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Name | Eddie Gómez |
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Background | non_vocal_instrumentalist |
Birth name | Edgar Gómez |
Born | October 04, 1944 |
Origin | Santurce, Puerto Rico |
Instrument | Double bass |
Genre | Jazz, jazz fusion |
Occupation | Double bassist |
Associated acts | Bill Evans, Chick Corea, Mark Kramer |
Url | www.eddiegomez.com |
His career mainly consists of working as an accompanist, a position suited for his quick reflexes and flexibility. In addition to working as a studio musician for many famous jazz musicians, he has recorded as a leader for Columbia Records, Projazz and Stretch. Most of his recent recordings as a leader are co-led by jazz pianist Mark Kramer.
Gómez was also a member of the fusion band Steps Ahead.
Category:1944 births Category:Fiorello H. LaGuardia High School of Music & Art and Performing Arts alumni Category:Jazz fusion musicians Category:Living people Category:Puerto Rican jazz musicians Category:Juilliard School of Music alumni Category:Jazz double-bassists Category:People from Santurce, Puerto Rico Category:Latin Grammy Award winners
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Bill Evans |
---|---|
Landscape | no |
Background | non_vocal_instrumentalist |
Birth name | William John Evans |
Born | August 16, 1929Plainfield, New Jersey, United States |
Died | September 15, 1980Fort Lee, New JerseyUnited States |
Instrument | Vocals, violin, guitar |
Born | August 16, 1929 |
Died | September 15, 1980 |
Instrument | Piano |
Genre | Jazz, modal jazz, third stream, cool jazz, post-bop |
Occupation | PianistComposerArranger |
Label | Riverside, Verve, Fantasy |
Associated acts | George Russell, Miles Davis, Cannonball Adderley, Philly Joe Jones, Scott LaFaro, Paul Motian, Eddie Gomez, Marty Morell, Tony Bennett, Jim Hall |
Evans's first professional job was with sax player Herbie Fields's band, based in Chicago. During the summer of 1950, the band did a three-month tour backing Billie Holiday, including East Coast appearances at Harlem's Apollo Theater and shows in Philadelphia, Baltimore, and at Washington D.C.'s Howard Theater. In addition to Fields and Evans, the band included trumpeter Jimmy Nottingham, trombonist Frank Rossolino and bassist Jim Aton. Upon its return to Chicago, Evans and Aton worked as a duo in Chicago clubs, often backing singer Lurline Hunter. Shortly thereafter, Evans received his draft notice and entered the U.S. Army.
After his army service, Evans returned to New York and worked at nightclubs with jazz clarinetist Tony Scott and other leading players. Later, he took postgraduate studies in composition at the Mannes College of Music, where he also mentored younger music students.
In 1958, Evans was hired by Miles Davis, becoming the only white member of Davis's famed sextet. Though his time with the band was brief (no more than eight months), it was one of the most fruitful collaborations in the history of jazz, as Evans's introspective scalar approach to improvisation deeply influenced Davis's style. At the time, Evans was playing block chords, and Davis wrote in his autobiography, "Bill had this quiet fire that I loved on piano. The way he approached it, the sound he got, was like crystal notes or sparkling water cascading down from some clear waterfall." Additionally, Davis said, "I've sure learned a lot from Bill Evans. He plays the piano the way it should be played."
Evans's desire to pursue his own projects as a leader (and increasing problems with drug use) led him to leave the Davis sextet in late 1958. Shortly after, he recorded Everybody Digs Bill Evans, documenting the wholly original meditative sound he was exploring at the time. But Evans came back to the sextet at Davis's request to record the jazz classic Kind of Blue in early 1959. Evans's contribution to the album was overlooked for years; in addition to cowriting the song "Blue in Green" At the time of his death, Evans was residing with his partner Laurie Verchomin, in Fort Lee, New Jersey. Bill Evans is buried at Roselawn Memorial Park and Mausoleum, Baton Rouge, East Baton Rouge Parish, Louisiana (Section #161, Plot K), next to his brother Harry Evans, who died the previous year. The inscription reads, "William John Evans; August 16, 1929; September 15, 1980".
Evans's work continues to influence pianists, guitarists, composers, and interpreters of jazz music around the world. Many of his tunes, such as "Waltz for Debby", "Turn Out the Stars," "Very Early," and "Funkallero," have become often-recorded jazz standards. Many tribute recordings featuring his compositions and favorite tunes have been released in the years following his passing (see below) as well as tribute compositions. Pat Metheny's "September 15th" is one such recording. During his lifetime, Evans was honored with 31 Grammy nominations and seven Awards. In 1994, he was posthumously honored with the Grammy Lifetime Achievement Award.
Category:Third Stream pianists Category:1929 births Category:1980 deaths Category:Post-bop pianists Category:American jazz pianists Category:Deaths from cirrhosis Category:Cool jazz pianists Category:Hard bop pianists Category:Jazz bandleaders Category:Jazz composers Category:Miles Davis Category:Musicians from New Jersey Category:People from Fort Lee, New Jersey Category:People from North Plainfield, New Jersey Category:People from Plainfield, New Jersey Category:American people of Welsh descent Category:American people of Rusyn descent Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Verve Records artists Category:Riverside Records artists Category:Milestone Records artists Category:Concord Records artists Category:Fantasy Records artists Category:Warner Bros. Records artists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Steve Gadd |
---|---|
Background | non_vocal_instrumentalist |
Birth name | Stephen Kendall Gadd |
Born | April 09, 1945Irondequoit, New York, United States |
Instrument | Drums, Percussion |
Genre | Jazz, Bebop, Rock music, Blues, R&B; |
Occupation | Musician |
Url | http://www.drstevegadd.com/ |
After graduating from Irondequoit's Eastridge High School, he attended the Manhattan School of Music for two years before transferring to the Eastman School of Music in Rochester, playing in wind ensembles and concert bands. After Gadd finished college in the late 1960s, he played regularly with Chuck Mangione and his brother Gap Mangione. His first recording was on Gap Mangione's debut solo album, Diana in the Autumn Wind (1968).
Gadd was drafted into the U.S. Army and spent three years as a drummer in the Army Music Program, most of which was spent with the Jazz Ambassadors of the U.S. Army Field Band in Ft. Meade, MD. While living in the Washington DC area, he briefly took lessons from the noted jazz drummer, Michael S. Smith. Following his military service, Gadd played and worked with a band in Rochester. In 1972, Gadd formed a trio with Tony Levin and Mike Holmes, traveling to New York with them. The trio eventually broke up, but Gadd began to work mainly as a studio musician. Gadd also played with Corea's Return to Forever but left the group.
In the 1970s and 1980s, he toured internationally, and recorded with Paul Simon and also with Al Di Meola's Electric Rendezvous Band. In response to confusion over another drummer by the same name, Gadd, while on his We're on a Mission from Gadd tour in 2005, told fans that was not him. Gadd said, "I've never met the other Steve Gadd. We happened to stay in the same hotel once, though. I kept getting his messages and apparently he was getting mine."
In 1976, Gadd and other session musicians in New York City, including Richard Tee, Eric Gale and Cornell Dupree, formed the group Stuff. Their work included appearances on NBC's Saturday Night Live, both performing on their own and backing Joe Cocker.
By the end of the 1970s, Steve Gadd was an accomplished drummer, with transcriptions of his drum solos on sale in Japan. Chick Corea once commented, "Every drummer wants to play like Gadd because he plays perfect ... He has brought orchestral and compositional thinking to the drum kit while at the same time having a great imagination and a great ability to swing."
In 2005, along with Abraham Laboriel, Patrice Rushen and others, Gadd was awarded an honorary Doctor of Music degree from Berklee College of Music for outstanding contributions to contemporary music.
With Art Garfunkel Some Enchanted Evening, 2007 Songs from a Parent to a Child, 1997
With L'Image
With Lesley Meguid
With Chet Baker
Category:1945 births Category:Living people Category:American jazz musicians of Sicilian descent Category:American jazz drummers Category:American rock drummers Category:Eastman School of Music alumni Category:Manhattan School of Music alumni Category:People from Rochester, New York Category:American session musicians Category:Steely Dan members Category:Return to Forever members
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Name | Chick Corea |
---|---|
Background | non_vocal_instrumentalist |
Birth name | Armando Anthony Corea |
Born | June 12, 1941 |
Origin | Chelsea, Massachusetts, U.S. |
Instrument | Piano, keyboards, Synthesizers, organ, Vibraphone, drums |
Genre | JazzJazz fusionPost bopLatin jazzClassical Music |
Occupation | PianistKeyboardistComposerBandleader |
Years active | 1966–present |
Label | ECM, Polydor, Stretch, Warner Bros. |
Associated acts | Return to Forever, Five Peace Band, Chaka Khan |
Url | http://www.chickcorea.com |
Corea continued to pursue other collaborations and to explore various musical styles throughout the 1980s and 1990s. He is also known for promoting Scientology.
He made another sideman appearance with Stan Getz on 1967's Sweet Rain (Verve Records).
In September 1968 Corea replaced Herbie Hancock in the piano chair in Davis' band and appeared on landmark albums such as Filles de Kilimanjaro, In a Silent Way, and Bitches Brew. In concert, Davis' rhythm section of Corea, Dave Holland, and Jack DeJohnette combined elements of free jazz improvisation and rock music. Corea experimented using electric instruments with the Davis band, mainly the Fender Rhodes electric piano.
In live performance he often used ring modulation of the electric piano, producing overtones reminiscent of Karlheinz Stockhausen. Using this style, he appeared on multiple Davis albums, including and . His live performances with the Miles Davis band continued into 1970, with a great touring band of Steven Grossman, tenor sax, Keith Jarrett, additional electric piano and organ, Jack DeJohnette, drums, Dave Holland, bass, Airto Moreira, percussion, and Miles on trumpet.
Holland and Corea left to form their own group, Circle, active between 1970 and 1971. This free jazz group featured multi-reed player Anthony Braxton and drummer Barry Altschul. This band was documented on Blue Note and ECM. Aside from soloing in an atonal style, Corea sometimes reached in the body of the piano and plucked the strings. In 1971 or 1972 Corea struck out on his own.
The concept of communication with an audience became a big thing for me at the time. The reason I was using that concept so much at that point in my life — in 1968, 1969 or so — was because it was a discovery for me. I grew up kind of only thinking how much fun it was to tinkle on the piano and not noticing that what I did had an effect on others. I did not even think about a relationship to an audience, really, until way later.Corea's composition "Spain" first appeared on the 1972 Return to Forever album Light as a Feather. This is probably his most popular piece, and it has been recorded by a variety of artists. There are also a variety of subsequent recordings by Corea himself in various contexts, including an arrangement for piano and symphony orchestra that appeared in 1999, and a collaborative piano and voice-as-instrument arrangement with Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude based on Joaquín Rodrigo's Concierto de Aranjuez (1940), which earlier received a jazz orchestration on Miles Davis' and Gil Evans' "Sketches of Spain".
In 1976 he issued My Spanish Heart, influenced by Latin American music and featuring vocalist Moran and electric violinist Jean-Luc Ponty.
The late Ana Mazzotti, a Brazilian jazz pianist and vocalist, dedicated what is perhaps her last ever recorded track, "Grand Chick", to Chick Corea. The song may be found on her "Ao Vivo Guaruja 1982" album. As Ana Mazzotti worked with Brazilian jazz fusion masters Azymuth in her first album, it was further testament to Chick Corea's influence in the genre.
Duet projects
In the 1970s Corea started working occasionally with vibraphonist Gary Burton, with whom he recorded several duet albums on ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence (which has received 3 nominations for the 51st Grammy Awards) was issued shortly into 2008. The package includes a disc of duets and another disc featuring the Sydney Symphony.
Later, toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Herbie Hancock. These concerts were presented in elegant settings with both pianists formally dressed, and performing on Yamaha concert grand pianos. The two jazz greats traded playing each other's compositions, as well as pieces by other composers such as Béla Bartók.
In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck.
In 2001 the Chick Corea New Trio, with Avishai Cohen and Jeff Ballard on bass and drums, respectively, released the album Past, Present & Futures. The 11-song album includes only one standard composition (Fats Waller's "Jitterbug Waltz"). The rest of the tunes are Corea originals.
He also participated in 1998's Like Minds, which features Gary Burton on vibes, Pat Metheny on guitar, Dave Holland on bass and Roy Haynes on drums.
Recent years have also seen Corea's rising interest in contemporary classical music. He composed his first piano concerto — and an adaptation of his signature piece, Spain for a full symphony orchestra — and performed it in 1999 with the London Philharmonic Orchestra. Five years later he composed his first work not to feature any keyboards: His String Quartet No. 1, specifically written for and performed by the highly acclaimed Orion String Quartet on 2004's Summerfest.
Corea has continued releasing jazz fusion concept albums such as To the Stars (2004) and Ultimate Adventure (2006). The latter album won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
In 2008 the second version of Return to Forever (Corea, keyboards; Stanley Clarke, bass; Lenny White, drums; Al Di Meola, guitar) reunited for a worldwide tour. The reunion received positive reviews from most jazz and mainstream publications.
Corea claimed that Scientology became a profound influence on his musical direction in the early 1970s:
:I no longer wanted to satisfy myself. I really want to connect with the world and make my music mean something to people.
In 1998 Chick Corea and fellow entertainers Anne Archer, Isaac Hayes, and Haywood Nelson attended the 30th anniversary of Freedom Magazine, the Church of Scientology's investigative news journal, at the National Press Club in Washington, D.C., to honor 11 human rights activists.
Other Beliefs
In a recent interview with jazz journalist C.B.Liddell, Corea also emphasized the importance of The Golden Rule, which he defined as, "you treat others well and you will be treated well back.""I find that if I treat others well, the kindness is returned to me." he added.
Discography
Awards
Over the years, he has been nominated for 51 Grammy Awards out of which he has won 15:His 1968 album Now He Sings, Now He Sobs was inducted in the Grammy Hall of Fame in 1999.
In 2010, he was named doctor honoris causa at Norwegian University of Science and Technology (NTNU).
See also
Jazz fusion Miles Davis Bitches Brew Analog synthesizer Chelsea, Massachusetts
References
External links
Official site Official discography Jazzreview.com biography An Interview with Chick Corea by Bob Rosenbaum, July 1974 (PDF file) 'You put these notes together and you come out with that sound, and isn’t it beautiful. So what? What does it do to another person? What does it do to your neighborhood?' Category:1941 births Category:Living people Category:Post-bop pianists Category:Jazz fusion pianists Category:American jazz pianists Category:American Scientologists Category:Crossover (music) Category:American jazz musicians of Sicilian descent Category:American jazz composers Category:Miles Davis Category:People from Suffolk County, Massachusetts Category:Grammy Award winners Category:Latin Grammy Award winners Category:American people of Spanish descent Category:Return to Forever members Category:Keytarists Category:GRP Records artists Category:ECM artists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Alex Riel |
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Birth name | Alex Riel |
Born | September 13, 1940 |
Origin | Copenhagen, Denmark |
Instrument | Drums |
Genre | Jazz, hard bop, rock |
Occupation | Musician, composer |
Years active | 1962 - |
Associated acts | Alex Riel Trio |
Url | Alex Riel Official Site |
Background | non_vocal_instrumentalist |
Alex Riel, (13 September 1940 in Copenhagen, Denmark), is a Danish jazz and rock drummer. His first group Alex Riel/Palle Mikkelborg Quintet won Montreux Grand Prix Award at the Montreux Jazz Festival in 1968 and it was published in Billboard's June 1968 edition.
He was also a founding member in 1968 of the popular Danish rock group The Savage Rose. His album The Riel Deal won a Danish Grammy Award Jazz in 1996.
In September 2010, Riel reached seventy years of an age and it was celebrated at the famed Jazzhus Montmartre. The event was broadcasted live with the title Celebration Of A Living Jazz-Legend by the Danish national television 2, TV2 which was also showing rare photos, depicting Riel with Duke Ellington, Ben Webster, Bill Evans and acclaimed rock group The Savage Rose.
Category:1940 births Category:Living people Category:Danish jazz musicians Category:Jazz drummers Category:Hard bop drummers Category:Danish rock drummers Category:Danish jazz drummers
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Name | Paul Motian |
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Background | non_vocal_instrumentalist |
Birth name | Paul Motian |
Born | March 25, 1931 |
Origin | Philadelphia, Pennsylvania |
Instrument | drumspercussion |
Genre | Jazz |
Occupation | DrummerComposer |
Associated acts | Bill FrisellJoe LovanoBill Evans |
First coming to prominence in the late '50s with the pioneering trio of pianist Bill Evans, Motian has since worked in an array of contexts, and has led a number of groups. He is one of the most influential modern drummers, having played an important role in freeing the drummer from strict time-keeping duties.
Motian has been a professional musician since 1954, and briefly played with pianist Thelonious Monk. He became well known as the drummer in pianist Bill Evans's trio (1959-64), initially alongside bassist Scott LaFaro and later Chuck Israels.
Subsequently he has played with pianists Paul Bley (1963-4) and Keith Jarrett (1967-76). Other musicians with whom Motian performed and/or recorded in the early period of his career include Lennie Tristano, Warne Marsh, Joe Castro, Arlo Guthrie (Motian performed briefly with Guthrie in 1968-69, and even performed with the singer at Woodstock), Carla Bley, Charlie Haden, and Don Cherry. As his career has continued, Motian has appeared with musicians such as Marilyn Crispell, Bill Frisell, Leni Stern, Joe Lovano, Alan Pasqua, Lee Konitz, Wolfgang Muthspiel, Bill McHenry, Stephane Oliva, and many more.
Motian has also become an important composer and band-leader, recording initially for ECM Records in the 1970s and early 1980s and subsequently for Soul Note Records, JMT Records, and Winter & Winter Records, before returning to ECM in 2005. Since the early 1980s he has led a trio featuring guitarist Bill Frisell and saxophonist Joe Lovano, occasionally joined by bassists Ed Schuller, Charlie Haden or Marc Johnson, and other musicians, including Jim Pepper, Lee Konitz, Dewey Redman and Geri Allen. In addition to playing Motian's compositions, the group has recorded tributes to Thelonious Monk and Bill Evans, and a series of Paul Motian on Broadway albums, featuring original interpretations of standard tunes.
Despite his important associations with pianists, Motian's work as a leader since the 1970s has been noteworthy for rarely including piano in his ensembles and relying heavily on guitar. Motian's first instrument was the guitar, and he seems to have retained an affinity for the instrument: in addition to his groups with Frisell, his first two solo albums on ECM featured Sam Brown, and he leads the "Electric Bebop Band", which features two and sometimes three electric guitars. The group was founded in the early 1990s, and has featured a variety of young guitar and saxophone players, in addition to electric bass and Motian's drums, including saxophonists Joshua Redman, Chris Potter, Chris Cheek, and Tony Malaby, and guitarists Kurt Rosenwinkel, Brad Shepik, Wolfgang Muthspiel, Steve Cardenas, Ben Monder, and Jakob Bro.
With Bill Frisell
With Charlie Haden
With Keith Jarrett
With Pierre Favre
With Paul Bley
With Bill McHenry
With Steve Swallow, Gil Goldstein and Pietro Tonolo
With Jacob Sacks, Eivind Opsvik and Mat Maneri
Category:Avant-garde jazz musicians Category:1931 births Category:Living people Category:musicians from Philadelphia, Pennsylvania Category:American jazz drummers Category:American musicians of Armenian descent Category:American people of Armenian descent Category:ECM artists
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Name | Mark Kramer |
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Background | solo_singer |
Birth name | Bonner |
Alias | Kramer |
Born | 1958 |
Occupation | record producer |
Years active | 1978-present |
Label | Shimmy Disc |
Associated acts | BongwaterGalaxie 500 |
Url | www.kramershimmy.com |
Mark Kramer (born 1958), known professionally as Kramer, is a musician, composer, performer, record producer and founder of the NY record label Shimmy-Disc. The relationship deteriorated quickly in 1991, and a subsequent lawsuit brought against Kramer by Ann Magnuson resulted in the financial crippling of his Shimmy-Disc label, which never recovered.
Shortly following the sale of Shimmy Disc and his recording facility to the Knitting Factory in 1998 (in which he was contracted to play a continuing role in the label as producer and Director of A&R;), Kramer sued for breach of contract and soon found himself without a creative base for the first time in his professional career. This experience left him emotionally devastated and looking to exit the music business without haste. He did so immediately following his last European tour in November 1999, dubbed "The Last Tour of the Century".
Kramer currently operates a private CD/LP Mastering and Mixing studio in Florida, and has resumed his activities as a record producer after a 6-year hiatus, during which time he produced only a handful of select artists, including Joy Zipper, Linda Draper, Jeff Lewis, and Danielson. He has recently announced the return of his record company, under the new name Second-Shimmy. The debut release (released October 10, 2006) is I Killed the Monster - 21 Artists Performing the Songs by Daniel Johnston, featuring performances by Dot Allison, Jad Fair & Kramer, Daniel Smith (of Danielson) & Sufjan Stevens, Kimya Dawson, R. Stevie Moore, Major Matt Mason USA, Jeff Lewis, Joy Zipper, and Kramer himself, among others.
Second-Shimmy has worldwide digital distribution through Orchard Digital.
In 2006, Kramer worked exclusively on the latest solo release from UK artist Dot Allison, which he cites as his finest work as producer/arranger, and features early 60s style orchestral arrangements on each song. This LP, entitled Exaltation of Larks, was released to rave reviews in September 2007 on Cooking Vinyl in the UK and P-Vine in Japan.
Kramer has released 3 solo records of "pop" music, and 2 CDs of "new music" on John Zorn's Tzadik label. He is presently putting the finishing touches on The Brill Building, his five-year effort to bring new life to a collection of hit singles written in the Brill Building in the late 50s and early 60s, also for Zorn's Tzadik label.
By the beginning of 2007, Kramer began to focus more intensely on mastering, and less on the full-time producing that has kept him on the road since the demise of Shimmy-Disc in 1998.
In 2007 (amongst numerous assorted mixing and mastering projects), Kramer produced Finnish legends 22-Pistepirkko in Helsinki, THE Nightjars in Wales, and Leader Cheetah in Australia. In January 2008 Kramer embarked upon his first tour since 1999's "Last Tour of the Century" with Jad Fair; 14 cities in 14 days in Japan with Mike Watt and Samm Bennett in a Dueling Bass trio called Brother's Sister's Daughter. He now insists that he will never tour again.
Also in 2007, Kramer remixed Mississippi for Steve Adey. In December 2008 he went to Naples, Italy to produce the Italian alternative rock band The Orange Beach; in April 2009 Kramer went to Sydney, Australia and spent 10 days in the Colo River district producing the phenomenal Bridezilla (in a barn) for Inertia Records. In May, he lived in Melbourne while producing several other Australian artists, including Dirtbird, Catnip, and Cuba is Japan.
In September 2009, Kramer mastered a track for Jive Records in NYC. it was his first direct experience with "urban music".
In January 2010, Kramer will perform his composition "Things to Come" in France at the Mo'Fo Festival in Paris. Debuted in Tokyo in 2007 and performed once in Melbourne and once in Tel Aviv, this will be the European premiere.
In February 2010, Kramer recorded, produced and mixed Mono Stereo's debut LP in Denmark.
In April 2010, Kramer mixed Gonculator's second album OMNOMNOM.
In May 2010, Kramer mixed and mastered William S. Burroughs Hurts' debut album Flat Cat Bonfire. Due to the "difficulties" during the mixing process, Kramer wrote this producer's notes.
In 2008, Kramer's birth-mother made contact with him, which led to the discovery that his birth-father was Joey Bonner, notorious Record Promo pioneer in NYC during the 60's & 70's who was once the tour manager for Sam Cooke, Aretha Franklin and other great soul/R&B; artists of the era. Joey Bonner (a black man who could "pass" as white due to his light complexion)and Kramer's mother (an "upper westside" NYC Jew) had another son one year before Kramer's birth; he was a senior VP in charge of Radio Promotions at NYC's Jive Records, a unit of the world's largest record company, Sony Music Entertainment. Reunited after 50 years (having not even known of each other's existence prior to 2008), Kramer and his big brother went to their first Yankee game together in 2009. They both despise The Mets. Joey Bonner died in 2007, just three miles from Kramer's Florida home. Having discovered all of this in 2008, the two men never met or knew of each other's existence. Kramer's mother lives in Ft Myers, Florida. After 50 years of not knowing his own heritage, Kramer now knows that he is Jewish/black, with some Polish and Native American blood. His great-great-great-grandfather Essex Bonner fought in an all-black battalion in the US Civil War, and his great-grandmother Pinky Gowakawa was a full-blooded Native American from a tribe based in Virginia.
Married in 1982 and divorced in 1994, Kramer has one daughter, Tess (born March 1992).
In 2005, Kramer married artist/painter Valerie Zars. It is the second marriage for both of them. The wedding took place in Penn Jillette's Las Vegas backyard before an intimate group of friends, with James Randi officiating. Master magician Jamy Ian Swiss was best man.
Category:1958 births Category:Living people Category:American rock bass guitarists Category:American record producers Category:Butthole Surfers members
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Name | Hubert Laws |
---|---|
Landscape | yes |
Background | non_vocal_instrumentalist |
Born | November 10, 1939 |
Origin | Houston, Texas, United States |
Instrument | Flute |
Genre | Jazz, classical |
Occupation | Flautist |
Years active | 1964–present |
Label | RKO/Unique, Sony, Music Masters Jazz, CTI, Columbia |
Url | www.HubertLaws.com |
Hubert Laws (born November 10, 1939) Many of his siblings also entered the music industry, including saxophonist Ronnie and vocalists Eloise, Debra and Johnnie Laws. He began playing flute in high school after volunteering to substitute for the school orchestra's regular flutist. He became adept at jazz improvisation by playing in the Houston-area jazz group the Swingsters, which eventually evolved into the Modern Jazz Sextet, the Night Hawks, and The Crusaders. At age 15, was a member of the early Jazz Crusaders while in Texas (1954–1960), and he also played classical music during those years.
Winning a scholarship to New York's Juilliard School of Music in 1960, he studied music both in the classroom and with master flutist Julius Baker, and played with both the New York Metropolitan Opera Orchestra (member) and the New York Philharmonic Orchestra, 1969-72. In this period his renditions of classical compositions by Gabriel Fauré, Stravinsky, Debussy, and Bach on the 1971 CTI recording Rite of Spring—with a string section and such jazz stalwarts as Airto Moreira, Jack DeJohnette, Bob James, and Ron Carter—earned him an audience of classical music aficionados. He would return to this genre in 1976 with a recording of Tchaikovsky's Romeo and Juliet.
While at Juillard, Laws played flute during the evenings with several acts, including Mongo Santamaría, 1963–67 and in 1964 began recording as a bandleader for the Atlantic label, and he released the albums The Laws of Jazz, Flute By-Laws, and Laws Cause. He guested on albums by Ashford and Simpson, Chet Baker, and George Benson. He also recorded with younger brother Ronnie Laws album The Laws in the early 1970s. He also played flute on Gil Scott-Heron's 1971 album Pieces of a Man, which featured the jazz poem "The Revolution Will Not Be Televised." During the 1970s he was a member of the New York Jazz Quartet.
In the 1990s Laws resumed his career, playing on the 1991 Spirituals in Concert recording by opera singers Kathleen Battle and Jessye Norman. His albums on the Music Masters label—My Time Will Come in 1990 and, more particularly, Storm Then Calm in 1994—are regarded by critics as a return to the form he exhibited on his early 1970s albums. He also recorded a tribute album to jazz pianist and pop-music vocalist Nat King Cole, Hubert Laws Remembers the Unforgettable Nat King Cole, which received critical accolades. Among the many artists he has played and recorded with are Herbie Hancock, McCoy Tyner, Nancy Wilson, Quincy Jones, Paul McCartney, Paul Simon, Aretha Franklin, Ella Fitzgerald, Sarah Vaughn, Lena Horne, Leonard Bernstein, James Moody, Jaco Pastorius, Sérgio Mendes, Bob James, Carly Simon, George Benson, Clark Terry, Stevie Wonder, J. J. Johnson, and The Rascals. In 1998, Laws recorded with Morcheeba for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.
The 2006 video Hubert Laws Live 30-year Video Retrospective, available only at hubertlaws.com, includes "Red Hot & Cool" with Nancy Wilson, Performance in Brazil, Johnny Carson Show Appearance, The 1975 Downbeat Reader's Poll Awards, Performance in Japan, and Performance in Germany.
Laws is a recipient of the 2011 NEA Jazz Masters Award.
{| class=wikitable |- | colspan=5 align=center | Hubert Laws Grammy Awards History |- ! Year ! Category ! Title ! Genre ! Label ! Result |- align=center | 1979 | Best Rhythm & Blues Instrumental Performance | Land of Passion | Jazz | Columbia | Nominee |- align=center | 1974 | Best Jazz Performance - Soloist | In the Beginning | Jazz | CTI | Nominee |- align=center | 1973 | Best Jazz Performance - Soloist | Morning Star | Jazz | CTI | Nominee |- align=center |}
Category:American jazz flautists Category:American classical flautists Category:1939 births Category:Living people Category:Musicians from Houston, Texas Category:African American musicians Category:American rhythm and blues musicians Category:New York Jazz Quartet members Category:Place of birth missing (living people)
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Kikoski learned piano from his father and played with him in bars as a teenager. He studied at the Berklee College of Music in the early 1980s, then moved to New York City in 1985, touring and recording subsequently with Roy Haynes (from 1986), Randy Brecker (1986-88), Bob Berg (1988), and Billy Hart (1989). He has also played with George Garzone, Barry Finnerty, Red Rodney, Craig Handy, Ralph Moore, Didier Lockwood, Joe Locke, Olivier Ker Ourio and Mingus Big Band.
Category:American jazz pianists Category:Musicians from New Jersey Category:1961 births Category:Living people Category:DIW Records artists Category:Criss Cross Jazz artists
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.