Bush may refer to:

Nouns

Shrub, a type of woody plant, smaller than normal trees. Usually grows in the soil. Most bushes are low to the ground and have branches which rise up from the bottom of the plant.

The Bush, a term used in several countries for rural, undeveloped land or country areas

* The Bush (Alaska)

Bushcraft, a popular term for wilderness survival skills

Bush baby, or galago, a small nocturnal primate

Slang for Pubic hair

Bushing (disambiguation) (several meanings) is commonly called "bush"

Places

Canada

*Bush Island (Nunavut)

New Zealand

*The easternmost part of the Manawatu-Wanganui Region, in the southern North Island

United Kingdom

*Bush House, London, a building in London used by the BBC for its international broadcasting service, the World Service

*Shepherds Bush, a district of London

*Bush, a small town in North Cornwall, near Bude

United States

*Bush, Illinois

*Bush, Louisiana

*Bush Tower, a building in Manhattan, New York

*Original name of the Ralph Waldo Emerson House in Concord, Massachusetts

Brand names and companies

Bush (brand), a British electronics manufacturer brand owned by Home Retail Group and sold exclusively at Argos

Bush (1916 automobile), an early American car company

Bush Brothers and Company, commonly known as Bush's

Bush (Beer), a Belgian beer made by Dubuisson Brewery

Media and entertainment

''Bush Mechanics'', a 2001 television documentary featuring an Indigenous Australian take on motor mechanics

Bush (band), a popular rock band, named after the Shepherd's Bush district in London

Bush (Canadian band), a Canadian band active in the 1970s

Sport

Wairarapa Bush Rugby Football Union in New Zealand

*Bush Rugby Football Union, a former team which combined with Wairarapa to form the above side

Vessels

, two destroyers in the United States Navy

See also

Bush House (disambiguation)

ar:بوش (توضيح) bg:Буш ca:Bush cs:Bush (příjmení) de:Bush es:Bush fr:Bush ko:부시 hy:Բուշ (այլ կիրառումներ) is:Bush it:Bush he:בוש hu:Bush (egyértelműsítő lap) nl:Bush ja:ブッシュ no:Bush pl:Bush pt:Bush ro:Bush ru:Буш simple:Bush sk:Bush fi:Bush sv:Bush tr:Bush uk:Буш zh:布什

Region	Western philosophy
Era	20th / 21st-century philosophy
Color	#B0C4DE
Name	Noam Chomsky
Other names	Avram Noam Chomsky
Birth date	December 07, 1928
Birth place	Philadelphia, Pennsylvania
Alma mater	University of Pennsylvania (BA 1949, MA 1951, PhD 1955)
School tradition	Generative linguistics, Analytic philosophy
Main interests	Linguistics PsychologyPhilosophy of languagePhilosophy of mind Politics Ethics
Alma mater	University of Pennsylvania
Religion	Atheist
Notable ideas	Generative grammar, universal grammar, transformational grammar, government and binding, X-bar theory, Chomsky hierarchy, context-free grammar, principles and parameters, Minimalist program, language acquisition device, poverty of the stimulus, Chomsky–Schützenberger theorem, Chomsky Normal Form, propaganda model
Influences	Dwight Macdonald, Pāṇini, Bertrand Russell, Ludwig Wittgenstein, John Dewey, Mikhail Bakunin, Karl Marx, Wilhelm von Humboldt, Adam Smith, Zellig Harris, Rudolf Rocker, Immanuel Kant, René Descartes, George Orwell, C. West Churchman, Alan Turing, W. V. O. Quine
Influenced	Niall McLaren, Colin McGinn, Edward Said, Christopher Hitchens, Steven Pinker, Peter Ludlow, Tanya Reinhart, Morris Halle, Gilbert Harman, Jerry Fodor, Howard Lasnik, Robert Fisk, Neil Smith, Ray Jackendoff, Norbert Hornstein, Jean Bricmont, Marc Hauser, Norman Finkelstein, Robert Lees, Hugo Chavez, Mark Baker, Julian Boyd, Ray C. Dougherty, Derek Bickerton, Amy Goodman, Michael Albert }}

Avram Noam Chomsky (; born December 7, 1928) is an American linguist, philosopher, cognitive scientist, historian, and activist. He is an Institute Professor and Professor (Emeritus) in the Department of Linguistics & Philosophy at MIT, where he has worked for over 50 years. Chomsky has been described as the "father of modern linguistics" and a major figure of analytic philosophy. His work has influenced fields such as computer science, mathematics, and psychology.

Chomsky is credited as the creator or co-creator of the Chomsky hierarchy, the universal grammar theory, and the Chomsky–Schützenberger theorem.

Ideologically identifying with anarchism and libertarian socialism, Chomsky is known for his critiques of U.S. foreign policy and contemporary capitalism, and he has been described as a prominent cultural figure. His media criticism has included ''Manufacturing Consent: The Political Economy of the Mass Media'' (1988), co-written with Edward S. Herman, an analysis articulating the propaganda model theory for examining the media.

According to the Arts and Humanities Citation Index in 1992, Chomsky was cited as a source more often than any other living scholar from 1980 to 1992, and was the eighth most cited source overall. Chomsky is the author of over 100 books.

Life and career

Chomsky was born on the morning of December 7, 1928, to Jewish parents in the affluent East Oak Lane neighborhood of Philadelphia, Pennsylvania, the son of noted professor of Hebrew at Gratz College and IWW (Industrial Workers of the World) member William Chomsky (1896–1977), a native of Ukraine. His mother, Elsie Chomsky (née Simonofsky)—a native of what is present-day Belarus—grew up in the United States and, unlike her husband, spoke "ordinary New York English". Chomsky's parents' first language was Yiddish, but Chomsky said it was "taboo" in his family to speak it. Although Chomsky's mother was part of the radical activism in the 1930s, he was influenced largely by his uncle who, having never passed 4th grade, owned a newsstand that acted as an "intellectual center [where] professors of this and that argu[ed] all night". Chomsky was influenced also by being a part of a Hebrew-based, Zionist organization, as well as by hanging around anarchist bookstores.

He describes his family as living in a sort of "Jewish ghetto", split into a "Yiddish side" and "Hebrew side", with his family aligning with the latter and bringing him up "immersed in Hebrew culture and literature", though he means more a "cultural ghetto than a physical one". Chomsky also describes tensions he experienced with Irish Catholics and German Catholics and anti-semitism in the mid-1930s. He recalls "beer parties" celebrating the fall of Paris to the Nazis. In a discussion of the irony of his staying in the 1980s in a Jesuit House in Central America, Chomsky explained that during his childhood, "We were the only Jewish family around. I grew up with a visceral fear of Catholics. They're the people who beat you up on your way to school. So I knew when they came out of that building down the street, which was the Jesuit school, they were raving anti-Semites. So childhood memories took a long time to overcome."

Chomsky remembers the first article he wrote was at age 10 while a student at Oak Lane Country Day School about the threat of the spread of fascism, following the fall of Barcelona in the Spanish Civil War. From the age of 12 or 13, he identified more fully with anarchist politics.

A graduate of Central High School of Philadelphia, Chomsky began studying philosophy and linguistics at the University of Pennsylvania in 1945, taking classes with philosophers such as C. West Churchman and Nelson Goodman and linguist Zellig Harris. Harris's teaching included his discovery of transformations as a mathematical analysis of language structure (mappings from one subset to another in the set of sentences). Chomsky referred to the morphophonemic rules in his 1951 master's thesis—''The Morphophonemics of Modern Hebrew''—as transformations in the sense of Carnap's 1938 notion of rules of transformation (vs. rules of formation), and subsequently reinterpreted the notion of grammatical transformations in a very different way from Harris, as operations on the productions of a context-free grammar (derived from Post production systems). Harris's political views were instrumental in shaping those of Chomsky. Chomsky earned a BA in 1949 and an MA in 1951.

In 1949, he married linguist Carol Schatz. They remained married for 59 years until her death from cancer in December 2008. The couple had two daughters, Aviva (b. 1957) and Diane (b. 1960), and a son, Harry (b. 1967). With his wife Carol, Chomsky spent time in 1953 living in HaZore'a, a kibbutz in Israel. Asked in an interview whether the stay was "a disappointment" Chomsky replied, "No, I loved it"; however, he "couldn't stand the ideological atmosphere" and "fervent nationalism" in the early 1950s at the kibbutz, with Stalin being defended by many of the left-leaning kibbutz members who chose to paint a rosy image of future possibilities and contemporary realities in the USSR. Chomsky notes seeing many positive elements in the commune-like living of the kibbutz, in which parents and children lived together in separate houses, and when asked whether there were "lessons that we have learned from the history of the kibbutz", responded, that in "some respects, the kibbutzim came closer to the anarchist ideal than any other attempt that lasted for more than a very brief moment before destruction, or that was on anything like a similar scale. In these respects, I think they were extremely attractive and successful; apart from personal accident, I probably would have lived there myself – for how long, it's hard to guess."

Chomsky received his PhD in linguistics from the University of Pennsylvania in 1955. He conducted part of his doctoral research during four years at Harvard University as a Harvard Junior Fellow. In his doctoral thesis, he began to develop some of his linguistic ideas, elaborating on them in his 1957 book ''Syntactic Structures'', one of his best-known works in linguistics.

Chomsky joined the staff of MIT in 1955 and in 1961 was appointed full professor in the Department of Modern Languages and Linguistics (now the Department of Linguistics and Philosophy). From 1966 to 1976 he held the Ferrari P. Ward Professorship of Modern Languages and Linguistics, and in 1976 he was appointed Institute Professor. As of 2010, Chomsky has taught at MIT continuously for 55 years.

In February 1967, Chomsky became one of the leading opponents of the Vietnam War with the publication of his essay, "The Responsibility of Intellectuals", in ''The New York Review of Books''. This was followed by his 1969 book, ''American Power and the New Mandarins,'' a collection of essays that established him at the forefront of American dissent. His far-reaching criticisms of U.S. foreign policy and the legitimacy of U.S. power have raised controversy he is frequently sought out for his views by publications and news outlets internationally. In 1977 he delivered the Huizinga Lecture in Leiden, the Netherlands, under the title: ''Intellectuals and the State''.

Chomsky has received death threats because of his criticisms of U.S. foreign policy. He was also on a list of planned targets created by Theodore Kaczynski, better known as the Unabomber; during the period that Kaczynski was at large, Chomsky had all of his mail checked for explosives. He states that he often receives undercover police protection, in particular while on the MIT campus, although he does not agree with the police protection.

Chomsky resides in Lexington, Massachusetts, and travels often, giving lectures on politics.

Contributions to linguistics

Chomskyan linguistics, beginning with his ''Syntactic Structures'', a distillation of his '' Logical Structure of Linguistic Theory'' (1955, 75), challenges structural linguistics and introduces transformational grammar. This approach takes utterances (sequences of words) to have a syntax characterized by a formal grammar; in particular, a context-free grammar extended with transformational rules.

Perhaps his most influential and time-tested contribution to the field, is the claim that modeling knowledge of language using a formal grammar accounts for the "productivity" or "creativity" of language. In other words, a formal grammar of a language can explain the ability of a hearer-speaker to produce and interpret an infinite number of utterances, including novel ones, with a limited set of grammatical rules and a finite set of terms. He has always acknowledged his debt to Pāṇini for his modern notion of an explicit generative grammar although it is also related to rationalist ideas of a priori knowledge.

It is a popular misconception that Chomsky proved that language is entirely innate and discovered a "universal grammar" (UG). In fact, Chomsky simply observed that while a human baby and a kitten are both capable of inductive reasoning, if they are exposed to exactly the same linguistic data, the human child will always acquire the ability to understand and produce language, while the kitten will never acquire either ability. Chomsky labeled whatever the relevant capacity the human has which the cat lacks the "language acquisition device" (LAD) and suggested that one of the tasks for linguistics should be to figure out what the LAD is and what constraints it puts on the range of possible human languages. The universal features that would result from these constraints are often termed "universal grammar" or UG.

The Principles and Parameters approach (P&P;)—developed in his Pisa 1979 Lectures, later published as ''Lectures on Government and Binding'' (LGB)—makes strong claims regarding universal grammar: that the grammatical principles underlying languages are innate and fixed, and the differences among the world's languages can be characterized in terms of parameter settings in the brain (such as the pro-drop parameter, which indicates whether an explicit subject is always required, as in English, or can be optionally dropped, as in Spanish), which are often likened to switches. (Hence the term principles and parameters, often given to this approach.) In this view, a child learning a language need only acquire the necessary lexical items (words, grammatical morphemes, and idioms), and determine the appropriate parameter settings, which can be done based on a few key examples.

Proponents of this view argue that the pace at which children learn languages is inexplicably rapid, unless children have an innate ability to learn languages. The similar steps followed by children all across the world when learning languages, and the fact that children make certain characteristic errors as they learn their first language, whereas other seemingly logical kinds of errors never occur (and, according to Chomsky, should be attested if a purely general, rather than language-specific, learning mechanism were being employed), are also pointed to as motivation for innateness.

More recently, in his Minimalist Program (1995), while retaining the core concept of "principles and parameters," Chomsky attempts a major overhaul of the linguistic machinery involved in the LGB model, stripping from it all but the barest necessary elements, while advocating a general approach to the architecture of the human language faculty that emphasizes principles of economy and optimal design, reverting to a derivational approach to generation, in contrast with the largely representational approach of classic P&P.;

Chomsky's ideas have had a strong influence on researchers of the language acquisition in children, though many researchers in this area such as Elizabeth Bates and Michael Tomasello argue very strongly against Chomsky's theories, and instead advocate emergentist or connectionist theories, explaining language with a number of general processing mechanisms in the brain that interact with the extensive and complex social environment in which language is used and learned.

His best-known work in phonology is ''The Sound Pattern of English'' (1968), written with Morris Halle (and often known as simply ''SPE''). This work has had a great significance for the development in the field. While phonological theory has since moved beyond "SPE phonology" in many important respects, the SPE system is considered the precursor of some of the most influential phonological theories today, including autosegmental phonology, lexical phonology and optimality theory. Chomsky no longer publishes on phonology.

Generative grammar

The Chomskyan approach towards syntax, often termed generative grammar, studies grammar as a body of knowledge possessed by language users. Since the 1960s, Chomsky has maintained that much of this knowledge is innate, implying that children need only learn certain parochial features of their native languages. The innate body of linguistic knowledge is often termed universal grammar. From Chomsky's perspective, the strongest evidence for the existence of Universal Grammar is simply the fact that children successfully acquire their native languages in so little time. Furthermore, he argues that there is an enormous gap between the linguistic stimuli to which children are exposed and the rich linguistic knowledge they attain (the "poverty of the stimulus" argument). The knowledge of Universal Grammar would serve to bridge that gap.

Chomsky's theories have been immensely influential within linguistics, but they have also received criticism. One recurring criticism of the Chomskyan variety of generative grammar is that it is Anglocentric and Eurocentric, and that often linguists working in this tradition have a tendency to base claims about Universal Grammar on a very small sample of languages, sometimes just one. Initially, the Eurocentrism was exhibited in an overemphasis on the study of English. However, hundreds of different languages have now received at least some attention within Chomskyan linguistic analyses. In spite of the diversity of languages that have been characterized by UG derivations, critics continue to argue that the formalisms within Chomskyan linguistics are Anglocentric and misrepresent the properties of languages that are different from English. Thus, Chomsky's approach has been criticized as a form of linguistic imperialism. In addition, Chomskyan linguists rely heavily on the intuitions of native speakers regarding which sentences of their languages are well-formed. This practice has been criticized on general methodological grounds. Some psychologists and psycholinguists, though sympathetic to Chomsky's overall program, have argued that Chomskyan linguists pay insufficient attention to experimental data from language processing, with the consequence that their theories are not psychologically plausible. Other critics (see language learning) have questioned whether it is necessary to posit Universal Grammar to explain child language acquisition, arguing that domain-general learning mechanisms are sufficient.

Today there are many different branches of generative grammar; one can view grammatical frameworks such as head-driven phrase structure grammar, lexical functional grammar and combinatory categorial grammar as broadly Chomskyan and generative in orientation, but with significant differences in execution.

Chomsky hierarchy

Chomsky is famous for investigating various kinds of formal languages and whether or not they might be capable of capturing key properties of human language. His Chomsky hierarchy partitions formal grammars into classes, or groups, with increasing expressive power, i.e., each successive class can generate a broader set of formal languages than the one before. Interestingly, Chomsky argues that modeling some aspects of human language requires a more complex formal grammar (as measured by the Chomsky hierarchy) than modeling others. For example, while a regular language is powerful enough to model English morphology, it is not powerful enough to model English syntax. In addition to being relevant in linguistics, the Chomsky hierarchy has also become important in computer science (especially in compiler construction and automata theory). Indeed, there is an equivalence between the Chomsky language hierarchy and the different kinds of automata. Thus theorems about languages are often dealt with as either languages (grammars) or automata.

An alternate method of dealing with languages is based upon Formal Power series. Formal Power series as well as the relationship between languages and semi-groups continued to occupy M. P. Schützenberger at the Sorbonne. Formal Power Series are similar to the Taylor Series one encounters in a course on Calculus, and is especially useful for languages where words (terminal symbols) are commutative.

Contributions to psychology

Chomsky's work in linguistics has had profound implications for modern psychology. For Chomsky, linguistics is a branch of cognitive psychology; genuine insights in linguistics imply concomitant understandings of aspects of mental processing and human nature. His theory of a universal grammar was seen by many as a direct challenge to the established behaviorist theories of the time and had major consequences for understanding how children learn language and what, exactly, the ability to use language is.

In 1959, Chomsky published an influential critique of B.F. Skinner's ''Verbal Behavior'', a book in which Skinner offered a theoretical account of language in functional, behavioral terms. He defined "Verbal Behavior" as learned behavior that has characteristic consequences delivered through the learned behavior of others. This makes for a view of communicative behaviors much larger than that usually addressed by linguists. Skinner's approach focused on the circumstances in which language was used; for example, asking for water was functionally a different response than labeling something as water, responding to someone asking for water, etc. These functionally different kinds of responses, which required in turn separate explanations, sharply contrasted both with traditional notions of language and Chomsky's psycholinguistic approach. Chomsky thought that a functionalist explanation restricting itself to questions of communicative performance ignored important questions. (Chomsky—Language and Mind, 1968). He focused on questions concerning the operation and development of innate structures for syntax capable of creatively organizing, cohering, adapting and combining words and phrases into intelligible utterances.

In the review Chomsky emphasized that the scientific application of behavioral principles from animal research is severely lacking in explanatory adequacy and is furthermore particularly superficial as an account of human verbal behavior because a theory restricting itself to external conditions, to "what is learned," cannot adequately account for generative grammar. Chomsky raised the examples of rapid language acquisition of children, including their quickly developing ability to form grammatical sentences, and the universally creative language use of competent native speakers to highlight the ways in which Skinner's view exemplified under-determination of theory by evidence. He argued that to understand human verbal behavior such as the creative aspects of language use and language development, one must first postulate a genetic linguistic endowment. The assumption that important aspects of language are the product of universal innate ability runs counter to Skinner's radical behaviorism.

Chomsky's 1959 review has drawn fire from a number of critics, the most famous criticism being that of Kenneth MacCorquodale's 1970 paper ''On Chomsky’s Review of Skinner’s Verbal Behavior'' (''Journal of the Experimental Analysis of Behavior,'' volume 13, pages 83–99). MacCorquodale's argument was updated and expanded in important respects by Nathan Stemmer in a 1990 paper, ''Skinner's Verbal Behavior, Chomsky's review, and mentalism'' (''Journal of the Experimental Analysis of Behavior,'' volume 54, pages 307–319). These and similar critiques have raised certain points not generally acknowledged outside of behavioral psychology, such as the claim that Chomsky did not possess an adequate understanding of either behavioral psychology in general, or the differences between Skinner's behaviorism and other varieties. Consequently, it is argued that he made several serious errors. On account of these perceived problems, the critics maintain that the review failed to demonstrate what it has often been cited as doing. As such, it is averred that those most influenced by Chomsky's paper probably either already substantially agreed with Chomsky or never actually read it. The review has been further critiqued for misrepresenting the work of Skinner and others, including by quoting out of context. Chomsky has maintained that the review was directed at the way Skinner's variant of behavioral psychology "was being used in Quinean empiricism and naturalization of philosophy."

It has been claimed that Chomsky's critique of Skinner's methodology and basic assumptions paved the way for the "cognitive revolution", the shift in American psychology between the 1950s through the 1970s from being primarily behavioral to being primarily cognitive. In his 1966 ''Cartesian Linguistics'' and subsequent works, Chomsky laid out an explanation of human language faculties that has become the model for investigation in some areas of psychology. Much of the present conception of how the mind works draws directly from ideas that found their first persuasive author of modern times in Chomsky.

There are three key ideas. First is that the mind is "cognitive", or that the mind actually contains mental states, beliefs, doubts, and so on. Second, he argued that most of the important properties of language and mind are innate. The acquisition and development of a language is a result of the unfolding of innate propensities triggered by the experiential input of the external environment. The link between human innate aptitude to language and heredity has been at the core of the debate opposing Noam Chomsky to Jean Piaget at the Abbaye de Royaumont in 1975 (''Language and Learning. The Debate between Jean Piaget and Noam Chomsky,'' Harvard University Press, 1980). Although links between the genetic setup of humans and aptitude to language have been suggested at that time and in later discussions, we are still far from understanding the genetic bases of human language. Work derived from the model of selective stabilization of synapses set up by Jean-Pierre Changeux, Philippe Courrège and Antoine Danchin, and more recently developed experimentally and theoretically by Jacques Mehler and Stanislas Dehaene in particular in the domain of numerical cognition lend support to the Chomskyan "nativism". It does not, however, provide clues about the type of rules that would organize neuronal connections to permit language competence. Subsequent psychologists have extended this general "nativist" thesis beyond language. Lastly, Chomsky made the concept of "modularity" a critical feature of the mind's cognitive architecture. The mind is composed of an array of interacting, specialized subsystems with limited flows of inter-communication. This model contrasts sharply with the old idea that any piece of information in the mind could be accessed by any other cognitive process (optical illusions, for example, cannot be "turned off" even when they are known to be illusions).

Approach to science

Chomsky sees science as a straightforward search for explanation, and rejects the views of it as a catalog of facts or mechanical explanations. In this light, the majority of his contributions to science have been frameworks and hypotheses, rather than "discoveries."

As such, he considers certain so-called post-structuralist or postmodern critiques of logic and reason to be nonsensical:

I have spent a lot of my life working on questions such as these, using the only methods I know of; those condemned here as "science", "rationality," "logic," and so on. I therefore read the papers with some hope that they would help me "transcend" these limitations, or perhaps suggest an entirely different course. I'm afraid I was disappointed. Admittedly, that may be my own limitation. Quite regularly, "my eyes glaze over" when I read polysyllabic discourse on the themes of poststructuralism and postmodernism; what I understand is largely truism or error, but that is only a fraction of the total word count. True, there are lots of other things I don't understand: the articles in the current issues of math and physics journals, for example. But there is a difference. In the latter case, I know how to get to understand them, and have done so, in cases of particular interest to me; and I also know that people in these fields can explain the contents to me at my level, so that I can gain what (partial) understanding I may want. In contrast, no one seems to be able to explain to me why the latest post-this-and-that is (for the most part) other than truism, error, or gibberish, and I do not know how to proceed.

Although Chomsky believes that a scientific background is important to teach proper reasoning, he holds that science in general is "inadequate" to understand complicated problems like human affairs:

Science talks about very simple things, and asks hard questions about them. As soon as things become too complex, science can’t deal with them... But it’s a complicated matter: Science studies what’s at the edge of understanding, and what’s at the edge of understanding is usually fairly simple. And it rarely reaches human affairs. Human affairs are way too complicated.

Debates

Chomsky has been known to vigorously defend and debate his views and opinions, in philosophy, linguistics, and politics. He has had notable debates with Jean Piaget, Michel Foucault, William F. Buckley, Jr., Christopher Hitchens, George Lakoff, Richard Perle, Hilary Putnam, Willard Quine, and Alan Dershowitz, to name a few. In response to his speaking style being criticized as boring, Chomsky said that "I'm a boring speaker and I like it that way.... I doubt that people are attracted to whatever the persona is.... People are interested in the issues, and they're interested in the issues because they are important." "We don't want to be swayed by superficial eloquence, by emotion and so on."

Political views

Chomsky has stated that his "personal visions are fairly traditional anarchist ones, with origins in the Enlightenment and classical liberalism" and he has praised libertarian socialism. Although Chomsky tries to avoid the ambiguity of labels, his political views are often characterized in news accounts as "leftist" or "left-wing," and he has described himself as an anarcho-syndicalist. He is a member of the Campaign for Peace and Democracy and the Industrial Workers of the World international union. He published a book on anarchism titled ''Chomsky on Anarchism'', published by the anarchist book collective AK Press in 2006.

Chomsky has engaged in political activism all of his adult life and expressed opinions on politics and world events, which are widely cited, publicized and discussed. Chomsky has in turn argued that his views are those the powerful do not want to hear and for this reason he is considered an American political dissident.

Chomsky asserts that authority, unless justified, is inherently illegitimate and that the burden of proof is on those in authority. If this burden can't be met, the authority in question should be dismantled. Authority for its own sake is inherently unjustified. An example given by Chomsky of a legitimate authority is that exerted by an adult to prevent a young child from wandering into traffic. He contends that there is little moral difference between chattel slavery and renting one's self to an owner or "wage slavery". He feels that it is an attack on personal integrity that undermines individual freedom. He holds that workers should own and control their workplace, a view held (as he notes) by the Lowell Mill Girls.

Chomsky has strongly criticized the foreign policy of the United States. He claims double standards in a foreign policy preaching democracy and freedom for all while allying itself with non-democratic and repressive organizations and states such as Chile under Augusto Pinochet and argues that this results in massive human rights violations. He often argues that America's intervention in foreign nations, including the secret aid given to the Contras in Nicaragua, an event of which he has been very critical, fits any standard description of terrorism, including "official definitions in the US Code and Army Manuals in the early 1980s." Before its collapse, Chomsky also condemned Soviet imperialism; for example in 1986 during a question/answer following a lecture he gave at Universidad Centroamericana in Nicaragua, when challenged about how he could "talk about North American imperialism and Russian imperialism in the same breath," Chomsky responded: "One of the truths about the world is that there are two superpowers, one a huge power which happens to have its boot on your neck; another, a smaller power which happens to have its boot on other people's necks. I think that anyone in the Third World would be making a grave error if they succumbed to illusions about these matters."

Regarding the death of Osama bin Laden, Chomsky stated: "We might ask ourselves how we would be reacting if Iraqi commandos landed at George W. Bush's compound, assassinated him, and dumped his body in the Atlantic. Uncontroversially, his crimes vastly exceed bin Laden’s, and he is not a 'suspect' but uncontroversially the 'decider' who gave the orders to commit the 'supreme international crime differing only from other war crimes in that it contains within itself the accumulated evil of the whole' (quoting the Nuremberg Tribunal) for which Nazi criminals were hanged: the hundreds of thousands of deaths, millions of refugees, destruction of much of the country, [and] the bitter sectarian conflict that has now spread to the rest of the region."

He has argued that the mass media in the United States largely serve as a "bought priesthood" of the U.S. government and U.S.-based corporations, with the three intertwined through common interests. In a famous reference to Walter Lippmann, Chomsky along with his coauthor Edward S. Herman has written that the American media manufactures consent among the public. Chomsky has condemned the 2010 US Supreme Court ''Citizens United'' ruling revoking the limits on campaign finance, calling it a "corporate takeover of democracy."

Chomsky opposes the U.S. global "war on drugs", claiming its language is misleading, and refers to it as "the war on certain drugs." He favors drug policy reform, in education and prevention rather than military or police action as a means of reducing drug use. In an interview in 1999, Chomsky argued that, whereas crops such as tobacco receive no mention in governmental exposition, other non-profitable crops, such as marijuana are attacked because of the effect achieved by persecuting the poor. He has stated:

U.S. domestic drug policy does not carry out its stated goals, and policymakers are well aware of that. If it isn't about reducing substance abuse, what is it about? It is reasonably clear, both from current actions and the historical record, that substances tend to be criminalized when they are associated with the so-called dangerous classes, that the criminalization of certain substances is a technique of social control.

Chomsky is critical of the American "state capitalist" system and big business, he describes himself as a socialist, specifically an anarcho-syndicalist, and is critical of "authoritarian" communist branches of socialism. He also believes that socialist values exemplify the rational and morally consistent extension of original unreconstructed classical liberal and radical humanist ideas to an industrial context. He believes that society should be highly organized and based on democratic control of communities and work places. He believes that the radical humanist ideas of his two major influences, Bertrand Russell and John Dewey, were "rooted in the Enlightenment and classical liberalism, and retain their revolutionary character."

Chomsky has stated that he believes the United States remains the "greatest country in the world", a comment that he later clarified by saying, "Evaluating countries is senseless and I would never put things in those terms, but that some of America's advances, particularly in the area of free speech, that have been achieved by centuries of popular struggle, are to be admired." He has also said "In many respects, the United States is the freest country in the world. I don't just mean in terms of limits on state coercion, though that's true too, but also in terms of individual relations. The United States comes closer to classlessness in terms of interpersonal relations than virtually any society."

Chomsky objects to the criticism that anarchism is inconsistent with support for government welfare, stating in part:

One can, of course, take the position that we don't care about the problems people face today, and want to think about a possible tomorrow. OK, but then don't pretend to have any interest in human beings and their fate, and stay in the seminar room and intellectual coffee house with other privileged people. Or one can take a much more humane position: I want to work, today, to build a better society for tomorrow – the classical anarchist position, quite different from the slogans in the question. That's exactly right, and it leads directly to support for the people facing problems today: for enforcement of health and safety regulation, provision of national health insurance, support systems for people who need them, etc. That is not a sufficient condition for organizing for a different and better future, but it is a necessary condition. Anything else will receive the well-merited contempt of people who do not have the luxury to disregard the circumstances in which they live, and try to survive.

Chomsky holds views that can be summarized as anti-war but not strictly pacifist. He prominently opposed the Vietnam War and most other wars in his lifetime. He expressed these views with tax resistance and peace walks. In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War. He published a number of articles about the war in Vietnam, including "The Responsibility of Intellectuals". He maintains that U.S. involvement in World War II to defeat the Axis powers was probably justified, with the caveat that a preferable outcome would have been to end or prevent the war through earlier diplomacy. He believes that the dropping of nuclear bombs on Hiroshima and Nagasaki were "among the most unspeakable crimes in history".

Chomsky has made many criticisms of the Israeli government, its supporters, the United States' support of the government and its treatment of the Palestinian people, arguing that " 'supporters of Israel' are in reality supporters of its moral degeneration and probable ultimate destruction" and that "Israel's very clear choice of expansion over security may well lead to that consequence." Chomsky disagreed with the founding of Israel as a Jewish state, saying, "I don't think a Jewish or Christian or Islamic state is a proper concept. I would object to the United States as a Christian state." Chomsky hesitated before publishing work critical of Israeli policies while his parents were alive, because he "knew it would hurt them" he says, "mostly because of their friends, who reacted hysterically to views like those expressed in my work." On May 16, 2010, Israeli authorities detained Chomsky and ultimately refused his entry to the West Bank via Jordan. A spokesman for the Israeli Prime Minister indicated that the refusal of entry was simply due to a border guard who "overstepped his authority" and a second attempt to enter would likely be allowed. Chomsky disagreed, saying that the Interior Ministry official who interviewed him was taking instructions from his superiors. Chomsky maintained that based on the several hours of interviewing, he was denied entry because of the things he says and because he was visiting a university in the West Bank but no Israeli universities.

Chomsky has a broad view of free-speech rights, especially in the mass media, and opposes censorship. He has stated that "with regard to freedom of speech there are basically two positions: you defend it vigorously for views you hate, or you reject it and prefer Stalinist/fascist standards". With reference to the United States diplomatic cables leak, Chomsky suggested that "perhaps the most dramatic revelation ... is the bitter hatred of democracy that is revealed both by the U.S. Government -- Hillary Clinton, others -- and also by the diplomatic service." Chomsky refuses to take legal action against those who may have libeled him and prefers to counter libels through open letters in newspapers. One notable example of this approach is his response to an article by Emma Brockes in ''The Guardian'' which alleged he denied the existence of the Srebrenica massacre. Chomsky's complaint prompted The Guardian to publish an apologetic correction and to withdraw the article from the paper's website.

Chomsky has frequently stated that there is no connection between his work in linguistics and his political views and is generally critical of the idea that competent discussion of political topics requires expert knowledge in academic fields. In a 1969 interview, he said regarding the connection between his politics and his work in linguistics:

I still feel myself that there is a kind of tenuous connection. I would not want to overstate it but I think it means something to me at least. I think that anyone's political ideas or their ideas of social organization must be rooted ultimately in some concept of human nature and human needs.

Some critics have accused Chomsky of hypocrisy when, in spite of his political criticism of American and European military imperialism, early research at the institution (MIT) where he did his linguistic research had been substantially funded by the American military. Chomsky makes the argument that because he has received funding from the U.S. military, he has an even greater responsibility to criticize and resist its immoral actions.

He is also an outspoken advocate against the use of the death penalty and has spoken against the execution of Steven Woods.

I think the death penalty is a crime no matter what the circumstances, and it is particularly awful in the Steven Woods case. I strongly oppose the execution of Steven Woods on September 13, 2011.

Influence in other fields

''Chomskyan'' models have been used as a theoretical basis in several other fields. The Chomsky hierarchy is often taught in fundamental computer science courses as it confers insight into the various types of formal languages. This hierarchy can also be discussed in mathematical terms and has generated interest among mathematicians, particularly combinatorialists. Some arguments in evolutionary psychology are derived from his research results.

The 1984 Nobel Prize laureate in Medicine and Physiology, Niels K. Jerne, used Chomsky's generative model to explain the human immune system, equating "components of a generative grammar ... with various features of protein structures". The title of Jerne's Stockholm Nobel lecture was "The Generative Grammar of the Immune System".

Nim Chimpsky, a chimpanzee who was the subject of a study in animal language acquisition at Columbia University, was named after Chomsky in reference to his view of language acquisition as a uniquely human ability.

Famous computer scientist Donald Knuth admits to reading Syntactic Structures during his honeymoon and being greatly influenced by it. "...I must admit to taking a copy of Noam Chomsky's Syntactic Structures along with me on my honeymoon in 1961 ... Here was a marvelous thing: a mathematical theory of language in which I could use a computer programmer's intuition!".

Another focus of Chomsky's political work has been an analysis of mainstream mass media (especially in the United States), its structures and constraints, and its perceived role in supporting big business and government interests.

Edward S. Herman and Chomsky's book ''Manufacturing Consent: The Political Economy of the Mass Media'' (1988) explores this topic in depth, presenting their "propaganda model" of the news media with numerous detailed case studies demonstrating it. According to this propaganda model, more democratic societies like the U.S. use subtle, non-violent means of control, unlike totalitarian systems, where physical force can readily be used to coerce the general population. In an often-quoted remark, Chomsky states that "propaganda is to a democracy what the bludgeon is to a totalitarian state." (Media Control)

The model attempts to explain this perceived systemic bias of the mass media in terms of structural economic causes rather than a conspiracy of people. It argues the bias derives from five "filters" that all published news must "pass through," which combine to systematically distort news coverage.

In explaining the first filter, ownership, he notes that most major media outlets are owned by large corporations. The second, funding, notes that the outlets derive the majority of their funding from advertising, not readers. Thus, since they are profit-oriented businesses selling a product—readers and audiences—to other businesses (advertisers), the model expects them to publish news that reflects the desires and values of those businesses. In addition, the news media are dependent on government institutions and major businesses with strong biases as sources (the third filter) for much of their information. Flak, the fourth filter, refers to the various pressure groups that attack the media for supposed bias. Norms, the fifth filter, refer to the common conceptions shared by those in the profession of journalism. (Note: in the original text, published in 1988, the fifth filter was "anticommunism". However, with the fall of the Soviet Union, it has been broadened to allow for shifts in public opinion.) The model describes how the media form a decentralized and non-conspiratorial but nonetheless very powerful propaganda system, that is able to mobilize an elite consensus, frame public debate within elite perspectives and at the same time give the appearance of democratic consent.

Chomsky and Herman test their model empirically by picking "paired examples"—pairs of events that were objectively similar except for the alignment of domestic elite interests. They use a number of such examples to attempt to show that in cases where an "official enemy" does something (like murder of a religious official), the press investigates thoroughly and devotes a great amount of coverage to the matter, thus victims of "enemy" states are considered "worthy". But when the domestic government or an ally does the same thing (or worse), the press downplays the story, thus victims of US or US client states are considered "unworthy."

They also test their model against the case that is often held up as the best example of a free and aggressively independent press, the media coverage of the Tet Offensive during the Vietnam War. Even in this case, they argue that the press was behaving subserviently to elite interests.

Academic achievements, awards and honors

In early 1969, he delivered the John Locke Lectures at Oxford University; in January 1970, the Bertrand Russell Memorial Lecture at University of Cambridge; in 1972, the Nehru Memorial Lecture in New Delhi; in 1977, the Huizinga Lecture in Leiden; in 1988 the Massey Lectures at the University of Toronto, titled "Necessary Illusions: Thought Control in Democratic Societies"; in 1997, The Davie Memorial Lecture on Academic Freedom in Cape Town, and many others.

Chomsky has received many honorary degrees from universities around the world, including from the following:

University of London

University of Chicago

Loyola University of Chicago

Swarthmore College

University of Delhi

Bard College

University of Massachusetts

University of Pennsylvania

Georgetown University

Amherst College

University of Cambridge

University of Colorado

University of Buenos Aires

McGill University

Rovira i Virgili University

Columbia University

Villanova University

University of Connecticut

University of Maine

Scuola Normale Superiore

University of Western Ontario

University of Toronto

Harvard University

Universidad de Chile

University of Bologna

Universidad de La Frontera

University of Calcutta

Universidad Nacional de Colombia

Vrije Universiteit Brussel

Santo Domingo Institute of Technology

Uppsala University

University of Athens

University of Cyprus

Central Connecticut State University

National Autonomous University of Mexico (UNAM)

Peking University National Tsing Hua University He is a member of the American Academy of Arts and Sciences, the National Academy of Sciences, and the American Philosophical Society. In addition, he is a member of other professional and learned societies in the United States and abroad, and is a recipient of the Distinguished Scientific Contribution Award of the American Psychological Association, the Kyoto Prize in Basic Sciences, the Helmholtz Medal, the Dorothy Eldridge Peacemaker Award, the 1999 Benjamin Franklin Medal in Computer and Cognitive Science, and others. He is twice winner of The Orwell Award, granted by The National Council of Teachers of English for "Distinguished Contributions to Honesty and Clarity in Public Language" (in 1987 and 1989).

He is a member of the Serbian Academy of Sciences and Arts in Department of Social Sciences.

In 2005, Chomsky received an honorary fellowship from the Literary and Historical Society. In 2007, Chomsky received The Uppsala University (Sweden) Honorary Doctor's degree in commemoration of Carolus Linnaeus. In February 2008, he received the President's Medal from the Literary and Debating Society of the National University of Ireland, Galway. Since 2009 he is an honorary member of IAPTI.

In 2010, Chomsky received the Erich Fromm Prize in Stuttgart, Germany. In April 2010, Chomsky became the third scholar to receive the University of Wisconsin's A.E. Havens Center's Award for Lifetime Contribution to Critical Scholarship.

Chomsky has an Erdős number of four.

Chomsky was voted the leading living public intellectual in The 2005 Global Intellectuals Poll conducted by the British magazine ''Prospect''. He reacted, saying "I don't pay a lot of attention to polls". In a list compiled by the magazine ''New Statesman'' in 2006, he was voted seventh in the list of "Heroes of our time".

Actor Viggo Mortensen with avant-garde guitarist Buckethead dedicated their 2006 album, called ''Pandemoniumfromamerica'', to Chomsky.

On January 22, 2010, a special honorary concert for Chomsky was given at Kresge Auditorium at MIT. The concert, attended by Chomsky and dozens of his family and friends, featured music composed by Edward Manukyan and speeches by Chomsky's colleagues, including David Pesetsky of MIT and Gennaro Chierchia, head of the linguistics department at Harvard University.

In June 2011, Chomsky was awarded the Sydney Peace Prize, which cited his "unfailing courage, critical analysis of power and promotion of human rights".

In 2011, Chomsky was inducted into IEEE Intelligent Systems' AI's Hall of Fame for the "significant contributions to the field of AI and intelligent systems".

Bibliography

Filmography

''Manufacturing Consent: Noam Chomsky and the Media'', Director: Mark Achbar and Peter Wintonick (1992)

''Last Party 2000'', Director: Rebecca Chaiklin and Donovan Leitch (2001)

''Power and Terror: Noam Chomsky in Our Times'', Director: John Junkerman (2002)

''Distorted Morality—America's War On Terror?'', Director: John Junkerman (2003)

''Noam Chomsky: Rebel Without a Pause'' (TV), Director: Will Pascoe (2003)

''The Corporation'', Directors: Mark Achbar and Jennifer Abbott; Writer: Joel Bakan (2003)

''Peace, Propaganda & the Promised Land'', Directors: Sut Jhally and Bathsheba Ratzkoff (2004)

''On Power, Dissent and Racism: A discussion with Noam Chomsky'', Journalist: Nicolas Rossier; Producers: Eli Choukri, Baraka Productions (2004)

''Lake of Fire'', Director: Tony Kaye (2006)

''American Feud: A History of Conservatives and Liberals'', Director: Richard Hall (2008)

''Chomsky & Cie'' Director: Olivier Azam (out in 2008)

''An Inconvenient Tax'', Director: Christopher P. Marshall (out in 2009)

''The Money Fix,'' Director: Alan Rosenblith (2009)

''Pax Americana and the Weaponization of Space'', Director: Denis Delestrac (2010)

''Article 12: Waking up in a surveillance society'', Director: Juan Manuel Biaiñ (2010)

See also

American philosophy

Axiom of categoricity

Chomskybot

"Colorless green ideas sleep furiously"

English studies

Knowledge worker

List of American philosophers

Important publications in computability

''The Anti-Chomsky Reader''

References

External links

chomsky.info official website

Noam Chomsky at MIT

Noam Chomsky articles on libcom.org

Noam Chomsky at ''Democracy Now!''

Column archive at ''The Guardian''

Articles and videos featuring Noam Chomsky at AnarchismToday.org

;Interviews and articles

Talks by Noam Chomsky at A-Infos Radio Project

Interview about Human Rights by scholars (English with French subtitles) – 2009

Chomsky media files at the Internet Archive

Noam Chomsky interviewed by Alyssa McDonald on ''New Statesman'', September 2010.

The Real News (TRNN) ">Noam Chomsky Interviews on The Real News (TRNN)

Hegemony or Survival: America's Quest for Global Dominance – discussion on the "Bush doctrine" and its implications, C-SPAN, Feb 2004

Philosophies of Language & Politics – talk at The Commonwealth Club, October 2009

Thought Economics Interviews Noam Chomsky – Noam Chomsky interviewed on global democracy, April 2011

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name	Kate Bush
background	solo_singer
birth name	Catherine Bush
transformice name	Katebush
birth date	July 30, 1958
birth place	Bexleyheath, Kent, England
instrument	Vocals, piano, keyboards, bass guitar, guitar, violin
genre	Art rock, progressive rock, alternative rock
occupation	Musician, vocalist, songwriter, record producer
years active	1975–present
label	EMI Records (1975–present)Columbia Records (U.S.) (1989–2009)Legacy Recordings (2010–present) Fish People (division of EMI) 2011–
website
notable instruments	Fairlight CMI }}

Kate Bush (born Catherine Bush 30 July 1958) is an English singer-songwriter, musician and record producer. Her eclectic musical style and idiosyncratic vocal style have made her one of the United Kingdom's most successful solo female performers of the past 30 years. Bush was signed by EMI at the age of 16 after being recommended by Pink Floyd's David Gilmour. In 1978, at age 19, she topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights," becoming the first woman to have a UK number-one with a self-written song. She was also the most photographed woman in the United Kingdom the following year.

After her 1979 tour—the only concert tour of her career—Bush released the 1980 album ''Never for Ever'', which made her the first British solo female artist to top the UK album charts and the first female artist ever to enter the album chart at No. 1. In 1987, she won a BRIT Award for Best British Female Solo Artist. She has released ten albums, three of which topped the UK Albums Chart, and has had twenty-five UK Top 40 hit singles including "Wuthering Heights," "Running Up that Hill," "King of the Mountain," "Babooshka," "The Man with the Child in His Eyes," and "Don't Give Up" (a duet with Peter Gabriel)—all of which reached the Top 10.

In 2002, Bush's songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. In 2005, she released ''Aerial'', her first album in 12 years. The album earned her a BRIT Award nomination for Best Album and another for Best Solo Female Artist. During the course of her career, she has also been nominated for three Grammy Awards. In early 2011, EMI Records also announced an upcoming re-issue of four of Bush's albums (''The Dreaming'', ''Hounds of Love'', ''The Sensual World'' and ''The Red Shoes'') under the name of her own label, Fish People, now that Bush has regained full control over these records. Bush released ''Director's Cut'' on 16 May 2011, which contains reworked material from her albums ''The Sensual World'' (1989) and ''The Red Shoes'' (1993). As of May 2011, Bush was working on an album of new material.

Early life

Bush was born in Bexleyheath, Kent, to English physician Robert Bush and his Irish wife, Hannah Daly. She was raised in their farmhouse in East Wickham, Kent, with her older brothers, John and Paddy. Bush came from an artistic background: her mother was a former Irish folk dancer, her father was an accomplished pianist, Paddy worked as a musical-instrument maker and John was a poet and photographer. Both brothers were involved in the local folk music scene. John was a karateka at Goldsmiths College karate club and Bush also trained there, becoming known as "Ee-ee" because of her squeaky kiai. One of the instructors, Dave Hazard, later noted in his autobiography that her dance moves seemed to owe something to karate. Her family's musical influence inspired the young Kate to teach herself to play the piano at age 11. She also played the organ in a barn behind her parents' house and studied the violin. She soon began writing her own tunes and eventually added lyrics to them.

Career

Bush attended St Joseph's Convent Grammar School (later the St Joseph's campus of Bexley College) and a Catholic girls' school on Woolwich Road in Abbey Wood, London, in the mid-1970s. During this time her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. David Gilmour of Pink Floyd received the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies. The tape was produced by Gilmour's friend Andrew Powell, who would go on to produce Bush's first two albums, as well as by sound engineer Geoff Emerick. The tape was sent to EMI executive Terry Slater, who would become famous for signing The Sex Pistols. Slater was impressed by the tape and signed her. At that time, Pink Floyd was an important act to EMI. The British record industry was reaching a point of stagnation. Progressive rock was very popular and visually oriented rock performers were growing in popularity, thus record labels looking for the next big thing were considering experimental acts.

Bush was put on retainer for two years by Bob Mercer managing director of EMI group-repertoire division. According to Mercer he felt Bush's material was good enough to be released but felt if the album failed it would be demoralizing and if it was successful Bush was too young to handle it. For the first two years of her contract, Bush spent more time on school work than making an album. She left school after doing her mock A-levels and having gained ten GCE O-Level qualifications. In 2005, Bush stated in an interview with Mark Radcliffe on BBC Radio 2 that she believed EMI signed her before she was ready to make an album so that no other record company could offer her a contract. After the contract signing, EMI forwarded her a sizeable advance which she used to enroll in interpretive dance classes taught by Lindsay Kemp, a former teacher of David Bowie, and mime training with Adam Darius.

Bush also wrote and made demos of close to 200 songs, a few of which today can be found on bootleg recordings and are known as the ''Phoenix Recordings''. From March to August 1977, she fronted the KT Bush Band at public houses around London – specifically at the Rose of Lee public house (now Dirty South) in Lewisham. The other three band members were Del Palmer (bass), Brian Bath (guitar), and Vic King (drums). She began recording her first album in August 1977, although two tracks had been recorded during the summer of 1975.

''The Kick Inside'' and ''Lionheart''

As part of her preparation for entering the studio, Bush toured pubs with the KT Bush Band. However, for her debut album ''The Kick Inside'' (1978) she was persuaded to use established session musicians, some of whom she would retain even after she had brought her band-mates back on board. Her brother Paddy Bush played the harmonica and mandolin, unlike on later albums where he would play more exotic instruments such as the balalaika and didgeridoo. Stuart Elliott played some of the drums and would become her main percussionist on subsequent albums.

Bush released ''The Kick Inside'' when she was 19 years old, but some of the songs had been written when she was as young as 13. EMI originally wanted the more rock-oriented track "James and the Cold Gun" to be her debut single, but Bush insisted that it should be "Wuthering Heights". Even at this early stage of her career, she had gained a reputation for her determination to have a say in decisions affecting her work. "Wuthering Heights" topped the UK and Australian charts and became an international hit. Bush became the first woman to reach number one in the UK charts with a self-penned song. A second single, "The Man with the Child in His Eyes", reached number six on the UK charts. It also made it onto the American Billboard Hot 100 where it reached number 85 in early 1979. Bob Mercer felt that Bush's relative lack of success in the United States compared to the rest of the world was due to her music being a poor fit for American radio formats and that there were no outlets for the visual presentation central to Bush's appeal. "The Man with the Child in His Eyes" went on to win her an Ivor Novello Award in 1979 for Outstanding British Lyric. EMI capitalised on Bush's appearance by promoting the album with a poster of her in a tight pink top that emphasised her breasts. In an interview with ''NME'' magazine in 1982, Bush criticised the marketing technique, stating: "People weren't even generally aware that I wrote my own songs or played the piano. The media just promoted me as a female body. It's like I've had to prove that I'm an artist in a female body." In late 1978, EMI persuaded Bush to quickly record a follow-up album, ''Lionheart'', to take advantage of the success of ''The Kick Inside''. Bush has often expressed dissatisfaction with ''Lionheart'', feeling that she needed more time to get it right. The album was rushed out of the studio in Nice on the French Riviera. The album was produced by Andrew Powell, assisted by Bush. While it has its share of hits, most notably "Wow", it did not garner the same reception as her first album, reaching number six in the UK album charts.

Bush was displeased with being rushed into making the second album. She set up her own publishing company, Kate Bush Music, and her own management company, Novercia, to maintain complete control over her work. The board of directors of these companies was herself and members of her family. Following the album's release, she was required by EMI to undertake heavy promotional work and an exhausting tour, the only one of her career. The tour, named The Tour of Life, began in April 1979 and lasted six weeks. This live show was co-devised and performed on stage with magician Simon Drake. Typical of her determination to have control, she was involved in every aspect of the show's production, choreography, set design, and staff recruitment. The shows were noted for her dancing, complex lighting and her 17 costume changes per show. Because of her intention to dance as she sang, her sound engineers used a wire coat hanger and a radio microphone to fashion the first headset mic to be used by a rock performer, at least since the Swedish group Spotnicks used a very primitive version in the early 1960s.

''Never for Ever'' and ''The Dreaming''

Released in September 1980, ''Never for Ever'' saw Bush's second foray into production, co-producing with Jon Kelly. Her first time as a producer was on her ''Live On Stage'' EP, released after her tour the previous year. The first two albums had resulted in a definitive sound evident in every track, with orchestral arrangements supporting the live band sound. The range of styles on ''Never for Ever'' is much more diverse, veering from the straightforward rocker "Violin" to the wistful waltz of hit single "Army Dreamers". ''Never for Ever'' was the first Kate Bush album to feature synthesisers and drum machines, in particular the Fairlight CMI, to which she was introduced when providing backing vocals on Peter Gabriel's third album in early 1980. It was her first record to reach the top position in the UK album charts, also making her the first female British artist to achieve that status, and the first female artist ever to enter the album chart at the top. The top-selling single from the album was "Babooshka", which reached number five in the UK singles chart. In November 1980, she released the Christmas single "December Will Be Magic Again", which reached number 29 in the UK charts.

September 1982 saw the release of ''The Dreaming'', the first album Bush produced by herself. It was also a major departure for Bush, being initially composed on the Fairlight CMI rather than piano, with songs extensively revised and rebuilt in the studio, rather than merely arranged there. With her new-found freedom, she experimented with production techniques, creating an album that features a diverse blend of musical styles and is known for its near-exhaustive use of the Fairlight CMI. ''The Dreaming'' received a mixed critical reception in the UK at first. Many were baffled by the dense soundscapes Bush had created, and some critics accused the album of being over-produced. In a 1993 interview with ''Q'', Bush stated: "That was my 'She's gone mad' album." However, the album was hailed as a "masterpiece" and a "musical ''tour-de-force''" by critics in America, and the album became her first to enter the US charts, albeit only reaching number 157. The album entered the UK album chart at no.3, but is to date her lowest selling album, garnering only a gold disc.

"Sat in Your Lap" was the first single from the album to be released. It pre-dated the album by over a year and peaked at number 11 in the UK. The album's title track, featuring the talents of Rolf Harris and Percy Edwards, stalled at number 48, while the third single, "There Goes a Tenner", failed to chart, despite promotion from EMI and Bush. The track "Suspended in Gaffa" was released as a single in Europe, but not in the UK.

Continuing in her storytelling tradition, Bush looked far outside her own personal experience for sources of inspiration. She drew on old crime films for "There Goes A Tenner", a documentary about the war in Vietnam for "Pull Out The Pin", and the plight of Indigenous Australians for "The Dreaming". "Houdini" is about the magician's death, and "Get Out Of My House" was inspired by Stanley Kubrick's film of Stephen King's novel ''The Shining''.

''Hounds of Love'' and ''The Whole Story''

''Hounds of Love'' was released in 1985. Because of the high cost of hiring studio space for her previous album, she built a private studio near her home, where she could work at her own pace. ''Hounds of Love'' ultimately topped the charts in the UK, knocking Madonna's ''Like A Virgin'' from the number one position.

The album takes advantage of the vinyl format with two very different sides. The first side, ''Hounds of Love'', contains five "accessible" pop songs, including the four singles "Running Up that Hill," "Cloudbusting," "Hounds of Love," and "The Big Sky." In August 1985, ''NME'' featured Bush in a "Where Are They Now" article. "Running Up that Hill" reached number 3 in the UK charts and also re-introduced Bush to American listeners, climbing to number 30 on the Billboard Hot 100 in November 1985. The second side of the album, ''The Ninth Wave'', takes its name from Tennyson's poem, "Idylls of the King," about the legendary King Arthur's reign, and is one continuous piece of music. The album earned Bush nominations for Best Female Solo Artist, Best Album, Best Single, and Best Producer at the 1986 BRIT Awards. In the same year, Bush and Peter Gabriel had a UK top ten hit with "Don't Give Up," and EMI released her "greatest hits" album, ''The Whole Story'', for which she recorded the single "Experiment IV" and provided new vocals and a refreshed backing track to "Wuthering Heights." Bush won the award for Best Female Solo Artist at the 1987 BRIT Awards.

''The Sensual World'' and ''The Red Shoes''

The increasingly personal tone of her writing continued on 1989's ''The Sensual World'', with songs about unexpressed and unrequited love ("Love and Anger" and "Never Be Mine," respectively), and the pressures on modern relationships ("Between a Man and a Woman"). One of the quirkiest tracks on the album, touched by Bush's black humour, is "Heads We're Dancing," about a woman who dances all night with a charming stranger only to find out in the morning that he is Adolf Hitler. The title track drew its inspiration from James Joyce's novel ''Ulysses''.

''The Sensual World'' went on to become her biggest-selling album in the US, receiving an RIAA Gold certification four years after its release for 500,000 copies sold. In the United Kingdom album charts, it reached the number two position.

In 1990, the boxed-set ''This Woman's Work'' was released and included all of her albums with their original cover art, as well as two discs of all single B sides recorded from 1978–1990. In 1991, Bush released a cover of Elton John's "Rocket Man," which reached number 12 in the UK singles chart and in 2007, was voted the greatest cover ever by readers of ''The Observer'' newspaper. She recorded "Candle in the Wind," as the single's b-side.

''The Red Shoes'' was released in November 1993. ''The Red Shoes'' features more high-profile cameo appearances than Bush's previous efforts, including contributions from composer and conductor Michael Kamen. Comedian Lenny Henry, Prince, Eric Clapton, Gary Brooker of Procol Harum, Trevor Whittaker, and Jeff Beck also contributed to the album. The album gave Bush her highest chart position in the US, reaching number 28, although the only song from the album to make the US singles chart was "Rubberband Girl", which peaked at number 88 in January 1994. In the UK, the album reached number two, and the singles "Rubberband Girl," "The Red Shoes," "Moments of Pleasure," and "And So Is Love" all reached the top 30. That same year, the short film ''The Line, the Cross & the Curve'', written and directed by Bush, and starring Bush and English actress Miranda Richardson, used six of the songs on the album.

The initial plan had been to take the songs out on the road (though a new tour did not transpire), so Bush deliberately aimed for a live-band feel, with less of the studio trickery that had typified her last three albums and that would be difficult to recreate on stage. The result alienated some of her fan base, who enjoyed the intricacy of her earlier compositions, but others found a new complexity in the lyrics and the emotions they expressed.

This was a troubled time for Bush. She had suffered a series of bereavements, including the loss of guitarist Alan Murphy, who had started working with her on The Tour Of Life in 1979, and her mother Hannah, to whom she was exceptionally close. Many of the people she lost are honoured in the ballad "Moments of Pleasure." However, Bush's mother was still alive when "Moments of Pleasure" was written and recorded. Bush describes playing the song to her mother, who thought the line where she is quoted by Bush as saying "Every old sock meets an old shoe", was hilarious and "couldn't stop laughing".

''Aerial''

After the release of ''The Red Shoes'', Bush dropped out of the public eye for many years, although her name occasionally cropped up in the media with rumours of a new album release. Bush had originally intended to take one year off but despite working on material 12 years would pass before her next album release. The press often viewed her as an eccentric recluse, sometimes drawing a comparison with Miss Havisham from Charles Dickens's ''Great Expectations''. In reality, she was trying to give her young son a normal childhood, and needed a quiet place for her creative process to function. In 1998, Bush had given birth to Albert, known as "Bertie", fathered by her guitarist and now-husband Danny McIntosh. After living for many years on Court Road, Eltham, southeast London, the couple and their son moved away from the city and currently have two homes: a £2.5 million house in East Portlemouth on the Devon coast and a mansion on an islet on the Kennet and Avon canal at Sulhamstead in West Berkshire.

Bush's eighth studio album, ''Aerial'', was released on double CD and vinyl in November 2005. The first single from the album was "King of the Mountain", which was played for the first time on BBC Radio 2 on 21 September 2005.

As on ''Hounds of Love'' (1985), the album is divided into two sections, each with its own theme and mood. The first disc, subtitled ''A Sea of Honey'', features a set of unrelated themed songs, including "King of the Mountain"; "Bertie", a Renaissance-style ode to her son; and "Joanni", based on the story of Joan of Arc. In the song "π", Bush sings the number to 115 decimal places. The second disc, subtitled ''A Sky of Honey'', features one continuous piece of music describing the experience of being outdoors after waking at dawn, moving through afternoon, dusk, to night, then back to the following dawn of single summer's day. All the pieces in this suite refer or allude to sky and sea the in their lyrical content. Bush mixed her voice with cooing wood pigeons to repeat the phrases "A sea of honey, a sky of honey," and "You're full of beauty" throughout the piece, and uses recordings of actual birdsong throughout. ''A Sky of Honey'' features Rolf Harris playing the didgeridoo on one track, and providing vocals on "The Painter's Link". Other artists making guest appearances on the album include Peter Erskine, Eberhard Weber, Lol Creme, and Gary Brooker. Two tracks feature string arrangements by Michael Kamen, performed by the London Metropolitan Orchestra. A CD release of the single "King of the Mountain" included a cover of "Sexual Healing" by Marvin Gaye.

"King of the Mountain" entered the UK Downloads Chart at number six on 17 October 2005, and by 30 October it had become Bush's third-highest-charting single ever in the UK, peaking at number four on the full chart. ''Aerial'' entered the UK albums chart at number 3, and the US chart at number 48. Bush herself carried out relatively little publicity for the album, only conducting a handful of magazine and radio interviews. ''Aerial'' earned Bush two nominations at the 2006 BRIT Awards, for Best British Female Solo Artist and Best British Album.

In late 2007, Bush composed and recorded a new song, "Lyra", for the soundtrack to the fantasy film ''The Golden Compass''.

''Director's Cut'' and new material

On 16 May 2011, Bush released the album ''Director's Cut''. The album, which Bush has described as an entirely new project rather than a collection of mere remixes, contains 11 tracks of substantially reworked material from her earlier albums ''The Sensual World'' and ''The Red Shoes'', all of which have been recorded using analogue, rather than digital, equipment to create "a warmer sound". All the tracks have new lead vocals, new drums, and radically reworked instrumentation. Some of them have been transposed to a lower key to accommodate her lowering voice. Three of the songs, including "This Woman's Work", have been completely re-recorded, with lyrics often changed in places. The album has been met with a wide range of reviews with most reviewers a bit confused about the concept of the album itself, while responding with varying degrees of enthusiasm about its revamped tracks. Of particular note is the warmer, more intimate tone of the songs and the richer, more mature sound of her voice. This is the first album on her new label, Fish People, a division of EMI Records, with whom she's had a relationship since she started recording. In addition to the album ''Director's Cut'' in both its single CD form and in a box-set with the analog re-mastered ''The Red Shoes'' and ''The Sensual World'', Fish People will be releasing re-mastered editions of ''The Hounds of Love'' and ''The Dreaming''. The album debuted at number 2 on the United Kingdom chart.

The song "The Sensual World" has been renamed "Flower of the Mountain" and contains a passage of Molly Bloom's famous soliloquy from James Joyce's novel ''Ulysses''. Bush said, "Originally when I wrote the song "The Sensual World," I had used text from the end of Ulysses. When I asked for permission to use the text I was refused, which was disappointing. I then wrote my own lyrics for the song, although I felt that the original idea had been more interesting. Well, I'm not James Joyce am I? When I came to work on this project I thought I would ask for permission again and this time they said yes."

The first single released from the album was "Deeper Understanding" and contains a new chorus featuring computerized vocals from Bush's son, Albert. A video for the song, directed by Bush, has been released through her channel on YouTube. It features Robbie Coltrane as a man consumed by his relationship with his computer (voiced by Bush's son). Frances Barber plays the man's wife, and Noel Fielding also appears.

As of May 2011, Bush has stated that she is working on an album of new material, most of which has been written and one EMI executive has said, "we have been told to prepare for a November [2011] release."

Musical style

Bush's music is eclectic, using various styles of music even within the same album. Her songs have spanned genres as diverse as rock, pop, alternative and art rock. Even in her earliest works where the piano was a primary instrument, she wove together many diverse influences, melding classical music, rock, and a wide range of ethnic and folk sources, and this has continued throughout her career.

In an interview with ''Melody Maker'' magazine in 1977, she revealed that male artists had more influence on her work than females, stating: "Every female you see at a piano is either Lynsey De Paul, or Carole King. And most male music—not all of it but the good stuff—really lays it on you. It really puts you against the wall and that's what I like to do. I'd like my music to intrude. Not many females succeed with that."

The experimental nature of her music has led it to be described as a later, more technological, and more accessible manifestation of the British progressive rock movement. Southern England was the home to the most influential and successful acts of the progressive rock movement and, like other artists in this genre, Bush rejects the classic American style of making pop music, which was adopted by most UK pop artists. Bush's vocals contain elements of British, Anglo-Irish and most prominently (southern) English accents and, in its utilization of musical instruments from many periods and cultures, her music has differed from American pop norms. Elements of Bush's lyrics tend to be more unusual and less clichéd than American-style pop lyrics, often employing historical or literary references and avoiding autobiographical lyrics. She considers herself a storyteller who embodies the character singing the song and strenuously rejects efforts by others to insist that her songs are autobiographical.

Reviewers have used the term "surreal" to describe her music. Many of her songs have a melodramatic emotional and musical surrealism that defies easy categorisation. It has been observed that even the more joyous pieces are often tinged with traces of melancholy, and even the most sorrowful pieces have elements of vitality struggling against all that would oppress them.

Bush is not afraid to tackle sensitive and taboo subjects. "The Kick Inside" is based on a traditional English folk song (''The Ballad of Lucy Wan'') about an incestuous pregnancy and a resulting suicide. "Kashka from Baghdad" is a song about a homosexual male couple; ''Out'' magazine listed two of her albums in their Top 100 Greatest Gayest albums list. "The Infant Kiss" is a song about a haunted, unstable woman's almost paedophile infatuation with a young boy in her care (inspired by Jack Clayton's film ''The Innocents'' (1961), which had been based on Henry James's famous novella ''The Turn of the Screw''); and "Breathing" explores the results of nuclear fallout from the perspective of an unborn child in the womb. Her lyrics have referenced a wide array of subject matter, often relatively obscure, as in "Cloudbusting", which was inspired by Peter Reich's autobiography, "Book of Dreams", about his relationship with his father, Wilhelm Reich, and G. I. Gurdjieff in "Them Heavy People", while "Deeper Understanding", from ''The Sensual World'', portrays a person who stays indoors, obsessively talking to a computer and shunning human contact.

Comedy is also a big influence on her and is a significant component of her work. She has cited Woody Allen, ''Monty Python'', ''Fawlty Towers'', and ''The Young Ones'' as particular favourites. Horror movies are another interest of Bush's and have influenced the gothic nature of several of her songs, such as "Get Out of My House", inspired by Stanley Kubrick's ''The Shining'', and "Hounds of Love", inspired by the 1957 horror movie ''Night of the Demon''. Her songs have occasionally combined comedy and horror to form dark humour, such as murder by poisoning in "Coffee Homeground", an alcoholic mother in "Ran Tan Waltz" and the upbeat "The Wedding List", a song inspired by François Truffaut's 1967 film of Cornell Woolrich's ''The Bride Wore Black'' about the death of a groom and the bride's subsequent revenge against the killer.

Length of time between albums and perception of perfectionism

The length of time in between album releases has led to rumours in the media concerning her health or appearance. In the past, stories of weight gain or mental instability have been disproved by Bush's periodic reappearance. In 2011 Bush told BBC Radio 4 that the amount of time between album releases is extremely stressful noting: "It's very frustrating the albums take as long as they do...I wish there weren't such big gaps between them." In the same interview Bush denied she was a perfectionist in the studio, saying: "I think it's important that things are flawed...That's what makes a piece of art interesting sometimes – the bit that's wrong or the mistake you've made that's led onto an idea you wouldn't have had otherwise," and reiterated her prioritization of her family life.

Live performances

Bush's only tour took place 2 April – 13 May 1979, after which she gave only the occasional live performance. Several reasons have been suggested as to why she abandoned touring, among them her reputed need to be in total control of the final product, which is incompatible with live stage performance, a rumour of a crippling fear of flying, and the suggestion that the death of 21-year-old Bill Duffield severely affected her. Duffield, her lighting director, was killed in an accident during her 2 April 1979 concert at Poole Arts Centre. Bush held a benefit concert on 12 May 1979, with Peter Gabriel and Steve Harley at London's Hammersmith Odeon for his family. Duffield would be honoured in two later songs: "Blow Away" on ''Never for Ever'' and "Moments of Pleasure" on ''The Red Shoes''. Bush explained in a BBC Radio 2 interview with Mark Radcliffe that she actually enjoyed the tour but was consumed with producing her subsequent records.

During the same period as her tour, she made numerous television appearances around the world, including ''Top of the Pops'' in the United Kingdom, ''Bios Bahnhof'' in Germany, and ''Saturday Night Live'' in the United States (with Paul Shaffer on piano). On 28 December 1979, BBC TV aired the ''Kate Bush Christmas Special''. It was recorded in October 1979 at the BBC Studios in Birmingham, England; choreography by Anthony Van Laast. As well as playing songs from her first two albums, she played "December Will Be Magic Again", and "Violin" from her forthcoming album, ''Never for Ever''. Peter Gabriel made a guest appearance to play "Here Comes the Flood", and a duet of Roy Harper's "Another Day" with Bush.

After the Tour of Life Bush desired to make two more albums before touring again. At that point she got involved with production techniques and sound experimentation that took up a lot of time and prevented her from touring. Later on there were a couple of instances where she came close to touring again.

In 1982, Bush participated in the first benefit concert in aid of The Prince's Trust alongside artists such as Madness, Midge Ure, Phil Collins, Mick Karn and Pete Townshend. On 25 April 1986 Bush performed live for British charity event Comic Relief, singing "Do Bears... ?", a humorous duet with Rowan Atkinson, and a rendition of "Breathing". Later in the year on 28 June 1986, she made a guest appearance to duet with Peter Gabriel on "Don't Give Up" at Earl's Court, London as part of his "So" tour. In March 1987, Bush sang "Running Up that Hill" at The Secret Policeman's Third Ball.

On 17 January 2002, Bush appeared with her long-time champion, David Gilmour, singing the part of the doctor in "Comfortably Numb" at the Royal Festival Hall in London.

In 2011 Bush told Classic Rock Magazine "I do hope that some time I get a chance to do some shows. Maybe not a tour, but something"

Video projects

In 1979 Bush's one live show, The Tour of Life, was recorded for the BBC and for release on VHS as ''Kate Bush Live at Hammersmith Odeon''.

Bush has appeared in innovative music videos designed to accompany her singles releases. Among the best known are those for "Running Up that Hill," "Babooshka," "Breathing," "Wuthering Heights," and "The Man with the Child in His Eyes," and "Cloudbusting," featuring actor Donald Sutherland, who made time during the filming of another project to take part in the video. EMI has released collections of her videos, including ''The Single File'', ''Hair of the Hound'', ''The Whole Story'', a career video overview released in conjunction with the 1986 compilation album of the same title, and ''The Sensual World''.

In 1993, she directed and starred in the short film, ''The Line, the Cross & the Curve'', a musical co-starring Miranda Richardson, featuring music from Bush's album ''The Red Shoes'', which was inspired by the classic movie of the same name. It was released on VHS in the UK in 1994 and also received a small number of cinema screenings around the world. In recent interviews, Bush has said that she considers it a failure, and stated in 2001: "I'm very pleased with four minutes of it, but I'm very disappointed with the rest." In a 2005 interview, she described the film as "A load of bollocks."

In 1994, Bush provided the music used in a series of psychedelic-themed television commercials for the soft drink Fruitopia that appeared in the United States. The same company aired the ads in the United Kingdom, but the British version featured Elizabeth Fraser of Cocteau Twins instead of Bush.

In late 2006, a DVD documentary titled ''Kate Bush Under Review'' was released by Sexy Intellectual, which included archival interviews with Bush, along with interviews with a selection of music historians and journalists (including Phil Sutcliffe, Nigel Williamson, and Morris Pert). The DVD also includes clips from several of Bush's music videos.

On 2 December 2008, the DVD collection of the fourth season of ''Saturday Night Live'', including her performances, was released. A three DVD set of The Secret Policeman's Balls benefit concerts that includes Bush's performance was released on 27 January 2009.

Movie projects

In 1990, Bush starred in the black comedy film ''Les Dogs'', produced by ''The Comic Strip'' for BBC television. Aired on 8 March 1990, Bush plays the bride Angela at a wedding set in a post-apocalyptic version of Britain. While Bush's is a silent presence in a wedding dress throughout most of the film, she does have several lines of dialogue with Peter Richardson in two dream sequences. In another ''Comic Strip Presents'' film, ''GLC'', she produced the theme song "Ken", which includes a vocal performance by Bush. The song was written about Ken Livingstone, the leader of the Greater London Council, who would later be elected as mayor of London and at the time was working with musicians to help the Labour Party garner the youth vote.

She also produced all the incidental music, which is synthesiser based. Bush wrote and performed the song "The Magician", in a fairground-like arrangement, for Menahem Golan's 1979 film ''The Magician of Lublin''. In 1985, Bush contributed a darkly melancholic version of the Ary Barroso song "Brazil" to the soundtrack of the Terry Gilliam film ''Brazil''. The track was scored and arranged by Michael Kamen. In 1986, she wrote and recorded "Be Kind To My Mistakes" for the Nicolas Roeg film ''Castaway''. An edited version of this track was used as the B side to her 1989 single "This Woman's Work". In 1988, the song "This Woman's Work" was featured in the John Hughes film ''She's Having a Baby'', and a slightly remixed version appeared on Bush's album ''The Sensual World''. The song has since appeared on numerous television shows, and in 2005 reached number eight on the UK download chart after featuring in a British television advertisement for the charity NSPCC.

In 1999, Bush wrote and recorded a song for the Disney film ''Dinosaur'', but the track was ultimately not included on the soundtrack. According to the winter 1999 issue of ''HomeGround'', a Bush fanzine, it was scrapped when Disney asked her to rewrite the song and she refused. Also in 1999, Bush's song "The Sensual World" was featured prominently in Canadian filmmaker Atom Egoyan's film "Felicia's Journey". "The Man with the Child in His Eyes" is on the soundtrack for the 2007 British romantic comedy film ''Starter for 10''.

Collaborations

Bush provided vocals on two of Peter Gabriel's albums, including the hits "Games Without Frontiers" and "Don't Give Up", as well as "No Self-Control". Gabriel appeared on Bush's 1979 television special, where they sang a duet of Roy Harper's "Another Day". She has sung on two Roy Harper tracks, "You", on his 1979 album, "The Unknown Soldier", and "Once", the title track of his 1990 album. She has also sung on the title song of the 1986 Big Country album ''The Seer'', the Midge Ure song "Sister and Brother" from his 1988 album ''Answers to Nothing'', Go West's 1987 single "The King Is Dead" and two songs with Prince – "Why Should I Love You?", from her 1993 album ''The Red Shoes'', and in 1996, the song "My Computer" from Prince's album ''Emancipation''. In 1987, she sang a verse on the charity single "Let It Be" by Ferry Aid. She sang a line on the charity single "Spirit of the Forest" by Spirit of the Forest in 1989. 1990 saw Kate producing, for the only time in her career, one song for another artist, Alan Stivell's "Kimiad," on his album ''Again''. Stivell had appeared on ''The Sensual World''. In 1995, Bush covered George Gershwin's "The Man I Love" for the tribute album ''The Glory of Gershwin''. In 1996, Bush contributed a version of "Mná na hÉireann" (Irish for Women of Ireland) for the Anglo-Irish folk-rock compilation project ''Common Ground: The Voices of Modern Irish Music''. Bush had to sing the song in Irish, which she learned to do phonetically. Artists who have contributed to Bush's own albums include Eric Clapton, Jeff Beck, David Gilmour, Nigel Kennedy, Gary Brooker, and Prince. Bush provided backing vocals for a song that was recorded during the 1990s titled ''Wouldn't Change a Thing'' by Lionel Azulay, the drummer with the original band that was later to become the KT Bush Band. The song, which was engineered and produced by Del Palmer, is available for download and will be on Azulay’s upcoming CD.

Bush declined a request by Erasure to produce one of their albums because "she didn’t feel that that was her area".

In 2010, Bush provided vocals for Rolf Harris's cover of a traditional Irish song entitled "She Moves Through the Fair". Harris, who described the collaboration the "best thing I’ve done," is unsure of how to release the track.

Influence

From the 1980s onward, it has become almost standard for individualistic female singer-songwriters to be compared to Bush by the media. She has been noted as an influence on female artists such as Tori Amos, Björk, Alison Goldfrapp, Nerina Pallot, KT Tunstall, Happy Rhodes, Lily Allen, PJ Harvey, Little Boots, and Florence Welch, in addition to acts as diverse as Muse, OutKast, and Bloc Party. Paula Cole named Bush as an influence while accepting the Best New Artist Grammy in 1996. Ariel Pink wrote a tribute song for her titled "For Kate I Wait" on the album ''The Doldrums''. The trip-hop artist Tricky has said about Bush, "I don't believe in God, but if I did, her music would be my bible". Punk rocker John Lydon, better known as Johnny Rotten of the Sex Pistols, declared her work to be "fucking brilliant" and labelled her "a true original". Rotten once wrote a song for her, titled "Bird in Hand" (about exploitation of parrots) that Bush rejected. Rotten theorised that Bush thought the song contained insulting references aimed at her. Marc Almond chose "Moments of Pleasure" as one of his 10 favourite songs on Radio 2 in June 2007, saying that the song had a profound influence on him when he was combating drug addiction in New York in the 1990s. In November 2006, the singer Rufus Wainwright named Bush as one of his top ten gay icons. Outside music, Bush has been an inspiration to several fashion designers, most notably Hussein Chalayan.

Many artists around the world have recorded cover versions of Bush songs, including Charlotte Church, The Futureheads (who had a UK top ten hit with a cover of "Hounds of Love"), Placebo, Pat Benatar, Hayley Westenra, Jane Birkin, Natalie Cole, Ra Ra Riot, Maxwell, The Church and Nada Surf. The British dance act Utah Saints sampled a line from "Cloudbusting" for their single, "Something Good". Artists such as Tori Amos, Nolwenn Leroy, Patrick Wolf and Happy Rhodes (whose upper vocal range has been compared with the one of Kate Bush) have covered her songs in live performances. Coldplay said their track "Speed of Sound" was originally an attempt to re-create "Running Up that Hill". Suede front-man Brett Anderson has stated that "Wuthering Heights" was the first single he ever bought and mentioned "And Dream of Sheep" in Suede's song "These are the Sad Songs". British folk singer Jim Moray also references "And Dream of Sheep" in his self-penned track "Longing for Lucy". Progressive death metal act Novembre also covered "Cloudbusting" on their album ''Novembrine Waltz''. In 2009, John Forté released a hip hop version of "Running Up that Hill". In 2010, Theo Bleckmann has been performing his work ''Hello Earth! The Music of Kate Bush'' and plans to release the project as an album in 2011. In 1998 a collection of independent musicians including Syd Straw recorded the tribute album ''I Wanna Be Kate,'' which was released in CD and mp3 form.

Discography

''The Kick Inside'' (1978)

''Lionheart'' (1978)

''Never for Ever'' (1980)

''The Dreaming'' (1982)

''Hounds of Love'' (1985)

''The Sensual World'' (1989)

''The Red Shoes'' (1993)

''Aerial'' (2005)

''Director's Cut'' (2011)

See also

List of Kate Bush awards

References

Further reading

Vermorel, Fred and Judy, ''Kate Bush: Princess of Suburbia'' (1980) Target Books

Vermorel, Fred, ''The Secret History of Kate Bush and the Strange Art of Pop'' (1983) Omnibus Press ISBN 0.7119.0152.X

Cann, Kevin and Mayes, Sean, ''Kate Bush: A Visual Documentary'' (1988) Omnibus Press ISBN 0-7119-1039-1

Muskens, Helena; Racké, Quirine, ''Come Back Kate''. Snow White Films. Involved TV Channel: NPS. 2007

'I'm not some weirdo recluse' (''The Guardian'', 28 October 2005)

This Bush's mission finally gets accomplished (''National Post'', 22 December 2005)

Two Musicians who have worked with Bush describe her working style and non work personality

The Illustrated Collector's Guide to Kate Bush, 2nd Edition, published by Collector's Guide Publishing. A complete guide to everything Kate Bush. Includes albums, CDs, DVDs, books and other collectibles. It's complete up to Aerial.

The Bush era: Leafy lady Kate Bush's musical family tree sprouts cover versions and young seedlings by Marke B. and Irwin Swirmoff for the ''San Francisco Bay Guardian'' 15 July 2009

Withers, Debroah ''Adventures in Kate Bush and Theory ''. Hammeron Press, 1 March 2010. ISBN 0-9564507-0-9.

Thompson, Graeme ''Kate Bush: Under the Ivy''. Omnibus Press, 1 May 2010 ISBN 1-84772-930-4

'It's Coming For Me Through The Trees' – The Influence of Horror Cinema on the Music of Kate Bush, by James Gracey, The Blood Sprayer, 18 August 2010

External links

Official website

Category:English pop singers Category:English singer-songwriters Category:English female singers Category:English pianists Category:English record producers Category:English vegetarians Category:Female rock singers Category:BRIT Award winners Category:Ivor Novello Award winners Category:English people of Irish descent Category:People from Bexleyheath Category:People from South Hams (district) Category:People from Sulhamstead Category:1958 births Category:Living people

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