Wonderful to see these two inspiring young Africans engaging with each other on “the art of creating“.  With Emmanuel, Donald
and other artists like them, our future is set in motion

 

EMMANUEL IDUMA: Is there some sense in thinking that being an artist cannot mean being just one thing? That creativity transcends technique or form?

DONALD MOLOSI: Absolutely. When history’s legendary griots told stories they did not pause to ponder whether they were dancers, singers, actors or performance historians. They just put out the art, and that is what art is…an energy that you never know how it will manifest itself, how it will opt to be birthed. In that way, our obsession with categorization of talents is a loss of some sort.

IDUMA: It’s fascinating that your writing has a life of its own. It morphs across genres. Is this some form of textual justice – to work with a genre that is befitting for an idea? This is considering the fact that your writing ranges from short stories to meditative essays, mostly poems?

MOLOSI: You know, I can sit here and say that my writing is separate from my acting which is separate from my singing, and that is true on some level. But essentially these are all my instruments and as such play different tunes of my politics. The tune, the content always picks its genre, its instrument. I do not decide what will become a play or a poem or a short story. Essentially, I write and perform from a mostly unconscious place and that is perhaps the reason for that lack of predictable categorization for my work.

IDUMA: I think of superimposition in respect to Haiti Can Hold Me, maybe because Sokari Ekine is a wonderful Aunt-writer. Do you have strong Haiti sentiments?

MOLOSI: My politics as a person are global. I have strong sentiments about the world and Haiti is a part of the world. You will see in my writing and acting work that I jump from Haiti to Zimbabwe to England to Uganda…that has been my experience. I am not rooted. Sokari Ekine, a great writer and inspiration, was kind enough to publish my poem about Haiti on BlackLooks and that rippled to its being published in New Internationalist and so forth until it reached Haiti itself and I was absolutely humbled.

 

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In the continuing African election series, I  discuss the intersection of politics and music in Senegal with Senegalese activists and artists.

Listen to the show here 

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Destroyed on 12thJanuary, 2010, the Cathédrale Notre-Dame de L’Assomption remains majestic, it’s pink and cream walls towering over the city of Port-au-Prince. The Cathédrale is now open to the sky – a direct view to the mythical heavens. It remains a place of refuge to thousand of Port-au-Prince residents.  In December 2010, I walked through the ruins where the rubble remained scattered in small burial heaps and note most of the rubble has now been removed.   I had not knowingly walked on the dead before and it left me with a disturbing feeling. Later I realised  I needed to create a more intimate and healthy relationship with death and dying.

Broken Stones

The oldest neighborhood of the city of Port-au-Prince, Haiti, Quartier Cathédrale (Catheral Quarter) was the most devastated sector in the city, it is also where the bulk of the documentary Broken Stones was shot. With its erected columns and open air, the ruins of the cathedral resembles an amphitheater where the daily realities of Haitian life unfolds. Amidst the vestige of what was once the most beautiful cathedrals in the entire Caribbean, children play, women pray, some carry pails and jugs of water from the nearby tap, a white man dressed in black hooded priest garb appears out of nowhere, followed by a cameraman, foreign missionaries snap pictures as they pray for lost souls in a house of worship, men and women roam almost aimlessly in this post-apocalyptic decor…. These images are amongst the impressionist moments interwoven into the narrative fabric of this captivating documentary.

Via Shadow and Act

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Kadialy Kouyate

by Sokari on February 19, 2012

in Africa ,African History,Music

Kadialy Kouyate performs at TEDx the music of Senegal, Mali, Guinea and Gambia which dates back to the 13th century. One of the oldest instruments is the Balafon whilst the Kora is newer and dates back to 17th, 18th century when it became one of the main instruments of the Girots. Kadialy’s plays and sings in the traditional style of the girots.

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The Week on Sunday

by Sokari on February 19, 2012

in Action Alert

Posted from Diigo. The rest of my favorite links are here.

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A Piece of the Peace: Leymah, Please Speak Out for Human & Civil Rights for All Liberians

Dear Leymah,

Your courage is legendary. You are an icon in your own time for peace-building.

In answer to a question about what worries you, you said: “The safety of my children and their future. The conduct of the world.”

Your reply shows what fears tremble inside a mother’s heart.

It is said that you speak your mind without fear or favor. When appointed by President Sirleaf in late 2011 to head the Liberian Reconciliation Initiative, you said that the “LRI’s broad aim is to provide an independent and impartial platform for all Liberians irrespective of social, economic, political, and geographic orientation to collectively address past abuses, reconcile fractured relations and communities, and promote dialogue and consensus building as instruments of politics and public culture.”

I want to believe that you agree LGBT Liberians are included in this mandate. Your voice must be heard above the present uproar about LGBT rights, because there seems to be a collective dissociative fugue around the cruel ways the civil and human rights of gay, lesbian and gender-variant Liberians are violated.

You have said: “Reconciliation is like dressing a sore: You can’t bandage a sore without first cleaning it.”

LGBT Liberians live in fear, disempowered and daily imperiled. The war for them has not ended. Their lives are defined by danger and violence, persecution, hate speech and threats, discrimination and harassment. They are stigmatized, publicly rejected and almost completely abandoned by government. Their vulnerability affects all areas of their lives – church, school, employers, landlords, media, street mobs, rapists, predators, political actors, opinion leaders, family.
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The following Ugandan and African human rights organisations have condemned the Uganda Anti-Homosexuality Bill 20009:

Ugandan Law Society.

The Anti-Homosexuality Bill proposed to Parliament in 2009 would, if enacted into law, in its current state violate international human rights law and lead to further human rights violations.

The bill has been received with mixed feelings of both praise and strong criticism with praise coming from the local populace and criticism from the international media, western governments, international and local gay rights, human rights, civil rights, and scientific organizations, world leaders, some Christian organizations including the Roman Catholic Church, the Anglican Church of Canada.

The Uganda Law Society (ULS) is an institution that defends and promotes constitutionalism, the rule of law and the human rights of every Ugandan citizen. The ULS therefore in the same spirit acknowledges and defends 100% the rights of all citizens including the small percentage of the population living as homosexuals.

A coalition of African Human Rights organisations : East and Horn of Africa Human Rights, Defenders Project (EHAHRDP), Foundation for Human Rights Initiative (FHRI), The Human Rights Centre Uganda (HRCU), and Human Rights Network-Uganda (HURINET):

As well as threatening the safety of LGBTI people generally, the Anti-Homosexuality Bill also jeopardizes the security of human rights defenders working on these issues. The re-tabling of the bill just days after the first anniversary of the murder of LGBTI activist and EHAHRDP founding member, David Kato, is a stark reminder of the insecurity this bill has already caused in Uganda. More generally, the bill would have a wide-reaching and disturbing effect on the freedoms of the majority of Ugandans. If health professionals, spiritual leaders, teachers, business people, landlords, and many others in positions built upon trust and confidentiality fail to disclose to the authorities persons they suspect of being homosexual, under the provisions of this bill would also be targeted for prosecution themselves.
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Via Sahara Reporters TV

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The anger is still in me. Pure rage at certain people for failing to understand diversity beyond their narrow subjective paradises at the expense of those they claim to support through their activism. I ought to have written these words after Oxford 2011. At the time I was still too raw to review myself never mind the conference. I was already certain that was a last based on the long looks post conference and that fleeting abused, “man!” an audial rape of progress. It felt as if I had inadvertently stumbled into a den of hostility. Collectively, they voiced their imposition, corrective angst without an inkling of who I was or am. Even then when I stepped forward racked with stage fright heavy with their unkind looks, questioning thoughts and horror, did he just kiss my neck, just to tell me that time was up? If those on that panel didn’t understand transgenderism what were they transmitting to the audience -tantalising transphobia? What chance would that august audience have of understanding the “ISM” let alone a notion of agency?
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The Week on Sunday

by Sokari on February 13, 2012

in Social Justice Links

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