death date | (aged 83) |
---|---|
occupation | Poet, playwright, novelist, essayist, visual artist, statesman, human rights campaigner |
movement | Romanticism |
influences | François-René de Chateaubriand, Walter Scott, Jean-Jacques Rousseau, Voltaire, Alphonse de Lamartine, William Shakespeare |
influenced | Louis-Honoré Fréchette, Charles Dickens, Fyodor Dostoyevsky, Leo Tolstoy, Ayn Rand, Irvine Welsh, Albert Camus, Gérard de Nerval, Charles Baudelaire, Paul Verlaine, Oscar Wilde, Jean Cocteau, Gustave Flaubert, Jorge Luis Borges, Charles-Marie-René Leconte de Lisle, |
signature | Victor Hugo Signature.svg |
birth place | Besançon, France |
death place | Paris, France }} |
Victor-Marie Hugo () (26 February 1802 – 22 May 1885) was a French poet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France.
In France, Hugo's literary fame comes first from his poetry but also rests upon his novels and his dramatic achievements. Among many volumes of poetry, ''Les Contemplations'' and ''La Légende des siècles'' stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. Outside France, his best-known works are the novels ''Les Misérables'' and ''Notre-Dame de Paris'' (also known in English as ''The Hunchback of Notre-Dame'').
Though a committed royalist when he was young, Hugo's views refined as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. He is buried in the Panthéon.
Hugo's early childhood was marked by great events. Napoléon was proclaimed Emperor two years after Hugo's birth, and the Bourbon Monarchy was restored before his thirteenth birthday. The opposing political and religious views of Hugo's parents reflected the forces that would battle for supremacy in France throughout his life: Hugo's father was an officer who ranked very high in Napoleon's army until he failed in Spain (one of the reasons why his name is not present on the ''Arc de Triomphe''). He was an atheist republican who considered Napoléon a hero; his mother was an extreme Catholic Royalist who is believed to have taken as her lover General Victor Lahorie, executed in 1812 for plotting against Napoléon. Since Hugo's father, Joseph, was an officer, they moved frequently and Hugo learned much from these travels. On his family's journey to Naples, he saw the vast Alpine passes and the snowy peaks, the magnificently blue Mediterranean, and Rome during its festivities. Though he was only nearly six at the time, he remembered the half-year-long trip vividly. They stayed in Naples for a few months and then headed back to Paris.
Sophie followed her husband to posts in Italy (where Léopold served as a governor of a province near Naples) and Spain (where he took charge of three Spanish provinces). Weary of the constant moving required by military life, and at odds with her husband's lack of Catholic beliefs, Sophie separated temporarily from Léopold in 1803 and settled in Paris. Thereafter she dominated Hugo's education and upbringing. As a result, Hugo's early work in poetry and fiction reflect a passionate devotion to both King and Faith. It was only later, during the events leading up to France's 1848 Revolution, that he would begin to rebel against his Catholic Royalist education and instead champion Republicanism and Freethought.
Young Victor fell in love and against his mother's wishes, became secretly engaged to his childhood friend Adèle Foucher (1803–1868).
Unusually close to his mother, he married Adèle (in 1822) only after his mother's death in 1821. They had their first child Léopold in 1823, but the boy died in infancy. Hugo's other children were Léopoldine (28 August 1824), Charles (4 November 1826), François-Victor (28 October 1828) and Adèle (24 August 1830). Hugo published his first novel the following year (''Han d'Islande'', 1823), and his second three years later (''Bug-Jargal'', 1826). Between 1829 and 1840 he would publish five more volumes of poetry (''Les Orientales'', 1829; ''Les Feuilles d'automne'', 1831; ''Les Chants du crépuscule'', 1835; ''Les Voix intérieures'', 1837; and ''Les Rayons et les ombres'', 1840), cementing his reputation as one of the greatest elegiac and lyric poets of his time.
Victor Hugo was devastated when his oldest and favorite daughter, Léopoldine, died at age 19 in 1843, shortly after her marriage. She drowned in the Seine at Villequier, pulled down by her heavy skirts, when a boat overturned. Her young husband Charles Vacquerie also died trying to save her. Victor Hugo was traveling with his mistress at the time in the south of France, and learned about Léopoldine's death from a newspaper as he sat in a cafe. He describes his shock and grief in his poem ''À Villequier'':
''Hélas ! vers le passé tournant un oeil d'envie,'' ''Sans que rien ici-bas puisse m'en consoler,'' ''Je regarde toujours ce moment de ma vie'' ''Où je l'ai vue ouvrir son aile et s'envoler !''
''Je verrai cet instant jusqu'à ce que je meure,'' ''L'instant, pleurs superflus !'' ''Où je criai : L'enfant que j'avais tout à l'heure,'' ''Quoi donc ! je ne l'ai plus !''
''
Alas! turning an envious eye towards the past, unconsolable by anything on earth, I keep looking at that moment of my life when I saw her open her wings and fly away!
I will see that instant until I die, that instant—too much for tears! when I cried out: "The child that I had just now-- what! I don't have her any more!"
He wrote many poems afterwards about his daughter's life and death, and at least one biographer claims he never completely recovered from it. His most famous poem is probably ''Demain, dès l'aube'', in which he describes visiting her grave.
Victor Hugo's first mature work of fiction appeared in 1829, and reflected the acute social conscience that would infuse his later work. ''Le Dernier jour d'un condamné'' (''The Last Day of a Condemned Man'') would have a profound influence on later writers such as Albert Camus, Charles Dickens, and Fyodor Dostoevsky. ''Claude Gueux'', a documentary short story about a real-life murderer who had been executed in France, appeared in 1834, and was later considered by Hugo himself to be a precursor to his great work on social injustice, ''Les Misérables''. But Hugo's first full-length novel would be the enormously successful ''Notre-Dame de Paris'' (''The Hunchback of Notre-Dame''), which was published in 1831 and quickly translated into other languages across Europe. One of the effects of the novel was to shame the City of Paris into restoring the much-neglected Cathedral of Notre Dame, which was attracting thousands of tourists who had read the popular novel. The book also inspired a renewed appreciation for pre-renaissance buildings, which thereafter began to be actively preserved.
Hugo began planning a major novel about social misery and injustice as early as the 1830s, but it would take a full 17 years for ''Les Misérables'', to be realized and finally published in 1862. Hugo was acutely aware of the quality of the novel and publication of the work went to the highest bidder. The Belgian publishing house Lacroix and Verboeckhoven undertook a marketing campaign unusual for the time, issuing press releases about the work a full six months before the launch. It also initially published only the first part of the novel ("Fantine"), which was launched simultaneously in major cities. Installments of the book sold out within hours, and had enormous impact on French society. The critical establishment was generally hostile to the novel; Taine found it insincere, Barbey d'Aurevilly complained of its vulgarity, Flaubert found within it "neither truth nor greatness", the Goncourts lambasted its artificiality, and Baudelaire – despite giving favorable reviews in newspapers – castigated it in private as "tasteless and inept." ''Les Misérables'' proved popular enough with the masses that the issues it highlighted were soon on the agenda of the French National Assembly. Today the novel remains his most enduringly popular work. It is popular worldwide, has been adapted for cinema, television and stage shows.
The shortest correspondence in history is said to have been between Hugo and his publisher Hurst & Blackett in 1862. It is said Hugo was on vacation when ''Les Misérables'' (which is over 1200 pages) was published. He sent a letter containing the single-character message '?' to his publisher, who replied with a single '!'.
Hugo turned away from social/political issues in his next novel, ''Les Travailleurs de la Mer'' (''Toilers of the Sea''), published in 1866. Nonetheless, the book was well received, perhaps due to the previous success of ''Les Misérables''. Dedicated to the channel island of Guernsey where he spent 15 years of exile, Hugo's depiction of Man's battle with the sea and the horrible creatures lurking beneath its depths spawned an unusual fad in Paris: Squids. From squid dishes and exhibitions, to squid hats and parties, Parisians became fascinated by these unusual sea creatures, which at the time were still considered by many to be mythical. The word used in Guernsey to refer to squid (''pieuvre'', also sometimes applied to octopus) was to enter the French language as a result of its use in the book. Hugo returned to political and social issues in his next novel, ''L'Homme Qui Rit'' (''The Man Who Laughs''), which was published in 1869 and painted a critical picture of the aristocracy. However, the novel was not as successful as his previous efforts, and Hugo himself began to comment on the growing distance between himself and literary contemporaries such as Flaubert and Émile Zola, whose realist and naturalist novels were now exceeding the popularity of his own work. His last novel, ''Quatre-vingt-treize'' (''Ninety-Three''), published in 1874, dealt with a subject that Hugo had previously avoided: the Reign of Terror during the French Revolution. Though Hugo's popularity was on the decline at the time of its publication, many now consider ''Ninety-Three'' to be a work on par with Hugo's better-known novels.
When Louis Napoleon (Napoleon III) seized complete power in 1851, establishing an anti-parliamentary constitution, Hugo openly declared him a traitor to France. He relocated to Brussels, then Jersey, and finally settled with his family at Hauteville House in Saint Peter Port, Guernsey, where he would live in exile until 1870.
While in exile, Hugo published his famous political pamphlets against Napoleon III, ''Napoléon le Petit'' and ''Histoire d'un crime''. The pamphlets were banned in France, but nonetheless had a strong impact there. He also composed or published some of his best work during his period in Guernsey, including ''Les Misérables'', and three widely praised collections of poetry (''Les Châtiments'', 1853; ''Les Contemplations'', 1856; and ''La Légende des siècles'', 1859).
He convinced the government of Queen Victoria to spare the lives of six Irish people convicted of terrorist activities and his influence was credited in the removal of the death penalty from the constitutions of Geneva, Portugal and Colombia. He had also pleaded for Benito Juárez to spare the recently captured emperor Maximilian I of Mexico but to no avail. His complete archives (published by Pauvert) show also that he wrote a letter asking the USA, for the sake of their own reputation in the future, to spare John Brown's life, but the letter arrived after Brown was executed.
Although Napoleon III granted an amnesty to all political exiles in 1859, Hugo declined, as it meant he would have to curtail his criticisms of the government. It was only after Napoleon III fell from power and the Third Republic was proclaimed that Hugo finally returned to his homeland in 1870, where he was promptly elected to the National Assembly and the Senate.
He was in Paris during the siege by the Prussian army in 1870, famously eating animals given to him by the Paris zoo. As the siege continued, and food became ever more scarce, he wrote in his diary that he was reduced to "eating the unknown."
Because of his concern for the rights of artists and copyright, he was a founding member of the Association Littéraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works. However, in Pauvert's published archives, he states strongly that "any work of art has two authors : the people who confusely feels something, a creator who translates these feelings, and the people again who consecrates his vision of that feeling. When one of the authors dies, the rights should totally be granted back to the other, the people".
After that point, Hugo never lost his antipathy towards the Catholic Church, due largely to what he saw as the Church's indifference to the plight of the working class under the oppression of the monarchy; and perhaps also due to the frequency with which Hugo's work appeared on the Church's Index Librorum Prohibitorum (Hugo counted 740 attacks on ''Les Misérables'' in the Catholic press). On the deaths of his sons Charles and François-Victor, he insisted that they be buried without a crucifix or priest, and in his will made the same stipulation about his own death and funeral. However, although Hugo believed Catholic dogma to be outdated and dying, he never directly attacked the actual doctrines of the Church.
Hugo's Rationalism can be found in poems such as ''Torquemada'' (1869, about religious fanaticism), ''The Pope'' (1878, anti-clerical), ''Religions and Religion'' (1880, denying the usefulness of churches) and, published posthumously, ''The End of Satan'' and ''God'' (1886 and 1891 respectively, in which he represents Christianity as a griffin and Rationalism as an angel). "Religions pass away, but God remains", Hugo declared. Christianity would eventually disappear, he predicted, but people would still believe in "God, Soul, and the Power."
Well over one thousand musical compositions have been inspired by Hugo's works from the 19th century until the present day. In particular, Hugo's plays, in which he rejected the rules of classical theatre in favour of romantic drama, attracted the interest of many composers who adapted them into operas. More than one hundred operas are based on Hugo's works and among them are Donizetti's ''Lucrezia Borgia'' (1833), Verdi's ''Rigoletto'' (1851) and Ernani (1844), and Ponchielli's ''La Gioconda'' (1876). Hugo's novels as well as his plays have been a great source of inspiration for musicians, stirring them to create not only opera and ballet but musical theatre such as Notre-Dame de Paris and the ever-popular Les Misérables, London West End's longest running musical. Additionally, Hugo's beautiful poems have attracted an exceptional amount of interest from musicians, and numerous melodies have been based on his poetry by composers such as Berlioz, Bizet, Fauré, Franck, Lalo, Liszt, Massenet, Saint-Saëns, Rachmaninov and Wagner.
Today, Hugo's work continues to stimulate musicians to create new compositions. For example, Hugo's novel against capital punishment, The Last Day of a Condemned Man, has recently been adapted into an opera by David Alagna (libretto by Frédérico Alagna). Their brother, tenor Roberto Alagna, performed in the opera's premiere in Paris in the summer of 2007 and again in February 2008 in Valencia with Erwin Schrott as part of the Festival international Victor Hugo et Égaux 2008. In Guernsey, every two years the Victor Hugo International Music Festival attracts a wide range of musicians and the premiere of songs specially commissioned from such composers as Guillaume Connesson, Richard Dubugnon, Olivier Kaspar and Thierry Escaich and based on Hugo's poetry.
When Hugo returned to Paris in 1870, the country hailed him as a national hero. Despite his popularity Hugo lost his bid for reelection to the National Assembly in 1872. Within a brief period, he suffered a mild stroke, his daughter Adèle's internment in an insane asylum, and the death of his two sons. (Adèle's biography inspired the movie ''The Story of Adele H.'') His wife Adèle had died in 1868. His faithful mistress, Juliette Drouet, died in 1883, only two years before his own death. Despite his personal loss, Hugo remained committed to the cause of political change. On 30 January 1876 Hugo was elected to the newly created Senate. The last phase of his political career is considered a failure. Hugo took on the role of a maverick and got little done in the Senate.
In February 1881 Hugo celebrated his 79th birthday. To honor the fact that he was entering his eightieth year, one of the greatest tributes to a living writer was held. The celebrations began on the 25th when Hugo was presented with a Sèvres vase, the traditional gift for sovereigns. On the 27th one of the largest parades in French history was held. Marchers stretched from Avenue d'Eylau, down the Champs-Élysées, and all the way to the center of Paris. The paraders marched for six hours to pass Hugo as he sat in the window at his house. Every inch and detail of the event was for Hugo; the official guides even wore cornflowers as an allusion to Fantine's song in ''Les Misérables.''
Victor Hugo's death on 22 May 1885, at the age of 83, generated intense national mourning. He was not only revered as a towering figure in literature, he was a statesman who shaped the Third Republic and democracy in France. More than two million people joined his funeral procession in Paris from the Arc de Triomphe to the Panthéon, where he was buried. He shares a crypt within the Panthéon with Alexandre Dumas and Émile Zola. Most large French towns and cities have a street named for him. The avenue where he died, in Paris, now bears his name.
« Je donne cinquante mille francs aux pauvres. Je veux être enterré dans leur corbillard.
Je refuse l'oraison de toutes les Eglises. Je demande une prière à toutes les âmes.
Je crois en Dieu. »
(I leave 50 000 francs to the poor. I want to be buried in their hearse.
I refuse [funeral] orations of all churches. I beg a prayer to all souls.
I believe in God.)
Hugo worked only on paper, and on a small scale; usually in dark brown or black pen-and-ink wash, sometimes with touches of white, and rarely with color. The surviving drawings are surprisingly accomplished and "modern" in their style and execution, foreshadowing the experimental techniques of Surrealism and Abstract Expressionism.
He would not hesitate to use his children's stencils, ink blots, puddles and stains, lace impressions, "pliage" or folding (i.e. Rorschach blots), "grattage" or rubbing, often using the charcoal from match sticks or his fingers instead of pen or brush. Sometimes he would even toss in coffee or soot to get the effects he wanted. It is reported that Hugo often drew with his left hand or without looking at the page, or during Spiritualist séances, in order to access his unconscious mind, a concept only later popularized by Sigmund Freud.
Hugo kept his artwork out of the public eye, fearing it would overshadow his literary work. However, he enjoyed sharing his drawings with his family and friends, often in the form of ornately handmade calling cards, many of which were given as gifts to visitors when he was in political exile. Some of his work was shown to, and appreciated by, contemporary artists such as Van Gogh and Delacroix; the latter expressed the opinion that if Hugo had decided to become a painter instead of a writer, he would have outshone the artists of their century.
Gallery:
Hugo is venerated as a saint in the Vietnamese religion of Cao Dai.
The Avenue Victor-Hugo in the XVIème arrondissement of Paris bears Hugo's name, and links the Place de l'Étoile to the vicinity of the Bois de Boulogne by way of the Place Victor-Hugo. This square is served by a Paris Métro stop also named in his honor. A number of streets and avenues throughout France are likewise named after him. The school Lycée Victor Hugo was founded in his town of birth, Besançon in France. Avenue Victor-Hugo, located in Shawinigan, Quebec, Canada, was named to honor him.
In the city of Avellino, Italy, Victor Hugo lived briefly stayed in what is now known as Il Palazzo Culturale, when reuniting with his father, Leopold Sigisbert Hugo, in 1808. Victor would later write about his brief stay here quoting "C’était un palais de marbre...".
In Havana, Cuba there is a park named after him.
Category:1802 births Category:1885 deaths Category:19th-century French writers Category:19th-century theatre Category:Burials at the Panthéon Category:Cao Dai saints Category:Deists Category:French anti–death penalty activists Category:French dramatists and playwrights Category:French fantasy writers Category:French novelists Category:French poets Category:French-language poets Category:Guernsey writers Category:Jersey writers Category:Lycée Louis-le-Grand alumni Category:Members of the Académie française Category:Officiers of the Légion d'honneur Category:People from Besançon Category:Philhellenes Category:Romantic poets Category:Rosicrucians Category:Spiritualists Category:University of Paris alumni Category:Western mystics Category:Writers who illustrated their own writing
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Hugo Morales |
---|---|
fullname | Hugo Alberto Morales |
birth date | July 30, 1974 |
birth place | Buenos Aires, Argentina |
height | |
currentclub | Talleres Córdoba |
position | Midfielder |
years1 | 1992–1995 |
years2 | 1995–1999 |
years3 | 1999–2002 |
years4 | 2003 |
years5 | 2003–2004 |
years6 | 2004–2005 |
years7 | 2006 |
years8 | 2007 |
years9 | 2008– |
clubs1 | Huracán |
clubs2 | Lanús |
clubs3 | Tenerife |
clubs4 | Lanús |
clubs5 | Independiente |
clubs6 | Atlético Nacional |
clubs7 | Millonarios |
clubs8 | Universidad Católica |
clubs9 | Talleres Córdoba |
caps1 | 109 |
caps2 | 126 |
caps3 | 91 |
caps4 | 8 |
caps5 | 16 |
caps6 | 39 |
caps7 | 10 |
caps8 | 14 |
goals1 | 16 |
goals2 | 17 |
goals3 | 7 |
goals4 | 2 |
goals5 | 2 |
goals6 | 5 |
goals7 | 3 |
goals8 | 2 |
nationalyears1 | 1995–1996 |
nationalteam1 | Argentina |
nationalcaps1 | 9 |
nationalgoals1 | 2 |
ntupdate | }} |
Category:1974 births Category:Living people Category:People from Buenos Aires Category:Argentine footballers Category:Association football midfielders Category:Primera División Argentina players Category:Huracán footballers Category:Club Atlético Independiente footballers Category:Lanús footballers Category:Talleres footballers Category:La Liga footballers Category:CD Tenerife players Category:Atlético Nacional footballers Category:Millonarios footballers Category:Universidad Católica footballers Category:Argentina international footballers Category:Footballers at the 1996 Summer Olympics Category:Olympic footballers of Argentina Category:Olympic silver medalists for Argentina Category:Argentine expatriate footballers Category:Expatriate footballers in Spain Category:Expatriate footballers in Colombia Category:Expatriate footballers in Chile Category:Olympic medalists in football
ca:Hugo Alberto Morales es:Hugo Alberto Morales it:Hugo Morales
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Saint Audoin |
---|---|
Birth date | 609 |
Death date | 686 |
Feast day | 24 August |
Venerated in | Roman Catholic Church |
Birth place | Sancy |
Death place | Clichy |
Titles | Bishop |
Patronage | deaf people; invoked against deafness |
Issues | }} |
Audoin lived at the court of Clotaire II and later at the court of Dagobert I, who made him his referendary. He was part of a group of young courtiers like Saint Wandrille and Saint Didier of Cahors and was a close friend of Saint Eligius, whose ''vita'' he wrote; Audoin was consecrated bishop of Rouen in 640. He founded Rebais Abbey, and sent missionaries to areas that were still pagan.
He became an advisor of Theuderic III and upheld the policy of Ebroin, the mayor of the palace, to such a degree that he was involved in the treatment of Saint Leger.
His father was Saint Authaire. Dado's brothers were Ado and Rado.
A poem on Audoin's life was written in the 10th-century by Frithegod, but it is now lost.
Category:609 births Category:686 deaths Category:Frankish bishops Category:7th-century bishops Category:Bishops of Rouen Category:7th-century Christian saints Category:Merovingian saints
ca:Aldoè de Rouen de:Ouen (Heiliger) fr:Ouen de Rouen it:Audoeno di Rouen nl:Audoënus pl:Audoen z Rouen fi:Ouen
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Hugo Ayala |
---|---|
fullname | Hugo Ayala Castro |
birth date | March 31, 1987 |
birth place | Morelia, Michoacán, Mexico |
height | |
currentclub | Tigres UANL |
position | Centre Back |
clubnumber | 4 |
years1 | 2004–2010 |
years2 | 2010– |
clubs1 | Club Atlas |
clubs2 | Tigres UANL |
caps1 | 86 |
caps2 | 32 |
goals1 | 3 |
goals2 | 0 |
pcupdate | 23 September 2010 |
nationalyears1 | 2007– |
nationalteam1 | Mexico U-20 |
nationalcaps1 | 12 |
nationalgoals1 | 0 |
nationalyears2 | 2009– |
nationalteam2 | Mexico |
nationalcaps2 | 3 |
nationalgoals2 | 0 }} |
Hugo Ayala Castro (born March 31, 1987 in Morelia, Michoacan) is a Mexican professional footballer who plays defense for Tigres UANL in the Mexican football league.
Category:1987 births Category:Mexican footballers Category:Mexico international footballers Category:People from Morelia Category:F.C. Atlas players Category:Living people
es:Hugo Ayala pl:Hugo Ayala
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Diego Esteban Capusotto |
---|---|
Birth name | Diego Esteban Capusotto |
Birth date | September 21, 1961 |
Awards | Martín Fierro Award Outstanding Comedian 2007 ''Peter Capusotto y sus videos'' Martín Fierro Award Best Comedy Show 2007 ''Peter Capusotto y sus videos'' Clarín Award Best Comedy Show 2007 ''Peter Capusotto y sus videos'' Clarín Award Outstanding Musicalization 2007 ''Peter Capusotto y sus videos'' Martín Fierro Award Outstanding Comedian 2001 ''Todo por dos pesos'' }} |
Diego Esteban Capusotto is an Argentinian TV presenter, actor, and humorist who is noted for his participation in TV shows like ''Cha Cha Cha'', ''Todo por dos pesos'', and ''Peter Capusotto y sus videos''.
At 25, he began to study acting at the Arlequines Theater. He has starred in several movies. The first, ''Zapada, una comedia beat'' (1999), was not released commercially. He followed up with ''Mataperros'' (2001), ''India Pravile'' (2003), ''Soy tu aventura'' (2003), ''Dos ilusiones'' (2004) and ''Regresados'' (2007), also known as ''D-Graduated''. His most recent film was ''Pajaros Volando'' (2010).
His television career began in 1992 with ''De la cabeza'', a series in which he worked with actors and comedians like Alfredo Casero, Fabio Posca, Mex Urtizberea, and Fabio Alberti. After the program was killed off by a falling out between Posca and the other actors, Capusotto teamed up with Casero and Alberti in a new comedy project, ''Cha Cha Cha'', which was broadcast intermittently between 1992 and 1997. Capusotto and Alberti would team up again, in 1998, on the cast of the TV series, ''Delikatessen'', starring Horacio Fontova, and again in 1999 when the program ''Todo por dos pesos'' (''99 Cent Store'') made its debut: this program would finally establish Diego Capusotto as an icon of Argentinian comedy. For this series, in which he established some of his best and most famous characters like "Irma Jusid", "El Hombre Bobo", and "Peter Conchas", Capusotto received the Martin Fierro Award for Comedy Performance in 2001.
''Todo por dos pesos'' went off the air in 2002. In 2003, Capusotto played a mentally ill person in the series ''Sol Negro'', produced by Sebastián Ortega and with performances by Rodrigo de la Serna and Carlos Belloso, among others.
On March 25, 2004, Capusotto returned to the theater together with Fabio Alberti to present the comedy show ''Una noche en Carlos Paz'', written by Pedro Saborido and directed by Néstor Montalbano, where they continued the shtick of ''Todo por dos pesos''. The show was followed by ''Qué noche Bariloche'', which premiered in 2006.
Up to the age of 17, Capusotto wanted to play Football:
Capusotto was always involved with music, but he never wanted to make a career of it:
In 2006, the series ''Peter Capusotto y sus videos'' (''Peter Capusotto and his videos'') debuted, a program which, along with showing rock music videos, features Capusotto parodying the different facets of the rock-and-roll lifestyle in various sketches, and taking rock personalities and stereotypes for an intertwining critique of several aspects of the Argentinean society and culture, with "''Luis Almirante Brown (Artaud for millions)''", "''Pomelo, ídolo de rock''" ("Pomelo, rock idol") and "''Perón y rock''" as some of the highlights. The program has become a cult hit, and video clips from the show are frequently viewed on YouTube.
On December 17, 2007, after ''Peter Capusotto y sus videos'' was nominated for the Clarín Awards, Capusotto received awards in the Musical Performance and Best Comedy Program categories.
On July 2, 2008, at the Martín Fierro Awards he received the award for Best Comedy Performance for ''Peter Capusotto and his videos''.
On 2009, he again received a Martín Fierro Award for Best Comedy Performance for ''Peter Capusotto and his videos''.
He had two brothers, but both are deceased. His older brother died of peritonitis, and his younger brother died of complications from Prader-Willi syndrome at the age of 2.
Category:Argentine actors Category:Argentine film actors Category:Argentine stage actors Category:Argentine comedians Category:People from Buenos Aires Category:Argentine people of Italian descent Category:1961 births Category:Living people
es:Diego CapusottoThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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