Category:Days of the year Category:July
af:8 Julie ar:ملحق:8 يوليو an:8 de chulio frp:8 j·ulyèt ast:8 de xunetu az:8 iyul bn:জুলাই ৮ zh-min-nan:7 goe̍h 8 ji̍t be:8 ліпеня be-x-old:8 ліпеня bcl:Hulyo 8 bs:8. juli br:8 Gouere bg:8 юли ca:8 de juliol cv:Утă, 8 ceb:Hulyo 8 cs:8. červenec co:8 di lugliu cy:8 Gorffennaf da:8. juli de:8. Juli dv:ޖުލައި 8 et:8. juuli el:8 Ιουλίου myv:Медьковонь 8 чи es:8 de julio eo:8-a de julio eu:Uztailaren 8 fa:۸ ژوئیه hif:8 July fo:8. juli fr:8 juillet fy:8 july fur:8 di Lui ga:8 Iúil gv:8 Jerrey Souree gd:8 an t-Iuchar gl:8 de xullo gan:7月8號 gu:જુલાઇ ૮ xal:Така сарин 8 ko:7월 8일 hy:Հուլիսի 8 hi:८ जुलाई hsb:8. julija hr:8. srpnja io:8 di julio ig:July 8 ilo:Julio 8 bpy:জুলাই ৮ id:8 Juli ia:8 de julio ie:8 juli is:8. júlí it:8 luglio he:8 ביולי jv:8 Juli kl:Juuli 8 kn:ಜುಲೈ ೮ pam:Juliu 8 krc:8 июль ka:8 ივლისი csb:8 lëpinca kk:Шілденің 8 sw:8 Julai kv:8 сора ht:8 jiyè ku:8'ê tîrmehê la:8 Iulii lv:8. jūlijs lb:8. Juli lt:Liepos 8 li:8 juli lmo:08 07 hu:Július 8. mk:8 јули mg:8 Jolay ml:ജൂലൈ 8 mr:जुलै ८ xmf:8 კვირკვე arz:8 يوليه ms:8 Julai mn:7 сарын 8 nah:Tlachicōnti 8 nl:8 juli nds-nl:8 juli ne:८ जुलाई new:जुलाई ८ ja:7月8日 nap:8 'e luglio no:8. juli nn:8. juli nrm:8 Juilet nov:8 de julie oc:8 de julhet mhr:8 Сӱрем uz:8-iyul pa:੮ ਜੁਲਾਈ pag:July 8 nds:8. Juli pl:8 lipca pt:8 de julho ro:8 iulie qu:8 ñiqin anta situwa killapi rue:8. юл ru:8 июля sah:От ыйын 8 se:Suoidnemánu 8. sco:8 Julie stq:8. Juli sq:8 Korrik scn:8 di giugnettu simple:July 8 sk:8. júl sl:8. julij ckb:٨ی تەمموز sr:8. јул sh:8.7. su:8 Juli fi:8. heinäkuuta sv:8 juli tl:Hulyo 8 ta:சூலை 8 tt:8 июль te:జూలై 8 th:8 กรกฎาคม tg:8 июл tr:8 Temmuz tk:8 iýul uk:8 липня ur:8 جولائی vec:8 de lujo vi:8 tháng 7 vo:Yulul 8 fiu-vro:8. hainakuu päiv wa:8 di djulete vls:8 juli war:Hulyo 8 yi:8טן יולי yo:8 July zh-yue:7月8號 bat-smg:Lėipas 8 zh:7月8日This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 1°29′00″N103°44′00″N |
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name | Vlada Roslyakova |
birth name | Elena Vladimirovna Roslyakova |
birth date | July 08, 1987 |
birth place | Omsk (Siberia), Russian SFSR |
height | |
haircolor | Blonde |
eyecolor | Blue |
measurements | 31.5-23-34 (US), 80-58-86 (EU) |
weight | 108 |
dress size | 8 (US), 38 (EU) |
shoesize | 7 (US), 38 (EU) |
agency | Women Management ( New York, Milan, Paris) Models 1 Agency (London) }} |
Vlada Roslyakova (Russian: ; born Elena Vladimirovna Roslyakova on July 8, 1987 in Omsk, Russia) is a Russian model.
Her runway credits including top fashion designers like Alberta Ferretti, Alexander McQueen, Balenciaga, Blumarine, Bottega Veneta, Burberry Prorsum, Calvin Klein, Céline, Chanel, Chloé, Christian Dior, Comme des Garçons, Dolce & Gabbana, Dsquared², Emanuel Ungaro, Emilio Pucci, Etro, Fendi, Gianfranco Ferrè, Giorgio Armani, Givenchy, Gucci, Hermès, Jean Paul Gaultier, Jil Sander, Kenzo, Lanvin, Loewe, Louis Vuitton, MaxMara, Missoni, Miu Miu, Moschino, Nina Ricci, Prada, Roberto Cavalli, Salvatore Ferragamo, Sonia Rykiel, Stella McCartney, Thierry Mugler, Valentino, Versace, Viktor & Rolf, Yohji Yamamoto and Yves Saint Laurent.
She has appeared in various fashion magazines, including ''Vogue'', ''Numéro'', ''W'', ''V'', ''Dazed & Confused'', ''Harper's Bazaar'', ''Marie Claire'', ''Elle'', ''L'Officiel'' and ''i-D''.
She has also appeared on many magazine covers, such as ''Vogue'', ''Harper's Bazaar'', ''Elle'' and so on.
Her agencies include Women Management, Eskimo Model Management, Models 1 Agency, UNIQUE DENMARK, View Management, MD Management, Donna Models, Bohemia Model Management and Just Models Management.
''Vogue Paris'' declared her one of the top 30 models of the 2000s.
In 2011, she became the face of Swarovski.
Category:1987 births Category:Living people Category:Russian female models Category:People from Omsk
es:Vlada Roslyakova fr:Vlada Roslyakova it:Vlada Rosljakova ja:ヴラダ・ロスリャコヴァ ru:Рослякова, Влада sk:Vlada Rosľakova sv:Vlada Rosljakova tr:Vlada Roslyakova zh:弗拉達·洛絲亞珂娃 pl:Vlada RoslyakovaThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 1°29′00″N103°44′00″N |
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name | Steve Ritchie |
birth date | February 13, 1950 |
birth place | San Francisco, CA |
death date | |
resting place coordinates | |
known for | ''Flash'', ''Firepower'', ''High Speed'' |
employer | Stern Pinball, Steve Ritchie Productions |
occupation | Pinball designer |
website | Steve Ritchie Productions |
Steven Scott Ritchie (born February 13, 1950) is an acclaimed pinball and video game designer. He has been called "The Master of Flow" by pinball aficionados due to the emphasis in his designs on ball speed, loops, and the like.
Ritchie recently left Incredible Technologies for Raw Thrills, a video game production house headed by former WMS employee Eugene Jarvis. He currently suffers from tinnitus and predicts that he will be deaf by 2013. Steve is the older brother of fellow pinball designer Mark Ritchie.
After 1981's ''Hyperball'', Steve took a break from designing pinball games to design a video games at his newly-formed company, King Video Design. "Devastator" was the first 68000 microprocessor video game and it was a spectacular 3D flying-shooting game with remarkable graphics. Steve pioneered automated conversion of video-taped color images into objects in the video game system. After that, he returned to pinball with 1986's ''High Speed'', which was based on a true story about him being chased by the police in his Porsche. ''High Speed'''s bill of materials was higher than other games, and some rival Williams designers nicknamed it "High Cost". The cost increase was minimal, and the game sold 17,080 units. It was the major title that revitalized the entire pinball market. After that, he released ''F-14 Tomcat'' in 1987, and in 1989, he released the sequel to 1980's ''Black Knight'', ''Black Knight 2000'', which was acclaimed for having perhaps one of the best musical soundtracks ever for a pinball game (composed by himself, Brian Schmidt, and Dan Forden). It was also one of the first games to feature a "Wizard Mode", called "The King's Ransom".
Next up was ''Rollergames'' (based on the TV show of the same name which was cancelled well before game production), it was a game with a loud and rowdy soundtrack and the first solid state game to feature mainstream advertising. Ritchie designed ''Terminator 2: Judgment Day'', which featured the voice and likeness of Arnold Schwarzenegger. T2 was the first game by Williams to use a dot-matrix display (although Bally's ''Gilligan's Island'' beat it to the market, because T2 had a longer production schedule, and management at Williams felt that other games needed it first.) After T2, he designed ''The Getaway: High Speed II'' in 1992, a sequel to 1986's ''High Speed.'' In 1993, Ritchie released a widebody game, ''Star Trek: The Next Generation'', which many pinball fans consider to be Ritchie's best game. For the game, Ritchie enlisted the entire cast of TNG, including Patrick Stewart, Michael Dorn, and Jonathan Frakes to reprise their roles. The game would sell 11,728 units. It was the last pinball machine to sell in the 5-digits. After he was finished with 1995's ''No Fear: Dangerous Sports'', Ritchie left Williams, feeling that he could better serve Williams/Bally/Midway by producing video games at the newly-acquired Atari Games. 1996 was the beginning of the decline of pinball with gradually diminishing sales, eventually leading to the extinction of all pinball manufacturers except Stern Pinball.
Ritchie is also known to be an avid fan of pc games, motocross racing, and a dedicated dirt and street motorcyclist as well.
He is a voice actor for many of his own games, as well as Williams and Midway's video games. He is best known for playing the voice of Shao Kahn in the Mortal Kombat series (''MKII'', ''MK3'', ''UMK3'', ''MKT'', ''MK:SM''). In an interview for the Australian publication Arcade and Flipper Pinball Review (December 2001 & March 2002 issues) he stated that he was the announcer in ''MK'' and ''MKII'', along with coming up with the name of Mortal Kombat, which was just called 'Mortal' before his suggestion. Ritchie was also the voice of the Black Knight in both Black Knight and Black Knight 2000, the "Demon" in No Fear, the announcer in Midway's High Impact Football, the monotoned voice of Firepower, and other small parts in many Williams, Midway, and Stern games.
After completing "24", a pinball machine based on the TV series of the same name, Ritchie was laid off from Stern along with most of the company's other pinball designers. A March 3, 2011 Press Release from Stern reported that Steve had returned to Stern to design the next generation of pinball machines. .
Category:1950 births Category:Living people Category:Designers from California Category:People from Chicago, Illinois Category:Pinball game designers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 1°29′00″N103°44′00″N |
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Name | Roger Clinton Locher |
Birth date | September 13, 1946 |
Birth place | Sabetha, Kansas |
Allegiance | |
Branch | United States Air Force |
Rank | Captain |
Battles | Vietnam War |
Laterwork | }} |
When his aircraft was shot down by a Shenyang J-6 on May 10, 1972, he was on his third combat tour and had over 407 combat missions. He was one of the leading MIG killers in Vietnam with three kills. No one saw him eject or his parachute open, and it was unknown whether he had died or been captured. Over the next two weeks, U.S. air crews in the area tried to raise him on the radio without success. The North Vietnamese did not add his name to the roster of captured airmen, which gave the Americans some hope. Traveling only at dusk and dawn, over three weeks Locher traveled about , evading farmers and living off the land.
On June 1, Locher was finally able to successfully contact a flight of F-4 aircraft overhead. General John Vogt, commanding general of the Seventh Air Force, committed to rescue him and canceled the scheduled attack on Hanoi, diverting all of the available aircraft to assist in his rescue. Despite the proximity of the Yên Bái MiG airfield only away and its well-developed anti-aircraft defenses, there were no losses during his rescue.
On May 8, 1972, Major Robert Lodge and Locher responded to a request for assistance from ''Red Crown'' from fighters who were engaging MiGs near Yên Bái. Their element leader was Stephen Ritchie and Charles B. DeBellevue in Oyster 03.
They scored their third MiG kill, placing them in the lead of all USAF crews then flying in Southeast Asia.
Two days later, on May 10, at 9:23 a.m., Oyster Flight was warned by EC-121 ''Disco'' over Laos, and then by the US Navy radar picket ship ''Red Crown'', of four MiGs headed towards them. These were from the 921st Fighter Wing. Four J-9s were also flying CAP to protect the Thac Ba hydroelectric power station. The Americans engaged an equal number of MiG-21s head-on, scattering them. Lodge and Locher identified two hostile contacts miles south of Yên Bái. They attacked in a modified fluid-four formation and accelerated to 1.4 mach. At 9:48 they fired two AIM-7 Sidewinder missiles, and the second destroyed one of the MiGs.
Oyster Flight shot down two more MiGs. The second MIG-21 was downed by Lodge’s wingman, 1st Lt. John D. Markle, and his WSO, Capt. Stephen D. Eaves. A few minutes later Capt. Richard S. “Steve” Ritchie and Capt. Charles B. DeBellevue, his weapon systems officer, shot down a third MiG. Lodge and Locher nearly got the fourth MiG-21, but fell victim to a MiG tactic dubbed "Kuban tactics" after those of the Soviet WWII ace Alexander Pokryshkin, in which a GCI-controlled flight of four Shenyang J-6s were launched after the MiG-21s so that they could be steered behind the American fighters maneuvering to attack the MiG-21s. Pilot Nguyen Manh Tung of No. 2 Flight came up from below in his J-6 and hit Lodge and Locher's F-4D Phantom, serial 65-0784, with his three large, 30-mm cannons as they were lining up a second shot on another MiG-21.
Lodge had about three weeks previously told fellow squadron members, as he had done several times before, that he would not allow himself to be captured because of his extensive knowledge of classified and sensitive information. Locher successfully ejected at about but because the remaining planes were busy with the other MiGs, and due to smoke, no one saw his parachute canopy. A MiG-21 buzzed Locher as he descended, so he knew the enemy was aware he had survived. He estimated it took about 30 seconds for the jet to impact the ground, but never saw Lodge's chute.
Locher was afraid to use his URC-64 rescue radio as he parachuted because it was difficult to remove from the zippered pocket of his survival vest and he was not sure he could get it back in. He figured out his rough location and managed to steer his chute about away from the plane burning below him and towards a nearby mountain side. After he landed, he couldn't hide his parachute because it was stuck in the trees overhead.
He removed a couple of essential items from his survival pack and left the remainder behind. His survival vest contained a 9mm pistol, two pints of water, a first aid kit, insect repellent, mosquito netting, and a knife. He knew from prior briefings that he could not expect SAR this deep in North Vietnam, north of the Red River. Once on the ground and under the trees, he could not hear any jets overhead. He also knew his radio could not penetrate the dense jungle canopy overhead.
Locher listened to hear if a search party was looking for him. He camouflaged his trail for about and then climbed the eastern side of the mountain to its peak. He got his bearings and then hid in bushes on the west slope. For three days, Locher listened as a search party of local farmers beat the bushes up and down the east side of the mountain, searching for him. He hid in a brush pile and at one point over the next three days, a boy came within of his hiding place. In the evening he returned to the peak. On the second day he picked up radio traffic from American aircraft almost to his south, but they did not hear his radio beeper or voice.
He decided his best chance for rescue was to cross the forested, hilly terrain and get to the heavily cultivated Red River Valley, swim the river, and work his way to the sparsely inhabited mountains to the south. He figured it would take him 45 days. He traveled only at first light and at dusk, avoiding the local farmers, and living off the land.
He was able to find plenty of water but only occasionally fruit and berries to eat. He evaded capture and covered over , gradually losing and his strength. On the 10th day he came within of being discovered. Following a well-used trail early one morning, he suddenly had to evade local farmers. He hid in a nearby field where there was little concealment, but pulled leaves and debris over himself. He lay there all day as children from a village he discovered a short distance away played in his vicinity. At one point a water buffalo nearly stepped on him, and a boy came to fetch the animal, only a few feet from Locher. That evening he spotted a hill near the village alongside the Red River, the last hill before the wide open fields of the Red River basin. He was about from Yen Bai Airfield.
He hid on the hill for the next 13 days and watched for American aircraft. On June 1, 1972, he was finally able to contact a flight of American jets overhead, calling, "Any U.S. aircraft, if you read Oyster 1 Bravo, come up on Guard". Steve Ritchie, in one of the F-4 aircraft overhead and who had witnessed Locher's jet fall out of the sky, remembered Locher's call sign and answered his call. Locher calmly responded, "Guys I've been down here a long time, any chance of picking me up?" Ritchie replied, "You bet!" Locher's transmissions left some Americans who did not hear his call in doubt about the authenticity of his message, and they believed that the NVA may have manipulated a POW into impersonating him, setting a trap for the would-be rescuers.
On June 2, 1972, General John Vogt, commander of the 7th Air Force, consulted with Army MACV commander General Frederick C. Weyand. Vogt canceled the entire strike mission set for Hanoi that day. He dedicated all the available resources, over 150 aircraft, to rescuing Locher. The direct task force of 119 aircraft included two HH-53 rescue helicopters, bombers, and an array of F-4 escorts, EB-66s, A-1Es, F105G Weasels, and KC135 tankers. Vogt said,
}}
The Yên Bái MiG airfield, about northwest of Hanoi, was one of the most important and well-defended Vietnamese People's Air Force airbases in North Vietnam. The aircraft bombed and strafed around Yên Bái Airfield for two hours, reducing enemy opposition so that the helicopters could get in. Fortunately for the Americans, during the second half of May 1972 their increasingly fierce attacks on Yen Bai had forced elements of the VPAF 925th Fighter Regiment to relocate to Gia Lam Airfield. Capt. Ronald E. Smith in an A-1E guided Capt. Dale Stovall, piloting a HH-53 from the 40th Aerospace Rescue and Recovery Squadron, to Locher's position. Only when Locher rose out of the jungle canopy riding the jungle penetrator were all of the Americans sure it was him. Despite their proximity to Yen Bai airfield, no aircraft were lost during Locher's rescue. "We shut down the war to go get Roger Locher," Stovall later said.
Locher was flown back to Udorn. The first person to greet him was General Vogt, who had flown up from Saigon in a T-39. Capt. Locher had successfully evaded capture for 23 days, a record for the Vietnam War. The evening of his return, he was greeted at the Officers Club by hundreds of individuals with an ovation lasting 20 minutes.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 1°29′00″N103°44′00″N |
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Character name | Captain America |
Converted | y |
Alter ego | Steven "Steve" Rogers |
Publisher | Marvel Comics |
Debut | ''Captain America Comics'' #1 (March 1941) |
Creators | Joe SimonJack Kirby |
Alliances | Illuminati"Secret Avengers" (Civil War)AvengersInvadersAll-Winners SquadSecret DefendersS.H.I.E.L.D.Project: RebirthU.S. ArmyRedeemersNew AvengersSecret Avengers |
Aliases | Nomad, The Captain, Brett Hendrick, Roger Stevens, Weapon I |
Partners | Bucky (James Barnes)FalconNomad (Monroe)Bucky (Rick Jones)Free SpiritJack FlagBucky (Rikki)Demolition ManSharon Carter |
Supports | |
Powers | Physical attributes enhanced to peak of human potentialExpert martial artist and hand-to-hand combatantAll-terrain acrobaticsMaster tactician and field commanderVibranium-steel alloy shield |
Cat | super |
Subcat | Marvel Comics |
Hero | y |
Sortkey | Captain America }} |
An intentionally patriotic creation who was often depicted fighting the Axis powers of World War II, Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in ''The Avengers'' #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series.
Steve Rogers was purportedly assassinated in ''Captain America'' vol. 5, #25 (March 2007), although he was later revealed to be alive. The comic-book series ''Captain America'' continued to be published, with Rogers' former sidekick, James "Bucky" Barnes, having taken up the mantle, and keeping it at the insistence of Rogers, who upon his return began operating as an intelligence agent in the ''Secret Avengers'' title, and in the limited series ''Steve Rogers: Super Soldier''.
Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial ''Captain America.'' Since then, the character has been featured in several other films and television series, including ''Captain America: The First Avenger,'' released on July 22, 2011. Captain America was ranked 6th on IGN's Top 100 Comic Book Heroes in 2011.
Simon recalled in his autobiography that Timely Comics publisher Martin Goodman gave him the go-ahead from and directed that a Captain America solo comic book series be published as soon as possible. Needing to fill a full comic with primarily one character's stories, Simon did not believe that his regular creative partner, artist Jack Kirby, could handle the workload alone:
Al Liederman would ink that first issue, which was lettered by Simon and Kirby's regular letterer, Howard Ferguson.
Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized. We wanted to have our say too."
''Captain America Comics'' #1 — cover-dated March 1941 and on sale in December 1940, a year before the attack on Pearl Harbor, but a full year into World War II — showed the protagonist punching Nazi leader Adolf Hitler in the jaw — sold nearly one million copies. While most readers responded favorably to the comic, some took objection. Simon noted, "When the first issue came out we got a lot of... threatening letters and hate mail. Some people really opposed what Cap stood for." Though preceded as a "patriotically themed superhero" by MLJ's The Shield, Captain America immediately became the most prominent and enduring of that wave of superheroes introduced in American comic books prior to and during World War II. With his sidekick Bucky, Captain America faced Nazis, Japanese, and other threats to wartime America and the Allies. Stanley Lieber, now better known by his pen name Stan Lee, contributed to the character in issue #3 in the filler text story "Captain America Foils the Traitor's Revenge," which introduced the character's use of his shield as a returning throwing weapon. Captain America soon became Timely's most popular character and even had a fan-club called the "Sentinels of Liberty."
Circulation figures remained close to a million copies per month after the debut issue, which outstripped even the circulation of news magazines like ''Time'' during the period. After the Simon and Kirby team moved to DC in late 1941, having produced ''Captain America Comics'' through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other. The character was also featured in ''All Winners Comics'' #1-19 (Summer 1941 – Fall 1946), ''Marvel Mystery Comics'' #80-84 and #86-92, ''USA Comics'' #6-17 (Dec. 1942 – Fall 1945), and ''All Select Comics'' #1-10 (Fall 1943 – Summer 1946).
In the post-war era, with the popularity of superheroes fading, Captain America led Timely's first superhero team, the All-Winners Squad, in its two published adventures, in ''All Winners Comics'' #19 and #21 (Fall–Winter 1946; there was no issue #20). After Bucky was shot and wounded in a 1948 ''Captain America'' story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl. ''Captain America Comics'' ended with issue #75 (Feb. 1950), by which time the series had been titled ''Captain America's Weird Tales'' for two issues, with the finale being a horror/suspense anthology issue with no superheroes.
Atlas Comics attempted to revive its superhero titles when it reintroduced Captain America, along with the original Human Torch and the Sub-Mariner, in ''Young Men'' #24 (Dec. 1953). Billed as "Captain America, Commie Smasher!" Captain America appeared during the next year in ''Young Men'' #24-28 and ''Men's Adventures'' #27-28, as well as in issues #76-78 of an eponymous title. Atlas' attempted superhero revival was a commercial failure, and the character's title was canceled with ''Captain America'' #78 (Sept. 1954).
Captain America was then formally reintroduced in ''The Avengers'' #4 (March 1964), which explained that in the final days of WWII, he had fallen from an experimental drone plane into the North Atlantic Ocean and spent decades frozen in a block of ice in a state of suspended animation. He quickly became leader of that superhero team. Following the success of other Marvel characters introduced during the 1960s, Captain America was recast as a hero "haunted by past memories, and trying to adapt to 1960s society."
After then guest-starring in the feature "Iron Man" in ''Tales of Suspense'' #58 (Oct. 1964), Captain America gained his own solo feature in that "split book," beginning the following issue. Kirby, Captain America's co-creator, was illustrating his hero's solo adventures again for the first time since 1941. Issue #63 (March 1965), which retold Captain America's origin, through issue #71 (Nov. 1965) was a period feature set during World War II and co-starred Captain America's Golden Age sidekick, Bucky.
In the 1970s, the post-war versions of Captain America were retconned into separate, successive characters who briefly took up the mantle of Captain America after Steve Rogers went into suspended animation near the end of World War II. The hero found a new generation of readers as leader of the all-star superhero team the Avengers, and in a new solo feature beginning in ''Tales of Suspense'' #59 (Nov. 1964), a "split book" shared with the feature "Iron Man". Kirby drew all but two of the stories in ''Tales of Suspense,'' which became ''Captain America'' with #100 (April 1968); Gil Kane and John Romita, Sr., each filled in once. Several stories were finished by penciller-inker George Tuska over Kirby layouts, with one finished by Romita Sr. and another by penciller Dick Ayers and inker John Tartaglione. Kirby's regular inkers on the series were Frank Giacoia (as "Frank Ray") and Joe Sinnott, though Don Heck and Golden Age Captain America artist Syd Shores inked one story each. The new title ''Captain America'' continued to feature artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry's top artists and writers. It was called ''Captain America and the Falcon'' from #134-222 (although the Falcon's name was not on the cover for issues #193, 200, and 216).
This series — considered ''Captain America'' volume one by comics researchers and historians, following the 1940s ''Captain America Comics'' and its 1950s numbering continuation — ended with #454 (Aug. 1996).
As part of the aftermath of Marvel Comics' company-crossover storyline "Civil War", Steve Rogers was ostensibly killed in ''Captain America'' vol. 5, #25 (March 2007). Series writer Ed Brubaker remarked, "What I found is that all the really hard-core left-wing fans want Cap to be standing out on and giving speeches on the street corner against the George W. Bush administration, and all the really right-wing fans all want him to be over in the streets of Baghdad, punching out Saddam Hussein." The character's co-creator, Joe Simon, remarked, "It's a hell of a time for him to go. We really need him now." Artist Alex Ross designed a slightly revised Captain America costume that former sidekick Bucky Barnes began to wear as the new Captain America in vol. 5, #34 (March 2008)
The storyline of Rogers' return began in issue #600. Rogers, who was not dead but caroming through time, returned to the present day in the six-issue miniseries ''Captain America: Reborn'' (Sept. 2009 – March 2010).
After Rogers' return, Barnes, at Rogers' insistence, continued as Captain America, beginning in the one-shot comic ''Captain America: Who Will Wield the Shield?'' (Feb. 2010). While Bucky Barnes continued adventuring in the pages of ''Captain America'', Steve Rogers received his own miniseries (''Steve Rogers: Super-Soldier'') as well as taking on the leadership position in a new ''Secret Avengers'' ongoing series.
Spinoff series included ''Captain America Sentinel of Liberty'' (Sept. 1998 – Aug. 1999) and ''Captain America and the Falcon'' (May 2004 – June 2005). The 1940s Captain America appeared alongside the 1940s Human Torch and Sub-Mariner in the 12-issue miniseries ''Avengers/Invaders''. The 2007 mini-series ''Captain America: The Chosen'', written by David Morrell and penciled by Mitchell Breitweiser, depicts a dying Steve Rogers' final minutes, at S.H.I.E.L.D. headquarters, as his spirit guides James Newman, a young American marine fighting in Afghanistan. ''The Chosen'' is not part of the main Marvel Universe continuity.
That night, Operation: Rebirth is implemented and Rogers receives injections and oral doses of the Super-Soldier Serum. He is then exposed to a controlled burst of "Vita-Rays" that activate and stabilize the chemicals in his system. Although the process is arduous physically, it successfully alters his physiology almost instantly from its relatively frail form to the maximum of human efficiency, greatly enhancing his musculature, reflexes, agility, stamina and intelligence. Erskine declares Rogers to be the first of a new breed of man, a "nearly perfect human being."
The process he underwent has varied from account to account. In the original 1941 story, he was injected with the formula. When the origin was retold in ''Tales of Suspense'' #63, the Comics Code Authority and its prohibitions on demonstrations of drug use were in force, and the injection was replaced with drinking a formula. In ''Captain America'' #109, the Vita-Rays were first introduced, although a dialogue comment preserved continuity by mentioning that he had also drunk the formula beforehand. The retelling of the story in ''Captain America'' #255, however, stated that all three were used in combination. In addition, the limited series, ''The Adventures of Captain America'' reveals that Rogers also underwent rigorous physical training in combat prior to his enhancement.
After the physical transformation, Nazi spy Heinz Kruger reveals himself and shoots Erskine. Because the scientist had committed crucial portions of the Super-Soldier formula to memory, duplicating it perfectly would be unlikely. The spy dies, killed either while running away to escape Rogers or because Rogers threw him into live machinery. In the 1941 origin story and the ''Tales of Suspense'' #63 version, he dies when running into the machinery but is not killed by Rogers; in the ''Captain America'' #109 and #255 revision, however, Rogers causes the spy's death by punching him into the machinery.
The United States government, making the most of its one super-soldier and to hide all information about Operation: Rebirth and its failure, re-imagines him as a superhero who serves as both a counter-intelligence agent and a propaganda symbol to counter Nazi Germany's head of terrorist operations, the Red Skull. To that end, Rogers is given a uniform modeled after the American flag (based on Rogers' own sketches) a bulletproof shield, a personal side arm, and the codename Captain America. He is also given a cover identity as a clumsy infantry private at Camp Lehigh in Virginia. Barely out of his teens himself, Rogers makes friends with the camp's teenage mascot, James Buchanan "Bucky" Barnes.
Barnes accidentally learns of Rogers' dual identity and offers to keep the secret if he can become Captain America's sidekick. Rogers agrees and trains Barnes. Rogers meets President Franklin D. Roosevelt, who presents him with a new shield, forged from an alloy of steel and vibranium, fused by an unknown catalyst. The alloy is indestructible, yet the shield is light enough to use as a discus-like weapon that can be angled to return to him. It proves so effective that Captain America forgoes the sidearm. Throughout World War II, Captain America and Bucky fight the Nazi menace both on their own and as members of the superhero team the Invaders (as seen in the 1970s comic of the same name). Captain America also battles a number of criminal menaces on American soil, including a wide variety of costumed villains: the Wax Man, the Hangman, the Fang, and the White Death, the superhero team the Avengers discovers Steve Rogers' body in the North Atlantic, the Captain's uniform under his soldier's fatigues and still carrying his shield. After he revives, they piece together that Rogers had been preserved in a block of ice since 1945, surviving in such a state only because of his enhancements from Operation: Rebirth. The block had begun to melt after the Sub-Mariner, enraged that an Arctic Inuit tribe is worshiping the frozen figure, throws it into the ocean. Rogers accepts membership in the Avengers, and although long out of his time, his considerable combat experience makes him a valuable asset to the team. He quickly assumes leadership, and has typically returned to that position throughout the team's history.
Captain America is plagued by guilt for having been unable to prevent Bucky's death—a feeling that does not ease for some time. Although he takes the young Rick Jones (who closely resembles Bucky) under his tutelage, he refuses for some time to allow Jones to take up the Bucky identity, not wishing to be responsible for another youth's death. Insisting that his hero finally move on from that loss, Jones eventually convinces Rogers to let him don the Bucky costume, but this partnership lasts only a short time; a disguised Red Skull, impersonating Rogers with the help of the Cosmic Cube, drives Jones away.
Rogers also reunites with his old war comrade Nick Fury, who is similarly well-preserved due to the "Infinity Formula." As a result, Rogers regularly undertakes missions for the security agency S.H.I.E.L.D. for which Fury is public director. Through Fury, Rogers befriends Sharon Carter, a S.H.I.E.L.D. agent, with whom he eventually begins a romantic relationship.
Rogers later meets and trains Sam Wilson, who becomes the superhero the Falcon, the first African-American superhero in mainstream comic books. The characters established an enduring friendship and adventuring partnership, sharing the series title for some time as ''Captain America and the Falcon''. The two later encounter the revived but still insane 1950s Captain America. Although Rogers and the Falcon defeat the faux Rogers and Jack Monroe, Rogers becomes deeply disturbed that he could have suffered his counterpart's fate.
The series also dealt with the Marvel Universe's version of the Watergate scandal, making Rogers so uncertain about his role that he abandons his Captain America identity in favor of one called Nomad, emphasizing the word's meaning as "man without a country". During this time, several men unsuccessfully assume the Captain America identity. Rogers eventually re-assumes it after coming to consider that the identity could be a symbol of American ideals and not its government; it's a personal conviction epitomized when he later confronted a corrupt Army officer attempting to manipulate him by appealing to his loyalty, "I'm loyal to nothing, General... except the [American] Dream." Jack Monroe, cured of his mental instability, later takes up the Nomad alias. During this period, Rogers also temporarily gains super strength. Immediately after witnessing Number One's suicide, he is summoned to the future to participate in the Destiny War between Kang the Conqueror and Immortus (it is revealed over the course of the story that Rogers was selected from this time frame as, had he been taken from any other time period, his strong personality- shaken at this point by the events he had just witnessed- would have dominated the team and deprived them of the flexibility required to succeed in their mission, although his presence alone still brought cohesion to the group). He also learns of the apparent death of Sharon Carter.
DeMatteis revealed the true face and full origin of the Red Skull in ''Captain America'' #298-300, and had Captain America take on Jack Monroe, Nomad, as a partner for a time. It is also around this time that the heroes gathered by the Beyonder elect Rogers as leader during their stay on Battleworld in the 1984 miniseries ''Secret Wars''
Also during the 1980s, Mark Gruenwald wrote 137 issues of the book for 10 consecutive years from 1985 to 1995, the most issues by any single author in the character's history. Gruenwald created several new foes, including Crossbones and the Serpent Society. Other Gruenwald characters included new love interest Diamondback., Super Patriot (who would go on to become a replacement Captain America in a two-year story arc and became USAgent at that arc's conclusion), and some short-lived new partners that included Demolition Man.
Gruenwald explores numerous political and social themes as well, such as extreme idealism when Captain America fights the anti-nationalist terrorist Flag-Smasher; and vigilantism when he hunts the murderous Scourge of the Underworld. Homophobia was also dealt with as Steve Rogers runs into a childhood friend named Arnold Roth who is gay.
Rogers receives a large back-pay reimbursement dating back to his disappearance at the end of World War II, and a government commission orders him to work directly for the U.S. government. Already troubled by the corruption he had encountered with the Nuke incident in New York City, Rogers chooses instead to resign his identity, and then takes the alias of "the Captain". A replacement Captain America, John Walker, struggles to emulate Rogers' ideals until pressure from hidden enemies helps to drive Walker insane. Rogers returns to the Captain America identity while a recovered Walker becomes the U.S. Agent.
Sometime afterward, Rogers avoids the explosion of a methamphetamine lab, but the drug triggers a chemical reaction in the Super-Soldier serum in his system. To combat the reaction, Rogers has the serum removed from his body, and trains constantly to maintain his physical condition.
A retcon later establishes that the serum was not a drug per se, which would have metabolized out of his system, but in fact a virus-like organism that effected a biochemical and genetic change. This additionally explained how arch-nemesis Red Skull, who at the time inhabited a body cloned from Rogers' cells, also has the formula in his body.
Because of his altered biochemistry, Rogers' body begins to deteriorate, and for a time he must wear a powered exoskeleton and is eventually placed again in suspended animation. During this time, he is given a transfusion of blood from the Red Skull, which cures his condition and stabilizes the Super-Soldier virus in his system. Captain America returns both to crime fighting and the Avengers.
Following Gruenwald's departure on the book, Mark Waid took over and resurrected Sharon Carter as Cap's love interest. The book was then relaunched under Rob Liefeld as Cap became part of the Heroes Reborn universe for 13 issues before another relaunch restored Waid to the title in an arc that saw Cap lose his shield for a time using an energy based shield as a temporary replacement. Following Waid's run, Dan Jurgens took over and introduced new foe Protocide, a failed recipient of the Super Soldier serum prior to the experiment that successfully created Rogers.
Following the events of ''Avengers Disassembled'', again under the employ of S.H.I.E.L.D., Rogers discovers that Bucky is alive, having been saved and deployed by Soviet espionage interests as the Winter Soldier. Rogers also resumes his on-again, off-again relationship with S.H.I.E.L.D. agent Sharon Carter, who, after his death, believes she is pregnant with Steve Rogers' child.
In the 2006-2007 "Civil War" crossover, Captain America opposes mandatory federal registration of all super-powered beings, which he sees as an erosion of civil liberties for the superhero community, and leads the Anti-Registration faction and resistance movement. He becomes a fugitive and opposes the heroes of the Pro-Registration group, including his former friend Iron Man. He adopts the alias "Brett Hendrick", a mall security guard, to avoid government detection. As the War continues, Cap enlists the assistance of several figures with whom he would not choose to ally himself under normal circumstances, such as the Punisher and the Kingpin.
Captain America battles Iron Man during the climactic battle and has victory within his grasp when a group of civilians attempt to restrain him. Rogers realizes that he is endangering the very people he has sworn to protect. He then surrenders to the authorities and orders the Anti-Registration forces to stand down. As Rogers is led away in handcuffs, the Punisher retrieves Captain America's discarded mask.
''The Death of Captain America'' story arc follows his surrender. Steve Rogers is indicted on multiple criminal charges; as he is brought to a federal courthouse, a sniper shoots him in the back. In the chaos that ensues, he is wounded three more times in the stomach and chest by Sharon Carter. Rogers is taken to a hospital, where by all evidence he dies. The assassination, orchestrated by the Red Skull, involves Crossbones as the sniper and Dr. Faustus posing as a S.H.I.E.L.D. psychiatrist, who gives Carter a hypnotic suggestion to shoot Rogers at a crucial moment.
The superhero community is shaken by the assassination. The Punisher temporarily adopts a costume similar to that of Captain America, while Winter Soldier and Wolverine seek to avenge Rogers' death. The Winter Soldier steals Captain America's shield, and the Punisher provides him with the mask from Steve Rogers' uniform. Captain America is publicly laid to rest in Arlington National Cemetery, under a monument built in his honor. The body in Arlington is a fake: Tony Stark, accompanied by Hank Pym and Janet Van Dyne, returns Rogers' body to the Arctic where Rogers had been found years before. Namor attends the small private ceremony and vows no one will disturb the site.
Stark receives a letter containing Rogers' final requests: Stark should "save" Bucky, and that, despite his demise, the world still needs Captain America. Bucky accepts Stark's offer to take on the mantle of Captain America in exchange for a promise of autonomy from Stark. Bucky kept Rogers' trademark shield, but donned a new costume and began carrying a pistol and a knife.
''Captain America: Reborn'' #1 revealed that Rogers did not die; instead, the villainous Red Skull had Sharon Carter use a gun that transported him to a fixed position in space and time. Since then, Captain America had been phasing in and out of space and time, appearing at events in his lifetime and fighting battles. The Red Skull brings Rogers back to the present, where he takes control of Rogers' mind and body. Rogers eventually regains control, and with help from his allies, defeats the Red Skull.
In the one-shot comic ''Captain America: Who Will Wield the Shield?'', taking place after the conclusion to ''Reborn'', Rogers formally hands Bucky his Captain America shield and asks his former sidekick to continue as Captain America. Later, the American President grants Rogers a full pardon for his actions in ''Civil War''.
Marvel stated in May 2011 that Rogers, following the death of Bucky Barnes in the ''Fear Itself'' miniseries, would resume his Captain America identity in a sixth volume of ''Captain America'', by writer Ed Brubaker and artist Steve McNiven.
The formula enhances all of his metabolic functions and prevents the build-up of fatigue poisons in his muscles, giving him endurance far in excess of an ordinary human being. This accounts for many of his extraordinary feats, including bench pressing 1200 pounds (545 kg) and running a mile (1.6 km) in approximately 73 seconds. Furthermore, his enhancements are the reason why he was able to survive being frozen in suspended animation for decades. Rogers cannot become intoxicated by alcohol, drugs, or impurities in the air and is immune to terrestrial diseases. He is also highly resistant to hypnosis or gases that could limit his focus. The secrets of creating a super-soldier were lost with the death of its creator, Dr. Abraham Erskine. However, in the ensuing decades there have been numerous secret attempts to recreate Erskine's treatment, only to have predominantly all end in failure. Even worse, the attempts have instead often created psychopathic supervillains of which Captain America's 1950s imitator and Nuke are the most notorious examples.
Rogers' battle experience and training make him an expert tactician and an excellent field commander, with his teammates frequently deferring to his orders in battle. Rogers' reflexes and senses are also extraordinarily keen. He has blended judo, western boxing, kickboxing, and gymnastics into his own unique fighting style and is a master of multiple martial arts. Years of practice with his indestructible shield make him able to aim and throw it with almost unerring accuracy. His skill with his shield is such that he can attack multiple targets in succession with a single throw or even cause a boomerang-like return from a throw to attack an enemy from behind. In canon, he is regarded by other skilled fighters as one of the best hand-to-hand combatants in the Marvel Universe. Although the super-soldier serum is an important part of his strength, Rogers has shown himself still sufficiently capable against stronger opponents, even when the serum has been deactivated reverting him to his pre-Captain America physique.
Rogers has vast U.S. military knowledge and is often shown to be familiar with ongoing, classified Defense Department operations. He is an expert in combat strategy, survival, acrobatics, military strategy, piloting, and demolitions. Despite his high profile as one of the world's most popular and recognizable superheroes, Rogers also has a broad understanding of the espionage community, largely through his ongoing relationship with S.H.I.E.L.D. He occasionally makes forays into relatively mundane career fields, including commercial arts, comic book artistry, education (high school history), and law enforcement.
Captain America often uses his shield as an offensive throwing weapon. The first instance of Captain America's trademark ricocheting shield-toss occurs in Stan Lee's first comics writing, the two-page text story "Captain America Foils the Traitor's Revenge" in ''Captain America Comics'' #3 (May 1941).
The legacy of the shield among other comics characters includes the time-traveling mutant superhero Cable telling Captain America that his shield still exists in one of the possible futures; Cable carries it into battle and brandishes it as a symbol.
When without his trademark shield, Captain America sometimes uses other shields made from less durable metals such as steel, or even a photonic energy shield designed to mimic a vibranium matrix. Rogers, having relinquished his regular shield to Barnes, carried a variant of the energy shield which can be used with either arm, and used to either block attacks or as an improvised offensive weapon able to cut through metal with relative ease. Much like his vibranium shield, the energy shield can also be thrown, including ricocheting off multiple surfaces and returning to his hand.
Captain America's uniform is made of a fire-retardant material, and he wears a lightweight, bulletproof "duralumin" scale armor beneath his uniform for added protection. Originally, Rogers' mask was a separate piece of material, but an early engagement had it dislodged, thus almost exposing his identity. To prevent a recurrence of the situation, Rogers modified the mask with connecting material to his uniform, an added benefit of which was extending his armor to cover his previously exposed neck. As a member of the Avengers, Rogers has an Avengers priority card, which serves as a communications device.
Captain America has also used a custom specialized motorcycle, modified by the S.H.I.E.L.D. weapons laboratory, as well as a custom-built battle van, constructed by the Wakanda Design Group with the ability to change its color for disguise purposes (red, white and blue), and fitted to store and conceal the custom motorcycle in its rear section with a frame that allows Rogers to launch from the vehicle riding it.
! Title !! Material collected !! ISBN | ||
''Marvel Masterworks Golden Age Captain America Comics, Vol. 1'' | ''Captain America Comics'' #1-4 | |
''Marvel Masterworks Golden Age Captain America Comics, Vol. 2'' | ''Captain America Comics'' #5-8 | |
''Marvel Masterworks Golden Age Captain America Comics, Vol. 3'' | ''Captain America Comics'' #9-12 | |
''Marvel Masterworks Atlas Era Heroes, Vol. 1'' | Includes Captain America stories from ''Astonishing'' #3-6, ''Young Men'' #24-28 | |
''Marvel Masterworks Atlas Era Heroes, Vol. 2'' | Includes Captain America stories from ''Men's Adventures'' #27-28, ''Captain America Comics'' #76-78 | |
''Essential Captain America, Vol. 1'' | ''Tales of Suspense'' #59-99; ''Captain America'' #100-102 | |
''Essential Captain America, Vol. 2'' | ''Captain America'' #103-126 | |
''Essential Captain America, Vol. 3'' | ''Captain America'' #127-156 | |
''Essential Captain America, Vol. 4'' | ''Captain America'' #157-186 | |
''Essential Captain America, Vol. 5'' | ''Captain America'' #187-205, ''Annual'' #3, ''Marvel Treasury Special: Captain America's Bicentennial Battles'' | |
''Essential Captain America, Vol. 6'' | ''Captain America'' #206-230, ''Annual'' #4; ''Incredible Hulk'' #232 | |
''Captain America and the Falcon: Secret Empire'' | ''Captain America'' #169-176 | |
''Captain America and the Falcon: Nomad'' | ''Captain America'' #177-186 | |
''Captain America and the Falcon: Madbomb'' | ''Captain America'' #193-200 | |
''Captain America: Bicentennial Battles'' | ''Captain America'' #201-205; ''Bicentennial Battles'' #1 | |
''Captain America and the Falcon: The Swine'' | ''Captain America'' #206-214, ''Annual'' #3-4 | |
''Captain America: War and Remembrance'' | ''Captain America'' #247-255 | |
''Captain America: Deathlok Lives'' | ''Captain America'' #286-288 | |
''Captain America: Scourge of the Underworld'' | ''Captain America'' #318-320, back-up stories from #358-362; ''USAgent'' #1-4; | |
''Captain America: The Captain'' | ''Captain America'' #332-350; ''Iron Man'' #228 | |
''Captain America: The Bloodstone Hunt'' | ''Captain America'' #357-364 | |
''Captain America: Streets of Poison'' | ''Captain America'' #372-378 | |
''Avengers: Galactic Storm, Book 1'' | ''Captain America'' #398-399, ''Avengers West Coast'' #80-81, ''Quasar'' #32-33, ''Wonder Man'' #7-8, ''Avengers'' #345-346, ''Iron Man'' #278 and ''Thor'' #445 | |
''Avengers: Galactic Storm, Book 2'' | ''Iron Man'' #279, ''Thor'' #446, ''Captain America'' #400-401, ''Avengers West Coast'' #82, ''Quasar'' #34-35, ''Wonder Man'' #9, ''Avengers'' #347, ''What If?'' #55-56 | |
''Captain America: Man and Wolf'' | ''Captain America'' #402-408 | |
''Captain America: Fighting Chance: Denial'' | ''Captain America'' #425-430 | |
''Captain America: Fighting Chance: Acceptance'' | ''Captain America'' #431-437 | |
''Captain America: Operation Rebirth'' | ''Captain America'' #444-448 | |
''Captain America: Man Without a Country'' | ''Captain America'' #450-453 | |
''Heroes Reborn: Captain America'' | ''Captain America'' vol. 2, #1-12 | |
''Captain America: To Serve and Protect'' | ''Captain America'' vol. 3, #1-7 | |
''Captain America: American Nightmare'' | ''Captain America'' vol. 3, #8-13, ''Annual 1998'' | |
''Captain America: Red Glare'' | ''Captain America'' vol. 3, #14-19, ''Captain America Spotlight'' | |
''Captain America: Sentinel of Liberty'' | ''Captain America: Sentinel of Liberty'' #1-12 | |
''Captain America: The New Deal'' | ''Captain America'' vol. 4, #1-6 | |
''Captain America: The Extremists'' | ''Captain America'' vol. 4, #7-11 | |
''Captain America: Ice'' | ''Captain America'' vol. 4, #12-16 | |
''Captain America: Cap Lives'' | ''Captain America'' vol. 4, #17-20; ''Tales of Suspense'' #66 | |
''Captain America: Homeland'' | ''Captain America'' vol. 4, #21-28 | |
''Captain America and the Falcon: Two Americas'' | ''Captain America and the Falcon'' #1-4 | |
''Avengers Disassembled: Captain America'' | ''Captain America'' vol. 4, #29-32; ''Captain America and the Falcon'' #5-7 | |
''Captain America and the Falcon: Brothers and Keepers'' | ''Captain America and the Falcon'' #8-14 | |
''Captain America: Winter Soldier, Book One'' | ''Captain America'' vol. 5, #1-7 | |
''Captain America: Winter Soldier, Book Two'' | ''Captain America'' vol. 5, #8-9, #11-14 | |
''Captain America: Red Menace, Book One'' | ''Captain America'' vol. 5, #15-17; ''Captain America 65th Anniversary Special'' | |
''Captain America: Red Menace, Book Two'' | ''Captain America'' vol. 5, #18-21 | |
''Captain America: Civil War'' | ''Captain America'' vol. 5, #22-24; ''Winter Soldier: Winter Kills'' | |
''The Death of Captain America, Vol. 1: The Death of the Dream'' | ''Captain America'' vol. 5, #25-30 | |
''The Death of Captain America, Vol. 2: The Burden of Dreams'' | ''Captain America'' vol. 5, #31-36 | |
''The Death of Captain America, Vol. 3: The Man Who Bought America'' | ''Captain America'' vol. 5, #37-42 | |
''Captain America: The Man with No Face'' | ''Captain America'' vol. 5, #43-48 | |
''Captain America: Road to Reborn'' (HC) | ''Captain America'' #600-601; vol. 5, #49-50 | |
''Captain America: Reborn'' (HC) | ''Captain America: Reborn'' #1-6 | |
''Captain America: Two Americas'' | ''Captain America'' #602-605; ''Who Will Wield the Shield?'' | |
''Captain America: No Escape'' | ''Captain America'' #606-610 | |
''Steve Rogers: Super Soldier'' | ''Steve Rogers: Super-Soldier'' #1-4 | |
''Captain America: The Trial of Captain America | ''Captain America'' #611-615 and #615.1, and material from CAPTAIN AMERICA 70TH ANNIVERSARY MAGAZINE | |
''Captain America: Prisoner of War | ''Captain America'' #616-619 | |
Miscellaneous | ||
''Captain America: The Legacy of Captain America'' | ''Captain America Comics'' (1941) #1; ''What If?'' (1977) #4; ''Captain America'' #155, #333; ''Captain America'' vol. 5, #34; material from ''Captain America'' (1968) #178-183 | SC: |
''Captain America Vs. The Red Skull'' | ''Captain America Comics'' (1941) #1; ''Tales Of Suspense'' #79-81; and ''Captain America'' #143, #226-227, #261-263 and #370; and material from ''Captain America Annual'' #13 and ''Captain America: Red, White & Blue'' #1'' | SC: |
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ar:كابتن أمريكا br:Captain America ca:Capità Amèrica de:Captain America el:Κάπταιν Αμέρικα es:Capitán América eu:Captain America fr:Captain America gl:Captain America ko:캡틴 아메리카 it:Capitan America he:קפטן אמריקה ka:კაპიტანი ამერიკა lv:Kapteinis Amerika lt:Kapitonas Amerika hu:Amerika Kapitány nl:Captain America ja:キャプテン・アメリカ no:Captain America pl:Kapitan Ameryka pt:Capitão América ru:Капитан Америка simple:Captain America sk:Captain America fi:Kapteeni Amerikka sv:Captain America tl:Captain America th:กัปตันอเมริกา tr:Kaptan Amerika vi:Captain America zh:美國隊長This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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