Holiday name	Christmas
Nickname	Christ's Mass Nativity NoelFeast of the Nativity
Observedby	ChristiansMany non-Christians
Date	December 25 (alternatively January 6, 7 or 19) (see below)
Observances	Gift giving, church services, family and other social gatherings, symbolic decorating
Type	Christian, cultural
Significance	Traditional birthday of Jesus
Relatedto	Annunciation, Advent, Epiphany, Baptism of the Lord }}

Christmas or Christmas Day is a holiday generally observed on December 25 (with alternative days of January 6, 7 and 19) to commemorate the birth of Jesus, the central figure of Christianity. The exact birthday of Jesus is not known, and historians place his year of birth some time between 7 BC and 2 BC. The supposed details of his birth are recorded in two of the Canonical gospels in the New Testament of the Bible.

The date of Christmas may have initially been chosen to correspond with either the day exactly nine months after Christians believe Jesus to have been conceived, the date of the Roman winter solstice, or one of various ancient winter festivals. Christmas is central to the Christmas and holiday season, and in Christianity marks the beginning of the larger season of Christmastide, which lasts twelve days.

Although nominally a Christian holiday, Christmas is celebrated by an increasing number of non-Christians worldwide, and many of its popular celebratory customs have pre-Christian or secular themes and origins. Popular modern customs of the holiday include gift-giving, music, an exchange of Christmas cards, church celebrations, a special meal, and the display of various decorations; including Christmas trees, lights, garlands, mistletoe, nativity scenes, and holly. In addition, several figures, known as Saint Nicholas, Father Christmas, and Santa Claus, among other names, are associated with bringing gifts to children during the Christmas season.

Because gift-giving and many other aspects of the Christmas festival involve heightened economic activity among both Christians and non-Christians, the holiday has become a significant event and a key sales period for retailers and businesses. The economic impact of Christmas is a factor that has grown steadily over the past few centuries in many regions of the world.

Etymology

The word ''Christmas'' originated as a compound meaning "Christ's Mass". It is derived from the Middle English ''Christemasse'' and Old English ''Cristes mæsse,'' a phrase first recorded in 1038. "Cristes" is from Greek Χριστός ''Christos'' and "mæsse" is from Latin ''missa'' (the holy mass).

Celebration

Christmas Day is celebrated as a major festival and public holiday in countries around the world, including many whose populations are mostly non-Christian. In some non-Christian countries, periods of former colonial rule introduced the celebration (e.g. Hong Kong); in others, Christian minorities or foreign cultural influences have led populations to observe the holiday. Countries such as Japan and Korea, where Christmas is popular despite there being only a small number of Christians, have adopted many of the secular aspects of Christmas, such as gift-giving, decorations and Christmas trees. Notable countries in which Christmas is not a formal public holiday include People's Republic of China, (excepting Hong Kong and Macao), Japan, Saudi Arabia, Algeria, Thailand, Nepal, Iran, Turkey and North Korea. Christmas celebrations around the world can vary markedly in form, reflecting differing cultural and national traditions.

Among countries with a strong Christian tradition, a variety of Christmas celebrations have developed that incorporate regional and local cultures. For Christians, participating in a religious service plays an important part in the recognition of the season. Christmas, along with Easter, is the period of highest annual church attendance. In Catholic countries, the people hold religious processions or parades in the days preceding Christmas. In other countries, secular processions or parades featuring Santa Claus and other seasonal figures are often held. Family reunions and the exchange of gifts are a widespread feature of the season. Gift giving takes place on Christmas Day in most countries. Others practice gift giving on December 6, Saint Nicholas Day, and January 6, Epiphany.

Date of celebration

For centuries, Christian writers accepted that Christmas was the actual date on which Jesus was born. John Chrysostom preached a sermon in Antioch c. 386 which established the date of Christmas as December 25 on the Julian calendar since the conception of Jesus (Luke 1:26) had been announced during the sixth month of Elisabeth's pregnancy with John the Baptist (Luke 1:10-13) as dated from the duties Zacharias performed on the Day of Atonement during the seventh month of the Hebrew calendar Ethanim or Tishri (Lev. 16:29, 1 Kings 8:2) which falls in September-October. In the early 18th century, scholars began proposing alternative explanations. Isaac Newton argued that the date of Christmas was selected to correspond with the winter solstice, which the Romans called ''bruma'' and celebrated on December 25. In 1743, German Protestant Paul Ernst Jablonski argued Christmas was placed on December 25 to correspond with the Roman solar holiday ''Dies Natalis Solis Invicti'' and was therefore a "paganization" that debased the true church. In 1889, Louis Duchesne suggested that the date of Christmas was calculated as nine months after Annunciation, the traditional date of the conception of Jesus.

The December 25 date may have been selected by the church in Rome in the early 4th century. At this time, a church calendar was created and other holidays were also placed on solar dates: "It is cosmic symbolism...which inspired the Church leadership in Rome to elect the winter solstice, December 25, as the birthday of Christ, and the summer solstice as that of John the Baptist, supplemented by the equinoxes as their respective dates of conception. While they were aware that pagans called this day the 'birthday' of Sol Invictus, this did not concern them and it did not play any role in their choice of date for Christmas," according to modern scholar S.E. Hijmans.

However, today, whether or not the birth date of Jesus is on December 25 is not considered to be an important issue in mainstream Christian denominations; rather, celebrating the coming of God into the world in the form of man to atone for the sins of humanity is considered to be the primary meaning of Christmas.

Commemorating Jesus’ birth

Christians celebrate the birth of Jesus to the Virgin Mary as a fulfillment of the Old Testament's Messianic prophecy. The Bible contains two accounts which describe the events surrounding Jesus' birth. Depending on one's perspective, these accounts either differ from each other or tell two versions of the same story These biblical accounts are found in the Gospel of Matthew, namely Matthew 1:18, and the Gospel of Luke, specifically Luke 1:26 and 2:40. According to these accounts, Jesus was born to Mary, assisted by her husband Joseph, in the city of Bethlehem.

According to popular tradition, the birth took place in a stable, surrounded by farm animals, though neither the stable nor the animals are specifically mentioned in the Biblical accounts. However, a manger is mentioned in , where it states, "She wrapped him in cloths and placed him in a manger, because there was no room for them in the inn." Early iconographic representations of the nativity placed the animals and manger within a cave (located, according to tradition, under the Church of the Nativity in Bethlehem). Shepherds from the fields surrounding Bethlehem were told of the birth by an angel, and were the first to see the child. The Gospel of Matthew also describes a visit by several Magi, or astrologers, who bring gifts of gold, frankincense, and myrrh to the infant Jesus. The visitors were said to be following a mysterious star, commonly known as the Star of Bethlehem, believing it to announce the birth of a king of the Jews. The commemoration of this visit, the Feast of Epiphany celebrated on January 6, is the formal end of the Christmas season in some churches.

Christians celebrate Christmas in various ways. In addition to this day being one of the most important and popular for the attendance of church services, there are other devotions and popular traditions. In some Christian denominations, children re-enact the events of the Nativity with animals to portray the event with more realism or sing carols that reference the event. Some Christians also display a small re-creation of the Nativity, known as a Nativity scene or crèche, in their homes, using figurines to portray the key characters of the event. Prior to Christmas Day, the Eastern Orthodox Church practices the 40-day Nativity Fast in anticipation of the birth of Jesus, while much of Western Christianity celebrates four weeks of Advent. The final preparations for Christmas are made on Christmas Eve.

A long artistic tradition has grown of producing painted depictions of the nativity in art. Nativity scenes are traditionally set in a barn or stable and include Mary, Joseph, the child Jesus, angels, shepherds and the Three Wise Men: Balthazar, Melchior, and Caspar, who are said to have followed a star, known as the Star of Bethlehem, and arrived after his birth.

Decorations

The practice of putting up special decorations at Christmas has a long history. From pre-Christian times, people in the Roman Empire brought branches from evergreen plants indoors in the winter. Decorating with greenery was also part of Jewish tradition : "Now on the first day you shall take for yourselves the foliage of beautiful trees, palm branches and boughs of leafy trees and willows of the brook, and you shall rejoice before the LORD your God for seven days. " (Leviticus 23:40)

Christians incorporated such customs in their developing practices. In the 15th century, it was recorded that in London it was the custom at Christmas for every house and all the parish churches to be "decked with holm, ivy, bays, and whatsoever the season of the year afforded to be green". The heart-shaped leaves of ivy were said to symbolize the coming to earth of Jesus, while holly was seen as protection against pagans and witches, its thorns and red berries held to represent the Crown of Thorns worn by Jesus at the crucifixion and the blood he shed.

Nativity scenes are known from 10th-century Rome. They were popularised by Saint Francis of Asissi from 1223, quickly spreading across Europe. Different types of decorations developed across the Christian world, dependent on local tradition and available resources. The first commercially produced decorations appeared in Germany in the 1860s, inspired by paper chains made by children. In countries where a representation of the Nativity Scene is very popular, people are encouraged to compete and create the most original or realistic ones. Within some families, the pieces used to make the representation are considered a valuable family heirloom.

The traditional colors of Christmas are green and red. White, silver and gold are also popular. Red symbolizes the blood of Jesus, which was shed in his crucifixion, while green symbolizes eternal life, and in particular the evergreen tree, which does not lose its leaves in the winter.

The Christmas tree is considered by some as Christianisation of pagan tradition and ritual surrounding the Winter Solstice, which included the use of evergreen boughs, and an adaptation of pagan tree worship. The English language phrase "Christmas tree" is first recorded in 1835 and represents an importation from the German language. The modern Christmas tree tradition is believed to have begun in Germany in the 18th century though many argue that Martin Luther began the tradition in the 16th century. From Germany the custom was introduced to Britain, first via Queen Charlotte, wife of George III, and then more successfully by Prince Albert during the reign of Queen Victoria. By 1841 the Christmas tree had become even more widespread throughout Britain. By the 1870s, people in the United States had adopted the custom of putting up a Christmas tree. Christmas trees may be decorated with lights and ornaments.

Since the 19th century, the poinsettia, a native plant from Mexico, has been associated with Christmas. Other popular holiday plants include holly, mistletoe, red amaryllis, and Christmas cactus. Along with a Christmas tree, the interior of a home may be decorated with these plants, along with garlands and evergreen foliage. The display of Christmas villages has also become a tradition in many homes during this season. The outside of houses may be decorated with lights and sometimes with illuminated sleighs, snowmen, and other Christmas figures. Other traditional decorations include bells, candles, candy canes, stockings, wreaths, and angels. Both the displaying of wreaths and candles in each window are a more traditional Christmas display. The concentric assortment of leaves, usually from an evergreen, make up Christmas wreaths and are designed to prepare Christians for the Advent season. Candles in each window are meant to demonstrate the fact that Christians believe that Jesus Christ is the ultimate light of the world. Both of these antiquated, more subdued, Christmas displays are seen in the image to the right of Saint Anselm College.

Christmas lights and banners may be hung along streets, music played from speakers, and Christmas trees placed in prominent places. It is common in many parts of the world for town squares and consumer shopping areas to sponsor and display decorations. Rolls of brightly colored paper with secular or religious Christmas motifs are manufactured for the purpose of wrapping gifts.

In some countries, Christmas decorations are traditionally taken down on Twelfth Night, the evening of January 5.

Music and carols

The first specifically Christmas hymns that we know of appear in 4th century Rome. Latin hymns such as ''Veni redemptor gentium'', written by Ambrose, Archbishop of Milan, were austere statements of the theological doctrine of the Incarnation in opposition to Arianism. ''Corde natus ex Parentis'' (''Of the Father's love begotten'') by the Spanish poet Prudentius (d. 413) is still sung in some churches today.

In the 9th and 10th centuries, the Christmas "Sequence" or "Prose" was introduced in North European monasteries, developing under Bernard of Clairvaux into a sequence of rhymed stanzas. In the 12th century the Parisian monk Adam of St. Victor began to derive music from popular songs, introducing something closer to the traditional Christmas carol.

By the 13th century, in France, Germany, and particularly, Italy, under the influence of Francis of Asissi, a strong tradition of popular Christmas songs in the native language developed. Christmas carols in English first appear in a 1426 work of John Awdlay, a Shropshire chaplain, who lists twenty-five "caroles of Cristemas", probably sung by groups of wassailers, who went from house to house. The songs we know specifically as carols were originally communal folk songs sung during celebrations such as "harvest tide" as well as Christmas. It was only later that carols began to be sung in church. Traditionally, carols have often been based on medieval chord patterns, and it is this that gives them their uniquely characteristic musical sound. Some carols like ''"Personent hodie"'', "Good King Wenceslas", and "The Holly and the Ivy" can be traced directly back to the Middle Ages. They are among the oldest musical compositions still regularly sung. ''Adeste Fidelis'' (O Come all ye faithful) appears in its current form in the mid-18th century, although the words may have originated in the 13th century.

Singing of carols initially suffered a decline in popularity after the Protestant Reformation in northern Europe, although some Reformers, like Martin Luther, wrote carols and encouraged their use in worship. Carols largely survived in rural communities until the revival of interest in popular songs in the 19th century. The 18th century English reformer Charles Wesley understood the importance of music to worship. In addition to setting many psalms to melodies, which were influential in the Great Awakening in the United States, he wrote texts for at least three Christmas carols. The best known was originally entitled "Hark! How All the Welkin Rings", later renamed "Hark! the Herald Angels Sing". Felix Mendelssohn wrote a melody adapted to fit Wesley's words. In Austria in 1818 Mohr and Gruber made a major addition to the genre when they composed "Silent Night" for the St. Nicholas Church, Oberndorf. William B. Sandys' ''Christmas Carols Ancient and Modern'' (1833) contained the first appearance in print of many now-classic English carols, and contributed to the mid-Victorian revival of the festival.

Completely secular Christmas seasonal songs emerged in the late 18th century. "Deck The Halls" dates from 1784, and the American, "Jingle Bells" was copyrighted in 1857. In the 19th and 20th century, African American spirituals and songs about Christmas, based in their tradition of spirituals, became more widely known. An increasing number of seasonal holidays songs were commercially produced in the 20th century, including jazz and blues variations. In addition, there was a revival of interest in early music, from groups singing folk music, such as The Revels, to performers of early medieval and classical music.

Food

A special Christmas family meal is traditionally an important part of the holiday's celebration, and the food that is served varies greatly from country to country. Some regions, such as Sicily, have special meals for Christmas Eve, when 12 kinds of fish are served. In England and countries influenced by its traditions, a standard Christmas meal includes turkey or goose, meat, gravy, potatoes, vegetables, sometimes bread and cider. Special desserts are also prepared, such as Christmas pudding, mince pies and fruit cake. In Poland and other parts of eastern Europe and Scandinavia, fish often is used for the traditional main course, but richer meat such as lamb is increasingly served. In Germany, France and Austria, goose and pork are favored. Beef, ham and chicken in various recipes are popular throughout the world. The Maltese traditionally serve ''Imbuljuta tal-Qastan'', a chocolate and chestnuts beverage, after Midnight Mass and throughout the Christmas season. Slovaks prepare the traditional Christmas bread potica, ''bûche de Noël'' in France, ''panettone'' in Italy, and elaborate tarts and cakes. The eating of sweets and chocolates has become popular worldwide, and sweeter Christmas delicacies include the German ''stollen'', marzipan cake or candy, and Jamaican rum fruit cake. As one of the few fruits traditionally available to northern countries in winter, oranges have been long associated with special Christmas foods.

Cards

Christmas cards are illustrated messages of greeting exchanged between friends and family members during the weeks preceding Christmas Day. The traditional greeting reads "wishing you a Merry Christmas and a Happy New Year", much like that of the first commercial Christmas card, produced by Sir Henry Cole in London in 1843. The custom of sending them has become popular among a wide cross-section of people with the emergence of the modern trend towards exchanging E-cards.

Christmas cards are purchased in considerable quantities, and feature artwork, commercially designed and relevant to the season. The content of the design might relate directly to the Christmas narrative with depictions of the Nativity of Jesus, or Christian symbols such as the Star of Bethlehem, or a white dove which can represent both the Holy Spirit and Peace on Earth. Other Christmas cards are more secular and can depict Christmas traditions, mythical figures such as Santa Claus, objects directly associated with Christmas such as candles, holly and baubles, or a variety of images associated with the season, such as Christmastime activities, snow scenes and the wildlife of the northern winter. There are even humorous cards and genres depicting nostalgic scenes of the past such as crinolined shoppers in idealized 19th century streetscapes.

Some prefer cards with a poem, prayer or Biblical verse; while others distance themselves from religion with an all-inclusive "Season's greetings".

Stamps

A number of nations have issued commemorative stamps at Christmastime. Postal customers will often use these stamps to mail Christmas cards, and they are popular with philatelists. These stamps are regular postage stamps, unlike Christmas seals, and are valid for postage year-round. They usually go on sale some time between early October and early December, and are printed in considerable quantities.

In 1898 a Canadian stamp was issued to mark the inauguration of the Imperial Penny Postage rate. The stamp features a map of the globe and bears an inscription "XMAS 1898" at the bottom. In 1937, Austria issued two "Christmas greeting stamps" featuring a rose and the signs of the zodiac. In 1939, Brazil issued four semi-postal stamps with designs featuring the three kings and a star of Bethlehem, an angel and child, the Southern Cross and a child, and a mother and child.

Both the US Postal Service and the Royal Mail regularly issue Christmas-themed stamps each year.

Gift giving

The exchanging of gifts is one of the core aspects of the modern Christmas celebration, making the Christmas season the most profitable time of year for retailers and businesses throughout the world. Gift giving was common in the Roman celebration of Saturnalia, an ancient festival which took place in late December and may have influenced Christmas customs. Christmas gift giving was banned by the Catholic Church in the Middle Ages due to its suspected pagan origins. It was later rationalized by the Church on the basis that it associated St. Nicholas with Christmas, and that gifts of gold, frankincense and myrrh were given to the infant Jesus by the Biblical Magi.

Legendary gift-bringing figures

A number of figures of both Christian and mythical origin have been associated with Christmas and the seasonal giving of gifts. Among these are Father Christmas, also known as Santa Claus, Père Noël, and the Weihnachtsmann; Saint Nicholas or Sinterklaas; the Christkind; Kris Kringle; Joulupukki; Babbo Natale; Saint Basil; and Father Frost.

The most famous and pervasive of these figures in modern celebration worldwide is Santa Claus, a mythical gift bringer, dressed in red, whose origins have diverse sources. The name Santa Claus can be traced back to the Dutch ''Sinterklaas'', which means simply Saint Nicholas. Nicholas was Bishop of Myra, in modern day Turkey, during the 4th century. Among other saintly attributes, he was noted for the care of Children, generosity, and the giving of gifts. His feast on the 6th of December came to be celebrated in many countries with the giving of gifts. Saint Nicholas traditionally appeared in bishop's attire, accompanied by helpers, inquiring about the behaviour of children during the past year before deciding whether they deserved a gift or not. By the 13th century, Saint Nicholas was well known in the Netherlands, and the practice of gift-giving in his name spread to other parts of central and southern Europe. At the Reformation in 16th–17th century Europe, many Protestants changed the gift bringer to the Christ Child or ''Christkindl'', corrupted in English to Kris Kringle, and the date of giving gifts changed from December the 6th to Christmas Eve.

The modern popular image of Santa Claus, however, was created in the United States, and in particular in New York. The transformation was accomplished with the aid of notable contributors including Washington Irving and the German-American cartoonist Thomas Nast (1840–1902). Following the American Revolutionary War, some of the inhabitants of New York City sought out symbols of the city's non-English past. New York had originally been established as the Dutch colonial town of New Amsterdam and the Dutch Sinterklaas tradition was reinvented as Saint Nicholas. In 1809, the New-York Historical Society convened and retroactively named ''Sancte Claus'' the patron saint of Nieuw Amsterdam, the Dutch name for New York City. At his first American appearance in 1810, Santa Claus was drawn in bishops' robes. However as new artists took over, Santa Claus developed more secular attire. Nast drew a new image of "Santa Claus" annually, beginning in 1863. By the 1880s, Nast's Santa had evolved into the robed, fur clad, form we now recognize, perhaps based on the English figure of Father Christmas. The image was standardized by advertisers in the 1920s.

Father Christmas, a jolly, well nourished, bearded man who typified the spirit of good cheer at Christmas, predates the Santa Claus character. He is first recorded in early 17th century England, but was associated with holiday merrymaking and drunkenness rather than the bringing of gifts. In Victorian Britain, his image was remade to match that of Santa. The French Père Noël evolved along similar lines, eventually adopting the Santa image. In Italy, Babbo Natale acts as Santa Claus, while La Befana is the bringer of gifts and arrives on the eve of the Epiphany. It is said that La Befana set out to bring the baby Jesus gifts, but got lost along the way. Now, she brings gifts to all children. In some cultures Santa Claus is accompanied by Knecht Ruprecht, or Black Peter. In other versions, elves make the toys. His wife is referred to as Mrs. Claus.

There has been some opposition to the narrative of the American evolution of Saint Nicholas into the modern Santa. It has been claimed that the Saint Nicholas Society was not founded until 1835, almost half a century after the end of the American War of Independence. Moreover, a study of the "children's books, periodicals and journals" of New Amsterdam by Charles Jones revealed no references to Saint Nicholas or Sinterklaas. However, not all scholars agree with Jones's findings, which he reiterated in a booklength study in 1978; Howard G. Hageman, of New Brunswick Theological Seminary, maintains that the tradition of celebrating Sinterklaas in New York was alive and well from the early settlement of the Hudson Valley on.

Current tradition in several Latin American countries (such as Venezuela and Colombia) holds that while Santa makes the toys, he then gives them to the Baby Jesus, who is the one who actually delivers them to the children's homes, a reconciliation between traditional religious beliefs and the iconography of Santa Claus imported from the United States.

In South Tyrol (Italy), Austria, Czech Republic, Southern Germany, Hungary, Liechtenstein, Slovakia and Switzerland, the Christkind (Ježíšek in Czech, Jézuska in Hungarian and Ježiško in Slovak) brings the presents. The German St. Nikolaus is not identical with the Weihnachtsmann (who is the German version of Santa Claus/Father Christmas). St. Nikolaus wears a bishop's dress and still brings small gifts (usually candies, nuts and fruits) on December 6 and is accompanied by Knecht Ruprecht. Although many parents around the world routinely teach their children about Santa Claus and other gift bringers, some have come to reject this practice, considering it deceptive.

History

Pre-Christian background

''Dies Natalis Solis Invicti''

''Dies Natalis Solis Invicti'' means "the birthday of the unconquered sun".

Modern scholars have argued that the festival was placed on the date of the solstice because this was on this day that the Sun reversed its southward retreat and proved itself to be "unconquered". Some early Christian writers connected the rebirth of the sun to the birth of Jesus. "O, how wonderfully acted Providence that on that day on which that Sun was born...Christ should be born", Cyprian wrote. John Chrysostom also commented on the connection: "They call it the 'Birthday of the Unconquered'. Who indeed is so unconquered as Our Lord . . .?"

Although ''Dies Natalis Solis Invicti'' has been the subject of a great deal of scholarly speculation,. the only ancient source for it is a single mention in the Chronography of 354, and modern Sol scholar Steven Hijmans argues that there is no evidence that the celebration precedes that of Christmas: "[W]hile the winter solstice on or around the 25th of December was well established in the Roman imperial calendar, there is no evidence that a religious celebration of Sol on that day antedated the celebration of Christmas, and none that indicates that Aurelian had a hand in its institution."

Winter festivals

A winter festival was the most popular festival of the year in many cultures. Reasons included the fact that less agricultural work needs to be done during the winter, as well as an expectation of better weather as spring approached. Modern Christmas customs include: gift-giving and merrymaking from Roman Saturnalia; greenery, lights, and charity from the Roman New Year; and Yule logs and various foods from Germanic feasts.

Pagan Scandinavia celebrated a winter festival called Yule, held in the late December to early January period. As Northern Europe was the last part to Christianize, its pagan traditions had a major influence on Christmas, especially Koleda, which was incorporated into the Christmas carol. Scandinavians still call Christmas ''Jul''. In English, the word Yule is synonymous with Christmas, a usage first recorded in 900.

Christian feast

The New Testament does not give a date for the birth of Jesus. Around AD 200, Clement of Alexandria wrote that a group in Egypt celebrated the nativity on 25 Pashons. This corresponds to May 20. Tertullian (d. 220) does not mention Christmas as a major feast day in the Church of Roman Africa. However, in ''Chronographai'', a reference work published in 221, Sextus Julius Africanus suggested that Jesus was conceived on the spring equinox, popularizing the idea that Christ was born on December 25. The equinox was March 25 on the Roman calendar, so this implied a birth in December.

''De Pascha Computus'', a calendar of feasts produced in 243, gives March 28 as the date of the nativity. In 245, the theologian Origen of Alexandria stated that, "only sinners (like Pharaoh and Herod)" celebrated their birthdays. In 303, Christian writer Arnobius ridiculed the idea of celebrating the birthdays of gods. However, since Christmas does not celebrate Christ's birth "as God" but "as man", this is not evidence against Christmas being a feast at this time. Moreover, the fact that the innovation rejecting Donatist Church of North Africa celebrated Christmas suggests that the feast had been established before the living memory of those who began that Church in 311.

Feast established

The earliest known reference to the date of the nativity as December 25 is found in the Chronography of 354, an illuminated manuscript compiled in Rome. In the East, early Christians celebrated the birth of Christ as part of Epiphany (January 6), although this festival emphasized celebration of the baptism of Jesus.

Christmas was promoted in the Christian East as part of the revival of Catholicism following the death of the pro-Arian Emperor Valens at the Battle of Adrianople in 378. The feast was introduced to Constantinople in 379, and to Antioch in about 380. The feast disappeared after Gregory of Nazianzus resigned as bishop in 381, although it was reintroduced by John Chrysostom in about 400.

Middle Ages

In the Early Middle Ages, Christmas Day was overshadowed by Epiphany, which in the west focused on the visit of the magi. But the Medieval calendar was dominated by Christmas-related holidays. The forty days before Christmas became the "forty days of St. Martin" (which began on November 11, the feast of St. Martin of Tours), now known as Advent. In Italy, former Saturnalian traditions were attached to Advent. Around the 12th century, these traditions transferred again to the Twelve Days of Christmas (December 25 – January 5); a time that appears in the liturgical calendars as Christmastide or Twelve Holy Days.

The prominence of Christmas Day increased gradually after Charlemagne was crowned Emperor on Christmas Day in 800. King Edmund the Martyr was anointed on Christmas in 855 and King William I of England was crowned on Christmas Day 1066.

By the High Middle Ages, the holiday had become so prominent that chroniclers routinely noted where various magnates celebrated Christmas. King Richard II of England hosted a Christmas feast in 1377 at which twenty-eight oxen and three hundred sheep were eaten. The Yule boar was a common feature of medieval Christmas feasts. Caroling also became popular, and was originally a group of dancers who sang. The group was composed of a lead singer and a ring of dancers that provided the chorus. Various writers of the time condemned caroling as lewd, indicating that the unruly traditions of Saturnalia and Yule may have continued in this form. "Misrule"—drunkenness, promiscuity, gambling—was also an important aspect of the festival. In England, gifts were exchanged on New Year's Day, and there was special Christmas ale.

Christmas during the Middle Ages was a public festival that incorporated ivy, holly, and other evergreens. Christmas gift-giving during the Middle Ages was usually between people with legal relationships, such as tenant and landlord. The annual indulgence in eating, dancing, singing, sporting, and card playing escalated in England, and by the 17th century the Christmas season featured lavish dinners, elaborate masques and pageants. In 1607, King James I insisted that a play be acted on Christmas night and that the court indulge in games. It was during the Reformation in 16th–17th century Europe that many Protestants changed the gift bringer to the Christ Child or ''Christkindl'', and the date of giving gifts changed from December 6 to Christmas Eve.

Reformation into the 19th century

Following the Protestant Reformation, groups such as the Puritans strongly condemned the celebration of Christmas, considering it a Catholic invention and the "trappings of popery" or the "rags of the Beast." The Catholic Church responded by promoting the festival in a more religiously oriented form. King Charles I of England directed his noblemen and gentry to return to their landed estates in midwinter to keep up their old style Christmas generosity. Following the Parliamentarian victory over Charles I during the English Civil War, England's Puritan rulers banned Christmas in 1647.

Protests followed as pro-Christmas rioting broke out in several cities and for weeks Canterbury was controlled by the rioters, who decorated doorways with holly and shouted royalist slogans. The book, ''The Vindication of Christmas'' (London, 1652), argued against the Puritans, and makes note of Old English Christmas traditions, dinner, roast apples on the fire, card playing, dances with "plow-boys" and "maidservants", and carol singing. The Restoration of King Charles II in 1660 ended the ban, but many clergymen still disapproved of Christmas celebration. In Scotland, the Presbyterian Church of Scotland also discouraged observance of Christmas. James VI commanded its celebration in 1618, however attendance at church was scant.

In Colonial America, the Puritans of New England shared radical Protestant disapproval of Christmas. Celebration was outlawed in Boston from 1659 to 1681. The ban by the Pilgrims was revoked in 1681 by English governor Sir Edmund Andros, however it was not until the mid-19th century that celebrating Christmas became fashionable in the Boston region.

At the same time, Christian residents of Virginia and New York observed the holiday freely. Pennsylvania German Settlers, pre-eminently the Moravian settlers of Bethlehem, Nazareth and Lititz in Pennsylvania and the Wachovia Settlements in North Carolina, were enthusiastic celebrators of Christmas. The Moravians in Bethlehem had the first Christmas trees in America as well as the first Nativity Scenes. Christmas fell out of favor in the United States after the American Revolution, when it was considered an English custom. George Washington attacked Hessian (German) mercenaries on Christmas during the Battle of Trenton in 1777, Christmas being much more popular in Germany than in America at this time.

By the 1820s, sectarian tension had eased in Britain and writers, including William Winstanly, began to worry that Christmas was dying out. These writers imagined Tudor Christmas as a time of heartfelt celebration, and efforts were made to revive the holiday. In 1843, Charles Dickens wrote the novel ''A Christmas Carol'', that helped revive the 'spirit' of Christmas and seasonal merriment. Its instant popularity played a major role in portraying Christmas as a holiday emphasizing family, goodwill, and compassion.

Dickens sought to construct Christmas as a family-centered festival of generosity, in contrast to the community-based and church-centered observations, the observance of which had dwindled during the late 18th century and early 19th century. Superimposing his secular vision of the holiday, Dickens influenced many aspects of Christmas that are celebrated today in Western culture, such as family gatherings, seasonal food and drink, dancing, games, and a festive generosity of spirit. A prominent phrase from the tale, '''Merry Christmas''', was popularized following the appearance of the story.

The term Scrooge became a synonym for miser, with '''Bah! Humbug!''' dismissive of the festive spirit. In 1843, the first commercial Christmas card was produced by Sir Henry Cole. The revival of the Christmas Carol began with William B. Sandys ''Christmas Carols Ancient and Modern'' (1833), with the first appearance in print of '''The First Noel''', '''I Saw Three Ships''', '''Hark the Herald Angels Sing''' and '''God Rest Ye Merry, Gentlemen''', popularized in Dickens' ''A Christmas Carol''.

In Britain, the Christmas tree was introduced in the early 19th century following the personal union with the Kingdom of Hanover, by Charlotte of Mecklenburg-Strelitz, Queen to King George III. In 1832 a young Queen Victoria wrote about her delight at having a Christmas tree, hung with lights, ornaments, and presents placed round it. After her marriage to her German cousin Prince Albert, by 1841 the custom became more widespread throughout Britain. By the 1870s, putting up a Christmas tree had become common in America.

In America, interest in Christmas had been revived in the 1820s by several short stories by Washington Irving which appear in his ''The Sketch Book of Geoffrey Crayon'' and "Old Christmas". Irving's stories depicted harmonious warm-hearted English Christmas festivities he experienced while staying in Aston Hall, Birmingham, England, that had largely been abandoned, and he used the tract ''Vindication of Christmas'' (1652) of Old English Christmas traditions, that he had transcribed into his journal as a format for his stories.

In 1822, Clement Clarke Moore wrote the poem ''A Visit From St. Nicholas'' (popularly known by its first line: ''Twas the Night Before Christmas''). The poem helped popularize the tradition of exchanging gifts, and seasonal Christmas shopping began to assume economic importance. This also started the cultural conflict of the holiday's spiritualism and its commercialism that some see as corrupting the holiday. In her 1850 book "The First Christmas in New England", Harriet Beecher Stowe includes a character who complains that the true meaning of Christmas was lost in a shopping spree.

While the celebration of Christmas was not yet customary in some regions in the U.S., Henry Wadsworth Longfellow detected "a transition state about Christmas here in New England" in 1856. "The old puritan feeling prevents it from being a cheerful, hearty holiday; though every year makes it more so". In Reading, Pennsylvania, a newspaper remarked in 1861, "Even our presbyterian friends who have hitherto steadfastly ignored Christmas — threw open their church doors and assembled in force to celebrate the anniversary of the Savior's birth".

The First Congregational Church of Rockford, Illinois, 'although of genuine Puritan stock', was 'preparing for a grand Christmas jubilee', a news correspondent reported in 1864. By 1860, fourteen states including several from New England had adopted Christmas as a legal holiday. In 1870, Christmas was formally declared a United States Federal holiday, signed into law by President Ulysses S. Grant. Subsequently, in 1875, Louis Prang introduced the Christmas card to Americans. He has been called the "father of the American Christmas card".

Controversy and criticism

Throughout the holiday's history, Christmas has been the subject of both controversy and criticism from a wide variety of different sources. The first documented Christmas controversy was Christian-led, and began during the English Interregnum, when England was ruled by a Puritan Parliament. Puritans (including those who fled to America) sought to remove the remaining pagan elements of Christmas. During this period, the English Parliament banned the celebration of Christmas entirely, considering it "a popish festival with no biblical justification", and a time of wasteful and immoral behavior.

Controversy and criticism continues in the present-day, where some Christian and non-Christians have claimed that an affront to Christmas (dubbed a "war on Christmas" by some) is ongoing. In the United States there has been a tendency to replace the greeting ''Merry Christmas'' with ''Happy Holidays''. Groups such as the American Civil Liberties Union have initiated court cases to bar the display of images and other material referring to Christmas from public property, including schools. Such groups argue that government-funded displays of Christmas imagery and traditions violate the First Amendment to the United States Constitution, which prohibits the establishment by Congress of a national religion. In 1984, the U.S. Supreme Court ruled in ''Lynch vs. Donnelly'' that a Christmas display (which included a Nativity scene) owned and displayed by the city of Pawtucket, Rhode Island did not violate the First Amendment. In November 2009, the Federal appeals court in Philadelphia endorsed a school district's ban on the singing of Christmas carols.

In the private sphere also, it has been alleged that any specific mention of the term "Christmas" or its religious aspects was being increasingly censored, avoided, or discouraged by a number of advertisers and retailers. In response, the American Family Association and other groups have organized boycotts of individual retailers. In the United Kingdom there have also been some controversies, one of the most famous being the temporary promotion of the Christmas period as Winterval by Birmingham City Council in 1998. There were also protests in November 2009 when the city of Dundee promoted its celebrations as the ''Winter Night Light festival'', initially with no specific Christmas references.

Economics

Christmas is typically the largest annual economic stimulus for many nations around the world. Sales increase dramatically in almost all retail areas and shops introduce new products as people purchase gifts, decorations, and supplies. In the U.S., the "Christmas shopping season" starts as early as October. In Canada, merchants begin advertising campaigns just before Halloween (October 31), and step up their marketing following Remembrance Day on November 11. In the UK and Ireland, the Christmas shopping season starts from mid November, around the time when high street Christmas lights are turned on. In the United States, it has been calculated that a quarter of all personal spending takes place during the Christmas/holiday shopping season. Figures from the U.S. Census Bureau reveal that expenditure in department stores nationwide rose from $20.8 billion in November 2004 to $31.9 billion in December 2004, an increase of 54 percent. In other sectors, the pre-Christmas increase in spending was even greater, there being a November – December buying surge of 100 percent in bookstores and 170 percent in jewelry stores. In the same year employment in American retail stores rose from 1.6 million to 1.8 million in the two months leading up to Christmas. Industries completely dependent on Christmas include Christmas cards, of which 1.9 billion are sent in the United States each year, and live Christmas Trees, of which 20.8 million were cut in the USA in 2002. In the UK in 2010, up to £8 billion was expected to be spent online at Christmas, approximately a quarter of total retail festive sales.

In most Western nations, Christmas Day is the least active day of the year for business and commerce; almost all retail, commercial and institutional businesses are closed, and almost all industries cease activity (more than any other day of the year), whether laws require such or not. In England and Wales, the Christmas Day (Trading) Act 2004 prevents all large shops from trading on Christmas Day. Scotland is currently planning similar legislation. Film studios release many high-budget movies during the holiday season, including Christmas films, fantasy movies or high-tone dramas with high production values.

One economist's analysis calculates that, despite increased overall spending, Christmas is a deadweight loss under orthodox microeconomic theory, because of the effect of gift-giving. This loss is calculated as the difference between what the gift giver spent on the item and what the gift receiver would have paid for the item. It is estimated that in 2001, Christmas resulted in a $4 billion deadweight loss in the U.S. alone. Because of complicating factors, this analysis is sometimes used to discuss possible flaws in current microeconomic theory. Other deadweight losses include the effects of Christmas on the environment and the fact that material gifts are often perceived as white elephants, imposing cost for upkeep and storage and contributing to clutter.

See also

Christmas Eve

Christmas Sunday

Christmas worldwide

Little Christmas

Midwinter Christmas

Midwinter

Twelve days of Christmas

Yuletide

Waffle_day (March 25th, 9 months before Christmas)

References and notes

Further reading

''The Battle for Christmas'', by Stephen Nissenbaum (1996; New York: Vintage Books, 1997). ISBN 0-679-74038-4

''The Origins of Christmas'', by Joseph F. Kelly (August 2004: Liturgical Press) ISBN 978-0-8146-2984-0

''Christmas Customs and Traditions'', by Clement A. Miles (1976: Dover Publications) ISBN 978-0-486-23354-3

''The World Encyclopedia of Christmas'', by Gerry Bowler (October 2004: McClelland & Stewart) ISBN 978-0-7710-1535-9

''Santa Claus: A Biography'', by Gerry Bowler (November 2007: McClelland & Stewart) ISBN 978-0-7710-1668-4

''There Really Is a Santa Claus: The History of St. Nicholas & Christmas Holiday Traditions'', by William J. Federer (December 2002: Amerisearch) ISBN 978-0-9653557-4-2

''St. Nicholas: A Closer Look at Christmas'', by Jim Rosenthal (July 2006: Nelson Reference) ISBN 1-4185-0407-6

''Just say Noel: A History of Christmas from the Nativity to the Nineties'', by David Comfort (November 1995: Fireside) ISBN 978-0-684-80057-8

''4000 Years of Christmas: A Gift from the Ages'', by Earl W. Count (November 1997: Ulysses Press) ISBN 978-1-56975-087-2

External links

''Christmas: Its Origin and Associations'', by William Francis Dawson, 1902, from Project Gutenberg

Christmas Newswire

Category:Article Feedback Pilot Category:Christmas

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name	Mariah Carey
background	solo_singer
birth date	March 27, 1970
birth place
genre	Pop, R&B;, hip hop, soul, dance
years active	1988–present
occupation	Singer-songwriter, record producer, actress
spouse
label	Columbia, Virgin, Island
website	}}

Mariah Carey (born March 27, 1970) is an American singer, songwriter, record producer, and actress. She made her recording debut in 1990 under the guidance of Columbia Records executive Tommy Mottola, and released her self-titled debut studio album, ''Mariah Carey''. The album went multi-platinum and spawned four consecutive number one singles, on the U.S. ''Billboard'' Hot 100 chart. Following her marriage to Mottola in 1993, a series of hit records, including ''Emotions'' (1991), ''Music Box'' (1993) and ''Merry Christmas'' (1994), established her position as Columbia's highest-selling act. ''Daydream'' (1995), made music history when the second single, "One Sweet Day" a duet with Boyz II Men, spent a record sixteen weeks on top of the Billboard Hot 100, and remains the longest running number one song in US chart history. During the recording of the album Carey began to deviate from her pop background, and slowly traversed into R&B; and Hip-hop. After her separation from Mottola, this musical change was evident with the release of ''Butterfly'' (1997).

Carey left Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records. In 2001, Carey ventured into film with ''Glitter'' (2001). Before the film's release she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion. Following the film's poor reception, she was bought out of her recording contract for $50 million, which led to a decline in her career. She signed a multi-million dollar contract deal with Island Records in 2002, and after an unsuccessful period, returned to the top of music charts with ''The Emancipation of Mimi'' (2005). Its second single "We Belong Together", which became the most successful solo single of her music career, and was later named "Song of the Decade" by ''Billboard''. Carey once again ventured into film, and starred in ''Precious'' (2009). Her role in the film was well-received, and she was awarded the "Breakthrough Performance Award" at the Palm Springs International Film Festival, and a NAACP Image Award nomination.

In a career spanning over two decades, Carey has sold more than 200 million records worldwide, making her one of the best-selling music artists of all time. In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards. Carey was also named the best-selling female artist of the millennium in 2000. According to the Recording Industry Association of America (RIAA), she is the third best-selling female artist in the United States, with 63 million certified albums. With the release of "Touch My Body" (2008), Carey gained her eighteenth number one single in the United States, more than any other solo artist. Aside from her commercial accomplishments, Carey has won five Grammy Awards, and is famed for her five-octave vocal range, power, melismatic style and signature use of the whistle register.

Biography

1970–87: Early life and struggles

Mariah Carey was born in Huntington, Long Island, New York, on March 27, 1970. The singer's father, Alfred Roy, was of African American and Venezuelan descent, while her mother, Patricia (née Hickey), was an Irish American. Patricia's father had died while she was young; however, she inherited his passion for music. She developed a career as an occasional opera singer and vocal coach, and met Alfred in 1960. As he began earning a living as an aeronautical engineer, the couple wed later that year, and moved into a small suburb in New York. After the pair's elopement, Patricia's family disowned her, due to marrying a man of color. Carey later explained that growing up, she felt a notion of neglect from her maternal family, a mark that affected her greatly: "So later I was like, 'Well, where does this leave me? Am I a bad person?' You know. Its still not that common to be a multi-racial person, but I'm happy with the combination of things that I am." During the interval of years in between Allison and the singer's birth, the Carey family experienced personal struggles within the community due to their ethnicity. Carey's name was derived from the song "They Call the Wind Mariah", originally from the 1951 Broadway musical ''Paint Your Wagon.'' When Carey was only three years of age, her parents divorced, due to the increasingly strenuous nature of their marriage.

}} After their separation, Carey's older sister Allison moved in with her father, while the other two children remained with Patricia. As the years passed, Carey would grow apart from her father, and would later stop seeing him altogether. By the age of four, Carey recalled that she had begun to sneak the radio under her covers at night, and just sing from her heart, and try and find peace within the music. During elementary school, she would excel in subjects that she enjoyed, such as literature, art and music, while not finding interest in others. After several years of financial struggling, Patricia earned enough money to move her family into a stable and more affluent sector in New York. Carey had already enrolled in Greenlawn's Harborfields High School. She had begun writing poems, and adding melodies to them, thus starting as a singer-songwriter. Even from a young age, Carey excelled in her music, and demonstrated usage of the whistle register, though only beginning to master and control it through her training with her mother. Though opening her daughter to the world of classical opera, Patricia never pressured Carey to pursue a career in that type of genre, as she never seemed interested in that world of music. Carey recalled that she kept her singer-songwriter works a secret and noted that Patricia had "never been a pushy mom. She never said, 'Give it more of an operatic feel'. I respect opera like crazy, but it didn't influence me."

Towards the end of her high school Carey developed a relationship with Gavin Christopher, with whom she shared musical aspirations. The song-writing duo, however, needed an assistant who could play the keyboard; "We called someone and he couldn't come, so by accident we stumbled upon Ben [Margulies]. Ben came to the studio, and he really couldn't play the keyboards very well - her was really more of a drummer - but after that day, we kept in touch, and we sort of clicked as writers." The two began writing and composing songs in his father's store basement, during Carey's senior year. After composing their first song together, "Here We Go Round Again", which Carey described as having a Motown-vibe, they continued writing material for a full length demo. After Carey's graduation her mother wed once more, which ultimately prompted her to move out from Patricia's apartment, and into a one bedroom studio in Manhattan, which she shared with four other female students. During this period, Carey worked several jobs as a waitress, usually getting fired after two week intervals. While requiring work to pay for her rent, Carey's mind and effort still remained with her musical ambitions, as she continued working late into the night with Margulies, in hopes of completing a demo take that could be passed on to record executives. After completing her four song demo tape, Carey tried to pass it to music labels, but was met with failure each time. It was then she was introduced to rising pop singer of Puerto Rican descent, Brenda K. Starr.

1988–92: Recording debut and career beginnings

As Carey's friendship with Starr grew, so did her interest in helping Carey succeed in the industry. On a Friday night in November 1987, Carey accompanied Starr to a record executives gala, where she handed her demo tape to Tommy Mottola, head of Columbia Records, who listened to it on his way back home. After the first two songs, he became so enamored at the sound and quality of Carey's voice that he turned around returned to the event, only to find that she had left. In what has been widely described by critics as a modern day Cinderella-like tale, after searching Carey for two weeks, and eventually contacting her through Starr's management, he immediately signed her and began mapping out her debut into mainstream music. While she maintained that she wanted to continue working with Margulies, Mottola enlisted top producers of the time, including Ric Wake, Narada Michael Walden and Rhett Lawrence. Mottola and the staff at Columbia had planned to market Carey as the main female pop artist on their roster, competing with the likes of Whitney Houston and Madonna, who were signed to Arista and Sire Records respectively. After the completion of the album, titled ''Mariah Carey'', Columbia spent an upward of $1 million to promote it. Though opening with weak sales, the album eventually reached the top of the ''Billboard'' 200, after Carey's exposure at the 33rd annual Grammy Awards. ''Mariah Carey'' stayed atop the charts for eleven consecutive weeks, and she won the Best New Artist, and Best Female Pop Vocal Performance trophies for her single "Vision of Love". The album yielded an additional three number one singles on the ''Billboard'' Hot 100, following the four week number-one run of "Vision of Love". Carey became the first artist since The Jackson 5 to have their first four singles reach number one. ''Mariah Carey'' finished as the best-selling album in the United States of 1991, while totaling sales of over 15 million copies.

Only months after the ''Mariah Carey'' began its descent on the charts, Carey already began working on her second studio effort, eventually titled ''Emotions'' (1991). The album, as Carey described it, payed homage to Motown soul music, as she felt the need to pay tribute to the type of music and genre that truly influenced her as a struggling child. For the project, Carey worked with Walter Afanasieff, who only had a small role on her debut, as well as Clivillés and Cole, from the dance group C+C Music Factory. However, Carey's relationship with Margulies deteriorated over a contract Carey had signed prior to her signing with Columbia, agreeing to split not only the songwriting royalties from the songs, but half of her earnings as well. However, when the time came to write music for ''Emotions,'' Sony officials made it clear he would only be paid the fair amount given to co-writers on an album. Subsequently, Margulies filed a lawsuit against Sony which ultimately led to their parting of ways. On September 17, 1991, ''Emotions'' was released around the world, and was accepted by critics as a more mature album than its predecessor. While praised for Carey's improved songwriting, production and new sound, the album was criticized for its material, which many felt was noticeably weaker than her debut. Though the album managed sales of over eight million copies globally, ''Emotions'' failed to reach the commercial and critical heights of its predecessor.

As they had done after the release of her debut, critics once again questioned whether Carey would embark on a world tour, in promotion for her material. Although Carey explained that due to her stage fright, and the general strenuous nature of her songs, a tour sounded very daunting, speculation grew that Carey was a "studio worm", and that she wasn't capable of producing the perfect pitch and 5-octave vocal range for which she was known. In hopes of putting any claims of her being a manufactured artist to rest, Carey and Walter Afanasieff decided to book an appearance on MTV Unplugged, a television program aired by MTV. The show's purpose was to present name artists, and feature them "unplugged" or stripped of studio equipment. While Carey felt strongly of her more soulful and powerful songs, it was decided that her most popular content to that point would be included. Days prior to the show's taping, Carey and Afanasieff thought of adding a cover version of an older song, in order to provide something different and unexpected. They chose "I'll Be There", a song made popular by The Jackson 5 in 1970, rehearsing it few times before the night of the show. On March 16, 1992, Carey recorded a seven-piece set-list at Kaufman Astoria Studios in Queens, New York. The revue was met with critical acclaim, leading to it being aired over three times as often as an average episode would. The revue's success tempted Sony officials to use it as some form of an album. Sony decided to release it as an EP, selling for a reduced price due to its shorter length. The EP proved to be a success, shunning critics and speculations that Carey was just a studio artist, and was given a triple-Platinum certification by the Recording Industry Association of America (RIAA), and managed Gold and Platinum certfications in several European markets.

1993–96: First marriage, ''Music Box'' and ''Daydream''

During early 1993, Carey began working on her third studio album, ''Music Box''. After ''Emotions'' failed to achieve the commercial heights of her debut album, Carey and Columbia came to the agreement that the next album would contain a more pop influenced sound, in order to appeal to a wider audience. During Carey's writing sessions, she began working mostly with Afanasieff, with whom she co-wrote and produced most of ''Music Box''. During the album's recording, Carey and Mottola became romantically involved. They wed in a lavish ceremony on June 5, 1993, with several high profile guests including Barbra Streisand, Billy Joel, Gloria Estefan and Ozzy Osbourne. One month later, on August 31, ''Music Box'' was released around the world, debuting at number-one on the ''Billboard'' 200. The album was met with mixed reception from music critics; while many praised the album's pop influence and strong content, others felt that Carey made less usage of her acclaimed vocal range. Ron Wynn from Allmusic described Carey's different form of singing on the album: "It was wise for Carey to display other elements of her approach, but sometimes excessive spirit is preferable to an absence of passion." The album's second single, "Hero", would eventually come to be one of Carey's most popular and inspirational songs of her career. The song became Carey's eighth chart topper in the United States, and began expanding Carey's popularity throughout Europe. With the release of the album's third single, Carey achieved several career milestones. Her cover of Badfinger's "Without You" became her first number one single in several European countries, including Austria, Germany, the Netherlands, Ireland, Sweden, Switzerland and the United Kingdom. Due to the song's success, ''Music Box'' spent prolonged periods at number one on the album charts of several countries, and eventually became one of the best-selling albums of all time, with worldwide sales of over 32 million copies. After declining to tour for her past two albums, Carey agreed to embark on a short stateside string of concerts, titled the Music Box Tour. Spanning only six dates across North America, the short but successful tour was a large step for Carey, who dreaded the hassle of touring.

Following ''Music Box'', Carey took a relatively large period of time away from the public eye, and began working on an unknown project throughout 1994. The project was kept very secretive until ''Billboard'' announced on their October issue, that Carey would release a holiday album later that year. In late 1994, Carey recorded a duet with Luther Vandross; a cover of Lionel Richie and Diana Ross's "Endless Love". By that point, Columbia felt Carey had already established herself as a pop singer, and vocalist, but wanted to to try and feature her as more of an entertainer. Through the release of ''Merry Christmas'', Columbia hoped that audiences would buy Carey's material solely for her name and reputation, and squash fears of her being a typical pop singer. The album was released on November 1, 1994, on the same day that the album's first single, "All I Want for Christmas Is You", was released. The album eventually became the best-selling Christmas album of all time, with global sales reaching over 15 million copies. Additionally, "All I Want for Christmas Is You" was critically lauded, and is considered "one of the few worthy modern additions to the holiday canon." ''Rolling Stone'' described it as a "holiday standard", and ranked it fourth on its Greatest Rock and Roll Christmas Songs list. Commercially, it became the best-selling holiday ringtone of all time, and the best-selling single by a non-Asian artist in Japan, selling over 2.1 million units (both ringtone and digital download). By the end of the holiday season of 1994, Carey and Afanasieff had already begun writing material for her next studio album, which would be released in the fall of of the following year.

Released on October 3, 1995, ''Daydream'' combined the pop sensibilities of ''Music Box'' with downbeat R&B; and hip hop influences. The album's second single, "One Sweet Day" was inspired by the death of Cole, as well as her sister Allison, who had contracted AIDS. The song remained atop the Hot 100 for a record-breaking sixteen weeks, and became the longest running number one song in history. ''Daydream'' became her biggest-selling album in the United States, and became her second album to be certified Diamond by the RIAA, following ''Music Box''. The album again was the best-seller by an international artist in Japan, shifting over 2.2 million copies, and eventually reaching global sales of over 25 million units. Critically, the album was heralded as Carey's best to date; ''The New York Times'' named it as one of 1995's best albums, and wrote, "best cuts bring R&B; candy-making to a new peak of textural refinement [...] Carey's songwriting has taken a leap forward and become more relaxed, sexier and less reliant on thudding clichés." Carey once again opted to embark on a short world tour titled Daydream World Tour. It had seven dates, three in Japan and four throughout Europe. When tickets went on sale, Carey set records when all 150,000 tickets for her three shows at Japan's largest stadium, Tokyo Dome sold out in under three hours, breaking the previous record help by The Rolling Stones. Due to the album's success, Carey won two awards at the American Music Awards for her solo efforts: Favorite Pop/Rock Female Artist and Favorite Soul/R&B; Female Artist. ''Daydream'' and its singles were respectively nominated in six categories at the 38th Grammy Awards. Carey, along with Boyz II Men, opened the event with a performance of "One Sweet Day". However, Carey did not receive any award, prompting her to comment "What can you do? I will never be disappointed again. After I sat through the whole show and didn't win once, I can handle anything." In 1995, due to ''Daydream''s enormous Japanese sales, ''Billboard'' declared Carey the "Overseas Artist of the Year" in Japan.

1997–2000: New image and independence, ''Butterfly'' and ''Rainbow''

" }} After the release of ''Daydream'' and the success that followed, Carey began focusing on her personal life, which was a constant struggle at the time. Carey's relationship with Mottola began to deteriorate, due to their growing creative differences in terms of her albums, as well as his controlling nature. With each following album, and her continual established fame and popularity, Carey began to take more initiative and control with her music, and started infusing more genres into her work. During mid-1997, Carey was well underway, writing and recording material for her next album, ''Butterfly'' (1997). She sought to work with other producers and writers other than Afansieff, such as Sean Combs, Kamaal Fareed, Missy Elliott and Jean Claude Oliver and Samuel Barnes from Trackmasters. During the album's recording, Carey and Mottola separated, with Carey citing is as her way of achieving freedom, and a new lease on life. Aside from the album's different approach, critics took notice of Carey's altered style of singing, which she describe as breathy vocals. Her new-found style of singing was met with mixed reception; some critics felt is was a sign of maturity, that she didn't feel the need to always show off her upper range, while others felt it was a sign of her weakening and waning voice. The album's lead single, "Honey", and its accompanying music video, introduced a more overtly sexual image than Carey had ever demonstrated, and furthered reports of her freedom from Mottola. Carey stated that ''Butterfly'' marked the point when she attained full creative control over her music. However, she added, "I don't think that it's that much of a departure from what I've done in the past [...] It's not like I went psycho and thought I would be a rapper. Personally, this album is about doing whatever the hell I wanted to do." Growing creative differences with producer Afanasieff continued, and eventually ended their working relationship, after collaborating on most of Carey's material. Reviews for ''Butterfly'' were generally positive: ''Rolling Stone'' wrote, "It's not as if Carey has totally dispensed with her old saccharine, Houston-style balladry [...] but the predominant mood of 'Butterfly' is one of coolly erotic reverie. [... Except "Outside" the album sounds] very 1997. [...] Carey has spread her wings and she's ready to fly", Allmusic editor, Stephen Thomas Erlewine described Carey's vocals as "sultrier and more controlled than ever", and heralded ''Butterfly'' as her "best record and illustrates that Carey continues to improve and refine her music, which makes her a rarity among her '90s peers." The album was a commercial success, although not to the degree of her previous three albums.

Toward the turn of the millennium, Carey began developing other projects, many of which she wasn't able to during her marriage. On April 14, 1998, Carey partook in the VH1 Divas benefit concert, where she sang alongside Aretha Franklin, Celine Dion, Shania Twain, Gloria Estefan and Carole King. Carey had begun developing a film project ''All That Glitters'', later re-titled to simply ''Glitter'', and intended her songwriting to other projects, such as ''Men in Black'' (1997) and ''How the Grinch Stole Christmas'' (2000). After ''Glitter'' fell into developmental hell, Carey postponed the project, and began writing material for a new album. The executives at Sony Music, the parent company of Carey's label Columbia, wanted her to prepare a greatest hits collection in time for the commercially favorable holiday season. However, they disagreed as to what content and singles should constitute the album. Sony wanted to release an album that featured her number one singles in the United States, and her international chart toppers on the European versions, void of any new material, while Carey felt that a compilation album should reflect on her most personal songs, not just her most commercial. She felt that not including any new material would result in cheating her fans, therefore including four new songs that she had recorded. While compromised, Carey often expressed distaste towards the album's song selection, expressing her disappointment in the omission of her "favorite songs". The album titled, ''#1's'' (1998), featured a duet with Whitney Houston, "When You Believe", and was included on the soundtrack for ''The Prince of Egypt'' (1998). During the development of ''All That Glitters'', Carey had been introduced to DreamWorks producer Jeffrey Katzenberg, who asked her if she would record the song "When You Believe" for the soundtrack to the animated film ''The Prince of Egypt''. In an interview with ''Ebony'', Houston described working with Carey, as well as their growing friendship: "Mariah and I got along very great. We had never talked and never sang together before. We just had a chance for camaraderie, singer-to-singer, artist-to-artist, that kind of thing. We just laughed and talked and laughed and talked and sang in between that ... It's good to know that two ladies of soul and music can still be friends." ''#1's'' became a phenomenon in Japan, selling over one million copies in its opening week, and placing as the only international artist to accomplish this feat. When describing Carey's popularity in Japan throughout the 1990s, author Chris Nickson compared it to Beatlemania in the 1960s. The album sold over 3.25 million copies in Japan after only the first three months, and holds the record as the best-selling album by a non-Asian artist, while amassing global sales of over 17 million copies.

During the spring of 1999, Carey began working on the final album of her record contract with Sony, her ex-husband's label. During this time, Carey's strained relationship with Sony affected her work with writing partner Afanasieff, who had worked extensively with Carey throughout the first half of her career. She felt Mottola was trying to separate her from Afanasieff, in hopes of keeping their relationship permanently strained. Due to the pressure and the awkward relationship Carey had now developed with Sony, she completed the album in a period of three months in the summer of 1999, quicker than any of her other albums. The album, titled ''Rainbow'' (1999), found Carey once again working with a new array of music producers and songwriters, such as Jay-Z and DJ Clue. Carey also wrote two ballads with David Foster and Diane Warren, whom she seemingly used to replace Afanasieff. ''Rainbow'' was released on November 2, 1999, to the highest first week sales of her career at the time, however debuting at number two on the ''Billboard'' 200. Throughout early-2000, Carey's troubled relationship with Columbia grew, as they halted promotion after the album's first two singles. They felt ''Rainbow'' didn't have any strong single to be released, whereas Carey wanted a ballad regarding personal and inner strength released. The difference in opinion led to a very public feud, as Carey began posting messages on her webpage in early and mid-2000, telling fans inside information on the dispute, as well as instructing them to request "Can't Take That Away (Mariah's Theme)" on radio stations. One of the messages Carey left on her page read: "Basically, a lot of you know the political situation in my professional career is not positive. It's been really, really hard. I don't even know if this message is going to get to you because I don't know if they want you to hear this. I'm getting a lot of negative feedback from certain corporate people. But I am not willing to give up." Fearing to lose their label's highest seller, Sony chose to release the song. Carey, initially content with the agreement, soon found out that the song had only been given a very limited and low-promotion release, which made charting extremely difficult and unlikely. Critical reception of ''Rainbow'' was generally enthusiastic, with the ''Sunday Herald'' saying that the album "sees her impressively tottering between soul ballads and collaborations with R&B; heavyweights like Snoop Doggy Dogg and Usher [...] It's a polished collection of pop-soul." ''Vibe'' magazine expressed similar sentiments, writing, "She pulls out all stops [...] ''Rainbow'' will garner even more adoration". Though a commercial success, ''Rainbow'' became Carey's lowest selling album to that point in her career.

2001–04: ''Glitter''; personal and professional struggles

After she received ''Billboard'''s Artist of the Decade Award and the World Music Award for Best-Selling Female Artist of the Millennium, Carey parted from Columbia and signed a record-breaking $100 million five-album recording contract with Virgin Records (EMI Records), Carey was given full conceptual and creative control over the project. She opted to record an album partly mixed with 1980s influenced disco and other similar genres, in order to go hand-in-hand with the film's setting. She often stated that Columbia had regarded her as a commodity, with her separation from Mottola exacerbating her relations with label executives. Just a few months later, in July 2001, it was widely reported that Carey had suffered a physical and emotional breakdown. She had left messages on her website that complained of being overworked, and her relationship with the Latin icon Luis Miguel ended. In an interview the following year, she said, "I was with people who didn't really know me and I had no personal assistant. I'd do interviews all day long and get two hours of sleep a night, if that." Due to the pressure from the media, her heavy work schedule and the split from Miguel, Carey began posting a series of disturbing messages on her official website, and displayed erratic behavior on several live promotional outings. On July 19, 2001, Carey made a surprise appearance on the MTV program ''Total Request Live'' (TRL). As the show's host Carson Daly began taping following a commercial break, Carey came out pushing an ice cream cart while wearing a large men's shirt, and began a striptease, in which she shed her shirt to reveal a tight yellow and green ensemble. While she later revealed that Daly was aware of her presence in the building prior to her appearance, Carey's appearance on TRL garnered strong media attention. Only days later, Carey began posting irregular voice notes and messages on her official website: "I'm trying to understand things in life right now and so I really don't feel that I should be doing music right now. What I'd like to do is just a take a little break or at least get one night of sleep without someone popping up about a video. All I really want is [to] just be me and that's what I should have done in the first place ... I don't say this much but guess what, I don't take care of myself." Following the quick removal of the messages, Berger commented that Carey had been "obviously exhausted and not thinking clearly" when she posted the letters.

On July 26, she was suddenly hospitalized, citing "extreme exhaustion" and a "physical and emotional breakdown". Carey was inducted at an un-disclosed hospital in Connecticut, and remained hospitalized and under doctor's care for two weeks, followed by an extended absence from the public. Following the heavy media coverage surrounding Carey's publicized breakdown and hospitalization, Virgin Records and 20th Century Fox delayed the release of both ''Glitter'', as well as its soundtrack of the same name. Consequently, critics suggested that in delaying ''Glitter'', hype for the project would have largely subsided, and would possibly hurt both ticket and album sales. When discussing the project's weak commercial reaction, Carey blamed both her frame of mind during the time of its release, its postponement, as well as the soundtrack having been released on September 11. Critics panned ''Glitter'', as well as its accompanying soundtrack; both were unsuccessful commercially. The accompanying soundtrack album, ''Glitter'', became Carey's lowest-selling album to that point. The ''St. Louis Post-Dispatch'' dismissed it as "an absolute mess that'll go down as an annoying blemish on a career that, while not always critically heralded, was at least nearly consistently successful." Following the negative cloud that was ensuing Carey's personal life at the time, as well as the project's poor reception, her unprecedented $100 million five-album record deal with Virgin Records (EMI Records) was bought out for $50 million. Soon after, Carey flew to Capri, Italy for a period of five months, in which she began writing material for her new album, stemming from all the personal experiences she had endured throughout the past year. Carey later said that her time at Virgin was "a complete and total stress-fest [...] I made a total snap decision which was based on money and I never make decisions based on money. I learned a big lesson from that." Later that year, she signed a contract with Island Records, valued at more than $24 million, and launched the record label MonarC. To add further to Carey's emotional burdens, her father, with whom she had little contact since childhood, died of cancer that year.

In 2002, Carey was cast in the independent film, ''WiseGirls'', alongside Mira Sorvino and Melora Walters, who co-starred as waitresses at a mobster-operated restaurant. It premiered at the Sundance Film Festival, and received generally negative critical response, though Carey's portrayal of the character was praised; Roger Friedman of Fox News referred to her as "a Thelma Ritter for the new millennium", and wrote , "Her line delivery is sharp and she manages to get the right laughs". Later that year, Carey performed the American national anthem to rave reviews at the Super Bowl XXXVI at the Louisiana Superdome in New Orleans, Louisiana. Towards the end of 2002, Carey released her next studio album ''Charmbracelet'', which she said marked "a new lease on life" for her. Though released in the wake of ''Glitter'' and Carey's return to the music scene, sales of ''Charmbracelet'' were moderate and the quality of Carey's vocals came under criticism. Joan Anderson from ''The Boston Globe'' declared the album "the worst of her career, and revealed a voice [that is] no longer capable of either gravity-defying gymnastics or soft coos", while Allmusic editor Stephen Thomas Erlewine expressed similar sentiments and wrote, "What is a greater problem is that Mariah's voice is shot, sounding in tatters throughout the record. She can no longer coo or softly croon nor can she perform her trademark gravity-defying vocal runs." In an attempt to "relaunch" her career following the poor reception to ''Glitter'', as well as her breakdown, Carey announced a world tour in April 2003. Lasting over eight months, the Charmbracelet World Tour: An Intimate Evening with Mariah Carey, became her most extensive tour to date, spanning sixty-nine shows around the world. Throughout the United States, the shows were done in smaller theaters, and something more Broadway-influenced, "It's much more intimate so you'll feel like you had an experience. You experience a night with me." However, while smaller productions were booked throughout the tour's stateside leg, Carey performed at stadiums in Asia and Europe, performing for a crowd of over 35,000 in Manila, 50,000 in Malaysia, and to over 70,000 people in China. In the United Kingdom, it became Carey's first tour to feature shows outside of London, booking arena stops in Glasgow, Birmingham and Manchester. Charmbracelet World Tour: An Intimate Evening with Mariah Carey garnered generally positive reviews from music critics and concert goers, with many complimenting the quality of Carey's live vocals, as well as the production as a whole.

2005–07: Return to prominence with ''The Emancipation of Mimi''

Throughout 2004, Carey focused on composing material for her tenth studio album, ''The Emancipation of Mimi'' (2005). The album found Carey working predominantly with Jermaine Dupri, as well as Bryan-Michael Cox, Manuel Seal, The Neptunes, Kanye West and Carey's longtime collaborator, Jermaine Dupri. The album debuted atop the charts in several countries, and was warmly accepted by critics. Caroline Sullivan of ''The Guardian'' defined it as "cool, focused and urban [... some of] the first Mariah Carey tunes in years which I wouldn't have to be paid to listen to again", while ''USA Today''s Elysa Gardner wrote, "The ballads and midtempo numbers that truly reflect the renewed confidence of a songbird who has taken her shots and kept on flying." The album's second single, "We Belong Together", became a "career re-defining" song for Carey, at a point when many critics had considered her career over. music critics heralded the song as her "return to form", as well as the "return of The Voice", while many felt it would revive "faith" in Carey's potential as a balladeer. "We Belong Together" broke several records in the United States and became Carey's sixteenth chart topper on the ''Billboard'' Hot 100. After staying at number one for fourteen non-consecutive weeks, the song became the second longest running number one song in US chart history, behind Carey's 1996 collaboration with Boyz II Men, "One Sweet Day". ''Billboard'' listed it as the "song of the decade" and the ninth most popular song of all time. Besides its chart success, the song broke several airplay records, and according to Nielsen BDS, gathered both the largest one-day and one-week audiences in history.

During the week of September 25, 2005, Carey set another record, becoming the first female to occupy the first two spots atop the Hot 100, as "We Belong Together" remained at number one, and her next single, "Shake It Off" held the number two spot. On the Billboard Hot 100 Year-end Chart of 2005, the song was declared the number one song, a career first for Carey. ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and was declared the most popular song of the 2000s decade by ''Billboard''. The album earned ten Grammy Award nominations in 2006–07: eight in 2006 for the original release (the most received by Carey in a single year), and two in 2007 for the ''Ultra Platinum Edition''. In 2006 Carey won Best Contemporary R&B; Album for ''The Emancipation of Mimi'', as well as Best Female R&B; Vocal Performance and Best R&B; Song for "We Belong Together". ''The Emancipation of Mimi'' was the best-selling album in the United States in 2005, with nearly five million units sold. It was the first album by a solo female artist to become the year's best-selling album since Alanis Morissette's ''Jagged Little Pill'' in 1996. At the end of 2005, the IFPI reported that ''The Emancipation of Mimi'' had sold more than 7.7 million copies globally, and was the second best-selling album of the year after Coldplay's ''X&Y;''. It was the best-selling album worldwide by a solo and female artist. To date, ''The Emancipation of Mimi'' has sold over 12 million copies worldwide. At the 48th Grammy Awards, Carey performed a medley of "We Belong Together" and "Fly Like a Bird". The performance earned the night's only standing ovation, prompting Teri Hatcher, who was presenting the next award, to exclaim, "It's like we've all just been saved!"

In support of the album, Carey embarked on her first headlining tour in three years, named The Adventures of Mimi: The Voice, The Hits, The Tour after a "Carey-centric fan's" music diary. The tour spanned forty stops, with thirty-two in the United States and Canada, two in Africa, and six in Japan. Tickets for the tour went on sale on June 2, 2006, with prices ranging from $95 to $150 USD, and featured Carey's long-time friend Randy Jackson as the tour's musical director. Carey's performances consisted of old songs from her catalog as well as her newest singles. The tour received warm critical reaction from music critics and concert goers, many of which celebrated the quality of Carey's live vocals, as well as the show as a whole. However, critics felt the show's excesses, such as Carey's often costume changes and pre-filmed clips, were unnecessary distractions. The tour proved successful, with Carey playing to over 60,000 fans in the two stop in Tunis alone. Midway through the tour, Carey booked a two-night concert engagement in Hong Kong, which was scheduled to take place following her Japanese shows. The shows were cancelled, however, after tickets went on sale. According to Carey's then-manager Benny Medina, the cancellation was due to the concert promoter's refusal to pay Carey her agreed-upon compensation. The promoter instead blamed poor ticket sales (allegedly, only 4,000 tickets had sold) and "Carey's outrageous demands". Carey ultimately sued the promoter, claiming $1 million in damages due to the concert's abrupt cancellation.

2007–09: ''E=MC²'', second marriage, and acting breakthrough

By spring 2007, Carey had begun to work on her eleventh studio album, ''E=MC²'', in a private villa in Anguilla. When asked regarding the album title's meaning, Carey said "Einstein's theory? Physics? ''Me?'' Hello! ...Of course I'm poking fun." She characterized it as "''Emancipation of Mimi'' to the second power", and said that she was "freer" on this album than any other. Although ''E=MC²'' was well received by most critics, some of them criticized it for being very similar to the formula used on ''The Emancipation of Mimi''. Two weeks before the album's release, "Touch My Body", the record's lead single reached the top position on the ''Billboard'' Hot 100, becoming Carey's eighteenth number one and making her the solo artist with the most number one singles in United States history, surpassing the record held by Elvis Presley. Additionally, it gave Carey her 79th week atop the Hot 100, tying her with Presley as the artist with the most weeks at number one in the ''Billboard'' chart history." ''E=MC²'' debuted at number one on the ''Billboard'' 200 with 463,000 copies sold, the biggest opening week sales of her career. With six number one albums, Carey is now tied with Britney Spears and Janet Jackson in the United States for the third most number one albums for a female artist, behind Madonna with seven and Barbra Streisand's nine chart toppers. In 2008, ''Billboard'' magazine ranked her at number six on the "Billboard Hot 100 All-Time Top Artists", making Carey the second most successful female artist in the history of the ''Billboard'' Hot 100 chart. Carey and actor/comedian Nick Cannon met while they shot her music video for her second single, "Bye Bye", on an island off the coast of Antigua. On April 30, 2008, Carey married Cannon at her private estate on Windermere Island in The Bahamas. Carey had a cameo appearance in Adam Sandler's 2008 film ''You Don't Mess with the Zohan'', playing herself. On January 20, 2009, Carey performed "Hero" at the Neighborhood Inaugural Ball after Barack Obama was sworn as America's first African-American president. On July 7, 2009, Carey – alongside Trey Lorenz – performed her version of The Jackson 5 song "I'll Be There" at the memorial service for Michael Jackson. At the sight of Jackson's casket, Carey's voice, overwhelmed with emotion, cracked in the opening line of the song. She later apologized on ''The Today Show'', explaining how she did her best effort despite the circumstances.

In 2009, she appeared as a social worker in ''Precious'', the movie adaptation of the 1996 novel ''Push'' by Sapphire. The film garnered mostly positive reviews from critics, as has Carey's performance. ''Variety'' described her acting as "pitch-perfect". ''Precious'' won awards at both the Sundance Film Festival and the Toronto Film Festival, receiving top honors there. In January 2010, Carey won the Breakthrough Actress Performance Award for her role in ''Precious'' at the Palm Springs International Film Festival. September 25, 2009, Carey's twelfth studio album, ''Memoirs of an Imperfect Angel'', was released. Reception for the album was generally positive, but mixed in certain aspects; Stephen Thomas Erlewine of Allmusic called it "her most interesting album in a decade", while Jon Caramanica from ''The New York Times'' criticized Carey's vocal performances, decrying her overuse of her softer vocal registers at the expense of her more powerful lower and upper registers. Commercially, the album debuted at number three on the ''Billboard'' 200, and became the lowest-selling studio album of her career. The album's lead single, "Obsessed", became her 40th entry on the ''Billboard'' Hot 100 and her highest debut on the chart since "My All" in 1998. The song debuted at number eleven and peaked at number seven on the chart, and became Carey's 27th US top-ten hit, tying her with Elton John and Janet Jackson as the fifth most top-ten hits. Within hours after the song's release, various outlets speculated that its target was rapper Eminem, in response to his song "Bagpipes from Baghdad", in which he taunted Carey's husband, Nick Cannon. According to MTV, Carey alludes to drug problems in "Obsessed", which Eminem opened up about on his sixth studio album, ''Relapse''. The album's follow-up single, a cover of Foreigner's "I Want to Know What Love Is", failed to achieve any significant chart success in the United States, or much throughout Europe, but managed to break airplay records in Brazil. The song spent 27 weeks atop the Brasil Hot 100 Airplay, making it the longest running song in the chart's history. On December 31, 2009, Carey embarked her seventh concert tour, Angels Advocate Tour, which visited the United States and Canada. Though stateside, the tour spanned few international dates, such as in Brazil and Singapore, where Carey played to over 100,000 spectators. On January 30, 2010, it was announced that Carey would release a remix album of ''Memoirs of an Imperfect Angel''; titled ''Angels Advocate'' (an R&B; remix album featuring a collection of newly remixed duets with some of Carey's favorite artists). The album was slated for a March 30, 2010 release, but was eventually cancelled.

2010–present: ''Merry Christmas II You'', motherhood and fourteenth studio album

Following the cancellation of the ''Angels Advocate'', it was announced that Carey would return to the studio to start work on her thirteenth studio album. It was later revealed that it would be her second Christmas album, the follow-up to ''Merry Christmas'' (1994), which became the best-selling Holiday album of all time. Long time collaborators for the project include Jermaine Dupri, Johntá Austin, Bryan-Michael Cox and Randy Jackson, as well as new collaborators such as Marc Shaiman. Dupri stated that a single would be released alongside the album before the year's end. During a press conference in Seoul, South Korea, in August 2010, Island Def Jam executive Matt Voss announced that the album would be out on November 2, 2010. and would include six new songs and a remix of her classic hit "All I Want for Christmas Is You". The album, titled ''Merry Christmas II You'', was released alongside an accompanying DVD, and was sent to retailers on November 2, 2010. ''Merry Christmas II You'' debuted at number four on the ''Billboard'' 200 with sales of 56,000 copies, surpassing the opening week sales of Carey's previous holiday album of 45,000 copies 16 years prior. It also became Carey's 16th top ten album in the United States. The album debuted at number one on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top this chart.

In May 2010, Carey dropped out of her planned appearance in ''For Colored Girls'', the film adaptation of the play ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf'', citing medical reasons. After much media speculation, Carey confirmed on October 28, 2010, that she and Cannon were expecting a baby, and that she would be due in the spring of 2011. Carey also revealed that she had been pregnant shortly after her wedding with Cannon, but she miscarried. On April 30, 2011, the couple's third wedding anniversary, Carey gave birth to fraternal twins via C-section. The twins were named Monroe, after Marilyn Monroe, and Moroccan Scott, after Cannon proposed to Carey in her Moroccan-style room; Scott is Cannon's middle name and his grandmother's maiden name. On February 11, 2011, Carey announced on HSN, that she recorded a duet with Tony Bennett for his upcoming "Duets" album, titled "When Do The Bells Ring For Me". Following the birth of their children, Cannon revealed during an interview with ''Billboard'' that Carey had already begun working on a new record. Cannon said "She's been working away, and we have a studio in the crib, and [the pregnancy] has totally inspired her on so many different levels. You're definitely gonna see some new phenomenal music from Mariah" and assured Carey would plan on releasing it by the end of the year. In October 2011, Carey announced that she re-recorded her song "All I Want for Christmas Is You" with Justin Bieber as a duet for his Christmas album, ''Under the Mistletoe''. On November 5, 2011, Carey and Bieber filmed a music video for the duet at the Macy's in New York City. On October 21, 2011, a pre-taped interview with Barbara Walters aired on ABC's 20/20, during the interview Carey and Cannon allowed the cameras to photograph/film twins Moroccan and Monroe for the first time ever. In November 2011, Carey was included in the remix to the mixtape single "Warning" by Uncle Murda, the remix also features 50 Cent and Young Jeezy. That same month, Carey announced that she and John Legend collaborated on a duet, "When Christmas Comes", which was originally part of Carey's 2010 holiday album "Merry Christmas II You".

Artistry

Musical style

Love is the subject of the majority of Carey's lyrics, although she has written about themes such as racism, social alienation, death, world hunger, and spirituality. She has said that much of her work is partly autobiographical, but ''Time'' magazine wrote: "If only Mariah Carey's music had the drama of her life. Her songs are often sugary and artificial—NutraSweet soul. But her life has passion and conflict," applying it to the first stages of her career. He commented that as her album's progressed, so too her songwriting and music blossomed into more mature and meaningful material. Jim Faber of the ''New York Daily News'', made similar comments, "For Carey, vocalizing is all about the performance, not the emotions that inspired it. Singing, to her, represents a physical challenge, not an emotional unburdening." While reviewing ''Music Box'', Stephen Holden from ''Rolling Stone'' commented that Carey sang with "sustained passion", while ''Entertainment Weekly''s Arion Berger wrote that during some vocal moments, Carey becomes "too overwhelmed to put her passion into words." In 2001, ''The Village Voice'' wrote in regards to what they considered Carey's "centerless ballads", writing, "Carey's Strawberry Shortcake soul still provides the template with which teen-pop cuties draw curlicues around those centerless [Diane] Warren ballads [...] it's largely because of [Blige] that the new R&B; demands a greater range of emotional expression, smarter poetry, more from-the-gut testifying, and less unnecessary notes than the squeaky-clean and just plain squeaky Mariah era. Nowadays it's the Christina Aguileras and Jessica Simpsons who awkwardly oversing, while the women with roof-raising lung power keep it in check when tune or lyric demands."

Carey's output makes use of electronic instruments such as drum machines, keyboards and synthesizers. Many of her songs contain piano-driven melodies, as she was given piano lessons when she was six years old. Carey said that she cannot read sheet music and prefers to collaborate with a pianist when composing her material, but feels that it is easier to experiment with faster and less conventional melodies and chord progressions using this technique. While Carey learned to play the piano at a young age, and incorporates several ranges of production and instrumentation into her music, she has maintained that her voice has always been her most important asset: "My voice is my instrument; it always has been." Carey began commissioning remixes of her material early in her career and helped to spearhead the practice of recording entirely new vocals for remixes. Disc jockey David Morales has collaborated with Carey on several occasions, starting with "Dreamlover" (1993), which popularized the tradition of remixing R&B; songs into house records, and which ''Slant'' magazine named one of the greatest dance songs of all time. From "Fantasy" (1995) onward, Carey enlisted both hip-hop and house producers to re-structure her album compositions. ''Entertainment Weekly'' included two remixes of "Fantasy" on a list of Carey's greatest recordings compiled in 2005: a National Dance Music Award-winning remix produced by Morales, and a Sean Combs production featuring rapper Ol' Dirty Bastard. The latter has been credited with popularizing the R&B;/hip-hop collaboration trend that has continued into the 2000s, through artists such as Ashanti and Beyoncé. Combs said that Carey "knows the importance of mixes, so you feel like you're with an artist who appreciates your work—an artist who wants to come up with something with you".

Voice and timbre

Mariah Carey possesses a 5-octave vocal range, and has the ability to reach notes beyond the 7th octave. She was ranked first in a 2003 MTV and ''Blender'' magazine countdown of the 22 Greatest Voices in Music, as voted by fans and readers in an online poll. Carey said of the poll, "What it really means is voice of the MTV generation. Of course, it's an enormous compliment, but I don't feel that way about myself." She also placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists".

Regarding her voice type, Carey said that she is alto, while French-American baritone and singing teacher in the Conservatoire de Paris Malcolm Walker states that she is light lyric soprano, "because the upper register is much more healthy than the lower register." However, within contemporary forms of music, singers are classified by the style of music they sing. There is currently no authoritative voice classification system within non-classical music. Attempts have been made to adopt classical voice type terms to other forms of singing, but they are controversial, because the development of classic voice categorizations were made with the understanding that the singer would amplify his or her voice with their natural resonators, without a microphone.

Baritone Malcolm Walker as well as music critic Stephen Holden of ''The New York Times'' and vocal pedagogue Jeannette Lo Vetri describes Carey's voice as "pure, full, rounded and warm", adding that belting and head voices has a great brightness. Malcolm Walker praise her belting voice, saying it "works very well" and states that Carey "passes easily in head voice. It's her true voice." The middle register is "ample and full" and the voice resonates with strong vibrato. Jon Pareles, of ''The New York Times'', describes Carey's lower register as "rich" and "husky", on the other hand, Walker, Holden, and Lo Vetri state it's "tired", "distended" in its lowest parts. Carey also possesses a "whisper register". In an interview with the singer, Ron Givens of ''Entertainment Weekly'' described it this way, "In one brief swoop, she seems to squeal and roar at the same time: whisper register." Additionally, towards the late 1990s, Carey began incorporating breathy vocals into her material, usually beginning the song and then building up to a "full throated" climax. Tim Levell from the BBC News described her vocals as "sultry close-to-the-mic breathiness", while ''USA Today''s Elysa Gardner wrote "it's impossible to deny the impact her vocal style, a florid blend of breathy riffing and resonant belting, has had on today's young pop and R&B; stars." Tenor Juan Diego Flórez has described her whistle register in detail, saying "Her whistle register is beautiful, fluid, very free and resonant—she has a "ring" in it. She shows an exceptionnal texture manipulation in this register : It can be bright, silky, crystalline, airy, piercing, metallic. She can imitate an electric guitar, a bird chirping, a piccolo... She can also phrase in that register. And the greatest thing about her whistle is that she use it for express different moods and feelings. She is the only pop singer who do that."

Voice experts praise Carey's vocal technique, stating that she can deliver very fast staccatos, marcato, portato and arpeggios with great control, "always keeps a neutral larynx position—except sometimes in her lower register" and "glides effortlessly from bottom to top and vice versa." Diego Flórez said "either in chest, head voices and whistle, she has a gorgeous mastery of dynamics" and describes her legato as "silky." Carey's musicianship is of high-level. Soprano Montserrat Caballé and Diego Flòrez said she has a "refined", "subtle" phrasing, a "perfect" sense of rhythm, and a high architectural sense of line-proportion, climax and resolve, ideas and themes. Jon Pareles adds "she can linger over sensual turns, ... syncopate like a scat singer." Her sense of pitch is admired, Flórez specify that "no matter how fast she executes her melismas, she always stay in tune."

Influences

Carey has said that from childhood she has been influenced by R&B; and soul musicians such as Billie Holiday and Sarah Vaughan. Her music contains strong influences of gospel music, and she credits The Clark Sisters, Shirley Caesar and Edwin Hawkins as the most influential in her early years. When Carey incorporated hip-hop into her sound, speculation arose that she was making an attempt to take advantage of the genre's popularity, but she told ''Newsweek'', "People just don't understand. I grew up with this music". She has expressed appreciation for rappers such as The Sugarhill Gang, Eric B. & Rakim, the Wu-Tang Clan, The Notorious B.I.G. and Mobb Deep, with whom she collaborated on the single "The Roof (Back in Time)" (1998). Carey was heavily influenced by Minnie Riperton, and began experimenting with the whistle register due to her original practice of the range.

During Carey's career, her vocal and musical style, along with her level of success, has been compared to Whitney Houston and Celine Dion. Carey and her peers, according to Garry Mulholland, are "the princesses of wails [...] virtuoso vocalists who blend chart-oriented pop with mature MOR torch song". Author and writer Lucy O'Brien attributed the comeback of Barbra Streisand's "old-fashioned showgirl" to Carey and Dion, and described them and Houston as "groomed, airbrushed and overblown to perfection". Carey's musical transition and use of more revealing clothing during the late 1990s were, in part, initiated to distance herself from this image, and she subsequently said that most of her early work was "schmaltzy MOR". Some have noted that unlike Houston and Dion, Carey co-writes her own songs, and the ''Guinness Rockopedia'' (1998) classified her as the "songbird supreme".

Legacy

Carey's vocal style and singing ability have significantly impacted popular and contemporary music. As music critic G. Brown from ''The Denver Post'' wrote, "For better or worse, Mariah Carey's five-octave range and melismatic style have influenced a generation of pop singers." According to ''Rolling Stone'', "Her mastery of melisma, the fluttering strings of notes that decorate songs like "Vision of Love", inspired the entire ''American Idol'' vocal school, for better or worse, and virtually every other female R&B; singer since the Nineties." Jody Rosen of ''Slate Magazine'' wrote of Carey's influence in modern music, calling her the most influential vocal stylist of the last two decades, the person who made rococo melismatic singing. Rosen further exemplified Carey’s influence by drawing parallel with American Idol, which to her, “often played out as a clash of melisma-mad Mariah wannabes. And, today, nearly 20 years after Carey's debut, major labels continue to bet the farm on young stars such as the winner of Britain's X Factor show, Leona Lewis, with her Generation Next gloss on Mariah's big voice and big hair." Sean Daly of ''St. Petersburg Times'' wrote, "Depending on how you feel about public humiliation, the best/worst parts of American Idol are the audition shows, which normally break down into three distinct parts:(1) The Talented Kids.(2) The Weird Kids.(3) The Mariahs." Daly further commented, "The Mariahs are the hardest ones to watch, mainly because most of them think they're reeeaaally good. The poor, disillusioned hopefuls plant themselves in front of judges Simon Cowell, Paula Abdul and Randy Jackson – then proceed to stretch, break and mutilate every note of a song, often Mariah's Hero, a tune that has ruined more throats than smoker's cough." ''New York Magazine's'' editor Roger Deckker said that in regarding Carey as an influential artist in music, he commented that "Whitney Houston may have introduced melisma (the vocally acrobatic style of lending a word an extra syllable or twenty) to the charts, but it was Mariah—with her jaw-dropping range—who made it into America’s default sound." Deckker also added that "Every time you turn on American Idol, you are watching her children". Despite her vocal prowess, Carey's vocal technique particularly with the use of melisma and belting, has been subject to public scrutiny mainly because of young singers such as from talent shows have been overly imitating her singing technique in which critics commented "Mariah Carey is, without a doubt, the worst thing to happen to amateur singing since the karaoke machine". As Professor Katherine L. Meizel noted in her book, ‘’The Mediation of Identity Politics in American Idol’’, “Carey’s influence not just stops in the emulation of melisma or her singing amongst the wannabe’s, it’s also her persona, her diva, her stardom which inspires them.... a pre-fame conic look.”

}} Carey’s influence is notable in numerous hip hop, pop and R&B; artists, including Beyoncé, Mary J. Blige, Christina Aguilera, Rihanna, Kelly Clarkson, Nelly Furtado, Leona Lewis, Brandy Norwood, Jessica Simpson, Pink, and Missy Elliott, among others. Knowles credits Carey's singing and her song "Vision of Love" as influencing her to begin practicing vocal "runs" as a child, as well as helping her pursue a career as a musician. Rihanna has stated that Carey is one of her major influences and idol. Christina Aguilera has cited in her early stages of her career that Carey is a big influence in her singing career and being one of her idols. According to Pier Dominguez, author of ''Christina Aguilera: a star is made : the unauthorized biography'', Aguilera has stated how she loved listening to Whitney Houston, but it was Carey who had the biggest influence on her vocal styling. Carey's carefully choreographed image of a grown woman struck a chord on Aguilera. Her influence on Aguilera also grew from the fact that both were of mixed heritage. Philip Brasor, editor of ''The Japan Times'', expressed how Carey's vocal and melismatic style even influenced Asian singers. He wrote regarding Japanese superstar Utada Hikaru, "Utada sang what she heard, from the diaphragm and with her own take on the kind of melisma that became de rigueur in American pop after the ascendance of Mariah Carey." In an article called "Out With Mariah's Melisma, In With Kesha's Kick", writer David Browne of ''The New York Times'' discusses how the ubiquitous melisma pop style has suddenly fallen down from pop culture in favor of young stars who uses the now ubiquitous autotune in which the first mentioned was heavily popularized into mainstream pop culture with the likes of Mariah Carey and Whitney Houston. Browne had commented "But beginning two decades ago, melisma overtook pop in a way it hadn’t before. Mariah Carey’s debut hit from 1990, “Vision of Love,” followed two years later by Whitney Houston’s version of “I Will Always Love You,” set the bar insanely high for notes stretched louder, longer and knottier than most pop fans had ever heard." Browne further added "A subsequent generation of singers, including Ms. Aguilera, Jennifer Hudson and Beyoncé, built their careers around melisma. (Men like Brian McKnight and Tyrese also indulged in it, but women tended to dominate the form.)"

Carey is also credited for introducing R&B; and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Sasha Frere-Jones, editor of ''The New Yorker'' commented, "It became standard for R&B;/hip-hop stars like Missy Elliott and Beyoncé, to combine melodies with rapped verses. And young white pop stars—including Britney Spears, 'N Sync, and Christina Aguilera—have spent much of the past ten years making pop music that is unmistakably R&B.;" Moreover Jones concludes that "[Carey’s] idea of pairing a female songbird with the leading male MCs of hip-hop changed R&B; and, eventually, all of pop. Although now anyone is free to use this idea, the success of “The Emancipation of Mimi” suggests that it still belongs to Carey." Judnick Mayard, writer of ''The Fader'', wrote that in regarding of R&B; and hip hop collaboration, "The champion of this movement is Mariah Carey." Mayard also expressed that "To this day ODB and Mariah may still be the best and most random hip hop collaboration of all time", citing that due to the record "Fantasy", "R&B; and Hip Hop were the best of step siblings." Kelfa Sanneh of ''The New York Times'' wrote, "In the mid-1990s Ms. Carey pioneered a subgenre that some people call the thug-love duet. Nowadays clean-cut pop stars are expected to collaborate with roughneck rappers, but when Ms. Carey teamed up with Ol' Dirty Bastard, of the Wu-Tang Clan, for the 1995 hit "Fantasy (Remix)", it was a surprise, and a smash." Aside from her pop culture and musical influence, Carey is credited for releasing a classic Christmas song called "All I Want For Christmas Is You". In a retrospective look at Carey's career, Sasha Frere-Jones of ''The New Yorker'' said, the "charming" song was one of Carey's biggest accomplishments, calling it "one of the few worthy modern additions to the holiday canon". ''Rolling Stone'' ranked "All I Want for Christmas Is You" fourth on its Greatest Rock and Roll Christmas Songs list, calling it a "holiday standard." Following the release of her ''Greatest Hits'' album, Devon Powers of Popmatters has said in his review that "She has influenced countless female vocalists after her. At 32, she is already a living legend—even if she never sings another note." Carey’s business ventures include the launch of her perfumes, her clothing line, and books. She has portrayed the true nature of being a superstar, according to sociologist Naomi Hirahara, and is a classic example of the word "diva". Carey is never seen without her large entourage, whether it be award shows, performances or as guests on late night specials. Hirahara says, "her demands are sporadic, her looks are glamorous, she is hardly of her age, but she is still ruling. Nowadays people emulate the idea of being a diva, but Carey was the original one in true sense of the term."

Honors and awards

Throughout Carey's career, she has collected many honors and awards, including the World Music Awards' Best Selling Female Artist of the Millennium, the Grammy's Best New Artist in 1991, ''Billboard'''s Special Achievement Award for the Artist of the Decade during the 1990s. In a career spanning over 20 years, Carey has sold over 200 million albums, singles, and videos worldwide, making her one of the biggest-selling artists in music history. Carey is ranked as the best-selling female artist of the Nielsen SoundScan era, with over 52 million copies sold. Possessing a five-octave vocal range, Carey was ranked first in MTV and ''Blender'' magazine's 2003 countdown of the 22 Greatest Voices in Music, and was placed second in ''Cove'' magazine's list of "The 100 Outstanding Pop Vocalists". Aside from her voice, she has become known for her songwriting. Yahoo Music editor Jason Ankeny wrote, "She earned frequent comparison to rivals Whitney Houston and Celine Dion, but did them both one better by composing all of her own material." According to ''Billboard'' magazine, she was the most successful artist of the 1990s in the United States. At the 2000 World Music Awards, Carey was given a Legend Award for being the "best-selling female pop artist of the millennium", as well as the "Best-selling artist of the 90s" in the United States, after releasing a series of albums of multi-platinum status in Asia and Europe, such as ''Music Box'' and ''Number 1's''. She is also a recipient of the Chopard Diamond Award in 2003, recognizing sales of over 100 million albums worldwide. Additionally, the Recording Industry Association of America (RIAA) lists Carey as the third-best-selling female artist, with shipments of over 63 million units in the US. In Japan, Carey has the top four highest-selling albums of all time by a non-Asian artist.

Carey has spent a record 79 weeks at the number-one position on ''Billboard'' Hot 100, becoming the artist with the most weeks at number-one in US chart history. On that same chart, she has accumulated 18 number-one singles, which ties her with Elvis Presley for the second most number-one singles in the chart's history (after only The Beatles). In 1994, Carey released her holiday album ''Merry Christmas'' has sold over 15 million copies worldwide, and is the best-selling Christmas album of all time. It also produced the successful single "All I Want for Christmas Is You", which became the only holiday song and ringtone to reach multi-platinum status in the US. In Japan, ''Number 1's'' has sold over 3,250,000 copies and is the best-selling album of all time in Japan by a non-Asian artist. Her hit single "One Sweet Day", which featured Boyz II Men, spent sixteen consecutive weeks at the top of ''Billboard''s Hot 100 chart in 1996, setting the record for the most weeks atop the Hot 100 chart in history. After Carey's success in Asia with ''Merry Christmas'', ''Billboard'' estimated Carey as the all-time best-selling international artist in Japan. In 2008, ''Billboard'' listed "We Belong Together" ninth on The Billboard Hot 100 All-Time Top Songs and second on Top Billboard Hot 100 R&B;/Hip-Hop Songs. The song was also declared the most popular song of the 2000s decade by ''Billboard''. In 2009, Carey's cover of Foreigner's song "I Want to Know What Love Is" became the longest-running number-one song in Brazilian singles chart history, spending 27 consecutive weeks at number-one. Additionally, Carey has had three songs debut at number-one on the ''Billboard'' Hot 100: "Fantasy", "One Sweet Day" and "Honey", making her the artist with the most number-one debuts in the chart's 52-year history. Also, she is the first female artist to debut at number 1 in the U.S. with "Fantasy". In 2010, Carey's 13th album and second Christmas album, ''Merry Christmas II You'', debuted at No.1 on the R&B;/Hip-Hop Albums chart, making it only the second Christmas album to top that chart. On November 19, 2010, ''Billboard'' magazine named Carey in their "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" chart at number four.

Philanthropy and other activities

Carey is a philanthropist who has donated time and money to organizations such as the Fresh Air Fund. She became associated with the Fund in the early 1990s, and is the co-founder of a camp located in Fishkill, New York, that enables inner-city youth to embrace the arts and introduces them to career opportunities. The camp was called Camp Mariah "for her generous support and dedication to Fresh Air children", and she received a Congressional Horizon Award for her youth-related charity work. She is well-known nationally for her work with the Make-A-Wish Foundation in granting the wishes of children with life-threatening illnesses, and in November 2006 she was awarded the Foundation's Wish Idol for her "extraordinary generosity and her many wish granting achievements". Carey has volunteered for the New York City Police Athletic League and contributed to the obstetrics department of New York Presbyterian Hospital Cornell Medical Center. A percentage of the sales of ''MTV Unplugged'' was donated to various other charities. In 2008, Carey was named Hunger Ambassador of the World Hunger Relief Movement. In February 2010, the song, "100%", which was originally written and recorded for the film, ''Precious'', was used as one of the theme songs for the 2010 Winter Olympics, with all money proceeds going to Team USA.

One of Carey's most high-profile benefit concert appearances was on VH1's 1998 ''Divas Live'' special, during which she performed alongside other female singers in support of the Save the Music Foundation. The concert was a ratings success, and Carey participated in the Divas 2000 special. In 2007, the Save the Music Foundation honored Carey at their tenth gala event for her support towards the foundation since its inception. She appeared at the ''America: A Tribute to Heroes'' nationally televised fundraiser in the aftermath of the September 11 attacks, and in December 2001, she performed before peacekeeping troops in Kosovo. Carey hosted the CBS television special ''At Home for the Holidays'', which documented real-life stories of adopted children and foster families, from the Wayback Machine on October 22, 2001. In 2005, Carey performed for Live 8 in London and at the Hurricane Katrina relief telethon "Shelter from the Storm". In August 2008, Carey and other singers recorded the charity single, "Just Stand Up" produced by Babyface and L. A. Reid, to support "Stand Up to Cancer".

Declining offers to appear in commercials in the United States during her early career, Carey was not involved in brand marketing initiatives until 2006, when she participated in endorsements for Intel Centrino personal computers and launched a jewelry and accessories line for teenagers, Glamorized, in American Claire's and Icing stores. During this period, as part of a partnership with Pepsi and Motorola, Carey recorded and promoted a series of exclusive ringtones, including "Time of Your Life". She signed a licensing deal with the cosmetics company Elizabeth Arden, and in 2007, she released her own fragrance, "M". In 2007, ''Forbes'' named her as the fifth richest woman in entertainment, with an estimated net worth of US $270 million. In November 2011, it was reported that Carey's net worth was valued at more than $500 million. On November 29, 2010, she debuted a collection on HSN, the collection range included jewelry, shoes and fragrances. In November 2011, Carey was announced as the new global ambassador for Jenny Craig, following her weight loss with the program after giving birth to fraternal twins in April. Carey claims she lost on the program.

Filmography

Year	Title	Role	Notes
1999	!scope="row"	Ilana
2001	!scope="row"	Billie Frank
2002	''WiseGirls''	Raychel
2003	''Death of a Dynasty''	Herself	Cameo appearance
2005	''State Property 2''	Dame's Wifey
2008	''You Don't Mess with the Zohan''	Herself	Cameo appearance
2009	!scope="row"	Krystal
2009	!scope="row"	Mrs. Weiss		Palm Springs International Film Festival>Palm Springs International Film Festival Breakthrough Performance Award	Capri Hollywood International Film Festival Award for Supporting Actress of the Year	Black Reel Awards of 2010>Black Reel Award for Best Ensemble	Boston Society of Film Critics>Boston Society of Film Critics Award for Best Ensemble Cast	Black Reel Awards of 2010>Black Reel Award for Best Supporting Actress	Nominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture	Nominated – Screen Actors Guild Award for Outstanding Cast in a Motion Picture	Broadcast Film Critics Association Awards 2009>Critics' Choice Awards for Best Acting Ensemble

! Year	! Title	! Role	Notes
2002	''Ally McBeal''	Candy Cushnip
2003	''The Proud Family''	Herself	Voice role

Discography

''Mariah Carey'' (1990)

''Emotions'' (1991)

''Music Box'' (1993)

''Merry Christmas'' (1994)

''Daydream'' (1995)

''Butterfly'' (1997)

''Rainbow'' (1999)

''Glitter'' (2001)

''Charmbracelet'' (2002)

''The Emancipation of Mimi'' (2005)

''E=MC²'' (2008)

''Memoirs of an Imperfect Angel'' (2009)

''Merry Christmas II You'' (2010)

See also

List of artists who reached number one on the Hot 100 (U.S.)

List of artists who reached number one on the U.S. dance chart

List of awards received by Mariah Carey

List of best-selling music artists

List of best selling music artists in U.S.

List of Mariah Carey tours

Notes

References

Hardy, Phil. ''The Faber Companion to 20th Century Popular Music: Fully Revised Third Edition'' (2001). pg. 156–157. UK: Faber and Faber Limited. ISBN 0-571-19608-X.

Mulholland, Garry. ''The Illustrated Encyclopedia of Music'' (2003). pg. 57. UK: Flame Tree Publishing. ISBN 1-904041-70-1.

''Fred Bronson's Billboard Book of Number 1 Hits, 5th Edition'' (ISBN 0-8230-7677-6)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Sixties'' (ISBN 0-89820-074-1)

''Joel Whitburn Presents the Billboard Hot 100 Charts: The Nineties'' (ISBN 0-89820-137-3)

Additional information concerning Carey's chart history can be retrieved and verified in ''Billboard's'' online archive services and print editions of the magazine.

External links

Mariah Carey at LAUNCHcast

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Category:1970 births Category:Living people Category:Actors from New York Category:African American female singer-songwriters Category:African American film actors Category:African American record producers Category:American dance musicians Category:American musicians of Irish descent Category:American music video directors Category:American people of Venezuelan descent Category:American philanthropists Category:American pop singer-songwriters Category:American rhythm and blues singer-songwriters Category:American sopranos Category:English-language singers Category:Grammy Award winners Category:Hip hop singers Category:Virgin Records artists Category:Columbia Records artists Category:Island Records artists Category:Musicians from New York Category:People from Long Island Category:Singers with a five octave vocal range Category:Spanish-language singers Category:World Music Awards winners Category:Article Feedback 5

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Name	Chris Rea
Background	solo_singer
Birth name	Christopher Anton Rea
Birth date	March 04, 1951
Origin	Middlesbrough, North Yorkshire, England
Instrument	Vocals, guitar, piano
Genre	Pop rock, Soft rock, Blues rock
Occupation	Musician, singer-songwriter
Years active	1978–present
Associated acts	The Memphis Fireflies
Label	Magnet, East West, Edel }}

Chris Rea ( ) (born Christopher Anton Rea, 4 March 1951, Middlesbrough, North Yorkshire, England) is an English singer-songwriter, recognisable for his distinctive, husky voice and slide guitar playing. The ''British Hit Singles & Albums'' stated that Rea was "one of the most popular UK singer-songwriters of the late 1980s. He was already a major European star by the time he finally cracked the UK Top 10 with his 18th chart entry; "The Road to Hell (Part 2)". By 2009, Rea had sold more than 30 million albums worldwide.

He is well known for his 1978 hit song "Fool (If You Think It's Over)" that charted #12 on the Billboard Hot 100 and spent three weeks at #1 on the U.S. Billboard adult contemporary chart. The song was later covered by Elkie Brooks and was a top 20 hit in the UK.

Although Rea had limited success in the United States, two of his albums, ''The Road to Hell'' and ''Auberge'', topped the UK Albums Chart.

Biography

Early life

Rea was born on 4 March 1951, as the son of a Middlesbrough ice-cream dairy manager. Beyond this, few details of his younger life were known as of February 2011. He attended Stainsby Secondary School which was segregated between girls and boys. (Now called Acklam Grange Secondary School) and it was the influence for his track 'Stainsby Girls' in 1985.

Early career

After leaving school Rea worked in casual labouring jobs, including working in his father's ice cream business. It was at the comparatively late age of 22 that Rea bought his first guitar and began his musical career, inspired by the music of Joe Walsh and Ry Cooder. A natural left-hander, Rea nevertheless learned to play the guitar right-handed. In 1973, he joined the Middlesbrough band Magdalene, replacing David Coverdale who later created Whitesnake. Rea then went on to form the band Beautiful Losers, which he left when he secured a solo recording deal with Magnet Records in 1974. In 1977 he performed on Hank Marvin's album ''The Hank Marvin Guitar Syndicate'' and also guested on Catherine Howe's EP, ''The Truth of the Matter''.

''Whatever Happened to Benny Santini?'' was Rea's debut album. It was released in June 1978 and produced by Elton John's music producer, Gus Dudgeon. The title of the album was a reference to "Benjamin Santini," the stage name that Rea's record label suggested he should adopt. The first single taken from the album, "Fool (If You Think It's Over)," was Rea's biggest hit in the United States, peaking at #12 on the Billboard Hot 100 and reaching #1 on the Adult Contemporary Singles chart. "Fool (If You Think It's Over)" was nominated for a Song of the Year Grammy, losing out to Billy Joel's "Just the Way You Are". Like most of Rea's early singles, "Fool (If You Think It's Over)" failed to appear on the UK Singles Chart on its first release, and only reached #30 when re-released in late 1978 to capitalise on its US achievement. It was also the first record played by Radio Caroline, after a long period off the air. Another cover of "Fool (If You Think It's Over)" by Kenny Craddock was used as the theme tune for BBC sitcom, ''Joking Apart''.

Dudgeon went on to produce Rea's next album, entitled ''Deltics''. Rea has since spoken about the difficult working relationship that he had with Dudgeon at the time, who he felt 'smoothed out' the blues influenced elements of his music in order to make it sound more like that of Elton John or Billy Joel.

Rea's second and third albums failed to provide any further hit singles. By the time his fourth album was released, Rea's relationship with his record company had deteriorated to the extent that it was not even given a title but was simply called "Chris Rea".

European breakthrough

By 1983 Rea's record company had become so uninterested in him that they released the raw demo tapes as his fifth studio album. The album, entitled "Water Sign", became a surprise hit in Ireland and mainland Europe, selling over half a million in just a few months and the single "I Can Hear Your Heartbeat" taken from it entered the top 20 across Europe. In 2002, Rea released ''Dancing Down the Stony Road'' following recording sessions in France and the UK. (An abridged version of the album was later released under the title ''Stony Road.'') The album was followed by a DVD of the same name, comprising a documentary and footage from a concert in Cologne. Rea set up his own JazzeeBlue label in 2003 to free himself from the pressure of record company expectations. Since then he has released the blues albums ''Blue Street (Five Guitars)'' (an instrumental jazz-blues album) and then ''The Blue Jukebox''. He has worked with David Knopfler for two albums: ''Wishbones'' (2001) and ''Ship of Dreams'' (2004).

''Blue Guitars'' and retirement

Following the release of the box set, ''Blue Guitars'', in 2005, it was announced that Rea would not record any further solo albums. He has stated that he would continue to make records with some of his favourite players under the name The Memphis Fireflies. A double DVD set and a separate double CD set was released in 2006, including live selections from Rea's farewell tour entitled ''The Road To Hell & Back''.

The return

In November 2007, Rea announced a new tour and a new album featuring 38 new tracks on three CDs and two vinyls, which included a hardback book in the style of a slightly tatty 12" vinyl sleeve. ''The Return of the Fabulous Hofner Blue Notes'' (a dedication to the 1960s guitar of the same name) was released in February 2008. In writing the album, Rea dreamed up a band that had never existed — a pastiche instrumental group from the late 1950s called The Delmonts.

The release of the album was followed by a European tour. The band was introduced as "The Delmonts featuring Chris Rea", and played in various venues across the UK, including the Royal Albert Hall in London.

His song "Driving Home for Christmas", which originally reached #53 in the UK chart when first released in 1988, re-entered at #33 nineteen years later in December 2007, making it the first time the song had made the UK Top 40.

In October 2009, Rhino released a new 2-disc best of compilation. ''Still So Far To Go - The Best of Chris Rea'' contained some of his best known hits over the last thirty years, many of them less well known, as well as more recent songs from his "blues" period. There are also two new songs "Come So Far, Yet Still So Far to Go" and the ballad "Valentino", a song about his dog that had died. The album was Rea's highest charting album in 15 years, reaching #8 and staying in the Top 50 for four weeks.

In 2010 Rea performed on a European tour called ''Still So Far to Go''. His special guest on stage was an Irish musician Paul Casey. The tour ended on 5 April in Belfast, United Kingdom.

In September 2011, Chris Rea will release "The Santo Spirito Project" containing two feature-length films on DVD written and directed by Chris and 2 accompanying CDs of related songs and music.

Family life

Rea is the son of Camillo Rea,(died December 2010) an immigrant from Italy and Winifred, of Irish descent (died September 1983). He has two brothers, Nick and Mike, and four sisters, Catherine, Geraldine, Paula and Camille.

He is married to Joan, with whom he has two daughters (Josephine, born 16 September 1983, and Julia Christina, born 18 March 1989). He used to live at Sol Mill in Cookham, Berkshire. This property also contained the Sol Mill Recording Studios where he produced some of his later albums. He also produced albums for other artists such as Sylvin Marc, and Robert Ahwai on his JazeeBlue label. The property was sold in 2006.

The name Rea was well-known locally thanks to the chain of "Rea's Ice Cream" shops owned by Rea's father. In later years the chain folded except for one shop operated by Camillo himself. Chris Rea holds a season ticket with Middlesbrough F.C..

Other interests

Rea is a huge fan of motor racing and races a Ferrari Dino and a 1955 Lotus 6. He recorded a song, "Saudade," in tribute to three-time Formula One world champion Ayrton Senna. It featured prominently in the BBC documentary that can be watched in full here (UK users only) and was released on ''The Very Best of Chris Rea'' (2001).

Politics

In August 2008, it was erroneously reported that Rea had donated £25,000 to the Conservative Party. This was followed by further incorrect reports in April 2010, just weeks before the UK general election, that Rea had donated a further £100,000 to the Conservatives. The donations were in fact made by a businessman called Chris Rea and not the musician. This error has been acknowledged by ''The Daily Mail'' newspaper, which printed a retraction. ''The Times'' reported in 2009 that Rea has been a longtime supporter of the Conservative Party. Rea supported the Conservative Candidate for Middlesbrough in the 2010 general election by allowing use of his song "Steel River" to highlight the plight of the local Corus steel workers who had lost their jobs.

Films

Rea has also been an actor, playing the lead in the 1999 comedy film, ''Parting Shots'', alongside John Cleese, Bob Hoskins and Joanna Lumley. Rea played a character who was told that cancer gave him six weeks to live, and decided to kill those people who had badly affected his life.

He also had a cameo role in the 1996 film, ''La Passione'', for which he wrote the soundtrack.

References in Rea's lyrics

Rea has acknowledged that many of his songs were 'born out of Middlesbrough,' his home town. Perhaps the most famous of these is the song "Stainsby Girls," from the album ''Shamrock Diaries,'' which he wrote and composed in tribute to his wife Joan, who had attended Stainsby Secondary Modern School years before it was renamed Acklam Grange Secondary School. The song "Steel River," on the same album, reflects Rea's feelings about the re-development of Middlesbrough town centre while he was out of the country touring: "Steel River" is also another name for the River Tees. In the song there is a mention of 'salmon who have lost their steel mother' and, in the 1980s, it looked like they were gone for good. However, salmon stocks are slowly beginning to recover.

Discography

''Whatever Happened to Benny Santini?'' (1978)

''Deltics'' (1979)

''Tennis'' (1980)

''Chris Rea'' (1982)

''Water Sign'' (1983)

''Wired to the Moon'' (1984)

''Shamrock Diaries'' (1985)

''On the Beach'' (1986)

''Dancing with Strangers'' (1987)

''The Road to Hell'' (1989)

''Auberge'' (1991)

''God's Great Banana Skin'' (1992)

''Espresso Logic'' (1993)

''La Passione'' (1996)

''The Blue Cafe'' (1998)

''The Road to Hell: Part 2'' (1999)

''King of the Beach'' (2000)

''Dancing Down the Stony Road / Stony Road'' (2002)

''Blue Street (Five Guitars)'' (2003)

''Hofner Blue Notes'' (2003)

''The Blue Jukebox'' (2004)

''Blue Guitars (2005)

''The Return of the Fabulous Hofner Bluenotes'' (2008)

''Still So Far To Go: The Best of Chris Rea'' (2009)

''Santo Spirito Blues'' (2011)

References

External links

Official site

Fan site

Fan site

Official site of Rea's record label, JazzeeBlue

IMDb Parting Shots

Interview on the Britsound Radio Show, November 2005

Category:1951 births Category:Living people Category:English singer-songwriters Category:English male singers Category:English rock singers Category:English blues singers Category:English people of Italian descent Category:British people of Irish descent Category:English rock guitarists Category:Slide guitarists Category:English blues guitarists Category:People from Middlesbrough Category:Italian British musicians

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