name | Chuck Berry |
---|---|
birth name | Charles Edward Anderson Berry |
background | solo_singer |
born | October 18, 1926St. Louis, Missouri, U.S. |
instrument | Guitar, vocals |
genre | Rock and roll, blues, |
occupation | Musician, songwriter |
years active | 1955–present |
label | Chess, Mercury, Atco |
website | www.chuckberry.com |
notable instruments | Gibson ES-355 }} |
Born into a middle class family in St. Louis, Missouri, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student he served a prison sentence for armed robbery between 1944 and 1947. On his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of blues player T-Bone Walker, he was performing in the evenings with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955, and met Muddy Waters, who suggested he contact Leonard Chess of Chess Records. With Chess he recorded "Maybellene"—Berry's adaptation of the country song "Ida Red"—which sold over a million copies, reaching #1 on Billboard's Rhythm and Blues chart. By the end of the 1950s, Berry was an established star with several hit records and film appearances to his name as well as a lucrative touring career. He had also established his own St. Louis-based nightclub, called Berry's Club Bandstand. But in January 1962, Berry was sentenced to three years in prison for offenses under the Mann Act—he had transported a 14-year-old girl across state lines.
After his release in 1963, Berry had several more hits, including "No Particular Place To Go", "You Never Can Tell", and "Nadine", but these did not achieve the same success, or lasting impact, of his 1950s songs, and by the 1970s he was more in demand as a nostalgic live performer, playing his past hits with local backup bands of variable quality. His insistence on being paid cash led to a jail sentence in 1979—four months and community service for tax evasion.
Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986, with the comment that he "laid the groundwork for not only a rock and roll sound but a rock and roll stance." Berry is included in several ''Rolling Stone'' "Greatest of All Time" lists, including being ranked fifth on their 2004 list of the 100 Greatest Artists of All Time. The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll included three of Chuck Berry's songs: "Johnny B. Goode", "Maybellene", and "Rock and Roll Music". Today – at the age of – Berry continues to play live.
After his release from prison on his 21st birthday in 1947, Berry married Themetta "Toddy" Suggs on 28 October 1948, who gave birth to Darlin Ingrid Berry on 3 October 1950. Berry supported his family doing a number of jobs in St. Louis: working briefly as a factory worker at two automobile assembly plants, as well as being janitor for the apartment building where he and his wife lived. Afterwards he trained as a beautician at the Poro College of Cosmetology, founded by Annie Turnbo Malone. He was doing well enough by 1950 to buy a "small three room brick cottage with a bath" in Whittier Street, which is now on the National Register of Historic Places.
By the early 1950s, Berry was working with local bands in the clubs of St. Louis as an extra source of income. He had been playing the blues since his teens, and he borrowed both guitar riffs and showmanship techniques from blues player T-Bone Walker, as well as taking guitar lessons from his friend Ira Harris that laid the foundation for his guitar style. By early 1953 Berry was performing with Johnnie Johnson's trio, starting a long-time collaboration with the pianist. Although the band played mostly blues and ballads, the most popular music among whites in the area was country. Berry wrote, "Curiosity provoked me to lay a lot of our country stuff on our predominantly black audience and some of our black audience began whispering 'who is that black hillbilly at the Cosmo?' After they laughed at me a few times they began requesting the hillbilly stuff and enjoyed dancing to it."
Berry's calculated showmanship, along with mixing country tunes with R&B; tunes, and singing in the style of Nat "King" Cole to the music of Muddy Waters, brought in a wider audience, particularly affluent white people.
At the end of June 1956, his song "Roll Over Beethoven" reached #29 on the ''Billboard Top 100'' chart, and Berry toured as one of the "Top Acts of '56". He and Carl Perkins became friends. Perkins said that "I knew when I first heard Chuck that he'd been affected by country music. I respected his writing; his records were very, very great." As they toured, Perkins discovered that Berry not only liked country music, but knew about as many songs as he did. Jimmie Rodgers was one of his favorites. "Chuck knew every Blue Yodel and most of Bill Monroe's songs as well," Perkins remembered. "He told me about how he was raised very poor, very tough. He had a hard life. He was a good guy. I really liked him."
In late 1957, Berry took part in Alan Freed's "Biggest Show of Stars for 1957" United States tour with the Everly Brothers, Buddy Holly, and others. He also guest starred on ABC's ''The Guy Mitchell Show'', having sung his hit song "Rock 'n' Roll Music". The hits continued from 1957 to 1959, with Berry scoring over a dozen chart singles during this period, including the top 10 US hits "School Days", "Rock and Roll Music", "Sweet Little Sixteen", and "Johnny B. Goode". He appeared in two early rock and roll movies. The first was ''Rock Rock Rock,'' released in 1956. He is shown singing "You Can't Catch Me." He had a speaking role as himself in the 1959 film ''Go, Johnny, Go!'' along with Alan Freed, and was also shown performing his songs "Johnny B. Goode," "Memphis, Tennessee," and "Little Queenie." His performance of "Sweet Little Sixteen" at the Newport Jazz Festival in 1958 is captured in the motion picture ''Jazz on a Summer's Day''.
By the end of the 1950s, Berry was an established star with several hit records and film appearances to his name, as well as a lucrative touring career. He had established a racially integrated St. Louis-based nightclub, called Berry's Club Bandstand, and was investing in real estate. But in December 1959, Berry was arrested under the Mann Act after an allegation that he had sex with a 14-year-old Apache waitress whom he had transported over state lines to work as a hat check girl at his club. After an initial two-week trial in March 1960, Berry was convicted, fined $5,000, and sentenced to five years in prison. Berry's appeal that the judge's comments and attitude were racist and prejudiced the jury against him was upheld, and a second trial was heard in May and June 1961, which resulted in Berry being given a three-year prison sentence. After another appeal failed, Berry served one and one half years in prison from February 1962 to October 1963. Berry had continued recording and performing during the trials, though his output had slowed down as his popularity declined; his final single released before being imprisoned was "Come On".
While this was not a successful period for studio work, Berry was still a top concert draw. In May 1964, he did a successful tour of the UK, though when he returned in January 1965 his behavior was erratic and moody, and his touring style of using unrehearsed local backing bands and a strict non-negotiable contract was earning him a reputation as a difficult yet unexciting performer. He also played at large events in North America, such as the Schaefer Music Festival in New York City's Central Park in July 1969, and the Toronto Rock and Roll Revival festival in October.
In the 1970s Berry toured on the basis of his earlier successes. He was on the road for many years, carrying only his Gibson guitar, confident that he could hire a band that already knew his music no matter where he went. Allmusic has said that in this period his "live performances became increasingly erratic, [...] working with terrible backup bands and turning in sloppy, out-of-tune performances" which "tarnished his reputation with younger fans and oldtimers" alike. Among the many bandleaders performing a backup role with Chuck Berry were Bruce Springsteen and Steve Miller when each was just starting his career. Springsteen related in the video ''Hail! Hail! Rock 'n' Roll'' that Berry did not even give the band a set list and just expected the musicians to follow his lead after each guitar intro. Berry neither spoke to nor thanked the band after the show. Nevertheless, Springsteen backed Berry again when he appeared at the concert for the Rock and Roll Hall of Fame in 1995. At the request of Jimmy Carter, Chuck Berry performed at the White House on June 1, 1979.
Berry's type of touring style, traveling the "oldies" circuit in the 1970s (where he was often paid in cash by local promoters) added ammunition to the Internal Revenue Service's accusations that Berry was a chronic income tax evader. Facing criminal sanction for the third time, Berry pleaded guilty to tax evasion and was sentenced to four months in prison and 1,000 hours of community service—doing benefit concerts—in 1979.
Berry continued to play 70 to 100 one-nighters per year in the 1980s, still traveling solo and requiring a local band to back him at each stop. In 1986, Taylor Hackford made a documentary film, ''Hail! Hail! Rock 'n' Roll'', of a celebration concert for Berry's sixtieth birthday, organised by Keith Richards, in which Berry reveals his bitterness at the fame and financial success that Richards achieved on the back of Berry's songs. Eric Clapton, Etta James, Julian Lennon, Robert Cray and Linda Ronstadt, among others, appeared with Berry on stage and film. During the concert, Berry played a Gibson ES-355, the luxury version of the ES-335 that he favored on his 1970s tours. Richards played a black Fender Telecaster Custom, Cray a Fender Stratocaster and Clapton a Gibson ES 350T, the same guitar Berry used on his early recordings.
In the late 1980s, Berry bought a restaurant in Wentzville, Missouri, called The Southern Air, and in 1990 he was sued by several women who claimed that he had installed a video camera in the ladies' bathroom. Berry claimed that he had the camera installed to catch red-handed a worker who was suspected of stealing from the restaurant. Though his guilt was never proven in court, Berry opted for a class action settlement with 59 women. Berry's biographer, Bruce Pegg, estimated that it cost Berry over $1.2 million plus legal fees. It was during this time that he began using Wayne T. Schoeneberg as his legal counsel. Reportedly, a police raid on his house did find videotapes of women using the restroom, and one of the women was a minor. Also found in the raid were 62 grams of marijuana. Felony drug and child-abuse charges were filed. In order to avoid the child-abuse charges, Berry agreed to plead guilty to misdemeanor possession of marijuana. He was given a six-month suspended jail sentence, two years' unsupervised probation, and ordered to donate $5,000 to a local hospital.
In November 2000, Berry again faced legal charges when he was sued by his former pianist Johnnie Johnson, who claimed that he co-wrote over 50 songs, including "No Particular Place to Go", "Sweet Little Sixteen" and "Roll Over Beethoven", that credit Berry alone. The case was dismissed when the judge ruled that too much time had passed since the songs were written.
Currently, Berry usually performs one Wednesday each month at Blueberry Hill, a restaurant and bar located in the Delmar Loop neighborhood in St. Louis. In 2008, Berry toured Europe, with stops in Sweden, Norway, Finland, the United Kingdom, the Netherlands, Ireland, Switzerland, Poland, and Spain. In mid-2008, he played at Virgin Festival in Baltimore, MD. He presently lives in Ladue, Missouri, approximately 10 miles west of St. Louis. During a New Year's Day 2011 concert in Chicago, Berry, suffering from exhaustion, passed out and had to be helped off stage.
A pioneer of rock music, Berry was a significant influence on the development of both the music and the attitude associated with the rock music lifestyle. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics successfully aimed to appeal to the early teenage market by using graphic and humorous descriptions of teen dances, fast cars, high-school life, and consumer culture, and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music. His records are a rich storehouse of the essential lyrical, showmanship and musical components of rock and roll; and, in addition to The Beatles and The Rolling Stones, a large number of significant popular-music performers have recorded Berry's songs. Though not technically accomplished, his guitar style is distinctive – he incorporated electronic effects to mimic the sound of bottleneck blues guitarists, and drew on the influence of guitar players such as Charlie Christian, and T-Bone Walker, to produce a clear and exciting sound that many later guitar musicians would acknowledge as a major influence in their own style. In the film ''Hail! Hail! Rock 'n' Roll!'' Eric Clapton states 'If you wanna play rock and roll - or any upbeat number - and you wanted to take a guitar ride you would end up playing like Chuck...because there is very little other choice. There's not a lot of other ways to play rock and roll other than the way Chuck plays it; he's really laid the law down..." In 1992 Keith Richards told ''Best of Guitar Player'' "Chuck was my man. He was the one who made me say 'I want to play guitar, Jesus Christ!'...Suddenly I knew what I wanted to do." Berry's showmanship has been influential on other rock guitar players, particularly his one-legged hop routine, and the "duck walk", which he first used as a child when he walked "stooping with full-bended knees, but with my back and head vertical" under a table to retrieve a ball and his family found it entertaining; he used it when "performing in New York for the first time and some journalist branded it the duck walk."
The rock critic Robert Christgau considers him "the greatest of the rock and rollers," while John Lennon said that "if you tried to give rock and roll another name, you might call it 'Chuck Berry'." Ted Nugent said "If you don't know every Chuck Berry lick, you can't play rock guitar." Among the honors he has received, have been the Grammy Lifetime Achievement Award in 1984, the Kennedy Center Honors in 2000, and being named seventh on ''Time'' magazine's 2009 list of the 10 best electric guitar players of all-time. On May 14, 2002, Chuck Berry was honored as one of the first BMI Icons at the 50th annual BMI Pop Awards. He was presented the award along with BMI affiliates Bo Diddley and Little Richard.
Berry is included in several ''Rolling Stone'' "Greatest of All Time" lists. In September 2003, the magazine named him number 6 in their list of the "100 Greatest Guitarists of All Time". This was followed in November of the same year by his compilation album ''The Great Twenty-Eight'' being ranked 21st in the Rolling Stone's 500 Greatest Albums of All Time. The following year, in March 2004, Berry was ranked fifth out of "The Immortals – The 100 Greatest Artists of All Time". In December 2004, six of his songs were included in the "Rolling Stone's 500 Greatest Songs of All Time", namely "Johnny B. Goode" (# 7), "Maybellene" (# 18), "Roll Over Beethoven" (# 97), "Rock and Roll Music" (#128), "Sweet Little Sixteen" (# 272) and "Brown Eyed Handsome Man" (# 374). In June 2008, his song "Johnny B. Goode" ranked first place in the "100 Greatest Guitar Songs of All Time".
A statue tall of Berry, funded by donations, has been erected along the St. Louis Walk of Fame. The dedication ceremony attended by Berry was held on July 29, 2011.
* Category:1926 births Category:Living people Category:African American guitarists Category:African American singer-songwriters Category:African American rock singers Category:American rock guitarists Category:American blues guitarists Category:American rhythm and blues guitarists Category:American male singers Category:American robbers Category:American rock singer-songwriters Category:American people convicted of tax crimes Category:Baptists from the United States Category:Blues Hall of Fame inductees Category:Chess Records artists Category:Grammy Lifetime Achievement Award winners Category:Kennedy Center honorees Category:Lead guitarists Category:Musicians from St. Louis, Missouri Category:People convicted of robbery Category:People convicted of violating the Mann Act Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:St. Louis blues musicians
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name | Keith Richards |
---|---|
background | solo_singer |
alias | Keith Richard |
born | December 18, 1943Dartford, Kent, England |
instrument | Guitar, Vocals, Bass guitar, Keyboards |
genre | Rock and rollBluesCountryBlues rockRhythm and blues |
occupation | MusicianSongwriterRecord producer |
years active | 1962–present |
label | DeccaRolling StonesVirginMindless Records |
associated acts | The Rolling StonesThe Dirty MacThe New BarbariansThe X-Pensive Winos |
website | keithrichards.com |
notable instruments | 1953 Fender Telecaster "Micawber"1959 Gibson Les PaulGibson ES-355Fender Stratocaster }} |
Keith Richards (born 18 December 1943) is an English musician, songwriter and founding member of The Rolling Stones. ''Rolling Stone'' magazine, calling him the creator of "rock's greatest single body of riffs", placed him as the "10th greatest guitarist of all time", and listed fourteen songs written by Richards and songwriting partner and band vocalist Mick Jagger as among their "500 Greatest Songs of All Time". Richards' notoriety for illicit drug use has stemmed in part from several drug busts in the late 1960s and the 1970s.
Richards' paternal grandparents were socialists and civic leaders whose family originated from Wales. His maternal grandfather (Augustus Theodore Dupree), who toured Britain with a jazz big band, "Gus Dupree and his Boys", fostered Richards' interest in guitar.
Richards' mother introduced him to the music of Billie Holiday, Louis Armstrong and Duke Ellington and bought his first guitar, while his father disparaged his son's musical enthusiasm. Richards' first guitar hero was Scotty Moore.
Richards attended Wentworth Primary School with Mick Jagger and was his neighbor until 1954, when the family moved. From 1955 to 1959 he attended Dartford Technical School. Recruited by Dartford Tech's choirmaster Jake Clair, Richards sang in a trio of boy sopranos at, among other occasions, Westminster Abbey for Queen Elizabeth II.
In 1959 Richards was expelled from Dartford Technical School for truancy and transferred to Sidcup Art College. At Sidcup, he was diverted from his studies proper and devoted more time to playing guitar with other students in the boys room. At this point, Richards had learned most of Chuck Berry's solos. thumb|220px|right|Richards 1965 Richards met Jagger on a train as Jagger was headed to classes at the London School of Economics. The mail order rhythm & blues albums from Chess Records albums by Chuck Berry and Muddy Waters Jagger was carrying revealed a mutual interest and led to a renewal of their friendship. Along with mutual friend Dick Taylor, Jagger was singing in an amateur band: "Little Boy Blue and the Blue Boys", which Richards soon joined. The Blues Boys folded when Brian Jones and Ian Stewart accepted Richards, Jagger, and Taylor into the just-forming Rolling Stones.
In mid-1962 Richards had left Sidcup Art College to devote himself to music and moved into a London flat with Jagger and Jones. His parents divorced about the same time, resulting in his staying close to his mother and remaining estranged from his father until 1982.
After the Rolling Stones signed to Decca Records in 1963, their band manager, Andrew Loog Oldham, dropped the "s" from his surname believing "Keith Richard", in his words, "looked more pop". In the late 1970s Richards reestablished the "s" to his surname.
The 1967/68 break in touring allowed Richards to focus on open tunings, which are commonly used for slide guitar. Instead, Richards primarily used open tunings for fingered chording, developing a distinctive style of syncopated and ringing I-IV chording heard on "Street Fighting Man" and "Start Me Up". Richards has used various open tunings (while continuing to use standard tuning) but has often favoured a five-string variant of open G tuning using GDGBD unencumbered by a low sixth string. Several of his Telecasters are tuned this way (see the "Guitars" section below), and this tuning is prominent on Rolling Stones tracks and concert renditions including "Honky Tonk Women", "Brown Sugar" and "Start Me Up".
Richards regards acoustic guitar as the basis for his playing, believing that the limitations of electric guitar would cause him to "lose that touch" if he didn't play acoustic. Richards plays acoustic guitar on many Rolling Stones' tracks including like "Not Fade Away", "Satisfaction", "Brown Sugar", and "Angie". All guitars on the studio versions of "Street Fighting Man" and "Jumping Jack Flash" feature acoustic guitars overloaded to a cassette recorder which were then reamped through a loudspeaker in the studio.
Richards began singing regular lead-vocals on stage in 1972, with "Happy" (from the album ''Exile on Main Street''). "Happy", a signature song for Richards, is often performed by him during Rolling Stones concerts, as well as on both of his solo tours. From 1972 to 1982, Richards routinely took one lead-vocal turn during Rolling Stones concerts; since 1989 he has normally sung lead on two numbers per show. Each of the band's studio albums since ''Dirty Work'' (1986) have also featured Richards's lead vocals on at least two tracks.
During concerts on the two final legs (autumn 2006 and summer 2007) of The Rolling Stones' Bigger Bang Tour, Richards set his guitar aside to sing his 1969 ballad "You Got the Silver" without self-accompaniment. Prior to that he had occasionally switched from guitar to keyboards in concert, but these concerts were the first time since his choirboy days that Richards appeared on stage armed with only his voice.
Richards' keyboard playing has also been featured on several Rolling Stones tracks, including "She Smiled Sweetly" (1967), "Memory Motel" (1976), "All About You" (1980), "Thru and Thru" (1994), and "This Place Is Empty" (2005), among others. He sometimes composes on piano – "Have You Seen Your Mother, Baby, Standing in the Shadow?" and "Let's Spend the Night Together" are two early examples, and he's said of his keyboard playing: "Maybe I'm a little more accomplished now – to me it's just a way of getting out of always using one instrument to write." Richards played keyboards on stage at two 1974 concerts while Wood toured to support his solo albums, and on The New Barbarians' tour in 1979, and 1977 and 1981 studio sessions featuring his piano and vocals have been well documented, though never officially released.
Richards has also served as percussionist on a few Rolling Stones tracks, including the floor tom on "Jumpin' Jack Flash" and bicycle spokes on "Continental Drift" (1989).
The Rolling Stones' first top-ten hit with a Jagger/Richards original was "The Last Time" (1965); "(I Can't Get No) Satisfaction" (also 1965) was their first international #1 recording. (Richards has stated that the "Satisfaction" riff came to him in his sleep; he woke up just long enough to record it on a cassette player by his bed.) Since ''Aftermath'' (1966) most Rolling Stones albums have consisted mainly of Jagger/Richards originals. Their songs reflect the influence of blues, R&B;, rock & roll, pop, soul, gospel and country, as well as forays into psychedelia and Dylanesque social commentary. Their work in the 1970s and beyond has incorporated elements of funk, disco, reggae and punk. Richards has also written and recorded slow torchy ballads, such as "All About You" (1980).
In his solo career, Richards has often shared co-writing credits with drummer and co-producer Steve Jordan. Richards has said: "I've always thought songs written by two people are better than those written by one. You get another angle on it."
Richards has frequently stated that he feels less like a creator than a conduit when writing songs: "I don't have that God aspect about it. I prefer to think of myself as an antenna. There's only one song, and Adam and Eve wrote it; the rest is a variation on a theme."
Richards was inducted into the Songwriters Hall of Fame in 1993.
Since the 1980s Richards has chalked up numerous production and co-production credits on projects with other artists including Aretha Franklin, Johnnie Johnson and Ronnie Spector, as well as on his own albums with the X-Pensive Winos (see below). In the 1990s Richards co-produced and added guitar and vocals to a recording of nyabinghi Rastafarian chanting and drumming entitled ''Wingless Angels'', released on Richards's own record label, Mindless Records, in 1997.
Additional members of the X-pensive Winos included guitarist Waddy Wachtel, saxist Bobby Keys, keyboardist Ivan Neville and Charley Drayton on bass. The first Winos' record,''Talk Is Cheap'' also featured Bernie Worrell, Bootsy Collins and Maceo Parker). Since its release, ''Talk Is Cheap'' has gone gold and has sold consistently. Its release was followed by the first of the two U.S. tours Richards has done as a solo artist. ''Live at the Hollywood Palladium, December 15, 1988'' documents the first of these tours. In 1992 the Winos' second studio record ''Main Offender'' was released, and was also following by a tour.
During the 1960s most of Richards's recordings with artists other than The Rolling Stones were sessions for Andrew Oldham's Immediate Records label. Notable exceptions were when Richards, along with Mick Jagger and numerous other guests, sang on The Beatles' 1967 TV broadcast of "All You Need Is Love"; and when he played bass with John Lennon, Eric Clapton, Mitch Mitchell, Ivry Gitlis and Yoko Ono as The Dirty Mac for ''The Rolling Stones Rock and Roll Circus'' TV special, filmed in 1968.
In the 1970s Richards worked outside The Rolling Stones with Ronnie Wood on several occasions, contributing guitar, piano and vocals to Wood's first two solo albums and joining him on stage for two July 1974 concerts to promote ''I've Got My Own Album to Do''. In December 1974 Richards also made a guest appearance at a Faces concert. In 1976–77 Richards played on and co-produced John Phillips' solo recording ''Pay, Pack & Follow'' (released in 2001). In 1979 he toured the U.S. with The New Barbarians, the band that Wood put together to promote his album ''Gimme Some Neck''; he and Wood also contributed guitar and backing vocals to "Truly" on Ian McLagan's 1979 album ''Troublemaker'' (re-released in 2005 as ''Here Comes Trouble'').
Since the 1980s Richards has made more frequent guest appearances. In 1981 he played on reggae singer Max Romeo's album ''Holding Out My Love to You''. He has worked with Tom Waits on two occasions, adding guitar and backing vocals to Waits's 1985 album ''Rain Dogs'', and co-writing, playing and sharing the lead vocal on "That Feel" on ''Bone Machine '' (1992). In 1986 Richards produced and played on Aretha Franklin's rendition of "Jumping Jack Flash" and served as musical producer and band leader (or as he phrased it "S&M; director") for the Chuck Berry film ''Hail! Hail! Rock 'n' Roll''.
In the 1990s and 2000s Richards has continued to contribute to a wide range of musical projects as a guest artist. A few of the notable sessions he has done include guitar and vocals on Johnnie Johnson's 1991 release ''Johnnie B. Bad'', which he also co-produced; and lead vocals and guitar on "Oh Lord, Don’t Let Them Drop That Atomic Bomb on Me" on the 1992 Charles Mingus tribute album ''Weird Nightmare''. He duetted with country legend George Jones on "Say It's Not You" on the ''Bradley Barn Sessions'' (1994); a second duet from the same sessions – "Burn Your Playhouse Down" – appeared on Jones' 2008 release ''Burn Your Playhouse Down – The Unreleased Duets''. He partnered with Levon Helm on "Deuce and a Quarter" for Scotty Moore's album ''All the King's Men'' (1997). His guitar and lead vocals are featured on the Hank Williams tribute album ''Timeless'' (2001) and on veteran blues guitarist Hubert Sumlin's album ''About Them Shoes'' (2005). Richards also added guitar and vocals to Toots & the Maytals' recording of "Careless Ethiopians" for their 2004 album ''True Love'' and to their re-recording of "Pressure Drop", which came out in 2007 as the b-side to Richards's iTunes re-release of "Run Rudolph Run".
Richards has been tried on drug-related charges five times: in 1967, twice in 1973, in 1977 and in 1978. The first trial – the only one involving a prison sentence – resulted from a February 1967 police raid on Redlands, Richards's Sussex estate, where he and some friends, including Jagger, were spending the weekend. The subsequent arrest of Richards and Jagger put them on trial before the Courts of the United Kingdom while also exposing them to public opinion. On 29 June 1967, Jagger was sentenced to three months' imprisonment for possession of four amphetamine tablets; Richards was found guilty of allowing cannabis to be smoked on his property and sentenced to one year in prison. Both Jagger and Richards were imprisoned at that point: Jagger was taken to Brixton prison in south London, and Richards to Wormwood Scrubs Prison in west London. Both were released on bail the next day pending appeal. On 1 July ''The Times'' ran an editorial entitled "Who breaks a butterfly on a wheel?", portraying Jagger's sentence as persecution, and public sentiment against the convictions increased. A month later the appeals court overturned Richards's conviction for lack of evidence, while Jagger was given a conditional discharge. On 27 February 1977 Richards was charged with "possession of heroin for the purpose of trafficking" – an offence that under the Criminal Code of Canada can result in prison sentences of seven years to life. His passport was confiscated and Richards and his family remained in Toronto until 1 April, when Richards was allowed to enter the United States on a medical visa for treatment for heroin addiction. The charge against him was later reduced to "simple possession of heroin".
For the next two years, Richards lived under threat of criminal sanction. Throughout this period he remained active with The Rolling Stones, recording their biggest-selling studio album, ''Some Girls'', and touring North America. Richards was tried in October 1978, pleading guilty to possession of heroin. He was given a suspended sentence and put on probation for one year, with orders to continue treatment for heroin addiction and to perform a benefit concert on behalf of the Canadian National Institute for the Blind. Although the prosecution had filed an appeal of the sentence, Richards performed two CNIB benefit concerts at Oshawa Civic Auditorium on 22 April 1979; both shows featured The Rolling Stones and The New Barbarians. In September 1979 the Ontario Court of Appeal upheld the original sentence.
Later in 1979, Richards met future wife, model Patti Hansen. They married on 18 December 1983, Richards's 40th birthday, and have two daughters, Theodora and Alexandra, born in 1985 and 1986 respectively.
Richards maintains cordial relations with Italian-born actress Anita Pallenberg, the mother of his first three children; although they were never married, Richards and Pallenberg were a couple from 1967 to 1979. Together they have a son, Marlon (named after the actor Marlon Brando), born in 1969, and a daughter, Angela (originally named Dandelion), born in 1972. Their third child, a boy named Tara (after Richards's and Pallenberg's friend Guinness heir Tara Browne), died on 6 June 1976, less than three months after his birth.
Richards still owns Redlands, the Sussex estate he purchased in 1966, as well as a home in Weston, Connecticut and another in Turks & Caicos. His primary home is in Weston. He is an avid reader with a strong interest in history and owns an extensive library. An April 2010 article revealed that Richards yearns to be a librarian.
In August 2006 Richards was granted a pardon by Arkansas governor Mike Huckabee for a 1975 reckless driving citation.
On 12 March 2007 Richards attended the Rock & Roll Hall of Fame ceremony to induct The Ronettes; he also played guitar during the ceremony's all-star jam session.
In an April 2007 interview for ''NME'' magazine, music journalist Mark Beaumont asked Richards what the strangest thing he ever snorted was, and quoted him as replying: "My father. I snorted my father. He was cremated and I couldn't resist grinding him up with a little bit of blow. My dad wouldn't have cared ... It went down pretty well, and I'm still alive." In the media uproar that followed, Richards' manager said that the anecdote had been meant as a joke; Beaumont told ''Uncut'' magazine that the interview had been conducted by international telephone and that he had misquoted Richards at one point (reporting that Richards had said he listens to Motörhead, when what he had said was Mozart), but that he believed the ash-snorting anecdote was true. Musician Jay Farrar from the band Son Volt wrote a song titled 'Cocaine And Ashes', which was inspired by Richards drug habits.
Doris Richards, Richards' 91-year-old mother, died of cancer in England on 21 April 2007. An official statement released by a family representative stated that Keith kept a vigil by her bedside during her last days.
Richards made a cameo appearance as Captain Teague, the father of Captain Jack Sparrow (played by Johnny Depp), in ''Pirates of the Caribbean: At World's End'', released in May 2007, and won the Best Celebrity Cameo award at the 2007 Spike Horror Awards for the role. Depp has stated that he based many of Sparrow's mannerisms on Richards. Richards reprised his role in ''Pirates of the Caribbean: On Stranger Tides'', released in May 2011.
In March 2008 fashion house Louis Vuitton unveiled an advertising campaign featuring a photo of Richards with his ebony Gibson ES-355, taken by photographer Annie Leibovitz. Richards donated the fee for his involvement to The Climate Project, an organisation for raising environmental awareness.
On 28 October 2008 Richards appeared at the Musicians' Hall of Fame induction ceremony in Nashville, Tennessee, joining the newly inducted Crickets on stage for performances of "Peggy Sue", "Not Fade Away" and "That'll Be the Day".
In August 2009, Richards was ranked #4 in ''Time'' magazine's list of the 10 best electric guitar players of all time. In September 2009 Richards revealed to ''Rolling Stone'' magazine that in addition to anticipating a new Rolling Stones album, he has done some recording with Jack White: "I enjoy working with Jack," he said. "We’ve done a couple of tracks." On 17 October 2009, Richards received the Rock Immortal Award at Spike TV’s Scream 2009 awards ceremony at the Greek Theatre in Los Angeles; the award was presented by Johnny Depp. "I liked the living legend, that was all right," Richards said, referring to an award he received in 1989, "but immortal is even better."
In 2009, a book of Richards' quotations was published, titled ''What Would Keith Richards Do?: Daily Affirmations from a Rock 'n' Roll Survivor''.
In August 2007 Richards signed a publishing deal for his autobiography, ''Life'', which was released October 26, 2010. On October 15, 2010, the Associated Press published an article stating that Richards refers to Mick Jagger as "unbearable" in the book and notes that their relationship has been strained "for decades."
!Release date | !Title | !US Mainstream Rock |
December 1978 | "Run Rudolph Run" b/w "The Harder They Come" | |
October 1988 | "Take It So Hard" | |
November 1988 | "You Don't Move Me" | |
February 1989 | "Struggle" | |
October 1992 | "Wicked As It Seems" | |
January 1993 | "Eileen" | |
December 2007 | ||
+Film | ! Year | ! Title | ! Role |
2007 | ''Pirates of the Caribbean: At World's End'' | Captain Teague | |
2011 | ''Pirates of the Caribbean: On Stranger Tides'' | Captain Teague |
}}
Category:1943 births Category:Living people Category:English expatriates in the United States Category:English blues guitarists Category:English-language singers Category:English male singers Category:English rock musicians Category:English people of Welsh descent Category:English rock guitarists Category:English singer-songwriters Category:Ivor Novello Award winners Category:Lead guitarists Category:People convicted of drug offenses Category:People from Dartford Category:People from Fairfield County, Connecticut Category:People from Staten Island Category:People self-identifying as substance abusers Category:Recipients of American gubernatorial pardons Category:Songwriters Hall of Fame inductees Category:Rhythm guitarists Category:The Dirty Mac Category:The Rolling Stones members Category:British rhythm and blues boom musicians
ca:Keith Richards cs:Keith Richards da:Keith Richards de:Keith Richards et:Keith Richards es:Keith Richards eo:Keith Richards eu:Keith Richards fr:Keith Richards fy:Keith Richards gd:Keith Richards hr:Keith Richards id:Keith Richards it:Keith Richards he:קית' ריצ'רדס ka:კით რიჩარდსი li:Keith Richards hu:Keith Richards nl:Keith Richards ja:キース・リチャーズ no:Keith Richards nn:Keith Richards pl:Keith Richards pt:Keith Richards ro:Keith Richards ru:Ричардс, Кит simple:Keith Richards sk:Keith Richards sl:Keith Richards sr:Kit Ričards fi:Keith Richards sv:Keith Richards tr:Keith Richards uk:Кіт РічардсThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | John Lennon |
---|---|
alt | A bearded, bespectacled man in his late twenties, with long dark brown hair and wearing a loose-fitting pajama shirt, sings and plays an acoustic guitar. White flowers are visible behind and to the right of him. |
background | solo_singer |
birth name | John Winston Lennon |
birth date | October 09, 1940 |
birth place | Liverpool, England, UK |
death date | December 08, 1980 |
death place | New York, New York, US |
instrument | Vocals, guitar, piano, harmonica, harmonium, electronic organ, six-string bass |
genre | Rock, pop |
occupation | Musician, singer-songwriter, record producer, artist, writer |
years active | 1957–75, 1980 |
label | Parlophone, Capitol, Apple, EMI, Geffen, Polydor |
associated acts | The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, Yoko Ono |
notable instruments | Rickenbacker 325Epiphone CasinoGibson J-160E }} |
Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums ''John Lennon/Plastic Ono Band'' and ''Imagine'', and iconic songs such as "Give Peace a Chance" and "Imagine". After his marriage to Yoko Ono in 1969, he changed his name to John Ono Lennon. Lennon disengaged himself from the music business in 1975 to devote time to his infant son Sean, but re-emerged in 1980 with a new album, ''Double Fantasy''. He was murdered three weeks after its release.
Lennon revealed a rebellious nature and acerbic wit in his music, his writing, his drawings, on film, and in interviews, becoming controversial through his political and peace activism. He moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while some of his songs were adopted as anthems by the anti-war movement.
As of 2010, Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 25 number-one singles on the US Hot 100 chart. In 2002, a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, ''Rolling Stone'' ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
Throughout the rest of his childhood and adolescence, he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton. His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, learning how to play "Ain't That a Shame" by Fats Domino.
In September 1980 he talked about his family and his rebellious nature: }}
He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas. During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby. After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16." He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).
Lennon was raised as an Anglican and attended Dovedale Primary School. From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad." He often drew comical cartoons which appeared in his own self-made school magazine called ''The Daily Howl'', but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."
His mother bought him his first guitar in 1956, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations. As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it". On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.
Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class. He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."
McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon. According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble"; although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road. During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.
George Harrison joined the band as lead guitarist, even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played "Raunchy" for Lennon. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them. Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.
Brian Epstein, The Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage. Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me". McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, ''Please Please Me'', in under 10 hours on 11 February 1963, a day when Lennon was suffering the effects of a cold, which is evident in the vocal on the last song to be recorded that day, Twist and Shout. The Lennon–McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant". In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".
The Beatles achieved mainstream success in the UK during the beginning of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery." After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on ''The Ed Sullivan Show'' marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, ''In His Own Write'' and ''A Spaniard in the Works''. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.
Lennon grew concerned that fans attending Beatles' concerts were unable to hear the music above the screaming of fans, and that the band's musicianship was beginning to suffer as a result. Lennon's "Help!" expressed his own feelings in 1965: "I ''meant'' it ... It was me singing 'help'". He had put on weight (he would later refer to this as his "Fat Elvis" period), and felt he was subconsciously seeking change. The following January he was unknowingly introduced to LSD when a dentist, hosting a dinner party attended by Lennon, Harrison and their wives, spiked the guests' coffee with the drug. When they wanted to leave, their host revealed what they had taken, and strongly advised them not to leave the house because of the likely effects. Later, in an elevator at a nightclub, they all believed it was on fire: "We were all screaming ... hot and hysterical." A few months later in March, during an interview with ''Evening Standard'' reporter Maureen Cleave, Lennon remarked, "Christianity will go. It will vanish and shrink ... We're more popular than Jesus now—I don't know which will go first, rock and roll or Christianity." The comment went virtually unnoticed in England but caused great offence in the US when quoted by a magazine there five months later. The furore that followed—burning of Beatles' records, Ku Klux Klan activity, and threats against Lennon—contributed to the band's decision to stop touring.
In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared". They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for ''The Beatles'' and ''Abbey Road''.
The anti-war, black comedy ''How I Won the War'', featuring Lennon's only appearance in a non–Beatles' full-length film, was shown in cinemas in October 1967. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film ''Magical Mystery Tour'', released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Lewis Carroll-inspired "I am the Walrus", was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure", but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple’s chief executive by Lennon, Harrison and Starr, but McCartney never signed the management contract.
At the end of 1968, Lennon featured in the film ''The Rolling Stones Rock and Roll Circus'' (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film. Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond The Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: ''Unfinished Music No.1: Two Virgins'' (known more for its cover than for its music), ''Unfinished Music No.2: Life with the Lions'' and ''Wedding Album''. In 1969 they formed The Plastic Ono Band, releasing ''Live Peace in Toronto 1969''. In protest at Britain's involvement in the Nigerian Civil War, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced. Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969), "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin) and "Instant Karma!".
Lennon left the group in September 1969, and agreed not to inform the media while the band renegotiated their recording contract, but he was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!" He later wrote, "I started the band. I disbanded it. It's as simple as that." In later interviews with ''Rolling Stone'' magazine, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record." He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"
With Lennon's next album, ''Imagine'' (1971), critical response was more guarded. ''Rolling Stone'' reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant". The album's title track would become an anthem for anti-war movements, while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from ''Ram'' that Lennon felt, and McCartney later confirmed, were directed at him and Ono. However, Lennon softened his stance in the mid-1970s and said he had written "How Do You Sleep?" about himself. He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and The Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".
Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)". To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT". The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.
Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, ''Some Time in New York City'' was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card, the album was poorly received—unlistenable, according to one critic. "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on ''The Dick Cavett Show''. Many radio stations refused to broadcast the song because of the word "nigger". Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility. Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.
In early 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson made headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation "towel" on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon decided to produce Nilsson's album ''Pussy Cats'' and Pang rented an Los Angeles beach house for all the musicians but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than 30 years. Pang supplied the recording for its eventual inclusion on ''The Very Best of Mick Jagger'' (2007).
Settled back in New York, Lennon recorded the album ''Walls and Bridges''. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano. A second single from the album, "#9 Dream", followed before the end of the year. Starr's ''Goodnight Vienna'' (1974) again saw assistance from Lennon, who wrote the title track and played piano. On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There", which he introduced as "a song by an old estranged fiancee of mine called Paul".
Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording. The same month, Elton John topped the charts with his cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals. He and Ono were reunited shortly afterwards. Lennon released ''Rock 'n' Roll'' (1975), an album of cover songs, in February. "Stand By Me", taken from the album and a US and UK hit, became his last single for five years. He made what would be his final stage appearance in the ATV special ''A Salute to Lew Grade'', recorded on 18 April and televised in June. Playing acoustic guitar, and backed by an eight-piece band, Lennon performed two songs from ''Rock 'n' Roll'' ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine".
He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album ''Double Fantasy'', which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June, that reflected Lennon's fulfillment in his new-found stable family life. Sufficient additional material was recorded for a planned follow-up album ''Milk and Honey'' (released posthumously in 1984). Released jointly with Ono, ''Double Fantasy'' was not well received, drawing comments such as ''Melody Maker'''s "indulgent sterility ... a godawful yawn".
Ono issued a statement the next day, saying "There is no funeral for John", ending it with the words, "John loved and prayed for the human race. Please pray the same for him." His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. Chapman pleaded guilty to second-degree murder and was sentenced to 20 years to life; as of 2011, he remains in prison, having been denied parole six times.
Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married." The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.
Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her. When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolize the ending of their marriage. After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.
Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish. When Epstein invited suggestions for the title of his autobiography, Lennon offered ''Queer Jew''; on learning of the eventual title, ''A Cellarful of Noise'', he parodied, "More like ''A Cellarful of Boys''". He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't." During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".
Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973. With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland. Julian started to see his father regularly, and Lennon gave him a drumming part on a ''Walls and Bridges'' track. He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques. Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."
In a ''Playboy'' interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future." After his death it was revealed that he had left Julian very little in his will.
Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit". In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the ''Two Virgins'' album, after which, he said, they "made love at dawn." When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi." Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968, a few weeks after Lennon's divorce from Cynthia was granted.
During Lennon's last two years in The Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry, so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in The Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by The Beatles' ''Let It Be'' rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on The Beatles' last album, ''Abbey Road''. To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971.
They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.
On moving to New York, they prepared a spare room in their newly rented apartment for Julian to visit. Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking—but after the meeting failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.
Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of ''Saturday Night Live'' in which Lorne Michaels made a $3,000 cash offer to get The Beatles to reunite on the show. The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired. Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."
Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product". When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he could not get the tune out of his head. Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."
Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence. Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene." In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty", and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.
Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000. On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman. Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug. In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others. Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming ''Some Time in New York City'' album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair’s crimes and three days after the rally, he was released on bail. The performance was recorded and two of the tracks later appeared on ''John Lennon Anthology'' (1998).
Following the ''Bloody Sunday'' incident in Northern Ireland in 1972, in which 13 unarmed civil rights protesters were shot dead by the British Army, Lennon said that given the choice between the army and the IRA (who were not involved in the incident) he would side with the latter. Lennon and Ono wrote two songs protesting British presence and actions in Ireland for their ''Some Time in New York City'' album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, David Shayler, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA though this was swiftly denied by Ono. Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film ''The Irish Tapes'', a political documentary with a Republican slant.
According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968. However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".
John and Yoko add a great voice and drive to the country’s so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country’s got plenty of room and space. Let John and Yoko stay!
On 23 March 1973, Lennon was ordered to leave the US within 60 days. Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York City Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people". Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary ''The U.S. vs. John Lennon''. Lennon's ''Mind Games'' (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence. Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.
Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that ''In His Own Write'' (1964) was published after "Some journalist who was hanging around The Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the ''Daily Howl'' it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". ''The Times Literary Supplement'' considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". ''Book Week'' reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".
In combination with ''A Spaniard in the Works'' (1965), ''In His Own Write'' formed the basis of the stage play ''The John Lennon Play: In His Own Write'', co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date. After Lennon's death, further works were published, including ''Skywriting by Word of Mouth'' (1986); ''Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook'' (1992), with Lennon's illustrations of the definitions of Japanese words; and ''Real Love: The Drawings for Sean'' (1999). ''The Beatles Anthology'' (2000) also presented examples of his writings and drawings.
As his Beatles' era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic ''John Lennon/Plastic Ono Band''." David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style. Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair" Music historian Ben Urish recalls hearing The Beatles' ''Ed Sullivan Show'' performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."
In a 2006 ''Guardian'' article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today." Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."
Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon’s 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon. The sculpture entitled ‘Peace & Harmony’ exhibits peace symbols and carries the inscription “Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980”.
The Lennon–McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 25 number one singles on the US Hot 100 chart. His album sales in the US stand at 14 million units. ''Double Fantasy'', released shortly before his death, and his best-selling, post-Beatles' studio album at three million shipments in the US, won the 1981 Grammy Award for Album of the Year. The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon. Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons". Between 2003 and 2008, ''Rolling Stone'' recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time" and 38th of "The Immortals: The Fifty Greatest Artists of All Time", and his albums ''John Lennon/Plastic Ono Band'' and ''Imagine'', 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time". He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
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