Coordinates	20°34′00″N103°40′35″N
Name	Lady Gaga
Alt	Portrait of Lady Gaga
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Birth date	March 28, 1986
Birth place	New York, New York, U.S.
Instrument	Vocals, piano, keyboards
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist
Years active	2005–present
Label	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Website	}}

Stefani Joanne Angelina Germanotta (; born March 28, 1986), better known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and was signed with Streamline Records by the end of 2007. During her employment as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.

Lady Gaga came to prominence as a recording artist following the release of her debut album ''The Fame'' (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the The Fame Ball Tour, she followed the album with ''The Fame Monster'' (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro". The album's success allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her 2011 album ''Born This Way'' topped the charts of most major markets and generated more international chart-topping singles, including "Born This Way", "Judas" and "The Edge of Glory". Beside her musical career, she involves herself with humanitarian causes and LGBT activism.

Influenced by such acts as David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is recognized for her flamboyant, diverse and outré contributions to the music industry through fashion, performance and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles some of the best selling worldwide. Her achievements include five Grammy Awards and 13 MTV Video Music Awards. Lady Gaga has consecutively appeared on ''Billboard'' magazine's Artists of the Year (scoring the definitive title in 2010), ranked fourth in VH1's list of 100 Greatest Women in Music, is regularly placed on lists composed by ''Forbes'' magazine and was named one of the most influential people in the world by ''Time'' magazine.

Biography

1986–2004: Early life

Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York, NY to parents Cynthia (née Bissett) and Joseph Germanotta, an internet entrepreneur. Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children. Her sister, Natali, a fashion student, was born in 1992. Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."

From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak." Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate. Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14. Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in ''Guys and Dolls'' and Philia in ''A Funny Thing Happened on the Way to the Forum''. She also appeared in a very small role as a mischievous classmate in the television drama series ''The Sopranos'' in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows.

When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts. After becoming one of twenty students to gain early admission, she eventually lived in an NYU dorm on 11th Street by the age of 17. CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst. With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer for MTV's ''Boiling Points'', a prank reality television show. But Gaga felt more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said.

2005–07: Career beginnings

Gaga withdrew from CAP21 at 19, in the second semester of her sophomore year, deciding to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers. Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book ''The Portal in the Park'', by Cricket Casey. She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year. The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er". Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis. Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays ''Words'' and ''Red and Blue'' (both 2005) at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.

SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a musician, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer. While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen. It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga." He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again." ''The New York Post'', however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.

Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses. Joshua Sarubin, the head of A&R; at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months. However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night". Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.

She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs. Her father, however, did not understand the reason behind her drug intake and could not look at her for several months. "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself." It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film ''Grease'': "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.

During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona. Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts. Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year. The show was critically acclaimed, and their performance received positive reviews. Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.

While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." Having served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV. As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls. At Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M; Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution, making her his "franchise player."

As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.". Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album and also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)". Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. Her response: "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."

2008–10: ''The Fame'' and ''The Fame Monster''

By 2008, Gaga had relocated to Los Angeles in order to work extensively with her record label to complete her debut album and set up her own creative team Haus of Gaga, modeled on Andy Warhol's Factory. ''The Fame'' was first released on August 19, 2008 to slow radio play. Gaga supported it by performing around Europe and in small gay clubs around the US in addition to being billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour. A sleeper hit, lead single "Just Dance" had preceded the album's release by four months but only hit the summit of the international charts in January 2009, provoking the instant success of the album, earning her first Grammy Award nomination (for Best Dance Recording) and becoming one of the best-selling singles worldwide. Gaga achieved a greater unexpected success when "Poker Face", another sleeper hit, reached number one in most major music markets worldwide in early 2009. The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year.

''The Fame'' itself was nominated for Album of the Year while winning Best Dance/Electronica Album at the same ceremony. Contemporary critics lauded the album, describing it as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, noting its combination of genres "from Def Leppard drums and hand claps to metal drums on urban tracks", the inspiration drawn from 1980s synthpop and incorporation of dance music with clear hooks. ''The Fame'' went to number one in Austria, Canada, Germany, Ireland, Switzerland and the UK and appeared in the top five in Australia, the US and 15 other countries. It also stayed atop the Dance/Electronic Albums chart for 106 non-consecutive weeks and, since its release, has sold over 12 million copies worldwide. The album's success spawned many 2009 honors including ''Billboard'' magazine's Rising Star award and the accumulation of 3 of 9 MTV Video Music Awards nominations, winning Best New Artist with the video for her single "Paparazzi" gaining Best Art Direction and Best Special Effects. In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.

While she traveled the globe, she wrote ''The Fame Monster'', an EP of eight songs released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Making Gaga the first artist in digital history to have three singles (alongside "Just Dance" and "Poker Face") to pass the four million mark in digital sales, its lead single "Bad Romance" topped the charts in eighteen countries and reached the top two in the US, Australia and New Zealand while accruing the Grammy Awards for Best Female Pop Vocal Performance and Best Short Form Music Video. The second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number one single; its accompanying music video, although controversial, receiving positive reception from contemporary critics who praised her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy. Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube. At the 2010 MTV Video Music Awards, Gaga won 8 of her 13 nominations, including Video of the Year for "Bad Romance" (with "Telephone" also nominated), which made her the first female artist to be nominated twice for the award. In addition, ''The Fame Monster'' garnered a total of six nominations at the 53rd Grammy Awards – equating to the amount of Grammy nominations her debut received – winning Best Pop Vocal Album and earning her a second-consecutive nomination for Album of the Year.

The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of ''The Fame Monster'' and months after having finished The Fame Ball Tour. Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist. Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled ''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden''. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray. Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony. Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage."

Nevertheless, she realized a collaboration with consumer electronic company Beats by Dr. Dre to create a pair of in-ear jewel-encrusted headphones titled Heartbeats. "They are designed to be the first ever fashion accessories that double as the absolute best sonically sounding headphones in the world," she commented. Gaga also partnered with Polaroid in January 2010 as their Creative Director. Excited about "blending the iconic history of Polaroid and instant film with the digital era," Gaga unveiled the first trio of new products called Grey Label: a pair of picture-taking sunglasses, a paperback-sized mobile printing unit and an updated version of the traditional Polaroid camera at the the 2011 Consumer Electronics Show. But her collaboration with past producer Rob Fusari led to her production team, Mermaid Music LLC, being sued in March 2010 when he claimed that he was entitled to a 20% share of the company's earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment, but five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga. In addition to such strife, Gaga was tested borderline positive for lupus, but claimed not to be affected by the symptoms. The revelations caused considerable dismay among fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.

2011–present: ''Born This Way''

Gaga released her second studio album and third major release, ''Born This Way'', on May 23, 2011. Described as a marriage of electronic music with metal, rock 'n' roll, pop and anthemic style melodies with sledge-hammering dance beats and referred to as an album "about what what keeps us up at night and what makes us afraid," Gaga characterized it as "something so much deeper than a wig or lipstick or a fucking meat dress" and, upon hearing it, Akon remarked that she is taking music to the "next level." Upon release, the album received generally positive reviews from music critics, who praised its range of different styles and her vocals. ''Born This Way'' sold 1.108 million copies in its first week in the US, debuted atop the ''Billboard'' 200, and topped the charts in more than 20 other countries. In addition to exceeding 8 million copies in worldwide sales, ''Born This Way'' received 3 Grammy Award nominations, including her third consecutive for Album of the Year.

In the months prior to its unveiling, Gaga released the singles "Born This Way", "Judas" and "The Edge of Glory" alongside promotional single "Hair". The eponymous lead single, first sung live at the 53rd Grammy Awards in a performance that saw Gaga emerge from an egg-like vessel, deals with self-acceptance regardless of race or sexual orientation. The single debuted atop the ''Billboard'' Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts. It sold more than 3 million digital copies in the US by October 2011, becoming her eighth consecutive single to exceed sales of 2 million and, with worldwide sales of 8.2 million copies by November 2011, one of her five best-selling singles worldwide. Critics noted artistic and cultural references and praised the concept of the song's accompanying music video, in which Gaga gives birth to a new race amidst surrealistic images. The video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references but received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it. "Judas" also peaked within the top ten in several major musical markets while "The Edge of Glory", first a commercial success in digital outlets, was later released as a single to critical appreciation accompanied by a video which notably stripped down from her usually "extravagant" efforts. She released "You and I" and "Marry the Night" as the following singles from ''Born This Way''. Although their "crazy and ambitious" videos were praised for their audacity, both songs failed to match the similar international success that its predececors achieved.

Gaga continued her musical endeavors by pairing with veteran artists like Tony Bennett to record a jazz version of "The Lady Is a Tramp". She also recorded a duet with Cher on a "massive" and "beautiful" track, which Gaga "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason." Gaga also lent her vocals to an original duet with Elton John for the animated feature film ''Gnomeo & Juliet''. The song, "Hello, Hello", was released without Gaga's vocals but the duet version features in the film. She also continued her live appearances throughout 2011, performing a one-of-a-kind concert at the Sydney Town Hall on July 13 in promotion of ''Born This Way'' and at the celebration of former US president Bill Clinton's 65th birthday, wearing a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changing the lyrics to "You and I" specifically for the performance. Televised appearances comprised her own Thanksgiving Day television special entitled ''A Very Gaga Thanksgiving'' which was critically lauded, attained 5.749 million American viewers, and spawned the release of her fourth extended play ''A Very Gaga Holiday''. Her second performance on ''Saturday Night Live'' saw her singing a selection of ''Born This Way'' songs alongside appearing in number of sketches with Justin Timberlake and Andy Samberg.

In early 2012, Gaga stated that songs for a new album were "beginning to flourish" as she worked with producer Fernando Garibay, while the accompanying tour for ''Born This Way'' was materializing. The Born This Way Ball Tour is set to begin on April 27, 2012, at the Olympic Stadium in Seoul, South Korea.

Artistry

Influences

Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Bruce Springsteen, Pink Floyd, Led Zeppelin and Elton John, had significant influence on her childhood and, presently, still do. "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists. "I'm quite traditional in the family sense. I've always been that way." According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art. Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives." Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."

Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance. The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented. Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga. In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally." Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Britney Spears, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson and Yoko Ono.

Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher. She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own." She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work. Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos. Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful." "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third. ''Entertainment Weekly'' put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream." Gaga made her runway debut at Thierry Mugler's Paris fashion show in March 2011 where she wore items from Nicola Formichetti's debut women's wear collection. In June of the same year, she won the Council of Fashion Designers of America Award for Fashion Icon. She has since devoted her time as a fashion columnist for ''V'' magazine, where she has written about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme.

Musical style

Continually experimenting with new musical ideas and images, Gaga's musical and performance style is the subject of much analysis and scrutiny from critics. She professes that she is "liberating" herself by constantly reinventing her sound and image, insisting that she has been drawn to such a practice since her childhood. Vocally, Gaga possesses the range of a contralto and exhibits "overwhelming expression, instinctive vocal phrasing, '80s rock reminiscent chest belts and animalistic vocal ticks" while being able to move through 2.4 octaves. Refusing to lip sync, Gaga – whose range is frequently compared to those of Madonna and Gwen Stefani – has manipulated her vocal style over the course of her career yet considers ''Born This Way'' (2011) "much more vocally up to par with what I've always been capable of." In summation of her voice, ''Entertainment Weekly'' wrote, "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power."

Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace." She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct." "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses. Gaga believes that "all good music can be played at a piano and still sound like a hit." She has covered a wide variety of topics in her songs: while ''The Fame'' (2008) meditates on the lust for stardom, ''The Fame Monster'' (2009) expresses fame's dark side through monster metaphors. ''Born This Way'' (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.

The structure of her music is said to echo classic 1980s pop and 1990s Europop. Her debut album ''The Fame'' (2008) provoked ''The Sunday Times'' to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from ''The Boston Globe'' to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats." The follow-up ''The Fame Monster'' (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while ''Born This Way'' (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll. "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote ''Rolling Stone'', who concluded: "The more excessive Gaga gets, the more honest she sounds."

Music videos and performances

With constant costume changes, backup dancers, and provoctative visuals, Gaga's music videos are often described as short films. "Being provocative is not just about getting people's attention. It's about saying something that really affects people in a real way, in a positive way," she professes. Exploring bondage and sadomasochism in addition to highlighting prevalent feminist themes, "the three central themes that shape Lady Gaga's music videos are sex, violence, and power." "Vaudevillian and carnal, Lady Gaga has got the knack of sending rape-like fantasies—in songs and videos that double as catch club hits—to the top of the charts," wrote one critic. "Whether it is physical violence or sexual exploitation, these videos offer vivid depictions of male power over women's bodies," wrote another. While she labels herself "a little bit of a feminist" (she rejects man-hating feminism) and asserts that she is "sexually empowering women," Gaga strives to empower young women to stand up for what they believe in. She also attempts to liberate her fans so they can feel "less alone." "She not only reiterates her assertion of total originality," professed pop critic Ann Powers, "but also finesses it until it's both a philosophical stance about how constructing a persona from pop-cultural sources can be an expression of a person's truth—a la those drag queens Gaga sincerely admires—and a bit of a feminist act." In summation of her videos, ''Rolling Stone'' used the rhetoric: "does anyone look to a Lady Gaga video for restraint?"

Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme during The Monster Ball Tour, in which she wore a revealing leather corset and was "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Her unconventionality continued at the 2011 MTV Video Music Awards: performing in drag as her male alter ego, Jo Calderone, and delivering a lovesick monologue before a performance of her song "You and I". Some have defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," Chris Rock said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?" As Gaga's choreographer and creative director, Laurieann Gibson provided material for her shows and videos for four years. However, the pair parted in November 2011; Gaga replacing her with Gibson's assistant Richard Jackson. Gaga admits to being a perfectionist when it comes to her elaborate shows. "I'm very bossy. I can scream my head off if I see one light fixture out. I'm very detailed – every minute of the show has got to be perfect."

Public image

While ''Rolling Stone'' named Gaga the "Queen of Pop" in 2011, public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since spring 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga." When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.

Contrary to her outré style, the ''New York Post'' described her early look as like "a refugee from ''Jersey Shore''" with "big black hair, heavy eye makeup and tight, revealing clothes." Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, whom she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. In a question posed about the necessary procedure to attach the prosthetics to give the unconventional appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is.

Towards the end of 2008, comparisons were made between the fashions of Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way." When interviewed by Barbara Walters for her annual ABC News special ''10 Most Fascinating People'' in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance". There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.

While devout followers call Gaga "Mother Monster", Gaga often refers to her fans as "Little Monsters" which has been tattooed on "the arm that holds my mic" in dedication. Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in ''The Sunday Times'' asserts that Gaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for ''The Guardian'', Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."

Philanthropy

Besides her career in music, Gaga has also contributed to various charities. For natural disasters, Gaga has helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund. All profits from her official online store on that day were also donated. Gaga announced that an estimated total of US$500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts. As of March 29, 2011, the bracelets raised $1.5 million. However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Lady Gaga's spokesperson called the lawsuit "meritless" and "misleading". On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.

Gaga also contributes in the fight against HIV and AIDS, focusing on educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick." The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.

As a humanitarian, she has launched her own non-profit organization, the Born This Way Foundation, which focuses on youth empowerment and issues like self-confidence, well-being, anti-bullying, mentoring, and career development. "My mother and I have initiated a passion project. We call it the Born This Way Foundation," Gaga said in a statement about the foundation, which takes its name from the 2011 single and album. "Together we hope to establish a standard of Bravery and Kindness, as well as a community worldwide that protects and nurtures others in the face of bullying and abandonment." The foundation will work with a number of partners, including the John D. and Catherine T. MacArthur Foundation, The California Endowment and the Berkman Center for Internet & Society at Harvard University. She also jumped into the debate surrounding SB 1070, Arizona's recently-enacted anti-immigration law, after premiering her ''Born This Way'' song "Americano" on the Guadalajara stop of The Monster Ball Tour in Mexico, telling the local press that she could not "stand by many of the unjust immigration laws" in the US. A devoted advocate for the LGBT community, Gaga is also an outspoken activist for LGBT rights worldwide.

LGBT advocacy

Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of ''The Fame'', saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After ''The Fame'' was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with ''Rolling Stone'', she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." When she appeared as a guest on ''The Ellen DeGeneres Show'' in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community". She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier. At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.

Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a meat dress to the ceremony which was supplemented by boots, a purse and a hat that were all fabricated from the flesh of a dead animal. Partly awarded in recognition of the dress, Vogue.com UK named her one of the Best Dressed people of 2010 while ''Time'' magazine's named the dress the Fashion Statement of 2010, it received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. She denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community, adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones."

She later released three videos on YouTube videos urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of ''The Advocate'' commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.

Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."

Discography

''The Fame'' (2008)

''The Fame Monster'' (2009)

''Born This Way'' (2011)

Filmography

''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden'' (2011)

''A Very Gaga Thanksgiving'' (2011)

Concert tours

The Fame Ball Tour (2009)

Fame Kills: Starring Kanye West and Lady Gaga (2009–10) (canceled)

The Monster Ball Tour (2009–11)

The Born This Way Ball Tour (2012–13)

See also

List of awards and nominations received by Lady Gaga

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

Monster Anthems (2011) by Robert Christgau

External links

Slide show ''Vanity Fair''

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Coordinates	20°34′00″N103°40′35″N
name	The Edge
background	solo_singer
birth name	David Howell Evans
birth date	August 08, 1961
Birth place	Barking, Essex, England
origin	County Dublin, Ireland
instrument	Guitar, vocals, keyboards, piano, bass guitar
genre	Rock, post-punk, alternative rock
occupation	Musician, songwriter, activist
years active	1976–present
label	Island (1980–2006)Mercury (2006–present)
associated acts	U2, Passengers
website	U2.com
notable instruments	Gibson ExplorerFender StratocasterGibson Les PaulFender TelecasterGretsch Country GentlemanGretsch White FalconRickenbacker 330/12 }}

David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge), is a musician best known as the guitarist, backing vocalist, and keyboardist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's ''The Joshua Tree'' and 1991's ''Achtung Baby''. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record ''Zooropa'', and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.

As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical ''Spider-Man: Turn Off the Dark'' and the Royal Shakespeare Company's London stage adaptation of ''A Clockwork Orange''. In 2011, ''Rolling Stone'' magazine placed him at number 38 on its list of "The 100 Greatest Guitarists of All Time".

Personal life

David Howell Evans was born at the Barking Maternity Hospital, Essex, England to Welsh parents Garvin and Gwenda Evans. When he was one, his family moved to County Dublin, Ireland where he attended St Andrew's National School. He received piano and guitar lessons and often performed with his brother Dik Evans before they both answered an advertisement posted by Larry Mullen, Jr. at their school, Mount Temple Comprehensive School, seeking musicians to form a band. The band accepted both of them. This band went through several incarnations before emerging as U2 in March 1978 (Dik Evans left the band just before the name change). U2 began performing in various venues in Ireland and eventually began developing a following. Their debut album, ''Boy'', was released in 1980.

In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay. During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved. Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday". The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983. The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989. The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996. In 1993, The Edge began dating Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer during the Zoo TV Tour. They had a daughter, Sian (born 1997), and a son, Levi (born 25 October 1999), before marrying on 22 June 2002.

He appeared in the 2009 music documentary film ''It Might Get Loud''.

The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California. The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location." The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.

Music style

Guitar playing

As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of VOX AC-30s) that he achieves with extensive use of delay effects and reverb. The feedback delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.

On 1987's ''The Joshua Tree'', The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,

"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."

Many different influences have shaped The Edge's guitar technique. His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument. He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that." The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the ''Achtung Baby'' era onwards, although much of the band's 1980s material made heavy use of echos.

Vocals

The Edge also supplies the backing vocals for U2. U2's 1983 live album and video release, ''Under a Blood Red Sky'' and ''Live at Red Rocks: Under a Blood Red Sky'' are good reference points for his singing (as are the live DVDs from the Elevation Tour, ''U2 Go Home: Live from Slane Castle'' and ''Elevation 2001: Live from Boston''). For example, he sings the chorus to "Sunday Bloody Sunday" (Bono harmonizes on the final 'Sunday'). U2 used this tradeoff technique later in "Bullet the Blue Sky" as well. His backing vocals are sometimes in the form of a repeated cry; examples of songs that use this approach include "Beautiful Day", "New Year's Day" and "Stay (Faraway, So Close!)". Other technique he uses in his backing vocals is the falsetto, for instance in "Stuck in a Moment You Can't Get Out Of", "Sometimes You Can't Make It on Your Own", "A Man and a Woman", "The Wanderer", live versions of "The Fly", and "Window in the Skies".

The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug". He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday). He also does a solo version of the song "Love is Blindness" that is featured in the documentary DVD "From the Sky Down".

Other instruments

He has played piano and keyboards on many of the band's songs, including "I Fall Down", "October", "So Cruel", "New Year's Day", "Running to Stand Still", "Miss Sarajevo", "The Hands that Built America", and "Original of the Species" and others. He plays the organ on "Please". In live versions of "New Year's Day", "The Unforgettable Fire", "Your Blue Room", and "Moment of Surrender", he plays both the piano and guitar parts alternately. In most live versions of "Original of the Species," piano is the only instrument played during the song.

Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.

Solo recordings

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jay-Z, and Rihanna.

The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film ''Captive'' (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.

He also created the theme song for season one and two of ''The Batman''. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film ''GoldenEye''. The Edge, along with fellow bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled ''Rise Above 1: Reeve Carney Featuring Bono and The Edge'' was released digitally. The music video was released on July 28, 2011.

Musical equipment

The Edge plays electric guitar, acoustic guitar, keyboards, piano, bass guitar (on "40" and "Race Against Time") and lap steel guitar.

Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.

Philanthropy

In 2005, The Edge along with Bob Ezrin and Henry Juszkiewicz co-founded Music Rising, a charity that helped provide replacement instruments for those that were lost in Hurricane Katrina. The instruments were originally only replaced for professional musicians but they soon realized the community churches and schools needed instruments as well. The charity's slogan is "Rebuilding the Gulf Region note by note" and has so far helped over a hundred musicians who were affected by Hurricane Katrina. The Edge also serves on the board of the Angiogenesis Foundation, a 501(c)(3) nonprofit organization dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.

See also

List of people on stamps of Ireland

Timeline of U2

References

;Footnotes

;Bibliography

External links

U2.com, official U2 site

Music Rising

The Edge – Album Credits

A Study of The Edge's Guitar Delay

The Edge: 'It's all about the vision'

Food Bank For New York City public service announcement

Comment on the mathematical analysis of The Edge's guitar sound

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Coordinates	20°34′00″N103°40′35″N
Name	Tony Bennett
Background	solo_singer
Birth name	Anthony Dominick Benedetto
Born	August 03, 1926Astoria, Queens, New York, U.S.
Genre	Traditional popJazz
Years active	1949–present
Occupation	Singer
Label	Columbia MGM Improv Legacy Recordings
Website	Official website }}

Tony Bennett (born Anthony Dominick Benedetto; August 3, 1926) is an American singer of popular music, standards, show tunes, and jazz.

Raised in New York City, Bennett began singing at an early age. He fought in the final stages of World War II as an infantryman with the U.S. Army in the European Theatre. Afterwards, he developed his singing technique, signed with Columbia Records, and had his first number one popular song with "Because of You" in 1951. Several top hits such as "Rags to Riches" followed in the early 1950s. Bennett then further refined his approach to encompass jazz singing. He reached an artistic peak in the late 1950s with albums such as ''The Beat of My Heart'' and ''Basie Swings, Bennett Sings''. In 1962, Bennett recorded his signature song, "I Left My Heart in San Francisco". His career and his personal life then suffered an extended downturn during the height of the rock music era.

Bennett staged a remarkable comeback in the late 1980s and 1990s, putting out gold record albums again and expanding his audience to the MTV Generation while keeping his musical style intact. He remains a popular and critically praised recording artist and concert performer in the 2000s. Bennett has won fifteen Grammy Awards, two Emmy Awards, been named an NEA Jazz Master and a Kennedy Center Honoree. He has sold over 50 million records worldwide. Bennett is also a serious and accomplished painter, creating works under the name Benedetto that are on permanent public display in several institutions. He is also the founder of Frank Sinatra School of the Arts in Astoria, Queens.

Early life

Anthony Benedetto was born in Astoria, Queens, New York City, the son of Ann (née Suraci) and John Benedetto. His father was a grocer who had emigrated from Podàrgoni, a rural eastern district of the southern Italian city of Reggio Calabria, and his mother was a seamstress. With two other children and a father who was ailing and unable to work, the siblings grew up in poverty. John Benedetto died when Anthony was 10 years old.

Young "Tony" Benedetto grew up listening to Al Jolson, Eddie Cantor, Judy Garland and Bing Crosby as well as jazz artists such as Louis Armstrong, Jack Teagarden and Joe Venuti. An uncle was a tap dancer in vaudeville, giving him an early window into show business. By age 10 he was already singing, and performed at the opening of the Triborough Bridge. Drawing and caricatures were also an early passion of his. He attended New York's High School of Industrial Art where he was studying painting and music, but dropped out at age 16 to help support his family. He worked as a copy boy and runner for the Associated Press in Manhattan. But mostly he set his sights on a professional singing career, performing as a singing waiter in several Italian restaurants around the borough of Queens.

World War II and after

Benedetto was drafted into the United States Army in November 1944, during the final stages of World War II. He did basic training at Fort Dix and Fort Robinson as part of becoming an infantry rifleman. Benedetto ran afoul of a sergeant from the South who disliked the Italian from New York City and heavy doses of KP duty or BAR cleaning resulted. Processed through the huge Le Havre replacement depot, in January 1945, he was assigned as a replacement infantryman to 255th Infantry Regiment of the 63rd Infantry Division, a unit filling in for the heavy losses suffered in the Battle of the Bulge. He moved across France, and later, into Germany. As March 1945 began, he joined the front line and what he would later describe as a "front-row seat in hell."

As the German Army was pushed back to their homeland, Benedetto and his company saw bitter fighting in cold winter conditions, often hunkering down in foxholes as German 88 mm guns fired on them. At the end of March, they crossed the Rhine and entered Germany, engaging in dangerous house-to-house, town-after-town fighting to clean out German soldiers; during the first week of April, they crossed the Kocher River, and by the end of the month reached the Danube. During his time in combat, Benedetto narrowly escaped death several times. The experience made him a patriot and also a pacifist; he would later write, "Anybody who thinks that war is romantic obviously hasn't gone through one." At the war's conclusion he was involved in the liberation of a Nazi concentration camp near Landsberg, where some American prisoners of war from the 63rd Division had also been held.

Benedetto stayed in Germany as part of the occupying force, but was assigned to an informal Special Services band unit that would entertain nearby American forces. His dining with a black friend from high school – at a time when the Army was still segregated – led to his being demoted and reassigned to Graves Registration Service duties. Subsequently, he sang with the 314th Army Special Services Band under the stage name Joe Bari (a name he had started using before the war, chosen after the city and province in Italy and as a partial anagram of his family origins in Calabria). He played with many musicians who would have post-war careers.

Upon his discharge from the Army and return to the States in 1946, Benedetto studied at the American Theatre Wing on the GI Bill. He was taught the bel canto singing discipline, which would keep his voice in good shape for his entire career. He continued to perform wherever he could, including while waiting tables. Based upon a suggestion from a teacher at American Theatre Wing, he developed an unusual approach that involved imitating, as he sang, the style and phrasing of other musicians—such as that of Stan Getz's saxophone and Art Tatum's piano—helping him to improvise as he interpreted a song. He made a few recordings as Bari in 1949 for small Leslie Records, but they failed to sell.

In 1949, Pearl Bailey recognized Benedetto's talent and asked him to open for her in Greenwich Village. She had invited Bob Hope to the show. Hope decided to take Benedetto on the road with him, but suggested he use his real name simplified as Tony Bennett. In 1950, Bennett cut a demo of "Boulevard of Broken Dreams" and was signed to the major Columbia Records label by Mitch Miller.

First successes

Warned by Miller not to imitate Frank Sinatra (who was just then leaving Columbia), Bennett began his career as a crooner singing commercial pop tunes. His first big hit was "Because of You", a ballad produced by Miller with a lush orchestral arrangement from Percy Faith. It started out gaining popularity on jukeboxes, then reached #1 on the pop charts in 1951 and stayed there for 10 weeks, selling over a million copies. This was followed to the top of the charts later that year by a similarly-styled rendition of Hank Williams's "Cold, Cold Heart", which helped introduce Williams and country music in general to a wider, more national audience. The Miller and Faith tandem continued to work on all of Bennett's early hits. Bennett's recording of "Blue Velvet" was also very popular and attracted screaming teenaged fans at concerts at the famed Paramount Theater in New York (Bennett did seven shows a day, starting at 10:30 a.m.) and elsewhere.

On February 12, 1952, Bennett married Ohio art student and jazz fan Patricia Beech, whom he had met the previous year after a nightclub performance in Cleveland. Two thousand female fans dressed in black gathered outside the ceremony at New York's St. Patrick's Cathedral in mock mourning. Bennett and Beech would have two sons, D'Andrea (Danny, born around 1954) and Daegal (Dae, born around 1955).

A third #1 came in 1953 with "Rags to Riches". Unlike Bennett's other early hits, this was an up-tempo big band number with a bold, brassy sound and a double tango in the instrumental break; it topped the charts for eight weeks. Later that year the producers of the upcoming Broadway musical ''Kismet'' had Bennett record "Stranger in Paradise" as a way of promoting the show during a New York newspaper strike. The song reached the top, the show was a hit, and Bennett began a long practice of recording show tunes. "Stranger in Paradise" was also a #1 hit in the United Kingdom a year and a half later and started Bennett's career as an international artist.

Once the rock and roll era began in 1955, the dynamic of the music industry changed and it became harder and harder for existing pop singers to do well commercially. Nevertheless, Bennett continued to enjoy success, placing eight songs in the ''Billboard'' during the latter part of the 1950s, with "In the Middle of an Island" reaching the highest at #9 in 1957.

For a month in August–September 1956, Bennett hosted a NBC Saturday night television variety show, called ''The Tony Bennett Show'', as a summer replacement for ''The Perry Como Show''. Patti Page and Julius La Rosa had in turn hosted the two previous months, and they all shared the same singers, dancers, and orchestra. In 1959, Bennett would again fill in for ''The Perry Como Show'', this time alongside Teresa Brewer and Jaye P. Morgan as co-hosts of the summer-long ''Perry Presents.''

A growing artistry

In 1954, the guitarist Chuck Wayne became Bennett's musical director. Bennett released his first long-playing album in 1955, ''Cloud 7''. The album was billed as featuring Wayne and showed Benett's leanings towards jazz. In 1957, Ralph Sharon became Bennett's pianist and musical director, replacing Wayne. Sharon told Bennett that a career singing "sweet saccharine songs like 'Blue Velvet'" wouldn't last long, and encouraged Bennett to focus even more on his jazz inclinations.

The result was the 1957 album ''The Beat of My Heart''. It used well-known jazz musicians such as Herbie Mann and Nat Adderley, with a strong emphasis on percussion from the likes of Art Blakey, Jo Jones, Latin star Candido Camero, and Chico Hamilton. The album was both popular and critically praised. Bennett followed this by working with the Count Basie Orchestra, becoming the first male pop vocalist to sing with Basie's band. The albums ''Basie Swings, Bennett Sings'' (1958) and ''In Person!'' (1959) were the well-regarded fruits of this collaboration, with "Chicago" being one of the standout songs.

Bennett also built up the quality, and therefore, the reputation of his nightclub act; in this he was following the path of Sinatra and other top jazz and standards singers of this era. In June 1962, Bennett staged a highly-promoted concert performance at Carnegie Hall, using a stellar line-up of musicians including Al Cohn, Kenny Burrell, and Candido, as well as the Ralph Sharon Trio. The concert featured 44 songs, including favorites like "I've Got the World on a String" and "The Best Is Yet To Come". It was a big success, further cementing Bennett's reputation as a star both at home and abroad. Bennett also appeared on television, and in October 1962 he sang on the first night of the Johnny Carson ''The Tonight Show''.

Also in 1962, Bennett released the song "I Left My Heart in San Francisco". Although this only reached #19 on the , it spent close to a year on various other charts and increased Bennett's exposure. The album of the same title was a hit and both the single and album achieved gold record status. The song won Grammy Awards for Record of the Year and Best Male Solo Vocal Performance. Over the years, this would become known as Bennett's signature song. In 2001, it was ranked 23rd on an RIAA/NEA list of the most historically significant Songs of the 20th Century.

Bennett's following album, ''I Wanna Be Around'' (1963), was also a top-5 success, with the title track and "The Good Life" each reaching the of the pop singles chart along with the of the Adult Contemporary chart.

The next year brought The Beatles and the British Invasion, and with them still more musical and cultural attention to rock and less to pop, standards, and jazz. Over the next couple of years Bennett had minor hits with several albums and singles based on show tunes – his last top-40 single was the #34 "If I Ruled the World" from ''Pickwick'' in 1965 – but his commercial fortunes were clearly starting to decline. An attempt to break into acting with a role in the poorly received 1966 film ''The Oscar'' met with middling reviews for Bennett; he did not enjoy the experience and did not seek further roles.

A firm believer in the American Civil Rights movement, Bennett participated in the 1965 Selma to Montgomery marches. Years later he would continue this commitment by refusing to perform in apartheid South Africa.

Years of struggle

Ralph Sharon and Bennett parted ways in 1965. There was great pressure on singers such as Lena Horne and Barbra Streisand to record "contemporary" rock songs, and in this vein Columbia Records' Clive Davis suggested that Bennett do the same. Bennett was very reluctant, and when he tried, the results pleased no one. This was exemplified by ''Tony Sings the Great Hits of Today!'' (1970), before which Bennett became physically ill at the thought of recording. It featured misguided attempts at Beatles and other current songs and a ludicrous psychedelic art cover.

Years later Bennett would recall his dismay at being asked to do contemporary material, comparing it to when his mother was forced to produce a cheap dress. By 1972, he had departed Columbia for MGM Records, but found no more success there, and in a couple more years he was without a recording contract.

Bennett and his wife Patricia had been separated since 1965, their marriage a victim of Bennett's spending too much time on the road, among other factors. In 1971, their divorce became official. Bennett had been involved with aspiring actress Sandra Grant since filming ''The Oscar'', and on December 29, 1971 they married. They had two daughters, Joanna (born around 1969) and Antonia (born 1974), and moved to Los Angeles.

Taking matters into his own hands, Bennett started his own record company, Improv. He cut some songs that would later become favorites, such as "What is This Thing Called Love?", and made two well-regarded albums with jazz pianist Bill Evans, ''The Tony Bennett/Bill Evans Album'' (1975) and ''Together Again'' (1976), but Improv lacked a distribution arrangement with a major label and by 1977 it was out of business. A stint living in England, like other American jazz expatriates, did not change his fortunes.

As the decade neared its end, Bennett had no recording contract, no manager, and was not performing any concerts outside of Las Vegas. His second marriage was failing (they would completely separate in 1979, but not officially divorce until 2007). He had developed a drug addiction, was living beyond his means, and had the Internal Revenue Service trying to seize his Los Angeles home. He had hit bottom.

Turnaround

After a near-fatal cocaine overdose in 1979, Bennett called his sons Danny and Dae for help. "Look, I'm lost here," he told them. "It seems like people don't want to hear the music I make."

Danny Bennett, an aspiring musician himself, also came to a realization. The band Danny and his brother had started, Quacky Duck and His Barnyard Friends, had foundered and Danny's musical abilities were limited. However, he had discovered during this time that he did have a head for business. His father, on the other hand, had tremendous musical talent but was having trouble sustaining a career from it and had little financial sense. Danny signed on as his father's manager.

Danny got his father's expenses under control, moved him back to New York, and began booking him in colleges and small theaters to get him away from a "Vegas" image. After some effort, a successful plan to pay back the IRS debt was put into place. Tony Bennett had also reunited with Ralph Sharon as his pianist and musical director. By 1986, Tony Bennett was re-signed to Columbia Records, this time with creative control, and released ''The Art of Excellence''. This became his first album to reach the charts since 1972.

An unexpected audience

By the mid-1980s, the excesses of the disco, punk rock, and new wave eras had given many artists and listeners a greater appreciation for the classic American song. Rock stars such as Linda Ronstadt began recording albums of standards, and such songs began showing up more frequently in movie soundtracks and on television commercials.

Danny Bennett felt strongly that younger audiences, although completely unfamiliar with Tony Bennett, would respond to his music if only given a chance to see and hear it. More crucially, no changes to Tony's appearance (tuxedo), singing style (his own), musical accompaniment (The Ralph Sharon Trio or an orchestra), or song choice (generally the Great American Songbook) were necessary or desirable.

Accordingly, Danny began regularly to book his father on a show with a younger, hip audience, ''Late Night with David Letterman''. This was subsequently followed by appearances on ''Late Night with Conan O'Brien'', ''The Simpsons'', ''Muppets Tonight'', and various MTV programs. In 1993, Bennett played a series of benefit concerts organized by alternative rock radio stations around the country. The plan worked; as Tony later remembered, "I realized that young people had never heard those songs. Cole Porter, Gershwin – they were like, 'Who wrote that?' To them, it was different. If you're different, you stand out."

During this time, Bennett continued to record, first putting out the acclaimed look back ''Astoria: Portrait of the Artist'' (1990), then emphasizing themed albums such as the Sinatra homage ''Perfectly Frank'' (1992) and the Fred Astaire tribute ''Steppin' Out'' (1993). The latter two both achieved gold status and won Grammys for Best Traditional Pop Vocal Performance (Bennett's first Grammys since 1962) and further established Bennett as the inheritor of the mantle of a classic American great.

As Bennett was seen at ''MTV Video Music Awards'' shows side by side with the likes of the Red Hot Chili Peppers and Flavor Flav, and as his "Steppin' Out With My Baby" video received MTV airplay, it was clear that, as ''The New York Times'' said, "Tony Bennett has not just bridged the generation gap, he has demolished it. He has solidly connected with a younger crowd weaned on rock. And there have been no compromises."

The new audience reached its height with Bennett's appearance in 1994 on ''MTV Unplugged''. (He quipped famously on the show, "I've been unplugged my whole career.") Featuring guest appearances by rock and country stars Elvis Costello and k.d. lang (both of whom had a profound respect for the standards genre), the show attracted a considerable audience and much media attention. The resulting ''MTV Unplugged: Tony Bennett'' album went platinum and, besides taking the Best Traditional Pop Vocal Performance Grammy award for the third straight year, also won the top Grammy prize of Album of the Year. At age 68, Tony Bennett had come all the way back.

Painting

Tony Bennett's career as a painter, done under his real name of Benedetto, has also flourished. He followed up his childhood interest with serious training, work, and museum visits throughout his life. He sketches or paints every day, even of views out of hotel windows when he is on tour.

He has exhibited his work in numerous galleries around the world. He was chosen as the official artist for the 2001 Kentucky Derby, and was commissioned by the United Nations to do two paintings, including one for their 50th anniversary. His painting "Homage to Hockney" (for his friend David Hockney, painted after Hockney drew him) is on permanent display at the highly regarded Butler Institute of American Art in Youngstown, Ohio. His "Boy on Sailboat, Sydney Bay" is in the permanent collection at the National Arts Club in Gramercy Park in New York, as is his "Central Park" at the Smithsonian American Art Museum in Washington, D.C. His paintings and drawings have been featured in ''ARTnews'' and other magazines, and sell for as much as $80,000 apiece. Many of his works were published in the art book ''Tony Bennett: What My Heart Has Seen'' in 1996. In 2007, another book involving his paintings, ''Tony Bennett in the Studio: A Life of Art & Music'', became a best-seller among art books.

No retirement

Since his comeback, Bennett has financially prospered; by 1999, his assets were worth $15 to 20 million. He had no intention of retiring, saying "If you study the masters – Picasso, Jack Benny, Fred Astaire – right up to the day they died, they were performing. If you are creative, you get busier as you get older." Indeed, Bennett has continued to record and tour steadily, doing 100 to 200 shows a year. In concert Bennett often makes a point of singing one song (usually "Fly Me to the Moon") without any microphone or amplification, demonstrating to younger audience members the lost art of vocal projection. One show, ''Tony Bennett's Wonderful World: Live From San Francisco'', was made into a PBS special. Bennett also created the idea behind, and starred in the first of, the A&E; Network's popular ''Live By Request'' series, for which he won an Emmy Award. In addition to numerous television guest performances, Bennett has had cameo appearances as himself in films such as ''The Scout'', ''Analyze This'', and ''Bruce Almighty''. In 1998 he made an unlikely but successful appearance at a mud-soaked Glastonbury in an immaculate white suit and tie. Bennett also published ''The Good Life: The Autobiography of Tony Bennett'' in 1998.

A series of albums, often based on themes (Duke Ellington, Louis Armstrong, Billie Holiday, blues, duets) has met with good acceptance; Bennett has won seven more Best Traditional Pop Vocal Performance or Best Traditional Pop Vocal Album Grammys in the subsequent years, most recently for the year 2006. Bennett has sold over 50 million records worldwide during his career.

Accolades came to Bennett. For his contribution to the recording industry, Tony Bennett was given a star on the Hollywood Walk of Fame at 1560 Vine Street. Bennett was inducted into the Big Band and Jazz Hall of Fame in 1997, was awarded the Grammy Lifetime Achievement Award in 2001, and received a lifetime achievement award from the American Society of Composers, Authors, and Publishers (ASCAP) in 2002. In 2002, ''Q'' magazine named Tony Bennett in their list of the "50 Bands To See Before You Die". On December 4, 2005, Bennett was the recipient of a Kennedy Center Honor. Later, a theatrical musical revue of his songs, called ''I Left My Heart: A Salute to the Music of Tony Bennett'' was created and featured some of his best-known songs such as "I Left My Heart in San Francisco", "Because of You", and "Wonderful". The following year, Bennett was inducted into the Long Island Music Hall of Fame.

Bennett frequently donates his time to charitable causes, to the extent that he is sometimes nicknamed "Tony Benefit". In April 2002, he joined Michael Jackson, Chris Tucker and former President Bill Clinton in a fundraiser for the Democratic National Committee at New York's Apollo Theater. He has also recorded public service announcements for Civitan International. In the late 1980s, Bennett entered into a long-term romantic relationship with Susan Crow (born c. 1960), a former New York City schoolteacher. Together they founded Exploring the Arts, a charitable organization dedicated to creating, promoting, and supporting arts education. At the same time they founded (and named after Bennett's friend) the Frank Sinatra School of the Arts in Queens, a public high school dedicated to teaching the performing arts, which opened in 2001 and would have a very high graduation rate. It was a tribute in return, for in a 1965 ''Life'' magazine interview Sinatra had said that: :"For my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He's the singer who gets across what the composer has in mind, and probably a little more."

Danny Bennett continues to be Tony's manager while Dae Bennett is a recording engineer who has worked on a number of Tony's projects and who has opened Bennett Studios in Englewood, New Jersey. Tony's younger daughter Antonia is an aspiring jazz singer.

In August 2006, Bennett turned eighty years old. The birthday itself was an occasion for publicity, which then extended through the rest of the following year. ''Duets: An American Classic'' reached the highest place ever on the albums chart for an album by Bennett and garnered two Grammy Awards; concerts were given, including a high-profile one for New York radio station WLTW-FM; a performance was done with Christina Aguilera and a comedy sketch was made with affectionate Bennett impressionist Alec Baldwin on ''Saturday Night Live''; a Thanksgiving-time, Rob Marshall-directed television special ''Tony Bennett: An American Classic'' on NBC, which would win multiple Emmy Awards; receipt of the Billboard Century Award; and guest-mentoring on ''American Idol'' season 6 as well as performing during its finale. He received the United Nations High Commissioner for Refugees' Humanitarian Award. Bennett was awarded the National Endowment for the Arts Jazz Masters Award in 2006, the highest honor that the United States bestows upon jazz musicians.

On June 21, 2007, Bennett married long-time girlfriend Susan Crow in a private civil ceremony in New York that was witnessed by former Governor Mario Cuomo.

The year 2008 saw Bennett making two appearances on "New York State of Mind" with Billy Joel at the final concerts given at Shea Stadium, and in October releasing the album ''A Swingin' Christmas'' with The Count Basie Big Band, for which he made a number of promotional appearances at holiday time. In 2009, Bennett performed at the conclusion of the final Macworld Conference & Expo for Apple Inc., singing the "The Best Is Yet to Come" and "I Left My Heart In San Francisco" to a standing ovation, and later making his Jazz Fest debut in New Orleans. In February 2010, Bennett was one of over 70 artists singing on "We Are the World: 25 for Haiti", a charity single in aid of the 2010 Haiti earthquake. In October he performed "I Left My Heart in San Francisco" at AT&T; Park before the third inning of Game 1 of the 2010 World Series and sang "God Bless America" during the seventh-inning stretch. Days later he sang "America the Beautiful" at the Rally to Restore Sanity and/or Fear in Washington, D.C.

Regarding his choices in music, Bennett reiterated his artistic stance in a 2010 interview: :"I'm not staying contemporary for the big record companies, I don't follow the latest fashions. I never sing a song that's badly written. In the 1920s and '30s, there was a renaissance in music that was the equivalent of the artistic Renaissance. Cole Porter, Johnny Mercer and others just created the best songs that had ever been written. These are classics, and finally they're not being treated as light entertainment. This is classical music."

Awards and recognition

Bennett has won fifteen Grammy Awards, as follows (years shown are the year in which the ceremony was held and the award was given, not the year in which the recording was released):

Best Solo Vocal Performance, Male, 1963, "I Left My Heart in San Francisco"

Record of the Year, 1963, "I Left My Heart in San Francisco"

Best Traditional Pop Vocal Performance, 1993, ''Perfectly Frank''

Best Traditional Pop Vocal Performance, 1994, ''Steppin' Out''

Best Traditional Pop Vocal Performance, 1995, ''MTV Unplugged: Tony Bennett''

Album of the Year, 1995, ''MTV Unplugged: Tony Bennett''

Best Traditional Pop Vocal Performance, 1997, ''Here's to the Ladies''

Best Traditional Pop Vocal Performance, 1998, ''Tony Bennett on Holiday''

Best Traditional Pop Vocal Performance, 2000, ''Bennett Sings Ellington: Hot & Cool''

Lifetime Achievement Award, 2001

Best Traditional Pop Vocal Album, 2003, ''Playing with My Friends: Bennett Sings the Blues''

Best Traditional Pop Vocal Album, 2004, ''A Wonderful World'' (with k.d. lang)

Best Traditional Pop Vocal Album, 2006, ''The Art of Romance''

Best Traditional Pop Vocal Album, 2007, ''Duets: An American Classic''

Best Pop Collaboration with Vocals, 2007, "For Once in My Life" (with Stevie Wonder)

Bennett has won two Emmy Awards, as follows (years shown are the year in which the ceremony was held and the award was given, not the year in which the program aired):

Primetime Emmy Award for Individual Performance in a Variety or Music Program, 1996, ''Live by Request''

Primetime Emmy Award for Individual Performance in a Variety or Music Program, 2007, ''Tony Bennett: An American Classic''

Bennett has gained other notable recognition:

New York City's Bronze Medallion, 1969

Star on the Hollywood Walk of Fame

Inducted into the Big Band and Jazz Hall of Fame, 1997

Lifetime achievement award from the American Society of Composers, Authors, and Publishers, 2002 Kennedy Center Honoree, 2005 Inducted into the Long Island Music Hall of Fame

United Nations High Commissioner for Refugees Humanitarian Award, 2006

National Endowment for the Arts Jazz Masters Award, 2006

Works

Discography

Bennett has released over 70 albums during his career, with almost all being for Columbia Records. The biggest selling of these in the U.S. have been ''I Left My Heart in San Francisco'', ''MTV Unplugged: Tony Bennett'', and ''Duets: An American Classic'', all of which went platinum for shipping one million copies. Eight other albums of his have gone gold in the U.S., including several compilations. Bennett has also charted over 30 singles during his career, with his biggest hits all occurring during the early 1950s and none charting since 1967.

Books

Bennett, Tony. ''Tony Bennett: What My Heart Has Seen''. Rizzoli, 1996. ISBN 0-8478-1972-8.

Bennett, Tony, with Will Friedwald. ''The Good Life: The Autobiography Of Tony Bennett''. Pocket Books, 1998. ISBN 0-671-02469-8.

Bennett, Tony, with Robert Sullivan. ''Tony Bennett in the Studio: A Life of Art & Music''. Sterling Publishing, 2007. ISBN 1402747675.

See also

List of best selling music artists

References

External links

Official Tony Bennett music website

Official Tony Bennett art website

Legacy Records Tony Bennett website

Exploring the Arts website

Official Antonia Bennett music website

The Tony Bennett MySpace Page

Category:1926 births Category:Living people Category:American military personnel of World War II Category:American crooners Category:American jazz singers Category:American male singers Category:American painters Category:American pop singers Category:Emmy Award winners Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:MusiCares Person of the Year Honorees Category:American jazz musicians of Italian descent Category:Kennedy Center honorees Category:People from Astoria, Queens Category:Traditional pop music singers Category:Columbia Records artists Category:Concord Records artists Category:Musicians from New York

da:Tony Bennett de:Tony Bennett et:Tony Bennett es:Tony Bennett fa:تونی بنت fo:Tony Bennett fr:Tony Bennett gl:Tony Bennett it:Tony Bennett pam:Tony Bennett nl:Tony Bennett ja:トニー・ベネット no:Tony Bennett pl:Tony Bennett pt:Tony Bennett ro:Tony Bennett ru:Тони Беннетт fi:Tony Bennett sv:Tony Bennett tl:Tony Bennett th:โทนี เบนเนต tr:Tony Bennett

Coordinates	20°34′00″N103°40′35″N
name	Colby O'Donis
birth date	March 14, 1989
origin	Jackson Heights, Queens, New York, United States
genre	Pop rock, soul, hip hop, R&B;
occupation	Singer-songwriter, actor, guitarist, pianist, dancer
years active	1999–Present
label	Kon Live Distribution Geffen RecordsMotown Records
associated acts	Akon, Kardinal Offishall, Lady Gaga
website
background	solo_singer }}

Colby O'Donis (born Colby O'Donis Colón; March 14, 1989) is an American-Puerto Rican pop and R&B; singer-songwriter, guitarist, producer and actor. In 2008, he released his debut album ''Colby O'', and his single "What You Got" featuring Akon reached #14 on the Billboard Hot 100. He featured on "Just Dance" by Lady Gaga, which spent almost five months on the Billboard Hot 100.

Early life

O'Donis was born in New York City, USA to Puerto Rican parents. His mother, Olga, is a singer once crowned Miss Puerto Rico, and his father, Freddy Colón, is a New York disc jockey. He was named after Colby O'Donis, a firefighter who was killed while saving his father's life. O'Donis took first place at a talent show by singing a Michael Jackson song when he was only three and a half.

Music career

When he was eight, O'Donis' parents had relocated to Florida, where he began collaborating with the group Full Force, which was responsible for numerous hits by the Backstreet Boys, Lisa Lisa and Cult Jam, 'N Sync, and Britney Spears. Colby's rise to fame began at ten, when he became the youngest recording artist ever signed to Motown Records, in order to do a song for a major motion picture soundtrack. The song, titled "Mouse in the House", was featured on the 1999 Stuart Little soundtrack. Soon after, he began taking guitar lessons with Johan Oiested, a musician in Carlos Santana’s rhythm section. At the age of eleven, he was making regular appearances as an actor on the television series ''Grandpa's Garage''. and by the time he had reached fourteen, Colby was opening shows for major recording artists, including JoJo, A-Teens, Hoku, S Club 7, Jump5, B-5, Backstreet Boys, Brian McKnight, 98° and 'N Sync. Shortly after his fifteenth birthday, Colby's parents made the decision to relocate They moved to Los Angeles, and pursued a recording deal using Colby’s 100+ song catalog. After this move, Colby was introduced to Genuine Music Group, where he began collaborating on producing an LP album consisting of songs from his catalog and songs co-written by producers Damon Sharpe (J-Lo, Ginuwine, Kelly Rowland, Anastacia), Gregg Pagani (Babyface, Musiq Soulchild, 3LW), Brion James, Manuel Seal, Jr. (Mariah Carey, Usher, Mary J. Blige) and multi-platinum recording artist Justin Timberlake. Colby also performed in California, opening shows for Keyshia Cole, 112, Montell Jordan, Daddy Yankee, Omarion, Don Omar, Brandy, Akon, Rihanna, Bobby Valentino, Ne-Yo and Lil Wayne. During this time, he was briefly featured on an episode of Nickelodeon's Ned's Declassified School Survival Guide as Nelson Duckworth.

Colby O (2008–present)

Colby's first single, "What You Got" featuring Akon, was released on February 26, 2008, and his second single, titled "Don't Turn Back", was released on June 24, 2008. Both singles were released for digital download via iTunes, and are featured on his debut album, ''Colby O''. O'Donis was also featured on Lady Gaga's debut single, "Just Dance", earning him a nomination for Best Dance Recording at the 50th Grammy Awards. In 2009, he won Best Dance Recording at the Teen Choice Awards with Lady Gaga. He also has a performed a duet with Brooke Hogan entitled "Hey Yo!". His most recent single 'What Are You Waiting For' in collaboration with Malaysian artiste Mizz Nina has received extensive airplay in Malaysia and other South East Asian countries.

Discography

Awards and nominations

! Year	! Association	! Category	! Result
	Grammy Awards	Best Dance Recording - "Just Dance" (with Lady Gaga & Colby O'Donis)
American Latino Awards	Favorite Newcomer
Teen Choice Awards	Choice Music Hook-Up - "Just Dance" (with Lady Gaga & Colby O'Donis)

References

Category:1989 births Category:American male singers Category:American people of Puerto Rican descent Category:American pop singers Category:American singers Category:Songwriters from New York Category:Living people Category:People from Queens

de:Colby O’Donis es:Colby O'Donis fr:Colby O'Donis ko:콜비오도니스 id:Colby O'Donis it:Colby O'Donis sw:Colby O'Donis hu:Colby O’Donis nl:Colby O'Donis no:Colby O'Donis pl:Colby O'Donis pt:Colby O'Donis fi:Colby O’Donis sv:Colby O'Donis tr:Colby O'Donis vi:Colby O'Donis

Coordinates	20°34′00″N103°40′35″N
bgcolour	orange
name	Nicola Formichetti
birth date	May 31, 1977
birth place	Tokyo, Japan
field	fashion direction, editing, design,creative direction, art direction
awards	2010 Isabella Blow Award
website	}}

Nicola Formichetti (; born 31 May 1977) is an internationally prolific fashion director and fashion editor of mixed Italian and Japanese heritage. He is most widely known as the new creative director for the French fashion house MUGLER, and for being a frequent collaborator with singer-songwriter and performance artist Lady Gaga. Formichetti is also known as fashion director of ''Vogue Hommes Japan'', is a contributing editor of several other fashion magazines, and is fashion director for the clothing company Uniqlo. In November 2010 he was named one of the "most influential creative forces working in fashion today." The following month he was awarded the Isabella Blow Award for Fashion Creator at the 2010 British Fashion Awards.

Early life

The son of a Japanese stewardess and an Italian pilot, Formichetti was born in Japan and grew up in Rome and Tokyo, attempting to assimilate in both cultures. As a child he trained as a classical pianist (and still plays for relaxation). But moving to London became his great desire and he used the excuse of attending an architecture school to which he was accepted in order to get there. Formichetti has explained that instead of attending he "literally walked in the front door of the architecture school and then ran out of the back one to go clubbing for three years." He became a student of the nightlife and street fashions, and began working at a fashionable boutique called 'The Pineal Eye' where he would become art director and head buyer for two years.

Career

While working at 'The Pineal Eye' Formichetti was spotted by fashion editor Katy England and she offered him a monthly page at ''Dazed & Confused'' called "Eye Spy," and after being named the magazine's fashion director in 2005 would eventually be promoted to become its creative director 2008. His work at ''Dazed & Confused'' led to other fashion magazines, including ''V'', ''Another Magazine'', ''Arena Homme +'', and ''Harper's Bazaar USA''. Among fashion designers he has worked with Kim Jones, collaborating with him on his collections and shows, and has worked with fashion houses such as Dolce & Gabbana, Alexander McQueen, Gareth Pugh, Carri "Cassette Playa" Mundane, Prada, Missoni, Iceberg, and brands such as Nike, Umbro, Puma, Stussy, Topman, H&M;, and Edwin. Among fashion photographers Formichetti has worked with Nick Knight, Hedi Slimane, Terry Richardson, Steven Klein, and Oliviero Toscani, as well as others.

Lady Gaga

2009-2010

His collaboration with Lady Gaga as her stylist, or more appropriately fashion director, began in early May 2009 at a shoot with photographer Sebastian Faena for the July 2009 issue of ''V Magazine'' (''V60''), Formichetti saying that "It was an instant love." This was soon followed by a cover shoot for ''V61'' (September issue) with Mario Testino. The following June he was fashion director for her performance at the 2009 MuchMusic Video Awards, and following that for the majority of Lady Gaga's important performances and appearances in the second half of 2009, including at the 2009 MTV Video Music Awards in September, where she appeared in four dresses by Jean-Paul Gaultier and one by Alexander McQueen, then on ''Saturday Night Live'' in October, where she appeared in a metal orb structure designed by Nazir Mazhar, and later at the Royal Variety Performance in December, where she appeared in a latex dress, by Atsuko Kudo, designed to resemble those worn by Elizabeth I of England, for Gaga's introduction to her namesake Elizabeth II. In the fall she also appeared in the third volume of ''Vogue Hommes Japan'', the editorial titled "Lady Gaga & Araki's Tokyo Love" shot by Nobuyoshi Araki, with the fashion direction naturally by Formichetti. Their first collaboration in a music video together, the immensely successful Bad Romance, directed by Francis Lawrence, would later be voted Video of the Year and then win the Grammy Award for Best Short Form Music Video. In this Gaga appears in several outfits and footwear by Alexander McQueen, reappears in the orb by Nazir Mazhar, as well as in a "diamond crown" outfit by Franc Fernandez, and one by her creative team, the "Haus of Gaga" itself, among other pieces. Formichetti is also credited as stylist for her album ''The Fame Monster'' (shot by Hedi Slimane), and has been fashion director for her sold-out The Monster Ball Tour.

2010

In late January 2010 he was stylist/fashion director for Lady Gaga's music video Telephone, directed by Jonas Åkerlund, which was later released in March. Immediately after this video was filmed came her appearance at the 52nd Grammy Awards (where Gaga performed with Elton John), for which Formichetti was also fashion director. In February he was again for her appearance at the 2010 BRIT Awards, where she dedicated her performance to their friend Alexander McQueen, who had committed suicide only five days earlier. Following their collaboration for several more appearances and performances over the next months came Formichetti's styling for her video Alejandro, directed by his collaborator in the past Steven Klein, and for the associated cover shoot by Terry Richardson for the mid-July issue of ''Rolling Stone''. Her ''American Idol'' performance of "Alejandro" in early May was also styled by Formichetti. Among other projects, next came the styling for Richardson's shoot of Gaga (in a meat bikini) and Nick Knight's shoot of model Jo Calderone (Gaga in "drag") for the fifth volume of ''Vogue Hommes Japan''. Around the same time Richardson shot Gaga as styled by Formichetti for the company Supreme NYC, but the shoot would wait until 2011 to be released both in the Supreme ad campaign and in the French magazine ''Purple''. Knight then photographed her again, styled by Formichetti, for the upcoming September issue of ''Vanity Fair''. In August the three would appear yet again in collaboration for the 30th birthday issue of the magazine ''i-D'' (the shoot itself actually dating from 2009), Formichetti also giving a short interview for the Gaga piece following hers. Then in September came her celebrated appearance, for which he did the styling, at the 2010 MTV Video Music Awards, where she wore (among other outfits) the famous "meat dress" by Franc Fernandez. Also in September the Fall issue of ''V Magazine'' (''V67'') appeared on newsstands, with Gaga, styled by Formichetti and shot by Mario Testino, on the cover with Marc Jacobs.

At the end of 2010 she was named Best-Dressed of the Year by ''Vogue''.

2011

After several months largely out of the spotlight (except on tour) Gaga returned in January 2011 to begin the serious promotion for her upcoming album ''Born This Way'' and Formichetti has been fashion director for the project. The music video for the title track "Born This Way" was directed later in January by Nick Knight, with Formichetti responsible for the styling. In February came her performance at the 53rd Grammy Awards where they collaborated with designer Hussein Chalayan on her appearance and performance. Gaga, interested in the concept of rebirth, sent Formichetti a picture of a human embryo, and he was first inspired to create, as he told her, "egg [shaped] shoes—like you were born that way, with eggs as feet." She took the idea further, resulting in the egg or "vessel" (designed by Chalayan) in which she was carried down the red carpet and later onto the stage, hatching out in a yolk-coloured latex outfit to perform her new single "Born This Way". She was wearing, as he tweeted, "Mugler by Nicola Formichetti." A "Born This Way"-associated shoot called "Alien Excess" done in January by photographer Mariano Vivanco for the Spring 2011 (March) issue of ''i-D'' features Gaga in a latex coat from the new Mugler menswear collection, with Formichetti responsible for the styling. A shot from the same session with Vivanco, but with different styling, also by Formichetti, appeared on the cover of ''Billboard'' in February.

He has also done Gaga's styling (shot by Nick Knight) for her as spokesperson for the MAC VIVA GLAM Campaign of the MAC AIDS Fund. A new project called "The Masterpiece" has been announced in which Formichetti will collaborate with her for MAC to create a "wearable piece of art" composed of the profile photos of fans who join the campaign.

MUGLER

After months of rumours, in September 2010 Formichetti was announced as the new creative director for the Parisian fashion house founded by the celebrated designer Thierry Mugler (who has largely retired from the business), which he has renamed to MUGLER. He has said that it was in fact Lady Gaga who persuaded him to go for the job, when they were looking through pieces from the Mugler archive when shooting the video for "Telephone". At MUGLER Formichetti oversees designers Sébastien Peigné for womenswear and Romain Kremer for menswear. Joël Palix, director general of the company, said "We were looking for a young talent who could really bring energy to the brand... Nicola is a multiculural, techno-savvy expert involved in fashion, communication, image and entertainment. He and the appointed talented designers will represent a new direction for French fashion."

Menswear

The menswear, a collaboration with Romain Kremer, of Formichetti's debut (Fall/Winter) collection "Anatomy of Change" premiered during the Men's Paris fashion week on 19 January 2011. This was accompanied by a video shot by Mariano Vivanco, featuring Formichetti's new muse, the full-body tattooed Canadian model Rick Genest, and by a remix by Lady Gaga, as musical director for the menswear project, of a new track ("Scheiße") from her upcoming album ''Born This Way''. The clothes, worn by Rico Genest and other models on the runway, recall those by Mugler himself from earlier decades, in such ways as the use of the colours navy blue and bright orange, or "hyper-modern"-style jackets lacking lapels. The collection also features some not-so-conventional latex pieces such as biker jackets, gloves, and even latex trousers. On the overall vision, Cathy Horyn of ''The New York Times'' describes Formichetti creating a "mechanical man" in the tradition of Mugler's fantastical woman, yet Adam Tschorn of the ''Los Angeles Times'' found plenty of the pieces surprisingly wearable. Formichetti himself says on the collection "I want to say something that has the past and the future, but what is really important to me is the present." Returning to Rico Genest, it was his discovery by Formichetti and then Gaga's urging which actually resulted in the menswear show, something not originally planned. Genest's discovery also influenced the collection itself. The show was streamed live from Paris on the Internet.

Genest can be seen styled in MUGLER by Formichetti and shot by Mariano Vivanco in the sixth volume of ''Vogue Hommes Japan'', the editorial being titled "Hard To Be Passive". In the Spring/Summer 2011 issue of ''GQ Style'' (UK) Formichetti is interviewed on the future of the brand, with Genest (also interviewed) shot in MUGLER by Karim Sadli for the editorial.

Womenswear

On March 2 the womenswear, a collaboration with Sébastien Peigné, premiered. Lady Gaga was again musical director, previewing the track "Government Hooker" from her upcoming album as well as including the already released title track "Born This Way" in the soundtrack. But this time she actually performed on the runway in person for Formichetti's show, modelling pieces from his collection, called "Anatomy of Change Femme – Mode Sans Frontiers." Additionally, Rick Genest from the menswear collection made a reappearance on the runway among the models. The reaction of critics to the clothes was generally similar to their reaction to the menswear two months previously. Formichetti offers a silhouette in the Mugler tradition, "minimally rendered" as described by Cathy Horyn, and with sculptured shoulders (for the appropriate pieces), Alex Fury of SHOWstudio.com describing them as "architectonic". For the show Formichetti employed Rein Vollenga to contribute sculptural elements to the silhouette, Atsuko Kudo skin-like items of torn-up latex, and Franc Fernandez for Gaga's two hats. She herself gave input for the collection, associated with her ''Born This Way'' projects and performances, but is not financially involved with Formichetti's MUGLER. As he says, "It's just friends helping each other... I think when you start talking about money, it stops the whole creative process for me."

Although there was worry it might, Gaga's appearance did not prevent Formichetti's audience from noticing the clothes, variously described as "shiny and sexy", and "taut and futuristic", or like the menswear "surprisingly wearable", in particular the jackets and dresses. He chose to go mainly with the colours black, white, electric/royal blue, and beige. The set he designed for the show was composed of clustered columns from which rose arches to form a structure resembling the long central interior of a Gothic Cathedral, the nave and its flanking aisles, through which the models, Genest and finally Gaga strutted. While it was found by critics among Formichetti's audience who were physically present at the show that both the architecture and lighting made it difficult to properly see the collection, the performance was as much or more for the millions around the world watching it streamed live on the Internet, like the menswear collection, but this time on the brand's Facebook page, and featuring forty five minutes live behind the scenes preshow. In fact he believes the future of the brand is a digital one, Formichetti saying "I design digitally, I communicate digitally, and I live digitally, and I wanted to incorporate that into the brand." For him Gaga's performance fits in the "new Mugler world", a "fantasy world" fusion of high fashion and pop with an existence both real and digital. The performance continued with her wearing a leopard print see-through catsuit from his collection out on a Paris street and into the celebrated restaurant Maxim's for the afterparty.

Vogue Hommes Japan

Uniqlo

MAC

In addition to his collaboration with Lady Gaga for the MAC VIVA GLAM Campaign, Formichetti has styled Irina Lazareanu, shot by Miles Aldridge, for MAC's ''Quite Cute'' collection.

Philosophy and influence

In the fifth volume of ''Vogue Hommes Japan'', Lady Gaga had the following to say about what she and Formichetti desire for the future of fashion:

Formichetti has repeatedly declared he is "not an elitist" in fashion, instead wanting to share what he does with everyone, using the Internet for this purpose. Like Gaga, who has inspired him to do so, he also interacts with and is inspired by his followers, and usually works in collaboration with others. He sees himself not as a "stylist", which term he rejects, but rather as an art director "whose job it is to create moods, oversee an overall image." As he further told ''Vice'':

His influence is varied. Before his MUGLER collections even premiered he was ranked the most influential stylist in the world (even if he dislikes the term), in no small part because of the enormous volume of his fashion magazine work, including making ''Vogue Hommes Japan'' "the most powerful Japanese-language publication in the global fashion industry", and because of his consulting for a number of fashion houses and other brands. It is with and through Lady Gaga as her fashion director, however, that Formichetti's influence on culture is greatest. Previously the role and influence of stylists was more limited, and while others have become designers, he is the first to take control of a major fashion house, interpreted as the most prominent example of a stylist becoming a power broker within the industry. Formichetti's eclectic selection for the avant-garde Gaga of pieces from designers ranging vastly from the great, such as Giorgio Armani, to the obscure, has influenced what has been described as a "cultural phenomenon" of imitation, extending even into "provincial backwaters".

He frequently meets and is very hopeful for many younger talents who are interested in fashion today.

References

External links

Official Website

Blog (for fashion credits)

MUGLER

Vogue Hommes Japan

Uniqlo

VivaGlam

Models.com

Gaga Fashionland (in-depth fashion credits and interviews)

Category:1977 births Category:People of Italian descent Category:People of Japanese descent Category:Magazine editors Category:People in fashion Category:Costume designers Category:Lady Gaga Category:Living people

id:Nicola Formichetti it:Nicola Formichetti mk:Никола Формичети