Name | Rock and roll |
---|---|
Color | White |
Bgcolor | crimson |
Stylistic origins | Blues gospel folk country electric blues jump blues Chicago blues swing boogie-woogie rhythm and blues |
Cultural origins | 1940s, United States |
Instruments | Electric guitar, string bass or later bass guitar, drums, optional piano and saxophone(s), vocals |
Popularity | One of the best selling music forms since the 1950s |
Derivatives | Rockrockabillypop |
Other topics | Rock and Roll Hall of Fame }} |
The term "rock and roll" now has at least two different meanings, both in common usage. The ''American Heritage Dictionary'' and the ''Merriam-Webster Dictionary'' both define rock and roll as synonymous with rock music. ''Encyclopaedia Britannica'', on the other hand, regards it as the music that originated in the mid-1950s and later evolved "into the more encompassing international style known as rock music." For the purpose of differentiation, this article uses the latter definition, while the broader musical genre is discussed in the rock music article.
In the earliest rock and roll styles of the late 1940s and early 1950s, either the piano or saxophone was often the lead instrument, but these were generally replaced or supplemented by guitar in the middle to late 1950s. The beat is essentially a blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum. Classic rock and roll is usually played with one or two electric guitars (one lead, one rhythm), a string bass or (after the mid-1950s) an electric bass guitar, and a drum kit.
Rock and roll began achieving wide popularity in the 1960s. The massive popularity and eventual worldwide view of rock and roll gave it a widespread social impact. Bobby Gillespie writes that "When Chuck Berry sang 'Hail, hail, rock and roll, deliver me from the days of old,' that's exactly what the music was doing. Chuck Berry started the global psychic jailbreak that is rock'n'roll."
Far beyond simply a musical style, rock and roll, as seen in movies and on television, influenced lifestyles, fashion, attitudes, and language. It went on to spawn various sub-genres, often without the initially characteristic backbeat, that are now more commonly called simply "rock music" or "rock."
The immediate roots of rock and roll lay in the so-called "race music" and hillbilly music (later called rhythm and blues and country and western) of the 1940s and 1950s.
In the 1930s jazz, and particularly swing, both in urban based dance bands and blues-influenced country swing, was among the first music to present African American sounds for a predominately white audience. The 1940s saw the increased use of blaring horns (including saxophones), shouted lyrics and boogie woogie beats in jazz based music. During and immediately after World War II, with shortages of fuel and limitations on audiences and available personnel, large jazz bands were less economical and tended to be replaced by smaller combos, using guitars, bass and drums. In the same period, particularly on the West Coast and in the Midwest, the development of jump blues, with its guitar riffs, prominent beats and shouted lyrics, prefigured many later developments.
Rock and roll arrived at a time of considerable technological change, soon after the development of the electric guitar, amplifier and microphone, and the 45 rpm record. and as a sexual analogy. Various gospel, blues and swing recordings used the phrase before it became used more frequently - but still intermittently - in the mid to late 1940s, on recordings and in reviews of what became known as "rhythm and blues" music aimed at a black audience. In 1951, Cleveland, Ohio, disc jockey Alan Freed began playing this music style while popularizing the term "rock and roll" to describe it.
Because the development of rock and roll was an evolutionary process, no single record can be identified as unambiguously "the first" rock and roll record. One contender for "first rock and roll record" is "Rocket 88" by Jackie Brenston and his Delta Cats (actually an alias for Ike Turner and his band The Kings of Rhythm), recorded by Sam Phillips for Sun Records in March 1951. In terms of its wide cultural impact across society in the US and elsewhere, Bill Haley's "Rock Around the Clock", recorded in April 1954 but not a commercial success until the following year, is generally recognized as an important milestone, but it was preceded by many recordings from earlier decades in which elements of rock and roll can be clearly discerned.
In July 1954, Elvis Presley recorded the regional hit "That's All Right (Mama)" at Sam Phillips' Sun Studio in Memphis. Three months earlier, on April 12, 1954, Bill Haley & His Comets recorded "Rock Around the Clock". Although only a minor hit when first released, when used in the opening sequence of the movie ''Blackboard Jungle'', a year later, it really set the rock and roll boom in motion. The song became one of the biggest hits in history, and frenzied teens flocked to see Haley and the Comets perform it, causing riots in some cities. "Rock Around the Clock" was a breakthrough for both the group and for all of rock and roll music. If everything that came before laid the groundwork, "Rock Around the Clock" introduced the music to a global audience.
In 1956 the arrival of rockabilly was underlined by the success of songs like "Folsom Prison Blues" by Johnny Cash, "Blue Suede Shoes" by Perkins and "Heartbreak Hotel" by Presley. For a few years it became the most commercially successful form of rock and roll. Later rockabilly acts, particularly performing songwriters like Buddy Holly, would be a major influence on British Invasion acts and particularly on the song writing of The Beatles and through them on the nature of later rock music.
Covers were customary in the music industry at the time; it was made particularly easy by the compulsory license provision of United States copyright law (still in effect). One of the first relevant successful covers was Wynonie Harris's transformation of Roy Brown's 1947 original jump blues hit "Good Rocking Tonight" into a more showy rocker and the Louis Prima rocker "Oh Babe" in 1950, as well as Amos Milburn's cover of what may have been the first white rock and roll record, Hardrock Gunter's "Birmingham Bounce" in 1949. The most notable trend, however, was white pop covers of black R&B; numbers. The more familiar sound of these covers may have been more palatable to white audiences, there may have been an element of prejudice, but labels aimed at the white market also had much better distribution networks and were generally much more profitable. Famously, Pat Boone recorded sanitized versions of Little Richard songs. Later, as those songs became popular, the original artists' recordings received radio play as well.
The cover versions were not necessarily straightforward imitations. For example, Bill Haley's incompletely bowdlerized cover of "Shake, Rattle and Roll" transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, while Georgia Gibbs replaced Etta James's tough, sarcastic vocal in "Roll With Me, Henry" (covered as "Dance With Me, Henry") with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answer, Hank Ballard's "Work With Me, Annie". Elvis' rock and roll version of "Hound Dog" was very different from the blues shouter that Big Mama Thornton had recorded.
The initial response of the British music industry was to attempt to produce copies of American records, recorded with session musicians and often fronted by teen idols. More grassroots British rock and rollers soon began to appear, including Wee Willie Harris and Tommy Steele. During this period American Rock and Roll remained dominant, however, in 1958 Britain produced its first "authentic" rock and roll song and star, when Cliff Richard reached number 2 in the charts with "Move It". At the same time, TV shows such as ''Six-Five Special'' and ''Oh Boy!'' promoted the careers of British rock and rollers like Marty Wilde and Adam Faith. Cliff Richard and his backing band The Shadows, were the most successful home grown rock and roll based acts of the era. Other leading acts included Billy Fury, Joe Brown, and Johnny Kidd & The Pirates, whose 1960 hit song "Shakin' All Over" became a rock and roll standard.
As interest in rock and roll was beginning to subside in America in the late 1950s and early 1960s, it was taken up by groups in major British urban centres like Liverpool, Manchester, Birmingham, and London. About the same time, a British blues scene developed, initially led by purist blues followers such as Alexis Korner and Cyril Davies who were directly inspired by American musicians such as Robert Johnson, Muddy Waters and Howlin' Wolf. Many groups moved towards the beat music of rock and roll and rhythm and blues from skiffle, like the Quarrymen who became The Beatles, producing a form of rock and roll revivalism that carried them and many other groups to national success from about 1963 and to international success from 1964, known in America as the British Invasion. Groups that followed The Beatles included the beat-influenced Freddie and the Dreamers, Wayne Fontana and the Mindbenders, Herman's Hermits and the Dave Clark Five, and the more blues-influenced The Animals, The Kinks, The Rolling Stones, The Who and The Yardbirds. As the blues became an increasingly significant influence, leading to the creation of the blues-rock of groups like The Moody Blues, Small Faces, The Move, Traffic and Cream, and developing into rock music, the influence of early rock and roll began to subside.
Many early rock and roll songs dealt with issues of cars, school, dating, and clothing. The rock and roll songs described events and conflicts that most listeners could relate to from some point in their lives. Topics that were generally considered taboo, such as sex, began to be introduced in rock and roll music. This new music tried to break boundaries and express the real emotions that people were feeling, but didn’t talk about. An awakening in the young American culture began to take place. The combination of elements of white and black music in rock and roll, inevitably provoked strong reactions within the US, with many condemning its breaking down of barriers based on color.
On the other side of the argument, rock and roll has been seen as both white performers appropriating African American music, and as black performers reaching a white audience. Many observers saw rock and roll as heralding the way for desegregation, in creating a new form of music that encouraged racial cooperation and shared experience.
Category:American styles of music Category:African-American culture Category:African American music Category:Culture of the Southern United States Category:Radio formats Category:Rock music Category:Youth culture in the United Kingdom Category:Popular music
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Eric Hutchinson |
---|---|
background | solo_singer |
born | September 08, 1980Washington, D.C., United States |
origin | Takoma Park, Maryland, United States |
instrument | Singing, guitar, piano |
genre | Pop, rock, folk, power pop |
occupation | Singer-songwriter, guitarist |
years active | 2003-Present |
label | Let's Break, Warner Bros. |
website | www.erichutchinson.com/ }} |
On September 15, 2008, he performed his song "Rock and Roll" on The Tonight Show with Jay Leno. Eric has also performed "Rock and Roll" on Jimmy Kimmel Live!, The Late Late Show with Craig Ferguson and Late Night with Conan O'Brien. Eric debuted his single "Ok It's Alright With Me" on The Tonight Show with Conan O'Brien on July 24, 2009.
Before his opening date in New York on the Kelly Clarkson tour, Eric was interviewed by Scott Vollweiler, owner of Broken Records Magazine. Eric told BRM that "he just wants to write stuff he will enjoy playing. It's all about songwriting". He goes on to mention that Stevie Wonder, Elvis Costello and the Beatles were all primary influences on his style of music writing.
His song "Rock and Roll" was used in the movie ''Sisterhood of the Traveling Pants 2'', and was included in the soundtrack. "Rock and Roll" was also used as the song to end the final episode of 2008 series of Packed to the Rafters. Packed To The Rafters was the highest rating Australian show in 2008. It was featured in the Platinum selling Packed to the Rafters soundtrack. "Rock and Roll" went on to attain the #1 position on the Australian airplay chart in early April 2009.
"Rock and Roll" has reached #9 on the ARIA Australian Singles Chart and has been certified Platinum in Australia. "Rock and Roll" has also reached Gold in New Zealand and Gold in Norway.
Hutchinson has also been named an AOL "About To Pop" artist, Yahoo! Who's Next Artist, MSN "One To Watch" Artist and a "VH1 You Oughta Know" Artist. Hutchinson recently recorded a new theme song for ESPN's popular "Fantasy Focus" podcast, and is regarded as a "friend of the podcast."
Moving Up, Living Down - which will be released in summer of 2011 - is the follow-up to Hutchinson's breakthrough debut, Sounds Like This.
Hutchinson placed second at the 2002 Los Angeles Songwriter's Grand Slam.
His song "Ok, Its Alright With Me" was featured in the premiere episode of ''American Idol'''s ninth season.
He has recently performed in the 2010 Macy's Thanksgiving Parade.
He is well known as the writer and performer of the official theme song of the ESPN podcast Fantasy Focus Football, aka the 06010. Recent rumors have indicated that Minus the Bear might cover the song in an upcoming tour.
His song 'Rock & Roll' featured in advertisements for Season 1 of Australian drama series ''Packed to the Rafters'', and featured on the accompanying soundtrack.
His song 'Rock & Roll' also featured in the movie's trailer ''Away We Go''
! Album !! Tracks | ||||||||||||||
''That Could've Gone Better'' | * Released: March 25, 2003 | * Label: Let's Break Records | * ASIN: B000CAEI9 | # "Subtitles" | # "Rock and Roll" | # "Jettison" | # "Breakdown More" | # "All Used Up" | # "Same Mistakes" | # "Please" | ||||
''Before I Sold Out'' | * Released: March 14, 2006 | * ASIN: B000FTL0A0 | # "Modern Age" | # "All Over Now" | # "Outside Villanova" | # "Breakdown More" | # "Don't Hold Back" | # "Call Me Back" | # "Rock and Roll" | |||||
* Released: May 20, 2008 | * Label: Let's Break Records / Warner Bros. Records | * Songwriting credits: All songs written by Eric Hutchinson | # "OK, It's Alright with Me" | # "You Don't Have to Believe Me" | # "Outside Villanova" | # "Food Chain" | # "Rock and Roll" | # "Oh!" | # "All Over Now" | # "It Hasn't Been Long Enough" | # "Back to Where I Was" | # "You've Got You" |
Category:American male singers Category:American singer-songwriters Category:Emerson College alumni Category:1980 births Category:Living people
it:Eric Hutchinson no:Eric HutchinsonThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Gary Glitter |
---|---|
background | solo_singer |
birth name | Paul Francis Gadd |
alias | Paul Raven, Rubber Bucket, Paul Monday |
born | May 08, 1944Banbury, Oxfordshire, England, UK |
genre | Glam rock, rock and roll, pop |
occupation | Singer-songwriter, musician |
years active | 1960–2010 |
label | EMI, Bell, Epic,Decca, Arista,Attitude |
associated acts | The Poets, The Glitter Band }} |
Glitter first came to prominence in the glam rock era of the early 1970s. He had a long solo UK chart run during the 1970s, with several hits including "Rock and Roll, Parts One and Two", "I Love You Love Me Love", "I'm the Leader of the Gang (I Am)" and "Hello, Hello, I'm Back Again". Between 1972 and 1995, Glitter had 26 hit singles which spent a total of 180 weeks in the UK Top 100. He continued to record in the 1980s and 1990s, with his 1984 song "Another Rock N' Roll Christmas" being one of the Top 30 Christmas hits of all time. He released seven studio albums, and at least 15 greatest hits collections or live albums. In 1998, his recording of "Rock and Roll" was listed as one of the top 1,001 songs in music history. The mostly instrumental "Rock and Roll, Part 2" has been played as a popular cheering song at American sporting events for several decades.
In 1999, Glitter was convicted of possession of child pornography in the United Kingdom, and later convicted in Vietnam for committing obscene acts with minors.
A year later, with a new manager, Vic Billings, he signed a new recording contract with Parlophone and worked with producer George Martin, before Martin's association with the Beatles. Martin produced two singles, "Walk on By" and "Tower of Strength", but neither sold very well and Raven's recording career reached an impasse. By 1964, while Martin's work with the Beatles was conquering the world, Raven was reduced to playing the warm-up for the British television programme ''Ready Steady Go!''. He did numerous TV commercials and film auditions, and in the course of those activities met arranger-producer Mike Leander who eventually helped revive his career.
The song that at last made Gary Glitter's name and career began as a 15-minute jam, whittled down to a pair of three-minute extracts released as the A and B sides of a single, called "Rock and Roll, Parts One and Two". "Rock and Roll (Part Two)" would prove to be the more popular side in many countries, although it took about six months before it made its full impact, going to number two on the British pop charts and reaching the Top Ten in the United States, one of the few British glam rock records to do so. "Rock and Roll (Part One)" was also a hit: in France it made number one and in the UK both sides were listed together on the charts.
"Rock and Roll (Part Two)" caught on as a popular sports anthem in North America. Often used as a goal song or celebration song, fans chanted out "Hey!" along with the chorus. In light of Glitter's court convictions (see below), some teams have stopped using the song, though it remains heavily played.
Despite his success in the UK, Glitter never made the same impact in America, where, at best, glam rock was seen as a curiosity. Glitter had one more entry on the U.S charts with "I Didn't Know I Loved You (Till I Saw You Rock 'n Roll)"; after that, however, the closest chart success for Glitter was a cover recording of "I'm the Leader of the Gang" by Brownsville Station.
After "Doing Alright With the Boys", Glitter won the award for Best Male Artist at the Saturday Scene music awards hosted by LWT. His next release was a cover of the Rivingtons' rhythm and blues legend, "Papa Oom Mow Mow", but it got no higher than number 38 on the British charts. After subsequent releases stalled in similar fashion, Gary Glitter announced his retirement from music in early 1976. That same year, his first hits package, simply titled ''Greatest Hits'', was released. It entered the UK Top 40 best-seller charts. A similar budget album, entitled ''I Love You Love Me Love'', was issued by Hallmark Entertainment the following year.
Glitter's career took a downturn towards the end of the 1970s, leading to his first bankruptcy (he went bankrupt a second time over unpaid tax bills in the 1990s). He was said to have begun drinking heavily, even admitting later that he pondered suicide. Under financial pressure, not even a pair of Top 40 hit singles ("It Takes All Night" and "A Little Boogie Woogie in the Back of My Mind") could lift him all the way back. It took the post-punk audience, and some of its artists who still respected Glitter's work, to do that; he had been an influence on post-punk, new wave, britpop and hair metal, as well as early punk rock itself. Around this time, Glitter settled into being a performer with a cult following that continued until his child pornography conviction in the late 1990s. This helped provide the opportunity for Glitter to cut a dance medley of his greatest hits, ''All That Glitters'', which charted in 1981. Within three years, he was playing 80 shows a year at colleges and clubs, and had chart hits "Dance Me Up" (UK No.25) and "Another Rock N' Roll Christmas" (#7).
Glitter's comeback was boosted in the 1980s by various guest spots and collaborations, leading to his becoming a cult figure with students. In 1982, he appeared on the British Electric Foundation album ''Music of Quality and Distinction Volume One'' (UK #25) along with fellow pop/rock luminaries Sandie Shaw and Tina Turner. In 1988, the Timelords' "Doctoring the Tardis," a ''Doctor Who'' tribute that sampled "Rock and Roll (Part Two)", reached the number one spot. In due course, Glitter re-cut "Rock and Roll" with producer Trevor Horn and also "I'm the Leader of the Gang (I Am)" with Girlschool. In the late 1980s, his hit singles were used to compile the Telstar-released ''C'mon, C'mon ... It's the Gary Glitter Party Album''. In 1989, Jive Bunny and the Mastermixers put a large sample of "Another Rock and Roll Christmas" on their Number 1 UK hit "Let's Party".
In 1991, Glitter opened a restaurant in the West End of London. Glitter's Snack Bar was promoted under the slogan "Leader of the Snack". It was successful at first, but business eventually slowed and the restaurant closed in the late 1990s.
Glitter also launched his own record label in the early 1990s, Attitude Records, after he lost his deal with Virgin Records. Glitter had signed to Virgin after leaving Arista Records in 1984 after twelve years with the label. Attitude records was merged into Machmain Ltd later in the 1990s, a music company owned by Glitter.
Glitter spent the next decade mostly as an in-demand live performer, and his back catalogue of recordings proved durable enough that several compilations sold well. Glitter appeared in several humorous billboard and poster advertisements for British Rail, in one of which he was shown attempting to look younger (and quite clearly failing) in order to obtain a Young Persons Railcard. He also issued a new studio album ''Leader II'' in 1991 which sold reasonably well.
He was a surprise hit at the 1994 World Cup concert in Chicago, which was telecast live to forty-six countries. He played the Godfather in a 1996 revival of The Who's Quadrophenia. He also cut a single, a new version of "The House of the Rising Sun". British rock group Oasis used a sample from Glitter's 1973 chart hit, "Hello, Hello, I'm Back Again" on their 1995 multi-million-selling album ''(What's the Story) Morning Glory?'', one of a number of acts that borrowed from his songbook.
"Rock and Roll (Part Two)" by this time was being used heavily as a crowd-rouser at numerous sporting events, and it was featured in the hit films ''The Full Monty'', ''Happy Gilmore'', ''Meet the Fockers'' and ''The Replacements'' with Keanu Reeves.
In September 2001 he released a new album, ''On'', that included material written before his 1999 British conviction. That material was to have been part of a project called ''Lost on Life Street'' until that album's release was cancelled following his arrest. By December 2004, after releasing a new single, "Control", Glitter was in the news again concerning his behaviour; NGOs had been petitioning the government with their own evidence aimed at arresting Glitter. Glitter moved to Vietnam.
In 2005 ''Remember Me This Way'', the documentary filmed at Glitter's career peak in 1973 (and originally released in 1974), was issued for the first time on DVD. Glitter's music itself still had an audience, further demonstrated by three new album releases, although all of them contained past recordings from the vaults, rather than new product. The first two new albums were issued at the same time, ''The Remixes'' and ''Live in Concert'' (the latter of which was a 1981 recording). These were only for sale on the Internet. A new collection of Glitter's chart hit singles followed, ''The Best of Gary Glitter''. In 2006 his back catalogue was made available via the Internet from sites such as iTunes and eMusic.
Mark E. Smith was a Glitter fan. "I was really into Gary Glitter, and I used to get bad-mouthed for it. It was like 'You've got to be into David Bowie or Yes – Gary Glitter's just tripe'. And I was going 'It's fuckin' great. It's avant-garde... Well, two drummers and all that – it was really percussive. It was the only decent thing around", The Fall frontman said in 1993, speaking to ''NME''.
In July 1963, Gadd married Ann Murton. The following year they had a son, also called Paul, and in 1966 a daughter, Sarah. They divorced in 1972. In February 2001, he had another son, Gary Jr, with Yudenia Sosa Martínez, born 1973, with whom he was then living in Cuba.
During the 1980s, Glitter was convicted three times for drunk driving, one of which led to a 10-year driving ban; he narrowly escaped a prison term.
In 1999, Glitter was sentenced to four months' imprisonment and listed as a sex offender in the UK following conviction for downloading thousands of items of child pornography.
He was also charged with having sex with an underage girl, Alison Brown, around 20 years earlier, when she was 14 years old. She had had a relationship with Glitter for some years. Glitter was acquitted of this charge after it emerged that Brown had sold her story to the ''News of the World'' and stood to earn more money from the newspaper should Glitter be convicted.
Following a rejection by the British public and facing scrutiny from the press following his arrest and conviction, Gary Glitter fled on his yacht to Spain. Upon being discovered there, he set sail again, ultimately travelling to Gibraltar, Cuba, Mexico, South Africa, Zimbabwe, Colombia, Portugal, Brazil, Venezuela, and Thailand, before settling in Cambodia.
After his arrest, Glitter was turned over to provincial police from Ba Ria-Vung Tau and returned to Vung Tau and held on suspicion of having sex with the two under-age girls. Glitter was held in jail throughout the criminal investigation, which was completed on 26 December 2005. The charge of rape was dropped for "lack of evidence" (according to Glitter's lawyer), although the singer admitted that an 11-year-old girl had slept in his bed. Glitter could have faced execution by firing squad if convicted of child rape. After having received compensatory payments from Glitter, the families of the girls appealed to the courts for clemency for him.
On 2 March 2006 Glitter was tried on charges of committing obscene acts with two girls, aged 10 and 11, facing up to 14 years in prison if convicted. The following day he was found guilty and sentenced to three years in prison. He was also forced to pay compensation of $320 to each girl's family, as well as court fees. Judge Hoang Thanh Tung: "He sexually abused and committed obscene acts with children many times in a disgusting and sick manner."
The sentence included mandatory deportation at the end of his sentence, and payment of 5 million Vietnamese dong (US$315) to his victims' families. Glitter continued to deny any wrongdoing, saying he believes he was framed by British tabloid newspapers. He announced he planned to spend part of his sentence writing an autobiography, which he had already begun during his pre-trial.
Glitter, in his first interview in more than eight years to BBC News in May 2006, denied any wrong-doing and claimed not to have knowingly had sex with anyone under 18. He also said "I know the line [not] to cross". When asked what he thought of adults having sex with children he said "It certainly is a crime ... I would be very angry about that." Christine Beddoe, director of End Child Prostitution, Pornography and Trafficking, criticised Glitter and said he was trying to "minimise what he has done" and added "We must allow children to tell their story and not just have the words of Gadd."
In his interview, Glitter denied that he was a paedophile. He said that he had hoped that there was even a slim chance he could put his life back on track and have a career after he left prison in England. However, the people around him felt that the media had already made a sensation about the paedophile allegations. He continued to blame the press for his downfall and called them "the worst enemy in the world", alleging 'entrapment' by them by paying local girls in a bar to arrange a photo-scoop. Glitter did not comment about his previous conviction for possession of child pornography several years earlier.
Glitter was released from Thu Duc prison in southern Binh Thuan Province on 19 August 2008. He was escorted under police guard to Tan Son Nhat Airport in Ho Chi Minh City and put on board a flight to London via Bangkok. At Bangkok he claimed that he had tinnitus and a heart condition, and refused to board the flight to London despite the efforts of British police sent to escort him, although they had no jurisdiction to take action. He was refused entry to Thailand and threatened with deportation to the UK. On the evening of 20 August he took a flight to Hong Kong, where he requested medical treatment saying he was suffering a heart attack. The Hong Kong authorities also refused to admit him and he returned to Thailand the next day.
At least 19 countries, including Cuba, Cambodia and the Philippines, announced that they would refuse to admit Glitter, and on 21 August the Thai authorities stated that he had agreed to return to the UK. He arrived back in the UK at Heathrow Airport at 7:10 am on 22 August 2008, where he was met by British police officers.
On his return to the United Kingdom, Glitter was ordered to sign the Sex Offenders Register for life, and stated an intention to appeal against this decision; on 16 January 2009 it was announced that he had abandoned this move.
Snatched photos of Glitter, along with details about where he is living, continue to appear in the UK press intermittently, accompanied by hostile editorials.
In November 2009, the UK's Channel 4 showed a drama (or 'mockumentary') called ''The Execution of Gary Glitter''. Set in an imaginary Britain in which the death sentence has been re-introduced, the drama examines the possible consequences of capital punishment when Glitter is put on trial as a paedophile under imagined Capital Crimes Against Children legislation. The drama was written by Rob Coldstream and starred Hilton McRae as Glitter.
In 1973, Glitter undertook a world tour to celebrate his new-found fame. He toured Europe, Scandinavia, Australia, and New Zealand.
He continued to tour until 1976, and his retirement from music, he visited Australia some twenty times, and toured Europe and America several times.
During his comeback period of the 1980s, he did fewer tours, and mainly toured Britain. However he did shows in Ireland, Germany, France, America and Bahrain. During the 1990s, he toured America several times, finally gaining the significant popularity he sought in the 1970s. In 1995, he undertook his last major tour, he visited Dubai, Abu Dhabi, Bangkok and Singapore. It is unclear if he toured Japan or India, but this was an intention. His last tour was in 1996, when he toured with The Who across America. During his residence in Vietnam, he sang in local bars and clubs in Vung Tau.
Artist | Gary Glitter |
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Studio | 7 |
Live | 4 |
Compilation | 13 |
Ep | 1 |
Singles | 42 |
References | Yes }} |
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Category:Article Feedback Pilot Category:1944 births Category:Living people Category:20th-century criminals Category:21st-century criminals Category:English people convicted of child sexual abuse Category:Deported people Category:English-language singers Category:English male singers Category:English pop singers Category:English rock singers Category:Glam rock Category:Ivor Novello Award winners Category:People from Banbury Category:Pre-punk groups Category:People convicted of child pornography offenses Category:Personae non gratae Category:Protopunk musicians
cs:Gary Glitter de:Gary Glitter fr:Gary Glitter id:Gary Glitter it:Gary Glitter nl:Gary Glitter no:Gary Glitter pl:Gary Glitter pt:Gary Glitter ro:Gary Glitter ru:Гари Глиттер sco:Gary Glitter simple:Gary Glitter fi:Gary Glitter sv:Gary GlitterThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Joan Jett |
---|---|
background | solo_singer |
birth name | Joan Marie Larkin |
alias | Joan Jett |
birth date | September 22, 1958 |
origin | Wynnewood, Pennsylvania, United States |
instrument | Vocals, guitar, bass guitar |
genre | Rock, hard rock, punk rock |
occupation | Singer-songwriter, musician |
years active | 1975–present |
label | Blackheart, Epic, Boardwalk, MCA, CBS/Sony, Warner Bros. |
associated acts | The Runaways, Joan Jett & the Blackhearts |
website | |
notable instruments | Gibson Melody Maker }} |
Joan Jett (born Joan Marie Larkin; September 22, 1958) is an American rock guitarist, singer, songwriter, producer and actress.
She is best known for her work with Joan Jett & the Blackhearts including their hit cover "I Love Rock 'n' Roll", which was #1 on the ''Billboard'' Hot 100 from March 20 to May 1, 1982, as well as for their other popular recordings including "Crimson and Clover", "I Hate Myself for Loving You", "Do You Want to Touch Me", "Light of Day", "Love Is All Around", "Bad Reputation".
Her musical and songwriting approach is heavily influenced by the hard-edged, hard beat-driven rhythms common to many rock bands of her native Philadelphia, often featuring lyrics surrounding themes of lost love, criticisms of insincerity, the quest for authenticity, as well as the struggles and resolutions of the American middle class. She has three albums that have been certified Platinum or Gold, and she has been referred to as the "Queen of Rock 'n' Roll" many times during her career.
In Los Angeles, Joan interacted with some of her idols, including Suzi Quatro, one of the first female rock musicians who played an instrument on stage. Quatro was vital to Joan's career, and Joan adopted many of Suzi's qualities including her shag haircut and style. Jett would quietly wait in the lobby of various hotels that Suzi was staying in during her US tours, just to catch a glimpse of her. She wore wooden platform shoes with "Suzi Quatro" carved into the side. Her favorite night spot was Rodney Bingenheimer's English Disco. Joan was further introduced to the glam-rock style she so adored as this genre was explosive in the UK and Europe, but never quite took off in the US. Rodney's was the only place Jett could hear this style of music, and it certainly helped develop her image.
While The Runaways were popular in Europe, Asia, Australia, Canada and South America, they could not garner the same level of success in the U.S. After Currie, the lead singer, left the band, the band released two more albums with Jett handling the lead vocals: ''Waitin' for the Night'' and ''And Now... The Runaways''. Altogether they produced five albums from 1975 until they disbanded in spring of 1979 due to musical differences.
Soon after, Jett produced The Germs' first and only album ''(GI)''.
Later that year, she returned to Los Angeles, where she began fulfilling an obligation of the Runaways' to complete a film—loosely based on the band's career—called ''We're All Crazee Now!'' Three actresses required to stand in for her departed band members included the iconic cult star Rainbeaux Smith, who was also a rock drummer. While working on the project, Jett met songwriter and producer Kenny Laguna, who was hired by Toby Mamis to help Jett with writing some tracks for the film. They became friends and decided to work together and she relocated to Long Beach, New York where Kenny Laguna was based. The plug was pulled on the project halfway through shooting with Jett being ill, but in 1984, after Jett had become a major star, producers looked for a way to make use of the footage from the incomplete film. Bits of the original footage of Jett were used in a completely different project, an underground movie called ''DuBeat-Eo'', never commercially released, produced by Alan Sacks.
Jett and Laguna entered The Who’s Ramport Studios with the latter at the helm. Jett's self-titled solo debut was released in Europe on May 17, 1980. In the US, after the album was rejected by 23 major labels, Jett and Laguna released it independently on their new Blackheart Records label, which they started with Laguna's daughter's college savings. Laguna remembers, "We couldn't think of anything else to do, but print up records ourselves", and that's how Blackheart Records started.
Upon returning to the States, Jett, Ryan, and Ambel moved to Long Beach, New York. O'Brien stayed behind in England to pursue other interests. Auditions were set up and Lee Crystal, formerly of The Boyfriends and Sylvain Sylvain, became the new drummer. Joan Jett and the Blackhearts then toured throughout the US and built quite a following in New York. Jett and Laguna soon used their personal savings to press up copies of the ''Joan Jett'' album and set up their own system of independent distribution, sometimes selling the albums out of the trunk of Laguna's Cadillac at the end of each concert. Laguna was unable to keep up with demand for her album. Eventually, old friend and founder of Casablanca Records, Neil Bogart, made a joint venture with Laguna and signed Jett to his new label, Boardwalk Records and re-released the ''Joan Jett'' album as ''Bad Reputation''. After a year of touring and recording, The Blackhearts recorded a new album entitled ''I Love Rock 'n Roll'' for the label. Ambel was replaced by local guitarist Ricky Byrd during the recording.
With Byrd on guitar, Joan Jett and the Blackhearts recorded their hit album. The new single was a re-recording of the title track, "I Love Rock 'n' Roll", which in the first half of 1982 was number one on the Billboard Hot 100 for seven weeks in a row. It is ''Billboard''’s #56 song of all time.
A string of Top 40 hits followed, as well as sellout tours with The Police, Queen, and Aerosmith, among others. She was among the first English-speaking rock acts to appear in Panama and the Dominican Republic.
After receiving her own MTV New Year's Eve special, Jett beat out a number of contenders to appear in the movie ''Light of Day'' with Michael J. Fox. Bruce Springsteen wrote the song "Light of Day" especially for the movie, and her performance was critically acclaimed. It was about this time that Ryan and Crystal left the Blackhearts. They were soon replaced by the powerful rhythm section of Thommy Price and Kasim Sulton. Later that year, Jett released ''Good Music'', which featured appearances by The Beach Boys, The Sugarhill Gang and singer Darlene Love.
Joan Jett and the Blackhearts became the first rock band to perform a series of shows at the Lunt-Fontanne Theatre on Broadway, breaking the record at the time for the fastest ticket sell-out. Her next release, ''Up Your Alley'', went multi-platinum and was followed by ''The Hit List'', which was an album consisting of cover songs. During this time, Jett co-wrote the song "House of Fire", which appeared on Alice Cooper's 1989 album ''Trash''.
Her 1991 release ''Notorious'', which featured The Replacements' Paul Westerberg and former Billy Idol bassist Phil Feit, was the last with Sony/CBS as Jett switched to Warner Brothers. A CD single of "Let's Do It" featuring Jett and Westerberg was also released during this time and appeared in the song credits for the movie ''Tank Girl''. In 1993, Jett and Laguna released ''Flashback'', a compilation of various songs on their own Blackheart Records.
Jett produced several bands prior to releasing her debut and her label Blackheart Records released recordings from varied artists such as thrash metal band Metal Church and rapper Big Daddy Kane.
The press touted Jett as the "Godmother of Punk" and the "Original Riot Grrrl." In 1994, the Blackhearts released the well-received ''Pure and Simple'', which featured tracks written with Babes in Toyland's Kat Bjelland, L7's Donita Sparks and Bikini Kill's Kathleen Hanna.
In 1997 Joan Jett was featured on the ''We Will Fall: The Iggy Pop Tribute'' record. She performed a cover of the Johnny O'Keefe song "Wild One" (or "Real Wild Child").
Near the end of the 1990s she worked with members of the punk band The Gits, whose lead singer and lyricist, Mia Zapata, had been raped and murdered in 1993. The results of their collaboration was a live LP, ''Evil Stig'' and a single, "Bob", whose earnings were contributed to the investigation of Zapata's murder. To this end, the band and Jett appeared on the TV show ''America's Most Wanted'', appealing to the public for information. The case was solved in 2004, when Zapata's murderer, Jesus Mezquia, was brought to trial and convicted.
Jett performed "I Love Rock 'n Roll" with the Trans-Siberian Orchestra at Madison Square Garden in New York City on December 19, 2005.
Jett is a guest artist on Marky Ramone's solo album ''Start of the Century'' on the track "Don't Blame Me".
She is a guest vocalist on Peaches' album ''Impeach My Bush'' on the tracks "Boys Want to Be Her" and "You Love It".
At an October 2001 9/11 benefit in Red Bank, New Jersey, Jett and Springsteen appeared together on stage for the first time and played "Light Of Day". Jett, overcome with emotion, declared it one of the greatest moments in her career.
In 2004, Jett and Laguna produced "No Apologies" by Warped Tour favorite The Eyeliners, after signing them. Jett also guested on the track "Destroy" and made a cameo appearance in the music video.
In 2005, Jett discovered Cleveland punk rockers The Vacancies. She and Laguna signed the band and produced their second album, ''A Beat Missing or a Silence Added'' (reaching the top 20 in CMJ Music Charts) and their third album in 2007, ''Tantrum''.
In 2005, she was recruited by Steven Van Zandt to host her own radio show on Van Zandt's ''Underground Garage'' radio channel on Sirius Satellite Radio. She hosted a four-hour show titled ''Joan Jett's Radio Revolution'', broadcast every Saturday and Sunday. The program moved from Sirius 25 to Sirius 28 shortly before being canceled in June 2008.
In 2005, Jett and Laguna celebrated the 25th anniversary of Blackheart Records with a sellout show at Manhattan's Webster Hall, which featured their groups The Eyeliners and The Vacancies as openers to the headlining act, Joan Jett and the Blackhearts.
In June 2006, Joan Jett released her album, ''Sinner'', on her own label, Blackheart Records. To support the album, the band appeared on the 2006 Warped Tour and on a fall 2006 tour with Eagles of Death Metal. Various other bands like Antigone Rising, Valient Thorr, The Vacancies, Throw Rag and Riverboat Gamblers were to have joined the tour for a handful of dates each.
Jett sang a duet with Chase Noles on "Tearstained Letters", a song on the Heart Attacks' 2006 album, ''Hellbound and Heartless''.
A Joan Jett video with Paul, Paul Jr. and Mikey Teutul of the Learning Channel show ''American Chopper'' aired on January 14, 2007. The making of that video was presented in a segment of the show that aired on The Learning Channel on February 22, 2007. In late June, Joan Jett and the Blackhearts performed at Dolphin Stadium in Miami, following a Florida Marlins baseball game.
Joan Jett and the Blackhearts headlined the Albuquerque, New Mexico Freedom Fourth celebration on July 4, 2007, with an estimated crowd of 65,000 in attendance at the annual outdoor event.
In November 2007, Jett and the Blackhearts appeared with Motörhead and Alice Cooper in a UK arena tour, that leg constituting a "reconciliation" of sorts with Jett's former personal manager, Toby Mamis, now the co-manager of Alice Cooper, and Jett opened eight American shows on Aerosmith's 2007 World Tour.
Following The Dave Clark Five's induction to the Rock and Roll Hall of Fame, on March 10, 2008, Jett, as part of the ceremony, closed the program with a performance of the DC5's 1964 hit "Bits and Pieces." She was introduced by actor Tom Hanks, who said, "Ladies and gentlemen — at one time, if I had been lucky, one of the most beautiful 'Mrs. Tom Hanks' you can imagine, but I'm not complainin' — Joan Jett!"
Jett and the Blackhearts appeared on several dates of the True Colors Tour 2008. in the summer of 2008. She opened for Def Leppard in August.
On April 24, 2010, it was announced on Green Day's official website that Jett would be supporting them on their summer European tour.
In June 2010, Joan Jett and The Blackhearts opened for Green Day on their UK tour alongside acts such as Frank Turner and Paramore.
The group was the opening act for Aerosmith's September 2010 Canadian tour.
Joan Jett and The Blackhearts were part of the lineup for Australia's The Falls Music & Arts Festival, December 29 through January 1, 2010, in Australia.
March 2010 saw the release of a 2-CD Greatest Hits album with 4 newly re-recorded songs, 3 of which are Runaways hits, and one a track from her ''I Love Rock 'N' Roll'' album. March 2010 also saw the release of a hardcover biography and picture book, spanning her career from the Runaways to the present day. She also toured in Lewiston, Idaho's "Rockin on the River" music festival held in Clarkston, Washington.
The comic strip Bloom County included a character named Tess Turbo. Her band was The Blackheads.
During the 1990s, she appeared on the sitcom ''Ellen'', performing the title song. In 1992, she was the guest star on an episode of TV's ''Highlander: The Series'', the first musician to guest star in the series.
The 1999 show ''Freaks and Geeks'' used the song "Bad Reputation" as the opening theme.
In 2000, Jett appeared in the Broadway production of ''The Rocky Horror Show'' in the role of Columbia. That same year, Jett appeared on ''Walker, Texas Ranger'' as an ex-CIA agent turned assassin hired to kill Walker and Alex.
In 2002, Jett appeared in the film ''By Hook or by Crook'' in the role of News Interviewee.
From 2000 to 2003, to support work by first time filmmakers and the indie film business, Jett hosted a showcase of new film and video shorts, ''Independent Eye'', for Maryland Public Television.
In 2008, Jett made a cameo appearance in Darren Lynn Bousman's rock opera/file ''Repo! The Genetic Opera'' as the guitarist in Shilo's room during the piece "Seventeen". In February 2008, she made a cameo appearance in Jimmy Kimmel's popular video skit, "I'm Fucking Ben Affleck".
On July 13, 2008, she appeared in the ''Law & Order: Criminal Intent'' episode "Reunion" as a rock and roll talk show host who is murdered.
On March 9, 2010, she appeared as a guest on ''The Tonight Show with Jay Leno''. Accompanied by the Blackhearts, she performed "Cherry Bomb".
On March 24, 2010, she appeared as a guest on ''The Late Show with David Letterman''. Accompanied by the Blackhearts, she performed "Bad Reputation".
On April 14, 2011, she appeared on the Oprah Winfrey show with Miley Cyrus, performing a medley of Joan's biggest hits: "Bad Reputation", "Cherry Bomb" and "I Hate Myself for Loving you".
On November 15, 2011, she appeared on ''The Late Show with David Letterman'' and performed "Bad Reputation" along with the Foo Fighters.
Studio albums (With the Blackhearts)
Cover albums
Collaboration albums
Fan club albums
Japan-only release
Category:1958 births Category:Living people Category:American female guitarists Category:American female singers Category:American mezzo-sopranos Category:American punk rock singers Category:American vegans Category:Female punk rock singers Category:Feminist musicians Category:Musicians from Philadelphia, Pennsylvania Category:Rhythm guitarists Category:The Runaways members Category:Third-wave feminism Category:Blackheart Records artists Category:Article Feedback 5
cs:Joan Jett da:Joan Jett de:Joan Jett es:Joan Jett fr:Joan Jett gl:Joan Jett ko:조안 제트 it:Joan Jett nl:Joan Jett ja:ジョーン・ジェット no:Joan Jett pl:Joan Jett pt:Joan Jett ru:Джетт, Джоан simple:Joan Jett sk:Joan Jett fi:Joan Jett sv:Joan JettThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Segarini, together with Randy Bishop, co-wrote and recorded two songs for the film ''Vanishing Point'' (1971), ''Dear Jesus God'' and ''Over Me''. He has also worked with UK songstress Elkie Brooks.
In 1975, Segarini founded The Dudes, with Brian Greenway, and Ritchie and David Henman. They recorded one album, ''We're No Angels'', before breaking up.
Segarini went on to a solo career, recording four albums: ''Gotta Have Pop'', ''On The Radio'', ''Goodbye L.A.'', and ''Vox Populi''. The first three have recently been remastered and re-issued with bonus tracks by Bullseye Records.
During the mid 1980s, Segarini began his career in the radio industry, first with 1050 CHUM, followed by several stints at Classic Rock radio station CILQ - known to Toronto locals as Q107. It was there that he adopted the moniker "The Iceman" - a name he still uses on the air to this day. In 2009, after a successful stint on Sirius Satellite Radio's channel 85, Segarini began writing weekly columns for FYI Music - an online magazine devoted to the music industry. His thrice-weekly column is titled "Don't Believe a Word I Say", named after his 1979 single from Gotta Have Pop.
Bob is currently living in Toronto, Ontario, Canada.
! Year | ! Album | CAN | ! Label |
1977 | ''EP'' | A&M; | |
''Gotta Have Pop'' | |||
''On the Radio'' | |||
1979 | ''Goodbye L.A.'' | ||
1981 | ''Vox Populi'' | Anthem |
Year | Single | Chart Positions | Album | ||
CAN | CAN AC | CAN Country | |||
1979 | "Don't Believe a Word I Say" | ''Gotta Have Pop'' | |||
1980 | "Goodbye L.A." | ''Goodbye L.A.'' | |||
1981 | "City Bred" | ''Vox Populi'' |
Birthday/Dirgeday, Melancholy Vaudeville Man, Any Other Baby, Sideshow, Mrs. McPheeny, Butters Lament, Simple Life, Slippin' Thru My Fingers, Nine to Three, Lesson Book Life, Nickelodeon Music, Miss Butters, Underture, Keepin’ a Secret,* Do You Have the Time?,* She Had To Fly,* He Spins Around*
Family Tree – Singles
Prince of Dreams/Live Your Own Life (The Airplane Song) (Mira 1966) Keepin’ a Secret/Do You Have the Time? (RCA 47-9184, 1967) She Had To Fly/He Spins Around (RCA 47-9671, 1968)
1969 Roxy (Elektra EKS 74063)
Love, Love, Love, Sing a Song, New York City, Somebody Told You, Love for a Long Time, Windy Day, You Got a Lot of Style, I Got My Friends, Yesterday's Song, Rock & Roll Circus
Roxy – Singles
Love Love Love/New York City (Elektra EK45682, 1969) Rock and Roll Circus/Somebody Told You (Elektra EK45683, 1969) Listen To The Music/Tickets (Elektra EK45717, 1970)
1971 Segarini and Bishop – Vanishing Point Soundtrack (Amos AAS 8002 - USA Soundtrack STCS1410 - UK)
Dear Jesus God, Over Me
1971 The Wackers – Wackering Heights (Elektra EKS 74089)
Travelin' Time, Body Go Round, Don't Be Cruel, Country Queen, Strangers, Don't Put Down the Singer, I Don't Want My Love Refused, White House, I Like, On the Way Up, Such a Good Thing, No Place for the Children
1972 The Wackers – Hot Wacks (Elektra EKS 75025)
I Hardly Know Her Name, We Can Be, Oh My Love, Wait And See, Do You Know The Reason, Breathe Easy, Time Will Carry On, Maybe Tomorrow, Hot Wacks, Anytime / Anyday, Find Your Own Way, Time Will Carry On (Won't It? )
1972 The Wackers – Shredder (Elektra EKS 75046)
Day And Night, Hey Lawdy Lawdy, I'll Believe In You, Puttin Myself To Sleep, Eventually - Even You, Even Me, Coming Apart, It's My Life, Beach Song, Buck Duckdog Memorial Jam, Last Dance
The Wackers – Singles I Don’t Want My Love Refused/I Like (Elektra EK45743, 1971) Body Go Round/White House (Elektra EK45758, 1971) Oh My Love (Promo)/Same (Elektra EK45772, 1972) I Hardly Know Her Name/Do You Know the Reason (Elektra EK45783, 1972) Day and Night/Last Dance (Elektra EK45816, 1972) Hey Lawdy Lawdy/I’m In Love (Elektra EK45841, 1973) All I Wanna Do Is Love You/I Got A Feelin’ (Polydor2065226, 1974) Captain Nemo/Tonite (Bomp102, 1975)
1975 The Dudes – We’re No Angels (Columbia PC33577)
Saturday Night, Fuel Injection, I Just Wanna Dance, Lylee Lady, Deeper and Deeper, Dancin' Shoes, Got Me Where You Want Me, My Mind's on You, Rock & Roll Debutante, We're No Angels
(1996 CD Release/2009 Mp3 Download) The Dudes – All The Young Dudes - All The Old Demos (Pacemaker Records/Bullseyesongs Mp3 Download)
Please Mr Postman, Rock and Roll Debutante, Little Queenie, Time On My Hands, Fuel Injection, Right Down To It, City Bred, Too Young, Wimmin R Strange, Marlene, Sugar, Meet You After School, Linda, Gotta Have Pop, Dancin' Shoes, Sweet Love, Laurel Ann, Silk N Lace
The Dudes - Singles
Dancin’ Shoes (Promo)/Same (Columbia10259, 1975) Saturday Night/Rock & Roll Debutante (Columbia10212, 1976)
1977 Segarini – EP (A&M; AM452)
Wanna Get To Know You Better, Starlight, I Want You To Stay, I'm Not Your Fool
1978 Segarini – Gotta Have Pop (Bomb/Epic BOMB7027 - CAN, EPC 83806 - UK)
Gotta Have Pop, Hide Away, Afraid Of The Ocean, I Don't Want To Lose You, Don't Believe A Word I Say, Livin' In The Movies Steady Eddie, Dressed In The Dark, When The Lights Are Out, Love Story, Starlight,* Body Go Round,* Laurel Ann,* Ces’t Tout,* Livin’ In The Movies (Remix),* Groucho Marx,* Goodbye*
1978 Segarini – On The Radio (Bomb/Epic BOMB7030 - CAN)
Gotta Have Pop,* Teenage Love, I Don't Want To Lose You, People Are Strange, Afraid Of The Ocean, Hideaway, All I Want To Do Is Love You, Steady Eddie, Dressed In The Dark, When The Lights Are Out, Love Story, Don't Believe A Word I Say, Zoom,* Juvenile Delinquent
1979 Segarini – Goodbye LA (Bomb/Epic BOMB/EPIC90576 - USA, BOMB7032 - CAN, EPC 84086 - UK)
I Like the Beatles, I Hardly Know Her Name, Odd Couples, Day and Night, Nervous Breakdown, Teenage Love, Please, Please, Please, Rock & Roll Moment, Who's Lovin' You, Demographics, Goodbye L.A., My Baby Is an Airhead, It’s Christmas,* It’s Christmas (Jingleoke),* In My Life (Live)*
1981 Segarini – Vox Populi (Anthem ANR11028 - CAN)
Voice of the People, Waitin' In Line, City Bred, Have Love Will Travel, Money In The Pocket, Danger Guy, Get It Back, City Night, Too Late, My Baby Is An Airhead Part 2
Segarini - Singles
When The Lights Are Out/Dressed In The Dark (BOMB5015 - CAN, 1978) Gotta Have Pop/People Are Strange (EPIC SEPC7474 - UK, 1979) Don't Believe A Word I Say/People Are Strange (BOMB5018 - CAN, 1979) Livin' In The Movies/Dressed In The Dark (EPIC SEPC78029 - UK, 1979) Goodbye L.A/Living In The Movies (EPIC E48369 - CAN, 1979) It's Christmas Time/Instrumental (EPIC E48381 - CAN, 1979) Please, Please, Please/Demographics (BOMB5033 - US, EPIC E48384 - CAN, SEPC8223 - UK, 1979) City Bred/Danger Guy (Anthem ANS029 - CAN, 1981) Voice Of The People/Money In The Pocket (Anthem ANS033 - CAN, 1981)
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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