Sultaana Lakiana Myke Freeman is a resident of the state of Florida, United States. She gained media attention when she sued the state of Florida in order to wear a face veil for her driver's license picture.
Freeman converted to Islam in January 1997, initially only wearing the headscarf, but donning the full face veil (niqab) by the end of the year. In December 1997, she obtained an Illinois driver's license with the veil, to reflect her new outside appearance and faith.
2001
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Freeman's lawsuit argued that her religious beliefs required her to wear a veil "in front of strangers and unrelated males". It also stated that other states allowed photo-free licenses for religious reasons. Judge Janet C. Thorpe denied her lawsuit that year, and a state appeals court later upheld her decision. Freeman has reportedly continued her appeal.
Category:1967 births Category:Converts to Islam Category:Islamic dress (female) Category:Islam-related controversies in North America Category:Living people Category:People from Illinois Category:People from Washington, D.C. Category:American Muslims Category:Converts to Islam
de:Sandra Keller nl:Sandra KellerThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Razia al-Din (1205– October 14/15, 1240) (}}, Hindi: रज़िया सुल्ताना), throne name ''Jalâlat ud-Dîn Raziyâ'' (}}, Hindi: जलालत उद-दीन रज़िया), usually referred to in history as ''Razia Sultan'', was the Sultan of Delhi in India from 1236 to May 1240. She was of Seljuq slave ancestry and like some other Muslim princesses of the time, she was trained to lead armies and administer kingdoms if necessary. Razia Sultana, the fifth Mamluk Sultan, was one of the few female sovereigns in the history of Islamic civilization. She was the only women ruler of both the Sultanate and the Mughal period.
Ruknuddin's reign was short. With Iltutmish's widow Shah Turkaan for all practical purposes running the government, Ruknuddin abandoned himself to the pursuit of personal pleasure and debauchery, to the considerable outrage of the citizenry. On November 9, 1236, both Ruknuddin and his mother Shah Turkaan were assassinated after only six months in power.
With reluctance, the nobility agreed to allow Razia to reign as Sultan of Delhi. As a child and adolescent, Razia had had little contact with the women of the harem, so she had not learnt the customary behavior of women in the Muslim society that she was born into. Even before she became Sultan, she was reportedly preoccupied with the affairs of state during her father's reign. As Sultan, Razia preferred a man's tunic and headdress; and contrary to custom, she would later show her face when she rode an elephant into battle at the head of her army.
A shrewd politician, Razia managed to keep the nobles in check, while enlisting the support of the army and the populace. Her greatest accomplishment on the political front was to manipulate rebel factions into opposing each other. At that point, Razia seemed destined to become one of the most powerful rulers of the Delhi Sultanate.
But Razia miscounted the consequences that a relationship with one of her advisers, Jamal-ud-Din Yaqut, an Abyssinian Siddi (Habshi) slave, would have for her reign. According to some accounts, Razia and Yaqut were lovers, other sources simply identify them as close confidants. In any case, before long she had aroused the jealousy of the Turkish nobility by the favoritism she displayed toward Yaqut, who was not a Turk, when she appointed him to be Superintendent of the Stables. Eventually, a childhood friend named Malik Altunia, the governor of Bhatinda, joined a rebellion by other provincial governors who refused to accept Razia's authority.
A battle between Razia and Altunia ensued, with the result that Yaqut was killed and Razia taken prisoner. To escape death, Razia agreed to marry Altunia. In some accounts, as demonstrated in Anant Pai's famous comic 'Sultan Razia,' Altunia and Razia are made out to be lovers. Meanwhile, Razia's brother, Muizuddin Bahram Shah, had usurped the throne. After Altunia and Razia undertook to take back the sultanate from Bahram through battle, both Razia and her husband defeated on 24th of Rabi' al-awwal A.H. 638 (Oct. 1240). They fled Delhi and reached Kaithal the next day, where their remaining forces abandoned them. They both fell into the hands of Jats and were robbed and killed on 25th of Rabi' al-awwal A.H. 638, this date corresponds to October 14, 1240. Bahram, for his part, would later be dethroned for incompetence.
Razia was reportedly devoted to the cause of her empire and to her subjects. There is no record that she made any attempt to remain aloof from her subjects, rather it appears she preferred to mingle among them. Her tolerance of Hinduism would later bring her criticism from Muslim historians.
Razia established schools, academies, centers for research, and public libraries that included the works of ancient philosophers along with the Qur'an and the traditions of Muhammad. Hindu works in the sciences, philosophy, astronomy, and literature were reportedly studied in schools and colleges.
Razia refused to be addressed as Sultana because it meant "wife or mistress of a sultan". She would answer only to the title "Sultan".
There are conflicting account regarding her actual site of grave. There are at least three claims regarding her grave site. This is compounded by the fact that none of the 3 grave site has epitaph (inscription) on tombstone in memory of the one buried there. So far there are no archaeological or documentary evidences to confirm the site of her grave. The dispute is whether she was buried in Kaithal or Delhi or Tonk, and also where were Altunia and Yakut buried.
Medieval history does provide real reason for her death by referring to her escaping in a man's disguise, being given shelter but then killed by Jats near Kaithal.
Razia Sultana also features in an online comic strip entitled "Razia Sultan" by Halima Voyles. In the comic, Razia features as a female sultan dealing with the disgruntled Turkish nobility and courts, the disapprobation of her brothers Rukn and Muiz, her sister Shazia and her love struck childhood friend Altunia.
Category:1205 births Category:1240 deaths Category:Sultans of the Mamluk Sultanate (Delhi) Category:Women in Medieval warfare Category:Queens Category:Islam and women Category:History of Islam Category:Indian women in war Category:Indian female royalty
az:Sultan Raziyə bəyim bn:রাজিয়া সুলতানা cs:Razia ad-Dín de:Raziah fr:Sultan Razia ml:സുൽത്താന റസിയ ja:ラズィーヤ pnb:رضیہ سلطانہ simple:Razia Sultan sd:رضیہ سلطانہ sv:Radiyya Begum te:రజియా సుల్తానా ur:رضیہ سلطانہThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Lata Mangeshkar |
---|---|
background | solo_singer |
born | September 28, 1929Indore, Central India Agency, British India |
instrument | Vocals |
genre | Film music (playback singing) |
occupation | Singer |
years active | 1942–present }} |
Lata Mangeshkar (; born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Bollywood movies and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, and Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.
Mangeshkar was featured in the ''Guinness Book of World Records'' from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974 (30,000 songs between 1948 and 1987, according to the 1987 edition). Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.
Mangeshkar took her first music lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (''Sangeet Natak'' in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school. Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.
Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie ''Kiti Hasaal'' (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie ''Pahili Mangalaa-gaur'' (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar. Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, ''Gajaabhaau'' (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan Bhendibazaarwale. She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie ''Aap Ki Seva Mein'' (1946), which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles Vinayak's first Hindi-language movie, ''Badi Maa'' (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, ''Subhadra'' (1946).
Following the partition of India in 1947, Ustad Amanat Ali Khan Bhendibazaarwale migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie ''Shaheed'' (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin." An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie ''Majboor'' (1948).
Initially, Mangeshkar is said to have imitated Noor Jehan, but later she developed her own style of singing. Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.
“Aayega Aanewaala,” a song in the movie ''Mahal'' (1949) was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.
Mangeshkar sang many raga-based songs for Naushad in movies such as ''Baiju Bawra'' (1952), ''Mughal-E-Azam'' (1960), and ''Kohinoor'' (1960). ''Ae Chorre Ki Jaat Badi Bewafa'', a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for ''Aag'', ''Aah'' (1953), ''Shree 420'' (1955), and ''Chori Chori'' (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in ''Sazaa'' (1951), ''House No. 44'' (1955), and ''Devdas'' (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.
Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from ''Madhumati'' (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.
In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from ''Bees Saal Baad'', composed by Hemant Kumar.
On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, the People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.
In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film ''Chhote Nawaab'' and later for his films such as ''Bhoot Bangla'' (1965), ''Pati Patni'' (1966), ''Baharon ke Sapne'' (1967) and ''Abhilasha'' (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from ''Guide'' (1965), and "Hothon Pe Aisi Baat" from ''Jewel Thief'' (1967).
During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from ''Anpadh'' (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from ''Woh Kaun Thi?'' (1964), "Woh Chup Rahen To" from ''Jahan Ara'' (1964), and "Tu Jahan Jahan Chalega" from ''Mera Saaya'' (1966).
The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career.
She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name ''Anandghan''). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.
In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.
Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricst Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films ''Amar Prem'' (1972), ''Caravan'' (1971), ''Kati Patang''(1971), and ''Aandhi'' (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.
In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film ''Parichay'', composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film ''Nellu'', composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film ''Kora Kagaz'', composed by Kalyanji-Anandji.
From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, ''Chala Vaahi Des'', composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of ''abhangs'' of Sant Tukaram composed by Shrinivas Khale.
In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).
In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie ''Lekin...''. She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including ''Maine Pyar Kiya'' (1989) and ''Hum Aapke Hain Kaun'' (1994).
Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including ''Chandni'' (1989), ''Lamhe'' (1991), ''Darr'' (1993), ''Yeh Dillagi'' (1994), ''Dilwale Dulhaniya Le Jayenge'' (1995), ''Dil To Pagal Hai'' (1997) and later on ''Mohabbatein'' (2000), ''Mujhse Dosti Karoge'' (2002) and ''Veer Zaara'' (2004).
A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (''Dil Se''), "Khamoshiyan Gungunane Lagin" (''One Two Ka Four''), "Ek Tu Hi Bharosa" (''Pukar''), "Pyaara Sa Gaon" (''Zubeidaa''), "Lukka chuppi" (''Rang de Basanti'') and "O Paalanhaare" (''Lagaan''). She made an appearance in the film ''Pukar'' singing this song.
In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.
In 1999, Mangeshkar was nominated as a member of Rajya Sabha. However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi. She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.
In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief. Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film ''Lajja''; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.
Lata Mangeshkar's song "Wada Na Tod" is in the film ''Eternal Sunshine of the Spotless Mind'' (2004) and on the film's soundtrack.
On June 21, 2007, she released an album ''Saadgi'', featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.
She won Maharashtra State Government's Best Music Director Award for the film ''Sadhi Manase''. The song "Airanichya Deva Tula" from the same film received best song award.
Lata Mangeshkar has won several awards and honors, including Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997), NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.
In 1984, the State Government of Madhya Pradesh instituted the ''Lata Mangeshkar Award'' in honuor of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.
In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs. After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.
Although the entry has not been printed in Guinness editions since 1991, reputable sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000. However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by other sources, who stated that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250. Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.
Category:1929 births Category:Indian female singers Category:Indian film singers Category:Recipients of the Bharat Ratna Category:Recipients of the Padma Vibhushan Category:Recipients of the Padma Bhushan Category:Living people Category:Bollywood playback singers Category:Marathi people Category:Kollywood playback singers Category:People from Indore Category:Marathi playback singers Category:Telugu playback singers Category:Kannada playback singers Category:Hindi-language singers Category:Marathi-language singers Category:Bengali-language singers Category:Gujarati-language singers Category:Tamil-language singers Category:English-language singers Category:Dadasaheb Phalke Award recipients Category:Recipients of the Maharashtra Bhushan Award Category:Malayalam playback singers
ar:لاتا مانغيشكار bn:লতা মঙ্গেশকর de:Lata Mangeshkar es:Lata Mangeshkar fr:Lata Mangeshkar gu:લતા મંગેશકર hi:लता मंगेशकर id:Lata Mangeshkar it:Lata Mangeshkar kn:ಲತಾ ಮಂಗೇಶ್ಕರ್ ka:ლატა მანგეშკარი ml:ലത മങ്കേഷ്കർ mr:लता मंगेशकर nl:Lata Mangeshkar ne:लता मंगेशकर no:Lata Mangeshkar pnb:لتا منگیشکر ps:لتا منګېشکر pl:Lata Mangeshkar pt:Lata Mangeshkar fi:Lata Mangeshkar sv:Lata Mangeshkar ta:லதா மங்கேஷ்கர் te:లతా మంగేష్కర్ th:ลดา มังเคศกร ur:لتا منگیشکرThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Mithun Chakraborty |
---|---|
birth name | Gauranga Chakraborty |
birth date | 16 June 1950 |
birth place | Kolkata, India |
othername | Mithunda |
yearsactive | 1976–present |
spouse | Yogeeta Bali(1979–present) |
occupation | ActorEntrepreneur }} |
Mithun Chakraborty ( ''Miṭhun Chôkroborti'', born as Gouranga Chakraborty in 1950, Kolkata, India) is an Indian film actor, social activist, and entrepreneur, who has won three National Film Awards. He made his acting debut with the arthouse drama ''Mrigaya'' (1976), for which he won his first National Film Award for Best Actor.
He had earned a fan following as a dancing star and went on to establish himself as one of the most popular and leading actors of India, particularly recognized for his role as street dancer Jimmy in the 1982 Bollywood movie ''Disco Dancer''. He also attracted worldwide audiences, particularly in the former Soviet Union where he became a household name for his role in ''Disco Dancer''. He later won two more National Film Awards for his performances in Bengali film ''Tahader Katha'' (1992) and Hindi film ''Swami Vivekananda'' (1998).
Chakraborty has appeared in about 250 Hindi films, as well as a number of Bengali, Oriya and Bhojpuri pictures. He owns the Monarch Group, which has interests in the hospitality sector.
He was educated at the Oriental Seminary and later, graduated in chemistry from the Scottish Church College in Kolkata. He was initially associated with Naxalites in West Bengal, which he later left and joined Mumbai films. For rest of his life, his family had continuous threat from Naxalities. After that he attended and graduated from the Film and Television Institute of India in Pune.
Mithun Chakraborty was a staunch Naxalite before entering the film industry, but tragedy struck his family when his only brother got accidentally electrocuted and killed in a freak accident. He returned to his family and left the Naxalite fold, even though doing so posed a grave risk to his own life. He had also undergone expert training in Martial Arts to the grade of black belt.
His breakthrough role finally came in the musical drama ''Disco Dancer'' (1982) which was a huge success and remains a cult favorite to this day. This film and other musical films such as Kasam Paida Karne Wale Ki (1984) and ''Dance Dance'' (1987) showcased him as a talented dancer.
Chakraborty starred in a number of successful romantic and family dramas during the 1980s, such as ''Mujhe Insaaf Chahiye'' (1983), Ghar Ek Mandir (1984), ''Pyaar Jhukta Nahin'' (1985), ''Swarg Se Sunder'' (1986), and ''Pyaar Ka Mandir'' (1988). These films remain his most commercially successful films to date.
He was widely recognized as an action hero in hit films like ''Jagir'' (1984), ''Jaal'' (1986), Dilwaala (1986), ''Watan Ke Rakhwale'' (1987), ''Waqt ki Awaz'' (1988) . Chakraborty worked with some of the biggest actresses of his time and Bollywood in general, including Zeenat Aman, Rekha, Sridevi , Juhi Chawla and Madhuri Dixit.
Chakraborty achieved not only commercial success but also tremendous critical acclaim. His performances in Mrigaya, ''Tahader Katha'', ''Swami Vivekananda'', ''Kalpurush'' and ''Titli'' were widely appreciated and won him National Film Awards and nominations. He won two Filmfare awards: The Filmfare Best Supporting Actor Award for his performance in the 1990 film ''Agneepath'', and the Filmfare Best Villain Award for his performance in ''Jallad''.
In early 90s, he took a break from Mumbai and relocated to Ooty where he set up his Own hotel business under The Monarch brand name. He operates hotels in Mudhumalai, Ooty in Tamil Nadu and Darjeeling, Siliguri and Kolkata in West Bengal. Mithun strategically shifted his focus from mainstream Hindi cinema to low-budget movies. Hit movies like ''Dalaal'' (1993), ''Phool Aur Angaar'' (1994) and ''Ravan Raaj: A True Story'' (1995) were made during this period. His economical film production was popular as Mithun's Dream Factory. He paid more tax than anyone else in the country in the mean period for 6 continuous years, from 1994 to 1999. Incidentally Chakraborty also holds the record of appearing in maximum number of Hindi films as a hero.
Chakraborty made a comeback to the mainstream Hindi film industry in 2005 with the film ''Elaan''. After a few supporting roles in films such as ''Lucky: No Time for Love'' (2005), he performed in Kalpana Lajmi's ''Chingari'' (2005). In 2007 he starred in Mani Ratnam's hit film ''Guru''. His performance was critically acclaimed for ''Guru''. His 2009 movie ''Zor Lagaa Ke...Haiya!'' won multiple International awards and ''Chal Chalein'' was appreciated by critics for its bold theme. Critically aclaimed ''Phir Kabhi'' with Dimple Kapadia had a very successful premiere through ''direct to home'' (DTH) in September 2009 and won as many as six awards in as many categories at the Los Angeles Reel Awards-2009. Mithunda's last Hindi releases Veer, along with Salman Khan, though a commercial failure, won him rave reviews, but ''Golmaal 3'' became a blockbuster at the box-office.He is doing ''Spaghetti 24 x 7'', along with his son Mimoh Chakraborty. He is also set to appear in ''Housefull 2'' in an action role with Akshay Kumar.
Parallel to his Bollywood career, Mithun Chakraborty has also worked in Bengali, as well as in realistic or arthouse movies including ''Troyee'', made in 1982. He appeared in director Buddhadeb Dasgupta's ''Tahader Katha'' which got him the second National Award in 1992. A third National Award followed in 1995, this time for the Best Supporting Actor , for his portrayal of Ramakrishna Paramhansa, in G V Iyer's ''Swami Vivekananda''. He also appeared in Goutam Ghose's ''Gudia'' in 1999 as well as Rituparno Ghosh's ''Titli'' in 2002. In 2008, he collaborated again with Buddhadeb Dasgupta for ''Kaalpurush'' and later appeared in ''Shukno Lanka''.
Numerous sources claim that Mithun Chakraborty had a relationship with actress Sridevi from 1986 to 1987, and that Sridevi ended the relationship when she found out that he had not divorced his first wife, Yogeeta Bali. Mithun Chakraborty and Sridevi were believed to have been secretly married and that the union was later annulled.
width="20" | Year | Film | Year | Film | Year | Film |
1976 | ''Mrigayaa'' , ''Do Anjaane'' | 1977| | Mukti (1977 film)>Mukti'' | 1978 | ''Mera Rakshak'' | |
1979 | ''Surakshaa'', ''Tarana (1979 film)Tarana'' || | 1980 | ''Hum Paanch (film)Hum Paanch'', ''Sitara'' || | 1981 | Shaukeen'', ''Wardat (1981 film)>Wardat'', ''Aadat Se Majboor'', ''Jeene Ki Raah'' | |
1982 | ''Disco Dancer'', ''Troyee''| | 1983 | ''Mujhe Insaaf Chahiye'' | 1984 | ''Kasam Paida Karne Wale Ki'' | |
1985 | ''Pyaar Jhukta Nahin'', ''Ghulami''| | 1986 | ''Aisa Pyaar Kahan'' | 1987 | Dance Dance (film)>Dance Dance'', ''Param Dharam'' | |
1988 | ''Pyaar Ka Mandir'', ''Waqt Ki Awaz'', ''Jeete Hain Shaan Se'', ''Commando (1988 film)Commando'' || | 1989 | Mujrim'', ''Guru (1989 film)>Guru'' | 1990 | Dushman (1990 film)>Dushman'', ''Gunahon Ka Devta (1990 film) | |
1991 | ''[[Pyar Hua Chori Chori'', ''Trinetra (1991 film)Trinetra'' || | 1992 | Tahader Katha'', ''Dil Aashna Hai'', ''Ghar Jamai (1992 film)>Ghar Jamai'' | 1993 | ''Dalaal'', ''Tadipaar'', ''Phool Aur Angaar'' | |
1994 | ''Cheetah (1994 film)Cheetah'', ''Naaraaz'', ''Yaar Gaddar'', ''Teesra Kaun'' || | 1995 | Jallaad'', ''Ravan Raaj: A True Story'', ''The Don (1995 film)>The Don'' | 1996 | ''Nirbhay(1996 film) | |
1997 | ''Jodidar'', ''[[Shapath(1997 film)">Shapath'', ''Suraj'' ||1998 | ''Sahara Jaluchi'', ''Yamraaj (film)Yamraaj'', ''Gunda'' || | 1999 | Heeralal Pannalal (1999 film)>Heeralal Pannalal'', ''Aaya Toofan'', ''Aaag Hi Aag'' | ||
2000 | ''Sultaan (2000 Hindi film)Sultaan'', ''Agniputra'' || | 2001 | Bengal Tiger(2001 film)>Bengal Tiger'' | 2002 | ''Titli'', ''Sabse Badkar Hum'' | |
2003 | ''Ae Jugara Krushna Sudama'', ''Chaalbaaz(2003 film)Chaalbaaz'' || | 2004 | Barood (2004 Bengali film)>Barood'' | 2005 | Elaan'', ''Lucky: No Time for Love'', ''Yuddho (2005 film)>Yuddho'' | |
2006 | ''Chingaari'', ''Dil Diya Hai'', ''MLA Fatakeshto''| | 2007 | Guru (2007 film)>Guru'', ''Tulkalam'', ''Minister Fatakeshto'' | 2008 | ''Bhole Shankar (film) | |
2009 | ''[[Luck (film)Luck'', ''Phir Kabhi'', ''Baabarr'' || | 2010 | Veer (film)>Veer'', ''Raakh'', ''Rehmat Ali'', ''Shukno Lanka'', ''Golmaal 3'' | 2011 | ''Zindagi Tere Naam'', ''Spaghetti 24 x 7'', ''Nobel Chor'', ''Ami Shubhash Bolchi'' | |
Category:National Film Award winners Category:Filmfare Awards winners Category:Film and Television Institute of India alumni Category:Indian film actors Category:People from Kolkata Category:Living people Category:Hindi film actors Category:Indian actors Category:Alumni of Scottish Church College, Calcutta Category:University of Calcutta alumni Category:People from Mumbai Category:Bengali film actors Category:Bengali actors Category:1950 births
de:Mithun Chakraborty hi:मिथुन चक्रवर्ती it:Mithun Chakraborty he:מיתהון צ'קרבורטי kn:ಮಿಥುನ್ ಚಕ್ರವರ್ತಿ ka:მითჰუნ ჩაკრაბორტი ml:മിഥുൻ ചക്രവർത്തി pl:Mithun Chakraborty ru:Чакраборти, Митхун fi:Mithun Chakraborty ta:மிதுன் சக்கரவர்த்தி uk:Мітхун ЧакрабортіThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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