A rush hour or peak hour is a part of the day during which traffic congestion on roads and crowding on public transport is at its highest. Normally, this happens twice a day—once in the morning and once in the evening, the times during when the most people commute. The term is very broad but often refers to specifically private automobile transportation traffic, even when there is a large volume of cars on a road but not a large number of people, or if the volume is normal but there is some disruption of speed.
The frequency of public transport is usually higher in the rush hour, and in the case of trains, longer ones are often employed. However, the increase in capacity is often less than the number of passengers, due to the limits on available vehicles, staff and, in the case of rail transport, track capacity including platform length. As a result vehicles are more crowded, to the point that many passengers must stand and others may be unable to board once the maximum capacity has been met. This can have the effect of making public transport less desirable, leading to higher car use, thus worsening road congestion.
Transport demand management, such as road pricing or a congestion charge, is designed to induce people to alter their travel habits so as to minimize congestion.
Similarly public transport fares may be higher; this is usually presented as an off-peak discount for single fares, though season tickets or multi-ride tickets, commonly used in rush hours by commuters, are also sold at a discount.
In Australia, the cities of Sydney and Melbourne are usually the most congested cities in the morning between 6:00 am and 9:00 am and then 4:30 pm till 7:00 pm. In Melbourne the Monash Freeway which connects Melbourne's suburban sprawl to the city is usually heavily congested each morning and evening.
Railways in the Greater Tokyo Area are severely congested. This is gradually being improved by increasing rail capacity and expanding Home Liner and bi-level Green car (First-class) services so that more people can commute in comfort without additional cost. But it is still common on major lines in Tokyo for more than 3,000 passengers to be packed in a 10-car train, and about 100,000 passengers to be transported per hour (usually, the maximum capacity of double-track commuter rail in Japan is 10-car trains at two-minute intervals), presumably one of the most congested railways in the world.
In road transport, Expressways of Japan is operated by on a beneficiaries-pay principle which imposes expensive toll fees, having the effect of reducing road traffic. Electronic toll collection (ETC) is widespread and discounts during low-traffic periods has been introduced to disperse traffic over a wider period than the rush hour. Road pricing is being considered but has not been introduced, partly because the expressway fee is already very high.
Rail passes not requiring an additional ticket come in two versions: for a fixed route, and for the whole network. Both are mainly used by commuters. No off-peak discount version of these passes is offered since there is insufficient demand; commuters usually cannot avoid the rush hour.
Vehicles are banned on the roads from 7 AM to 7 PM, with private vehicles enjoying a five-hour window from 10 AM to 3 PM, during which they are allowed on the roads. Public vehicles such as buses and jeepneys do not have this free period. The cities of Makati and San Juan do not implement the five-hour window.
Vehicles with license plates ending in 1 or 2 are covered by this regulation on Mondays. Those with plates ending in 3 or 4 are affected on Tuesdays. Vehicles with plates ending in 5 or 6 are covered on Wednesdays. Those with plates ending in 7 or 8 are covered on Thursdays. And vehicles with plates ending in 9 or 0 are affected on Fridays.
Exempted from the program are motorcycles, school buses, shuttle buses, ambulances, firetrucks, police cars, military vehicles, those carrying a person needing immediate medical attention, and vehicles with diplomatic license plates.
In Manchester, the Metrolink light rail system offers single, return and 'Metromax' daysaver tickets at a reduced price when they are purchased after 9:30am. This incentive is designed to lure passengers into avoiding the daily crowded conditions at Metrolink stations during rush-hour.
For Young Persons Railcard holders, the offer of one-third off ticket prices is valid only after 10:00 (unless a minimum fare is paid) or weekends. This restriction is lifted in July and August, the main summer holiday season.
For other Railcards, various other restrictions apply; for example, the Family Railcard and Network Railcard cannot be used for peak journeys within London and south-east England.
Efforts to manage transportation demand during rush hour periods vary by state and by metropolitan area. In some states, freeways have designated lanes that become HOV (High-Occupancy Vehicle aka car-pooling) only during rush hour periods, while open to all vehicles at other times. In others, such as the Massachusetts portion of I-93, travel is permitted in the breakdown lane during this time. Several states, including Arizona, California, Georgia, Illinois, New York, Utah, Virginia, Washington, and Wisconsin use ramp meters to regulate traffic entering freeways during rush hour. Transportation officials in Colorado and Minnesota have added value pricing to some urban freeways around Denver, Twin Cities, and Seattle, charging motorists a higher toll during peak periods. Transit agencies – such as Metro North serving New York City and WMATA serving Washington, D.C. – often charge riders a higher fare ("peak fares") for travel during the morning and evening rush hour.
In US Cities, rush hour times can range from 4:00AM–9:00AM in cities like New York City or the Tri-State area. New York commuters have to be on the road by at least 5 or 6 because traffic gets heavy between 6:30-9:30 AM. Also, many train commuters leave early to get the best seats on the trains, because by 7:00AM the trains are packed with passengers standing. Los Angeles, California has several rush hours, including a midnight rush for night workers. Bus and train service in Los Angeles are limited and tend to be underused, but their use is increasing. In the Chicago area people use Metra Trains, the 'L', and buses.
In Cleveland, Ohio or Northeast Ohio rush hour begins at 6:00AM–9:00AM, 7:30AM–9:00AM is the peak of Cleveland's rush hour. Because of Cleveland's compact size, most people can be in Downtown Cleveland within 10–45 minutes. The Greater Cleveland Regional Transit Authority runs buses every half hour and some routes have non-stop freeway buses that run during rush hour.
There is also an afternoon rush hour. For the New York City area it begins around 2:30PM and can run until 8:00PM. Some people who live in Connecticut but work in New York get home at 7:00 PM. In Cleveland the afternoon rush hour begins at 3:30PM and usually wraps up by 6:00PM. Usually the RTA in Cleveland has an afternoon rush hour schedule like the morning.
Boston, Massachusetts, and the larger Greater Boston region, is notorious for traffic congestion due to the region's high population density, outmoded highway system, and the high concentration of corporations with large offices located along major expressways and urban loops (including Route 128, MassPike, I-93, I-495). Despite the region's compact nature, inbound traffic becomes very heavy on all expressways as early as 5:45AM on a typical weekday morning, making an inbound drive from the suburbs as long as 75 minutes. On the other hand, recent improvements brought about as part of the infamous Big Dig project have improved expressway traffic within Boston's city limits.
Cities such as Atlanta, Dallas, Los Angeles, Seattle, and Washington D.C., to name a few, are known for having some of the worst traffic in the country. Los Angeles also has the highest amount of time spent in congestion, followed by Honolulu.
At other times (such as evenings and weekends), additional periods of congestion can be the result of various special events, such as sports games, festivals, or religious services. Out-of-the-ordinary congestion can be the result of an accident, construction, long holiday weekends, or inclement weather.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Jane Wiedlin |
---|---|
background | non_vocal_instrumentalist |
birth name | Jane Marie Genevieve Wiedlin |
alias | Jane Drano, Jumping Jane Drano, and Reverend Sister Go-Go |
born | May 20, 1958 |
origin | Oconomowoc, Wisconsin, U.S. |
instrument | Rhythm guitar |
genre | Punk, Pop rock, New Wave |
occupation | Musician |
years active | 1978–present |
label | EMI RecordsI.R.S. RecordsPainful Discs |
associated acts | The Go-Go'sFrosted |
website | janewiedlin.com }} |
Jane Marie Genevieve Wiedlin (born May 20, 1958) is an American musician, singer-songwriter, and actress. She is best known as the rhythm guitarist of the all-female New Wave band The Go-Go's.
At the age of six, Jane's father took a job with the United States Department of Veterans Affairs at a VA Hospital in Los Angeles, California and her family followed in tow. Soon after arriving in California, Wiedlin's mother cut her waist-long hair to her signature pixie cut hairstyle due to Wiedlin becoming an active swimmer now she lived in a warmer climate. Wiedlin loved watching Star Trek with her family when it first aired on television and is a life-long fan to this day.
As a child, Jane liked to listen to 1960s pop music, especially songs by The Beatles and The Monkees. By the time she was a teenager, Wiedlin was a fan of Sparks. Years later, she would record "Cool Places" with them as well as turn down a marriage proposal from Russell Mael, the band's co-founder. Jane Wiedlin stated, "I remember my childhood as extremely idyllic." Wiedlin also mentioned about her teenage adolescence with angst and hope by saying, "I would definitely be a less-depressed teenager. I thought life was completely pointless when I was in high school, but just a few short years later I was having the adventure of a lifetime in a successful rock band!" Jane Wiedlin attended William Howard Taft High School in Los Angeles from 1972 until 1976.
The Go-Go's pop punk sound did not emerge until after Charlotte Caffey joined on lead guitar and keyboards, and Gina Schock replaced Bello on drums. After a 1980 tour of England, the band added Kathy Valentine on bass. They signed with IRS Records in April 1981. Wiedlin remained part of the Go-Go's until October 1984, when she left to pursue a solo career. ''Rush Hour'' (1988) was her most successful single - having done well in both the American and British charts. The song was taken from her second album ''Fur''.
After a series of reunions during the 1990s, Wiedlin, Carlisle, Caffey, Schock, and Valentine re-formed the band again in 2000 to record ''God Bless the Go-Go's'', their first studio album in seventeen years. The album, originally titled ''Vision of Nowness'', had a title and concept based on an idea from Wiedlin.
In 2010, the Go-Go's announced their ''Happily Ever After Farewell Tour''. Although scheduled to begin in July, the tour was cancelled due to ACL tears Wiedlin suffered in both knees after a fall she took while on a nighttime hike. She recovered and the band rescheduled the tour for 2011, no longer billing it as a farewell tour and changing the name to "Ladies Gone Wild"
In a ''St. Petersburg Times'' online interview, Jane said this about her acting career in the 80s: "It turned out to be much harder than it looks, and as much as I enjoyed those experiences, I don't think I'm very good at it."
In 2000, she sang in the choir on the ''Frasier'' episode "They're Playing Our Song". In 2001, she had a regular role in MTV's ''Spyder Games'', playing the "ex-rock chick who runs the local coffee house" where everyone hangs out.
In 2003, she guest-starred as Hope Rodgers in an episode of ''As Told By Ginger''.
In 2005, she appeared as herself on the fourth season of VH1's ''The Surreal Life'', wherein she talked about her interest in BDSM.
Wiedlin also appeared as the bus station lady wearing a neck brace in Steve Balderson's 2005 surrealist crime drama ''Firecracker'', a film Roger Ebert named on his list of the year's best films.
In April 2009, Jane reconnected with director Steve Balderson for ''Stuck!'', an homage to film noir women in prison dramas. Co-starring Karen Black, Pleasant Gehman, Susan Traylor, and cult icon Mink Stole, ''Stuck!'' was filmed in Macon, Georgia and was released in 2010.
Wiedlin has also provided voices for several characters in television and film. Her voice acting credits include one of Bruce Wayne's girlfriends in an episode of ''The New Batman Adventures'', Gwen on Mission Hill and Dusk, a recurring character in the ''Scooby-Doo'' franchise. In 2009, Wiedlin provided the voice of the evil Baby Oopsie Daisy in the horror film, ''Demonic Toys 2''.
Jane will appear in the season finale of Rupaul's Drag U for the second season
Her latest project is a comic book entitled ''Lady Robotika'' which she co-created with artist Bill Morrison. The series concerns the adventures of a woman being abducted by aliens and turned into a cyborg superheroine. To promote the comic series and her related projects, Jane appeared at the March 2011 WonderCon where she greeted fans, posed for pictures, and signed autographs.
Wiedlin had what she called a "short but dramatic romance" with Terry Hall of the Specials during their 1980 tour in England; Hall later sent her some lyrics prompted by their relationship, inspiring Wiedlin to write "Our Lips Are Sealed", a song on which Hall has co-writer credits.
Wiedlin has been married twice; once to Ged Malone (from 1987–1999) and once to David Trotter (from 2004–2005). Her first marriage was the subject of her 2000 song "The Good Wife." Her current domestic partner is musician Travis Kasperbauer, whom she met at a Wisconsin music festival.
Wiedlin is an ordained minister known as "Reverend Sister Go-Go", primarily in the capacity of officiating at weddings. Her services can be booked through her website.
Year | Album details | Peak chart positions | |||
! width="40" | ! width="40" | ||||
1985 | align="left" | * Release date: October 1985 | * Label: IRS Records | 127 | — |
1988 | align="left" | * Release date: 1988 | * Label: EMI America | 105 | 48 |
1990 | align="left" | * Release date: 1990 | * Label: EMI America | — | — |
2000 | * Release date: October 31, 2000 | * Label: Painful Discs | — | — | |
! Year | ! Album details | ||
1993 | * Release date: 1993 | * Label: Alliance Records | |
Year | Single | Peak chart positions | Album | |||
! width="35" | ! width="35" | ! width="35" | ! width="35" | |||
1985 | align="left" | 77 | 30 | — | — | |
align="left" | 9 | — | 31 | 12 | ||
57 | — | — | 64 | |||
1990 | — | — | — | — | ||
Year | Single | Artist | Peak chart positions | Album | |
! width="40" | ! width="40" | ||||
1983 | 49 | 13 | |||
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Jackie Chan |
---|---|
tradchinesename | |
simpchinesename | |
pinyinchinesename | Chéng Lóng |
jyutpingchinesename | Sing4 Lung4 |
birth name | Chan Kong-sang Chén Gǎngshēng Can4 Gong2 Sang1 |
ancestry | Linzi, Shandong, China |
origin | Hong Kong |
birth date | April 07, 1954 |
birth place | Victoria Peak, Hong Kong |
fighting styles | Wing Chun, Hapkido, Drunken Fist, Tiger. |
othername | (Fong Si-lung) (Yuen Lou) (Big Brother) |
occupation | Actor, martial artist, director, producer, screenwriter, action choreographer, singer, stunt director, stunt performer |
genre | Cantopop, Mandopop, Hong Kong English pop, J-pop |
yearsactive | 1962–present |
spouse | Lin Feng-jiao (1982–present) |
children | Jaycee Chan (born 1982) |
parents | Charles and Lee-Lee Chan |
influences | Bruce LeeBuster KeatonHarold LloydJim Carrey |
hongkongfilmwards | Best Film1989 ''Rouge''Best Action Choreography1996 ''Rumble in the Bronx''1999 ''Who Am I?'' Professional Spirit Award2004 |
goldenhorseawards | Best Actor1992 ''Police Story 3''1993 ''Crime Story'' |
goldenroosterawards | Best Actor2005 ''New Police Story'' |
mtvasiaawards | Inspiration Award2002 |
awards | MTV Movie Awards2002 Best Fight (''Rush Hour 2'')1999 Best Fight (''Rush Hour'')1995 Lifetime Achievement AwardShanghai International Film Festival2005 Outstanding Contribution to Chinese Cinema }} |
Jackie Chan, SBS, MBE (born Chan Kong-sang, }}; 7 April 1954) is a Hong Kong actor, action choreographer, comedian, director, producer, martial artist, screenwriter, entrepreneur, singer and stunt performer. In his movies, he is known for his acrobatic fighting style, comic timing, use of improvised weapons, and innovative stunts. Jackie Chan has been acting since the 1960s and has appeared in over 100 films.
Chan has received stars on the Hong Kong Avenue of Stars and the Hollywood Walk of Fame. As a cultural icon, Chan has been referenced in various pop songs, cartoons, and video games. An operatically trained vocalist, Chan is also a Cantopop and Mandopop star, having released a number of albums and sung many of the theme songs for the films in which he has starred.
Chan attended the Nah-Hwa Primary School on Hong Kong Island, where he failed his first year, after which his parents withdrew him from the school. In 1960, his father immigrated to Canberra, Australia, to work as the head cook for the American embassy, and Chan was sent to the China Drama Academy, a Peking Opera School run by Master Yu Jim-yuen. Chan trained rigorously for the next decade, excelling in martial arts and acrobatics. He eventually became part of the Seven Little Fortunes, a performance group made up of the school's best students, gaining the stage name Yuen Lo in homage to his master. Chan became close friends with fellow group members Sammo Hung and Yuen Biao, the three of them later to be known as the ''Three Brothers'' or ''Three Dragons''.
At the age of 8, he appeared with some of his fellow "Little Fortunes," in the film ''Big and Little Wong Tin Bar'' (1962), with Li Li Hua playing his mother. Chan appeared with Li again the following year, in ''The Love Eterne'' (1963) and had a small role in King Hu's 1966 film, ''Come Drink with Me''. In 1971, after an appearance as an extra in another Kong Fu film, ''A Touch of Zen'', Chan began his adult career in the film industry, initially signing to Chu Mu's Great Earth Film Company. At the age of 17, he worked as a stuntman in the Bruce Lee films ''Fist of Fury'' and ''Enter the Dragon'' under the stage name Chan Yuen Lung (). He received his first starring role later that year, in ''Little Tiger of Canton'', which had a limited release in Hong Kong in 1973. Due to the commercial failures in his early ventures into films and trouble finding stunt work, in 1975 Chan starred in a comedic adult film, ''All in the Family'', which features Jackie Chan's first and possibly only nude sex scene filmed to date. It is also the only film he has made to date that did not feature a single fight scene or stunt sequence.
Chan joined his parents in Canberra in 1976, where he briefly attended Dickson College and worked as a construction worker. A fellow builder named Jack took Chan under his wing, earning Chan the nickname of "Little Jack" which was later shortened to "Jackie" and the name Jackie Chan stuck with him ever since. In addition, in the late 90s, Chan changed his Chinese name to Fong Si-lung (), since his father's original surname was Fong.
Chan's first major breakthrough was the 1978 film ''Snake in the Eagle's Shadow'', shot while he was loaned to Seasonal Film Corporation under a two-picture deal. Under director Yuen Woo-ping, Chan was allowed complete freedom over his stunt work. The film established the comedic kung fu genre, and proved to be a breath of fresh air for the Hong Kong audience. Chan then starred in ''Drunken Master'', which finally propelled him to mainstream success.
Upon Chan's return to Lo Wei's studio, Lo tried to replicate the comedic approach of ''Drunken Master'', producing ''Half a Loaf of Kung Fu'' and ''Spiritual Kung Fu''. He also gave Chan the opportunity to co-direct ''The Fearless Hyena'' with Kenneth Tsang. When Willie Chan left the company, he advised Jackie to decide for himself whether or not to stay with Lo Wei. During the shooting of ''Fearless Hyena Part II'', Chan broke his contract and joined Golden Harvest, prompting Lo to blackmail Chan with triads, blaming Willie for his star's departure. The dispute was resolved with the help of fellow actor and director Jimmy Wang Yu, allowing Chan to stay with Golden Harvest.
After the commercial failure of ''The Protector'' in 1985, Chan temporarily abandoned his attempts to break into the US market, returning his focus to Hong Kong films.
Back in Hong Kong, Chan's films began to reach a larger audience in East Asia, with early successes in the lucrative Japanese market including ''The Young Master'' (1980) and ''Dragon Lord'' (1982). ''The Young Master'' went on to beat previous box office records set by Bruce Lee and established Chan as Hong Kong cinema's top star. With ''Dragon Lord'', he began experimenting with elaborate stunt action sequences, including a pyramid fight scene that holds the record for the most takes for a single scene with 2900 takes, and the final fight scene where he performs various stunts, including one where he does a back flip off a loft and falls to the lower ground.
Chan produced a number of action comedy films with his opera school friends Sammo Hung and Yuen Biao. The three co-starred together for the first time in 1983 in ''Project A,'' which introduced a dangerous stunt-driven style of martial arts that won it the Best Action Design Award at the third annual Hong Kong Film Awards. Over the following two years, the "Three Brothers" appeared in ''Wheels on Meals'' and the original ''Lucky Stars'' trilogy. In 1985, Chan made the first ''Police Story'' film, a US-influenced action comedy in which Chan performed a number of dangerous stunts. It was named the "Best Film" at the 1986 Hong Kong Film Awards. In 1987, Chan played "Asian Hawk," an Indiana Jones-esque character, in the film ''Armour of God.'' The film was Chan's biggest domestic box office success up to that point, grossing over HK $35 million.
In the late 1980s and early 90s, Chan starred in a number of successful sequels beginning with ''Police Story 2'', which won the award for Best Action Choreography at the 1989 Hong Kong Film Awards. This was followed by ''Armour of God II: Operation Condor'', and ''Police Story 3: Super Cop'', for which Chan won the Best Actor Award at the 1993 Golden Horse Film Festival. In 1994, Chan reprised his role as Wong Fei-hung in ''Drunken Master II'', which was listed in ''Time Magazine's'' All-Time 100 Movies. Another sequel, ''Police Story 4: First Strike'', brought more awards and domestic box office success for Chan, but did not fare as well in foreign markets. Jackie Chan rekindled his Hollywood ambitions in the 1990s, but refused early offers to play villains in Hollywood films to avoid being typecast in future roles. For example, Sylvester Stallone offered him the role of Simon Phoenix, a criminal in the futuristic film ''Demolition Man''. Chan declined and the role was taken by Wesley Snipes.
Chan finally succeeded in establishing a foothold in the North American market in 1995 with a worldwide release of ''Rumble in the Bronx'', attaining a cult following in the United States that was rare for Hong Kong movie stars. The success of ''Rumble in the Bronx'' led to a 1996 release of ''Police Story 3: Super Cop'' in the United States under the title ''Supercop'', which grossed a total of US $16,270,600. Jackie's first huge blockbuster success came when he co-starred with Chris Tucker in the 1998 buddy cop action comedy ''Rush Hour'', grossing US$130 million in the United States alone. This film made a star of Jackie Chan, in Hollywood. As a publicity stunt, Jackie also wrote his autobiography in collaboration with Jeff Yang entitled ''I Am Jackie Chan''.
Chan's next release was the third installment in the ''Rush Hour'' series: ''Rush Hour 3'' in August 2007. It grossed US$255 million. However, it was a disappointment in Hong Kong, grossing only HK$3.5 million during its opening weekend.
In November 2007, Chan began filming ''Shinjuku Incident'', a dramatic role featuring no martial arts sequences with director Derek Yee, which sees Chan take on the role of a Chinese immigrant in Japan. The film was released on 2 April 2009. According to his blog, Chan discussed his wishes to direct a film after completing ''Shinjuku Incident'', something he has not done for a number of years. The film is expected to be the third in the Armour of God series, and has a working title of ''Armour of God III: Chinese Zodiac''. Chan originally stated that he would start filming on 1 April 2008, but that date had passed and the current state of the film is unknown. Because the Screen Actors Guild did not go on strike, Chan started shooting his next Hollywood movie ''The Spy Next Door'' at the end of October in New Mexico. In ''The Spy Next Door'', Chan plays an undercover agent whose cover is blown when he looks after the children of his girlfriend. In ''Little Big Soldier'', Chan stars, alongside Leehom Wang in a non-martial arts comedy movie based on the Warring States Period.
On 22 June 2009, Chan left Los Angeles to begin filming ''The Karate Kid'', a remake of the 1984 original, in Beijing. The film was released in America on 11 June 2010 and sees Chan's first dramatic American film. In the film, he plays Mr. Han, a kung fu master and maintenance man who teaches Jaden Smith's character, Dre, kung-fu so he can defend himself from school bullies. In Chan's next movie, ''Shaolin'', he plays the cook of the temple instead of one of the major characters.
Jackie Chan's 100th film ''1911'' was released on 26 September 2011. He is the co-director, executive producer, and lead star of the movie. While Chan has directed over ten films over his career, this is his first directorial work in over ten years, since Jackie Chan's Who Am I? in 1998. 1911 premiered in North America on October 14.
Jackie Chan won the Favorite Buttkicker award at the Nickelodeon's Kids' Choice Awards in 2011 for ''The Karate Kid''.
The dangerous nature of his stunts makes it difficult for Chan to get insurance, especially in the United States, where his stunt work is contractually limited. Chan holds the Guinness World Record for "Most Stunts By A Living Actor", which emphasizes "no insurance company will underwrite Chan's productions, in which he performs all his own stunts". In addition, he holds an unrecognised record for the most number of takes for a single shot in a film, having shot over 2900 retakes for a complex scene involving a Jianzi game in ''Dragon Lord''.
Chan has been injured numerous times attempting stunts; many of them have been shown as outtakes or as bloopers during the closing credits of his films. He came closest to death filming ''Armour of God'', when he fell from a tree and fractured his skull. Over the years, Chan has dislocated his pelvis and broken his fingers, toes, nose, both cheekbones, hips, sternum, neck, ankle and ribs on numerous occasions. Promotional materials for ''Rumble in the Bronx'' emphasized that Chan performed all of the stunts, and one version of the movie poster even diagrammed his many injuries.
In recent years, the aging Chan grew tired of being typecast as an action hero, prompting him to act with more emotion in his latest films. In ''New Police Story'', he portrayed a character suffering from alcoholism and mourning his murdered colleagues. To further shed the image of Mr. Nice Guy, Chan played an anti-hero for the first time in ''Rob-B-Hood'' starring as Thongs, a burglar with gambling problems.
In July 2008, the BTV reality television series entitled ''The Disciple'' (, lit. "Disciple of the Dragon") concluded. The series was produced by, and featured Jackie Chan. The aim of the program was to find a new star, skilled in acting and martial arts, to become Chan's "successor" and student in filmmaking. Contestants were trained by Jackie Chan Stunt Team members Alan Wu and He Jun and competed in various fields, including explosion scenes, high-altitude wire-suspension, gunplay, car stunts, diving, obstacles courses etc. The regular judges on the program were He Ping, Wu Yue and Cheng Pei Pei. Guest judges include Stanley Tong, Sammo Hung and Yuen Biao. The "Finals" began on 5 April 2008, with 16 contestants remaining, and concluded on 26 June 2008. Amongst those in attendance were Tsui Hark, John Woo, Ng See Yuen and Yu Rongguang.
The winner of the series was Jack Tu (Tu Sheng Cheng). Along with runners up Yang Zheng and Jerry Liau, Tu is now set to star in three modern Chinese action films, one of which was scripted by Chan, and all three will be co-produced by Chan and his company JCE Movies Limited. The films will be entitled ''Speedpost 206'', ''Won't Tell You'' and ''Tropical Tornado'' and will be directed by Xie Dong, Jiang Tao and Cai Rong Hui. All 16 finalists will be given the opportunity to work on the films, or to join the Jackie Chan Stunt Team. Production on the first film is due to begin in September 2008. In addition, the finalists will be given roles in a forthcoming BTV action series.
Chan voiced the character of Shang in the Chinese release of the Walt Disney animated feature, ''Mulan'' (1998). He also performed the song "I'll Make a Man Out of You", for the film's soundtrack. For the US release, the speaking voice was performed by B.D. Wong and the singing voice was done by Donny Osmond.
In 2007, Chan recorded and released the song "We Are Ready", the official one-year countdown song to the 2008 Summer Olympics. He performed the song at a ceremony marking the one-year countdown to the 2008 Summer Paralympics.
The day before the Beijing Olympics opened, Chan released one of the two official Olympics albums, ''Official Album for the Beijing 2008 Olympic Games – Jackie Chan's Version'', which featured a number of special guest appearances. Chan, along with Andy Lau, Liu Huan and Wakin (Emil) Chau, performed "Hard to Say Goodbye", the farewell song for the 2008 Summer Olympics closing ceremony.
Chan is a cultural icon, having been referenced in Ash's song "Kung Fu", Heavy Vegetable's "Jackie Chan Is a Punk Rocker", Leehom Wang's "Long Live Chinese People", as well as in "Jackie Chan" by Frank Chickens, and television shows ''Celebrity Deathmatch'' and ''Family Guy''. He has been the inspiration for manga such as ''Dragon Ball'' (including a character with the alias "Jackie Chun"), the character Lei Wulong in ''Tekken'' and the fighting-type Pokémon Hitmonchan. In addition, Jackie Chan has a sponsorship deal with Mitsubishi Motors. As a result, Mitsubishi cars can be found in a number of Jackie Chan films. Furthermore, Mitsubishi honoured Chan by launching Evolution, a limited series of cars which he personally customised.
A number of video games have featured Jackie Chan. Before ''Stuntmaster'', Chan already had a game of his own, ''Jackie Chan's Action Kung Fu'', released in 1990 for the PC-Engine and NES. In 1995, Chan was featured in the arcade fighting game ''Jackie Chan The Kung-Fu Master''. In addition, a series of Japanese Jackie Chan games were released on the MSX by Pony, based on several of his films (''Project A'', ''Project A 2'', ''Police Story'', ''The Protector'' and ''Wheels On Meals'').
Chan has always wanted to be a role model to children, remaining popular with them due to his good-natured acting style. He has refused to play villains and has ''almost'' never used the word "fuck" in his films (He's only said that word in two films, ''The Protector'' and ''Burn, Hollywood, Burn''), but in ''Rush Hour'', in an attempt to be "cool" and imitate his partner Carter, who said "What's up, my nigga?" to a club of black men, he said the same thing when Carter was in another room and they all attacked him, so he had to pull out his fighting skills to beat them down and escape. Chan's greatest regret in life is not having received proper education, inspiring him to fund educational institutions around the world. He funded the construction of the Jackie Chan Science Centre at the Australian National University and the establishment of schools in poor regions of China.
Chan is a spokesperson for the Government of Hong Kong, appearing in public service announcements. In a ''Clean Hong Kong'' commercial, he urged the people of Hong Kong to be more considerate with regards to littering, a problem that has been widespread for decades. Furthermore, in an advertisement promoting nationalism, he gave a short explanation of the ''March of the Volunteers'', the national anthem of the People's Republic of China. When Hong Kong Disneyland opened in 2005, Chan participated in the opening ceremony. In the United States, Chan appeared alongside Arnold Schwarzenegger in a government advert to combat copyright infringement and made another public service announcement with Los Angeles County Sheriff Lee Baca to encourage people, especially Asians, to join the Los Angeles County Sheriff's Department.
Construction has begun on a Jackie Chan museum in Shanghai. Work began in July 2008, and although it was scheduled to be completed on October 2009, construction continues as of January 2010.
Referring to his participation in the torch relay for the 2008 Summer Olympics in Beijing, Chan spoke out against demonstrators who disrupted the relay several times attempting to draw attention to a wide-ranging number of grievances against the Chinese government, including China's human rights record and the political status of Taiwan. He warned that he would lash out against anyone planning to stop him from carrying the Olympic Torch, saying, "Demonstrators better not get anywhere near me." In addition, Chan felt that the protesters were publicity seekers. "They are doing it for no reason. They just want to show off on the TV," he said. "They know, 'if I can get the torch, I can go on the TV for the world news'." Chan felt the country was trying to improve and the Olympics is a chance for the country to open up and learn from the outside world and vice versa. "We are not right about everything. Things are getting better in China but we can change and are changing. We want to learn from the rest of the world as well as teach others about our ways and our culture."
On 18 April 2009, during a panel discussion at the annual Boao Forum for Asia titled "Tapping into Asia's Creative Industry Potential," Chan said "...in the 10 years after Hong Kong's return to Chinese rule, I can gradually see, I'm not sure if it's good to have freedom or not." Chan went on to say, "If you're too free, you're like the way Hong Kong is now. It's very chaotic. Taiwan is also chaotic." He also added, "I'm gradually beginning to feel that we Chinese need to be controlled. If we're not being controlled, we'll just do what we want." Chan however complained about the quality of Chinese goods, saying, "...a Chinese TV might explode." but refrained from criticizing the Chinese government for banning his 2009 film ''Shinjuku Incident''. Chan's comments prompted an angry response from some legislators and other prominent figures in Taiwan and Hong Kong. Hong Kong Legislator Leung Kwok-hung said that Chan "insulted the Chinese people. Chinese people aren't pets." The Hong Kong Tourism Board stated that it had received 164 comments and complaints from the public over Chan's remarks. A spokesman for Chan told reporters that the actor was referring to freedom in the entertainment industry rather than Chinese society at large and that certain people with "ulterior motives deliberately misinterpreted what he said."
On 24 August 2010, Jackie Chan tweeted about the botched rescue operation on the Manila hostage crisis that left 8 Hong Kong tourists dead. Although saddened by the news, he also tweeted "If they killed the guy sooner, they will say why not negotiate first? If they negotiate first, they ask why not kill the guy sooner?" Chan's comments caused outrage in Hong Kong. Several anti-Jackie Chan groups were set up on Facebook with tens of thousands of supporters. Some fellow actors and directors told local newspapers that they were also upset by his remarks. Chan reportedly has business interests in the Philippines. He issued a statement on 27 August 2010 apologizing for his comments and claiming that his assistant who helped him post the tweets had misunderstood the meaning of his original message.
Chan has also put his name to Jackie Chan Theater International, a cinema chain in China, co-ran by Hong Kong company Sparkle Roll Group Ltd. The first—Jackie Chan-Yaolai International Cinema—opened in February 2010, and is claimed to be the largest cinema complex in China, with 17 screens and 3,500 seats. Chan expressed his hopes that the size of the venue would afford young, non-commercial directors the opportunity to have their films screened. 15 further cinemas in the chain are planned for 2010, throughout Beijing, Shanghai and Guangzhou, with a potential total of 65 cinemas throughout the country proposed.
In 2004, Chan launched his own line of clothing, which bears a Chinese dragon logo and the English word "Jackie", or the initials "JC". Chan also has a number of other branded businesses. His sushi restaurant chain, Jackie's Kitchen, has outlets throughout Hong Kong, as well as seven in South Korea and one in Hawaii, with plans to open another in Las Vegas. Jackie Chan's Cafe has outlets in Beijing, Singapore, Kuala Lumpur and the Philippines. Other ventures include Jackie Chan Signature Club gyms (a partnership with California Fitness), and a line of chocolates, cookies and nutritional oatcakes. He also hopes to expand into furniture and kitchenware, and is also considering a branded supermarket. With each of his businesses, a percentage of the profits goes to various charities, including the Jackie Chan Charitable Foundation.
Chan is a keen philanthropist and a UNICEF Goodwill Ambassador, having worked tirelessly to champion charitable works and causes. He has campaigned for conservation, against animal abuse and has promoted disaster relief efforts for floods in mainland China and the 2004 Indian Ocean Tsunami. In June 2006, he announced the donation of half his assets to charity upon his death, citing his admiration of the effort made by Warren Buffett and Bill Gates to help those in need. On 10 March 2008, Chan was the guest of honour for the launch, by Australian Prime Minister Kevin Rudd, of the ''Jackie Chan Science Centre'' at the John Curtin School of Medical Research, Australian National University in Canberra. Jackie Chan is also a supporter of the Save China's Tigers project which aims at saving the endangered South China Tiger through breeding and releasing them into the wild; he is currently an ambassador for this conservation project. Chan has many historic artifacts, such as old door frames from 2000 years ago. He also owns the Jinricksha Station in Singapore.
In April 2008, Jackie Chan was invited for the audio launch of an Indian film, entitled ''Dasavathaaram'' (2008) in Chennai (Madras), where he shared the dais with Indian celebrities, including Amitabh Bachchan, Mammootty and Kamal Hassan. Though he did not understand a word of Tamil, Chan was touched by the Indian community's love for him and his films, and was impressed with the movie ''Dasavathaaram'', expressing a keen interest in working with the star of the film, Kamal Hassan. Hassan himself reciprocated the desire to work with the action superstar, urging Chan to keep his promise of working with him on a possible film project.
Following the 2008 Sichuan earthquake, Chan donated RMB ¥10 million to help those in need. In addition, he is planning to make a film about the Chinese earthquake to raise money for survivors.
In response to the 2011 Tōhoku earthquake and tsunami, Jackie Chan and fellow Hong Kong-based celebrities, including American rapper Jin, headlined a special three-hour charity concert, titled ''Artistes 311 Love Beyond Borders'', on 1 April 2011 to help with Japan's disaster recovery effort, where Jackie Chan addressed the victims of the earthquake and tsunami by saying: ''"You will not be alone, we will be by your side"''. The concert raised over $3.3 million dollars in just three hours for disaster relief.
Chan also holds guest lectures at the Shanghai Institute of Visual Art of Fudan University, Shanghai.
He speaks Cantonese, Mandarin, and English fluently, and also speaks some German, Korean and Japanese, as well as a little Spanish.
In 2009, Chan received an honorary doctorate from the University of Cambodia.
Category:1954 births Category:Living people Category:Best Action Choreographer HKFA Category:Cantopop singers Category:Chinese martial artists Category:Chinese film actors Category:Chinese comedians Category:Hong Kong comedians Category:Hong Kong Buddhists Category:Hong Kong voice actors Category:Hong Kong film actors Category:Hong Kong film directors Category:Hong Kong film producers Category:Hong Kong screenwriters Category:Hong Kong singers Category:Hong Kong male singers Category:Hong Kong Mandopop singers Category:Hong Kong kung fu practitioners Category:Hong Kong wushu practitioners Category:Members of the Order of the British Empire Category:Stunt actors Category:Stunt performers
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | George Duke |
---|---|
background | solo_singer |
born | January 12, 1946San Rafael, CaliforniaUnited States |
instrument | Vocals, piano, synthesizer, keyboards, contrabass, trombone |
genre | Jazz fusion, R&B;, funk, Alternative rock music, rock and roll, jazz pop, post-disco, Crossover jazz |
occupation | MusicianComposerMusical directorProducerEducator |
years active | 1967– present |
label | Pacific Jazz, Pickwick, MPS/SABA, MPS/BASF, Atlantic, Epic/CBS, Elektra, Warner Bros., Bizarre, Telarc Jazz, Heads Up |
associated acts | Jean-Luc Ponty Experience with the George Duke Trio, Frank Zappa, Cannonball Adderley |
website | George Duke official site.com |
notable instruments | Moog synthesizer }} |
George Duke (born 12 January 1946 in San Rafael, California) is a piano and synthesizer pioneer and singer. A multi-talented musician, he has worked with numerous acclaimed artists spanning numerous genres as a recording artist, composer, record producer, professor of music, and music director. He made a name for himself with the album ''The Jean-Luc Ponty Experience with the George Duke Trio''. He is known for his solo work as well as for his collaborations with other musicians, particularly Frank Zappa.
"No Rhyme or No Reason" can be heard during the period of time designated as Quiet Storm
Duke's songs have been used by a wide variety of contemporary musicians in a wide array of genres. These include: "I Love You More", sampled by house music-act Daft Punk for their hit "Digital Love"; "Guilty", sampled by electronica music artist Mylo in his song "Guilty of Love" on ''Destroy Rock & Roll''.
"For Love", sampled by underground hip hop artist MF Doom on his track "I Hear Voices";
"Someday", sampled by hip hop artist/producer Kanye West for Common in "''Break My Heart''" on his "Finding Forever" album; "You and Me", sampled and used by soul/rhythm and blues influenced hip hop-producer 9th Wonder for his collaboration album with Kaze for the track "Spirit Of '94" on the album ''Spirit Of '94: Version 9.0''; and "Reach for It", sampled by Ice Cube in "True to the Game" on his ''Death Certificate'' album and Spice 1 in "In My Neighborhood" on his self-titled debut album.
Recently, Duke worked with Jill Scott on her third studio album, ''The Real Thing: Words and Sounds Vol. 3''; guesting on the track, "Whenever You're Around". Since it was released it has peaked at No.56 on U.S. Hot R&B;/Hip-Hop Singles & Tracks.
Title !!width=100|Year!!Label|| | |||
align=left | ''George Duke Quartet Presented by the Jazz Workshop 1'' | 1966| align=left|MPS,SABA || | |
align=left | ''The Jean-Luc Ponty Experience with the George Duke Trio'' | 1969| | Pacific Jazz |
align=left | ''Save the Country 2'' | 1970| align=left|Pickwick || | |
align=left | ''Solus 3'' | 1971| align=left|MPS,SABA || | |
align=left | ''The Inner Source (2-LP)'' | 1971| align=left|MPS/BASF || | |
align=left | ''Faces in Reflection'' | 1974| | MPS/BASF |
align=left | ''Feel'' | 1974| | MPS/BASF |
align=left | ''The Aura Will Prevail'' | 1974| | MPS/BASF |
align=left | ''I Love the Blues, She Heard My Cry'' | 1975| | MPS/BASF |
align=left | ''Liberated Fantasies'' | 1976| | MPS/BASF |
align=left | ''The Billy Cobham – George Duke Band 'Live' on Tour in Europe'' | 1976| align=left|Atlantic || | |
align=left | ''The Dream 4'' | 1976| | MPS/BASF |
align=left | ''From Me to You'' | 1977| align=left|Epic/CBS || | |
align=left | ''Reach for It'' | 1977| | Epic/CBS |
align=left | ''Don't Let Go'' | 1978| | Epic/CBS |
align=left | ''Follow the Rainbow'' | 1979| | Epic/CBS |
align=left | ''Master of the Game'' | 1979| | Epic/CBS |
align=left | ''Brazilian Love Affair'' | 1980| | Epic/CBS |
align=left | ''Clarke/Duke Project'' | 1981| | Epic/CBS |
align=left | ''Dream On'' | 1982| | Epic/CBS |
align=left | ''Clarke/Duke Project 2'' | 1983| | Epic/CBS |
align=left | ''Guardian of the Light'' | 1983| | Epic/CBS |
align=left | ''Rendezvous'' | 1984| | Epic/CBS |
align=left | ''Thief in the Night'' | 1985| align=left|Elektra || | |
align=left | ''George Duke'' | 1986| | Elektra |
align=left | ''Night After Night'' | 1989| | Elektra |
align=left | ''Clarke/Duke Project 3'' | 1990| | Epic/CBS |
align=left | ''Snapshot'' | 1992| align=left|Warner Bros. || | |
align=left | ''Muir Woods Suite'' | 1993| | Warner Bros. |
align=left | ''Illusions'' | 1995| | Warner Bros. |
align=left | ''Is Love Enough'' | 1997| | Warner Bros. |
align=left | ''After Hours'' | 1998| | Warner Bros. |
align=left | ''Cool'' | 2000| | Warner Bros. |
align=left | ''Face the Music'' | 2002| | Bizarre Planet |
align=left | ''Duke'' | 2005| | Bizarre Planet |
align=left | ''In a Mellow Tone'' | 2006| | Bizarre Planet |
align=left | ''Dukey Treats'' | 2008| align=left|Heads Up || | |
align=left | ''Déjà Vu'' | 2010| align=left|Telarc Jazz|| |
''1 Rereleased as "The Primal" by MPS in 1978.'' ''2 Rereleased as "Pacific Jazz" by United Artists in 1978 albeit with a different tracklisting.'' ''3 Solus was recorded in April 1971 and intended to be released as a single album by SABA but when SABA folded and became MPS the powers that be decided to postpone its release. They finally put it out as a double album in 1976 together with George's MPS debut "The Inner Source". The latter was recorded in October 1971.'' ''4 Recorded in 1976 and released in 1978 (Europe-only). Released in the USA (in a slightly different version) as "The 1976 Solo Keyboard Album" by Epic/CBS in 1982.''
Category:1946 births Category:Living people Category:American jazz pianists Category:American television composers Category:Boogie musicians Category:Grammy Award winners Category:The Mothers of Invention members Category:Epic Records artists Category:Atlantic Records artists Category:Elektra Records artists Category:Heads Up International artists Category:MPS Records artists Category:Warner Bros. Records artists Category:People from the San Francisco Bay Area Category:San Francisco Conservatory of Music alumni Category:Smooth jazz pianists
da:George Duke de:George Duke es:George Duke fr:George Duke it:George Duke hu:George Duke ja:ジョージ・デューク no:George Duke pt:George DukeThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Billy Cobham |
---|---|
background | non_vocal_instrumentalist |
birth name | William E. Cobham |
born | May 16, 1944Panama |
instrument | Drums, percussion |
genre | Jazz, jazz fusion, post-bop, jazz funk, rock music |
occupation | Musician, songwriter, bandleader, instructor |
years active | 1968–present |
label | Atlantic, Columbia, CTI, Elektra, GRP |
associated acts | Miles Davis, Mahavishnu Orchestra, Jack Bruce, New York Jazz Quartet, Jazz Is Dead, Bobby and the Midnites |
website | Official website |
notable instruments | }} |
William C. Cobham (born May 16, 1944 in Panama), is a Panamanian American jazz drummer, composer and bandleader, who has called Switzerland home since the late 1970s.
Coming to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with Mahavishnu Orchestra, Cobham is, in the words of Steve Huey, "generally acclaimed as fusion's greatest drummer with an influential style that combines explosive power and exacting precision.
He played in a U.S. Army Band from 1965 to 1968. Following his discharge, Cobham joined the group of pianist Horace Silver for about a year, also playing or recording with saxophonist Stanley Turrentine, organist Shirley Scott, and guitarist George Benson.
The preface to his work with the Mahavishnu Orchestra was his work on guitarist John McLaughlin's album ''My Goal's Beyond''.
In 1971, with fellow Davis alumnus McLaughlin, Cobham co-founded Mahavishnu Orchestra, a definitive jazz fusion ensemble. Cobham toured extensively from 1971 to 1973 with the Mahavishnu Orchestra, who released two studio albums and one live album. The original studio versions of tunes on the live album were later released as ''The Lost Trident Sessions'' in 1999.
In May 1973, while still with the Mahavishnu Orchestra, Cobham recorded his first solo album ''Spectrum'' with keyboardist Jan Hammer, from the Mahavishnu Orchestra, guitarist Tommy Bolin, who later played with heavy rock band Deep Purple, and bassist Lee Sklar. Just before the Mahavishnu Orchestra's last touring leg, in late 1973, Cobham recorded and toured with guitarists Carlos Santana and John McLaughlin, in concerts which featured material from their album ''Love Devotion Surrender'', and Cobham's own material. As band leader and composer, Cobham recorded a number of other ground-breaking fusion records during the 70's, Total Eclipse, Funky Thide of Sings, and Crosswinds. You can also hear his 70's playing well represented on George Duke & Billy Cobham European Tour Live. It was on this tour that Billy reported (in a Down Beat interview) experiencing astral projection during shows, wherein he found himself hovering above and in front of his drums, watching himself play ideas he'd never thought of or executed previously.
In the 1970s, Cobham recorded extensively for the fusion-oriented CTI Records, founded by producer Creed Taylor.
During the 1970s he was a member of the New York Jazz Quartet.
In 1976 Cobham played drums on the album "To the Heart" by Mark-Almond (Jon Mark, Johnny Almond)
In 1984 he also played with the band Bobby and the Midnites (which included Bob Weir of the Grateful Dead, Dave Garland, Bobby Cochran, and Kenny Gradney) and recorded the album "Where The Beat Meets The Street". In 1998, he joined up with Grateful Dead cover band Jazz Is Dead.
A number of solo albums followed (as of July 2005, Cobham has released over 30 recordings under his own name), and continues to record, perform and teach.
In 2006, Cobham released ''Drum n voice 2''. This was a return to the 1970s jazz-funk sound, with guests including Jan Hammer, Buddy Miles, John Patitucci, Jeff Berlin, Dominic Miller, Mike Lindup, Airto Moreira, Frank Gambale, Brian Auger, Guy Barker and the band Novecento. The CD was produced and arranged by Pino and Lino Nicolosi for Nicolosi productions.
Billy was announced as a patron and visiting artist of top London drum college Drumtech in June 2008.
In 2009, Cobham released ''Drum n voice 3''. Guests included Chaka Khan, Gino Vannelli, George Duke, Alex Acuna, Bob Mintzer, Brian Auger, John Scofield and Novecento. The CD was produced and arranged by Pino and Lino Nicolosi for Nicolosi productions.
Billy Cobham performed with John McLaughlin at the 44th Montreux Jazz Festival, in Montreux, Switzerland, on Friday, July 2, 2010, for the first time since the band split up.
As of March 2010, Cobham had begun working on a new project with acclaimed Jordanian guitarist Kamal Musallam.
In August 2011 the album "Rock the Tabla" is released. Featuring Billy Cobham, A.R. Rahman, Hossam Ramzy, Omar Faruk Tekbilek & Manu Katché.
Category:1944 births Category:Living people Category:American jazz drummers Category:American rock drummers Category:American people of Panamanian descent Category:Atlantic Records artists Category:Fania Records artists Category:Fiorello H. LaGuardia High School alumni Category:New York Jazz Quartet members Category:The Mahavishnu Orchestra members
cs:Billy Cobham da:Billy Cobham de:Billy Cobham es:Billy Cobham fr:Billy Cobham it:Billy Cobham hu:Billy Cobham ml:ബില്ലി കോബാം nl:Billy Cobham ja:ビリー・コブハム no:Billy Cobham nn:Billy Cobham pl:Billy Cobham pt:Billy Cobham ru:Кобэм, Билли sk:Billy Cobham fi:Billy Cobham sv:Billy CobhamThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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