Sir is an honorific used as a title (see Knight), or as a courtesy title to address a man without using his given or family name in some English speaking cultures. It is often used in formal correspondence (''Dear Sir'', ''Right Reverend Sir'').

The term is often reserved for use only towards equals, one of superior rank or status, such as an educator or commanding officer, an elder (especially by a minor), or as a form of address from a merchant to a customer.

Equivalent terms of address are "ma'am" or "madam" in most cases, or in the case of a very young woman, girl, or unmarried woman who prefers to be addressed as such, "miss". The equivalent term for a knighted woman is Dame, or "Lady" for the wife of a knight.

Origin

''Sir'' derives from the Middle French honorific title ''sire'' (''messire'' gave 'mylord'), from the Old French ''sieur'' (itself a contraction of ''Seigneur'' meaning 'lord'), from the Latin adjective ''senior'' (''elder''), which yielded titles of respect in many European languages. The form ''sir'' is first documented in English in 1297, as title of honor of a knight or baronet, being a variant of ''sire'', which was already used in English since at least c.1205 as a title placed before a name and denoting knighthood, and to address the (male) Sovereign since c.1225, with additional general senses of "father, male parent" is from c.1250 and "important elderly man" from 1362.

Formal styling

In formal protocol ''Sir'' is the correct styling for a knight or a baronet (the United Kingdom nobiliary rank just below all peers of the realm), used with (one of) the knight's given name(s) or full name, but not with the surname alone ("Sir James Paul McCartney", "Sir Paul McCartney", or "Sir Paul", but never "Sir McCartney"). The equivalent for a woman is Dame, that is, for one who holds the title in her own right; for such women, the title "Dame" is used as "Sir" for a man, that is, never before the surname on its own. This usage was devised in 1917, derived from the practice, up to the 17th century (and still also in legal proceedings), for the wife of a knight. The wife of a knight or baronet now, however, is styled "Lady [Surname]" (e.g. "Lady McCartney", but never "Lady Linda McCartney," which is reserved for the daughter of a duke, marquess or earl, or now, more recently, for a female member of the Orders of the Garter and the Thistle who possesses no higher title).

In the UK and in certain Commonwealth realms (where the British monarch directly reigns), the following honours permit (in the case of three currently dormant honours, permitted) male subjects of those realms to use the prefix ''Sir'' :

Current honours

United Kingdom and Commonwealth

Baronet (Bt.) (''not conferred since 1990'')

Knight of the Order of the Garter (KG)

Knight of the Order of the Thistle (KT)

Knight Commander or Knight Grand Cross of the Order of the Bath (KCB/GCB)

Knight Commander or Knight Grand Cross of the Order of St Michael and St George (KCMG/GCMG)

Knight Commander or Knight Grand Cross of the Royal Victorian Order (KCVO/GCVO)

Knight Commander or Knight Grand Cross of the Order of the British Empire (KBE/GBE)

Knight Bachelor (Kt.)

Antigua and Barbuda

Knight of the Order of the National Hero (KNH)

Knight Commander, Knight Grand Cross, or Knight Grand Collar of the Order of the Nation (KCN/KGCN/KGN)

Australia

Knight of the Order of Australia (AK; for male subjects of Australia only. Not awarded since 1986)

Barbados

Knight of St. Andrew of the Order of Barbados (KA)

New Zealand

Knight Companion or Knight Grand Companion of the New Zealand Order of Merit (KNZM/GNZM)

Dormant honours

Three currently dormant honours - the Order of St. Patrick, the Order of the Star of India and the Order of the Indian Empire - permitted male subjects of the UK and Commonwealth realms to use the prefix ''Sir''.

Kingdom of Ireland

Knight of the Order of St. Patrick (KP)

Established in 1783 and primarily awarded to men associated with the Kingdom of Ireland. Regular creation of new knights of the order ended in 1921 upon the formation of the Irish Free State. With the death of the last knight in 1974, the Order became dormant.

British Raj

Knight Commander or Knight Grand Commander of the Order of the Star of India (KCSI/GCSI)

Knight Commander or Knight Grand Commander of the Order of the Indian Empire (KCIE/GCIE)

As part of the British Empire's consolidation of their rule in India, the Order of the Star of India was established in 1861 to reward prominent British and Indian civil servants and military officers and prominent Indians associated with the Indian Empire. The Order of the Indian Empire was established in 1878 as a junior-level order to accompany the Order of the Star of India. The last creations of knights of either order were made on 15 August 1947 upon Indian independence. Both orders, and the use of their formal styling, became officially obsolete in India in 1950 upon the country becoming a republic within the Commonwealth, followed by Pakistan in 1956. The Order of the Star of India became dormant in the Commonwealth realms from February 2009, and the Order of the Indian Empire after August 2010, when the last knights of the orders died.

Combinations with other titles and styles

In the case of a military officer who is also a knight, the appropriate form of address puts the professional military rank first, then the correct manner of address for the individual, then his name, e.g., Admiral Sir Bruce Fraser, KBE (after 1941) Field Marshal Sir Thomas Blamey, KBE (after 1941)

This is also the case with academic titles such as professor:

Professor Sir Patrick Bateson, FRS

However, the title 'Doctor' is not used in combination with 'Sir': the knighthood takes precedence, and knighted doctors are addressed as knights, though they may still use any postnominal letters associated with their degrees.

With regard to British knighthood, a person who is not a citizen of a Commonwealth realm who receives an honorary knighthood is entitled to use any postnominal letters associated with the knighthood, but not the title "Sir". A similar convention applies to Church of England clergy who receive knighthoods, for example:

The Reverend Dr John Polkinghorne, KBE, FRS

Clergy in other denominations may use different conventions.

Dual nationals holding a Commonwealth citizenship that recognise the British monarch as head of state are entitled to use the styling. Common usage varies from country to country: for instance, dual Bahamian-American citizen Sidney Poitier, knighted in 1974, is often styled "Sir Sidney Poitier", particularly in connection with his official ambassadorial duties, although he himself rarely employs the title.

Especially in North America, the style "Sir" is frequently employed by knights of the Order of the Holy Sepulchre (female members of that order are styled Lady).

Use in disciplined services

The common use of ''Sir'' instead of the rank specific address for a senior officer in a military, police or other hierarchical organisation is rather specific to English. In most languages, no such general address is considered respectful, or the two are combined, as in German ''Herr'' followed by the rank.

It is common in British tabloid newspaper slang as a shorthand for 'schoolteacher': ''Sir's sex shame''. Usage of "sir" commonly appears in schools in portions of the Southern United States.

When addressing a male superior (e.g. Officer or Warrant Officer, but not usually a non-commissioned officer, in the military), "sir" is used to replace his specific rank. (Despite its use in many fictional works, this is not a term used for female superiors, who are addressed as " ma'am"). However, recruits of the United States Marine Corps and United States Coast Guard address both male commissioned and non-commissioned officers as "sir" in basic training, especially drill instructors (USMC) and company commanders (USCG). Enlisted members of the United States Military always address Commissioned Officers as "sir." During training "sir" is implied and will be replaced by the rank and grade of those addressed after initial indoctrination.

Possibly the shortness of the word helps explain another idiomatic but non-official practice in American English: emphatically saying Sir both before and after an obedient response to the senior, especially during drill, e.g., "Sir, yes, sir!" This is practiced by the US Coast Guard recruits. In both the United States Army and British Armed Forces, addressing an NCO as "Sir" is incorrect. In the British Army, however, an NCO is referred to as "sir" when he is on parade and warrant officers are addressed as "Sir."

In the Royal Canadian Mounted Police, only commissioned officers are addressed as "sir"; NCOs and constables are addressed by their rank. British police officers of the rank of Inspector or above are addressed as "Sir," the more familiar form of address as "Boss", "Gaffer" or "Guv" (short for "governor") being largely inventions of popular TV and cinema.

Miscellaneous

Until the 17th century it was also a title of priests (the related word monsignor, from French ''monseigneur'', is still used for Catholic prelates). In Icelandic, the cognate word ''séra'' is used exclusively to address a priest, together with his first name: a priest called Jón Jónsson will be addressed as ''séra Jón'' and referred to as ''presturinn séra Jón Jónsson'' ("the priest, ''séra'' Jón Jónsson").

Various persons in authority, e.g. District Judges in the United Kingdom, are also addressed as "sir".

''Sirrah'' was a 16th century derivative that implied the inferiority of the addressee.

The informal forms ''sirree'' and ''siree'' are merely devised for emphasis in speech, mainly after Yes or No.

Not to be confused with the now exclusively monarchical (i.e. royal) Sire, even though this has the same etymological root.

Sir and various Indianized variants such as Sirjee (''sir'' with ''jee'', an Indian honorific) are rather commonly used in Indian English and even vernacular languages. Another Indian extension is using Sir after the name, such as Gandhi Sir.

U.S. President George W. Bush became notably upset when a reporter called him 'sir', rather than 'Mr President'. President Bush drew gasps at the Vatican by referring to Pope Benedict XVI as 'sir' instead of the expected 'His Holiness'.

Internal links

Salutation (greeting)

References

External Links

EtymologyOnLine, etymonline.com

Category:Honorifics Category:Men's social titles Category:Noble titles Category:British honours system

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name	Stevie Wonder
background	solo_singer
birth name	Stevland Hardaway Judkins
alias	Stevland Hardaway Morris, Little Stevie Wonder, Eivets Rednow
born	May 13, 1950Saginaw, Michigan, United States
origin	Detroit, Michigan, United States
instrument	Vocals, synthesizer, piano, keyboards, harmonica, clavinet, drums, bass guitar, congas, bongos, melodica, keytar, accordion
genre	Soul, pop, R&B;, funk, jazz
occupation	Singer-songwriter, multi-instrumentalist, record producer, activist
years active	1961–present
label	Tamla, Motown
website	}}

Stevland Hardaway Morris (previously Judkins; born May 13, 1950), known by his stage name Stevie Wonder, is an American singer-songwriter, multi-instrumentalist, record producer and activist. Blind since shortly after birth, Wonder signed with Motown Records' Tamla label at the age of eleven, and continues to perform and record for Motown to this day.

Among Wonder's best known works are singles such as "Superstition", "Sir Duke", "I Wish" and "I Just Called to Say I Love You". Well known albums also include ''Talking Book'', ''Innervisions'' and ''Songs in the Key of Life''. He has recorded more than thirty U.S. top ten hits and received twenty-two Grammy Awards, the most ever awarded to a male solo artist. Wonder is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King, Jr.'s birthday a holiday in the United States. In 2009, Wonder was named a United Nations Messenger of Peace. In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, with Wonder at number five.

Early life

Stevie Wonder was born in Saginaw, Michigan in 1950, the third of six children to Calvin Judkins and Lula Mae Hardaway. Owing to his being born six weeks premature, the blood vessels at the back of his eyes had not yet reached the front and their aborted growth caused the retinas to detach. The medical term for this condition is retinopathy of prematurity, or ROP, and while it may have been exacerbated by the oxygen pumped into his incubator, this was not the primary cause of his blindness.

When Stevie Wonder was four, his mother left his father and moved herself and her children to Detroit. She changed her name back to Lula Hardaway and later changed her son's surname to Morris, partly because of relatives. Morris has remained Stevie Wonder's legal name ever since. He began playing instruments at an early age, including piano, harmonica, drums and bass. During childhood he was active in his church choir.

Discovery and early Motown recordings

Ronnie White of The Miracles gives credit to his brother Gerald White for persistently nagging him to come to his friend's house in 1961 to check out Stevie Wonder. Afterward, White brought Wonder and his mother to Motown Records. Impressed by the young musician, Motown CEO Berry Gordy signed Wonder to Motown's Tamla label with the name Little Stevie Wonder. Before signing, producer Clarence Paul gave Wonder his trademark name after stating "we can't keep calling him the eighth wonder of the world". He then recorded the regional Detroit single, "I Call It Pretty Music, But the Old People Call It the Blues", which was released on Tamla in late 1961. Wonder released his first two albums, ''The Jazz Soul of Little Stevie'' and ''Tribute to Uncle Ray'', in 1962, to little success.

Music career

Early success: 1963–1971

By age 13, Wonder had a major hit, "Fingertips (Pt. 2)", a 1963 single taken from a live recording of a Motor Town Revue performance, issued on the album ''Recorded Live: The 12 Year Old Genius''. The song, featuring Wonder on vocals, bongos, and harmonica, and a young Marvin Gaye on drums, was a #1 hit on the U.S. pop and R&B; charts and launched him into the public consciousness.

In 1964, Stevie Wonder made his film debut in ''Muscle Beach Party'' as himself, credited as "Little Stevie Wonder". He returned in the sequel released five months later, ''Bikini Beach''. He performed on-screen in both films, singing "Happy Street," and "Happy Feelin' (Dance and Shout)," respectively.

Dropping the "Little" from his name, Wonder went on to have a number of other hits during the mid-1960s, including "Uptight (Everything's Alright)", "With a Child's Heart", and "Blowin' in the Wind", a Bob Dylan cover, co-sung by his mentor, producer Clarence Paul. He also began to work in the Motown songwriting department, composing songs both for himself and his label mates, including "Tears of a Clown", a number one hit performed by Smokey Robinson & the Miracles.

In 1968 he recorded an album of instrumental soul/jazz tracks, mostly harmonica solos, under the pseudonym (and title) ''Eivets Rednow'', which is "Stevie Wonder" spelled backwards. The album failed to get much attention, and its only single, a cover of "Alfie", only reached number 66 on the U.S. Pop charts and number 11 on the U.S. Adult Contemporary charts. Nonetheless, he managed to score several hits between 1968 and 1970 such as "I Was Made to Love Her"; "For Once in My Life" and "Signed, Sealed, Delivered I'm Yours". In September 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former Motown secretary. Wright and Wonder co-wrote the songs on the next album, ''Where I'm Coming From'', which did not succeed in the charts. Reaching his twenty-first birthday on May 13, 1971, he allowed his Motown contract to expire.

In 1970, Wonder co-wrote, and played numerous instruments on the hit "It's a Shame" for fellow Motown act The Spinners. His contribution was meant to be a showcase of his talent and thus a weapon in his ongoing negotiations with Gordy about creative autonomy.

Classic period: 1972–1976

Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown. Eventually the label agreed to his demands for full creative control and the rights to his own songs. The 120-page contract was a precedent at Motown and gave Wonder a much higher royalty rate. Wonder returned to Motown in March 1972 with ''Music of My Mind''. Unlike most previous albums on Motown, which usually consisted of a collection of singles, B-sides and covers, ''Music of My Mind'' was a full-length artistic statement with songs flowing together thematically. Wonder's lyrics dealt with social, political, and mystical themes as well as standard romantic ones, while musically Wonder began exploring overdubbing and recording most of the instrumental parts himself. ''Music of My Mind'' marked the beginning of a long collaboration with Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil).

Released in late 1972, ''Talking Book'' featured the No. 1 hit "Superstition", which is one of the most distinctive and famous examples of the sound of the Hohner clavinet keyboard. The song features a rocking groove that garnered Wonder an additional audience on rock radio stations. ''Talking Book'' also featured "You Are the Sunshine of My Life", which also peaked at No. 1. During the same time as the album's release, Stevie Wonder began touring with the Rolling Stones to alleviate the negative effects from pigeon-holing as a result of being an R&B; artist in America. Between them, the two songs won three Grammy Awards. On an episode of the children's television show ''Sesame Street'' that aired in April 1973, Wonder and his band performed "Superstition", as well as an original song called "Sesame Street Song", which demonstrated his abilities with the "talk box".

''Innervisions'', released in 1973, featured "Higher Ground" (#4 on the pop charts) as well as the trenchant "Living for the City" (#8). Both songs reached No. 1 on the R&B; charts. Popular ballads such as "Golden Lady" and "All in Love Is Fair" were also present, in a mixture of moods that nevertheless held together as a unified whole. ''Innervisions'' generated three more Grammy Awards, including Album of the Year. The album is ranked #23 on ''Rolling Stone Magazine's'' 500 Greatest Albums of All Time. Wonder had become the most influential and acclaimed black musician of the early 1970s.

On August 6, 1973, Wonder was in a serious automobile accident while on tour in North Carolina, when a car in which he was riding hit the back of a truck. This left him in a coma for four days and resulted in a partial loss of his sense of smell and a temporary loss of sense of taste. Despite the setback, Wonder re-appeared in concert at Madison Square Garden in March 1974 with a performance that highlighted both up-tempo material and long, building improvisations on mid-tempo songs such as "Living for the City". The album ''Fulfillingness' First Finale'' appeared in July 1974 and set two hits high on the pop charts: the #1 "You Haven't Done Nothin'" and the Top Ten "Boogie On Reggae Woman". The Album of the Year was again one of three Grammys won.

The same year Wonder took part in a Los Angeles jam session which would become known by the bootleg album ''A Toot and a Snore in '74''. He also co-wrote and produced the Syreeta Wright album ''Stevie Wonder Presents: Syreeta''.

On October 4, 1975, Wonder performed at the historical "Wonder Dream Concert" in Kingston, Jamaica, a benefit for the Jamaican Institute for the Blind.

By 1975, in his 25th year, Stevie Wonder had won two consecutive Grammy Awards: in 1974 for ''Innervisions'' and in 1975 for ''Fulfillingness' First Finale''. In 1975 he featured on the album ''It's My Pleasure'' by Billy Preston, playing harmonica on two tracks.

The double album-with-extra-EP ''Songs in the Key of Life'', was released in September 1976. Sprawling in style, unlimited in ambition, and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop music history. The album became the first of an American artist to debut straight at #1 in the ''Billboard'' charts, where it remained for 14 non-consecutive weeks. Two tracks, became #1 Pop/R&B; hits "I Wish" and "Sir Duke". The baby-celebratory "Isn't She Lovely?" was written about his newborn daughter Aisha, while songs such as "Love's in Need of Love Today" (which years later Wonder would perform at the post-September 11, 2001 ''America: A Tribute to Heroes'' telethon) and "Village Ghetto Land" reflected a far more pensive mood. ''Songs in the Key of Life'' won Album of the Year and two other Grammys. The album ranks 56th on ''Rolling Stone Magazine'''s 500 Greatest Albums of All Time.

After such a concentrated and sustained level of creativity, Wonder stopped recording for three years, releasing only the 3 LP ''Looking Back'', an anthology of his first Motown period. The albums Wonder released during this period were very influential on the music world: the 1983 ''Rolling Stone Record Guide'' said they "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade"; ''Rolling Stone'' magazine's 2003 list of the 500 Greatest Albums of All Time included four of the five albums, with three in the top 90; and in 2005, Kanye West said of his own work, "I'm not trying to compete with what's out there now. I'm really trying to compete with ''Innervisions'' and ''Songs in the Key of Life''. It sounds musically blasphemous to say something like that, but why not set that as your bar?"

Commercial period: 1979–1990

It was in Wonder's next phase that he began to commercially reap the rewards of his legendary classic period. The '80s saw Wonder scoring his biggest hits and reaching an unprecedented level of fame evidenced by increased album sales, charity participation, high-profile collaborations, political impact, and television appearances.

When Wonder did return, it was with the soundtrack album ''Journey through the Secret Life of Plants'' (1979), featured in the film ''The Secret Life of Plants''. Mostly instrumental, the album was composed using the Computer Music Melodian, an early sampler. Wonder toured briefly in support of the album, and used a Fairlight CMI sampler on stage. In this year Wonder also wrote and produced the dance hit "Let's Get Serious", performed by Jermaine Jackson and (ranked by ''Billboard'' as the #1 R&B; single of 1980).

''Hotter than July'' (1980) became Wonder's first platinum-selling single album, and its single "Happy Birthday" was a successful vehicle for his campaign to establish Dr. Martin Luther King's birthday as a national holiday. The album also included "Master Blaster (Jammin')", "I Ain't Gonna Stand for It", and the sentimental ballad, "Lately", which was later covered by Jodeci and S Club 7.

In 1982, Wonder released a retrospective of his '70s work with ''Stevie Wonder's Original Musiquarium'', which included four new songs: the ten-minute funk classic "Do I Do" (which featured Dizzy Gillespie), "That Girl" (one of the year's biggest singles to chart on the R&B; side), "Front Line", a narrative about a soldier in the Vietnam War that Stevie Wonder wrote and sang in the 1st person, and "Ribbon in the Sky", one of his many classic compositions. Wonder also gained a #1 hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory".

In 1983, Wonder performed the song "Stay Gold", the theme to Francis Ford Coppola's film adaptation of S.E. Hinton's novel ''The Outsiders''. Wonder wrote the lyrics.

In 1983, Wonder scheduled an album to be entitled "People Work, Human Play." The album never surfaced and instead 1984 saw the release of Wonder's soundtrack album for ''The Woman in Red''. The lead single, "I Just Called to Say I Love You", was a #1 pop and R&B; hit in both the United States and the United Kingdom, where it was placed 13th in the list of best-selling singles in the UK published in 2002. It went on to win an Academy Award for "Best Song" in 1985. The album also featured a guest appearance by Dionne Warwick, singing the duet "It's You" with Stevie and a few songs of her own. The following year's ''In Square Circle'' featured the #1 pop hit "Part-Time Lover". The album also has a Top 10 Hit with "Go Home." It also featured the ballad "Overjoyed" which was originally written for ''Journey Through the Secret Life of Plants'', but didn't make the album. He performed "Overjoyed" on ''Saturday Night Live'' when he was the host. He was also featured in Chaka Khan's cover of Prince's "I Feel For You", alongside Melle Mel, playing his signature harmonica. In roughly the same period he was also featured on harmonica on Eurythmics' single, "There Must Be an Angel (Playing with My Heart)" and Elton John's "I Guess That's Why They Call It The Blues".

By 1985, Stevie Wonder was an American icon, the subject of good-humored jokes about blindness and affectionately impersonated by Eddie Murphy on ''Saturday Night Live''. Wonder sometimes joined in the jokes himself such as in ''The Motown Revue'' with Smokey Robinson. He was in a featured duet with Bruce Springsteen on the all-star charity single for African Famine Relief, "We Are the World", and he was part of another charity single the following year (1986), the AIDS-inspired "That's What Friends Are For". He also played the harmonica on the album ''Dreamland Express'' by John Denver in the song "If Ever", a song Wonder co-wrote with Stephanie Andrews. He also wrote the track "I Do Love You" for The Beach Boys' 1985 self-titled album. Stevie Wonder also played the harmonica on a track called "Can't Help Lovin' That Man" from "Showboat" on "The Broadway Album" by Barbra Streisand.

In 1986, Stevie Wonder appeared on ''The Cosby Show'', as himself, in the episode "A Touch of Wonder".

In 1987, Wonder appeared on Michael Jackson's ''Bad'' album on the duet "Just Good Friends". Michael Jackson also sang a duet with him titled "Get It" on Wonder's 1987 album ''Characters''. This was a minor hit single, as were "Skeletons" and "You Will Know". In the fall of 1988, Wonder dueted with Julio Iglesias on the hit single "My Love", which appeared on Iglesias' album ''Non Stop''.

Later career: 1991–2001

thumb|Stevie Wonder at the Grammy Awards of 1990 After 1987's ''Characters'' LP, Wonder continued to release new material, but at a slower pace. He recorded a soundtrack album for Spike Lee's film ''Jungle Fever'' in 1991. From this album, singles and videos were released for "Gotta Have You" and "These Three Words". The B-side to the "Gotta Have You" single was "Feeding Off The Love Of The Land", which was played during the end credits of the movie ''Jungle Fever'' but was not included on the soundtrack. A piano and vocal version of "Feeding Off The Love Of The Land" was also released on the ''Nobody's Child: Romanian Angel Appeal'' compilation. It is rumored that "Feeding Off The Love Of The Land" was originally intended for release on ''Fulfillingness' First Finale Volume Two'', a project that has never been confirmed as completed.

''Conversation Peace'' and the live album ''Natural Wonder'' were also released in the 1990s. The former received its European launch at a high-profile March 1995 press conference in Paris, where Stevie mentioned how the tearing down of The Wall between East and West Berlin and the desire for a united Europe had played a significant part in the inspiration behind the album.

In 1994, Wonder made a guest appearance on the KISS cover album ''KISS My Ass: Classic KISS Regrooved'', playing harmonica and supplying background vocals for the song "Deuce", performed by Lenny Kravitz.

In 1996, Stevie Wonder's ''Songs in the Key of Life'' was selected as a documentary subject for the Classic Albums documentary series. This series dedicates 60 minutes to one groundbreaking record per feature. The same year, he performed John Lennon's song "Imagine" in the closing ceremony of the Atlanta Olympic Games. The same year, Wonder performed in a remix of "Seasons of Love" from the Jonathan Larson musical ''Rent''.

In 1997, Wonder collaborated with Babyface for a song about abuse (domestic violence) called "How Come, How Long" which was nominated for an award.

In December 1999, Wonder announced that he was interested in pursuing an intraocular retinal prosthesis to partially restore his sight. That same year, Wonder was featured on harmonica in the Sting song "Brand New Day".

In 2000, Stevie Wonder contributed two new songs to the soundtrack for Spike Lee's ''Bamboozled'' album ("Misrepresented People" and "Some Years Ago").

Current career: 2002–present

In March 2002, Wonder performed at the opening ceremonies of the 2002 Winter Paralympics in Salt Lake City.

On July 2, 2005, Wonder performed in the Live 8 concert in Philadelphia.

Wonder's first new album in ten years, ''A Time to Love'', was released on October 18, 2005, after having been pushed back from first a May, and then a June release. The album was released electronically on September 27, 2005, exclusively on Apple's iTunes Music Store. The first single, "So What the Fuss", was released in April. A second single, "From the Bottom of My Heart" was a hit on adult-contemporary R&B; radio. The album also featured a duet with India.Arie on the title track "A Time to Love".

Wonder performed at the pre-game show for Super Bowl XL in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying Aretha Franklin during "The Star Spangled Banner".

In March 2006, Wonder received new national exposure on the top-rated ''American Idol'' television program. Wonder performed "My Love Is on Fire" (from ''A Time To Love'') live on the show itself. In June 2006, Stevie Wonder made a guest appearance on Busta Rhymes' new album, ''The Big Bang'' on the track "Been through the Storm". He sings the refrain and plays the piano on the Dr. Dre and Sha Money XL produced track. He appeared again on the last track of Snoop Dogg's new album ''Tha Blue Carpet Treatment'', "Conversations". The song is a remake of "Have a Talk with God" from ''Songs in the Key of Life''.

In 2006, Wonder staged a duet with Andrea Bocelli on the latter's album ''Amore'', offering harmonica and additional vocals on "Canzoni Stonate". Stevie Wonder also performed at Washington, D.C.'s 2006 "A Capitol Fourth" celebration.

On August 2, 2007, Stevie Wonder announced the A Wonder Summer's Night 13 concert tour—his first U.S. tour in over ten years. This tour was inspired by the recent passing of his mother, as he stated at the conclusion of the tour on December 9 at the Jobing.com Arena in Glendale, Arizona.

On August 28, 2008, Wonder performed at the Democratic National Convention at Invesco Field at Mile High in Denver, Colorado. Songs included a previously unreleased song, "Fear Can't Put Dreams to Sleep," and "Signed, Sealed, Delivered I'm Yours".

On September 8, 2008, Wonder started the European leg of his Wonder Summer's Night Tour, the first time he had toured Europe in over a decade. His opening show was at the National Indoor Arena in Birmingham. During the tour, Wonder played eight UK gigs; four at The O2 Arena in London, two in Birmingham and two at the M.E.N. Arena in Manchester. Stevie Wonder's other stops in the tour's European leg also found him performing in Holland (Rotterdam), Sweden (Stockholm), Germany (Cologne, Mannheim and Munich), Norway (Hamar), France (Paris), Italy (Milan) and Denmark (Aalborg). Wonder also toured Australia (Perth, Adelaide, Melbourne, Sydney and Brisbane) and New Zealand (Christchurch, Auckland and New Plymouth) in October and November.

By June 2008, Wonder was working on two projects simultaneously: a new album titled ''The Gospel Inspired By Lula'' which will deal with the various spiritual and cultural crises facing the world, and ''Through The Eyes Of Wonder'', an album which Wonder has described as a performance piece that will reflect his experience as a blind man. Wonder was also keeping the door open for a collaboration with Tony Bennett and Quincy Jones concerning a rumored jazz album. If Wonder was to join forces with Bennett, it would not be for the first time; Their rendition of "For Once in My Life" earned them a Grammy for best pop collaboration with vocals in 2006. Wonder's harmonica playing can be heard on the 2009 Grammy-nominated "Never Give You Up" featuring CJ Hilton and Raphael Saadiq.

Wonder performed on January 18, 2009 at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial. On Inauguration Day, January 20, 2009, Wonder performed the song "Brand New Day" with musician Sting. He performed his new song "All About the Love Again" and, with other musical artists, "Signed, Sealed & Delivered". On February 23, 2009, Wonder became the second recipient of the Library of Congress's Gershwin Prize for pop music, honored by President Barack Obama at the White House.

On July 7, 2009, Wonder performed "Never Dreamed You'd Leave In Summer" and "They Won't Go When I Go" at the Staples Center for Michael Jackson's memorial service. On October 29, 2009, Wonder performed at the 25th anniversary concert for the Rock and Roll Hall of Fame. Among performing songs with B.B. King, Wonder performed Michael Jackson's 'The Way You Make Me Feel', during which he became emotionally distraught and was unable to perform until he regained his composure.

On January 22, 2010, Wonder performed Bridge Over Troubled Water for the Hope for Haiti Now: A Global Benefit for Earthquake Relief event to help victims of the earthquake in Port-au-Prince on January 12, 2010.

On March 6, 2010, Wonder was awarded the Commander of the Arts and Letters by French Culture Minister Frédéric Mitterrand. Wonder had been due to receive this award in 1981, but scheduling problems prevented this from happening. A lifetime achievement award was also given to Wonder on the same day, at France's biggest music awards.

His 2010 tour included a two-hour set at the Bonnaroo Music Festival in Manchester, Tennessee, a stop at London's "Hard Rock Calling" in Hyde Park, and appearances at England's Glastonbury Festival, Rotterdam's North Sea Jazz Festival, and a concert in Bergen, Norway and a concert in Dublin, Ireland at the O2 Arena on June 24.

In February 2011, the Apollo Theater announced that Stevie Wonder will be the next in line for the Apollo Legends Hall of Fame. The theater said that the singer will be inducted into the New York City institution's Hall of Fame in five months.

On June 25, 2011, Wonder performed at the opening ceremony of the 2011 Special Olympics World Summer Games in Athens, Greece.

Legacy

A prominent figure in popular music during the latter half of the 20th century, Wonder has recorded more than thirty U.S. top ten hits and won twenty-two Grammy Awards (the most ever won by a solo artist) as well as a Lifetime Achievement Award. He has also won an Academy Award for Best Song, and been inducted into both the Rock and Roll and Songwriters halls of fame. He has also been awarded the Polar Music Prize. American music magazine Rolling Stone named him the ninth greatest singer of all time. In June 2009 he became the fourth artist to receive the Montreal Jazz Festival Spirit Award.

He has ten U.S. number-one hits on the pop charts as well as 20 R&B; number one hits, and album sales totaling more than 100 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bass guitar, bongos, organ, melodica, and clavinet. In his childhood, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability. Wonder was the first Motown artist and second African American musician to win an Academy Award for Best Original Song for his 1984 hit single "I Just Called to Say I Love You" from the movie ''The Woman in Red''.

Classic period

Wonder's "classic period" is generally agreed to consist of the concept albums he created in the early- to mid-1970s, peaking in 1976. Some observers see in 1971's ''Where I'm Coming From'' certain indications of the beginning of the classic period, such as its new funky keyboard style which Wonder used throughout the classic period. Some determine Wonder's first "classic" album to be 1972's ''Music of My Mind'', on which he attained personal control of production, and on which he programmed a series of songs integrated with one another to make a concept album. Others skip over early 1972 and determine the beginning of the classic period to be ''Talking Book'' in late 1972, the album in which Wonder "hit his stride".

Impact

Wonder's songs are renowned for being quite difficult to sing. He has a very developed sense of harmony and uses many extended chords utilizing extensions such as ninths, elevenths, thirteenths, diminished fifths, etc. in his compositions. Many of his melodies make abrupt, unpredictable changes. Many of his vocal melodies are also melismatic, meaning that a syllable is sung over several notes. Some of his best known and most frequently covered songs are played in keys which are more often found in jazz than in pop and rock. For example, "Superstition", "Higher Ground" and "I Wish" are in the key of E flat minor, and feature distinctive riffs in the E flat minor pentatonic scale (i.e. largely on the black notes of the keyboard).

Wonder played a large role in bringing synthesizers to the forefront of popular music. He developed many new textures and sounds never heard before. In 1981, Wonder became the first owner of an E-mu Emulator.

Songs sampled by other musicians

Wonder has recorded with Jon Gibson, a Christian Soul musician, on a remake of his own song, "Have a Talk With God" (from the 1989 album ''Body & Soul''), covered by Gibson in which Wonder plays harmonica. The two men met in the early 1980s through a shared music agent (Bill Wolfer).

Red Hot Chili Peppers covered "Higher Ground" in 1989 on their ''Mother's Milk'' album. Stevie Ray Vaughan & Double Trouble covered "Superstition" and Wonder made a cameo appearance in the official music video for the song.

De La Soul sampled "Hey Love" in their song "Talkin' Bout Hey Love" on their 1991 album De La Soul Is Dead.

"Don't You Worry 'bout a Thing" was rendered by English band Incognito in 1992 and John Legend covered this song for the 2005 film, ''Hitch''. George Michael and Mary J. Blige covered "As" in the late 1990s. In 1999, Salome De Bahia made a Brazilian version of "Another Star". Tupac Shakur sampled "That Girl" for his hit song "So Many Tears".

"Pastime Paradise" would become an interpolation for Coolio's "Gangsta's Paradise" while Will Smith would use "I Wish" as the basis for the theme song to his movie, ''Wild Wild West''. The elements of "Love's In Need of Love Today" were used by 50 Cent in the song "Ryder Music", and Warren G sampled "Village Ghetto Land" for his song "Ghetto Village".

Mary Mary, did a cover of his song, "You Will Know" on their 2002 album, ''Incredible''. Australian soul artist Guy Sebastian recorded a cover of "I Wish" on his ''Beautiful Life'' album. In 2003, Raven-Symoné recorded a cover of "Superstition" for the soundtrack to Disney's ''The Haunted Mansion''. In 2005, Canadian singer Dave Moffatt, from the group The Moffatts, sang the song "Overjoyed" from the ''In Square Circle'' album on ''Canadian Idol''. Clay Aiken performed "Isn't She Lovely?" in the episode "My Life in Four Cameras" of ''Scrubs''.

Personal life

Wonder has been married twice: to Motown singer Syreeta Wright from 1970 until their divorce in 1972; and since 2001, to fashion designer Kai Milla Morris. He has seven children from his two marriages and several relationships.

His daughter Aisha Morris (born on February 2, 1975, with Yolanda Simmons as mother) was the inspiration for his hit single "Isn't She Lovely." Aisha Morris is a singer who has toured with her father and accompanied him on recordings, including his 2005 album, ''A Time 2 Love''. Wonder has two sons with Kai Milla Morris; the older is named Kailand and he occasionally performs as a drummer on stage with his father. The younger son, Mandla Kadjay Carl Stevland Morris, was born May 13, 2005, his father's 55th birthday. In May 2006, Wonder's mother died in Los Angeles, at the age of 76. During his September 8, 2008 UK concert in Birmingham, he spoke of his decision to begin touring again following his loss. "I want to take all the pain that I feel and celebrate and turn it around".

Wonder's Taxi Productions owns Los Angeles radio station KJLH.

Charting discography

Top 40 singles

style="width:28px;" rowspan="2"	Year	Title	Chart positions
! style="vertical-align:top; width:30px;"	! style="vertical-align:top; width:30px;"		! style="vertical-align:top; width:30px;"	! style="vertical-align:top; width:30px;"	! style="vertical-align:top; width:30px;"
	1963	"Fingertips	Fingertips – Pt. 2"
	"Uptight (Everything's Alright)"
"Blowin' in the Wind"
	1967	"I Was Made to Love Her (song)	I Was Made to Love Her"
	"For Once in My Life"
"Shoo-Be-Doo-Be-Doo-Da-Day"
"Yester-Me, Yester-You, Yesterday"
	"Never Had a Dream Come True"
"Signed, Sealed, Delivered I'm Yours"
"Heaven Help Us All"
	"We Can Work It Out"
"If You Really Love Me"
	"Superwoman (Where Were You When I Needed You)"
	"You Are the Sunshine of My Life"
"Living for the City"
	"He's Misstra Know It All"
"You Haven't Done Nothin'" (with The Jackson 5)
"Boogie On Reggae Woman"
"Sir Duke"
"Another Star"
	1979	"Send One Your Love"
	"Master Blaster (Jammin')"
"I Ain't Gonna Stand for It"
	"Do I Do"
"Ebony and Ivory" (with Paul McCartney)
"Ribbon in the Sky"
	1984	"I Just Called to Say I Love You"
	"Part-Time Lover"
"That's What Friends Are For" (with Dionne Warwick, Elton John and Gladys Knight)
"Love Light in Flight"
	"Go Home"
"Land of La La"
	1987	"Skeletons (Stevie Wonder song)	Skeletons"
"My Eyes Don't Cry"
"You Will Know"
	1989	"With Each Beat of My Heart"
	1990	"Keep Our Love Alive"
	1992	"These Three Words"
	1995
	"So What the Fuss"
"From the Bottom of My Heart"

U.S. and UK albums

{|class="wikitable" |- ! style="width:28px;" rowspan="2"| Year ! style="width:250px;" rowspan="2"| Album ! colspan="3"| Chart positions |- ! style="vertical-align:top; width:30px;"| US ! style="vertical-align:top; width:30px;"| US R&B; ! style="vertical-align:top; width:30px;"| UK |- |1963 |''Recorded Live: The 12 Year Old Genius'' | style="text-align:center;"| 1 | style="text-align:center;"| – | style="text-align:center;"| – |- |1966 |''Up-Tight'' | style="text-align:center;"| 33 | style="text-align:center;"| 2 | style="text-align:center;"| – |- |1966 |''Down to Earth'' | style="text-align:center;"| 72 | style="text-align:center;"| 8 | style="text-align:center;"| – |- |1967 |''I Was Made to Love Her'' | style="text-align:center;"| 45 | style="text-align:center;"| 7 | style="text-align:center;"| – |- |1968 |''For Once in My Life'' | style="text-align:center;"| 50 | style="text-align:center;"| 4 | style="text-align:center;"| – |- |1969 |''My Cherie Amour'' | style="text-align:center;"| 34 | style="text-align:center;"| 3 | style="text-align:center;"| 17 |- |1970 |''Signed, Sealed, and Delivered'' | style="text-align:center;"| 25 | style="text-align:center;"| 7 | style="text-align:center;"| – |- |1971 |''Where I'm Coming From'' | style="text-align:center;"| – | style="text-align:center;"| 7 | style="text-align:center;"| – |- |1972 |''Music of My Mind'' | style="text-align:center;"| 21 | style="text-align:center;"| 6 | style="text-align:center;"| – |- |1972 |''Talking Book'' | style="text-align:center;"| 3 | style="text-align:center;"| 1 | style="text-align:center;"| 16 |- |1973 |''Innervisions'' | style="text-align:center;"| 4 | style="text-align:center;"| 1 | style="text-align:center;"| 6 |- |1974 |''Fulfillingness' First Finale'' | style="text-align:center;"| 1 | style="text-align:center;"| 1 | style="text-align:center;"| 5 |- |1976 |''Songs in the Key of Life | style="text-align:center;"| 1 | style="text-align:center;"| 1 | style="text-align:center;"| 2 |- |1979 |''Journey through the Secret Life of Plants'' | style="text-align:center;"| 4 | style="text-align:center;"| 4 | style="text-align:center;"| 7 |- |1980 |''Hotter than July'' | style="text-align:center;"| 2 | style="text-align:center;"| 1 | style="text-align:center;"| 2 |- |1982 |''Stevie Wonder's Original Musiquarium | style="text-align:center;"| 4 | style="text-align:center;"| 1 | style="text-align:center;"| 8 |- |1984 |''The Woman in Red'' | style="text-align:center;"| 4 | style="text-align:center;"| 1 | style="text-align:center;"| 2 |- |1985 |''In Square Circle'' | style="text-align:center;"| 5 | style="text-align:center;"| 1 | style="text-align:center;"| 5 |- |1987 |''Characters'' | style="text-align:center;"| 17 | style="text-align:center;"| 1 | style="text-align:center;"| 33 |- |1995 |''Conversation Peace'' | style="text-align:center;"| 17 | style="text-align:center;"| 2 | style="text-align:center;"| 8 |- |1996 |''Natural Wonder'' | style="text-align:center;"| – | style="text-align:center;"| 88 | style="text-align:center;"| – |- |1996 |''Song Review A Greatest Hits Collection'' | style="text-align:center;"| – | style="text-align:center;"| 100 | style="text-align:center;"| 19 |- |2000 |''At the Close of a Century'' | style="text-align:center;"| – | style="text-align:center;"| 100 | style="text-align:center;"| – |- |2002 |''The Definitive Collection'' | style="text-align:center;"| 35 | style="text-align:center;"| 28 | style="text-align:center;"| – |- |2004 |''Best Of Stevie Wonder: 20th Century Masters Christmas Collection'' | style="text-align:center;"| – | style="text-align:center;"| 90 | style="text-align:center;"| – |- |2005 |''A Time to Love'' | style="text-align:center;"| 5 | style="text-align:center;"| 2 | style="text-align:center;"| 24 |- |2007 |''Number 1's'' | style="text-align:center;"| 171 | style="text-align:center;"| 40 | style="text-align:center;"| 23 |}

Awards and recognition

Grammy Awards

Wonder has received 25 Grammy Awards: including a Lifetime Achievement Award

!Year

|	Award	Title
1973	Grammy Award for Best R&B; Song>Best Rhythm & Blues Song
1973	Grammy Award for Best Male R&B; Vocal Performance>Best R&B; Vocal Performance, Male
1973	Grammy Award for Best Male Pop Vocal Performance>Best Pop Vocal Performance, Male
1973	Grammy Award for Album of the Year>Album of the Year
1973	Best Producer*
1974	Best Rhythm & Blues Song
1974	Best Male R&B; Vocal Performance
1974	Best Male Pop Vocal Performance
1974	Grammy Award for Album of the Year>Album of the Year
1974	Best Producer*
1976	Best Male R&B; Vocal Performance
1976	Best Male Pop Vocal Performance
1976	Grammy Award for Producer of the Year, Non-Classical>Best Producer of the Year*
1976	Album of the Year
1985	Best Male R&B; Vocal Performance
1986	Grammy Award for Best Pop Performance by a Duo or Group with Vocal>Best Pop Performance By A Duo Or Group With Vocal ''(awarded to Dionne Warwick, Elton John, Gladys Knight, and Wonder)
1995	Best Rhythm & Blues Song
1995	Best Male R&B; Vocal Performance
1996	Grammy Lifetime Achievement Award
1998	Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s)>Best Instrumental Arrangement Accompanying Vocal(s) ''(awarded to Herbie Hancock, Robert Sadin, and Wonder)
1998	Best Male R&B; Vocal Performance
2002	Grammy Award for Best R&B; Performance by a Duo or Group with Vocals>Best R&B; Performance By A Duo Or Group With Vocals ''(awarded to Wonder and Take 6)
2005	Best Male Pop Vocal Performance
2005	''(awarded to Beyoncé Knowles>Beyoncé and Wonder)
2006	Best Pop Collaboration With Vocals ''(awarded to Tony Bennett and Wonder)

Between 1965 and 1980, a self-produced artist won an additional Grammy as a producer as well as an artist.

Other awards and recognition

1983: inducted to the Songwriters Hall of Fame. 1984: received an Academy Award for Best Song for "I Just Called to Say I Love You" from the movie ''The Woman in Red''. 1989: inducted to the Rock and Roll Hall of Fame. 1996: received the Grammy Lifetime Achievement Award. 1999: received the Polar Music Prize and Kennedy Center Honors. 2002: received the George and Ira Gershwin Lifetime Achievement Award at UCLA's Spring Sing. The same year, Wonder received the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame. 2004: received the Billboard Century Award. Also in 2004, Rolling Stone Magazine ranked him #15 on their list of the 100 Greatest Rock and Roll Artists of All Time. 2006: was inducted, as one of the first inductees, into the Michigan Walk of Fame. The same year, Wonder received a Lifetime Achievement Award from the National Civil Rights Museum in Memphis. 2008: Ranked at number five on "The Billboard Hot 100 Top All-Time Artists", making him as the third most successful male artist in the history of ''Billboard'' Hot 100 chart. 2009: Recipient of the second Gershwin Prize For Popular Song. 2009: Recipient of the Montreal Jazz Festival Spirit Award. This special award underlines a popular artist’s extraordinary contribution to the musical world. The Montreal Jazz Festival Spirit Award is in bronze. 2009: Named a Messenger of Peace by the United Nations.

See also

Best selling music artists

List of number-one hits (United States)

List of Billboard Hot 100 chart achievements and milestones

List of artists who reached number one on the Hot 100 (U.S.)

References

External links

Official site

Never That Simple: Stevie Wonder—By Robert Christgau

Category:1950 births Category:African American drummers Category:African American singer-songwriters Category:African American pianists Category:African American record producers Category:African Americans' rights activists Category:American child singers Category:American composers Category:American funk drummers Category:American funk keyboardists Category:American funk singers Category:American harmonica players Category:American male singers Category:American multi-instrumentalists Category:American rhythm and blues keyboardists Category:American rhythm and blues singer-songwriters Category:American soul keyboardists Category:American soul singers Category:Best Song Academy Award winning songwriters Category:Blind musicians Category:Commandeurs of the Ordre des Arts et des Lettres Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Kennedy Center honorees Category:Living people Category:Motown artists Category:Musicians from Detroit, Michigan Category:Musicians from Michigan Category:People from Saginaw, Michigan Category:Rhythm and blues pianists Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:Soul drummers Category:United Nations Messengers of Peace

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Name	Sir Mix-a-Lot
Background	solo_singer
Birth name	Anthony Ray
Born	August 12, 1963Seattle, Washington, U.S. |genre Hip hop, West Coast rap, old school hip hop
Occupation	Rapper, songwriter, producer, performer
Years active	1986–present
Label	Nastymix/Ichiban, American Recordings, Artist Direct/BMG
Website	www.sirmixalot.com }}

Anthony Ray (born August 12, 1963), better known by his stage name Sir Mix-a-Lot, is an emcee and producer based in Seattle, Washington. The founder of the Nastymix record label, he debuted in 1988 with ''Swass''. In 1992, he debuted on a major label with his album ''Mack Daddy'', whose single "Baby Got Back" reached the top of the American singles chart and won a Grammy Award.

Career

In 1986, Sir Mix-a-Lot and his DJ, Nasty Nes founded the Nastymix record label. His first hit, released in 1987, was the single "Posse on Broadway," whose title referred to a street in Seattle's Capitol Hill district. The Godzilla remix of "Posse on Broadway" contained a sample from David Bowie's 1975 hit "Fame," but neither the album version nor the original seven-inch edit version (which was used for the video) used the Bowie sample. ''Swass'', his debut album, was released in 1988, with two other singles: "Square-Dance Rap" and a hip hop cover of the Black Sabbath song "Iron Man" backed by the band Metal Church. In 1990, the Recording Industry Association of America (RIAA) certified ''Swass'' platinum for selling a million copies.

Sir Mix-A-Lot debuted on the Def American label, which also bought the rights of his first two albums, with ''Mack Daddy'' in 1992. Its single "Baby Got Back" was a number-one hit that went double platinum and won the 1993 Grammy Award for Best Rap Solo Performance. MTV aired the video for "Baby Got Back" only during evening hours because of its sexual nature. In 1993, Sir Mix-a-Lot collaborated with Seattle-based grunge group Mudhoney for the song "Freak Momma" on the ''Judgment Night'' soundtrack.

Low label promotion of his 1996 album ''Return of the Bumpasaurus'' led Sir Mix-a-Lot to leave the American label. During the three year break, Sir Mix-a-Lot worked closely with another group, The Presidents of the United States of America under the group name "Subset" with a combination of rock and rap music, but nothing was ever officially released. Sir Mix-a-Lot signed with the independent Artist Direct label for his 2003 album ''Daddy's Home'' with "Big Johnson" as its lead single. Despite having taken several years off from recording, Sir Mix-a-Lot is still known to mix frequently.

In 2010, Sir Mix-a-Lot announced his next album, Dun 4got About Mix. The lead single "Carz" was released to YouTube on 23 Nov 2010. By June 2011, the video had accquired over a million views, although no release date for the album has been set.

Film and Television

In 1995, Sir Mix-a-Lot starred as the titular character of the short-lived TV series ''The Watcher''. The show was one of the first dramas aired on the fledgling broadcast network, UPN. Reminiscent of series such as ''The Twilight Zone'', Sir-Mix-a-Lot functioned as an omniscient narrator who introduced each episode, which would feature a new tale set in the seamy underbelly of Las Vegas.

In 2006, Sir Mix-a-Lot appeared as himself in the second season episode of ''Tom Goes to the Mayor'', "My Big Cups", in which he raps the jingle for Tom's latest commercial enterprise, a store that sells big cups. He also appeared as himself in The Simpsons episode Treehouse of Horror XVII singing a parody of his song, Baby Got Back titled Baby Likes Fat. He is currently trying to make a comeback with a new label that should make its release at the end of 2011.

Sir Mix-a-Lot provides narration and commentary in ''Wheedle's Groove'', a 2009 documentary about the Seattle 1960s and 70s funk and soul scene.

Discography

''Swass'' (1988)

''Seminar'' (1989)

''Mack Daddy'' (1992)

''Chief Boot Knocka'' (1994)

''Return of the Bumpasaurus'' (1996)

''Daddy's Home'' (2003)

References

External links

Sir Mix-A-Lot Official site

Official site at Artist Direct

Sir Mix-A-Lot at MySpace

Subset

Category:1963 births Category:Living people Category:African American rappers Category:People from Seattle, Washington Category:Grammy Award winners Category:Rappers from Washington (state) Category:Sony BMG artists Category:Universal Records artists

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name	Monty Python
medium	Television, film, theatre, audio recordings, books
nationality	British
active	1969–1983
genre	Satire, Surreal humour, dark comedy
influences	The Goons, Spike Milligan, Peter Cook
influenced	Douglas Adams, Eddie Izzard, George Carlin, Vic and Bob, Matt Stone, Trey Parker
notable work	''Monty Python's Flying Circus'' (1969–1974)''And Now for Something Completely Different'' (1971)''Monty Python and the Holy Grail'' (1974)''Monty Python's Life of Brian'' (1979)''Monty Python Live at the Hollywood Bowl'' (1982)''Monty Python's The Meaning of Life'' (1983)
current members	Graham Chapman John Cleese Terry Gilliam Eric Idle Terry Jones Michael Palin
website	PythOnline
footnotes	}}

Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created their influential ''Monty Python's Flying Circus'', a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to Elvis Presley's influence on music.

The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, they changed the way performers entertained audiences. The Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''Saturday Night Live'' through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.

In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.

Before ''Flying Circus''

Palin and Jones met at Oxford University, where they performed together with the Oxford Revue. Cleese and Chapman met at Cambridge. Idle was also at Cambridge, but started a year after Cleese and Chapman. Cleese met Gilliam in New York while on tour with the Cambridge University Footlights revue ''Cambridge Circus'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''Goodies'' (Tim Brooke-Taylor, Bill Oddie and Graeme Garden), and Jonathan Lynn (co-writer of ''Yes Minister'' and ''Yes, Prime Minister''). During Idle's presidency of the Club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights revues (called "Smokers") at Pembroke College include sketches and performances by Idle and Cleese. They are kept in the archives of the Pembroke Players, along with tapes of Idle's performances in some of the college drama society's theatrical productions.

Python members appeared in and/or wrote the following shows before ''Monty Python's Flying Circus''. ''The Frost Report'' is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles:

''I'm Sorry, I'll Read That Again'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]

''The Frost Report'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]

''At Last the 1948 Show'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]

''Twice a Fortnight'' (1967) [Palin and Jones: cast members and writers]

''Do Not Adjust Your Set'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] — Bonzo Dog Band: musical interludes]

''We Have Ways of Making You Laugh'' (1968) [Idle: cast member & writer] – [Gilliam: animation]

''How to Irritate People'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]

''The Complete and Utter History of Britain'' (1969) [Palin and Jones: cast members & writers]

''Doctor in the House'' (1969) [Cleese & Chapman: writers]

Several featured other important British comedy writers or performers of the future, including Marty Feldman, Jonathan Lynn, David Jason and David Frost, as well as members of other future comedy teams, Ronnie Corbett and Ronnie Barker (the Two Ronnies), and Tim Brooke-Taylor, Graeme Garden and Bill Oddie (the Goodies).

Following the success of ''Do Not Adjust Your Set'', originally intended to be a children's programme, with adults, ITV offered Palin, Jones, Idle and Gilliam their own series together. At the same time Cleese and Chapman were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a two-man show for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.

''Monty Python's Flying Circus''

Development of the series

The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook, Alan Bennett, Jonathan Miller and Dudley Moore on ''Beyond the Fringe'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''Not Only... But Also''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan, recording his groundbreaking series ''Q5'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.

After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).

Writing started at 9 am and finished at 5 pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had carte blanche to decide how to bridge them with animations, using a camera, scissors, and airbrush.

While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In Anagrams). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).

Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''Toad Elevating Moment'', ''A Bucket, a Horse and a Spoon'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). "Gwen Dibley's Flying Circus" was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. "Baron Von Took's Flying Circus" was considered as an affectionate tribute to Barry Took, the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.

There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the group implied that "Monty" was selected (Eric Idle's idea) as a gently-mocking tribute to Field Marshal Lord Montgomery, a legendary British general of World War II; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".

Style of the show

''Flying Circus'' popularised innovative formal techniques, such as the cold open, in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the title sequence and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. They also experimented with ending segments by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."

The Python theme music is ''The Liberty Bell'', a march by John Philip Sousa, which was chosen, among other reasons, because the recording was in the public domain.

The use of Gilliam's surreal, collage stop motion animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid, cut from a reproduction of the Renaissance masterpiece ''Venus, Cupid, Folly, and Time'' by Bronzino. This foot, and Gilliam's style in general, are visual trademarks of the series.

The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto. Generally speaking, female roles were played by a woman (usually Carol Cleveland) when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''Monty Python's Life of Brian'' they took the idea one step further by playing women who impersonated men (in the stoning scene).

Many sketches are well-known and widely quoted. "Dead Parrot", "The Lumberjack Song", "Spam", "Nudge Nudge", "The Spanish Inquisition", "Upper Class Twit of the Year", "Cheese Shop" and "The Ministry of Silly Walks" are just a few examples.

End of ''Flying Circus''

Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."

The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.

Time-Life Films had the right to distribute all BBC-TV programs in America, however they had decided that British comedy simply would not work in the U.S.A. Therefore, it was not worth the investment to convert the Python shows from the European PAL standard to the American NTSC standard, which meant PBS stations could not afford the programmes. Finally, in 1974, Greg Garrison, TV producer for Dean Martin, used a couple of Python sketches ("Bicycle Repairman" and "The Dull Life of a Stockbroker") on the NBC series ''ComedyWorld'', a summer replacement series for ''The Dean Martin Show''. Payment for use of these segments was enough to pay for the conversion of the entire Python library to NTSC standard. At last, they could be sold to non-commercial TV stations, where officially they began airing in October 1974—exactly 5 years after their BBC debut. One PBS station had a program director (Ron Devillier) so eager that he 'jumped the gun' and started broadcasting the 'Flying Circus' episodes in that summer on the unlikely KERA in Dallas. The ratings shot through the roof—and was an encouraging sign to the other 100 stations that had signed up to air the shows. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.

With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''Are You Being Served?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.

Life after the ''Flying Circus''

Filmography

''And Now for Something Completely Different'' (1971)

The Pythons' first feature film (directed by Ian MacNaughton, reprising his role from the television series). It was composed of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", "How Not To Be Seen" and "Nudge Nudge". Financed by Playboy's UK executive Victor Lownes, it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK (this still being in the era before home video would make it much more accessible to view the material again). The group did not consider the film a success.

''Monty Python and the Holy Grail'' (1974)

In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''Monty Python and the Holy Grail'' was based on Arthurian Legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd, Jethro Tull and Led Zeppelin—and UK music industry entrepreneur Tony Stratton-Smith (founder and owner of the Charisma Records label, for which the Pythons recorded their comedy albums).

The backers of the film wanted to cut the famous Black Knight scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.

''Monty Python's Life of Brian'' (1979)

Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact that the team had not even begun to consider a third one. Eventually, Idle once flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer once they realised that it shut reporters up. However, they soon began to seriously consider a film lampooning the New Testament era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus nor his teachings directly. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone who had been mistaken for the "Messiah," but who had no desire to be followed as such. Chapman was cast in the lead role of Brian.

The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount, speaking the Beatitudes), he is played straight (by actor Kenneth Colley) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")

Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on location in Tunisia, the finances being provided this time by former Beatle George Harrison, who together with Denis O'Brien formed the production company Hand-Made Films for the movie. He had a cameo role as the 'owner of the Mount.'

Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A Channel 4 poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.

''Monty Python Live at the Hollywood Bowl'' (1982)

Filmed at the Hollywood Bowl in Los Angeles during preparations for ''The Meaning of Life'', this was a concert film (directed by Terry Hughes) in which the Pythons performed sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''Monty Python's Contractual Obligation Album''.

''Monty Python's The Meaning of Life'' (1983)

Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of black humour, garnished by some spectacular violence (including an operation to remove a liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."

Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''The Crimson Permanent Assurance''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''Parrot Sketch Not Included,'' where they are all seen sitting in a closet for four seconds. This would be the last time Chapman appeared on-screen with the Pythons.

''Secret Policeman's Ball'' benefit shows

Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the human rights work of Amnesty International. Between 1976 and 1981, the troupe or its members appeared in four major fund-raisers for Amnesty—known collectively as the ''Secret Policeman's Ball'' shows—which were turned into multiple films, TV shows, videos, record albums and books. These benefit shows and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues. Among the many musicians who have publicly attributed their activism—and the organisation of their own benefit events—to the inspiration of the work in this field of Monty Python are U2, Bob Geldof, Pete Townshend and Sting. The shows are credited by Amnesty with helping the organisation develop public awareness in the USA where one of the spin-off films was a major success.

Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" Carol Cleveland and Neil Innes) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''A Poke In The Eye (With A Sharp Stick)''—where they performed several Python sketches. In this first show they were collectively billed as ''Monty Python''. (Peter Cook deputised for the errant Idle in one major sketch ''The Courtroom''.) In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows in 1987 (sometimes with, and sometimes without variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows since 1987 have featured newer generations of British comedic performers, including many who have attributed their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that the Pythons have not appeared in shows after the first four.)

Going solo

Each member has pursued various film, television and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''A Fish Called Wanda'' (1988), written by Cleese, in which he starred along with Palin. The pair also appeared in ''Time Bandits'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''Jabberwocky'' (1977), and also directed and co-wrote ''Brazil'' (1985) and ''The Adventures of Baron Munchausen'' (1988), which featured Palin and Idle respectively. ''Yellowbeard'' (1983) was co-written by Chapman and featured Chapman, Cleese and Palin alongside many of their English contemporaries, including Peter Cook, Spike Milligan and Marty Feldman.

Palin and Jones wrote the comedic TV series ''Ripping Yarns'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''Erik the Viking'', also has Cleese playing a small part.

In 1996, Terry Jones wrote and directed an adaption of Kenneth Grahame's novel ''The Wind in the Willows''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river.

In terms of numbers of productions, Cleese has the most prolific solo career, having appeared in 59 theatrical films, 22 TV shows or series (including ''Cheers'', ''3rd Rock from the Sun'', Q's assistant in the James Bond movies, and ''Will & Grace''), 23 direct-to-video productions, six video games, and a number of commercials. His BBC sitcom ''Fawlty Towers'' (written by and starring Cleese together with his then-wife Connie Booth), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the BFI TV 100's list, topping the whole poll.

Idle enjoyed critical success with ''Rutland Weekend Television'' in the mid-1970s, out of which came the Beatles parody The Rutles (responsible for the cult mockumentary ''All You Need Is Cash''), and as an actor in ''Nuns on the Run'' (1990) with Robbie Coltrane. Idle has had success with Python songs: "Always Look on the Bright Side of Life" went to no. 3 in the UK singles chart in 1991. The song had been revived by Simon Mayo on BBC Radio 1, and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''Spamalot'' has made Idle the most financially successful of the troupe post-Python. Written by Idle, it has proved an enormous hit on Broadway, London's West End and also Las Vegas. This was followed by ''Not the Messiah (He's a Very Naughty Boy)'', which repurposes ''The Life of Brian'' as an oratorio. For the work's 2007 premiere at the Luminato festival in Toronto (which commissioned the work), Idle himself sang the "baritone-ish" part.

Post-Python reunions

Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours. The final reunion of all six members occurred during the ''Parrot Sketch Not Included – 20 Years of Monty Python'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.

In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''Mr. Toad's Wild Ride''.

In 1998 during the US Comedy Arts Festival, where the troupe was awarded the AFI Star Award by the American Film Institute, the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years. The occasion was in the form of an interview called Monty Python Live At Aspen, (hosted by Robert Klein, with an appearance by Eddie Izzard) in which the team looked back at some of their work and performed a few new sketches.

On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, BBC2 devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, though omitting a few things, on the DVD ''The Life of Python''. Though Idle's involvement in the special is limited, the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.

In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "Sit on My Face" for George Harrison's memorial concert. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from Tom Hanks.

In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings. A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.

Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as John Lennon remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."

2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent fission. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the original ''Grail'' and ''Brian'' films had been considered to be essential performance anchorage). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also hit the buffers at Cleese's refusal, this time with the backing of other members.

March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''Spamalot'', based on ''Monty Python and the Holy Grail''. It opened in Chicago and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 Tony Awards and won three: Best Musical, Best Direction of a Musical for Mike Nichols and Best Performance by a Featured Actress in a Musical for Sara Ramirez, who played the Lady of the Lake, a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.

Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005, that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''Monty Python's Personal Best.'' Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.

Eric Idle and John Cleese appeared on stage together singing "Always Look on the Bright Side of Life" with the rest of the performers for the climax of Prince Charles 60th Birthday Show.

In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six part documentary entitled ''Monty Python: Almost the Truth (The Lawyer's Cut)'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.

Also in commemoration of the 40th anniversary Idle, Palin, Jones and Gilliam appeared in a production of ''Not the Messiah (He's a Very Naughty Boy)'' at the Royal Albert Hall. The European premiere was held on 23 October 2009. An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the Team received a Special Award from the British Academy of Film and Television Arts.

In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''A Liar's Autobiography'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the toils of surreal comedy.

Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."

The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel EPIX announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.

John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.

Python members

Graham Chapman was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written.

John Cleese is the oldest Python. He met his future Python writing partner, Graham Chapman in Cambridge.

Terry Gilliam, an American, was the only member of the troupe of non-British origin. He started off as an animator and strip cartoonist for Harvey Kurtzman's ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "The Crimson Permanent Assurance", the short film that appears before ''The Meaning of Life'').

When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and Eric Idle. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''Splitting Heirs'' (written, produced by and starring him) and 1998's ''An Alan Smithee Film: Burn Hollywood Burn'' (in which he starred), which was awarded five Razzies, including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''Spamalot'', based on the ''Holy Grail'' movie. He also wrote ''Not the Messiah (He's a Very Naughty Boy)'', an oratorio derived from the ''Life of Brian''.

Terry Jones has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as fossil fuels, or Rupert Bear, or mercenaries in the Middle Ages or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.

Michael Palin attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.

Associate Pythons

Several people have been accorded unofficial "Associate Python" status over the years. Occasionally such people have been referred to as the ''7th Python'', in a style reminiscent of associates of The Beatles being dubbed "the Fifth Beatle." The two collaborators with the most meaningful and plentiful contributions have been Neil Innes and Carol Cleveland. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th anniversary celebrations held in Los Angeles in July 1994. Neil Innes is the only non-Python besides Douglas Adams to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''Monty Python Live at the Hollywood Bowl''. He was also a regular stand-in for absent team members on the rare occasions when they re-created sketches. For example, he took the place of Cleese at the Concert for George. Gilliam once noted that if anyone qualified for the title of the "Seventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat Bonzo Dog Band. He would later portray Ron Nasty of the Rutles and write all of the Rutles' compositions for ''All You Need is Cash'' (1978). By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''Chicago Tribune'' in May 2005, his attitude is that he and Innes go back "too far. And no further." Innes has remained silent on the dispute.

Carol Cleveland was the most important female performer in the Monty Python ensemble, commonly referred to as the "Python Girl." Originally hired by producer/director John Howard Davies for just the first five episodes of the ''Flying Circus'', she went on to appear in approximately two-thirds of the episodes as well as in all of the Python films, and in most of their stage shows as well. Her common portrayal as the stereotypical "blonde bimbo" eventually earned her the sobriquet "Carol Cleavage" from the other Pythons, but she felt that the variety of her roles should not be described in such a pejorative way.

Other contributors

Cleese's wife Connie Booth appeared in, amongst others "The Lumberjack Song" and as the "witch" in ''Monty Python and the Holy Grail''. Cleese and Booth later co-wrote and co-starred in ''Fawlty Towers''.

Douglas Adams was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 BBC2 television show featuring some of Adams' early work) was performed live in London's West End. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "Patient Abuse". In the sketch, a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill out numerous senseless forms before he can administer treatment. He also had two cameo appearances in this season. Firstly, in the episode ''The Light Entertainment War'', Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''Mr. Neutron'', Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''Out of the Trees.'' He also contributed to a sketch on the soundtrack album for ''Monty Python and the Holy Grail''.

Stand-up comedian Eddie Izzard, a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in Aspen, Colorado, in 1998 (released on DVD as ''Live at Aspen'').

Cultural influence

By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish". A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence" Matt Groening, creator and co-developer of animated series the Simpsons, names Monty Python as an influence and pays tribute through a couch gag used in seasons five and six.

Space

In 2010 the commercial space company SpaceX, launched a wheel of cheese into low earth orbit and returned it safely to the earth. Elon Musk, CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.

World records

On St George's Day, 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.

'Pythonesque'

Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries. Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the Oxford English Dictionary shows the extent to which we failed".

The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''South Park'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).

''Good Eats'' creator Alton Brown cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode. Recent episodes even include Gilliam-style animations to illustrate key points.

Things named after Monty Python

Beyond a dictionary definition, Python terms have entered the lexicon in other ways.

The Python programming language by Guido van Rossum is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 April Fool's Day joke by van Rossum and Larry Wall involving the merger of Python with Perl was dubbed "Parrot" after the Dead Parrot Sketch. The name "Parrot" was later used for a project to develop a virtual machine for running bytecode for interpreted languages such as Perl and Python. Also, the Jet Propulsion Laboratory wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( ), named after Bicycle Repair Man sketch.

In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the Miocene was discovered in Riversleigh, Queensland, Australia. The Australian palaeontologist who discovered the fossil snake was a Monty Python fan, and he gave the snake the taxonomic name of ''Montypythonoides riversleighensis'' in honour of the Monty Python team. (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".) In 2006, Ben & Jerry's, known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor. In 1999, Black Sheep Brewery released an ale named "Monty Python's Holy Grail Ale."

The band Toad the Wet Sprocket drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.

The band Boxhamsters, which is the German translation of Brook-Hamster, the winner of the Upper Class Twit of the Year. A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''. The term "spam" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.

In the book ''The Reptile Room'' by "Lemony Snicket", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.

Seven asteroids are named after Monty Python: 9617 Grahamchapman, 9618 Johncleese, 9619 Terrygilliam, 9620 Ericidle, 9621 Michaelpalin, 9622 Terryjones, and 13681 Monty Python .

The endangered Bemaraha woolly lemur (Avahi cleesei) is named after John Cleese.

''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''Monty Python's Flying Circus'' as well as Graham Chapman, Peter Cook, John Cleese, Dudley Moore, and The Portsmouth Sinfonia The title is also a play on the 1989 film ''Dead Poets Society''.

Media

Television

''Monty Python's Flying Circus'' (1969–74)

:The show that started the Python phenomenon. See also List of Monty Python's Flying Circus episodes

''Monty Python's Fliegender Zirkus'' (1972)

: Two 45-minute specials made by WDR for West German television. The first was recorded in German, while the second was in English with German dubbing.

''Monty Python's Personal Best'' (2006)

:Six one-hour specials, each episode presenting the best of one member's work.

Films

There were five Monty Python productions released as theatrical films:

''And Now for Something Completely Different'' (1971)

:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.

''Monty Python and the Holy Grail'' (1974)

:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.

''Monty Python's Life of Brian'' (1979)

:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.

''Monty Python Live at the Hollywood Bowl'' (1982)

:A videotape recording directed by Ian MacNaughton of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a limited theatrical release in the US.

''Monty Python's The Meaning of Life'' (1983)

:An examination of the meaning of life in a series of sketches from conception to death and beyond.

''Monty Python: Almost the Truth (The Lawyer's Cut)'' (2009)

:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.

''A Liar's Autobiography: Volume IV'' (2012)

:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.

Albums

''Monty Python's Flying Circus'' (1970)

''Another Monty Python Record'' (1971)

''Monty Python's Previous Record'' (1972)

''The Monty Python Matching Tie and Handkerchief'' (1973)

''Monty Python Live at Drury Lane'' (1974)

''The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail'' (1975)

''Monty Python Live at City Center'' (1976)

''The Monty Python Instant Record Collection'' (1977)

''Monty Python's Life of Brian'' (1979)

''Monty Python's Contractual Obligation Album'' (1980)

''Monty Python's The Meaning of Life'' (1983)

''The Final Rip Off'' (1988)

''Monty Python Sings'' (1989)

''The Monty Python Instant Record Collection, Volume 2'' (1991)

''The Ultimate Monty Python Rip Off'' (1994)

''The Instant Monty Python CD Collection'' (1994)

''Spamalot'' (Broadway version of ''Monty Python and the Holy Grail'' with Tim Curry as King Arthur) (2005)

''The Hastily Cobbled Together for a Fast Buck Album'' (unreleased)

Theatre

''Monty Python's Flying Circus'' – Between 1974 and 1980 (Live at the Hollywood Bowl was released in 1982, but was performed in 1980) the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.

''Monty Python's Spamalot'' – Written by Idle directed by Mike Nichols, with music and lyrics by John Du Prez and Idle, and starring Hank Azaria, Tim Curry, and David Hyde Pierce, ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in Chicago from 21 December 2004 to 23 January 2005, and began performances on Broadway on 17 March 2005. It won three Tonys.

''Not the Messiah (He's a Very Naughty Boy)'' – The Toronto Symphony Orchestra commissioned Idle and John Du Prez to write the music and lyrics of an oratorio based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of Luminato, a "festival of arts and creativity" taking place 1–10 June 2007 in Toronto. ''Not the Messiah'' was conducted by Peter Oundjian, Music Director of the Toronto Symphony Orchestra, who is Idle’s cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "It will be funnier than Handel, though not as good".

Books

''Monty Python's Big Red Book'' (1971) ISBN 0-413-29520-6.

''The Brand New Monty Python Bok'' (1973) ISBN 0-7493-1170-3.

''Monty Python and The Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)'' (1977) ISBN 0-413-38520-5.

''MONTYPYTHONSCRAPBOOK/ The Life of Brian'' (1979) ISBN 0-413-46550-0.

''Monty Python's Flying Circus – Just The Words'' Volume 1 (1989) ISBN 0-413-62540-0.

''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) ISBN 0-413-62550-8.

''The Complete Monty Python's Flying Circus'' Volumes 1 & 2

''The Fairly Incomplete & Rather Badly Illustrated Monty Python Song Book'' (1994) ISBN 0-413-69000-8

''Michael Palin Diaries 1969–1979''

''The Pythons: Autobiography by the Pythons''

''The Life of Brian/Jesus'' (2011) ISBN 978-184876-628-0.

Games

''Monty Python's Flying Circus'' (1990) a computer game released by Virgin Games for 8-bit systems such as the Commodore 64, Amstrad CPC and the Sinclair ZX Spectrum

''Monty Python's Complete Waste of Time'' (1994) released by 7th Level for PC / DOS

''Monty Python & the Quest for the Holy Grail'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".

''Monty Python's The Meaning of Life'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.

''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc. ''Monty Python Fluxx'' (2008), a card game released by Looney Labs

''Blazing Dragons''

See also

Beyond the Fringe

List of Monty Python's Flying Circus episodes

List of recurring characters in Monty Python's Flying Circus

Monty Python's Complete Waste of Time

Python (Monty) Pictures

Spamalot

The Goodies

The Goon Show

References

Further reading

The Secret Policeman's Balls, 3-DVD set (2009)

Monty Python: 40 Years of Insanity

The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)

External links

Pythonline.com – Monty Python's sort-of official site, actively maintained by Eric Idle

Monty Python – Official YouTube page

Monty Python Videos – Monty Python's best videos and movies

Python at ifilm.com

Pythonisms: Python quotes as figures of speech

The SOTCAA Monty Python Pages

Release of the 3-DVD Secret Policeman's Balls

40 Years of Monty Python – photo essay by ''TIME'' magazine

Monty Python Reunion event, New York, 15 October 2009

Category:British comedy troupes Category:British television comedy Category:Virgin Records artists Category:Arista Records artists Category:European Film Awards winners (people) Category:Charisma Records artists

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name	Sir Patrick Stewart
honorific suffix	OBE
birth name	Patrick Hewes Stewart
birth date	July 13, 1940
birth place	Mirfield, Yorkshire, United Kingdom
occupation	Actor
years active	1959–present
spouse	Sheila Falconer (1966–90)Wendy Neuss (2000–03)
influences	Laurence Olivier, John Gielgud, Ian Richardson and Ian Holm
website	patrickstewart.org }}

Sir Patrick Hewes Stewart, OBE (born 13 July 1940) is an English film, television and stage actor, who has had a distinguished career in theatre and television for around half a century. He is most widely known for his television and film roles, such as Captain Jean-Luc Picard in ''Star Trek: The Next Generation'' and its successor films, Professor Charles Xavier in the ''X-Men'' film series, and as the voice of Avery Bullock in ''American Dad!''.

Early life

Stewart was born on 13 July 1940 in Mirfield, in the West Riding of Yorkshire, England. He is the son of Gladys (née Barrowclough), a weaver and textile worker, and Alfred Stewart, a Regimental Sergeant Major in the British Army who served with the King's Own Yorkshire Light Infantry (KOYLI) and previously worked as a general labourer and as a postman.

In a 2008 interview, Stewart said: "My father was a very potent individual, a very powerful man who got what he wanted. It was said that when he strode on to the parade ground, birds stopped singing. It was many, many years before I realised how my father inserted himself into my work. I've grown a moustache for Macbeth. My father didn't have one, but when I looked in the mirror just before I went on stage I saw my father's face staring straight back at me."

Throughout childhood, Stewart endured poverty and disadvantage, an experience which influenced his later political and ideological beliefs. In 2006, Stewart made a short video against domestic violence for Amnesty International, in which he recollected his father's physical attacks on his mother and the effect it had on him as a child, and he has given his name to a scholarship at the University of Huddersfield, where he is Chancellor, to fund post-graduate study into domestic violence. His childhood experiences also led him to become the patron of Refuge, a UK charity for abused women.

}} Stewart attended Crowlees Church of England Junior and Infants School. He attributes his acting career to an English teacher named Cecil Dormand who "put a copy of Shakespeare in my hand [and] said, 'Now get up on your feet and perform'". In 1951, aged 11, he entered Mirfield Secondary Modern School, where he continued to study drama. At age 15, Stewart dropped out of school and increased his participation in local theatre. He acquired a job as a newspaper reporter and obituary writer, but after a year, his employer gave him an ultimatum to choose acting or journalism. He quit the job. His brother tells the story that Stewart would attend rehearsals during work time and then invent the stories he reported. Stewart also trained as a boxer.

Career

Early works

Following a period with the Manchester Library Theatre, he became a member of the Royal Shakespeare Company in 1966, staying with them until 1982. He was as an Associate Artist of the company in 1968. He appeared next to actors such as Ben Kingsley and Ian Richardson. In January 1967, he made his debut TV appearance on ''Coronation Street'' as a Fire Officer. In 1969, he had a brief TV cameo role as Horatio, opposite Ian Richardson's Hamlet, in a performance of the gravedigger scene as part of episode six of Sir Kenneth Clark's ''Civilisation'' television series. He made his Broadway debut as Snout in Peter Brook's legendary production of ''A Midsummer Night's Dream,'' then moved to the Royal National Theatre in the early 1980s. Over the years, Stewart took roles in many major television series without ever becoming a household name. He appeared as Lenin in ''Fall of Eagles''; Sejanus in ''I, Claudius''; Karla in ''Tinker, Tailor, Soldier, Spy'' and ''Smiley's People''; Claudius in a 1980 BBC adaptation of ''Hamlet''. He even took the romantic male lead in the BBC adaptation of Mrs Gaskell's ''North and South'' (wearing a hairpiece). He also took the lead, playing Psychiatric Consultant Dr. Edward Roebuck in a BBCtv series called, 'Maybury', in 1981.

He also had minor roles in several films such as King Leondegrance in John Boorman's ''Excalibur'' (1981), the character Gurney Halleck in David Lynch's 1984 film version of ''Dune'' and Dr. Armstrong in Tobe Hooper's ''Lifeforce'' (1985).

While not wealthy, Stewart had a comfortable lifestyle as an actor; however, he found that despite a lengthy career, his reputation was not great enough to bring a production of ''Who's Afraid of Virginia Woolf?'' to West End theatre. Stewart thus in 1987 agreed to work in Hollywood, after Robert H. Justman, producer for a revival of a long-cancelled television show, saw him while attending a literary reading at UCLA. Stewart knew nothing about the original show, ''Star Trek'', or its iconic status in American culture. He was reluctant to sign the standard contract of six years, but did so as he believed that the new show would quickly fail and he would return to his London stage career after making some money.

''Star Trek: The Next Generation''

When Stewart began his role as Captain Jean-Luc Picard in ''Star Trek: The Next Generation'' (1987–94) the ''Los Angeles Times'' called him an unknown British Shakespearean actor. Stewart was unprepared for the long hours of television production, had difficulty in fitting in with his less-disciplined castmates, and his "spirits used to sink" when required to memorise and recite Treknobabble. He came to better understand the cultural differences between the stage and television, remains close friends with his fellow ''Star Trek'' actors, and his favourite technical line became "space-time continuum". Marina Sirtis credited Stewart with "at least 50%, if not more" of the show's success because others emulated his professionalism and dedication to acting.

}} Besides making him immediately wealthy due to the show's great success—Stewart calculated during one break during filming the show that he made more money during that break than from 10 weeks of ''Woolf'' in London—Stewart received a 1995 Screen Actors Guild Award nomination for "Outstanding Performance by a Male Actor in a Drama Series". From 1994 to 2002, he also portrayed Picard in the movie spin-offs ''Star Trek Generations'' (1994), ''Star Trek: First Contact'' (1996), ''Star Trek: Insurrection'' (1998), and ''Star Trek Nemesis'' (2002); and in ''Star Trek: Deep Space Nine'''s pilot episode "Emissary".

When asked in 2011 for the highlight of his career, he chose ''Star Trek: The Next Generation'', "because it changed everything [for me]." He has also said he is very proud of his work on ''Star Trek: The Next Generation'', for its social message and educational impact on young viewers. On being questioned about the significance of his role compared to his distinguished Shakespearean career, Stewart has said that }} The accolades Stewart has received include the readers of ''TV Guide'' in 1992 choosing him with Cindy Crawford, whom he had never heard of, as television's "most bodacious" man and woman. Stewart considered this an unusual distinction considering his age and baldness. In an interview with Michael Parkinson, he expressed gratitude for Gene Roddenberry's riposte to a reporter who said, "Surely they would have cured baldness by the 24th century," to which Roddenberry replied, "In the 24th century, they wouldn't care."

Other notable works

Film and television

Stewart has said that he would never have joined ''The Next Generation'' had he known that it would air for seven years:

}}

Stewart became so typecast as Picard that he has found obtaining other Hollywood roles difficult. The main exception is the ''X-Men'' film series. The films' success has resulted in another lucrative regular genre role in a major superhero film series. Stewart's character, Charles Xavier, is very similar to Picard and himself; "a grand, deep-voiced, bald English guy". He has also since voiced the role in three video games, ''X-Men Legends'', ''X-Men Legends II'' and ''X-Men: Next Dimension''. Other film and television roles include the flamboyantly gay Sterling in the 1995 film ''Jeffrey'' and King Henry II in ''The Lion in Winter'', for which he received a Golden Globe Award nomination for his performance and an Emmy Award nomination for executive-producing the film. He portrayed Captain Ahab in the 1998 made-for-television film version of ''Moby Dick'', receiving Emmy Award and Golden Globe Award nominations for his performance.

In late 2003, during the eleventh and final season of NBC's ''Frasier'', Stewart appeared on the show as a gay Seattle socialite and Opera director who mistakes Frasier for a potential lover. In July 2003, he appeared as himself in Series 02 (Episode 09) of ''Top Gear'' in the Star in a Reasonably-Priced Car segment. He achieved 1:50 in the Liana. In 2005, he was cast as Professor Ian Hood in an ITV thriller 4-episode series ''Eleventh Hour'', created by Stephen Gallagher. The first episode was broadcast on 19 January 2006. He also, in 2005, played Captain Nemo in a two part adaptation of ''The Mysterious Island''. Stewart also appeared as a nudity obsessed caricature of himself in Ricky Gervais's television series ''Extras'', as a last-minute replacement for Jude Law. For playing himself, he was nominated for an Emmy Award in 2006 for Guest Actor in a Comedy Series.

In 2011, Stewart appeared in the feature length documentary ''The Captains'' alongside William Shatner, who also wrote and directed the film. In the film Shatner interviews every other actor who has portrayed a captain within the Star Trek franchise. The film pays a great deal of attention to Shatner's interviews with Stewart at his home in Oxfordshire as well as at a Star Trek Convention in Las Vegas, Nevada. In the film Stewart reveals the fear and personal failings that came along with his tenure as a Star Fleet captain, but also the great triumphs he believes accompanied his role as Captain Jean-Luc Picard.

Stage

After ''The Next Generation'' began Stewart soon found that he missed acting on the stage. Although he remained associated with the Royal Shakespeare Company, the lengthy filming for the show prevented Stewart from participating in most other works. He instead began writing one-man shows that he performed in California universities and acting schools. Stewart found that one—a version of Charles Dickens's ''A Christmas Carol'' in which he portrayed all 40-plus characters—was ideal for him because of its limited performing schedule. In 1991, Stewart performed it on Broadway, receiving a nomination for that year's Drama Desk Award for Outstanding One-Person Show. He staged encore performances in 1992, 1993, 1994, 1996, again for the benefit of survivors and victims' families in the 11 September attacks, and a 23-day run in London's West End in December 2005. For his performances in this play, Stewart has received the Drama Desk Award for Best Solo Performance in 1992 and the Laurence Olivier Award for Best Entertainment for Solo Performance in 1994. He also starred as Scrooge in a 1999 television film version, receiving a Screen Actors Guild Award nomination for his performance. He was also the co-producer of the show, through the company he set up for the purpose: Camm Lane Productions, a reference to his birthplace in Camm Lane, Mirfield.

Shakespeare roles during this period included Prospero in Shakespeare's ''The Tempest'', on Broadway in 1995, a role he would reprise in Rupert Goold's 2006 production of ''The Tempest'' as part of the Royal Shakespeare Company's Complete Works Festival. In 1997, he took the role of Othello with the Shakespeare Theatre Company (Washington, D.C.) in a race-bending performance, in a "photo negative" production of a white ''Othello'' with an otherwise all-black cast. Stewart had wanted to play the title role since the age of 14, so he and director Jude Kelly inverted the play so Othello became a comment on a white man entering a black society.

}} His years in the United States had left Stewart a "gaping hole in his CV" for a Shakespearean actor, as he had missed the opportunity to play such notable roles as Hamlet, Romeo, and Richard III. He played Antony again opposite Harriet Walter's Cleopatra in ''Antony and Cleopatra'' at the Novello Theatre in London in 2007 to excellent reviews. During this period, Stewart also addressed the Durham Union Society on his life in film and theatre. When Stewart began playing Macbeth in the West End in 2007, some said that he was too old for the role; however, he and the show again received excellent reviews, with one critic calling Stewart "one of our finest Shakespearean actors".

He was named as the next Cameron Mackintosh Visiting Professor of Contemporary Theatre based at St Catherine's College, University of Oxford in January 2007. In 2008, Stewart played King Claudius in ''Hamlet'' alongside David Tennant. He won the Laurence Olivier Award for Best Supporting Actor for the part. When collecting his award, he dedicated the award "in part" to Tennant and Tennant's understudy Edward Bennett, after Tennant's back injury and subsequent absence from four weeks of ''Hamlet'' disqualified him from an Olivier nomination. Stewart has expressed interest in appearing in ''Doctor Who''.

In 2009, Stewart appeared alongside Ian McKellen as the lead duo of Vladimir (Didi) and Estragon (Gogo), in ''Waiting for Godot''. Stewart had previously only appeared once alongside McKellen on stage, but the pair had developed a close friendship while waiting around on set filming the ''X-Men'' films. Stewart stated that performing in this play was the fulfilment of a 50 year ambition, having seen Peter O'Toole appear in it at the Bristol Old Vic while Stewart was just 17. His interpretation captured well the balance between humour and despair that characterises the work.

Voice acting

Known for his strong and authoritative voice, Stewart has lent his voice to a number of projects. He has narrated recordings of Prokofiev's ''Peter and the Wolf'', Vivaldi's ''The Four Seasons'', C. S. Lewis's ''The Last Battle'' (conclusion of the series ''The Chronicles of Narnia''), Rick Wakeman's ''Return to the Centre of the Earth''; as well as numerous TV programs such as ''High Spirits with Shirley Ghostman''. Stewart provided the narration for ''Nine Worlds'', an astronomical tour of the solar system and nature documentaries such as ''The Secret of Life on Earth'' and ''Mountain Gorilla''. He is also heard as the voice of the Magic Mirror in Disneyland's live show, ''Snow White – An Enchanting Musical.'' He also was the narrator for the American release of ''Dragons: A Fantasy Made Real''

He also was a voice actor on the animated films ''The Prince of Egypt'', ''Jimmy Neutron: Boy Genius'', ''Chicken Little'', ''The Pagemaster'', and on the English dubbings of the Japanese anime films ''Nausicaä of the Valley of the Wind'' by Hayao Miyazaki and ''Steamboy''. He voiced the pig Napoleon in a TV adaptation of George Orwell's ''Animal Farm'' and guest starred in the ''Simpsons'' episode "Homer the Great" as Number One. Patrick also narrated the prologue and epilogue for the Disney's ''Nightmare Before Christmas'', which also appears on the movie's soundtrack.

More recently, he has played a recurring role as CIA Deputy Director Avery Bullock, lending his likeness as well as his voice) on the animated series ''American Dad!'' as well as making (as of 6 August 2011) eight guest appearances on ''Family Guy'' in various roles: first in "Peter's Got Woods", second in "No Meals on Wheels" when Peter likens something to when he once swapped voices with him for a day, third in "Lois Kills Stewie" as his ''American Dad!'' character Bullock, fourth in "Not All Dogs Go to Heaven" as himself, fifth in "And Then There Were Fewer" as a cat that proclaims himself a professor , sixth in "Halloween on Spooner Street as Dick Pump, seventh in "The Hand That Rocks the Wheelchair" as Susie Swanson and eighth in the DVD version of ''It's A Trap!'' as Captain Picard. In 2006, Stewart voiced Bambi's father, The Great Prince of the Forest in Disney's direct-to-video sequel, ''Bambi II''.

He lent his voice to the Activision-produced ''Star Trek'' computer games ''Star Trek: Armada'', ''Armada II'', ''Star Trek: Starfleet Command III'', ''Star Trek: Invasion'', ''Bridge Commander'', and ''Elite Force II'', all reprising his role as Captain Picard. Stewart reprised his role as Picard in ''Star Trek: Legacy'' for both PC and Xbox 360, along with the four other 'major' Starfleet captains from the different Star Trek series.

In addition to voicing his characters from ''Star Trek'' and ''X-Men'' in several related computer and video games, Stewart worked as a voice actor on games unrelated to both franchises, such as ''Castlevania: Lords of Shadow'', ''Forgotten Realms: Demon Stone'', ''Lands of Lore: The Throne of Chaos'' and ''The Elder Scrolls IV: Oblivion'' for which in 2006 he won a Spike TV Video Game Award for his work as Emperor Uriel Septim. He also lent his voice to several editions of the Compton's Interactive Encyclopedia.

His voice talents also appeared in a number of commercials including the UK TV Advert for Domestos 5x Longer Bleach, an advertisement for Shell fuel, and an American advertisement for the prescription drug Crestor. He also voiced the UK and Australian TV advertisements for the PAL version of ''Final Fantasy XII''.

Stewart used his voice for Pontiac and Porsche automobiles and MasterCard Gold commercials in 1996, and Goodyear Assurance Tires in 2004. He also did voice-overs for RCA televisions. He provided the voice of Max Winters in ''TMNT'' in March 2007. In 2008, he is also the voice of television advertisements for Currys and Stella Artois beer. In 2010, he is the voice in television advertisements for National Car Rental.

He voiced the narrator of the Electronic Arts computer game, The Sims Medieval, for the game's introduction cinematic and trailer released on 22 March 2011.

Personal life

thumb|Stewart at the 2010 Metropolitan Opera's opening night of ''Das Rheingold''Stewart and his first wife, Sheila Falconer, have two children: Daniel Freedom and Sophie Alexandra. Stewart and Falconer divorced in 1990. In 1997, he became engaged to Wendy Neuss, one of the producers of ''Star Trek: The Next Generation'', and they married on 25 August 2000, divorcing three years later. Four months prior to his divorce from Neuss, Stewart played opposite actress Lisa Dillon in a production of ''The Master Builder'', and the two were romantically involved until 2007.

Having lived in Los Angeles for many years, Stewart moved back to the UK in 2004. In an interview with the BBC's Gavin Esler, he said this was because he was homesick and because he wanted to return to work in the theatre. In the same year, Stewart was appointed as Chancellor of the University of Huddersfield and subsequently as a Professor of Performing Arts in July 2008. In spite of his hectic acting schedule, Stewart takes his University role seriously and regularly attends graduation ceremonies in the UK and Hong Kong, as well as teaching master classes for drama students during his visits. Stewart was appointed an Officer of the Order of the British Empire (OBE) in the 2001 New Year Honours list, after receiving which he said, "I'm very touched and very pleased with this and it was a delightful morning." Stewart was made a Knight Bachelor in the 2010 New Year Honours for services to drama. He acknowledged the "unlooked-for honour" and paid tribute to his former English teacher who encouraged him to perform.

His politics are rooted in his belief in fairness and equality. He considers himself a socialist and is a member of the Labour Party. He stated, "My father was a very strong trade unionist and those fundamental issues of Labour were ingrained into me." He has been critical of the Iraq War and recent UK government legislation in the area of civil liberties, in particular, its plans to extend detention without charge to 42 days. He signed an open letter of objection to this proposal in March 2008. Stewart identifies himself as a feminist. Additionally, he has publicly advocated for the right to assisted suicide.

Stewart is president of Huddersfield Town Academy, the local football club's project for identifying and developing young talent. He is a lifelong supporter of the club. In an interview with American Theatre, Stewart was asked if he could be something other than an actor, what would he be. He stated "From time to time, I have fantasies of becoming a concert pianist. I've been lucky enough through the years to work very closely with the great Emanuel Ax. I've said to him that if I could switch places with anyone it would be with him."

Stewart's son Daniel is a television actor, and has appeared alongside his father in the 1993 made for television film ''Death Train'', and the 1992 ''Star Trek'' episode "The Inner Light" playing his son.

In July 2011 Stewart received an honourary doctorate of letters from the University of East Anglia.

Theatrical performances

The Royal Shakespeare Company

Stewart has been a prolific actor in performances by the Royal Shakespeare Company, appearing in more than 60 productions. His first appearance was in 1966 in ''The Investigation'' and in the years that followed he became a core member of the company, taking on three or four major roles each season and rarely taking a break. His most recent appearance was as Claudius in ''Hamlet'' in 2008.

Stewart returned to the Royal Shakespeare Company playing Shylock in Rupert Goold's avant garde production of ''The Merchant of Venice'' in spring 2011, and he will be reprising the role of William Shakespeare in ''Bingo: Scenes of Money and Death'' by Edward Bond at London's Young Vic Theatre in spring 2012.

Other

1995: Played Prospero in ''The Tempest'' for the New York Shakespeare Festival, with the production later transferring to Broadway.

1997: The Shakespeare Theatre Company (Washington, D.C.), Stewart in a race-bending performance, in a "photo negative" production of a white ''Othello'' with an otherwise all-black cast. 2000: On 9 April 2000, Stewart opened in Arthur Miller's ''The Ride Down Mt. Morgan'' at the Broadway Ambassador Theatre. Lukewarm reviews and poor box office convinced the producers (including the Shubert Organization) to post a closing notice and, in memorably impassioned Saturday matinée and evening curtain speeches, Stewart accused them of not being supportive, stating "Arthur Miller and I no longer have confidence in our producers' commitment to promote and publicise this extraordinarily provocative and vastly entertaining play." They subsequently took the matter to Actors Equity, which ruled that Stewart had to apologise publicly for his outburst.

2001: Played George in Edward Albee's play ''Who's Afraid of Virginia Woolf?'' at the Guthrie Theatre Minneapolis. Also portrayed Robert Johnson in J.B. Priestley's play ''Johnson Over Jordon'' at the West Yorkshire Playhouse in Leeds.

2003: Played the lead role of Halvard Solness in Henrik Ibsen's play ''The Master Builder'' at the Albery Theatre, London. Portrayed Davies in Harold Pinter's ''The Caretaker'' in Broadway's American Airlines Theatre

2006: Portrayed Prospero in ''The Tempest'' at the Royal Shakespeare Theatre and then the Novello Theatre, and Mark Antony in ''Antony and Cleopatra'' at the Swan Theatre, for the Royal Shakespeare Company as part of the cycle performing all Shakespeare's works in a year.

2007: He appeared at Chichester Festival Theatre during the Summer 07 Festival playing the title role in Rupert Goold's acclaimed revival of ''Macbeth'' in the Minerva studio theatre, and as a grizzled Malvolio with a Scottish accent and kilt in Philip Franks' inventive main house staging of ''Twelfth Night''. The Chichester production of ''Macbeth'' transferred to the Gielgud Theatre in London's Shaftesbury Avenue, where his performance won him the Best Actor Award in the Evening Standard Theatre Awards 2007. Goold also received the Best Director Award for the production.

2008: The title role in ''Macbeth'' at the Brooklyn Academy of Music in New York City.

2008: The title role in ''Macbeth'' at the Lyceum Theatre, New York City. Stewart was nominated for the 2008 Tony award for Leading Actor in a Play, but lost out to fellow Shakespearean actor Mark Rylance. 2008: The roles of Claudius and the Ghost in ''Hamlet'' alongside David Tennant as the eponymous Hamlet with the Royal Shakespeare Company in Stratford-upon-Avon. This was later made into a television play and broadcast on BBC1 on 26 December 2009. The same production was broadcast in the U.S. as part of PBS' Great Performances series on 28 April 2010. 2009: Performed in ''Waiting for Godot'' in one of the two lead roles, Stewart as Vladimir (Didi) alongside Ian McKellen as Estragon (Gogo). 2010: Performed the part of William Shakespeare in ''Bingo: Scenes of Money and Death'' by Edward Bond at the Chichester Festival Theatre, a role he had first performed in 1976 at The Other Place, Stratford.

2010: Played Robert in a Broadway production of David Mamet's ''A Life in the Theatre'' in 2010.

2012: Stewart will be reprising the role of William Shakespeare in ''Bingo: Scenes of Money and Death'' by Edward Bond at the Young Vic Theatre in London (Feb – Mar 2012)

Filmography

Year	! Title	! Role	Notes
1967	''Coronation Street''	Fire Officer	1 Episode
1974	''Fall of Eagles''	Vladimir Lenin
1974		Enobarbus	TV drama
1975		Ejlert Løvborg
1975		Tilney
1976		Sejanus
1979
1980		Wilkins
1980	''Hamlet''	Claudius	BBC Production
1981		Leondegrance
1982	''''	Major	Voice role
1982
1984	''Uindii''	Mr. Duffner
1984		Gurney Halleck
1985		Dr. Armstrong
1985	''Wild Geese II''	Russian General
1985	''Code Name: Emerald''	Colonel Peters
1985	''''	Professor Macklin
1985	''Walls of Glass''
1986		Henry Grey/Duke of Suffolk
1987-1994	''Star Trek: The Next Generation''	Captain Jean-Luc Picard
1987	''''	Anthony Anderson
1991	''L.A. Story''
	1993	''Robin Hood: Men in Tights''
1994		Loomis
1994	''Star Trek Generations''	Captain Jean-Luc Picard
1994	''''	Adventure	Voice role
1994	''Lands of Lore: The Throne of Chaos''	King Richard	Voice role
1994	''In Search of Dr. Seuss''	Sgt. Mulvaney	Puppet-voice over
1995		Sterling
1995		John
1995	''''	Number 1	Episode: "Homer the Great"
1995	''500 Nations''		TV miniseries, voice role
1996	''Star Trek: First Contact''	Captain Jean-Luc Picard
1996	''''	Sir Simon de Canterville	Television film
1997		Dr. Jonas
1997		Rafe Bentley
1998	''Star Trek: The Experience: The Klingon Encounter''	Captain Jean-Luc Picard	Voice role
1998	''Dad Savage''	Dad Savage
1998			Television film
1998		Mace Sowell
1998	''Star Trek: Insurrection''	Captain Jean-Luc Picard	Also associate producer
1998	''''	Pharaoh Seti I	Voice role
1999	''''	Ebenezer Scrooge
1999			Voice role
2000		Professor Charles Xavier
2001		King Goobot	Voice role
2002	''Star Trek Nemesis''	Captain Jean-Luc Picard
2002	''King of Texas''	John Lear	Television film
2002	''X-Men: Next Dimension''	Professor Charles Xavier	Voice role
2003		Professor Charles Xavier
2003	''''
2003	''Frasier''	Alastair Burke
2004	''Boo, Zino & The Snurks''	Albert Drollinger
2004	''Steamboy''	Dr. Lloyd Steam	English dubbing
2005	''''	Older Dent McSkimming
2005		Mr. Woolensworth	Voice role
2005
2005		Lord Yupa	English dubbing
2005	''''	The Raven	Voice role
2005	''American Dad''	Avery Bullock	Voice role
2006	''Bambi II''	The Great Prince/Stag	Voice role
2006	''X-Men: The Last Stand''	Professor Charles Xavier
2006	''''	Emperor Uriel Septim VII	Voice role
2007			Voice role
2007		Narrator	Voice role
2009	''X-Men Origins: Wolverine''	Professor Charles Xavier	Cameo
2009			Television film
2010	''Castlevania: Lords of Shadow''	Zobek / Narrator	Voice role
2010			Television film
2011	''Gnomeo & Juliet''	William Shakespeare	(voice)
2011	''''	Himself / Captain Jean-Luc Picard
2012		Tugg	Voice role

Notes

References

External links

Trek star's space travel unease BBC interview

Interview with Sue Lawley on Desert Island Discs

Mirfield – Patrick Stewart's birthplace

Patrick Stewart interview (www.independent.co.uk)

Category:1940 births Category:Living people Category:Academics of the University of Huddersfield Category:Alumni of Bristol Old Vic Theatre School Category:English expatriates in the United States Category:English film actors Category:English stage actors Category:English television actors Category:English voice actors Category:Grammy Award winners Category:Officers of the Order of the British Empire Category:Olivier Award winners Category:People from Mirfield Category:Royal Shakespeare Company members Category:Shakespearean actors Category:Knights Bachelor Category:Actors awarded British knighthoods

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