Site

Category:Atlantic Records artists Category:British harmonica players Category:Commanders of the Order of the British Empire Category:English-language singers Category:English male singers Category:English songwriters Category:English tenors Category:English rock singers Category:English heavy metal singers Category:Grammy Award winners Category:Led Zeppelin members Category:Mercury Records artists Category:People from Halesowen Category:People from West Bromwich Category:Welsh-speaking people Category:1948 births Category:Living people Category:Silver Clef Awards winners Category:Musicians from Birmingham, West Midlands

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name	Sir David Attenborough
birth date	May 08, 1926
birth place	Isleworth, London, England
residence	Richmond, London
nationality	British
alma mater
occupation
title
spouse	Jane Elizabeth Ebsworth Oriel (m. 1950–1997, her death)
children
footnotes	}}

Sir David Frederick Attenborough () OM, CH, CVO, CBE, FRS, FZS, FSA (born 8 May 1926 in London, England) is a broadcaster and naturalist. His career as the respected face and voice of natural history programmes has endured for more than 50 years. He is best known for writing and presenting the nine ''Life'' series, in conjunction with the BBC Natural History Unit, which collectively form a comprehensive survey of all life on the planet. He is also a former senior manager at the BBC, having served as controller of BBC Two and director of programming for BBC Television in the 1960s and 1970s.

He is a younger brother of director, producer and actor Richard Attenborough.

Early life and family

Attenborough grew up in College House on the campus of the University of Leicester, where his father, Frederick, was principal. He is the middle of three sons (his elder brother, Richard, became an actor/film director and his younger brother, John Michael Attenborough, an executive at Alfa Romeo). During World War II his parents also adopted two Jewish refugee girls from Europe.

Attenborough spent his childhood collecting fossils, stones and other natural specimens. He received encouragement in this pursuit at age seven, when a young Jacquetta Hawkes admired his "museum". A few years later, one of his adoptive sisters gave him a piece of amber filled with prehistoric creatures; some 50 years later, it would be the focus of his programme ''The Amber Time Machine''.

Attenborough was educated at Wyggeston Grammar School for Boys in Leicester and then won a scholarship to Clare College, Cambridge in 1945, where he studied geology and zoology and obtained a degree in Natural Sciences. In 1947, he was called up for National Service in the Royal Navy and spent two years stationed in North Wales and the Firth of Forth.

In 1950, Attenborough married Jane Elizabeth Ebsworth Oriel; the marriage lasted until her death in 1997. The couple had two children, Robert and Susan.

His son, Robert Attenborough, is a senior lecturer in Bioanthropology for the School of Archaeology and Anthropology at the Australian National University in Canberra.

First years at BBC

After leaving the Navy, Attenborough took a position editing children's science textbooks for a publishing company. He soon became disillusioned with the work, however, and in 1950, he applied for a job as a radio talks producer with the BBC. Although he was rejected for this job, his CV later attracted the interest of Mary Adams, head of the Talks (factual broadcasting) department of the BBC's fledgling television service. Attenborough, like most Britons at that time, did not own a television, and he had seen only one programme in his life. However, he accepted Adams' offer of a three-month training course, and in 1952, he joined the BBC full time. Initially discouraged from appearing on camera because Adams thought his teeth were too big, he became a producer for the Talks Department, which handled all non-fiction broadcasts. His early projects included the quiz show ''Animal, Vegetable, Mineral?'' and ''Song Hunter'', a series about folk music presented by Alan Lomax.

Attenborough's association with natural history programmes began when he produced and presented the three-part series ''The Pattern of Animals''. The studio-bound programme featured animals from London Zoo, with the naturalist Sir Julian Huxley discussing their use of camouflage, aposematism and courtship displays. Through this programme, Attenborough met Jack Lester, the curator of the zoo's reptile house, and they decided to make a series about an animal-collecting expedition. The result was ''Zoo Quest'', first broadcast in 1954, which Attenborough presented at short notice, due to Lester being taken ill.

In 1957, the BBC Natural History Unit was formally established in Bristol. Attenborough was asked to join it, but declined, not wishing to move from London where he and his young family were settled. Instead he formed his own department, the Travel and Exploration Unit, which allowed him to continue to front the ''Zoo Quest'' programmes as well as produce other documentaries, notably the ''Travellers’ Tales'' and ''Adventure'' series.

In the early 1960s, Attenborough resigned from the permanent staff of the BBC to study for a postgraduate degree in social anthropology at the London School of Economics, interweaving his study with further filming. However, he accepted an invitation to return to the BBC as Controller of BBC Two before he could finish the degree.

BBC administration

Attenborough became the Controller of BBC Two in March 1965, but had a clause inserted in his contract that would allow him to continue making programmes on an occasional basis. Later the same year, he filmed elephants in Tanzania, and in 1969, he made a three-part series on the cultural history of Bali. For the 1971 film ''A Blank on the Map'', he joined the first Western expedition to a remote highland valley in New Guinea to seek out an uncontacted tribe.

BBC Two was launched in 1964, but had struggled to capture the public's imagination. When Attenborough arrived as Controller, he quickly abolished the channel's quirky kangaroo mascot and shook up the schedule. With a mission to make BBC Two's output diverse and different from that offered by other networks, he began to establish a portfolio of programmes that defined the channel's identity for decades to come. Under his tenure, music, the arts, entertainment, archaeology, experimental comedy, travel, drama, sport, business, science and natural history all found a place in the weekly schedules. Often, an eclectic mix was offered within a single evening's viewing. Programmes he commissioned included ''Man Alive'', ''Call My Bluff'', ''Chronicle'', ''Life'', ''One Pair of Eyes'', ''The Old Grey Whistle Test'', ''Monty Python's Flying Circus'' and ''The Money Programme''. When BBC Two became the first British channel to broadcast in colour in 1967, Attenborough took advantage by introducing televised snooker, as well as bringing rugby league to British television on a regular basis via the BBC2 Floodlit Trophy.

One of his most significant decisions was to order a 13-part series on the history of Western art, to show off the quality of the new UHF colour television service that BBC Two offered. Broadcast to universal acclaim in 1969, ''Civilisation'' set the blueprint for landmark authored documentaries, which were informally known as "tombstone" or "sledgehammer" projects. Others followed, including Jacob Bronowski's ''The Ascent of Man'' (also commissioned by Attenborough), and Alistair Cooke's ''America''. Attenborough thought that the story of evolution would be a natural subject for such a series. He shared his idea with Chris Parsons, a producer at the Natural History Unit, who came up with the title ''Life on Earth'' and returned to Bristol to start planning the series. Attenborough harboured a strong desire to present the series himself, but this would not be possible so long as he remained in a management post.

In 1969, Attenborough was promoted to Director of Programmes, making him responsible for the output of both BBC channels. His tasks, which included agreeing budgets, attending board meetings and firing staff, were now far removed from the business of filming programmes. When Attenborough's name was being suggested as a candidate for the position of Director General of the BBC in 1972, he phoned his brother Richard to confess that he had no appetite for the job. Early the following year, he left his post to return to full-time programme making, leaving him free to write and present the planned natural history epic.

Return to broadcasting

After his resignation, Attenborough became a freelance broadcaster and immediately started work on his next project, a pre-arranged trip to Indonesia with a crew from the Natural History Unit. It resulted in the 1973 series ''Eastwards with Attenborough'', which was similar in tone to the earlier ''Zoo Quests'' but without the animal-collecting element.

On his return, he began to work on the scripts for ''Life on Earth''. Due to the scale of his ambition, the BBC decided to partner with an American network to secure the necessary funding. While the negotiations were proceeding he worked on a number of other television projects. He presented a series on tribal art (''The Tribal Eye'', 1975) and another on the voyages of discovery (''The Explorers'', 1975). He also presented a BBC children's series about cryptozoology entitled ''Fabulous Animals'' (1975), which featured mythical creatures such as the griffin and kraken. Eventually, the BBC signed a co-production deal with Turner Broadcasting and ''Life on Earth'' moved into production in 1976.

"Life" series

Beginning with ''Life on Earth'' in 1979, Attenborough set about creating a body of work which became a benchmark of quality in wildlife film-making and influenced a generation of documentary film-makers. The series also established many of the hallmarks of the BBC's natural history output. By treating his subject seriously and researching the latest discoveries, Attenborough and his production team gained the trust of the scientific community, who responded by allowing him to feature their subjects in his programmes. In Rwanda, for example, Attenborough and his crew were granted privileged access to film Dian Fossey's research group of mountain gorillas. Innovation was another factor in ''Life on Earth'''s success: new film-making techniques were devised to get the shots Attenborough wanted, with a focus on events and animals that were hitherto unfilmed. Computerised airline schedules, which had only recently been introduced, enabled the series to be elaborately devised so that Attenborough visited several locations around the globe in each episode, sometimes even changing continents mid-sentence. Although appearing as the on-screen presenter, he consciously restricted his pieces to camera to give his subjects top billing.

The success of ''Life on Earth'' prompted the BBC to consider a follow-up, and five years later, ''The Living Planet'' was screened. This time, Attenborough built his series around the theme of ecology, the adaptations of livings things to their environment. It was another critical and commercial success, generating huge international sales for the BBC. In 1990, ''The Trials of Life'' completed the original "Life" trilogy, looking at animal behaviour through the different stages of life. The series drew strong reactions from the viewing public for its sequences of killer whales hunting sea lions on a Patagonian beach and chimpanzees hunting and violently killing a colobus monkey.

In the 1990s, Attenborough continued to use the "Life" moniker for a succession of authored documentaries. In 1993, he presented ''Life in the Freezer'', the first television series to survey the natural history of Antarctica. Although past normal retirement age, he then embarked on a number of more specialised surveys of the natural world, beginning with plants. They proved a difficult subject for his producers, who had to deliver five hours of television featuring what are essentially immobile objects. The result, ''The Private Life of Plants'' (1995), showed plants as dynamic organisms by using time-lapse photography to speed up their growth.

Prompted by an enthusiastic ornithologist at the BBC Natural History Unit, Attenborough then turned his attention to the animal kingdom and in particular, birds. As he was neither an obsessive twitcher, nor a bird expert, he decided he was better qualified to make ''The Life of Birds'' (1998) on the theme of behaviour. The order of the remaining "Life" series was dictated by developments in camera technology. For ''The Life of Mammals'' (2002), low-light and infrared cameras were deployed to reveal the behaviour of nocturnal mammals. The series contains a number of memorable two shots of Attenborough and his subjects, which included chimpanzees, a blue whale and a grizzly bear. Advances in macro photography made it possible to capture natural behaviour of very small creatures for the first time, and in 2005, ''Life in the Undergrowth'' introduced audiences to the world of invertebrates.

At this point, Attenborough realised that he had spent 20 years unconsciously assembling a collection of programmes on all the major groups of terrestrial animals and plants — only reptiles and amphibians were missing. When ''Life in Cold Blood'' was broadcast in 2008, he had the satisfaction of completing the set, brought together in a DVD encyclopaedia called ''Life on Land''. In an interview that year, Attenborough was asked to sum up his achievement, and responded:

However, in 2010 Attenborough asserted that his forthcoming ''First Life'' — dealing with evolutionary history before ''Life on Earth'' — should also be included within the "Life" series. In the documentary ''Attenborough's Journey'' he stated, "This series, to a degree which I really didn't fully appreciate until I started working on it, really completes the set."

Other documentaries

Alongside the "Life" series, Attenborough has continued to work on other television documentaries, mainly in the natural history genre. He wrote and presented a series on man's influence on the natural history of the Mediterranean basin, ''The First Eden'', in 1987. Two years later, he demonstrated his passion for fossils in ''Lost Worlds Vanished Lives''.

Attenborough narrated every episode of ''Wildlife on One'', a BBC One wildlife series which ran for 253 episodes between 1977 and 2005. At its peak, it drew a weekly audience of eight to ten million, and the 1987 episode "Meerkats United" was voted the best wildlife documentary of all time by BBC viewers. He has also narrated over 50 episodes of ''Natural World'', BBC Two's flagship wildlife series. (Its forerunner, ''The World About Us'', was created by Attenborough in 1969, as a vehicle for colour television.) In 1997, he narrated the ''BBC Wildlife Specials'', each focussing on a charismatic species, and screened to mark the Natural History Unit's 40th anniversary.

As a writer and narrator, he continued to collaborate with the BBC Natural History Unit in the new millennium. Alastair Fothergill, a senior producer with whom Attenborough had worked on ''The Trials of Life'' and ''Life in the Freezer'', was making ''The Blue Planet'' (2001), the Unit's first comprehensive series on marine life. He decided not to use an on-screen presenter due to difficulties in speaking to camera through diving apparatus, but asked Attenborough to narrate the films. The same team reunited for ''Planet Earth'' (2006), the biggest nature documentary ever made for television, and the first BBC wildlife series to be shot in high definition. In 2009, Attenborough wrote and narrated ''Life'', a ten-part series focussing on extraordinary animal behaviour, and narrated ''Nature's Great Events'', which showed how seasonal changes trigger major natural spectacles.

By the turn of the millennium, Attenborough's authored documentaries were adopting a more overtly environmentalist stance. In ''State of the Planet'' (2000), he used the latest scientific evidence and interviews with leading scientists and conservationists to assess the impact of man's activities on the natural world. He later turned to the issues of global warming (''The Truth about Climate Change'', 2006) and human population growth (''How Many People Can Live on Planet Earth?'', 2009). He also contributed a programme which highlighted the plight of endangered species to the BBC's ''Saving Planet Earth'' project in 2007, the 50th anniversary of the Natural History Unit.

Interestingly, although Attenborough's documentaries have attained immense popularity in the United States, several have never been made available on DVD in NTSC format, most notably those that cast doubt upon conservative religious or political positions. These include:

''Life on Earth'', which examines the evidence for evolution.

''State of the Planet''

''The Truth About Climate Change''

''First Life'', which examines the origin of life.

Current projects

Attenborough continues to work into his ninth decade, and is currently involved in a number of projects for the BBC and for Sky.

He is writing and presenting ''Frozen Planet'', a major new series for BBC One which examines the impact of a warming climate on the people and wildlife of the polar regions. He has also recently completed two projects for BBC Two. ''Madagascar'' (which first aired weekly between the 9 to 23 February 2011) a three-part series giving an overview of Madagascar's unique wildlife. The accompanying documentary ''Attenborough and the Giant Egg'' (which first aired on the 2nd of March 2011) features the elephant bird egg which Attenborough discovered on his first filming expedition to the island in the 1960s.

Attenborough is also forging a new partnership with Sky, working on documentaries for the broadcaster's new 3D network, Sky 3D. Their first collaboration is ''Flying Monsters 3D'', a film about pterosaurs which debuted on Christmas Day 2010. A second film, ''Penguin Island 3D'', has also been announced. Both are produced by Atlantic Productions, the company behind Attenborough's 2010 series ''First Life''.

Other work

From 1983, Attenborough worked on two environmentally themed musicals with the WWF and writers Peter Rose and Anne Conlon. ''Yanomamo'' was the first, about the Amazon rainforest, and the second, ''Ocean World'', premiered at the Royal Festival Hall in 1991. They were both narrated by Attenborough on their national tour, and recorded on to audio cassette. ''Ocean World'' was also filmed for Channel 4 and later released.

In 1990, he highlighted the case of Mahjoub Sharif as part of the BBC's ''Prisoners of Conscience'' series.

In January 2009, the BBC commissioned Attenborough to provide a series of 20 ten-minute monologues covering the history of nature. Entitled ''David Attenborough's Life Stories'', they are broadcast on Radio 4 in the Friday night slot vacated by Alistair Cooke's ''Letter from America''. Part of Radio 4's ''A Point of View'' strand, the talks are also available as podcasts.

He appeared in the 2009 Children's Prom at the BBC Promenade Concerts and in the Last Night of the Proms on 12 September 2009, playing a floor polisher in Sir Malcolm Arnold's "A Grand, Grand Overture" (after which he was "shot" by Rory Bremner, who was playing the gun).

Attenborough also serves on the advisory board of ''BBC Wildlife'' magazine.

Achievements, awards and recognition

{| style="float:right; background:#f9f9f9; border:1px solid darkgrey;" |- !align="left"|Styles and honours |- |

Mr David Attenborough (1926–1974)

Mr David Attenborough CBE (1974–1983)

Mr David Attenborough CBE FRS (1983–1985)

Sir David Attenborough CBE FRS (1985–1991)

Sir David Attenborough CVO CBE FRS (1991–1996)

Sir David Attenborough CH CVO CBE FRS (1996–2005)

Sir David Attenborough OM CH CVO CBE FRS (2005–)

|}

Attenborough's contribution to broadcasting and wildlife film-making has brought him international recognition. He has been called "the great communicator, the peerless educator" and "the greatest broadcaster of our time". His programmes are often cited as an example of what public service broadcasting should be, even by critics of the BBC, and has influenced a generation of wildlife film-makers.

Honorary titles

In 2010 it was reported that Attenborough has been given 29 honorary degrees by British universities, more than any other person. In 1980, he was honoured by the Open University, with whom he has had a close association throughout his career. He also has honorary Doctor of Science awards from the University of Cambridge (1984) and the University of Oxford (1988). In 2006, the two eldest Attenborough brothers returned to their home city to receive the title of Distinguished Honorary Fellows of the University of Leicester, "in recognition of a record of continuing distinguished service to the University." David Attenborough was previously awarded an honorary Doctor of Letters degree by the university in 1970, and was made an honorary Freeman of the City of Leicester in 1990.

Attenborough has received the title Honorary Fellow from Clare College, Cambridge (1980), the Zoological Society of London (1998), the Linnean Society (1999), the Institute of Biology (2000) and the Society of Antiquaries (2007).

Recognition

Attenborough has featured as the subject of a number of BBC television programmes. ''Life on Air'' (2002) examined the legacy of his work and ''Attenborough the Controller'' (2002) focused on his time in charge of BBC Two. He also featured prominently in ''The Way We Went Wild'' (2004), a series about natural history television presenters, and ''100 Years of Wildlife Films'' (2007), a special programme marking the centenary of the nature documentary. In 2006, British television viewers were asked to vote for their ''Favourite Attenborough Moments'' for a UKTV poll to coincide with the broadcaster's 80th birthday. The winning clip showed Attenborough observing the mimicry skills of the superb lyrebird.

Attenborough was named as the most trusted celebrity in Britain in a 2006 Reader's Digest poll,. and the following year he won ''The Culture Show'''s Living Icon Award. He has also been named among the 100 Greatest Britons in a 2002 BBC poll and is one of the top ten "Heroes of Our Time" according to ''New Statesman'' magazine.

He has the distinction of having a number of newly-discovered species and fossils being named in his honour. In 1993, after discovering that the Mesozoic reptile ''Plesiosaurus conybeari'' had not, in fact, been a true plesiosaur, the paleontologist Robert Bakker renamed the species ''Attenborosaurus conybeari''. A fossilised armoured fish discovered at the Gogo Formation, Western Australia in 2008 was given the name ''Materpiscis attenboroughi'', after Attenborough had filmed at the site and highlighted its scientific importance in ''Life on Earth''. The ''Materpiscis'' fossil is believed to be the earliest organism capable of internal fertilisation.

He has also lent his name to a species of Ecuadorian flowering tree, ''Blakea attenboroughi'', one of the world's largest carnivorous plants, ''Nepenthes attenboroughii'', and one of only four species of long-beaked echidna, the critically endangered ''Zaglossus attenboroughi'', discovered by explorer and zoologist Tim Flannery in the Cyclops Mountains of New Guinea in 1998.

In September 2009, London's Natural History Museum opened the Attenborough Studio, part of its Darwin Centre development.

Awards

1970: BAFTA Desmond Davis Award

1974: Commander of the Order of the British Empire (CBE)

1980: BAFTA Fellowship

1983: Fellow of the Royal Society (FRS)

1985: Knighthood

1991: Commander of the Royal Victorian Order (CVO) for producing Queen Elizabeth II's Christmas broadcast for a number of years from 1986

1991: Foreign Honorary Member of the American Academy of Arts and Sciences

1996: Companion of Honour (CH) "for services to nature broadcasting"

1998: International Cosmos Prize

2003: Michael Faraday Prize awarded by the Royal Society

2004: Descartes Prize for Outstanding Science Communication Actions

2004: Caird Medal of the National Maritime Museum

2005: Order of Merit (OM)

2005: Nierenberg Prize for Science in the Public Interest

2006: National Television Awards Special Recognition Award

2006: Institute of Ecology and Environmental Management - Institute Medal in recognition of his outstanding contribution to the public perception and understanding of ecology

2006: The Culture Show British Icon Award

2007: British Naturalists' Association Peter Scott Memorial Award

2009: BAFTA Specialist factual award for ''Life In Cold Blood''

2009: Prince of Asturias Award

2010: Fonseca Prize

2010: Queensland Museum Medal

Views and advocacy

Environmental causes

Attenborough's programmes have often included references to the impact of human society on the natural world. The last episode of ''The Living Planet'', for example, focuses almost entirely on humans' destruction of the environment and ways that it could be stopped or reversed. Despite this, he has been criticised for not giving enough prominence to environmental messages. Some environmentalists feel that programmes like Attenborough's give a false picture of idyllic wilderness and do not do enough to acknowledge that such areas are increasingly encroached upon by humans.

However, his closing message from ''State of the Planet'' was forthright:

The future of life on earth depends on our ability to take action. Many individuals are doing what they can, but real success can only come if there's a change in our societies and our economics and in our politics. I've been lucky in my lifetime to see some of the greatest spectacles that the natural world has to offer. Surely we have a responsibility to leave for future generations a planet that is healthy, inhabitable by all species.

Attenborough has subsequently become more vocal in his support of environmental causes. In 2005 and 2006, he backed a BirdLife International project to stop the killing of albatross by longline fishing boats. He gave public support to WWF's campaign to have 220,000 square kilometres of Borneo's rainforest designated a protected area. He also serves as a vice-president of BTCV, vice-president of Fauna and Flora International, president of Butterfly Conservation and president of Leicestershire and Rutland Wildlife Trust. In 2003 he launched an appeal to create a rainforest reserve in Ecuador in memory of Christopher Parsons, the producer of ''Life on Earth'' and a personal friend, who had died the previous year. The same year, he helped to launch ARKive, a global project instigated by Parsons to gather together natural history media into a digital library. ARKive is an initiative of Wildscreen, of which Attenborough is a patron. He later became patron of the World Land Trust, and an active supporter. He supported Glyndebourne in their successful application to obtain planning permission for a wind turbine in an Area of Outstanding Natural Beauty, and gave evidence at the planning inquiry arguing in favour of the proposal.

Attenborough has repeatedly said that he considers human overpopulation to be the root cause of many environmental problems. In ''The Life of Mammals'', he made a plea for humans to curb population growth so that other species will not be crowded out. In 2009, he became a patron of Population Matters, (formerly known as the Optimum Population Trust), a UK charity advocating sustainable human populations.

He has written and spoken publicly about the fact that, despite past scepticism, he believes the Earth's climate is warming in a way that is cause for concern, and that this can likely be attributed to human activity. He summed up his thoughts at the end of his 2006 documentary "Can We Save Planet Earth?" as follows:

In the past, we didn't understand the effect of our actions. Unknowingly, we sowed the wind and now, literally, we are reaping the whirlwind. But we no longer have that excuse: now we do recognise the consequences of our behaviour. Now surely, we must act to reform it — individually and collectively, nationally and internationally — or we doom future generations to catastrophe.

In a 2005 interview with ''BBC Wildlife'' magazine, Attenborough said he considered George W. Bush to be the era's top "environmental villain". In 2007, he further elaborated on the USA's consumption of energy in relation to its population. When asked if he thought America to be "the villain of the piece", he responded:

I don't think whole populations are villainous, but Americans are just extraordinarily unaware of all kinds of things. If you live in the middle of that vast continent, with apparently everything your heart could wish for just because you were born there, then why worry? [...] If people lose knowledge, sympathy and understanding of the natural world, they're going to mistreat it and will not ask their politicians to care for it.

Religion and creationism

In a December 2005 interview with Simon Mayo on BBC Radio Five Live, Attenborough stated that he considers himself an agnostic. When asked whether his observation of the natural world has given him faith in a creator, he generally responds with some version of this story, making reference to the ''Loa loa'' parasitic worm:

My response is that when Creationists talk about God creating every individual species as a separate act, they always instance hummingbirds, or orchids, sunflowers and beautiful things. But I tend to think instead of a parasitic worm that is boring through the eye of a boy sitting on the bank of a river in West Africa, [a worm] that's going to make him blind. And [I ask them], 'Are you telling me that the God you believe in, who you also say is an all-merciful God, who cares for each one of us individually, are you saying that God created this worm that can live in no other way than in an innocent child's eyeball? Because that doesn't seem to me to coincide with a God who's full of mercy'.

He has explained that he feels the evidence all over the planet clearly shows evolution to be the best way to explain the diversity of life, and that "as far as I'm concerned, if there is a supreme being then he chose organic evolution as a way of bringing into existence the natural world."

In a BBC Four interview with Mark Lawson, Attenborough was asked if he at any time had any religious faith. He replied simply, "No." He has also said "It never really occurred to me to believe in God".

In 2002, Attenborough joined an effort by leading clerics and scientists to oppose the inclusion of creationism in the curriculum of UK state-funded independent schools which receive private sponsorship, such as the Emmanuel Schools Foundation. In 2009, Attenborough stated that the Book of Genesis, by saying that the world was there for people to dominate, had taught generations that they can "dominate" the environment, and that this has resulted in the devastation of vast areas of the environment. Attenborough further explained to the science journal ''Nature'', "That's why Darwinism, and the fact of evolution, is of great importance, because it is that attitude which has led to the devastation of so much, and we are in the situation that we are in."

Also in early 2009, the BBC broadcast an Attenborough one-hour special, ''Charles Darwin and the Tree of Life''. In reference to the programme, Attenborough stated that "People write to me that evolution is only a theory. Well, it is not a theory. Evolution is as solid a historical fact as you could conceive. Evidence from every quarter. What is a theory is whether natural selection is the mechanism and the only mechanism. That is a theory. But the historical reality that dinosaurs led to birds and mammals produced whales, that's not theory." He strongly opposes creationism and its offshoot "intelligent design", saying that a survey that found a quarter of science teachers in state schools believe that creationism should be taught alongside evolution in science lessons was "really terrible".

In March 2009, Attenborough appeared on ''Friday Night with Jonathan Ross''. Attenborough stated that he felt evolution did not rule out the existence of a God and accepted the title of agnostic saying, "My view is: I don't know one way or the other but I don't think that evolution is against a belief in God."

BBC and public service broadcasting

Attenborough is a lifelong supporter of the BBC, public broadcasting and the television licence. He has said:

PSB, to me, is not about selecting individual programme strands here or there, financing them from some outside source and then foisting them upon commercial networks. Public Service Broadcasting, watched by a healthy number of viewers, with programmes financed in proportion to their intrinsic needs and not the size of the audience, can only effectively operate as a network — a network whose aim is to cater for the broadest possible range of interests, popular as well as less popular, a network that measures its success not only by its audience size but by the range of its schedule.

Public service broadcasting is one of the things that distinguishes this country and makes me want to live here. I have spent all my life in it. I would be very distressed if public service broadcasting was weakened. I have been at the BBC since 1952, and know the BBC is constantly being battered. It is today.

If you could demonstrate that the BBC was grossly extravagant there might be a case for saying OK take it away. But in fact the BBC per minute in almost every category is as cheap as you can find anywhere in the world and produces the best quality. If you take the money away, which part of the BBC will you remove? The BBC has gone through swingeing staff cuts. It has been cut to the bone, if you divert licence fee money elsewhere, you cut quality and services. There is always that threat from politicians who will say your licence fee is up for grabs. We will take it. There is a lot of people who want to see the BBC weakened. They talk of this terrible tax of the licence fee. Yet it is the best bargain that is going. Four radio channels and god knows how many TV channels. It is piffling.

There have always been politicians or business people who have wanted to cut the BBC back or stop it saying the sort of things it says. There's always been trouble about the licence and if you dropped your guard you could bet our bottom dollar there'd be plenty of people who'd want to take it away. The licence fee is the basis on which the BBC is based and if you destroy it, broadcasting... becomes a wasteland.

Attenborough expressed regret at some of the changes made to the BBC in the 1990s by Director-General John Birt, who introduced an internal market at the corporation, slimmed and even closed some departments and outsourced much of the corporation’s output to private production companies, in line with the Broadcasting Act 1990. He has said:

There is no question but that Birtism . . . has had some terrible results. On the other hand, the BBC had to change. Now it has to produce programmes no one else can do. Otherwise, forget the licence fee.

The Bristol Unit has suffered along with the rest of the BBC from recent staff cuts. Yet it remains confident in the belief that the BBC will maintain it, in spite of the vagaries of fashion, because the Corporation believes that such programmes deserve a place in the schedules of any broadcaster with pretensions of providing a Public Service. In due course, similar specialist Units were also established in London, in order to produce programmes on archaeology and history, on the arts, on music and on science. They too, at one time, had their successes. But they have not survived as well as the Unit in Bristol. The statutory requirement that a certain percentage of programmes must come from independent producers has reduced in-house production and the Units necessarily shrank proportionately in size. As they dwindled, so the critical mass of their production expertise has diminished. The continuity of their archives has been broken, they have lost the close touch they once had worldwide with their subjects and they are no longer regarded internationally as the centres of innovation and expertise that they once were.

When Birt gets up and says the whole of the BBC was a creative mess and it was wasteful, I never saw any evidence of that. I absolutely know it wasn’t so in my time. Producers now spend all their time worrying about money, and the thing has suffered for it.

In 2008, he criticised the BBC’s television schedules:

I have to say that there are moments when I wonder — moments when its two senior networks, first set up as a partnership, schedule simultaneously programmes of identical character, thereby contradicting the very reason that the BBC was given a second network. Then there are times when both BBC One and BBC Two, intoxicated by the sudden popularity of a programme genre, allow that genre to proliferate and run rampant through the schedules. The result is that other kinds of programmes are not placed, simply because of a lack of space. Do we really require so many gardening programmes, make-over programmes or celebrity chefs? Is it not a scandal in this day and age, that there seems to be no place for continuing series of programmes about science or serious music or thoughtful in-depth interviews with people other than politicians?

In 2009, Attenborough commented on the general state of British television, describing the newly introduced product placement on commercial television as something he considered an "appalling" idea 20 years earlier:

I think it's in great trouble. The whole system on which it was built — a limited number of networks, with adequate funding — is under threat. That funding is no longer there. As stations proliferate, so audiences are reduced. The struggle for audiences becomes ever greater, while money diminishes. I think that's a fair recipe for trouble. Inevitably, this has an impact on the BBC … Fortunately, the BBC doesn't think natural history programmes must compete with ''Strictly Come Dancing'' in terms of audience. The BBC says, 'Make proper, responsible natural history programmes.'

Other causes

In May 2005, Attenborough was appointed as patron of the UK's Blood Pressure Association, which provides information and support to people with hypertension.

Attenborough is also an honorary member of BSES Expeditions, a youth development charity that operates challenging scientific research expeditions to remote wilderness environments.

Parodies and artistic portrayals

Attenborough's accent and hushed, excited delivery have been the subject of frequent parodies by comedians, most notably Spike Milligan, Marty Feldman and ''The Goodies''. Attenborough is portrayed by Michael Palin in the final episode of ''Monty Python's Flying Circus'', where he searches the African jungle for the legendary Walking Tree of Dahomey (''Quercus Nicholas Parsonus''), sweating excessively and accompanied by native guides wearing saxophones. David Attenborough has also been parodied in a series of GEICO insurance commercials, showing a nature show host, clearly patterned on Attenborough.

"Time Flies", a sketch by David Ives, features a pair of anthropomorphic mayflies engaging in a courtship ritual, while watching themselves on television in a documentary narrated by David Attenborough.

The character of Nigel Thornberry, a nature documentarian on Nickelodeon's The Wild Thornberrys is strongly influenced by Attenborough.

He has also been parodied by the Australia 1980s sketch show The Comedy Company where Ian McFadyen portrays a character called David Rabbitborough.

The video game ''Discworld'', based on the series of books by Terry Pratchett, parodies his unique delivery to explain different aspects of the Discworld Universe, such as L-Space.

Mythbusters host Adam Savage often imitates Attenborough when speaking about his co-host Jamie Hyneman, which Jamie verified in the YouTube Special Episode.

Filmography

Attenborough is known foremost for writing and presenting the ten ''Life'' series, which are presented in chronological order below:

''Life on Earth'' (1979)

''The Living Planet'' (1984)

''The Trials of Life'' (1990)

''Life in the Freezer'' (1993)

''The Private Life of Plants'' (1995)

''The Life of Birds'' (1998)

''The Life of Mammals'' (2002)

''Life in the Undergrowth'' (2005)

''Life in Cold Blood'' (2008)

''First Life'' (2010)

His voice is synonymous with wildlife documentaries for British audiences, and the principal series with which his narration is associated include:

''Wildlife on One'' (1977–2005)

''BBC Wildlife Specials'' (1995–2008)

''The Blue Planet'' (2001)

''Planet Earth'' (British version) (2006)

''Nature's Great Events'' (2009)

''Life (2009)

''The Frozen Planet'' (2011) (in production)

Books

Bibliography

''Zoo Quest to Guyana'' (Lutterworth Press, 1956)

''Zoo Quest for a Dragon'' (Lutterworth Press, 1957)

* (book club edition with 85 extra pages, ''Quest for the Paradise Birds'', 1959)

''Zoo Quest in Paraguay'' (Lutterworth Press, 1959)

* paperback (Penguin Books, 1982)

''Quest in Paradise'' (1960)

''People of Paradise'' (Harper & Brothers, 1960)

''Zoo Quest to Madagascar'' (1961)

''Quest Under Capricorn'' (1963)

''Fabulous Animals'' (BBC, 1975) ISBN 0-563-17006-9

''The Tribal Eye'' (1976)

''Life on Earth'' (1979)

''Discovering Life on Earth'' (1981)

''Journeys to the past: Travels in New Guinea, Madagascar, and the northern territory of Australia'' (1983) Penguin Books ISBN 0-14-00.64133

''The Living Planet'' (1984)

''The First Eden: The Mediterranean World and Man'' (1987)(Little Brown & Co (T); 1st American ed edition (March 1990))

''The Atlas of the Living World'' (1989)

''The Trials of Life'' (Collins, 1990) ISBN 0-00-219912-2

''The Private Life of Plants'' (BBC Books, 1994) ISBN 0-563-37023-8

''The Life of Birds'' (BBC Books, 1998) ISBN 0-563-38792-0

''The Life of Mammals'' (BBC Books, 2002) ISBN 0-563-53423-0

''Life on Air: Memoirs of a Broadcaster'' (autobiography; 2002) ISBN 0-563-53461-3

* paperback: ISBN 0-563-48780-1

* updated edition: ISBN 9781846076527

''Life in the Undergrowth'' (BBC Books, 2005) ISBN 0-563-52208-9

''Amazing Rare Things - The Art of Natural History in the Age of Discovery'' with Susan Owens, Martin Clayton and Rea Alexandratos (The Royal Collection, 2007) Hardback - ISBN 978-1-902163-46-8; Softback - ISBN 978-1-902163-99-4

''Life in Cold Blood'' (BBC Books, 2007) ISBN 9780563539223

''Life Stories'', (HarperCollins Publishers, 2009) ISBN 9780007338832

''New Life Stories'', (Collins, 2011) ISBN 9780007425129

Introductions

Attenborough has written the introduction or foreword for a number of books, including:

''African Jigsaw: A Musical Entertainment'', Peter Rose and Anne Conlon (published: 1986, Weinberger)

''Tomorrow Is Too Late'', Various (The Macmillan Press, 1990)

''Life in the Freezer: Natural History of the Antarctic'', Alastair Fothergill (BBC Books, 1993), ISBN 0-563-36431-9

''Birds of Paradise: Paradisaeidae'' (Bird Families of the World series) Clifford B. Frith, Bruce M. Beehler, William T. Cooper (Illustrator) (Oxford University Press, 1998) ISBN 0-19-854853-2

''The Blue Planet'', Andrew Byatt, Alastair Fothergill, Martha Holmes (BBC Books, 2001) ISBN 0-563-38498-0.

''Light on the Earth'' (BBC Books, 2005), two decades of winning images from the Wildlife Photographer of the Year competition, ISBN 0-563-52260-7

''Planet Earth'', Alastair Fothergill (BBC Books, 2006), ISBN 0-563-52212-7

Audio recordings

''Tarka the Otter'' by Henry Williamson (available on audiocassette, 1978)

''Yanomamo'' (musical entertainment, 1983) by Peter Rose and Anne Conlon; on-stage narration and published audio recording

''Ocean World'' (musical entertainment, 1990) by Peter Rose and Anne Conlon; on-stage narration (including at The Royal Festival Hall), for audio recording and video broadcast (both published)

''Peter and the Wolf'' for BBC Music Magazine (free CD with the June 2000 issue).

In addition, Attenborough has recorded some of his own works in audiobook form, including ''Life on Earth'', ''Zoo Quest for a Dragon'' and his autobiography ''Life on Air: Memoirs of a Broadcaster''.

References

External links

BBC Books David Attenborough website

BBC ''Life on Air'' website

BBC biography

Wildfilmhistory.org biography

BBC interviews with Attenborough in 1976 and 1998

PBS interview with Attenborough in 1998

A Life in TV: Sir David Attenborough, BAFTA

BBC Wildlife Finder - David Attenborough's favourite moments

Tribute from the World Land Trust

Category:1926 births Category:Living people Category:Alumni of Clare College, Cambridge Category:Alumni of University College London Category:BBC Two controllers Category:Commanders of the Order of the British Empire Category:Commanders of the Royal Victorian Order Category:English agnostics Category:English conservationists Category:English environmentalists Category:English television personalities Category:Fellows of the American Academy of Arts and Sciences Category:Fellows of the Royal Society Category:Fellows of the Society of Antiquaries of London Category:Fellows of the Zoological Society of London Category:Kalinga Prize recipients Category:Knights Bachelor Category:Members of the Linnean Society of London Category:Members of the Order of the Companions of Honour Category:Members of the Order of Merit Category:People associated with the University of Leicester Category:People from Leicester Category:People from London Category:Presenters of the Royal Institution Christmas Lectures Category:British Book Award winners

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Name	Alison Krauss
Landscape	Yes
Background	solo_singer
Born	July 23, 1971Decatur, IllinoisUnited States
Occupation	Musician, Songwriter, Producer, Bandleader
Instrument	Vocals, Fiddle, Viola
Genre(s)	Bluegrass, Country, Adult Contemporary, R&B;
Years active	1984–present
Associated acts	Dan Tyminski, Robert Plant, John Waite, Rhonda Vincent, Dolly Parton, Brad Paisley, Ricky Skaggs, Vince Gill, Jerry Douglas
Label	Rounder
Website	AlisonKrauss.com}}

Alison Krauss (born July 23, 1971) is an American bluegrass-country singer, songwriter and fiddler. She entered the music industry at an early age, winning local contests by the age of ten and recording for the first time at fourteen. She signed with Rounder Records in 1985 and released her first solo album in 1987. She was invited to join the band with which she still performs, Alison Krauss and Union Station (AKUS), and later released her first album with them as a group in 1989.

She has released twelve albums, appeared on numerous soundtracks, and helped renew interest in bluegrass music in the United States. Her soundtrack performances have led to further popularity, including the ''O Brother, Where Art Thou?'' soundtrack, an album also credited with raising American interest in bluegrass, and the ''Cold Mountain'' soundtrack, which led to her performance at the 2004 Academy Awards. As of the 2011 Grammy Awards, she has won 26 Grammy Awards, making her the most awarded singer, the most awarded female artist, and tied for the third most awarded artist overall in Grammy history. At the time of her first award, at the 1991 Grammy Awards, she was the second youngest winner ever (currently tied as third youngest).

Biography

Alison Maria Krauss was born in Decatur, Illinois. Her parents are originally from Columbus, Mississippi. Krauss was raised in Champaign, Illinois. She began studying classical violin at age five but soon switched to bluegrass. Krauss said she first became involved with music because "[my] mother tried to find interesting things for me to do" and "wanted to get me involved in music, in addition to art and sports." At the age eight she started entering local talent contests, and at ten she had her own band. At 13 she won the Walnut Valley Festival Fiddle Championship, and the Society for the Preservation of Bluegrass in America named her the Most Promising Fiddler in the Midwest. Krauss first met Dan Tyminski around 1984 at a festival held by the Society. Every current member of her band, Union Station, first met her at these festivals.

1985–1991: Early career

Krauss made her recording debut in 1985 on the independent album, ''Different Strokes'', featuring her brother Viktor, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail". Pennell later formed Union Station, and Krauss joined at his invitation, replacing their previous fiddler Andrea Zonn. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye."

Later that year she signed to Rounder Records, and in 1987, at 16, she released her debut album ''Too Late to Cry'' with Union Station as her backup band.

Krauss' debut solo album was followed shortly by her first group album with Union Station in 1989 ''Two Highways''. The album includes the traditional tunes, Wild Bill Jones and Beaumont Rag, along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider." Alison Krauss and Union Station would later perform at the 1989 Newport Folk Festival.

Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album ''I've Got That Old Feeling'' in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video.

1992–1999: Rising success

{| Class=wikitable style="float:right;margin:0 0 0 1em;" |- !colspan=2|Alison Krauss & Union Station |- !align="center" valign="bottom"|Name !align="center" valign="bottom"|Role |- |Alison Krauss |Lead vocals, fiddle, viola |- |Larry Atamanuik |drums, Percussion |- |Barry Bales |Bass |- |Ron Block |Guitar, Banjo |- |Jerry Douglas |Dobro |- |Dan Tyminski |Guitar, Mandolin |- |} Krauss' second Union Station album ''Everytime You Say Goodbye'' was released in 1992, and she went on to win her second Grammy for Best Bluegrass Album of the year. She then joined the Grand Ole Opry in 1993 at the age of 21. She was the youngest cast member at the time, and the first bluegrass artist to join the Opry in twenty-nine years. She also collaborated on a project with the Cox Family in 1994, a bluegrass album called ''I Know Who Holds Tomorrow''. Mandolin and guitar player Dan Tyminski replaced Tim Stafford in Union Station in 1994. Late in the year, Krauss recorded with the band Shenandoah on its single "Somewhere in the Vicinity of the Heart," which brought her to the country music Top Ten for the first time. Also in 1994, Krauss collaborated with Suzy Bogguss, Kathy Mattea, and Crosby, Stills, and Nash to contribute "Teach Your Children" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. In 1997, she recorded vocals and violin for "Half a Mind," on Tommy Shaw's 7 Deadly Zens album.

''Now That I've Found You: A Collection'', a compilation of older releases and some covers of her favorite works by other artists, was released in 1995. Some of these covers include Bad Company's "Oh Atlanta," The Foundations' "Baby, Now That I've Found You," which was used in the Australian hit comedy movie ''The Castle'', and The Beatles' "I Will." A cover of Keith Whitley's "When You Say Nothing at All" reached the top five on the Billboard country chart; the album peaked in the top fifteen on the all-genre Billboard 200 chart, and sold two million copies to become Krauss' first double-platinum album. Krauss also was nominated for four Country Music Association Awards and won all of them.

''So Long So Wrong'', another Union Station album, was released in 1997 and won the Grammy for Best Bluegrass Album. One critic said its sound was "rather untraditional" and "likely [to] change quite a few . . . minds about bluegrass." Included on the album is the track "It Doesn't Matter," which was featured in the second season premiere episode of ''Buffy the Vampire Slayer'' and was included on the ''Buffy'' soundtrack in 1999.

Her next solo release in 1999, ''Forget About It'', included one of her two tracks to appear on the Billboard adult contemporary chart, "Stay." The album was certified gold, and charted within the top seventy-five of the Billboard 200 and in the top five of the country chart. In addition, the track "That Kind of Love" was included in another episode of ''Buffy the Vampire Slayer.''

2000–present: Current career

Adam Steffey left Union Station in 1998, and was replaced with renowned Dobro player Jerry Douglas. Douglas had provided studio back-up to Krauss's records since 1987's ''Too Late To Cry''. Their next album, ''New Favorite'', was released on August 14, 2001. The album went on to win the Grammy for Best Bluegrass Album, with the single "The Lucky One" winning a Grammy as well. ''New Favorite'' was followed up by the double platinum double album ''Live'' in 2002 and a release of a DVD of the same live performance in 2003. Both the album and the DVD were recorded during a performance at The Louisville Palace and both the album and DVD have been certified double Platinum. Also in 2002 she played a singing voice for one of the characters in "Eight Crazy Nights"

''Lonely Runs Both Ways'' was released in 2004, and eventually became another Alison Krauss & Union Station gold certified album. Ron Block described ''Lonely Runs Both Ways'' as "pretty much... what we've always done" in terms of song selection and the style in which those songs were recorded. Krauss believes the group "was probably the most unprepared we've ever been" for the album and that songs were chosen as needed rather than planned beforehand. She also performed a duet with Brad Paisley on his album ''Mud on the Tires'' in the single "Whiskey Lullaby." The single was quickly ranked in the top fifty of the Billboard Hot 100 and the top five of the Hot Country Songs, and won the Country Music Association Awards for "Best Musical Event" and "Best Music Video" of the year.

Krauss recorded a collaborative album, ''Raising Sand'' with Robert Plant in 2007 which would ultimately be RIAA certified platinum. ''Raising Sand'' was nominated for and won 5 Grammys at the 51st Grammy Awards including Album of the Year, Best Contemporary Folk/Americana Album, and Record of the Year ("Please Read the Letter"). Krauss and Plant recorded a Crossroads special in October 2007 for the Country Music Television network which first aired on February 12, 2008. The pair are currently working on a new album. Alison Krauss has announced a new album release called ''Paper Airplane'' with Union Station on April 12, 2011, the follow-up album to "Lonely Runs Both Ways" (2004)

Other work

Krauss has made multiple guest appearances on other records with lead vocals, harmony vocals, or fiddle playing. In 1993 she recorded vocals for the Phish song "If I Could" in Los Angeles. In 1997 she contributed harmony vocals in both English and Irish to Irish traditional band Altan's ''Runaway Sunday'' album. She has contributed to numerous motion picture soundtracks, most notably the soundtrack ''O Brother, Where Art Thou?'' in 2000. She and co-vocalist Dan Tyminski contributed multiple tracks to the soundtrack, including "I'll Fly Away" (with Gillian Welch), "Down to the River to Pray", and "I Am a Man of Constant Sorrow." She also makes a guest appearance on Heart's March 2010 concert DVD Night At Sky Church, providing the lead vocals for the song These Dreams.

In the film, Tyminski's vocals on "I Am a Man of Constant Sorrow" were used for George Clooney's character. The soundtrack sold over seven million copies and won the Grammy for Album of the Year in 2002. The unexpected success of the album has been partially credited, as was Krauss herself, with bringing a new interest in bluegrass to the United States. She has said, however, that she believes Americans already liked bluegrass and other less-heard musical genres, and that the film merely provided easy exposure to the music. She did not appear in the movie, at her own request, as she was nine months pregnant during its filming.

In 2007, Krauss released the anthology ''A Hundred Miles Or More: A Collection'' which was a collection of soundtrack work, duets with artists such as John Waite, James Taylor, Brad Paisley and esteemed fiddle player Natalie MacMaster, and newer tracks. The album was very commercially successful, but was received with a lukewarm reception from critics. One of the tracks, "Missing You", a duet with Waite (and a cover of his hit single from 1984), was similarly received as a single. On August 11, television network Great American Country aired a one-hour special, "Alison Krauss: A Hundred Miles or More" based on the album and featured many of the album's duets and solo performances.

Other soundtracks for which Krauss has performed include ''Twister'', ''The Prince of Egypt'', ''Eight Crazy Nights'', ''Mona Lisa Smile'', ''Divine Secrets of the Ya-Ya Sisterhood'', ''Alias'', ''Bambi II'' and ''Cold Mountain''. She also contributed the song "Jubilee" to the 2004 documentary ''Paper Clips''. The ''Cold Mountain'' songs "The Scarlet Tide" by T-Bone Burnett and Elvis Costello, and "You Will Be My Ain True Love", by herself and Sting were nominated for an Academy Award, and she performed both songs at the 76th Academy Awards, the first with Costello and Burnett and the other with Sting. She also worked as a producer for Nickel Creek on their debut self-titled album in 2000 and the follow-up ''This Side'' in 2002, which won Krauss her first Grammy as a music producer.

Reception and influences

Krauss's earliest musical experience was as an instrumentalist, though her style has grown to focus more on her vocals with a band providing most of the instrumentation. Musicians she enjoys include Lou Gramm of Foreigner and Paul Rodgers of Bad Company. Krauss' family listened to "folk records" while she was growing up, but she had friends who exposed her to groups such as AC/DC, Carly Simon, The Rolling Stones, Lynyrd Skynyrd, and ELO. She cites Dolly Parton, with whom she has since collaborated a number of times, as a major influence. Some credit Krauss and Union Station, at least partially, with a recent revival of interest in bluegrass music in the United States. Despite being together for nearly two decades and winning numerous awards, she said the group was "just beginning right now" (in 2002) because "in spite of all the great things that have happened for the band, [she] feel[s] musically it's just really beginning." Although she alternates between solo releases and works with the band, she has said there is no difference in her involvement between the two. and "the tightest band around." While they have been successful as a group, many reviews note Krauss still "remains the undisputed star and rock-solid foundation" and have described her as the "band's focus" with an "angelic" voice that "flows like honey". Her work has been compared to that of The Cox Family, Bill Monroe, and Del McCoury, and has in turn been credited with influencing various "Newgrass" artists including Nickel Creek, for which she acted as record producer on two of their albums. In addition to her work with Nickel Creek, she has acted as producer to the Cox Family, Reba McEntire and Alan Jackson. Adam Sweeting of ''The Guardian'' has said Krauss and Union Station are "superb when they stick to hoedowns and hillbilly music, but much less convincing when they lurch towards the middle of the road," and ''Blender magazine'' has said the "flavorless repertoire [Krauss] sings... steers her toward Lite FM". In addition, ''Q'' magazine and ''The Onion'' AV Club have said their newer releases are "pretty much the usual," and that although Krauss is generally "adventurous," these recent releases contain nothing to "alienate the masses".

Voice, themes, and musical style

Krauss's vocal range could generally be described as mezzo soprano with little to no vibrato: her clear vocals have been described as "angelic". She has said her musical influences include J. D. Crowe, Ricky Skaggs, and Tony Rice. Many of her songs are described as sad, and are often about love, especially lost love. Krauss herself has said of her song selection that she looks for "tunes that [she] can relate to". Though she has a close involvement with her group and a long career in music, she rarely performs music she has written herself. She has also described her general approach to constructing an album as starting with a single song and selecting other tracks based on the first, to give the final album a somewhat consistent theme and mood. She most commonly performs in the bluegrass and country genres, though she has had two songs on the adult contemporary charts, has worked with rock artists such as Phish and Sting, and is sometimes said to stray into pop music.

Music videos

Krauss did not think she would make music videos at the beginning of her career, and after recording her first she was convinced it was so bad that she would never do another. Nonetheless, she has gone on to make further videos. Many of the first videos she saw were by bluegrass artists, although Dan Tyminski has noted that the video for ''Thriller'' was very popular at the time she was first exposed to music videos. She has made suggestions on the style or theme to some videos, though she tends to leave such decisions up to the director of the particular video. The group chooses directors by seeking out people who have previously directed videos bandmembers have enjoyed. The director for a video to "If I Didn't Know Any Better" from ''Lonely Runs Both Ways'', for example, was selected because Krauss enjoyed work he had done with Def Leppard, and she wondered what he could do with their music. While style decisions are generally left to the various directors of the videos, many —including for "The Lucky One", "Restless", "Goodbye is All We Have", "New Favorite", and "If I Didn't Know Any Better"—follow a pattern. In all of these videos Krauss walks, sometimes interacting with other people, while the rest of the band follows her.

Performances

Krauss has said she used to dislike working in the studio where she had to play the same song repeatedly, but has come to like studio work roughly the same as live stage performances. Her own favorite concert experiences include watching three Foreigner concerts during a single tour, a Dolly Parton concert, and a Larry Sparks concert. She appeared on ''Austin City Limits'' in 1992 and opened the show in 1995 with Union Station. The ''New Favorite'' tour, after AKUS' album of the same name, was planned to start September 12, 2001 in Cincinnati, Ohio, but was delayed until September 28 in Savannah, Georgia following the September 11 terrorist attacks Krauss also took part in the ''Down from the Mountain'' tour in 2002, which featured many artists from the ''O Brother, Where Art Thou''. ''Down from the Mountain'' was followed by the ''Great High Mountain Tour'', which was composed of musicians from both ''O Brother'' and ''Cold Mountain'', including Krauss. She has also given several notable smaller performances including at Carnegie Hall (with the Grand Ole Opry), on Lifetime Television in a concert of female performers, on the radio show ''A Prairie Home Companion'' where she sang two songs not previously recorded on any of her albums, and a performance at the White House attended by then-President Bill Clinton and then-Vice President Al Gore.

Awards

Alison Krauss has won a record twenty-six Grammy Awards over the course of her career as a solo artist, as a group with Union Station, as a duet with Robert Plant, and as a record producer. This is more than any other female artist and is the third most won by any artist overall. She overtook Aretha Franklin for the most female wins at the 46th Grammy Awards where Krauss won three, bringing her total at the time to seventeen (Franklin won her sixteenth that night). The Recording Academy (which presents the Grammy Awards) presented her with a special musical achievement honor in 2005. She has also won 14 International Bluegrass Music Association Awards, 8 Country Music Association Awards, 2 Gospel Music Association Awards, 2 CMT Music Awards, 2 Academy of Country Music Awards, and 1 Canadian Country Music Award. Country Music Television ranked Krauss 12th on their "40 Greatest Women of Country Music" list in 2002.

At the 76th Academy Awards in February 2004, where she performed two nominated songs from the ''Cold Mountain'' soundtrack, Alison Krauss was chosen by Hollywood shoe designer Stuart Weitzman to wear a pair of $2 million 'Cinderella' sandals with 4½ inch clear glass stiletto heels and two straps adorned with 565 Kwiat diamonds set in platinum. Feeling like a rather unglamorous choice, Krauss said, "When I first heard, I was like, 'What were they thinking?' I have the worst feet of anybody who will be there that night!" In addition to the fairy-tale-inspired shoes, Weitzman outfitted Krauss with a Palm Trēo 600 smartphone, bejeweled with 3,000 clear-and-topaz-colored Swarovski crystals. The shoes were returned, but Krauss kept the crystal-covered phone. Weitzman chose Krauss to show off his fashions at the urging of his daughters, who are fans of Krauss' music.

Discography

1985: ''Different Strokes''

1987: ''Too Late to Cry''

1989: ''Two Highways''

1990: ''I've Got That Old Feeling''

1992: ''Every Time You Say Goodbye''

1994: ''I Know Who Holds Tomorrow''

1997: ''So Long So Wrong''

1999: ''Forget About It''

2001: ''New Favorite''

2002 "Live"

2004: ''Lonely Runs Both Ways''

2007: ''Raising Sand''

2011: ''Paper Airplane''

Filmography

Film
Year	Film	Role	Notes
1997	''Annabelle's Wish''	Additional Voices	UncreditedVoice only
2002	''Adam Sandler's Eight Crazy Nights''	Jennifer	Voice only
Television
Year	Film	Role	Notes
1991	''Hee Haw''	Herself	1 episodeEpisode: #22.21
1996	''Austin City Limits''	Herself	5 episodes, 1996–2005
1997	''Miracle on Highway 31''	Herself	TV movie
2005	''Sesame Street''	Herself	1 episodeEpisode: "American Fruit Stand"
2006	''CMT Cross Country''	Performer	with Vince Gill
2008	''CMT Crossroads''	Performer	with Robert Plant

References

External links

Official site

Rounder Records site for Alison Krauss

[ Alison Krauss] on Allmusic database

Category:1971 births Category:Living people Category:Alison Krauss & Union Station members Category:American bluegrass fiddlers Category:American country singers Category:American female singers Category:Grammy Award winners Category:American Christians Category:People from Decatur, Illinois Category:People from Champaign, Illinois Category:Musicians from Illinois Category:Grand Ole Opry members Category:American people of Native American descent Category:American musicians of French descent Category:American people of English descent Category:American performers of Christian music Category:Rounder Records artists

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