- published: 12 Aug 2010
- views: 38071
- author: Canale di Chelaforzasiaconnoi
3:28
King's Singers - CREOLE LOVE CALL (Close Harmony)
Incredible vocal performance "a cappella": a masterpiece of the mythical sextet. VERY COOL...
published: 12 Aug 2010
author: Canale di Chelaforzasiaconnoi
King's Singers - CREOLE LOVE CALL (Close Harmony)
Incredible vocal performance "a cappella": a masterpiece of the mythical sextet. VERY COOL!
- published: 12 Aug 2010
- views: 38071
- author: Canale di Chelaforzasiaconnoi
7:47
CLOSE HARMONY (Block Chords) with Peter Hayward.WMV
Peter explains the construction and use of CLOSE HARMONY (also known as "BLOCK CHORDS") - ...
published: 21 Jun 2011
author: HaywardMusic's channel
CLOSE HARMONY (Block Chords) with Peter Hayward.WMV
Peter explains the construction and use of CLOSE HARMONY (also known as "BLOCK CHORDS") - a useful, professional technique for organ, keyboard and piano play...
- published: 21 Jun 2011
- views: 6873
- author: HaywardMusic's channel
5:23
"The Boswell Sisters: Close Harmony" Documentary Trailer
A preview of the hour-long, high-definition, historical documentary being created by Joshu...
published: 03 Aug 2010
author: Joshua Tree Productions
"The Boswell Sisters: Close Harmony" Documentary Trailer
A preview of the hour-long, high-definition, historical documentary being created by Joshua Tree Productions about the astonishing, yet almost forgotten, mus...
- published: 03 Aug 2010
- views: 9823
- author: Joshua Tree Productions
2:25
Close Harmony: The Swingle Singers
...
published: 26 May 2011
author: clipparade
Close Harmony: The Swingle Singers
- published: 26 May 2011
- views: 10700
- author: clipparade
2:29
Close Harmony 1 uit voorstelling VALS van Femmage
Cabaretlied uit de voorstelling VALS waarin Femmage hun eigen genre op de hak nemen. Bijna...
published: 12 Dec 2007
author: moushi34
Close Harmony 1 uit voorstelling VALS van Femmage
Cabaretlied uit de voorstelling VALS waarin Femmage hun eigen genre op de hak nemen. Bijna de gehele voorstelling wordt a capella gezongen en juist dat genre...
- published: 12 Dec 2007
- views: 7983
- author: moushi34
4:37
♫ Close harmony by The King's Singers ♪
http://en.wikipedia.org/wiki/Close_harmony http://www.kingssingers.com/ http://www.faceboo...
published: 23 Sep 2011
author: REV16665
♫ Close harmony by The King's Singers ♪
http://en.wikipedia.org/wiki/Close_harmony http://www.kingssingers.com/ http://www.facebook.com/pages/Kings-Singers/14404452903 http://twitter.com/#!/kingssi...
- published: 23 Sep 2011
- views: 44245
- author: REV16665
2:30
Dekoor Close Harmony - Dutch Jazz Choir
Dekoor Close Harmony (1985) is a choir of 30 students of the Utrecht University in The Net...
published: 24 Mar 2012
author: Dekoor Close Harmony
Dekoor Close Harmony - Dutch Jazz Choir
Dekoor Close Harmony (1985) is a choir of 30 students of the Utrecht University in The Netherlands. Conducted by Christoph Mac-Carty the choir brings a mix o...
- published: 24 Mar 2012
- views: 11922
- author: Dekoor Close Harmony
3:35
close harmony frends - lemon tree
Grupo Vocal Increíble....
published: 14 May 2008
author: Ramón Zambrano
close harmony frends - lemon tree
Grupo Vocal Increíble.
- published: 14 May 2008
- views: 23166
- author: Ramón Zambrano
2:40
Close Harmony - Down to the river to pray
We are Joyce Buter, Aron van der Valk, Joram van der Valk, Tobias van der Valk, Jaap Nieuw...
published: 04 May 2011
author: Tessa Trommelen
Close Harmony - Down to the river to pray
We are Joyce Buter, Aron van der Valk, Joram van der Valk, Tobias van der Valk, Jaap Nieuwenhuijsen & Tessa Trommelen, and this is our close harmony group pe...
- published: 04 May 2011
- views: 7700
- author: Tessa Trommelen
5:16
Dekoor Close Harmony, Welkom-Zombie
...
published: 13 Dec 2010
author: Kanaal van wecbro
Dekoor Close Harmony, Welkom-Zombie
- published: 13 Dec 2010
- views: 2899
- author: Kanaal van wecbro
5:34
Company B Jazz Band - sassy and swinging!
Close harmony singing group is how the Andrew Sisters are described - the most successful ...
published: 31 Aug 2009
author: JCVdude~Travel & Nature & YOLO
Company B Jazz Band - sassy and swinging!
Close harmony singing group is how the Andrew Sisters are described - the most successful female group of all time and that is a fitting way to describe Comp...
- published: 31 Aug 2009
- views: 13453
- author: JCVdude~Travel & Nature & YOLO
3:22
Summer in the city - CLOSE HARMONY FRIENDS (Milan Klco solo).avi
Summer in the city presented in A-capella version by Close Harmony Friends in Slovak Natio...
published: 30 Oct 2011
author: milanklco
Summer in the city - CLOSE HARMONY FRIENDS (Milan Klco solo).avi
Summer in the city presented in A-capella version by Close Harmony Friends in Slovak National Theatre in 2009. Solo by Milan Klco.
- published: 30 Oct 2011
- views: 2166
- author: milanklco
3:51
Viva la Vida - Close Harmony
Fairfield Ludlowe High School Opening for Rockapella 2009 Viva la Vida by Coldplay....
published: 20 Dec 2009
author: WishThisNeverEnds
Viva la Vida - Close Harmony
Fairfield Ludlowe High School Opening for Rockapella 2009 Viva la Vida by Coldplay.
- published: 20 Dec 2009
- views: 4048
- author: WishThisNeverEnds
4:58
Fairfield Ludlowe High "Close Harmony" sings Viva La Vida by Coldplay
Fairfield Ludlowe High "Close Harmony" performs live before a sell out crowd at FTC (Fairf...
published: 04 Jun 2009
author: ciwd's channel
Fairfield Ludlowe High "Close Harmony" sings Viva La Vida by Coldplay
Fairfield Ludlowe High "Close Harmony" performs live before a sell out crowd at FTC (Fairfield Theater Company) June 2 2009.
- published: 04 Jun 2009
- views: 1693
- author: ciwd's channel
Vimeo results:
47:51
Sex and the Shekinah Glory
Some things really get us excited. Having a baby is always an exciting time. You want to t...
published: 23 Nov 2009
author: Jim Tompkins
Sex and the Shekinah Glory
Some things really get us excited. Having a baby is always an exciting time. You want to tell the world. As they grow and reach major milestones, we love to share with our friends, even strangers you meet at the grocery store.
Some things we don’t like talking about. We feel uncomfortable. Our faith in Christ is sometimes difficult to talk about. We have it, but we don’t know how to express it. Sex is another one of those things we just don’t talk about very much. It makes most of us uncomfortable. In fact people that talk openly and honestly about sex make us uncomfortable. So I will make most of you uncomfortable at some point this morning.
The truth is, what I am about to share with you God has been working in my heart as I have been working on my marriage relationship with my wife, as I make those strides to enter the winter of my married life with as much excitement as I did when we were first together. Some of the things I will discuss God had already revealed to me before I read “Sacred Marriage” Others, He has really opened my eyes to.
My “talk” with you this morning comes from a firm conviction that God is Lord of every aspect of our life. And because God is Lord of every aspect, He wants to be involved in everything we do. Everything. So let’s ask Him to open our hearts and eyes to how marvelous He is, and how marvelous a creation we are. Let’s do this before we have the dreaded “TALK”.
I. Communion With the Shekinah Glory
The Ark of the Testimony was constructed with two cherubim of hammered gold, who faced each other and touched wings. In this joining of the two, Exodus 25:22 records, “There, above the cover between the two cherubim that are over the ark of the Testimony, I (God) will meet with you”.
God’s presence “between the cherubim” became a very popular Old Testament image.
1 Samuel 4:4 “The Lord Almighty, who is enthroned between the cherubim”
Psalm 80:1 “Hear us, O Shepherd of Israel…you who sit enthroned between the cherubim”
Isaiah 37:16 “O Lord Almighty, God of Israel, enthroned between the cherubim”.
Hebrews 9:5 “Above the ark were the cherubim of the Glory”
The Glory of God comes to us as the two beings are being joined. God dwells in the midst of this coming together.
Indeed, the basis of communion with God is always His glory. At the mercy seat we have fellowship with God. We are shadowed by the cherubim of glory. There is the Glory of God because the shed blood has made our forgiveness possible. Through the Blood God can show mercy without violating His glory. He can commune with man without violating himself.
When I commune with God at His mercy seat, it is not on the precious blood I gaze, but on His glory. The veil has been stripped away. Sinful man can behold the glory of God. The Strict Law of God has met the atoning blood of Jesus Christ. We are at one and at peace with this awesome Holy God.
Most of our holiest moments have been alone with God. We simply do not know how to enter into this intimacy with others. I can count on two hands times when I have gazed on the Glory of God in communion with others. This is very, very sad, because Jesus revealed a very important truth that the church has forgotten, and marriages have forgotten. We may know it, but we rarely experience it.
Jesus said true Christianity is meant to be shared in intimacy with God. In Matt 18:19-20 Christ offered this glimpse at the Glory of God:
Again I say unto you, that if two of you shall agree on earth as touching anything that they shall ask, it shall be done for them of my Father which is in heaven. For where two or three are gathered together in my name, there am I in the midst of them.
Most of us quote this verse and believe it is a “formula” for getting God to do what we want. One of us will pray, another will say “Yes, I agree” and we expect God to do what we ask. But we miss the true meaning of this verse because we miss what Jesus was revealing:
1. You must be gathered “synagō” – Someone has led you together, it is passive, an outside force has brought you together.
2. You must be in “symphōneō”—in harmony, as an orchestra of many instruments come together to play the same note. This implies and requires an intimacy of heart and spirit.
There will be rare times where God brings people together because of a shared pain or trial, and through mutual love for each other and a mutual reaching to God, you pray together in complete trust and complete faith for what God is going to do.
Most of the time when we come together in pray, someone is wondering how long this will go on, someone will be thinking about food, someone will be thinking ‘God doesn’t care about this’ and so there is no moving together in symphony. This type of prayer is no formula; it is a work of the Holy Spirit. Just as the 120 disciples prayed for weeks before Pentecost, it took that long for them to finally come together in total agreement.
You may thi
60:48
Venaccio Power Hour 8 DVD
All Power Hour Videos at: venacciopowerhour.com
Venaccio Power Hour 8 DVD collected & edi...
published: 20 Apr 2011
author: Venaccio
Venaccio Power Hour 8 DVD
All Power Hour Videos at: venacciopowerhour.com
Venaccio Power Hour 8 DVD collected & edited by Venaccio. Music ranges from Indie Dance / Nu Disco, Pop, Mash-up, Electro House, Progressive House, and Trance.
Be sure to support the artists featured in this Power Hour.
"LIKE" Venaccio on Facebook and show some support as well: facebook.com/venaccio
********************************************
Power Hour 8 DVD TRACK LIST:
1) Daft Punk - Adagio for Tron (Teddybears remix)
2) Martin Solveig - Hello (Dada Life remix)
3) Avicii vs. Kings Of Leon - Abow vs. Sex On Fire
4) Chris Brown & Benny Benassi - Beautiful People
5) Bag Raiders - Sunlight ft. Dan Black
6) AutoErotique - Turn Up The Volume
7) Mord Fustang - Milky Way
8) Tiësto & Marcel Woods - Don’t Ditch
9) Justice - Civilization
10) Katy Perry - E.T. (Tiësto remix)
11) Michael Feiner & Erick Amarillo - Sensation
12) Gaia - Status Excessu D
13) Spencer & Hill - Beatrocka
14) Hardwell - Encoded
15) Fedde Le Grand & Patric La Funk - Autosave
16) Glenn Morrison ft. Christian Burns - Tokyo Cries
17) Dilemn - Pitiless
18) Cressida ft. Roxanne Barton - Heart On My Sleeve (Kyau & Albert remix)
19) Deadmau5 - Hr 8938 Cephei
20) Tiësto & Mark Knight ft. Dino - Beautiful World
21) Wolfgang Gartner ft. Will.I.Am - Forever
22) Casxio - Seventeen (Skrillex remix)
23) Vitalic - Second Lives
24) W&W; - Impact
25) Steve Forte Rio ft. Lindsey Ray - Slumber
26) Zedd - The Legend Of Zelda
27) Bag Raiders - Shooting Stars
28) Freefire - Dataloss (Darth & Vader remix)
29) Armin van Buuren ft. Laura V - Drowning (Avicii remix)
30) Above & Beyond ft. Richard Bedford - Sun & Moon
31) ATB - Midnight Sun
32) Kyau & Albert - Be There 4 U (Mat Zo remix)
33) Tiësto & Hardwell - Zero 76
34) Adam K & Duro The Third - Daunt Kick My Bag Bitch
35) Sunfreakz & Jeremy Carr - The Way We Are (Mysto & Pizzi remix)
36) Daft Punk - Derezzed (Avicii remix)
37) Afrojack - Doing It Right
38) Axwell - Heart Is King
39) Cut Copy - Need You Now
40) OceanLab vs Mat Zo & Arty - Satellite Dynamics (Mat Zo Mashup)
41) Spencer & Hill - I Spy
42) SebastiAn - Embody
43) Michael Woods - First Aid
44) Tom Hangs ft Shermanology - Blessed (Avicii Edit)
45) Benny Benassi ft. Gary Go - Cinema
46) Dune - Heiress Of Valentina (Alesso Exclusive Mix)
47) Futurecop! - Starworshipper
48) Giuseppe Ottaviani & Walsh & McAuley ft. Emma Lock - Ready (Sneijder remix)
49) Lady Gaga - Born This Way (Dada Life remix)
50) The Bloody Beetroots - Rombo
51) Cicada - Fast Cars (Sebjak remix)
52) Avicii - ID
53) Dada Life - Fight Club is Closed (It's Time For Rock-N-Roll)
54) Armin van Buuren ft. Christian Burns - This Light Between Us (Dabruck and Klein remix)
55) Mord Fustang - The Electric Dream
56) Luigi Lusini - Breathless
57) Ferry Corsten - Punk (Arty Rock-N-Rolla mix)
58) Lange Pres. LNG - Harmony Will Kick You In The Ass
59) ATB & Josh Gallahan - Chapter One
60) Arty & Mat Zo - Rebound
********************************************
Power Hour Drinking Game Rules:
Every "Venaccio Power Hour DVD" contains 60 songs (videos). Each song lasts 60 seconds. At the beginning of every minute (new song) each player takes a shot of their beer. As play continues, people can retire from play when they no longer feel capable of participating.
Venaccio in no way implies or encourages the use of the game for drinking purposes and accepts no liability nor is responsible for any damages resulting thereof. The above rules are provided in the hopes of accommodating for those who do choose to use it as a drinking game and in the interests of creating safer game play but should only be executed at the players own judgement.
Copyrights belong to their respective owners. For Promotional Use ONLY.
0:56
Tilly & the Wall - new record
DIRECTED BY ALAN TANNER
It was only four years ago that Tilly and the Wall burst like a p...
published: 06 May 2008
author: Team Love
Tilly & the Wall - new record
DIRECTED BY ALAN TANNER
It was only four years ago that Tilly and the Wall burst like a popping balloon onto the independent music scene. A potent combination of sing-song boy-girl vocals, acoustic guitars, keyboard accents and a tap dancer instead of a drummer, the Omaha-based five-piece sang songs about not wanting to grow up, losing your love to the road, the urge to force the night as far as you could take it and more. Their debut, Wild Like Children, was a revelation to anyone who’s ever wanted to sing their hearts out like vocalists Neely Jenkins and Kianna Alarid; anyone who’s ever wanted to pummel big chunky chords from their acoustic guitar or keyboards like vocalist/guitarist Derek Pressnall and keyboardist Nick White; anyone whose love of rhythm meant letting their bodies create the song’s beat through motion like tap dancer Jamie Pressnall. Their follow-up, Bottoms of Barrels, pushed their sound one step forward, taking Tilly’s signature point of view of “we” to new heights: they told us we didn’t have to back down and close our eyes to go to sleep; we could shout for our freedom; we could wake up your mothers and start a commotion, and this youthful excitement would never ever stop.And then something changed. Kind of.
Tilly and the Wall decided it might be time to move that energy of declarative exuberance in another direction. After extensive tours of Europe, Australia, and Japan with the likes of CSS and Lightspeed Champion, in addition to their first time playing at the Reading/Leeds Festival, Coachella, and Summer Sonic, the band knew they had to open their heads and their hearts to all they were seeing, and use those experiences to the fullest. When they finally came back home, they went back to their old stomping grounds, artist-in-residence center The Bemis Center for the Contemporary Arts in Omaha, where they wrote Bottoms of Barrels, and began to work on what would become their most collaborative effort to date, each person throwing his or her songwriting hat in the ring more than they had previously. Drawing on everything from nature and magic to sex, rivalries and astrology, and featuring more instruments, voices and bodily percussion than their last two records put together, Tilly and the Wall have begun to forge a brand new musical path for themselves. One listen to their newest album, and you know it’s a special journey indeed, one we are very thrilled to take with them.
The album, produced by the acclaimed Mike Mogis, has no title. It could be called “O,” because its cover is just that: an oval-shaped frame for the artwork that will go inside of it. As a band who surround themselves not only with artistic friends, but also artistic fans, Tilly and the Wall have invited everyone in their community to contribute to the cover art for their record. O will have limited edition runs of handmade prints available by different artists that will act as the record’s cover, giving the band’s fans a unique piece of art for both their album and their walls. Each month, the record will have a different cover; or, of course, you could very well create your own. The frame of the cover art allows the listener to put him/herself into the album, and believe us: this is a record into which you’ll want to pour yourself.
O is Tilly and the Wall’s most cohesive, sonically experimental album yet. In addition to building a tack piano for certain songs, the band toyed with percussion much more than their previous efforts, recording Jamie’s taps through a variety of different amplifiers and floors to give each song its own distinct rhythm. Opener “Tall Tall Grass” is classic Tilly – strummed acoustic guitar, Neely and Kianna’s harmonies and a tale detailing a love lost to the seasons. It is followed by a ten-person stomp troop recorded in an Omaha school gym marching out the beat to “Pot Kettle Black,” a cymbal-smashing, hand-clapping ode to shit-talking, which immediately tumbles into “Cacophony,” with its three-part harmonic layers and rambling horns, and “I Found You,” a call and response Odyssey of sorts whose narrator is always searching and always walking through one season to the next. “Jumbler,” featuring an all-girl tap trio and percussive pots and pans, is carried by a 50’s-esque piano part, while “Chandelier Lake,” the album’s centerpiece, is dreamy, fuzz-laced, and filled with broken organs, detailing a place where the water meets the land and life comes together in a mysterious way. The track is one of many on O whose narrative details the mixing of the personal and the organic world – songs frequently feature grass, flowers, blood, trees, snow, water, dust, sand, trash, electricity and gardens, all tied up with loss, love, need and exploration. The record closes with “Too Excited,” a stomper of a song packed with group vocals and “yeeeeah!” choruses. With its massive dose of high energy, hip-shaking attitude, it’s th
78:24
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors” (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
Youtube results:
4:11
Dekoor Close Harmony - Zombie (BALK TOPfestival)
Live bij het BALK TOP Festival in Apeldoorn 2011....
published: 13 Nov 2011
author: Dekoor Close Harmony
Dekoor Close Harmony - Zombie (BALK TOPfestival)
Live bij het BALK TOP Festival in Apeldoorn 2011.
- published: 13 Nov 2011
- views: 4329
- author: Dekoor Close Harmony
4:21
Dekoor Close Harmony - Zombie - Pop Competition World Choir Games 2012
Dekoor Close Harmony from The Netherlands performing 'Zombie' at the World Choir Games 201...
published: 04 Mar 2013
author: Dekoor Close Harmony
Dekoor Close Harmony - Zombie - Pop Competition World Choir Games 2012
Dekoor Close Harmony from The Netherlands performing 'Zombie' at the World Choir Games 2012 during the Pop competition. Dekoor was awarded the title World Ch...
- published: 04 Mar 2013
- views: 241
- author: Dekoor Close Harmony
4:48
Dekoor Close Harmony - We Are Young - Pop Competition World Choir Games 2012
Dekoor Close Harmony from The Netherlands performing 'We Are Young' at the World Choir Gam...
published: 04 Mar 2013
author: Dekoor Close Harmony
Dekoor Close Harmony - We Are Young - Pop Competition World Choir Games 2012
Dekoor Close Harmony from The Netherlands performing 'We Are Young' at the World Choir Games 2012 during the Pop competition. Dekoor was awarded the title Wo...
- published: 04 Mar 2013
- views: 552
- author: Dekoor Close Harmony
4:14
Close Harmony Friends - Agnus Dei
Wonderful song Agnus Dei written by Tore Ass from the concert of the slovak vocal group Cl...
published: 05 May 2010
Close Harmony Friends - Agnus Dei
Wonderful song Agnus Dei written by Tore Ass from the concert of the slovak vocal group Close Harmony Friends in Slovak National Theatre http://www.closeharm...
- published: 05 May 2010
- views: 4797
- author: Vocal group Close Harmony Friends