Unit name	Royal Navy
Dates	16th century – present
Country	(to 1707) (1707–1800) (1801–present)
Allegiance	HM The Queen
Type	Navy
Size	37,300 regulars2,900 royal navy reserve19,600 regular reserve98 ships including RFA177 aircraft1 Aircraft Carrier1 Amphibious assault carrier2 Amphibious transport docks6 Destroyers 13 Frigates11 Submarines 15 Minesweepers
Command structure	British Armed Forces
Garrison	Ministry of Defence Main Building, Whitehall
Garrison label	Naval Staff Offices
Motto	Latin: Si vis pacem, para bellum If you wish for peace, prepare for war
Colors	Red and White
Colors label	Colours
March	"Heart of Oak"
Battle honours
Commander1	HRH The Duke of Edinburgh, KG
Commander1 label	Lord High Admiral
Commander2	Admiral Sir Mark Stanhope, GCB OBE
Commander2 label	First Sea Lord
Notable commanders
Identification symbol
Identification symbol label	Naval Ensign
Identification symbol 2
Identification symbol 2 label	Naval Jack
Identification symbol 4 label
Aircraft attack	Lynx
Aircraft patrol	Merlin, Lynx, Sea King ASaC.7
Aircraft trainer	Tutor, Hawk, Jetstream, Firefly
Aircraft transport	Sea King }}

The Royal Navy is the naval warfare service branch of the British Armed Forces. Founded in the 16th century, it is the oldest service branch and is therefore known as the Senior Service. From the end of the 17th century until well into the 20th century it was the most powerful navy in the world, playing a key part in establishing the British Empire as the dominant world power.

After World War II the Royal Navy was replaced by the United States Navy as the world's foremost naval power. During the Cold War it was transformed into a primarily anti-submarine force, hunting for Soviet submarines, mostly active in the GIUK gap. With the collapse of the Soviet Union, its role for the 21st century has returned to focus on global expeditionary operations.

The Royal Navy is a blue-water navy and its ability to project power globally is considered second only to the U.S. Navy. As a prominent blue-water navy it operates an array of technologically sophisticated ships including an aircraft carrier, a helicopter carrier, landing platform docks, ballistic missile submarines, nuclear fleet submarines, guided missile destroyers, frigates, mine counter-measures and patrol vessels. The Royal Navy maintains the United Kingdom's nuclear weapons via its ballistic missile submarines.

The Royal Navy is a constituent component of the Naval Service, which also comprises the Royal Marines, Royal Naval Reserve and Royal Marines Reserve. As of mid 2011 the Royal Navy numbered approximately 37,300 regulars and 2,900 Royal Naval Reserve. In addition, there were 19,600 regular reserves.

In June 2011 there were 79 commissioned ships in the Royal Navy, 19 vessels of the Royal Fleet Auxiliary (RFA) also contribute to the Royal Navy's available sea-going assets. The RFA primarily serves to replenish Royal Navy warships at sea, but also augments the Royal Navy's amphibious warfare capabilities through its three .

History

Development of England's navy

900–1500

The strength of the fleets of the united Kingdom of England was an important element in the kingdom's power in the 10th century. At one point Aethelred II had an especially large fleet built by a national levy of one ship for every 310 hides of land, but it is uncertain whether this was a standard or exceptional model for raising fleets. During the period of Danish rule in the 11th century the authorities maintained a standing fleet by taxation, and this continued for a time under the restored English regime of Edward the Confessor (reigned 1042–1066), who frequently commanded fleets in person.

English naval power seems to have declined as a result of the Norman conquest. Medieval fleets, in England as elsewhere, were almost entirely composed of merchant ships enlisted into naval service in time of war. From time to time a few "king's ships" owned by the monarch were built for specifically warlike purposes, but unlike some European states England did not maintain a small permanent core of warships in peacetime. England's naval organisation was haphazard and the mobilisation of fleets when war broke out was slow.

With the Viking era at an end, and conflict with France largely confined to the French lands of the English monarchy, England faced little threat from the sea during the 12th and 13th centuries, but in the 14th century the outbreak of the Hundred Years War dramatically increased the French menace. Early in the war French plans for an invasion of England failed when Edward III of England destroyed the French fleet in the Battle of Sluys in 1340. Major fighting was thereafter confined to French soil and England's naval capabilities sufficed to transport armies and supplies safely to their continental destinations. However, while subsequent French invasion schemes came to nothing, England's naval forces could not prevent frequent raids on the south-coast ports by the French and their Genoese and Castilian allies; such raids halted finally only with the occupation of northern France by Henry V (reigned 1413–1422).

1500–1707

The standing Navy Royal, with its own secretariat, dockyards and a permanent core of purpose-built warships, was created in the 16th century during the reign of Henry VIII. Under Elizabeth I England became involved in a war with Spain, which saw privately-owned ships combining with the Navy Royal in highly profitable raids against Spanish commerce and colonies. In 1588 Philip II of Spain sent the Spanish Armada against England in order to end English support for Dutch rebels, to stop English corsair activity and to depose the Protestant Elizabeth I. The Spaniards sailed from Lisbon, planning to escort an invasion force from the Spanish Netherlands but the plan failed due to poor planning, English harrying, blocking action by the Dutch and mainly as a result of an extremely bad weather.

During the early 17th century England's relative naval power deteriorated and a new threat emerged from the slaving raids of the Barbary corsairs, which the Navy had little success in countering. Charles I undertook a major programme of warship building, creating a small force of powerful ships, but his methods of fund-raising to finance the fleet contributed to the outbreak of the English Civil War. In the wake of this conflict and the abolition of the monarchy, the new Commonwealth of England, isolated and threatened from all sides, dramatically expanded the Navy, which became the most powerful in the world.

The new regime's introduction of Navigation Acts, providing that all merchant shipping to and from England or her colonies should be carried out by English ships, led to war with the Dutch Republic. In the early stages of this First Anglo-Dutch War (1652–1654), the superiority of the large, heavily armed English ships was offset by superior Dutch tactical organisation and the fighting was inconclusive. English tactical improvements resulted in a series of crushing victories in 1653 at Portland, the Gabbard and Scheveningen, bringing peace on favourable terms. This was the first war fought largely, on the English side, by purpose-built, state-owned warships.

As a result of their defeat in this war, the Dutch transformed their navy on the English model, and the Second Anglo-Dutch War (1665–1667) was a closely fought struggle between evenly-matched opponents, with a crushing English victory at the Battle of Lowestoft (1665) countered by Dutch triumph in the epic Four Days Battle (1666). In 1667 the restored royal government of Charles II of England was forced to lay up the fleet in port for lack of money to keep it at sea, while negotiating for peace. Disaster followed, as the Dutch fleet mounted the Raid on the Medway, breaking into Chatham Dockyard and capturing or burning many of the Navy's largest ships at their moorings. In the Third Anglo-Dutch War (1672–1674), Charles II allied with Louis XIV of France against the Dutch, but the combined Anglo-French fleet was fought to a standstill in a series of inconclusive battles, while the French invasion by land was warded off.

The influence and reforms of Samuel Pepys, the Chief Secretary to the Admiralty under both Charles II and subsequently King James II, were important in the early professionalisation of the Royal Navy. During the 1670s and 1680s the Navy succeeded in permanently ending the threat to English shipping from the Barbary corsairs, inflicting defeats which induced the Barbary states to conclude long-lasting peace treaties. Following the Glorious Revolution, England joined the European coalition against Louis XIV in the War of the Grand Alliance (1688–1697) in alliance with the Dutch. The allies were defeated at Beachy Head (1690), but victory at Barfleur-La Hogue (1691) was a turning-point marking the end of France's brief pre-eminence at sea and the beginning of an enduring English, later British, supremacy.

In the course of the 17th century the Navy completed the transition from a semi-amateur Navy Royal fighting in conjunction with private vessels into a fully professional institution, a Royal Navy. Its financial provisions were gradually regularised, it came to rely on dedicated warships only, and it developed a professional officer corps with a defined career structure, superseding an earlier mix of sailors and socially prominent former soldiers. Under the Acts of Union in 1707 the three-ship Royal Scots Navy merged with that of England to create a Royal Navy of the new Kingdom of Great Britain.

Development of the British navy

1707–1815

Throughout the 18th and 19th centuries the Royal Navy was the largest in the world, but until 1805 its forces were repeatedly matched or exceeded in numbers by a combination of enemies. Despite this it was able to maintain an almost uninterrupted ascendancy over its rivals through superiority in financing, tactics, training, organisation, social cohesion, hygiene, dockyard facilities, logistical support and, from the middle of the 18th century, warship design and construction.

During the War of the Spanish Succession (1702–1714), the Navy operated in conjunction with the Dutch against the navies of France and Spain. Naval operations in European waters focused on the acquisition of a Mediterranean base, contributing to a long-lasting alliance with Portugal in 1703 and the capture of Gibraltar (1704) and Minorca (1708), which were both retained by Britain after the war, and on supporting the efforts of Britain's Austrian Habsburg allies to seize control of Spain and its Mediterranean dependencies from the Bourbons. French naval squadrons did considerable damage to English and Dutch commercial convoys during the early years of the war. However a major victory over France and Spain at the Battle of Vigo Bay (1702), further successes in battle, and the scuttling of the entire French Mediterranean fleet at Toulon in 1707 virtually cleared the Navy's opponents from the seas for the latter part of the war. Naval operations also enabled the conquest of the French colonies in Nova Scotia and Newfoundland. Further conflict with Spain followed in the War of the Quadruple Alliance, in which the Navy helped thwart a Spanish attempt to regain Sicily and Sardinia from Austria and Savoy, defeating a Spanish fleet at Cape Passaro, and an undeclared war in the 1720s in which Spain tried to retake Gibraltar and Minorca.

After a period of relative peace, the Navy became engaged in the War of Jenkins' Ear (1739–1742) against Spain, which was dominated by a series of costly and mostly unsuccessful attacks on Spanish ports in the Caribbean, chiefly at Cartagena. In 1742 the Kingdom of the Two Sicilies was driven to withdraw from the war in half an hour by the threat of a bombardment of its capital Naples by a small British squadron. The war was quickly followed by the wider War of the Austrian Succession (1744–1748), again pitting Britain against France. Naval fighting in this war, which for the first time included major operations in the Indian Ocean, was largely inconclusive, the most significant event being the failure of an attempted French invasion of England in 1744. The subsequent Seven Years War (1755–1763) saw the Navy conduct amphibious campaigns leading to the conquest of French Canada, French colonies in the Caribbean and West Africa and small islands off the French coast, while operations in the Indian Ocean contributed to the destruction of French power in India. A new French attempt to invade Britain was thwarted by the extraordinary Battle of Quiberon Bay in 1759, fought in a gale on a dangerous lee shore. Once again the French navy was effectively eliminated from the war, abandoning major operations. In 1762 the resumption of hostilities with Spain led to the British capture of Havana, along with a Spanish fleet sheltering there, and Manila.

In the American Revolutionary War, the small Continental Navy of frigates fielded by the rebel colonists was obliterated with ease, but the entry of France, Spain and the Netherlands into the war against Britain produced a combination of opposing forces which deprived the Navy of its position of superiority for the first time since the 1690s, briefly but decisively. The war saw a series of indecisive battles in the Atlantic and Caribbean, in which the Navy failed to achieve the conclusive victories needed to secure the supply lines of British forces in North America and cut off the colonial rebels from outside support. The most important operation of the war came in 1781 when in the Battle of the Chesapeake the British fleet failed to lift the French blockade of Lord Cornwallis's army, resulting in Cornwallis's surrender at Yorktown. Although this disaster effectively concluded the fighting in North America, it continued in the Indian Ocean, where the French were prevented from re-establishing a meaningful foothold in India, and in the Caribbean. Victory there in the Battle of the Saintes in 1782 and the relief of Gibraltar later the same year symbolised the restoration of British naval ascendancy, but this came too late to prevent the independence of the Thirteen Colonies.

The eradication of scurvy from the Royal Navy in the 1790s was finally due to the chairman of the Navy's Sick and Hurt Board, Gilbert Blane, who finally put Bachstrom and Lind's long-ignored prescription of fresh lemons to use during the Napoleonic Wars. Other navies soon adopted this successful solution. During the 18th century, scurvy killed more British sailors than enemy action. For instance, during the Seven Years War, the Royal Navy reported that it conscripted 184,899 sailors, of who 133,708 died of disease or were 'missing', and scurvy was the principal disease. Limey, a Caribbean and North American slang term for British sailors and later the British in general, is believed to derive from the practice.

The Wars of the French Revolution (1793–1801) and Napoleonic Wars (1803–1814 and 1815) saw the Royal Navy reach a peak of efficiency, dominating the navies of all Britain's adversaries, which spent most of the war blockaded in port. The Navy achieved an emphatic early victory at the Glorious First of June (1794), and gained a number of smaller victories while supporting abortive Royalist efforts to regain control of France. In the course of one such operation the majority of the French Mediterranean fleet was captured or destroyed during a short-lived occupation of Toulon in 1793. The military successes of the French Revolutionary regime brought the Spanish and Dutch navies into the war on the French side, but the losses inflicted on the Dutch at the Battle of Camperdown in 1797 and the surrender of their surviving fleet to a landing force at Den Helder in 1799 effectively eliminated the Dutch navy from the war. The Spithead and Nore mutinies in 1797 incapacitated the Channel and North Sea fleets, leaving Britain potentially exposed to invasion, but were rapidly resolved. The British Mediterranean fleet under Nelson failed to intercept Napoleon Bonaparte's 1798 expedition to invade Egypt, but annihilated his fleet at the Battle of the Nile, leaving his army isolated. The emergence of a Baltic coalition opposed to Britain led to an attack on Denmark, which lost much of its fleet in the Battle of Copenhagen (1801) and came to terms with Britain. During these years the Navy also conducted amphibious operations which captured most of the French Caribbean islands and the Dutch colonies at the Cape of Good Hope and Ceylon and in the Dutch East Indies, but all of these gains except Ceylon and Trinidad were returned following the Peace of Amiens in 1802, which briefly halted the fighting. War resumed in 1803 and Napoleon, now ruling France as emperor, attempted to assemble a large enough fleet from the French and Spanish squadrons blockaded in various ports to cover an invasion of England. The Navy frustrated these efforts and, following the abandonment of the invasion plan, the combined Franco-Spanish fleet which had been gathered was smashed by Nelson in the Battle of Trafalgar (1805). This victory marked the culmination of decades of developing British naval dominance, and left the Navy in a position of uncontested hegemony at sea which endured until the early years of the 20th century.

After Trafalgar, large-scale fighting at sea was limited to the destruction of small, fugitive French squadrons and amphibious operations which again captured the colonies which had been restored at Amiens, along with France's Indian Ocean base at Mauritius. In 1807 French plans to seize the Danish fleet led to a pre-emptive British attack on Copenhagen, resulting in the surrender of the entire Danish navy. The impressment of British and American sailors from American ships contributed to the outbreak of the War of 1812 (1812–1814) against the United States, in which the naval fighting was largely confined to commerce raiding and single-ship actions. The brief renewal of war after Napoleon's return to power in 1815 did not bring a resumption of naval combat.

1815–1914

Between 1815 and 1914 the Navy saw little serious action, owing to the absence of any opponent strong enough to challenge its dominance. It succeeded in maintaining the huge advantage it had built up over all potential rivals despite the comprehensive transformation of naval warfare brought about by steam propulsion, metal ship construction and high-explosive munitions, which required the complete replacement of war fleets. Thanks to British leadership in the Industrial Revolution, the country enjoyed unparalleled shipbuilding capacity and financial resources, which ensured that no rival could take advantage of these revolutionary changes to negate the British advantage in ship numbers. The Navy was thus able to preserve a numerical dominance based on the 'two power standard', which stipulated that it should remain larger than its two most powerful competitors combined. The end of the 19th century saw structural changes brought about by the First Sea Lord (Chief of Naval Staff) Jackie Fisher who retired, scrapped, or placed into reserve many of the older vessels, making funds and manpower available for newer ships. He also oversaw the development of , the first all-big-gun ship, which rendered all existing battleships obsolete. Unlike the far more dramatic technological revolutions of the mid-19th century, this opportunity was exploited to mount a serious challenge to British naval supremacy, since there was now a rival able to compete with Britain's shipbuilding capacity. The industrial and economic development of Germany had by this time overtaken Britain, and a politically charged and expensive arms race ensued. Britain emerged from this contest triumphant, in as much as it was able to maintain a substantial numerical advantage over Germany, but for the first time since 1805 another navy now existed with the capacity to challenge the Royal Navy in battle.

1914–1945

During the two World Wars, the Royal Navy played a vital role in keeping the United Kingdom supplied with food, arms and raw materials and in defeating the German campaigns of unrestricted submarine warfare in the first and second battles of the Atlantic.

During the First World War most of the Royal Navy's strength was deployed at home in the Grand Fleet, confronting the German High Seas Fleet across the North Sea. A few inconclusive clashes took place between them, chiefly the Battle of Jutland in 1916. These exposed the deficiencies of a British approach to capital ship design which prioritised speed and firepower, as against the German emphasis on resilience, as well as the inadequacies of Britain's hastily-assembled munitions industry. However, the Germans were repeatedly outmaneuvered and the British numerical advantage proved insurmountable, leading the High Seas Fleet to abandon its challenge to British dominance. As a result, the Navy was able to maintain an effective blockade against its enemies' overseas trade throughout the war.

Elsewhere in the world, the Navy hunted down the handful of German surface raiders at large. During the Dardanelles Campaign against the Ottoman Empire in 1915 it suffered serious losses during a failed attempt to break through the system of minefields and shore batteries defending the straits.

The most serious menace faced by the Navy came from the attacks on merchant shipping mounted by German U-boats. For much of the war this submarine campaign was restricted by prize rules requiring merchant ships to be warned and evacuated before sinking. In 1915 the Germans renounced these restrictions and began to sink merchant ships on sight, but later returned to the previous rules of engagement to placate neutral opinion. A resumption of unrestricted submarine warfare in 1917 raised the prospect of Britain and its allies being starved into submission. The Navy's response to this new form of warfare had proved inadequate due to its refusal to adopt a convoy system for merchant shipping, despite the demonstrated effectiveness of the technique in protecting troop ships. The belated introduction of convoys sharply reduced losses and brought the U-boat threat under control.

In the inter-war period the Royal Navy was stripped of much of its power. The Washington and London Naval Treaties imposed scrappings of capital ships and limitations on new construction. In 1932 the Invergordon Mutiny took place over a proposed 25% pay cut which was eventually reduced to 10%. International tensions increased in the mid-1930s and the Second London Naval Treaty of 1935 failed to halt the development of a naval arms race. By 1938 treaty limits were effectively ignored. The rearmament of the Royal Navy was well under way by this point; the Royal Navy had begun construction of still treaty affected and undergunned new battlehips and its first full-sized purpose-built aircraft carriers. In addition to new construction several existing old battleships (whose gun power offset to a significant extent the weakly armed new battleships), battlecruisers and heavy cruisers were reconstructed, and anti-aircraft weaponry reinforced, while new technologies such as ASDIC, Huff-Duff and hydrophones were developed. The Navy had lost control of naval aviation when the Royal Naval Air Service was merged with the Royal Flying Corps to form the Royal Air Force in 1918, but regained it with the establishment of the Fleet Air Arm in 1937. However, the effectiveness of its aircraft lagged far behind its rivals and around this time the Imperial Japanese Navy and the United States Navy began to surpass the Royal Navy in power.

During the early phases of World War II the Royal Navy provided critical cover during British evacuations from Dunkirk. At the Battle of Taranto, Admiral Cunningham commanded a fleet that launched the first all-aircraft naval attack in history. Later Cunningham was determined that as many Commonwealth soldiers as possible should be evacuated after their defeat on Crete. When army generals feared he would lose too many ships, he famously said, "It takes the Navy three years to build a new ship. It will take three hundred years to build a new tradition. The evacuation will continue."

The Royal Navy suffered huge losses in the early stages of the war, including , , and in the European Theatre, and and off Singapore. Of the 1,418 men on the ''Hood'', only three survived. Over 3,000 people were lost when the converted troopship ''Lancastria'' was sunk in June 1940, creating the greatest maritime disaster in Britain's history. There were, however, early successes against enemy surface ships, in particular off Norway; by 1941, with the sinking of the ''Bismarck'', Germany effectively lost her surface ship capabilities. As well as providing cover in operations, it was also vital in guarding the sea lanes that enabled British forces to fight in remote parts of the world such as North Africa, the Mediterranean and the Far East. Naval supremacy in the Atlantic was vital to the amphibious operations carried out, such as the invasions of Northwest Africa, Sicily, Italy, and Normandy.

Postwar period and early 21st century

After World War II the decline of the British Empire and the economic hardships in Britain at the time forced the reduction in the size and capability of the Royal Navy. The increasingly powerful U.S. Navy took on the former role of the Royal Navy as global naval power and police force of the sea. However, the combination of the threat of the Soviet Union, and Britain's commitments throughout the world, created a new role for the Navy. Governments since World War II have had to balance commitments with increasing budgetary pressures, partly due to the increasing cost of weapons systems, what historian Paul Kennedy called the Upward Spiral. These pressures have been exacerbated by bitter inter-service rivalry.

HMS ''Dreadnought'', the Royal Navy's first nuclear submarine, was launched in the 1960s. The navy also received its first nuclear weapons with the introduction of the first of the ''Resolution''-class submarines armed with the Polaris missile. The introduction of Polaris followed the cancellation of the GAM-87 Skybolt missile which had been proposed for use by the Air Force's V-Bomber force. As a result, the navy became responsible for the maintenance of the UK's entire nuclear deterrent. The financial costs attached to nuclear deterrence became an increasingly significant issue for the navy.

The Navy began plans to replace its fleet of aircraft carriers in the mid-1960s. A plan was drawn up for three large aircraft carriers, each displacing about 60,000 tons; the plan was designated CVA-01. These carriers would be able to operate the latest aircraft that were coming into service, and would keep the Royal Navy’s place as a major naval power. However, the new Labour government that came into power in the mid-1960s was determined to cut defence expenditure as a means to reduce public spending, and in the 1966 Defence White Paper the project was cancelled.

After this the navy began to shrink and the navy was forced to make do with three much smaller s. The fleet was now centred around anti-submarine warfare in the north Atlantic as opposed to its former position with worldwide strike capability.

One of the most important operations conducted predominantly by the Royal Navy after the Second World War was the 1982 defeat of Argentina in the Falkland Islands War. Despite losing four naval ships and other civilian and RFA ships the Royal Navy proved it was still able to fight and win a battle 8,345 miles (12,800 km) from Great Britain. is the only nuclear-powered submarine to have engaged an enemy ship with torpedoes, sinking the Argentine cruiser ARA ''General Belgrano''. The war also underlined the importance of aircraft carriers and submarines and exposed the weaknesses of the service's late 20th century dependence on chartered merchant vessels.

Before the Falklands War in 1982 Defence Secretary John Nott had advocated and initiated a series of cutbacks to the Navy. The Falklands War though, proved a need for the Royal Navy to regain an expeditionary and littoral capability which, with its resources and structure at the time, would prove difficult. At the end of the Cold War at the beginning of the 1990s the Royal Navy was a force focused on blue water anti-submarine warfare. Its purpose was to search for and destroy Soviet submarines in the North Atlantic, and to operate the nuclear deterrent submarine force.

The Royal Navy also took part in the Gulf War, the Kosovo conflict, the Afghanistan Campaign, and the 2003 Iraq War, the last of which saw RN warships bombard positions in support of the Al Faw Peninsula landings by Royal Marines. In August 2005 the Royal Navy rescued seven Russians stranded in a submarine off the Kamchatka peninsula. The Navy's Scorpio 45 remote-controlled mini-sub freed the Russian submarine from the fishing nets and cables that had held it for three days. The Royal Navy was also involved in an incident involving Somali pirates in November 2008, after the pirates tried to capture a civilian vessel.

Today

Personnel

The Naval Service comprises both the Royal Navy and Royal Marines. For December 2009, the total trained regular strength of the Naval Service was 34,660, of which 27,710 were Royal Navy and 6940 were Royal Marines. Within this total, 3960 were untrained personnel. The Navy List reports an up to date list of all officers within the Royal Navy. There are 380 Full-time reserve service personnel within these figures. HMS Raleigh at Torpoint, Cornwall is the basic training facility for newly enlisted personnel. Britannia Royal Naval College is the initial officer training establishment for the navy, located at Dartmouth, Devon.

Personnel are divided into a general duties branch, which includes those seamen officers eligible for command, and other branches including the Royal Naval Engineers, medical, and Logistics Officers, the renamed Supply Officer branch. Present day officers and ratings have several different Royal Navy uniforms; some are blue, others are white.

Women began to join the Royal Navy in 1917 with the formation of the Women's Royal Naval Service (WRNS), which was disbanded after the end of the First World War in 1919. It was revived in 1939, and the WRNS continued until disbandment in 1993, as a result of the decision to fully integrate women into the structures of the Royal Navy. The only restriction on women currently in the RN is that they may not serve on submarines, or with the Royal Marine Commandos.

Fleet composition

In the 1990s the navy began a series of projects to modernise the fleet and convert it from a North Atlantic-based anti-submarine force to an expeditionary force. This has involved the replacement of much of the Fleet and has seen a number of large procurement projects.

Large fleet units – amphibious and carriers

Two ''Queen Elizabeth''-class supercarriers have been ordered and are to be a new generation of aircraft carrier to replace the three aircraft carriers. The two vessels are expected to cost £3.9 billion, will displace 65,000 tons and, although somewhat delayed, are planned to enter service from around 2016. The initial decision was that both would operate the STOVL variant of the F-35 Lightning II, however following the Strategic Defence and Security Review ordered by the Coalition Government in June 2010, it was announced that the first of the carriers will be fitted with catapults to operate the F-35C CTOL carrier variant. The second carrier will be placed in extended readiness after its introduction to service. This leaves open the options to rotate them, to ensure a continuous UK carrier-strike capability; to re-generate more quickly a two-carrier strike capability, or to sell one of the carriers which would result in the UK to relying on cooperation with a close ally to provide continuous carrier-strike capability. In addition to this, a dedicated helicopter carrier, HMS ''Ocean'' and two amphibious assault ships, HMS ''Albion'' (Royal Navy Fleet Flagship) and HMS ''Bulwark'' complements the aircraft carrier force. HMS ''Illustrious'' is the sole remaining ''Invincible''-class carrier and will replace Ocean as a helicopter carrier until Illustrious' final withdrawal in 2014.

The introduction of the four vessels of the Bay class of landing ship dock into the Royal Fleet Auxiliary in 2006 and 2007, and the two landing platform docks gave the Royal Navy a significantly enhanced amphibious capability. In November 2006 First Sea Lord Admiral Sir Jonathon Band said, "These ships represent a major uplift in the Royal Navy's war fighting capability." One Bay-class ship was sold to Australia recently.

Escort units

The escort fleet, in the form of frigates and destroyers, is the traditional workhorse of the Navy, and is also being updated. The 2010 fleet of five Type 42 destroyers were to be replaced with the much larger Type 45 destroyer.

Six Type 45 destroyers are planned, of which 2 are in service, 1 is waiting to enter service and 3 are under construction . Under the terms of the original contract the Navy was to order twelve vessels, but only the six will be constructed. The main role of the Type 45 destroyer is anti-air warfare; in order to fulfil this role, it will be equipped with the Sea Viper (formerly known as PAAMS) integrated anti-aircraft system which will fire Aster 15 and Aster 30 missiles. The Type 45 will operate the highly sophisticated Sampson radar system that will be fully integrated into the PAAMS system. but have little anti-ship capability.

As soon as possible after 2020 the Type 23 will be replaced by Type 26 frigates, designed to be easily adapted to change roles and capabilities depending on the strategic circumstances".

The last frigate to enter service was the Type 23 frigate in 2002. On 21 July 2004, in the Delivering Security in a Changing World review of defence spending, Defence Secretary Geoff Hoon announced that three frigates of the fleet of sixteen would be paid off as part of a continuous cost-cutting strategy and were sold to Chile. Several designs have been created for a new generation frigate such as the Future Surface Combatant, which is now known as the Type 26 frigate. The Strategic Defence and Security Review of October 2010 stated "As soon as possible after 2020 the Type 23 will be replaced by Type 26 frigates, designed to be easily adapted to change roles and capabilities depending on the strategic circumstances". It proposed a surface fleet of 19 frigates and destroyers; there are 6 Type 45 destroyers in the fleet. It was announced in December 2010 that the remaining fleet of four batch 3 Type 22 frigates will be withdrawn from service by the end of April 2011.

Submarines

Seven s are planned, with the first in service, three under construction, the fifth ordered, and the procurement process started for the sixth. The first, entered service in August 2010. These submarines are much larger than their predecessors, the and are expected to displace 7,800 tons submerged. Six ''Trafalgar''-class nuclear submarines are currently in service. In December 2006, plans were unveiled for a new class of four ballistic missile submarines to replace the , which is due to be replaced by 2024. This new class will mean that the United Kingdom will maintain a nuclear ballistic missile submarine fleet and the ability to launch nuclear weapons.

Other vessels

At the beginning of the 1990s the Royal Navy had two classes of offshore patrol vessel, the , and the larger . However, in 1997 a decision was taken to replace them. An order for three much larger offshore patrol vessels, the was placed in 2001. Unusually, the three River-class ships are owned by Vosper Thorneycroft, and leased to the Royal Navy until 2013. This relationship is defined by a ground-breaking Contractor Logistic Support contract which contracts the ships' availability to the RN, including technical and stores support. A modified River-class vessel, , was commissioned in July 2007 and became the Falkland Islands guardship. The Royal Navy also has the and the Hunt-class mine countermeasure vessel. The Hunt class of 8 vessels are mine countermeasure vessels that combine the separate role of the traditional minesweeper and that of the active minehunter in one hull. If required, they can take on the role of offshore patrol vessels. The Royal Navy has a mandate to provide support to the British Antarctic Survey (BAS), which comes in the form of the dedicated Antarctic Patrol Ship . The four vessels were replaced by the survey vessel which surveys the deep ocean. The other survey vessels of the Royal Navy are the two multi-role ships of the ''Echo'' class which came into service in 2002 and 2003.

Current role

The current role of the Royal Navy (RN) is to protect British interests at home and abroad, executing the foreign and defence policies of Her Majesty's Government through the exercise of military effect, diplomatic activities and other activities in support of these objectives. The RN is also a key element of the UK contribution to NATO, with a number of assets allocated to NATO tasks at any time. These objectives are delivered via a number of core capabilities:

Maintenance of the UK Nuclear Deterrent through a policy of ''Continuous at Sea Deterrence''.

Provision of two medium scale maritime task groups with organic air assets.

Delivery of the UK Commando force.

Contribution of assets to the Joint Helicopter Command.

Maintenance of standing patrol commitments.

Provision of Mine Counter Measures capability to UK and allied commitments.

Provision of Hydrographic and meteorological services deployable worldwide.

Protection of the UK and EU's Exclusive Economic Zone.

Current deployments

See Standing Royal Navy deployments : ''For current events, see Libyan no-fly zone''

The Royal Navy is currently deployed in many areas of the world, including a number of standing Royal Navy deployments. These include several home tasks as well as overseas deployments. The Navy is deployed in the Mediterranean as part of standing NATO deployments including mine countermeasures and NATO Maritime Group 2 and until 2010 had the now disbanded Royal Navy Cyprus Squadron. In both the North and South Atlantic RN vessels are patrolling. There is always a Falkland Islands Patrol Vessel on deployment, currently the new vessel .

thumb|left|The [[F-35 Lightning II|F-35 will replace the Harrier aboard the ''Queen Elizabeth''-class aircraft carriers, which will replace the ''Invincible''-class aircraft carriers.]]In the Persian Gulf, the RN sustains a number of commitments in support of both national and coalition efforts to stabilise the region. The Armilla Patrol, which started in 1980, is the navy's primary commitment the Gulf region. The Royal Navy also contributes heavily to the combined maritime forces in the Gulf in support of coalition operations. The UK Maritime Component Commander (UKMCC), overseer of all UK warships in the Persian Gulf and surrounding waters, is also deputy commander of the Combined Maritime Forces.

The Royal Navy operates a Response Force Task Group (a product of the 2010 Strategic Defence and Security Review) which is poised to respond globally to short-notice tasking across a diverse range of defence activities such as non-combatant evacuation operations, disaster relief, humanitarian aid or amphibious operations. In 2011 the first deployment of the task group occurred under the name 'COUGAR 11' which will see them transit through the Mediterranean where they will take part in multinational amphibious exercises before moving further east through the Suez Canal for further exercises in the Indian Ocean.

The Royal Navy has been responsible for training the fledging Iraqi Navy and securing Iraq's oil terminals following the cessation of hostilities in the country. The Iraqi Training and Advisory Mission (Navy) (Umm Qasr), headed by a Royal Navy captain, has been responsible for the former duty whilst Commander Task Force (CTF) Iraqi Maritime, a Royal Navy commodore, has been responsible for the latter.

Operation Atalanta, the European Unions Anti-Piracy operation in the Indian Ocean, is permanently commanded by a senior Royal Navy or Royal Marines officer at Northwood headquarters and the navy contributes ships to the operation.

The Royal Navy contributes to standing NATO formations and maintains forces as part of the NATO response force. The RN also has a long-standing commitment to supporting the Five Powers Defence Arrangements countries and occasionally deploys to the Far East as a result. This deployment typically consists of a frigate and a survey vessel, operating separately.

Command, control and organisation

The head of the Royal Navy is the Lord High Admiral, a position which has been held by HRH The Duke of Edinburgh since 2011. The position had been held by the Sovereign (the Sovereign being the overall head of the British Armed Forces) from 1964 to 2011.

The professional head of the Naval Service is the First Sea Lord, an Admiral and member of the Defence Council of the United Kingdom. The Defence Council delegates management of the Naval Service to the Admiralty Board, chaired by the Secretary of State for Defence, which directs the Navy Board, a sub-committee of the Admiralty Board comprising only naval officers and Ministry of Defence (MOD) civil servants. These are all based in MOD Main Building in London, where the First Sea Lord, also known as the Chief of the Naval Staff, is supported by the Naval Staff Department.

Organisation

Full command of the Royal Navy is vested in Commander-in-Chief Fleet, CINCFLEET, who has responsibility for the provision of Force Elements at Readiness to conduct military and diplomatic tasks as required by Her Majesty's Government, including recruitment and training of personnel. CINCFLEET has responsibility for personnel, commando forces, ships and submarines and Royal Fleet Auxiliary in commission. CINCFLEET command is exercised through the Navy Command Headquarters, based at in Portsmouth. An Operational Headquarters, the Northwood Headquarters, at Northwood, London, is co-located with the Permanent Joint Headquarters of the United Kingdom's armed forces, and a NATO Regional Command, Allied Maritime Component Command Northwood (AMCCN).

The Royal Navy was the first of the three armed forces to combine the personnel and training command, under the Principal Personnel Officer, with the operational and policy command, combining CINCFLEET and Naval Home Command into a single organisation, Fleet Command, in 2005 and becoming Navy Command in 2008. Within the combined command the Second Sea Lord, Commander in Chief Naval Home command, continues to act as the Principal Personnel Officer.

The Naval Command senior appointments are:

Admiral Sir Trevor Soar, Commander-in-Chief, Fleet

Commander-in-Chief Fleet Headquarters:

* Deputy CINC and Chief of Staff: Vice Admiral Richard Ibbotson, ''(based in HMS ''Excellent'', commands the Headquarters).''

* Chief of Staff (Capability): Major General Garry Robison

* Commander Operations: Rear Admiral Mark Anderson ''(based at Northwood, also Rear Admiral Submarines and Commander Submarine Allied Forces North (NATO)).''

* Commander UK Maritime Forces: Rear Admiral Duncan Potts ''(deployable Force Commander responsible for Maritime Battle Staffs; UK Amphibious Task Group/UK Response Force Task Group, UK Maritime Component Command).''

* Deputy Commander UK Maritime Forces: Commodore Simon Ancona

* Commander UK Amphibious Force: Major General Buster Howes, also the Commandant General Royal Marines

* Flag Officer Scotland, Northern England and Northern Ireland: Rear Admiral Martin Alabaster

* Flag Officer Sea Training: Rear Admiral C. A. Snow

Second Sea Lord and Commander-in-Chief Naval Home Command

* Second Sea Lord:Vice Admiral Charles Montgomery CBE

* Chief of Staff (Personnel)/Naval Secretary: Rear Admiral David Steele CBE BA FCILT Barrister-at-Law

* Director General Naval Chaplaincy Services: The Venerable J. Green OHC

Intelligence support to fleet operations is provided by intelligence sections at the various headquarters and from MOD Defence Intelligence, renamed from the Defence Intelligence Staff in early 2010. There are further details of the Royal Navy's historical organisation at List of fleets and major commands of the Royal Navy.

Locations

The Royal Navy currently operates three ''bases'' in the United Kingdom where commissioned ships are based; Portsmouth, Clyde and Devonport, Plymouth — Devonport is the largest operational naval base in the UK and Western Europe. Each base hosts a Flotilla Command under a Commodore, or in the case of Clyde a Captain, responsible for the provision of Operational Capability using the ships and submarines within the flotilla. 3 Commando Brigade Royal Marines is similarly commanded by a Brigadier and based in Plymouth.

Historically the Royal Navy maintained Royal Navy Dockyards around the world. Dockyards of the Royal Navy are harbours where ships are overhauled and refitted. Only four are operating today; at Devonport, Faslane, Rosyth and at Portsmouth. A Naval Base Review was undertaken in 2006 and early 2007, the outcome being announced by Secretary of State, Des Browne the Defence Secretary confirming that all would remain however some reductions in manpower were anticipated.

The academy where initial training for future Royal Navy officers takes place is Britannia Royal Naval College, located on a hill overlooking Dartmouth, Devon. Basic training for future ratings takes place at HMS Raleigh at Torpoint, Cornwall, close to HMNB Devonport.

Significant numbers of naval personnel are employed within the Ministry of Defence, Defence Equipment and Support and on exchange with the Army and Royal Air Force. Small numbers are also on exchange within other government departments and with allied fleets, such as the United States Navy.

The navy also posts personnel in small units around the world to support ongoing operations and maintain standing commitments. Nineteen personnel are station in Gibraltar to support the small Gibraltar Squadron, the RNs only permanent overseas squadron. A number of personnel are also based at East Cove Military Port and RAF Mount Pleasant in the Falkland Islands to support APT(S). Small numbers of personnel are based in Diego Garcia (Naval Party 1002), Miami (NP 1011 – AUTEC), Singapore (NP 1022), Dubai (NP 1023) and elsewhere.

Royal Marines

The Royal Marines are a maritime-focused, amphibious, highly specialised light infantry force. They are capable of deploying at short notice in support of the United Kingdom Government's military and diplomatic objectives overseas. The Royal Marines are organised into a light infantry brigade, 3 Commando Brigade, and a number of separate units. These include the Fleet Protection Group Royal Marines (previously the Comacchio Group), a special guard and oil rig guard force, the Special Boat Service, a maritime special forces unit, and an assault craft unit, 1 Assault Group Royal Marines, which supervises landing craft on board the amphibious ships and landing craft training.

Titles and naming

Of the Navy

The British Royal Navy is commonly referred to as the "Royal Navy" both in the United Kingdom and other countries. Navies of Commonwealth of Nations countries where the British monarch is also head of state also include their national name e.g. Royal Australian Navy. Some navies of other monarchies, such as the ''Koninklijke Marine'' (Royal Netherlands Navy) and ''Kungliga Flottan'' (Royal Swedish Navy), are also called "Royal Navy" in their own language and the French Navy, despite France being a republic since 1870, is often nicknamed ''"La Royale"'' (literally: The Royal).

Of ships

Royal Navy ships in commission are prefixed since 1789 with Her Majesty's Ship (His Majesty's Ship), abbreviated to HMS; for example, . Submarines are styled HM Submarine, similarly HMS. Names are allocated to ships and submarines by a naming committee within the MOD and given by class, with the names of ships within a class often being thematic (for example, the Type 23s are named after British Dukes) or traditional (for example, the ''Invincible''-class aircraft carriers all carry the names of famous historic ships). Names are frequently re-used, offering a new ship the rich heritage, battle honours and traditions of her predecessors. Often, a particular vessel class will be named after the first ship of that type to be built.

As well as a name, each ship and submarine of the Royal Navy and the Royal Fleet Auxiliary is given a pennant number which in part denotes its role.

Custom and tradition

The Royal Navy has several formal customs and traditions including the use of ensigns and ships badges. Royal Navy ships have several ensigns used when under way and when in port. Commissioned ships and submarines wear the White Ensign at the stern whilst alongside during daylight hours and at the main-mast whilst under way. When alongside, the ''Union Jack'' (as distinct from the Union Flag, often referred to as the Union Jack) is flown from the jackstaff at the bow, and can only be flown under way either to signal a court-martial is in progress or to indicate the presence of an Admiral of the Fleet on-board (including the Lord High Admiral or the Monarch).

The Fleet Review is an irregular tradition of assembling the fleet before the monarch. The first review on record was held in 1400, and the most recent review was held on 28 June 2005 to mark the bi-centenary of the Battle of Trafalgar; 167 ships from many different nations attended with the Royal Navy supplying 67.

Another popular tradition of the British Navy is that they play several cricket matches with local teams, and against the Royal Australian Navy in The Ashes.

There are several less formal traditions including service nicknames and Naval slang. The nicknames include "The Andrew" (of uncertain origin, possibly after a zealous press ganger) and "The Senior Service". The RN has evolved a rich volume of slang, known as "Jack-speak". Nowadays the British sailor is usually "Jack" (or "Jenny") rather than the more historical "Jack Tar". Royal Marines are fondly known as "Bootnecks" or often just as "Royals". The current compendium of Naval slang was brought together by Commander A. Covey-Crump and his name has in itself become the subject of Naval slang; Covey Crump. A game traditionally played by the Navy is the four-player board game "Uckers". This is similar to Ludo and it is regarded as easy to learn, but difficult to play well.

In popular culture

The Royal Navy of the 18th century is depicted in a novel and several films dramatising the voyage and mutiny on the Bounty. The Royal Navy's Napoleonic campaigns of the early 19th century are a popular subject of historical novels. Some of the best-known include Patrick O'Brian's Aubrey-Maturin series, C.S. Forester's Horatio Hornblower chronicles, Julian Stockwin's Kydd series, Showell Styles' The Midshipman Quinn stories, Dudley Pope's Lord Ramage novels and Douglas Reeman's Richard Bolitho novels. Alexander Kent is a pen name of Douglas Reeman who, under his birth name, has written many novels featuring the Royal Navy in the two World Wars. Other well-known novels include Alistair MacLean's ''HMS Ulysses'', Nicholas Monsarrat's ''The Cruel Sea'', and C.S. Forester's ''The Ship'', all set during World War II.

The Navy can also be seen in numerous films. The fictional spy James Bond is 'officially' a commander in the Royal Navy. The Royal Navy is featured in ''The Spy Who Loved Me'', when a nuclear ballistic-missile submarine is stolen, and in ''Tomorrow Never Dies'' when a media baron sinks a Royal Navy warship in an attempt to trigger a war between the UK and People's Republic of China. ''Master and Commander: The Far Side of the World'' was based on Patrick O'Brian's Aubrey-Maturin series. The ''Pirates of the Caribbean'' series of films also includes the Navy as the force pursuing the eponymous pirates. Noël Coward directed and starred in his own film ''In Which We Serve'', which tells the story of the crew of the fictional HMS ''Torrin'' during the Second World War. It was intended as a propaganda film and was released in 1942. Coward starred as the ship's captain, with supporting roles from John Mills and Richard Attenborough. Other examples of full length feature films focusing specifically on the Royal Navy, have been: ''Seagulls over Sorrento''; ''Yangtse Incident'', the story of 's escape down the Yangtze river; ''We Dive at Dawn''; ''The Battle of River Plate''; ''Sink the Bismarck!''; ''The Navy Lark''.

CS Forester's Hornblower novels have been adapted for television, as have Bernard Cornwell's ''Sharpe'' series, which, although primarily involving the Peninsular War of the time, includes several novels involving Richard Sharpe at sea with the Navy. The Royal Navy was the subject of an acclaimed 1970s BBC television drama series, ''Warship'', and of a five-part documentary, ''Shipmates'', that followed the workings of the Royal Navy day to day.

Television documentaries about the Royal Navy include ''Sailor'', about life on the aircraft carrier ; and ''Submarine'', about the submarine captains' training course, 'The Perisher'. A book based on the series, and also called ''Submarine'', was produced by Jonathan Crane.

The popular BBC radio comedy series ''The Navy Lark'' featured a fictitious warship ("HMS ''Troutbridge''") and ran from 1959 to 1977.

See also

List of ship names of the Royal Navy (a full historical list)

The Royal British Legion

The Royal Hospital School

References

External links

Official Website of the Royal Navy

3-Decks Naval History Website

Sea Your History Website from the Royal Naval Museum — Discover detailed information about the Royal Navy in the 20th century.

Royal Marines Museum

List of sunken ships of the Royal Navy on the wrecksite

Navy News – Royal Navy Newspaper

Royal Navy Community Friends

Video clips

Royal Navy YouTube channel

Category:Ministry of Defence (United Kingdom) Category:Military of the United Kingdom * Category:Organisations based in the United Kingdom with royal patronage Category:Military units and formations established in 1707 Category:British Armed Forces Category:16th-century establishments in England

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name	Barbra Streisand
background	solo_singer
birth name	Barbara Joan Streisand
birth date	April 24, 1942Brooklyn, New York, U.S.
genre	Broadway, traditional pop, adult contemporary
occupation	Singer-songwriter, actress, film producer, director
years active	1957–present
label	Columbia
spouse	James Brolin (1998-present)
website
children	Jason Gould }}

Barbra Joan Streisand (pronounced ; born April 24, 1942) is an American singer, actress, film producer and director. She has won two Academy Awards, eight Grammy Awards, four Emmy Awards, a Special Tony Award, an American Film Institute award, a Peabody Award, and is one of the few entertainers who have won an Oscar, Emmy, Grammy, and Tony Award.

She is one of the most commercially and critically successful entertainers in modern entertainment history, with more than 71.5 million albums shipped in the United States and 140 million albums sold worldwide. She is the best-selling female artist on the Recording Industry Association of America's (RIAA) Top Selling Artists list, the only female recording artist in the top ten, and the only artist outside of the rock and roll genre. Along with Frank Sinatra, Cher, and Shirley Jones, she shares the distinction of being awarded an acting Oscar and also recording a number-one single on the U.S. Billboard Hot 100 chart.

According to the RIAA, Streisand holds the record for the most top ten albums of any female recording artist - a total of 31 since 1963. Streisand has the widest span (46 years) between first and latest top ten albums of any female recording artist. With her 2009 album, ''Love Is the Answer'', she became one of the only artists to achieve number-one albums in five consecutive decades. According to the RIAA, she has released 51 Gold albums, 30 Platinum albums, and 13 Multi-Platinum albums in the United States.

Early life

Barbra Joan Streisand was born on April 24, 1942, in Brooklyn, New York, to a Jewish family, the daughter of Emmanuel and Diana (née Rosen) Streisand. She is the second of two children fathered by Emmanuel (the elder child is Sheldon), who was a respected high school teacher. Fifteen months after Streisand's birth, Emmanuel died of a cerebral hemorrhage and the family went into near-poverty. She attended Erasmus Hall High School in Brooklyn and joined the Freshman Chorus and Choral Club. Diana Rosen Streisand remarried Louis Kind in 1949 and gave Streisand a half-sister, the singer Roslyn Kind (Kind is 9 years younger than Barbra).

Barbra Streisand became a nightclub singer while in her teens. She wanted to be an actress and appeared in summer stock and in a number of Off-Off-Broadway productions, including ''Driftwood'' (1959), with then-unknown Joan Rivers. (In her autobiography, Rivers wrote that she played a lesbian with a crush on Streisand's character, but this was later denied by the play's author.) ''Driftwood'' ran for only six weeks. When her boyfriend, Barry Dennen, helped her create a club act—first performed at The Lion, a popular gay nightclub in Manhattan's Greenwich Village in 1960—she achieved success as a singer. While singing at The Lion for several weeks, she changed her name from Barbara to Barbra. One early appearance outside of New York City was at Enrico Banducci’s hungry i nightclub in San Francisco. In 1961, Streisand appeared at the Town and Country nightclub in Winnipeg, Manitoba, Canada, but her appearance was cut short; the club owner did not appreciate her singing style. Streisand appeared at Baker's Keyboard Lounge in Detroit in 1961.

Streisand's first television appearance was on ''The Tonight Show'', then hosted by Jack Paar, in 1961, singing Harold Arlen's "A Sleepin' Bee". Orson Bean, who substituted for Paar that night, had seen the singer perform at a gay bar and booked her for the telecast (Her older brother Sheldon paid NBC for a kinescope film so she could use it in 1961 to promote herself. Decades later the film was preserved through digitizing and is available for viewing on a website). Streisand became a semi-regular on ''PM East/PM West'', a talk/variety series hosted by Mike Wallace, in late 1961. Westinghouse Broadcasting, which aired ''PM East/PM West'' in a select few cities (Boston, New York, Baltimore, Washington, DC, Pittsburgh, Cleveland, Chicago and San Francisco), has since wiped all the videotapes because of the cost of videotape at the time. Audio segments from some episodes are part of the compilation CD ''Just for the Record'', which went platinum in 1991. The singer said on ''60 Minutes'' in 1991 that 30 years earlier Mike Wallace had been "mean" to her on ''PM East/PM West''. He countered that she had been "self-absorbed." ''60 Minutes'' included the audio of Streisand saying to him in 1961, "I like the fact that you are provoking. But don't provoke ''me''."

In 1962, after several appearances on ''PM East/PM West'', Streisand first appeared on Broadway, in the small but star-making role of Miss Marmelstein in the musical ''I Can Get It for You Wholesale''. Her first album, ''The Barbra Streisand Album'', won two Grammy Awards in 1963. Following her success in ''I Can Get It for You Wholesale'', Streisand made several appearances on ''The Tonight Show'' in 1962 and 1963. Topics covered in her interviews with host Johnny Carson included the empire-waisted dresses that she bought wholesale, to her "crazy" reputation at Erasmus Hall High School. As is the case with Mike Wallace, only audio survives from small portions of her telecast conversations with Carson. It was at about this time that Streisand entered into a long and successful professional relationship with Lee Solters and Sheldon Roskin as her publicists with the firm Solters/Roskin (later Solters/Roskin/Friedman).

Streisand returned to Broadway in 1964 with an acclaimed performance as entertainer Fanny Brice in ''Funny Girl'' at the Winter Garden Theatre. The show introduced two of her signature songs, "People" and "Don't Rain on My Parade." Because of the play's overnight success she appeared on the cover of ''Time.'' In 1966, she repeated her success with ''Funny Girl'' in London's West End at the Prince of Wales Theatre. From 1965 to 1967 she appeared in her first four solo television specials.

Career

Singing

Streisand has recorded 35 studio albums, almost all with Columbia Records. Her early works in the 1960s (her debut ''The Barbra Streisand Album'', ''The Second Barbra Streisand Album'', ''The Third Album'', ''My Name Is Barbra'', etc.) are considered classic renditions of theater and cabaret standards, including her slow version of the normally uptempo ''Happy Days Are Here Again''. She performed this in a duet with Judy Garland on ''The Judy Garland Show''. Garland referred to her on the air as one of the last great belters. They also sang ''There's No Business Like Show Business'' with Ethel Merman joining them.

Beginning with ''My Name Is Barbra'', her early albums were often medley-filled keepsakes of her television specials. Starting in 1969, she began attempting more contemporary material, but like many talented singers of the day, she found herself out of her element with rock. Her vocal talents prevailed, and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album ''Stoney End'' in 1971. The title track, written by Laura Nyro, was a major hit for Streisand.

During the 1970s, she was also highly prominent on the pop charts, with Top 10 recordings such as ''The Way We Were'' (US No. 1), ''Evergreen'' (US No. 1), ''No More Tears (Enough Is Enough)'' (1979, with Donna Summer), which as of 2010 is reportedly still the most commercially successful duet,(US No. 1), ''You Don't Bring Me Flowers'' (with Neil Diamond) (US No. 1) and ''The Main Event'' (US No. 3), some of which came from soundtrack recordings of her films. As the 1970s ended, Streisand was named the most successful female singer in the U.S.—only Elvis Presley and The Beatles had sold more albums. In 1980, she released her best-selling effort to date, the Barry Gibb-produced ''Guilty''. The album contained the hits ''Woman In Love'' (which spent several weeks atop the pop charts in the Fall of 1980), ''Guilty,'' and ''What Kind of Fool.''

After years of largely ignoring Broadway and traditional pop music in favor of more contemporary material, Streisand returned to her musical-theater roots with 1985's ''The Broadway Album'', which was unexpectedly successful, holding the coveted No. 1 Billboard position for three straight weeks, and being certified quadruple platinum. The album featured tunes by Rodgers & Hammerstein, George Gershwin, Jerome Kern, and Stephen Sondheim, who was persuaded to rework some of his songs especially for this recording. ''The Broadway Album'' was met with acclaim, including a Grammy nomination for album of the year and, ultimately, handed Streisand her eighth Grammy as Best Female Vocalist. After releasing the live album ''One Voice'' in 1986, Streisand was set to take another musical journey along the Great White Way in 1988. She recorded several cuts for the album under the direction of Rupert Holmes, including ''On My Own'' (from ''Les Misérables''), a medley of ''How Are Things in Glocca Morra?'' and ''Heather on the Hill'' (from ''Finian's Rainbow'' and ''Brigadoon,'' respectively), ''All I Ask of You'' (from ''Phantom of the Opera''), ''Warm All Over'' (from ''The Most Happy Fella'') and an unusual solo version of ''Make Our Garden Grow'' (from ''Candide''). Streisand was not happy with the direction of the project and it was ultimately scrapped. Only ''Warm All Over'' and a reworked, lite FM-friendly version of ''All I Ask of You'' were ever released, the latter appearing on Streisand's 1988 effort, ''Till I Loved You.'' At the beginning of the 1990s, Streisand started focusing on her film directorial efforts and became almost inactive in the recording studio. In 1991, a four-disc box set, ''Just for the Record'', was released. A compilation spanning Streisand's entire career to date, it featured over 70 tracks of live performances, greatest hits, rarities and previously unreleased material.

The following year, Streisand's concert fundraising events helped propel former President Bill Clinton into the spotlight and into office. Streisand later introduced Clinton at his inauguration in 1993. Streisand's music career, however, was largely on hold. A 1992 appearance at an APLA benefit as well as the aforementioned inaugural performance hinted that Streisand was becoming more receptive to the idea of live performances. A tour was suggested, though Streisand would not immediately commit to it, citing her well-known stage fright as well as security concerns. During this time, Streisand finally returned to the recording studio and released ''Back to Broadway'' in June 1993. The album was not as universally lauded as its predecessor, but it did debut at No. 1 on the pop charts (a rare feat for an artist of Streisand's age, especially given that it relegated Janet Jackson's ''Janet'' to the No. 2 spot). One of the album's highlights was a medley of ''I Have A Love/One Hand, One Heart,'' a duet with Johnny Mathis, who Streisand said is one of her favorite singers.

In 1993, ''New York Times'' music critic Stephen Holden wrote that Streisand "enjoys a cultural status that only one other American entertainer, Frank Sinatra, has achieved in the last half century." In September 1993, Streisand announced her first public concert appearances in 27 years. What began as a two-night New Year's event at the MGM Grand Hotel in Las Vegas eventually led to a multi-city tour in the summer of 1994. Tickets to the tour were sold out in under one hour. Streisand also appeared on the covers of major magazines in anticipation of what ''Time magazine'' named "The Music Event of the Century." The tour was one of the biggest all-media merchandise parlays in history. Ticket prices ranged from US$50 to US$1,500 – making Streisand the highest-paid concert performer in history. ''Barbra Streisand: The Concert'' went on to be the top-grossing concert of the year and earned five Emmy Awards and the Peabody Award, while the taped broadcast on HBO is, to date, the highest-rated concert special in HBO's 30-year history. Following the tour's conclusion, Streisand once again kept a low profile musically, instead focusing her efforts on acting and directing duties as well as a burgeoning romance with actor James Brolin.

In 1997, she finally returned to the recording studio, releasing ''Higher Ground,'' a collection of songs of a loosely-inspirational nature which also featured a duet with Celine Dion. The album received generally favorable reviews and, remarkably, once again debuted at No. 1 on the pop charts. Following her marriage to Brolin in 1998, Streisand recorded an album of love songs entitled ''A Love Like Ours'' the following year. Reviews were mixed, with many critics carping about the somewhat syrupy sentiments and overly-lush arrangements; however, it did produce a modest hit for Streisand in the country-tinged ''If You Ever Leave Me,'' a duet with Vince Gill.

On New Year's Eve 1999, Streisand returned to the concert stage, with the highest-grossing single concert in Las Vegas history to date. At the end of the millennium, she was the number-one female singer in the U.S., with at least two No. 1 albums in each decade since she began performing. A two-disc live album of the concert entitled ''Timeless: Live in Concert'' was released in 2000. Streisand performed versions of the "Timeless" concert in Sydney and Melbourne, Australia, in early 2000. In advance of four concerts (two each in Los Angeles and New York) in September 2000, Streisand announced she was retiring from paying public concerts. Her performance of the song ''People'' was broadcast on the Internet via America Online.

Streisand's most-recent albums have been ''Christmas Memories'' (2001), a somewhat somber collection of holiday songs (which felt entirely—albeit unintentionally—appropriate in the early post-9/11 days), and ''The Movie Album'' (2003), featuring famous film themes and backed by a large symphony orchestra. ''Guilty Pleasures'' (called ''Guilty Too'' in the UK), a collaboration with Barry Gibb and a sequel to their ''Guilty,'' was released worldwide in 2005.

In February 2006, Streisand recorded the song ''Smile'' alongside Tony Bennett at Streisand's Malibu home. The song is included on Tony Bennett's 80th birthday album, ''Duets.'' In September 2006, the pair filmed a live performance of the song for a special directed by Rob Marshall entitled ''Tony Bennett: An American Classic.'' The special aired on NBC November 21, 2006, and was released on DVD the same day. Streisand's duet with Bennett opened the special. In 2006, Streisand announced her intent to tour again, in an effort to raise money and awareness for multiple issues. After four days of rehearsal at the Sovereign Bank Arena in Trenton, New Jersey, the tour began on October 4 at the Wachovia Center in Philadelphia, continued with a featured stop in Fort Lauderdale, Florida, (this was the concert Streisand chose to film for a TV special), and concluded at Staples Center in Los Angeles on November 20, 2006. Special guests Il Divo were interwoven throughout the show. On stage closing night, Streisand hinted that six more concerts may follow on foreign soil. The show was known as ''Streisand: The Tour.''

Streisand's 20-concert tour set box-office records. At the age of 64, well past the prime of most performers, she grossed US$92,457,062 and set house gross records in 14 of the 16 arenas played on the tour. She set the third-place record for her October 9, 2006, show at Madison Square Garden, the first- and second-place records of which are held by her two shows in September 2000. She set the second-place record at the MGM Grand Garden Arena, with her December 31, 1999, show being the house record and the highest-grossing concert of all time. This led many people to openly criticize Streisand for price gouging, as many tickets sold for upwards of US$1,000.

A collection of performances culled from different stops on this tour, ''Live in Concert 2006,'' debuted at No. 7 on the Billboard 200, making it Streisand's 29th Top 10 album. In the summer of 2007, Streisand gave concerts for the first time in continental Europe. The first concert took place in Zürich (June 18), then Vienna (June 22), Paris (June 26), Berlin (June 30), Stockholm (July 4, canceled), Manchester (July 10) and Celbridge, near Dublin (July 14), followed by three concerts in London (July 18, 22 and 25), the only European city where Streisand had performed before 2007. Tickets for the London dates cost between £100.00 and GB£1,500.00 and for the Ireland date between €118 and €500. The tour included a 58-piece orchestra.

In February 2008, ''Forbes'' listed Streisand as the No. 2 earning female musician, between June 2006 and June 2007, with earnings of about US$60 million. Although Streisand's range has changed with time and her voice has deepened over the years, her vocal prowess has remained remarkably secure for a singer whose career has endured for nearly half a century. Streisand is a contralto or possibly a mezzo-soprano who has a range consisting of well over two octaves from “low E to a high G and probably a bit more in either direction.” On November 17, 2008, Streisand returned to the studio to begin recording what would be her sixty-third album and it was announced that Diana Krall was producing the album. Streisand is one of the recipients of the 2008 Kennedy Center Honors. On December 7, 2008, she visited the White House as part of the ceremonies.

On April 25, 2009, CBS aired Streisand's latest TV special, ''Streisand: Live In Concert'', highlighting the aforementioned featured stop from her 2006 North American tour, in Fort Lauderdale, Florida. On September 26, 2009, Streisand performed a one-night-only show at the Village Vanguard in New York City's Greenwich Village. This performance was later released on DVD as ''One Night Only Barbra Streisand and Quartet at The Village Vanguard.'' On September 29, 2009, Streisand and Columbia Records released her newest studio album, ''Love is the Answer.'' produced by Diana Krall. On October 2, 2009, Streisand made her British television performance debut with an interview on Friday Night With Jonathan Ross to promote the album. This album debuted at No. 1 on the Billboard 200 and registered her biggest weekly sales since 1997, making Streisand the only artist in history to achieve No. 1 albums in five different decades.

On February 1, 2010, Streisand joined over 80 other artists in recording a new version of the 1985 charity single "We Are the World." Quincy Jones and Lionel Richie planned to release the new version to mark the 25th anniversary of its original recording. These plans changed, however, in view of the devastating earthquake that hit Haiti on January 12, 2010, and on February 12, the song, now called "We Are the World 25 for Haiti," made its debut as a charity single to support relief aid for the beleaguered island nation.

Streisand was honored as MusiCares Person of the Year on February 11, 2011, two days prior to the 53rd Annual Grammy Awards.

Streisand is one of many singers who uses teleprompters during their live performances. Streisand has defended her choice in using teleprompters to display lyrics and, sometimes, banter.

Acting

Her first film was a reprise of her Broadway hit, ''Funny Girl'' (1968), an artistic and commercial success directed by Hollywood veteran William Wyler. Streisand won the 1968 Academy Award for Best Actress for the role, sharing it with Katharine Hepburn (''The Lion in Winter''), the only time there has been a tie in this Oscar category. Her next two movies were also based on musicals, Jerry Herman's ''Hello, Dolly!'', directed by Gene Kelly (1969), and Alan Jay Lerner's and Burton Lane's ''On a Clear Day You Can See Forever'', directed by Vincente Minnelli (1970), while her fourth film was based on the Broadway play ''The Owl and the Pussycat'' (1970).

During the 1970s, Streisand starred in several screwball comedies, including ''What's Up, Doc?'' (1972) and ''The Main Event'' (1979), both co-starring Ryan O'Neal, and ''For Pete's Sake'' (1974) with Michael Sarrazin. One of her most famous roles during this period was in the drama ''The Way We Were'' (1973) with Robert Redford, for which she received an Academy Award nomination as Best Actress. She earned her second Academy Award for Best Original Song as composer (together with lyricist Paul Williams) for the song "Evergreen", from ''A Star Is Born'' in 1976.

Along with Paul Newman, Sidney Poitier and later Steve McQueen, Streisand formed First Artists Production Company in 1969, so the actors could secure properties and develop movie projects for themselves. Streisand's initial outing with First Artists was ''Up the Sandbox'' (1972).

From a period beginning in 1969 and ending in 1980, Streisand appeared in the annual motion picture exhibitors poll of Top 10 Box Office attractions a total of 10 times, often as the only woman on the list. After the commercially disappointing ''All Night Long'' in 1981, Streisand's film output decreased considerably. She has only acted in six films since.

Streisand produced a number of her own films, setting up Barwood Films in 1972. For ''Yentl'' (1983), she was producer, director, and star, an experience she repeated for ''The Prince of Tides'' (1991) and ''The Mirror Has Two Faces'' (1996). There was controversy when ''Yentl'' received five Academy Award nominations, but none for the major categories of Best Picture, Actress, or Director. ''The Prince of Tides'' received even more Oscar nominations, including Best Picture, but the director was not nominated. Streisand also scripted "Yentl", something she is not always given credit for. According to New York Times Editorial Page Editor Andrew Rosenthal in an interview (story begins at minute 16) with Allan Wolper, "the one thing that makes Barbra Streisand crazy is when nobody gives her the credit for having written 'Yentl'."

In 2004, Streisand made a return to film acting, after an eight-year hiatus, in the comedy ''Meet the Fockers'' (a sequel to ''Meet the Parents''), playing opposite Dustin Hoffman, Ben Stiller, Blythe Danner and Robert De Niro.

In 2005, Streisand's Barwood Films, Gary Smith, and Sonny Murray purchased the rights to Simon Mawer's book ''Mendel's Dwarf''. In December 2008, she stated that she was considering directing an adaptation of Larry Kramer's play ''The Normal Heart'', a project she has worked on since the mid-1990s In 2009, Andrew Lloyd Webber stated that Streisand was one of several actresses (alongside Meryl Streep and Glenn Close) who were interested in playing the role of Norma Desmond in the film adaptation of Webber's musical version of ''Sunset Boulevard''

In December 2010, Streisand appeared in ''Little Fockers'', the third film from the ''Meet the Parents trilogy''. She reprised the role of Roz Focker alongside Dustin Hoffman.

On 4 January 2011, the ''New York Post'' reported that Streisand was in negotiations to produce, direct, and star in a new film version of ''Gypsy.'' In an interview with the ''New York Post'', Arthur Laurents said: "We've talked about it a lot, and she knows what she's doing. She has my approval." He said that he would not write the screenplay. The following day, the ''New York Times'' reported that Arthur Laurents clarified in a telephonic interview that Streisand would not direct the film "but playing Rose is enough to make her happy." Streisand's spokesperson confirmed that "there have been conversations".

On 28 January 2011, ''The Hollywood Reporter'' announced that Paramount Pictures has given the road-trip comedy, ''My Mother's Curse,'' the green light to begin shooting, with Streisand and Seth Rogen playing mother and son. Anne Fletcher is slated to direct the project with a script by Dan Fogelman. Lorne Michaels and John Goldwyn will produce it with Evan Goldberg. Executive producers include Streisand, Rogen, Fogelman, and David Ellison, whose Skydance will co-finance the pic. Shooting began in spring of 2011 and wrapped in July. In August the Internet Movie Database began listing the film with the new title ''Guilt Trip''. The film is set for a November 2012 release (originally it was slated to release in March 2012).

Personal life

Marriages and family

Streisand has been married twice. Her first husband was actor Elliott Gould, to whom she was married from 1963 until 1971. They had one child, Jason Gould, who would go on to star as her on-screen son in ''The Prince of Tides''. Her second husband is actor James Brolin, whom she married on July 1, 1998. While they have no children together, Brolin has two children from his first marriage, including Academy Award-nominated actor Josh Brolin, and one child from his second marriage. Both of her husbands starred in the 1970s conspiracy sci-fi thriller ''Capricorn One''.

Jon Peters' daughters, Caleigh Peters and Skye Peters, are her goddaughters.

Streisand shares a birthday with Shirley MacLaine, and they celebrate together every year.

Name

Streisand changed her name from Barbara to Barbra because, she said, "I hated the name, but I refused to change it." Streisand further explained, "Well, I was 18 and I wanted to be unique, but I didn't want to change my name because that was too false. You know, people were saying you could be Joanie Sands, or something like that. [My middle name is Joan.] And I said, 'No, let's see, if I take out the 'a,' it's still 'Barbara,' but it's unique." A 1967 biography with a concert program said, "the spelling of her first name is an instance of partial rebellion: she was advised to change her last name and retaliated by dropping an “a” from the first instead."

Politics

Streisand has long been an active supporter of the Democratic Party and many of their causes. Streisand said, "The Democrats have always been the party of working people and minorities. I've always identified with the minorities."

In 1971, Streisand was one of the celebrities listed on President Richard Nixon's infamous Enemies List.

Philanthropy

Streisand has personally raised $25 million for organizations through her live performances. The Streisand Foundation, established in 1986, has contributed over $16 million through nearly 1,000 grants to "national organizations working on preservation of the environment, voter education, the protection of civil liberties and civil rights, women’s issues and nuclear disarmament."

In 2006, Streisand donated $1 million to the William J. Clinton Foundation in support of former President Bill Clinton’s climate change initiative.

In 2008, Streisand gifted $5 million to endow the Barbra Streisand Women's Cardiovascular Research and Education Program at Cedars-Sinai Medical Center's Women's Heart Center. In September that year, ''Parade'' magazine included Streisand on their Giving Back Fund's second annual Giving Back 30 survey, "a ranking of the celebrities who have made the largest donations to charity in 2007 according to public records", as the third most generous celebrity. The Giving Back Fund claimed Streisand donated $11 million, which The Streisand Foundation distributed.

At Julien’s Auctions in October 2009, Streisand, a long-time collector of art and furniture, sold 526 items with all the proceeds going to her foundation. Items included a costume from ''Funny Lady'' and a vintage dental cabinet purchased by the performer at 18 years old. The sale’s most valuable lot was a painting by Kees van Dongen.

References in popular culture

On television

The most memorable parody of Streisand's iconic status has been on the sketch comedy show ''Saturday Night Live'' in the recurring skit ''Coffee Talk'' where character Linda Richman, played by Mike Myers, hosts a talk show dedicated to, among other things, the adoration of Streisand. Streisand, in turn, made an unannounced guest appearance on the show, surprising Myers and guests, Madonna and Roseanne Barr. Mike Myers also appeared as the Linda Richman character on stage with Streisand at her 1994 MGM Grand concert, as well as a few of the 1994 Streisand tour shows.

Streisand is frequently mentioned in the sitcom "The Nanny" as Fran Fine states she is her leader. Both Fran and her mother adore Streisand, and often compete in who loves her more.

Streisand is mentioned in the sitcom ''Will & Grace'', particularly by the character Jack McFarland. Songs made famous by Streisand, such as "Papa, Can You Hear Me?" from ''Yentl'' and "Can't Help Lovin' Dat Man" from ''The Broadway Album'' are reproduced by characters in the show.

The sitcom ''Friends'' refers to Streisand in at least two episodes. In "The One Where Chandler Can't Remember Which Sister", Monica names a sandwich at her 1950s-styled restaurant after Barbra Streisand. A soup is also named after Streisand's movie ''Yentl''. Meanwhile, in "The One After 'I Do'", Phoebe pretends she is pregnant with James Brolin's baby, to which Chandler responds "[A]s in Barbra Streisand's husband, James Brolin?" In the same episode, Gould appears on the show as Ross and Monica's father.

In an episode of ''Absolutely Fabulous'' ("Small Opening"), Beau visits the Monsoon household with her husband Marshall. In another one of their schemes, they have become Jewish with Beau wearing one of Streisand's wigs. She takes the wig off and begins to channel Barbra and says "Papa, Can You Hear Me?" and "People."

At least four episodes of the animated sitcom ''The Simpsons'' refer to Streisand. Outside Springfield Elementary School, announcing Lisa's jazz concert and noting tickets have been sold out, is an advertisement for a Streisand concert in the same venue for the following day, with tickets still on sale. In "Fear of Flying", after Marge undergoes therapy, she informs the therapist that whenever she hears the wind blow, she'll hear it saying "Lowenstein", Streisand's therapist character in ''The Prince of Tides'', even though Marge's therapist is named Zweig. Another reference comes in "Sleeping with the Enemy" when Bart exclaims after seeing Lisa make a snow-angel in a cake on the kitchen table, "At least she's not singing Streisand", in reference to Nelson Muntz singing "Papa Can You Hear Me?" from ''Yentl'' earlier in the episode. In "Simple Simpson", a patriotic country singer says that Streisand is unpatriotic and could be pleased by spitting on the flag and strangling a bald eagle.

thumb|180px|"Mecha Streisand" as portrayed in the animated show ''South Park''. Another enduring satirical reference is in the animated series ''South Park'', most notably in the episode "Mecha-Streisand", where Streisand is portrayed as a self-important, evil, gigantic robotic dinosaur with a terrible singing voice about to conquer the universe before being defeated by Robert Smith of The Cure. On another occasion, the Halloween episode "Spookyfish" is promoted for a week as being done in "Spooky-Vision", which involves Streisand's face seen at times during the episode in the four corners of the screen. At the end of the feature film ''South Park: Bigger, Longer & Uncut,'' her name is used as a powerful curse word, a gag repeated in the episode "Osama bin Laden Has Farty Pants". The Mecha-Streisand character made a return in the Season 14 episodes "200" and "201", as one of several celebrities the show had lampooned over the years.

In the ''Sex and the City'' episode "Ex in the City", protagonist Carrie Bradshaw likens herself and her lovelife to that of Streisand's character, Katie Morosky in ''The Way We Were'' before breaking into a rendition of the title song.

In the 2002–04 Icebox.com cartoon and animated TV series ''Queer Duck'', the title character is obsessed with Streisand. He undergoes conversion therapy at a Christian camp to be "made" straight, but Streisand's magic nose returns him to his former sexual orientation.

In the ''American Dad!'' episode "In Country...Club", Roger prepares to watch a Streisand special where the entertainer sings the collected works of Celine Dion in Las Vegas.

In Season 1 Episode 12 of ''Boston Legal'', Denny Crane boasts that he once had a threesome with Shirley Schmidt and Barbra Streisand. Schmidt corrects him by reminding him that "Barbra Streisand" was actually a female impersonator.

In the ''Family Guy'' episode "Mind Over Murder", Lois sings a cabaret act with "Don't Rain on My Parade" — originally sung by Streisand in ''Funny Girl'' — only slowed down and jazzier, as an act of defiance to Peter. In "Stewie Kills Lois", Peter receives life insurance after Lois' apparent death, and claims that he has more money than Streisand. This was followed by a cut scene showing Streisand blowing money out of her nose. In "Wasted Talent", Streisand and husband James Brolin are shown sitting together at the dinner table, with Streisand remarking "I'm glad I married a regular person and not a celebrity".

Streisand is referenced frequently on the Fox TV musical series ''Glee''. The character Rachel (Lea Michele) mentions that Streisand refused to alter her nose in order to become famous in the show's third episode "Acafellas". Also, in the mid-season finale of ''Glee'', Rachel sings the Streisand anthem "Don't Rain on My Parade". In the episode "Hell-O", she says that she will be heartbroken for life, "Like Barbra in ''The Way We Were''." In the same episode, Jesse St. James (Jonathan Groff) criticizes Rachel's performance of "Don't Rain on My Parade" by saying that she "lacked Barbra's emotional depth." In the episode "Theatricality", Rachel is spying on the opposing team's dance rehearsal when the director, Shelby Corcoran (Idina Menzel), expresses dissatisfaction at the team's routine. She demonstrates how it's done with the title song from ''Funny Girl'', and Rachel, sitting in the audience, whispers to her friend, "Exactly what I would have done — Barbra. I could do it in my sleep." On the episode Born This Way Barbara is mentioned when Rachel is debating whether or not to get a nose job, Kurt Hummel and the rest of the glee club set up a "Barbra-vention" of a flashmob to the popular hit "Barbra Streisand" by Duck Sauce. The characters of Kurt and Rachel also sang the Get Happy/Happy Days are Here Again duet originally heard during Streisand's 1963 appearance with Judy Garland on Garland's weekly TV series.

When ''Glee'' won the prize for "Best TV Series-Comedy Or Musical" at the 2010 Golden Globe Awards, creator Ryan Murphy quipped on stage, "Thank you to the Hollywood Foreign Press and Miss Barbra Streisand".

On film

In movies, Streisand is remembered as the favorite of the character Howard Brackett, played by Kevin Kline, who finally admits to being gay while standing at the altar in the 1997 romantic comedy ''In & Out''. His unfortunate bride-to-be, played by Joan Cusack, cries out in frustration to family and friends present, "Does anybody here KNOW how many times I've had to sit through ''Funny Lady''?" In an earlier scene, Howard is taunted by a friend during an argument at a bar with a jeering, "The studio thought that Barbra was too ol-l-ld to play ''Yentl''." The film also mentions the album ''Color Me Barbra''. Barbra's signature tune, "People", is played by a school orchestra in honor of teacher Howard as the story wraps at the end of the credits. This and similar references refer to her popularity among gay men.

In the 1980 musical film ''Fame'', one of the characters, Mrs. Finsecker, announces that Barbra Streisand did not have to change her name to get to the top. Also, Doris Finsecker, played by Maureen Teefy, sings "The Way We Were" for her audition to get into the drama department.

In the 1988 comedy, BIG, Tom Hanks goes home and to prove to his mother that he is her "little" boy he sings the first line of her favorite song, "Memories, like the corner of my mind..." from "The Way We Were."

In the 1993 romantic comedy ''Mrs. Doubtfire'', Robin Williams, while trying different looks to apply to the Mrs. Doubtfire character that he portrays, uses a wig "a la Streisand" and sings some lines from "Don't Rain on My Parade".

In the 1996 comedy "The Associate", Whoopi Goldberg plays a business woman, Laurel Ayers, who creates a business associate, Robert S. Cutty, who is said to have known and dated Streisand. In addition to having an autographed picture of Streisand in her office, Ayers also has a cross-dressing friend who dresses up to resemble Streisand throughout the film.

In the 1998 film adaptation of the novel ''Fear and Loathing in Las Vegas'' a teenage runaway played by Christina Ricci paints images of Streisand while being administered large amounts of LSD by Hunter Thompson's Samoan attorney.

In the 1999 film South Park: Bigger, Longer & Uncut based on the TV series, Cartman shouted out Barbra Streisand's name and shot electricity out of his hands. She is also mentioned in a relationship conversation between the characters of Satan and Saddam Hussein.

In the 2000 remake of the comedy ''Bedazzled'', the Devil (Elizabeth Hurley) tells Elliot (Brendan Fraser): "It's not easy being the Barbra Streisand of evil, you know."

The characters Carla and Connie, as aspiring song-and-dance acts in the 2004 comedy ''Connie and Carla'', include four Streisand references. They sing "Papa, Can You Hear Me?" and "Memory" at an airport lounge and "Don't Rain on My Parade" onstage in a gay bar, and talk about the plot of ''Yentl'' at the climax of the film after they ask how many in their audience have seen the movie (everyone raised their hands).

In the 2005 animated feature ''Chicken Little'', Chicken's best friend Runt's mom says, after she thinks he is lying about seeing an alien spaceship, "Don't make me take away your Streisand collection!" and Runt returns with, "Mother, you leave Barbra out of this!" Also, she is referred to many times in the series "Gilmore Girls"

In music

Sound clips of Streisand's heated exchange with a supporter of former U.S. president George W. Bush were sampled in the 2009 Lucian Piane dance song "Bale Out", making it sound as if she were arguing with actor Christian Bale (whose recorded outbursts during the filming of ''Terminator Salvation'' were the centerpiece of the song).

"Barbra Streisand" is a disco house song by American-Canadian DJ duo Duck Sauce. It was released on 10 September 2010. The song peaked at number one in Poland, Belgium, the Netherlands, Finland, Switzerland and Austria. It became a top ten hit in Australia, France, Germany, Ireland, Italy and the UK.

Her name consists both the title and the complete lyrics of Duck Sauce's 2010 disco house song "Barbra Streisand", which reached number 1 in the UK Dance charts. It also reached number 1 in several other countries.

On stage

Daniel Stern's 2003 Off-Broadway play ''Barbra's Wedding'' was set against the backdrop of Streisand's 1998 wedding to James Brolin.

The 2005 Broadway musical ''Spamalot'' carries the song "You won't succeed on Broadway" which references lines from "People" and "Papa, Can You Hear Me?".

The 2008 Broadway musical "Title of show" has a line where the character, Susan, was suggesting names for the title of the show. She threw out the name "Color Me Susan", a reference to Barbra's Color Me Barbra.

"Streisand effect"

In 2003, Streisand sued aerial photographer Kenneth Adelman for displaying a photograph of her Malibu, California home, along with other photos of the California coastline. Her suit was dismissed under the anti-SLAPP provisions of California law. Mike Masnick of Techdirt coined the term "Streisand effect" in January 2005 to describe the publicity generated by Streisand's efforts to suppress the publication of the photograph.

Awards

In 1984, Streisand was awarded the Women in Film Crystal Award for outstanding women who, through their endurance and the excellence of their work, have helped to expand the role of women within the entertainment industry. She also received the National Medal of Arts in 2000 and the Kennedy Center Honors in 2008. She was inducted as an officer of France's Legion of Honour in 2007.

Music awards

Streisand's works have been nominated for over 57 Grammy Awards; she won 15 of these, including two special awards. She has been inducted into the Grammy Hall of Fame three times. In 2011, she is honored as MusiCares Person of the Year by the Grammy Foundation.

Album of the Year Best Female Vocal Performance Best Female Vocal Performance Best Female Vocal Performance Best Contemporary-Pop Vocal Performance AGVA Grammy Awards Singing Star of the Year People's Choice Awards rowspan="5" Best Pop Female Vocal Performance Singing Star of the Year rowspan="7" rowspan="3" rowspan="2" Singing Star of the Year People's Choice Awards rowspan="5" Best Pop Vocal Female Performance People's Choice Awards rowspan="16"Grammy Legend Award Best Traditional Pop Vocal Performance Grammy Lifetime Achievement Award rowspan="2" rowspan="3" rowspan="2" Best Traditional Pop Vocal Album Grammy Hall of Fame Best Traditional Pop Vocal Album

Year !! Award !! Category !! Work !! Result
rowspan="3"	1963	Grammy Awards	|	''The Barbra Streisand Album''
Best Female Vocal Performance
Record of the Year	Happy Days Are Here Again#Barbra Streisand version>Happy Days Are Here Again"
rowspan="3"	1964			''People'' ||
Album of the Year
Record of the Year
rowspan="2"	1965		|	''My Name Is Barbra''
Album of the Year
rowspan="2"	1966		|	''Color Me Barbra''
Album of the Year
1968	|		Funny Girl (film)>Funny Girl'' Soundtrack
1970	AGVA Georgie Award ||	Entertainer of the Year	—
rowspan="2"	1972	|	Best Pop Female Vocal Performance	"Sweet Inspiration / Where You Lead"
AGVA Georgie Award	|	—
1975	|		Favorite Female Singer of the Year
1976	Grammy Awards ||	Best Classical Vocal Soloist Performance	''Classical Barbra''
rowspan="5"	1977		"Evergreen" (from ''A Star Is Born'') ||
Song of the Year
Record of the Year
Best Original Score – Motion Picture or Television Special
AGVA Georgie Award	|	—
1978	Grammy Awards ||	Best Pop Female Vocal Performance	You Don't Bring Me Flowers (song)	You Don't Bring Me Flowers" (with Neil Diamond) |>
rowspan="2"	1979	Record of the Year
rowspan="2"	Best Pop Vocal Performance – Duo, Group, or Chorus
rowspan="5"	1980	Guilty (Barbra Streisand album)	Guilty'' (with Barry Gibb) |>
Album of the Year
Record of the Year	"Woman in Love"
Best Pop Vocal Female Performance
AGVA Georgie Awards	|	—
1985	|		Favorite All-Around Female Entertainer
rowspan="3"	1986	Grammy Awards ||	Best Pop Vocal Female Performance	''The Broadway Album''
Album of the Year
Best Instrumental Arrangement Acompanying Vocal	"Being Alive"
rowspan="2"	1987		''One Voice'' ||
Best Music Video Performance
1988	|	Favorite All-Time Musical Performer	—
1991	Grammy Awards ||	Best Traditional Pop Vocal Performance	"Warm All Over"
1992	|	—	Special award
1993	|	''Back to Broadway''
rowspan="3"	1994	|	—	Special award
Best Traditional Pop Vocal Performance	''Barbra: The Concert''
Best Pop Vocal Female Performance	"Ordinary Miracles"
rowspan="2"	1997	Best Pop Collaboration With Vocals ||	Tell Him (Barbra Streisand and Celine Dion song)>Tell Him" (with Celine Dion)
"I Finally Found Someone" (with Bryan Adams)
2000	Best Traditional Pop Vocal Album ||	''Timeless – Live In Concert''
2002	''Christmas Memories''
2003	''The Movie Album''
2004	Grammy Hall of Fame ||	Funny Girl (musical)>Funny Girl'' (Barbra Streisand and Sydney Chaplin)	Inducted
2006	''The Barbra Streisand Album''
2007	|	''Live in Concert 2006''
2008	|	The Way We Were (song)>The Way We Were"	Inducted
2011	|	Love Is the Answer (album)>Love Is the Answer''

Film awards

Streisand has won 2 Academy Awards (Oscar) against 5 nominations, 2 for acting, 2 for song writing and 1 for Best Picture,

Best Actress ''Hello, Dolly Best Actress in a Motion Picture (Comedy or Musical) Academy Awards Henrietta World Film Favorite Best Actress in a Motion Picture (Comedy or Musical) Academy Awards rowspan="3" Henrietta World Film Favorite Best Actress in a Motion Picture (Comedy or Musical) Best Actress in Motion Picture (Drama) Academy Awards Academy Awards Best Actress in a Motion Picture (Comedy or Musical) Golden Globe Cecil B. DeMille Award for Lifetime Achievement

Year !! Award !! Category !! Work !! Result
rowspan="2"	1969	Academy Awards		''Funny Girl'' ||
rowspan="5"	Golden Globe Awards	Best Actress in a Motion Picture (Comedy or Musical)
rowspan="2"	1970		(film)	Hello, Dolly!''
Henrietta Award	Henrietta World Film Favorite	—
rowspan="2"	1971	|	The Owl and the Pussycat (film)>The Owl and the Pussycat''
Henrietta World Film Favorite	—
rowspan="2"	1974	|	Best Actress	''The Way We Were''
rowspan="3"	Golden Globe Awards	Best Actress in a Motion Picture (Drama)
1975	|	—	Special award
1976	|	''Funny Lady''
rowspan="3"	1977	|	Best Original Song	Evergreen (Love Theme from A Star Is Born)	Evergreen" (from ''A Star Is Born'') |>
rowspan="6"	Golden Globe Awards	Best Actress in a Motion Picture (Comedy or Musical)
Best Original Song
1978	|	—	Special award
rowspan="2"	1984		''Yentl'' ||
Best Director (Motion Picture)
1988	|	Nuts (film)>Nuts''
rowspan="2"	1992	|	Best Picture	''The Prince of Tides''
Golden Globe Awards	Best Director (Motion Picture)
rowspan="3"	1997	|	Best Original Song	"I Finally Found Someone" (from ''The Mirror Has Two Faces'')
rowspan="3"	Golden Globe Awards	|	''The Mirror Has Two Faces''
Best Original Song	"I Finally Found Someone" (from ''The Mirror Has Two Faces'')
2000	|	—	Special award

Appearances

Broadway performances

Year !! Title !! Notes
1961–1963	''I Can Get It for You Wholesale''	Nominated—Tony Award for Best Performance by a Featured Actress in a Musical
1964–1965	Funny Girl (musical)>Funny Girl''

West End performances

Year !! Title !! Notes
1966	Funny Girl (musical)>Funny Girl''	April 13, 1966 – July 16, 1966 at the Prince of Wales Theatre, London.

Television specials

Year !! Title !! Notes
1965	''My Name Is Barbra''	Aired April 28, 1965
1966	Color Me Barbra'' >
1967	''The Belle of 14th Street''
1968	''A Happening in Central Park''
1973	''Barbra Streisand...And Other Musical Instruments''
1975	''Funny Girl to Funny Lady''
1976	''Barbra: With One More Look at You''
1983	''A Film Is Born: The Making of 'Yentl'''
1986	''Putting it Together: The Making of The Broadway Album''
1987	One Voice (Barbra Streisand album)>One Voice''
1994	''Barbra Streisand: The Concert''
2001	''Barbra Streisand: Timeless''
2009	''Streisand: Live in Concert''
2009	''Friday Night with Jonathan Ross''

Tours and live performances

North America ''Barbra Streisand: The Concert Tour'' ''Timeless: Live in Concert Tour'' ''Streisand: The Tour''

Year !! Title !! Continents !! Box-office benefits !! Total audience
1966	''An Evening with Barbra Streisand (Tour)''	|	$480,000	60,000
1994	|	North America and Europe	$50 million	400,000
2000	|	North America and Oceania	$70 million	200,000
2006–2007	|	North America and Europe	$119.5 million	425,000

Discography

1963: ''The Barbra Streisand Album''

1963: ''The Second Barbra Streisand Album''

1964: ''The Third Album''

1964: ''Funny Girl''

1964: ''People''

1965: ''My Name Is Barbra''

1965: ''My Name Is Barbra, Two...''

1966: ''Color Me Barbra''

1966: ''Je m'appelle Barbra''

1967: ''Simply Streisand''

1967: ''A Christmas Album''

1969: ''What About Today?''

1971: ''Stoney End''

1971: ''Barbra Joan Streisand''

1972: ''Live Concert at the Forum''

1973: ''Barbra Streisand...And Other Musical Instruments''

1974: ''The Way We Were''

1974: ''ButterFly''

1975: ''Lazy Afternoon''

1976: ''Classical Barbra''

1977: ''Streisand Superman''

1978: ''Songbird''

1979: ''Wet''

1979: ''The Main Event (1979 film)''

1980: ''Guilty''

1981: ''Memories''

1983: ''Yentl - Motion picture soundtrack''

1984: ''Emotion''

1985: ''The Broadway Album''

1986: ''One Voice - Live Concert''

1988: ''Till I Loved You''

1989: ''Barbra Streisand - A Collection: Greatest Hits & More''

1993: ''Back to Broadway''

1997: ''Higher Ground''

1999: ''A Love Like Ours''

2001: ''Christmas Memories''

2003: ''The Movie Album''

2005: ''Guilty Pleasures''

2009: ''Love Is the Answer''

2011: ''What Matters Most''

Filmography

! Year	! Title	! Role	! Notes
1968		Fanny Brice	Academy Award for Best Actress Tied with Katharine Hepburn for ''The Lion in Winter''David di Donatello for Best Foreign Actress Tied with Mia Farrow for ''Rosemary's Baby''Golden Globe Award for Best Actress – Motion Picture Musical or ComedyNominated—BAFTA Award for Best Actress in a Leading Role also for ''Hello, Dolly!''
1969		Dolly Levi
		Daisy Gamble / Melinda Tentres
	Doris Wilgus/Wadsworth/Wellington/Waverly	Nominated—Golden Globe Award for Best Actress – Motion Picture Musical or Comedy
		Judy Maxwell
''Up the Sandbox''	Margaret Reynolds
1973	''The Way We Were''	Katie Morosky	David di Donatello for Best Actress
1974		Henrietta 'Henry' Robbins
1975	''[[Funny Lady''	Fanny Brice	Nominated—Golden Globe Award for Best Actress – Motion Picture Musical or Comedy
1976		Esther Hoffman Howard	Academy Award for Best Original Song Shared with Paul Williams (lyrics) for the song "Evergreen (Love Theme from A Star Is Born)"Golden Globe Award for Best Actress – Motion Picture Musical or ComedyGolden Globe Award for Best Original Song Shared with Paul Williams (lyrics) for the song "Evergreen (Love Theme from A Star Is Born)"Nominated—BAFTA Award for Best Film Music Shared with Paul Williams, Kenny Ascher, Rupert Holmes, Leon Russell, Kenny Loggins, Alan Bergman, Marilyn Bergman, Donna Weiss
1979		Hillary Kramer
1981		Cheryl Gibbons	Nominated-Razzie Award for Worst Actress
1983		Yentl/Anshel
1987		Claudia Faith Draper	Nominated—Golden Globe Award for Best Actress – Motion Picture Drama
1991	''The Prince of Tides''	Dr. Susan Lowenstein	(also director and producer)Nominated—Academy Award for Best Picture Shared with Andrew S. KarschNominated—Directors Guild of America AwardNominated—Golden Globe Award for Best Director
1996	''The Mirror Has Two Faces''	Rose Morgan	(also director and producer)Nominated—Academy Award for Best Original Song Shared with Marvin Hamlisch, Robert John Lange and Bryan Adams for the song "I Finally Found Someone"Nominated—Golden Globe Award for Best Actress – Motion Picture Musical or ComedyNominated—Golden Globe Award for Best Original Song Shared with Marvin Hamlisch, Robert John Lange and Bryan Adams for the song "I Finally Found Someone"
2004	''Meet the Fockers''	Roz Focker
2010	''Little Fockers''	Roz Focker	Nominated-Razzie Award for Worst Supporting Actress
2012	''Guilt Trip''	Joyce Brewster

References

Further reading

External links

Barbra-Archives.com

}}

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name	Mariah Carey
background	solo_singer
birth date	March 27, 1970
birth place
genre	R&B;, pop, hip hop, soul, dance
years active	1988–present
occupation	Singer-songwriter, record producer, actress
spouse
label	Columbia, Virgin, Island
website	}}

Mariah Carey (born March 27, 1970) is an American singer, songwriter, record producer, and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and released her self-titled debut studio album, ''Mariah Carey''. The album went multi-platinum and spawned four consecutive number one singles, on the U.S. ''Billboard'' Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records, including ''Emotions'' (1991), ''Music Box'' (1993) and ''Merry Christmas'' (1994), established her position as Columbia's highest-selling act. ''Daydream'' (1995), made music history when the second single, "One Sweet Day" a duet with Boyz II Men, spent a record sixteen weeks on top of the Billboard Hot 100, and remains the longest running number one song in US chart history. During the recording of the album Carey began to deviate from her pop background, and slowly traversed into R&B; and Hip-hop. After her separation from Mottola, this musical change was evident with the release of ''Butterfly'' (1997).

Carey left Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records. In 2001, Carey ventured into film with ''Glitter'' (2001). Before the film's release she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion. Following the film's poor reception, she was bought out of her recording contract for $50 million, which led to a decline in her career. She signed a multi-million dollar contract deal with Island Records in 2002, and after an unsuccessful period, returned to the top of music charts with ''The Emancipation of Mimi'' (2005). Its second single "We Belong Together", which became the most successful solo single of her music career, and was later named "Song of the Decade" by ''Billboard''. Carey once again ventured into film, and starred in ''Precious'' (2009). Her role in the film was well-received, and she was awarded the "Breakthrough Performance Award" at the Palm Springs International Film Festival, and a NAACP Image Award nomination.

In a career spanning over two decades, Carey has sold more than 200 million records worldwide, making her one of the best-selling music artists of all time. In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards. Carey was also named the best-selling female artist of the millennium in 2000. According to the Recording Industry Association of America (RIAA), she is the third best-selling female artist in the United States, with 63 million certified albums. With the release of "Touch My Body" (2008), Carey gained her eighteenth number one single in the United States, more than any other solo artist. Aside from her commercial accomplishments, Carey has won five Grammy Awards, and is famed for her five-octave vocal range, power, melismatic style and signature use of the whistle register.

Biography

1970–87: Early life and struggles

Mariah Carey was born in Huntington, Long Island, New York, on March 27, 1970. The singer's father, Alfred Roy, was of African American and Venezuelan descent, while her mother, Patricia (née Hickey), was an Irish American. Patricia's father had died while she was young; however, she inherited his passion for music. She developed a career as an occasional opera singer and vocal coach, and met Alfred in 1960. As he began earning a living as an aeronautical engineer, the couple wed later that year, and moved into a small suburb in New York. After the pair's elopement, Patricia's family disowned her, due to marrying a man of color. Carey later explained that growing up, she felt a notion of neglect from her maternal family, a mark that affected her greatly: "So later I was like, 'Well, where does this leave me? Am I a bad person?' You know. It's still not that common to be a multi-racial person, but I'm happy with the combination of things that I am." During the interval of years in between Allison and the singer's birth, the Carey family experienced personal struggles within the community due to their ethnicity. Carey's name was derived from the song "They Call the Wind Mariah", originally from the 1951 Broadway musical ''Paint Your Wagon.'' When Carey was only three years old, her parents divorced, due to the increasingly strenuous nature of their marriage.

}} After their separation, Carey's older sister Allison moved in with her father, while the other two children remained with Patricia. As the years passed, Carey would grow apart from her father, and would later stop seeing him altogether. By the age of four, Carey recalled that she had begun to sneak the radio under her covers at night, and just sing from her heart, and try and find peace within the music. During elementary school, she would excel in subjects that she enjoyed, such as literature, art and music, while not finding interest in others. After several years of financial struggling, Patricia earned enough money to move her family into a stable and more affluent sector in New York. Carey had already enrolled in Greenlawn's Harborfields High School. She had begun writing poems, and adding melodies to them, thus starting as a singer-songwriter. Even from a young age, Carey excelled in her music, and demonstrated usage of the whistle register, though only beginning to master and control it through her training with her mother. Though opening her daughter to the world of classical opera, Patricia never pressured Carey to pursue a career in that type of genre, as she never seemed interested in that world of music. Carey recalled that she kept her singer-songwriter works a secret and noted that Patricia had "never been a pushy mom. She never said, 'Give it more of an operatic feel'. I respect opera like crazy, but it didn't influence me."

Towards the end of her high school Carey developed a relationship with Gavin Christopher, with whom she shared musical aspirations. The song-writing duo, however, needed an assistant who could play the keyboard; "We called someone and he couldn't come, so by accident we stumbled upon Ben [Margulies]. Ben came to the studio, and he really couldn't play the keyboards very well - her was really more of a drummer - but after that day, we kept in touch, and we sort of clicked as writers." The two began writing and composing songs in his father's store basement, during Carey's senior year. After composing their first song together, "Here We Go Round Again", which Carey described as having a Motown-vibe, they continued writing material for a full length demo. After Carey's graduation her mother wed once more, which ultimately prompted her to move out from Patricia's apartment, and into a one bedroom studio in Manhattan, which she shared with four other female students. During this period, Carey worked several jobs as a waitress, usually getting fired after two week intervals. While requiring work to pay for her rent, Carey's mind and effort still remained with her musical ambitions, as she continued working late into the night with Margulies, in hopes of completing a demo take that could be passed on to record executives. After completing her four song demo tape, Carey tried to pass it to music labels, but was met with failure each time. It was then she was introduced to rising pop singer of Puerto Rican descent, Brenda K. Starr.

1988–92: Recording debut and career beginnings

As Carey's friendship with Starr grew, so did her interest in helping Carey succeed in the industry. On a Friday night in November 1987, Carey accompanied Starr to a record executives gala, where she handed her demo tape to Tommy Mottola, head of Columbia Records, who listened to it on his way back home. After the first two songs, he became so enamored at the sound and quality of Carey's voice that he turned around returned to the event, only to find that she had left. In what has been widely described by critics as a modern day Cinderella-like tale, after searching Carey for two weeks, and eventually contacting her through Starr's management, he immediately signed her and began mapping out her debut into mainstream music. While she maintained that she wanted to continue working with Margulies, Mottola enlisted top producers of the time, including Ric Wake, Narada Michael Walden and Rhett Lawrence. Mottola and the staff at Columbia had planned to market Carey as the main female pop artist on their roster, competing with the likes of Whitney Houston and Madonna, who were signed to Arista and Sire Records respectively. After the completion of the album, titled ''Mariah Carey'', Columbia spent an upward of $1 million to promote it. Though opening with weak sales, the album eventually reached the top of the ''Billboard'' 200, after Carey's exposure at the 33rd annual Grammy Awards. ''Mariah Carey'' stayed atop the charts for eleven consecutive weeks, and she won the Best New Artist, and Best Female Pop Vocal Performance trophies for her single "Vision of Love". The album yielded an additional three number one singles on the ''Billboard'' Hot 100, following the four week number-one run of "Vision of Love". Carey became the first artist since The Jackson 5 to have their first four singles reach number one. ''Mariah Carey'' finished as the best-selling album in the United States of 1991, while totaling sales of over 15 million copies.

Only months after the ''Mariah Carey'' began its descent on the charts, Carey already began working on her second studio effort, eventually titled ''Emotions'' (1991). The album, as Carey described it, paid homage to Motown soul music, as she felt the need to pay tribute to the type of music and genre that truly influenced her as a struggling child. For the project, Carey worked with Walter Afanasieff, who only had a small role on her debut, as well as Clivillés and Cole, from the dance group C+C Music Factory. However, Carey's relationship with Margulies deteriorated over a contract Carey had signed prior to her signing with Columbia, agreeing to split not only the songwriting royalties from the songs, but half of her earnings as well. However, when the time came to write music for ''Emotions,'' Sony officials made it clear he would only be paid the fair amount given to co-writers on an album. Subsequently, Margulies filed a lawsuit against Sony which ultimately led to their parting of ways. On September 17, 1991, ''Emotions'' was released around the world, and was accepted by critics as a more mature album than its predecessor. While praised for Carey's improved songwriting, production and new sound, the album was criticized for its material, which many felt was noticeably weaker than her debut. Though the album managed sales of over eight million copies globally, ''Emotions'' failed to reach the commercial and critical heights of its predecessor.

As they had done after the release of her debut, critics once again questioned whether Carey would embark on a world tour, in promotion for her material. Although Carey explained that due to her stage fright, and the general strenuous nature of her songs, a tour sounded very daunting, speculation grew that Carey was a "studio worm", and that she wasn't capable of producing the perfect pitch and 5-octave vocal range for which she was known. In hopes of putting any claims of her being a manufactured artist to rest, Carey and Walter Afanasieff decided to book an appearance on MTV Unplugged, a television program aired by MTV. The show's purpose was to present name artists, and feature them "unplugged" or stripped of studio equipment. While Carey felt strongly of her more soulful and powerful songs, it was decided that her most popular content to that point would be included. Days prior to the show's taping, Carey and Afanasieff thought of adding a cover version of an older song, in order to provide something different and unexpected. They chose "I'll Be There", a song made popular by The Jackson 5 in 1970, rehearsing it few times before the night of the show. On March 16, 1992, Carey recorded a seven-piece set-list at Kaufman Astoria Studios in Queens, New York. The revue was met with critical acclaim, leading to it being aired over three times as often as an average episode would. The revue's success tempted Sony officials to use it as some form of an album. Sony decided to release it as an EP, selling for a reduced price due to its shorter length. The EP proved to be a success, shunning critics and speculations that Carey was just a studio artist, and was given a triple-Platinum certification by the Recording Industry Association of America (RIAA), and managed Gold and Platinum certfications in several European markets.

1993–96: First marriage, ''Music Box'' and ''Daydream''

During early 1993, Carey began working on her third studio album, ''Music Box''. After ''Emotions'' failed to achieve the commercial heights of her debut album, Carey and Columbia came to the agreement that the next album would contain a more pop influenced sound, in order to appeal to a wider audience. During Carey's writing sessions, she began working mostly with Afanasieff, with whom she co-wrote and produced most of ''Music Box''. During the album's recording, Carey and Mottola became romantically involved. They wed in a lavish ceremony on June 5, 1993, with several high profile guests including Barbra Streisand, Billy Joel, Gloria Estefan and Ozzy Osbourne. One month later, on August 31, ''Music Box'' was released around the world, debuting at number-one on the ''Billboard'' 200. The album was met with mixed reception from music critics; while many praised the album's pop influence and strong content, others felt that Carey made less usage of her acclaimed vocal range. Ron Wynn from Allmusic described Carey's different form of singing on the album: "It was wise for Carey to display other elements of her approach, but sometimes excessive spirit is preferable to an absence of passion." The album's second single, "Hero", would eventually come to be one of Carey's most popular and inspirational songs of her career. The song became Carey's eighth chart topper in the United States, and began expanding Carey's popularity throughout Europe. With the release of the album's third single, Carey achieved several career milestones. Her cover of Badfinger's "Without You" became her first number one single in several European countries, including Austria, Germany, the Netherlands, Ireland, Sweden, Switzerland and the United Kingdom. Due to the song's success, ''Music Box'' spent prolonged periods at number one on the album charts of several countries, and eventually became one of the best-selling albums of all time, with worldwide sales of over 32 million copies. After declining to tour for her past two albums, Carey agreed to embark on a short stateside string of concerts, titled the Music Box Tour. Spanning only six dates across North America, the short but successful tour was a large step for Carey, who dreaded the hassle of touring.

Following ''Music Box'', Carey took a relatively large period of time away from the public eye, and began working on an unknown project throughout 1994. The project was kept very secretive until ''Billboard'' announced on their October issue, that Carey would release a holiday album later that year. In late 1994, Carey recorded a duet with Luther Vandross; a cover of Lionel Richie and Diana Ross's "Endless Love". By that point, Columbia felt Carey had already established herself as a pop singer, and vocalist, but wanted to to try and feature her as more of an entertainer. Through the release of ''Merry Christmas'', Columbia hoped that audiences would buy Carey's material solely for her name and reputation, and squash fears of her being a typical pop singer. The album was released on November 1, 1994, on the same day that the album's first single, "All I Want for Christmas Is You", was released. The album eventually became the best-selling Christmas album of all time, with global sales reaching over 15 million copies. Additionally, "All I Want for Christmas Is You" was critically lauded, and is considered "one of the few worthy modern additions to the holiday canon." ''Rolling Stone'' described it as a "holiday standard", and ranked it fourth on its Greatest Rock and Roll Christmas Songs list. Commercially, it became the best-selling holiday ringtone of all time, and the best-selling single by a non-Asian artist in Japan, selling over 2.1 million units (both ringtone and digital download). By the end of the holiday season of 1994, Carey and Afanasieff had already begun writing material for her next studio album, which would be released in the fall of of the following year.

Released on October 3, 1995, ''Daydream'' combined the pop sensibilities of ''Music Box'' with downbeat R&B; and hip hop influences. The album's second single, "One Sweet Day" was inspired by the death of Cole, as well as her sister Allison, who had contracted AIDS. The song remained atop the Hot 100 for a record-breaking sixteen weeks, and became the longest running number one song in history. ''Daydream'' became her biggest-selling album in the United States, and became her second album to be certified Diamond by the RIAA, following ''Music Box''. The album again was the best-seller by an international artist in Japan, shifting over 2.2 million copies, and eventually reaching global sales of over 25 million units. Critically, the album was heralded as Carey's best to date; ''The New York Times'' named it as one of 1995's best albums, and wrote, "best cuts bring R&B; candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés." Carey once again opted to embark on a short world tour titled Daydream World Tour. It had seven dates, three in Japan and four throughout Europe. When tickets went on sale, Carey set records when all 150,000 tickets for her three shows at Japan's largest stadium, Tokyo Dome sold out in under three hours, breaking the previous record help by The Rolling Stones. Due to the album's success, Carey won two awards at the American Music Awards for her solo efforts: Favorite Pop/Rock Female Artist and Favorite Soul/R&B; Female Artist. ''Daydream'' and its singles were respectively nominated in six categories at the 38th Grammy Awards. Carey, along with Boyz II Men, opened the event with a performance of "One Sweet Day". However, Carey did not receive any award, prompting her to comment "What can you do? I will never be disappointed again. After I sat through the whole show and didn't win once, I can handle anything." In 1995, due to ''Daydream''s enormous Japanese sales, ''Billboard'' declared Carey the "Overseas Artist of the Year" in Japan.

1997–2000: New image and independence, ''Butterfly'' and ''Rainbow''

" }} After the release of ''Daydream'' and the success that followed, Carey began focusing on her personal life, which was a constant struggle at the time. Carey's relationship with Mottola began to deteriorate, due to their growing creative differences in terms of her albums, as well as his controlling nature. With each following album, and her continual established fame and popularity, Carey began to take more initiative and control with her music, and started infusing more genres into her work. During mid-1997, Carey was well underway, writing and recording material for her next album, ''Butterfly'' (1997). She sought to work with other producers and writers other than Afansieff, such as Sean Combs, Kamaal Fareed, Missy Elliott and Jean Claude Oliver and Samuel Barnes from Trackmasters. During the album's recording, Carey and Mottola separated, with Carey citing is as her way of achieving freedom, and a new lease on life. Aside from the album's different approach, critics took notice of Carey's altered style of singing, which she describe as breathy vocals. Her new-found style of singing was met with mixed reception; some critics felt is was a sign of maturity, that she didn't feel the need to always show off her upper range, while others felt it was a sign of her weakening and waning voice. The album's lead single, "Honey", and its accompanying music video, introduced a more overtly sexual image than Carey had ever demonstrated, and furthered reports of her freedom from Mottola. Carey stated that ''Butterfly'' marked the point when she attained full creative control over her music. However, she added, "I don't think that it's that much of a departure from what I've done in the past [...] It's not like I went psycho and thought I would be a rapper. Personally, this album is about doing whatever the hell I wanted to do." Growing creative differences with producer Afanasieff continued, and eventually ended their working relationship, after collaborating on most of Carey's material. Reviews for ''Butterfly'' were generally positive: ''Rolling Stone'' wrote, "It's not as if Carey has totally dispensed with her old saccharine, Houston-style balladry [...] but the predominant mood of 'Butterfly' is one of coolly erotic reverie. [... Except "Outside" the album sounds] very 1997. [...] Carey has spread her wings and she's ready to fly", Allmusic editor, Stephen Thomas Erlewine described Carey's vocals as "sultrier and more controlled than ever", and heralded ''Butterfly'' as her "best record and illustrates that Carey continues to improve and refine her music, which makes her a rarity among her '90s peers." The album was a commercial success, although not to the degree of her previous three albums.

Toward the turn of the millennium, Carey began developing other projects, many of which she wasn't able to during her marriage. On April 14, 1998, Carey partook in the VH1 Divas benefit concert, where she sang alongside Aretha Franklin, Celine Dion, Shania Twain, Gloria Estefan and Carole King. Carey had begun developing a film project ''All That Glitters'', later re-titled to simply ''Glitter'', and intended her songwriting to other projects, such as ''Men in Black'' (1997) and ''How the Grinch Stole Christmas'' (2000). After ''Glitter'' fell into developmental hell, Carey postponed the project, and began writing material for a new album. The executives at Sony Music, the parent company of Carey's label Columbia, wanted her to prepare a greatest hits collection in time for the commercially favorable holiday season. However, they disagreed as to what content and singles should constitute the album. Sony wanted to release an album that featured her number one singles in the United States, and her international chart toppers on the European versions, void of any new material, while Carey felt that a compilation album should reflect on her most personal songs, not just her most commercial. She felt that not including any new material would result in cheating her fans, therefore including four new songs that she had recorded. While compromised, Carey often expressed distaste towards the album's song selection, expressing her disappointment in the omission of her "favorite songs". The album titled, ''#1's'' (1998), featured a duet with Whitney Houston, "When You Believe", and was included on the soundtrack for ''The Prince of Egypt'' (1998). During the development of ''All That Glitters'', Carey had been introduced to DreamWorks producer Jeffrey Katzenberg, who asked her if she would record the song "When You Believe" for the soundtrack to the animated film ''The Prince of Egypt''. In an interview with ''Ebony'', Houston described working with Carey, as well as their growing friendship: "Mariah and I got along very great. We had never talked and never sang together before. We just had a chance for camaraderie, singer-to-singer, artist-to-artist, that kind of thing. We just laughed and talked and laughed and talked and sang in between that ... It's good to know that two ladies of soul and music can still be friends." ''#1's'' became a phenomenon in Japan, selling over one million copies in its opening week, and placing as the only international artist to accomplish this feat. When describing Carey's popularity in Japan throughout the 1990s, author Chris Nickson compared it to Beatlemania in the 1960s. The album sold over 3.25 million copies in Japan after only the first three months, and holds the record as the best-selling album by a non-Asian artist, while amassing global sales of over 17 million copies.

During the spring of 1999, Carey began working on the final album of her record contract with Sony, her ex-husband's label. During this time, Carey's strained relationship with Sony affected her work with writing partner Afanasieff, who had worked extensively with Carey throughout the first half of her career. She felt Mottola was trying to separate her from Afanasieff, in hopes of keeping their relationship permanently strained. Due to the pressure and the awkward relationship Carey had now developed with Sony, she completed the album in a period of three months in the summer of 1999, quicker than any of her other albums. The album, titled ''Rainbow'' (1999), found Carey once again working with a new array of music producers and songwriters, such as Jay-Z and DJ Clue. Carey also wrote two ballads with David Foster and Diane Warren, whom she seemingly used to replace Afanasieff. ''Rainbow'' was released on November 2, 1999, to the highest first week sales of her career at the time, however debuting at number two on the ''Billboard'' 200. Throughout early-2000, Carey's troubled relationship with Columbia grew, as they halted promotion after the album's first two singles. They felt ''Rainbow'' didn't have any strong single to be released, whereas Carey wanted a ballad regarding personal and inner strength released. The difference in opinion led to a very public feud, as Carey began posting messages on her webpage in early and mid-2000, telling fans inside information on the dispute, as well as instructing them to request "Can't Take That Away (Mariah's Theme)" on radio stations. One of the messages Carey left on her page read: "Basically, a lot of you know the political situation in my professional career is not positive. It's been really, really hard. I don't even know if this message is going to get to you because I don't know if they want you to hear this. I'm getting a lot of negative feedback from certain corporate people. But I am not willing to give up." Fearing to lose their label's highest seller, Sony chose to release the song. Carey, initially content with the agreement, soon found out that the song had only been given a very limited and low-promotion release, which made charting extremely difficult and unlikely. Critical reception of ''Rainbow'' was generally enthusiastic, with the ''Sunday Herald'' saying that the album "sees her impressively tottering between soul ballads and collaborations with R&B; heavyweights like Snoop Doggy Dogg and Usher [...] It's a polished collection of pop-soul." ''Vibe'' magazine expressed similar sentiments, writing, "She pulls out all stops [...] ''Rainbow'' will garner even more adoration". Though a commercial success, ''Rainbow'' became Carey's lowest selling album to that point in her career.

2001–04: ''Glitter'', ''Charmbracelet''; personal and professional struggles

After she received ''Billboard'''s Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium, Carey parted from Columbia and signed a record-breaking $100 million five-album recording contract with Virgin Records (EMI Records), Carey was given full conceptual and creative control over the project. She opted to record an album partly mixed with 1980s influenced disco and other similar genres, in order to go hand-in-hand with the film's setting. She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website that complained of being overworked, and her relationship with the Latin icon Luis Miguel ended. In an interview the following year, she said, "I was with people who didn't really know me and I had no personal assistant. I'd do interviews all day long and get two hours of sleep a night, if that." Due to the pressure from the media, her heavy work schedule and the split from Miguel, Carey began posting a series of disturbing messages on her official website, and displayed erratic behavior on several live promotional outings. On July 19, 2001, Carey made a surprise appearance on the MTV program ''Total Request Live'' (TRL). As the show's host Carson Daly began taping following a commercial break, Carey came out pushing an ice cream cart while wearing a large men's shirt, and began a striptease, in which she shed her shirt to reveal a tight yellow and green ensemble. While she later revealed that Daly was aware of her presence in the building prior to her appearance, Carey's appearance on TRL garnered strong media attention. Only days later, Carey began posting irregular voice notes and messages on her official website: "I'm trying to understand things in life right now and so I really don't feel that I should be doing music right now. What I'd like to do is just a take a little break or at least get one night of sleep without someone popping up about a video. All I really want is [to] just be me and that's what I should have done in the first place ... I don't say this much but guess what, I don't take care of myself." Following the quick removal of the messages, Berger commented that Carey had been "obviously exhausted and not thinking clearly" when she posted the letters.

On July 26, she was suddenly hospitalized, citing "extreme exhaustion" and a "physical and emotional breakdown". Carey was inducted at an un-disclosed hospital in Connecticut, and remained hospitalized and under doctor's care for two weeks, followed by an extended absence from the public. Following the heavy media coverage surrounding Carey's publicized breakdown and hospitalization, Virgin Records and 20th Century Fox delayed the release of both ''Glitter'', as well as its soundtrack of the same name. Consequently, critics suggested that in delaying ''Glitter'', hype for the project would have largely subsided, and would possibly hurt both ticket and album sales. When discussing the project's weak commercial reaction, Carey blamed both her frame of mind during the time of its release, its postponement, as well as the soundtrack having been released on September 11. Critics panned ''Glitter'', as well as its accompanying soundtrack; both were unsuccessful commercially. The accompanying soundtrack album, ''Glitter'', became Carey's lowest-selling album to that point. The ''St. Louis Post-Dispatch'' dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful." Following the negative cloud that was ensuing Carey's personal life at the time, as well as the project's poor reception, her unprecedented $100 million five-album record deal with Virgin Records (EMI Records) was bought out for $50 million. Soon after, Carey flew to Capri, Italy for a period of five months, in which she began writing material for her new album, stemming from all the personal experiences she had endured throughout the past year. Carey later said that her time at Virgin was "a complete and total stress-fest [...] I made a total snap decision which was based on money and I never make decisions based on money. I learned a big lesson from that." Later that year, she signed a contract with Island Records, valued at more than $24 million, and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year.

In 2002, Carey was cast in the independent film, ''WiseGirls'', alongside Mira Sorvino and Melora Walters, who co-starred as waitresses at a mobster-operated restaurant. It premiered at the Sundance Film Festival, and received generally negative critical response, though Carey's portrayal of the character was praised; Roger Friedman of Fox News referred to her as "a Thelma Ritter for the new millennium", and wrote , "Her line delivery is sharp and she manages to get the right laughs". Later that year, Carey performed the American national anthem to rave reviews at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Towards the end of 2002, Carey released her next studio album ''Charmbracelet'', which she said marked "a new lease on life" for her. Though released in the wake of ''Glitter'' and Carey's return to the music scene, sales of ''Charmbracelet'' were moderate and the quality of Carey's vocals came under criticism. Joan Anderson from ''The Boston Globe'' declared the album "the worst of her career, and revealed a voice [that is] no longer capable of either gravity-defying gymnastics or soft coos", while Allmusic editor Stephen Thomas Erlewine expressed similar sentiments and wrote, "What is a greater problem is that Mariah's voice is shot, sounding in tatters throughout the record. She can no longer coo or softly croon nor can she perform her trademark gravity-defying vocal runs." In an attempt to "relaunch" her career following the poor reception to ''Glitter'', as well as her breakdown, Carey announced a world tour in April 2003. Lasting over eight months, the Charmbracelet World Tour: An Intimate Evening with Mariah Carey, became her most extensive tour to date, spanning sixty-nine shows around the world. Throughout the United States, the shows were done in smaller theaters, and something more Broadway-influenced, "It's much more intimate so you'll feel like you had an experience. You experience a night with me." However, while smaller productions were booked throughout the tour's stateside leg, Carey performed at stadiums in Asia and Europe, performing for a crowd of over 35,000 in Manila, 50,000 in Malaysia, and to over 70,000 people in China. In the United Kingdom, it became Carey's first tour to feature shows outside of London, booking arena stops in Glasgow, Birmingham and Manchester. Charmbracelet World Tour: An Intimate Evening with Mariah Carey garnered generally positive reviews from music critics and concert goers, with many complimenting the quality of Carey's live vocals, as well as the production as a whole.

2005–07: Return to prominence with ''The Emancipation of Mimi''

Throughout 2004, Carey focused on composing material for her tenth studio album, ''The Emancipation of Mimi'' (2005). The album found Carey working predominantly with Jermaine Dupri, as well as Bryan-Michael Cox, Manuel Seal, The Neptunes, Kanye West and Carey's longtime collaborator, Jermaine Dupri. The album debuted atop the charts in several countries, and was warmly accepted by critics. Caroline Sullivan of ''The Guardian'' defined it as "cool, focused and urban [... some of] the first Mariah Carey tunes in years which I wouldn't have to be paid to listen to again", while ''USA Today''s Elysa Gardner wrote, "The ballads and midtempo numbers that truly reflect the renewed confidence of a songbird who has taken her shots and kept on flying." The album's second single, "We Belong Together", became a "career re-defining" song for Carey, at a point when many critics had considered her career over. music critics heralded the song as her "return to form", as well as the "return of The Voice", while many felt it would revive "faith" in Carey's potential as a balladeer. "We Belong Together" broke several records in the United States and became Carey's sixteenth chart topper on the ''Billboard'' Hot 100. After staying at number one for fourteen non-consecutive weeks, the song became the second longest running number one song in US chart history, behind Carey's 1996 collaboration with Boyz II Men, "One Sweet Day". ''Billboard'' listed it as the "song of the decade" and the ninth most popular song of all time. Besides its chart success, the song broke several airplay records, and according to Nielsen BDS, gathered both the largest one-day and one-week audiences in history.

During the week of September 25, 2005, Carey set another record, becoming the first female to occupy the first two spots atop the Hot 100, as "We Belong Together" remained at number one, and her next single, "Shake It Off" held the number two spot. On the Billboard Hot 100 Year-end Chart of 2005, the song was declared the number one song, a career first for Carey. ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and was declared the most popular song of the 2000s decade by ''Billboard''. The album earned ten Grammy Award nominations in 2006–07: eight in 2006 for the original release (the most received by Carey in a single year), and two in 2007 for the ''Ultra Platinum Edition''. In 2006 Carey won Best Contemporary R&B; Album for ''The Emancipation of Mimi'', as well as Best Female R&B; Vocal Performance and Best R&B; Song for "We Belong Together". ''The Emancipation of Mimi'' was the best-selling album in the United States in 2005, with nearly five million units sold. It was the first album by a solo female artist to become the year's best-selling album since Alanis Morissette's ''Jagged Little Pill'' in 1996. At the end of 2005, the IFPI reported that ''The Emancipation of Mimi'' had sold more than 7.7 million copies globally, and was the second best-selling album of the year after Coldplay's ''X&Y;''. It was the best-selling album worldwide by a solo and female artist. To date, ''The Emancipation of Mimi'' has sold over 12 million copies worldwide. At the 48th Grammy Awards, Carey performed a medley of "We Belong Together" and "Fly Like a Bird". The performance earned the night's only standing ovation, prompting Teri Hatcher, who was presenting the next award, to exclaim, "It's like we've all just been saved!"

In support of the album, Carey embarked on her first headlining tour in three years, named The Adventures of Mimi: The Voice, The Hits, The Tour after a "Carey-centric fan's" music diary. The tour spanned forty stops, with thirty-two in the United States and Canada, two in Africa, and six in Japan. Tickets for the tour went on sale on June 2, 2006, with prices ranging from $95 to $150 USD, and featured Carey's long-time friend Randy Jackson as the tour's musical director. Carey's performances consisted of old songs from her catalog as well as her newest singles. The tour received warm critical reaction from music critics and concert goers, many of which celebrated the quality of Carey's live vocals, as well as the show as a whole. However, critics felt the show's excesses, such as Carey's often costume changes and pre-filmed clips, were unnecessary distractions. The tour proved successful, with Carey playing to over 60,000 fans in the two stop in Tunis alone. Midway through the tour, Carey booked a two-night concert engagement in Hong Kong, which was scheduled to take place following her Japanese shows. The shows were cancelled, however, after tickets went on sale. According to Carey's then-manager Benny Medina, the cancellation was due to the concert promoter's refusal to pay Carey her agreed-upon compensation. The promoter instead blamed poor ticket sales (allegedly, only 4,000 tickets had sold) and "Carey's outrageous demands". Carey ultimately sued the promoter, claiming $1 million in damages due to the concert's abrupt cancellation.

2007–09: ''E=MC²'', second marriage, ''Memoirs of an Imperfect Angel'' and acting breakthrough

By spring 2007, Carey had begun to work on her eleventh studio album, ''E=MC²'', in a private villa in Anguilla. When asked regarding the album title's meaning, Carey said "Einstein's theory? Physics? ''Me?'' Hello! ...Of course I'm poking fun." She characterized it as "''Emancipation of Mimi'' to the second power", and said that she was "freer" on this album than any other. Although ''E=MC²'' was well received by most critics, some of them criticized it for being very similar to the formula used on ''The Emancipation of Mimi''. Two weeks before the album's release, "Touch My Body", the record's lead single reached the top position on the ''Billboard'' Hot 100, becoming Carey's eighteenth number one and making her the solo artist with the most number one singles in United States history, surpassing the record held by Elvis Presley. Additionally, it gave Carey her 79th week atop the Hot 100, tying her with Presley as the artist with the most weeks at number one in the ''Billboard'' chart history." ''E=MC²'' debuted at number one on the ''Billboard'' 200 with 463,000 copies sold, the biggest opening week sales of her career. With six number one albums, Carey is now tied with Britney Spears and Janet Jackson in the United States for the third most number one albums for a female artist, behind Madonna with seven and Barbra Streisand's nine chart toppers. In 2008, ''Billboard'' magazine ranked her at number six on the "Billboard Hot 100 All-Time Top Artists", making Carey the second most successful female artist in the history of the ''Billboard'' Hot 100 chart. Carey and actor/comedian Nick Cannon met while they shot her music video for her second single, "Bye Bye", on an island off the coast of Antigua. On April 30, 2008, Carey married Cannon at her private estate on Windermere Island in The Bahamas. Carey had a cameo appearance in Adam Sandler's 2008 film ''You Don't Mess with the Zohan'', playing herself. On January 20, 2009, Carey performed "Hero" at the Neighborhood Inaugural Ball after Barack Obama was sworn as America's first African-American president. On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of The Jackson 5 song "I'll Be There" at the memorial service for Michael Jackson. At the sight of Jackson's casket, Carey's voice, overwhelmed with emotion, cracked in the opening line of the song. She later apologized on ''The Today Show'', explaining how she did her best effort despite the circumstances.

In 2009, she appeared as a social worker in ''Precious'', the movie adaptation of the 1996 novel ''Push'' by Sapphire. The film garnered mostly positive reviews from critics, as has Carey's performance. ''Variety'' described her acting as "pitch-perfect". ''Precious'' won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top honors there. In January 2010, Carey won the Breakthrough Actress Performance Award for her role in ''Precious'' at the Palm Springs International Film Festival. September 25, 2009, Carey's twelfth studio album, ''Memoirs of an Imperfect Angel'', was released. Reception for the album was generally positive, but mixed in certain aspects; Stephen Thomas Erlewine of Allmusic called it "her most interesting album in a decade", while Jon Caramanica from ''The New York Times'' criticized Carey's vocal performances, decrying her overuse of her softer vocal registers at the expense of her more powerful lower and upper registers. Commercially, the album debuted at number three on the ''Billboard'' 200, and became the lowest-selling studio album of her career. The album's lead single, "Obsessed", became her 40th entry on the ''Billboard'' Hot 100 and her highest debut on the chart since "My All" in 1998. The song debuted at number eleven and peaked at number seven on the chart, and became Carey's 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits. Within hours after the song's release, various outlets speculated that its target was rapper Eminem, in response to his song "Bagpipes from Baghdad", in which he taunted Carey's husband, Nick Cannon. According to MTV, Carey alludes to drug problems in "Obsessed", which Eminem opened up about on his sixth studio album, ''Relapse''. The album's follow-up single, a cover of Foreigner's "I Want to Know What Love Is", failed to achieve any significant chart success in the United States, or much throughout Europe, but managed to break airplay records in Brazil. The song spent 27 weeks atop the Brasil Hot 100 Airplay, making it the longest running song in the chart's history. On December 31, 2009, Carey embarked her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada. Though stateside, the tour spanned few international dates, such as in Brazil and Singapore, where Carey played to over 100,000 spectators. On January 30, 2010, it was announced that Carey would release a remix album of ''Memoirs of an Imperfect Angel''; titled ''Angels Advocate'' (an R&B; remix album featuring a collection of newly remixed duets with some of Carey's favorite artists). The album was slated for a March 30, 2010 release, but was eventually cancelled.

2010–present: ''Merry Christmas II You'', motherhood and fourteenth studio album

Following the cancellation of the ''Angels Advocate'', it was announced that Carey would return to the studio to start work on her thirteenth studio album. It was later revealed that it would be her second Christmas album, the follow-up to ''Merry Christmas'' (1994), which became the best-selling Holiday album of all time. Long time collaborators for the project include Jermaine Dupri, Johntá Austin, Bryan-Michael Cox and Randy Jackson, as well as new collaborators such as Marc Shaiman. Dupri stated that a single would be released alongside the album before the year's end. During a press conference in Seoul, South Korea, in August 2010, Island Def Jam executive Matt Voss announced that the album would be out on November 2, 2010. and would include six new songs and a remix of her classic hit "All I Want for Christmas Is You". The album, titled ''Merry Christmas II You'', was released alongside an accompanying DVD, and was sent to retailers on November 2, 2010. ''Merry Christmas II You'' debuted at number four on the ''Billboard'' 200 with sales of 56,000 copies, surpassing the opening week sales of Carey's previous holiday album of 45,000 copies 16 years prior. It also became Carey's 16th top ten album in the United States. The album debuted at number one on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart.

In May 2010, Carey dropped out of her planned appearance in ''For Colored Girls'', the film adaptation of the play ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf'', citing medical reasons. After much media speculation, Carey confirmed on October 28, 2010, that she and Cannon were expecting a baby, and that she would be due in the spring of 2011. Carey also revealed that she had been pregnant shortly after her wedding with Cannon, but she miscarried. On April 30, 2011, the couple's third wedding anniversary, Carey gave birth to fraternal twins via C-section. The twins were named Monroe, after Marilyn Monroe, and Moroccan Scott, after Cannon proposed to Carey in her Moroccan-style room; Scott is Cannon's middle name and his grandmother's maiden name. On February 11, 2011, Carey announced on HSN, that she recorded a duet with Tony Bennett for his upcoming "Duets" album, titled "When Do The Bells Ring For Me". Following the birth of their children, Cannon revealed during an interview with ''Billboard'' that Carey had already begun working on a new record. Cannon said "She's been working away, and we have a studio in the crib, and [the pregnancy] has totally inspired her on so many different levels. You're definitely gonna see some new phenomenal music from Mariah" and assured Carey would plan on releasing it by the end of the year. In October 2011, Carey announced that she re-recorded her song "All I Want for Christmas Is You" with Justin Bieber as a duet for his Christmas album, ''Under the Mistletoe''. On November 5, 2011, Carey and Bieber filmed a music video for the duet at the Macy's in New York City. On October 21, 2011, a pre-taped interview with Barbara Walters aired on ABC's 20/20, during the interview Carey and Cannon allowed the cameras to photograph/film twins Moroccan and Monroe for the first time ever. In November 2011, Carey was included in the remix to the mixtape single "Warning" by Uncle Murda, the remix also features 50 Cent and Young Jeezy. That same month, Carey announced that she and John Legend collaborated on a duet, "When Christmas Comes", which was originally part of Carey's 2010 holiday album ''Merry Christmas II You''.

On February 8th, 2012, Mariah uploaded a video on her Youtube channel for the song "Love Story".

Artistry

Musical style

Love is the subject of the majority of Carey's lyrics, although she has written about themes such as racism, social alienation, death, world hunger, and spirituality. She has said that much of her work is partly autobiographical, but ''Time'' magazine wrote: "If only Mariah Carey's music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict," applying it to the first stages of her career. He commented that as her album's progressed, so too her songwriting and music blossomed into more mature and meaningful material. Jim Faber of the ''New York Daily News'', made similar comments, "For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening." While reviewing ''Music Box'', Stephen Holden from ''Rolling Stone'' commented that Carey sang with "sustained passion", while ''Entertainment Weekly''s Arion Berger wrote that during some vocal moments, Carey becomes "too overwhelmed to put her passion into words." In 2001, ''The Village Voice'' wrote in regards to what they considered Carey's "centerless ballads", writing, "Carey's Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads [...] it's largely because of [Blige] that the new R&B; demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it's the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands."

Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano-driven melodies, as she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. While Carey learned to play the piano at a young age, and incorporates several ranges of production and instrumentation into her music, she has maintained that her voice has always been her most important asset: "My voice is my instrument; it always has been." Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey on several occasions, starting with "Dreamlover" (1993), which popularized the tradition of remixing R&B; songs into house records, and which ''Slant'' magazine named one of the greatest dance songs of all time. From "Fantasy" (1995) onward, Carey enlisted both hip-hop and house producers to re-structure her album compositions. ''Entertainment Weekly'' included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the R&B;/hip-hop collaboration trend that has continued into the 2000s, through artists such as Ashanti and Beyoncé. Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you".

Voice and timbre

Mariah Carey possesses a 5-octave vocal range, and has the ability to reach notes beyond the 7th octave. She was ranked first in a 2003 MTV and ''Blender'' magazine countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, "What it really means is voice of the MTV generation. Of course, it's an enormous compliment, but I don't feel that way about myself." She also placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists".

Regarding her voice type, Carey said that she is alto, while French-American baritone and singing teacher in the Conservatoire de Paris Malcolm Walker states that she is light lyric soprano, "because the upper register is much more healthy than the lower register." However, within contemporary forms of music, singers are classified by the style of music they sing. There is currently no authoritative voice classification system within non-classical music. Attempts have been made to adopt classical voice type terms to other forms of singing, but they are controversial, because the development of classic voice categorizations were made with the understanding that the singer would amplify his or her voice with their natural resonators, without a microphone.

Baritone Malcolm Walker as well as music critic Stephen Holden of ''The New York Times'' and vocal pedagogue Jeannette Lo Vetri describes Carey's voice as "pure, full, rounded and warm", adding that belting and head voices has a great brightness. Malcolm Walker praise her belting voice, saying it "works very well" and states that Carey "passes easily in head voice. It's her true voice." The middle register is "ample and full" and the voice resonates with strong vibrato. Jon Pareles, of ''The New York Times'', describes Carey's lower register as "rich" and "husky", on the other hand, Walker, Holden, and Lo Vetri state it's "tired", "distended" in its lowest parts. Carey also possesses a "whisper register". In an interview with the singer, Ron Givens of ''Entertainment Weekly'' described it this way, "In one brief swoop, she seems to squeal and roar at the same time: whisper register." Additionally, towards the late 1990s, Carey began incorporating breathy vocals into her material, usually beginning the song and then building up to a "full throated" climax. Tim Levell from the BBC News described her vocals as "sultry close-to-the-mic breathiness", while ''USA Today''s Elysa Gardner wrote "it's impossible to deny the impact her vocal style, a florid blend of breathy riffing and resonant belting, has had on today's young pop and R&B; stars." Tenor Juan Diego Flórez has described her whistle register in detail, saying "Her whistle register is beautiful, fluid, very free and resonant—she has a "ring" in it. She shows an exceptionnal texture manipulation in this register : It can be bright, silky, crystalline, airy, piercing, metallic. She can imitate an electric guitar, a bird chirping, a piccolo... She can also phrase in that register. And the greatest thing about her whistle is that she use it for express different moods and feelings. She is the only pop singer who do that."

Voice experts praise Carey's vocal technique, stating that she can deliver very fast staccatos, marcato, portato and arpeggios with great control, "always keeps a neutral larynx position—except sometimes in her lower register" and "glides effortlessly from bottom to top and vice versa." Diego Flórez said "either in chest, head voices and whistle, she has a gorgeous mastery of dynamics" and describes her legato as "silky." Carey's musicianship is of high-level. Soprano Montserrat Caballé and Diego Flòrez said she has a "refined", "subtle" phrasing, a "perfect" sense of rhythm, and a high architectural sense of line-proportion, climax and resolve, ideas and themes. Jon Pareles adds "she can linger over sensual turns, ... syncopate like a scat singer." Her sense of pitch is admired, Flórez specify that "no matter how fast she executes her melismas, she always stay in tune."

Influences

Carey has said that from childhood she has been influenced by R&B; and soul musicians such as Billie Holiday and Sarah Vaughan. Her music contains strong influences of gospel music, and she credits The Clark Sisters, Shirley Caesar and Edwin Hawkins as the most influential in her early years. When Carey incorporated hip-hop into her sound, speculation arose that she was making an attempt to take advantage of the genre's popularity, but she told ''Newsweek'', "People just don't understand. I grew up with this music". She has expressed appreciation for rappers such as The Sugarhill Gang, Eric B. & Rakim, the Wu-Tang Clan, The Notorious B.I.G. and Mobb Deep, with whom she collaborated on the single "The Roof (Back in Time)" (1998). Carey was heavily influenced by Minnie Riperton, and began experimenting with the whistle register due to her original practice of the range.

During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song". Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection". Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR". Some have noted that unlike Houston and Dion, Carey co-writes her own songs, and the ''Guinness Rockopedia'' (1998) classified her as the "songbird supreme".

Legacy

Carey's vocal style and singing ability have significantly impacted popular and contemporary music. As music critic G. Brown from ''The Denver Post'' wrote, "For better or worse, Mariah Carey's five-octave range and melismatic style have influenced a generation of pop singers." According to ''Rolling Stone'', "Her mastery of melisma, the fluttering strings of notes that decorate songs like "Vision of Love", inspired the entire ''American Idol'' vocal school, for better or worse, and virtually every other female R&B; singer since the Nineties." Jody Rosen of ''Slate Magazine'' wrote of Carey's influence in modern music, calling her the most influential vocal stylist of the last two decades, the person who made rococo melismatic singing. Rosen further exemplified Carey’s influence by drawing parallel with American Idol, which to her, “often played out as a clash of melisma-mad Mariah wannabes. And, today, nearly 20 years after Carey's debut, major labels continue to bet the farm on young stars such as the winner of Britain's X Factor show, Leona Lewis, with her Generation Next gloss on Mariah's big voice and big hair." Sean Daly of ''St. Petersburg Times'' wrote, "Depending on how you feel about public humiliation, the best/worst parts of American Idol are the audition shows, which normally break down into three distinct parts:(1) The Talented Kids.(2) The Weird Kids.(3) The Mariahs." Daly further commented, "The Mariahs are the hardest ones to watch, mainly because most of them think they're reeeaaally good. The poor, disillusioned hopefuls plant themselves in front of judges Simon Cowell, Paula Abdul and Randy Jackson – then proceed to stretch, break and mutilate every note of a song, often Mariah's Hero, a tune that has ruined more throats than smoker's cough." ''New York Magazine's'' editor Roger Deckker said that in regarding Carey as an influential artist in music, he commented that "Whitney Houston may have introduced melisma (the vocally acrobatic style of lending a word an extra syllable or twenty) to the charts, but it was Mariah—with her jaw-dropping range—who made it into America’s default sound." Deckker also added that "Every time you turn on American Idol, you are watching her children". Despite her vocal prowess, Carey's vocal technique particularly with the use of melisma and belting, has been subject to public scrutiny mainly because of young singers such as from talent shows have been overly imitating her singing technique in which critics commented "Mariah Carey is, without a doubt, the worst thing to happen to amateur singing since the karaoke machine". As Professor Katherine L. Meizel noted in her book, ‘’The Mediation of Identity Politics in American Idol’’, “Carey’s influence not just stops in the emulation of melisma or her singing amongst the wannabe’s, it’s also her persona, her diva, her stardom which inspires them.... a pre-fame conic look.”

}} Carey’s influence is notable in numerous hip hop, pop and R&B; artists, including Beyoncé, Christina Aguilera, Jessica Simpson, Rihanna, Kelly Clarkson, Nelly Furtado, Leona Lewis, Brandy Norwood, Pink, Mary J. Blige, and Missy Elliott, among others. Knowles credits Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. Rihanna has stated that Carey is one of her major influences and idol. Christina Aguilera has cited in her early stages of her career that Carey is a big influence in her singing career and being one of her idols. According to Pier Dominguez, author of ''Christina Aguilera: a star is made : the unauthorized biography'', Aguilera has stated how she loved listening to Whitney Houston, but it was Carey who had the biggest influence on her vocal styling. Carey's carefully choreographed image of a grown woman struck a chord on Aguilera. Her influence on Aguilera also grew from the fact that both were of mixed heritage. Philip Brasor, editor of ''The Japan Times'', expressed how Carey's vocal and melismatic style even influenced Asian singers. He wrote regarding Japanese superstar Utada Hikaru, "Utada sang what she heard, from the diaphragm and with her own take on the kind of melisma that became de rigueur in American pop after the ascendance of Mariah Carey." In an article called "Out With Mariah's Melisma, In With Kesha's Kick", writer David Browne of ''The New York Times'' discusses how the ubiquitous melisma pop style has suddenly fallen down from pop culture in favor of young stars who uses the now ubiquitous autotune in which the first mentioned was heavily popularized into mainstream pop culture with the likes of Mariah Carey and Whitney Houston. Browne had commented "But beginning two decades ago, melisma overtook pop in a way it hadn’t before. Mariah Carey’s debut hit from 1990, “Vision of Love,” followed two years later by Whitney Houston’s version of “I Will Always Love You,” set the bar insanely high for notes stretched louder, longer and knottier than most pop fans had ever heard." Browne further added "A subsequent generation of singers, including Ms. Aguilera, Jennifer Hudson and Beyoncé, built their careers around melisma. (Men like Brian McKnight and Tyrese also indulged in it, but women tended to dominate the form.)"

Carey is also credited for introducing R&B; and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Sasha Frere-Jones, editor of ''The New Yorker'' commented, "It became standard for R&B;/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney Spears, Jessica Simpson, Christina Aguilera, and 'N Sync—have spent much of the past ten years making pop music that is unmistakably R&B.;" Moreover Jones concludes that "[Carey’s] idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B; and, eventually, all of pop. Although now anyone is free to use this idea, the success of “The Emancipation of Mimi” suggests that it still belongs to Carey." Judnick Mayard, writer of ''The Fader'', wrote that in regarding of R&B; and hip hop collaboration, "The champion of this movement is Mariah Carey." Mayard also expressed that "To this day ODB and Mariah may still be the best and most random hip hop collaboration of all time", citing that due to the record "Fantasy", "R&B; and Hip Hop were the best of step siblings." Kelfa Sanneh of ''The New York Times'' wrote, "In the mid-1990s Ms. Carey pioneered a subgenre that some people call the thug-love duet. Nowadays clean-cut pop stars are expected to collaborate with roughneck rappers, but when Ms. Carey teamed up with Ol' Dirty Bastard, of the Wu-Tang Clan, for the 1995 hit "Fantasy (Remix)", it was a surprise, and a smash." Aside from her pop culture and musical influence, Carey is credited for releasing a classic Christmas song called "All I Want For Christmas Is You". In a retrospective look at Carey's career, Sasha Frere-Jones of ''The New Yorker'' said, the "charming" song was one of Carey's biggest accomplishments, calling it "one of the few worthy modern additions to the holiday canon". ''Rolling Stone'' ranked "All I Want for Christmas Is You" fourth on its Greatest Rock and Roll Christmas Songs list, calling it a "holiday standard." Following the release of her ''Greatest Hits'' album, Devon Powers of Popmatters has said in his review that "She has influenced countless female vocalists after her. At 32, she is already a living legend—even if she never sings another note." Carey’s business ventures include the launch of her perfumes, her clothing line, and books. She has portrayed the true nature of being a superstar, according to sociologist Naomi Hirahara, and is a classic example of the word "diva". Carey is never seen without her large entourage, whether it be award shows, performances or as guests on late night specials. Hirahara says, "her demands are sporadic, her looks are glamorous, she is hardly of her age, but she is still ruling. Nowadays people emulate the idea of being a diva, but Carey was the original one in true sense of the term."

Honors and awards

Throughout Carey's career, she has collected many honors and awards, including the World Music Awards' Best Selling Female Artist of the Millennium, the Grammy's Best New Artist in 1991, ''Billboard'''s Special Achievement Award for the Artist of the Decade during the 1990s. In a career spanning over 20 years, Carey has sold over 200 million albums, singles, and videos worldwide, making her one of the biggest-selling artists in music history. Carey is ranked as the best-selling female artist of the Nielsen SoundScan era, with over 52 million copies sold. Possessing a five-octave vocal range, Carey was ranked first in MTV and ''Blender'' magazine's 2003 countdown of the 22 Greatest Voices in Music, and was placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists". Aside from her voice, she has become known for her songwriting. Yahoo Music editor Jason Ankeny wrote, "She earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material." According to ''Billboard'' magazine, she was the most successful artist of the 1990s in the United States. At the 2000 World Music Awards, Carey was given a Legend Award for being the "best-selling female pop artist of the millennium", as well as the "Best-selling artist of the 90s" in the United States, after releasing a series of albums of multi-platinum status in Asia and Europe, such as ''Music Box'' and ''Number 1's''. She is also a recipient of the Chopard Diamond Award in 2003, recognizing sales of over 100 million albums worldwide. Additionally, the Recording Industry Association of America (RIAA) lists Carey as the third-best-selling female artist, with shipments of over 63 million units in the US. In Japan, Carey has the top four highest-selling albums of all time by a non-Asian artist.

Carey has spent a record 79 weeks at the number-one position on ''Billboard'' Hot 100, becoming the artist with the most weeks at number-one in US chart history. On that same chart, she has accumulated 18 number-one singles, which ties her with Elvis Presley for the second most number-one singles in the chart's history (after only The Beatles). In 1994, Carey released her holiday album ''Merry Christmas'' has sold over 15 million copies worldwide, and is the best-selling Christmas album of all time. It also produced the successful single "All I Want for Christmas Is You", which became the only holiday song and ringtone to reach multi-platinum status in the US. In Japan, ''Number 1's'' has sold over 3,250,000 copies and is the best-selling album of all time in Japan by a non-Asian artist. Her hit single "One Sweet Day", which featured Boyz II Men, spent sixteen consecutive weeks at the top of ''Billboard''s Hot 100 chart in 1996, setting the record for the most weeks atop the Hot 100 chart in history. After Carey's success in Asia with ''Merry Christmas'', ''Billboard'' estimated Carey as the all-time best-selling international artist in Japan. In 2008, ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and second on Top Billboard Hot 100 R&B;/Hip-Hop Songs. The song was also declared the most popular song of the 2000s decade by ''Billboard''. In 2009, Carey's cover of Foreigner's song "I Want to Know What Love Is" became the longest-running number-one song in Brazilian singles chart history, spending 27 consecutive weeks at number-one. Additionally, Carey has had three songs debut at number-one on the ''Billboard'' Hot 100: "Fantasy", "One Sweet Day" and "Honey", making her the artist with the most number-one debuts in the chart's 52-year history. Also, she is the first female artist to debut at number 1 in the U.S. with "Fantasy". In 2010, Carey's 13th album and second Christmas album, ''Merry Christmas II You'', debuted at No.1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top that chart. On November 19, 2010, ''Billboard'' magazine named Carey in their "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" chart at number four.

Philanthropy and other activities

Carey is a philanthropist who has donated time and money to organizations such as the Fresh Air Fund. She became associated with the Fund in the early 1990s, and is the co-founder of a camp located in Fishkill, New York, that enables inner-city youth to embrace the arts and introduces them to career opportunities. The camp was called Camp Mariah "for her generous support and dedication to Fresh Air children", and she received a Congressional Horizon Award for her youth-related charity work. She is well-known nationally for her work with the Make-A-Wish Foundation in granting the wishes of children with life-threatening illnesses, and in November 2006 she was awarded the Foundation's Wish Idol for her "extraordinary generosity and her many wish granting achievements". Carey has volunteered for the New York City Police Athletic League and contributed to the obstetrics department of New York Presbyterian Hospital Cornell Medical Center. A percentage of the sales of ''MTV Unplugged'' was donated to various other charities. In 2008, Carey was named Hunger Ambassador of the World Hunger Relief Movement. In February 2010, the song, "100%", which was originally written and recorded for the film, ''Precious'', was used as one of the theme songs for the 2010 Winter Olympics, with all money proceeds going to Team USA.

One of Carey's most high-profile benefit concert appearances was on VH1's 1998 ''Divas Live'' special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the ''America: A Tribute to Heroes'' nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special ''At Home for the Holidays'', which documented real-life stories of adopted children and foster families, from the Wayback Machine on October 22, 2001. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon "Shelter from the Storm". In August 2008, Carey and other singers recorded the charity single, "Just Stand Up" produced by Babyface and L. A. Reid, to support "Stand Up to Cancer".

Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life". She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, "M". In 2007, ''Forbes'' named her as the fifth richest woman in entertainment, with an estimated net worth of US $270 million. In November 2011, it was reported that Carey's net worth was valued at more than $500 million. On November 29, 2010, she debuted a collection on HSN, the collection range included jewelry, shoes and fragrances. In November 2011, Carey was announced as the new global ambassador for Jenny Craig, following her weight loss with the program after giving birth to fraternal twins in April. Carey claims she lost on the program.

Filmography

Year	Title	Role	Notes
1999	!scope="row"	Ilana
2001	!scope="row"	Billie Frank
2002	''WiseGirls''	Raychel
2003	''Death of a Dynasty''	Herself	Cameo appearance
2005	''State Property 2''	Dame's Wifey
2008	''You Don't Mess with the Zohan''	Herself	Cameo appearance
2009	!scope="row"	Krystal
2009	!scope="row"	Mrs. Weiss		Palm Springs International Film Festival>Palm Springs International Film Festival Breakthrough Performance Award	Capri Hollywood International Film Festival Award for Supporting Actress of the Year	Black Reel Awards of 2010>Black Reel Award for Best Ensemble	Boston Society of Film Critics>Boston Society of Film Critics Award for Best Ensemble Cast	Black Reel Awards of 2010>Black Reel Award for Best Supporting Actress	Nominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture	Nominated – Screen Actors Guild Award for Outstanding Cast in a Motion Picture	Broadcast Film Critics Association Awards 2009>Critics' Choice Awards for Best Acting Ensemble

! Year	! Title	! Role	Notes
2002	''Ally McBeal''	Candy Cushnip
2003	''The Proud Family''	Herself	Voice role

Discography

''Mariah Carey'' (1990)

''Emotions'' (1991)

''Music Box'' (1993)

''Merry Christmas'' (1994)

''Daydream'' (1995)

''Butterfly'' (1997)

''Rainbow'' (1999)

''Glitter'' (2001)

''Charmbracelet'' (2002)

''The Emancipation of Mimi'' (2005)

''E=MC²'' (2008)

''Memoirs of an Imperfect Angel'' (2009)

''Merry Christmas II You'' (2010)

See also

List of artists who reached number one on the Hot 100 (U.S.)

List of artists who reached number one on the U.S. dance chart

List of awards received by Mariah Carey

List of best-selling music artists

List of best selling music artists in U.S.

List of Mariah Carey tours

Notes

References

Hardy, Phil. ''The Faber Companion to 20th Century Popular Music: Fully Revised Third Edition'' (2001). pg. 156–157. UK: Faber and Faber Limited. ISBN 0-571-19608-X.

Mulholland, Garry. ''The Illustrated Encyclopedia of Music'' (2003). pg. 57. UK: Flame Tree Publishing. ISBN 1-904041-70-1.

''Fred Bronson's Billboard Book of Number 1 Hits, 5th Edition'' (ISBN 0-8230-7677-6)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Sixties'' (ISBN 0-89820-074-1)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Nineties'' (ISBN 0-89820-137-3)

Additional information concerning Carey's chart history can be retrieved and verified in ''Billboard's'' online archive services and print editions of the magazine.

External links

Mariah Carey at LAUNCHcast

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Category:1970 births Category:Living people Category:Actors from New York City Category:African American female singer-songwriters Category:African American film actors Category:African American record producers Category:American dance musicians Category:American musicians of Irish descent Category:American music video directors Category:American people of Venezuelan descent Category:American philanthropists Category:American pop singer-songwriters Category:American rhythm and blues singer-songwriters Category:American sopranos Category:English-language singers Category:Grammy Award winners Category:Hip hop singers Category:Virgin Records artists Category:Columbia Records artists Category:Island Records artists Category:Musicians from New York City Category:People from Long Island Category:Singers with a five octave vocal range Category:Spanish-language singers Category:World Music Awards winners Category:Article Feedback 5

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