The music in nightclubs is either live bands or, more commonly, a mix of songs played by a DJ through a powerful PA system. Most clubs or club nights cater to certain music genres, such as techno, house music, trance, heavy metal, garage, hip hop, salsa, dancehall, Drum and Bass, Dubstep or soca music. Many clubs also promote playing the Top 40 which has most of the night playing the most broadcast songs of the previous week.
From about 1900 to 1920, working class Americans would gather at honky tonks or juke joints to dance to music played on a piano or a jukebox.
During US Prohibition, nightclubs went underground as illegal speakeasy bars. With the repeal of Prohibition in February 1933, nightclubs were revived, such as New York's Stork Club, 21 Club, El Morocco and the Copacabana. These nightclubs featured big bands (there were no DJ's).
In Occupied France, jazz and bebop music, and the jitterbug dance were banned by the Nazis as ''decadent American influences'', so members of the French underground met at hidden underground basement dance clubs called ''discotheques'' where they danced to American swing music, which a DJ played on a single turntable when a jukebox was not available. These "discotheques" were also patronized by anti-Vichy youth called zazous. There were also underground discotheques in Nazi Germany patronized by anti-Nazi youth called the swing kids.
In Harlem, the Cotton Club and Connie's Inn were popular venues for white audiences. Before 1953 and even some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. In Paris, at a club named "Whisky à Gogo", founded in 1947, Régine in 1953 laid down a dance-floor, suspended coloured lights and replaced the juke-box with two turntables which she operated herself so there would be no breaks between the music. The Whisky à Gogo set into place the standard elements of the modern post World War II ''discothèque''-style nightclub. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabel's, in Berkeley Square, London. In 1962, the Peppermint Lounge in New York City became popular and is the place where go-go dancing originated. However, the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs, and the nightclub did not attain mainstream popularity until the 1970s disco era.
Some cities had disco dance instructors or dance schools which taught people how to do popular disco dances such as "touch dancing", the "hustle" and the "cha-cha-cha". There were also disco fashions that discothèque-goers wore for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men. Disco clubs and "...hedonistic loft parties" had a club culture which had many Italian-American, African American, gay and Hispanic people.
In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture, particularly for recreational drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine (nicknamed "blow"), amyl nitrite "poppers", and the "...other quintessential 1970s club drug Quaalude, which suspended motor coordination and turned one's arms and legs to Jell-O". The "massive quantities of drugs ingested in discothèques by newly liberated gay men produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of "main course" in a hedonist's menu for a night out."
Famous 1970s discothèques included "...cocaine-filled celeb hangouts such as Manhattan's "Studio 54", which was operated by Steve Rubell and Ian Schrager. Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use was rampant. Its dance floor was decorated with an image of the "Man in the Moon" that included an animated cocaine spoon. Other famous 1970s discothèques in New York City included "Xenon", "The Loft", the "Paradise Garage", and "Aux Puces", one of the first gay disco bars. In San Francisco, there was the Trocadero Transfer, the I-Beam, and the End Up.
By the early 1980s, the term "disco" had largely fallen out of favour in most of the English-speaking world.
The largest UK cities like Newcastle, Liverpool (Quadrant Park and 051), Swansea, Manchester (The Haçienda) and several key European places like Paris (Les Bains Douches), Ibiza (Pacha), Rimini etc. also played a significant role in the evolution of clubbing, DJ culture and nightlife.
Significant New York nightclubs of the period were Area, Danceteria, and The Limelight.
In Europe and North America, nightclubs play disco-influenced dance music such as house music, techno, and other dance music styles such as electronica and trance. Most nightclubs in the U.S. major cities play hip hop, house and trance music. These clubs are generally the largest and most frequented of all of the different types of clubs. The emergence of the "superclub" created a global phenomenon, with Ministry of Sound (London), Cream (Liverpool) and Pacha (Ibiza).
In most other languages, nightclubs are referred to as "discos" or "discothèques" (; Italian and Spanish: ''discoteca,'' ''antro'' (common in Mexico only), and "boliche" (common in Argentina only), "discos" is commonly used in all others in Latinamerica; or ). In Japanese ディスコ, ''disuko'' refers to an older, smaller, less fashionable venue; while クラブ, ''kurabu'' refers to a more recent, larger, more popular venue. The term ''night'' is used to refer to an evening focusing on a specific genre, such as "retro music night" or a "singles night."
A recent trend in the North American and European nightclub industry is the usage of video. Instead of audio-only, DJ's are now using video and "mixing" music videos and related songs together in an audio/visual presentation.
Category:Entertainment venues Category:Dance venues Category:Types of drinking establishment
ar:نادي ليلي fa:باشگاه شبانه de:Nachtclub et:Ööklubi fr:Boîte de nuit ko:나이트클럽 id:Klub malam it:Night club he:מועדון לילה ms:Kelab malam nl:Nachtclub ja:ナイトクラブ nn:Nattklubb pl:Klub nocny ru:Ночной клуб simple:Nightclub sv:Nattklubb th:ไนต์คลับ uk:Нічний клуб zh:夜總會This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Laidback Luke |
---|---|
background | non_vocal_instrumentalist |
birth name | Lucas Cornelis van Scheppingen |
alias | Laidback Luke, Nouveau Yorican |
born | October 22, 1976 Manila, Philippines |
instrument | Software (Ableton, Fl Studio) |
genre | Electro House, House |
occupation | DJ, Producer |
label | Mixmash Records |
website | |
notable instruments | }} |
Laidback Luke grew up in The Netherlands and made his name as a graffiti artist before turning to making music. He has worked with artists such as David Guetta, Steve Angello, Sebastian Ingrosso, Axwell and Junior Sanchez and played throughout Europe and North America as well as shows in Japan and Ibiza. He has released two studio albums: Psyched Up (1998) and Electronic Satisfaction (2002) as well as a successful mix album, Windmill Skill (2003). In 2003, van Scheppingen did a remix of the Daft Punk song "Crescendolls" for the duo's remix album ''Daft Club''. Luke has also released his own mix album, titled ''Ibiza Closing Party'', as a free covermount CD in the October 2008 issue of ''Mixmag''. He has currently released his new album on the 4th of July 2011, called ''Cream Ibiza Super You & Me''.
! Year | ! Single | ! Artist | ! Album |
Double 0 | Double 0 - EP | ||
"Pass The Fury" | Fuck The Revolution/Pass The Fury | ||
"Don't Let Go (feat. Paul V.K.)" | Laidback Luke & Paul V.K. | Laidback Luke & Marchand Present Highstreets – Don't Let Go | |
"Otherwize Then" | Steve Angello & Laidback Luke | ||
Killing the Kitchen | |||
Show Rocker | |||
Hypnotize | Laidback Luke & Stephen Granville | Hypnotize - EP | |
Get Dumb | Axwell, Steve Angello, Sebastian Ingrosso, Laidback Luke | ||
Ambition | DJ DJG & Laidback Luke | ||
Be | Steve Angello & Laidback Luke | ||
Rocking With The Best | Laidback Luke | ||
Break The House Down | Laidback Luke | ||
Chaa Chaa | Sebastian Ingrosso & Laidback Luke | ||
Generation Noize | Laidback Luke, Roman Salzger & Boogshe | ||
Shake It Down | Laidback Luke & A-Trak | ||
Show | Laidback Luke & Tom Stephan feat. Romanthony | ||
Down With The Mustard | Laidback Luke | ||
Steve Angello & Laidback Luke feat. Robin S | |||
Leave The World Behind | Axwell,Sebastian Ingrosso,Steve Angello, & Laidback Luke feat. Deborah Cox | Leave the World Behind - EP | |
Blau! | Laidback Luke & Lee Mortimer | Blau! | |
My G*O*D* (Guns On Demo) | Laidback Luke | My G*O*D* | |
Step By Step | |||
Shine Your Light | |||
Hey! | Laidback Luke & Diplo | ||
Jackit | |||
Boriqua | |||
Chiuso | |||
Timebomb | |||
Till Tonight | Till Tonight (feat Jonathan Mendelsohn) | ||
Indestructible | Robyn & Laidback Luke | ||
Laidback Luke & Steve Aoki feat. Lil Jon | Turbulence (Radio Edit) [feat. Lil Jon] - Single | ||
Mortal Comeback | Laidback Luke feat. Lady Bee | ||
Speak Up | Laidback Luke feat. Wynter Gordon | ||
Natural Disaster | Laidback Luke feat. Example | ||
Category:1976 births Category:Dutch DJs Category:Living people
de:Laidback Luke es:Laidback Luke fr:Laidback Luke it:Laidback Luke nl:Laidback Luke pl:Laidback Luke pt:Laidback Luke sv:Laidback LukeThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Ashley Greene |
---|---|
birth name | Ashley Michele Greene |
birth date | February 21, 1987 |
birth place | Jacksonville, Florida, U.S. |
occupation | Actress, model |
years active | 2005–present |
website | }} |
Ashley Michele Greene (born February 21, 1987) is an American actress and model, best known for playing Alice Cullen in the film adaptations of Stephenie Meyer's ''Twilight'' novels.
Greene is good friends with her ''Twilight'' co-stars, particularly Kellan Lutz and Jackson Rathbone whom she knew before filming of the series began. She dated singer Joe Jonas. The two broke up in March 2011. Greene has stated the she grew up watching football and is a Florida Gators fan. She was also seen attending a Green Bay Packers game against the New York Giants with Jonas and Jessica Szohr at Lambeau Field in 2010.
Greene's big break came in 2008 when she was cast as Alice Cullen in ''Twilight'', a film based on the novel of the same name by Stephenie Meyer. She reprised her role as Alice in the 2009 sequel to ''Twilight'', ''The Twilight Saga: New Moon'', 2010's ''The Twilight Saga: Eclipse'', and will reprise the role again in 2011, in ''The Twilight Saga: Breaking Dawn Part 1 and Part 2''.
Greene portrayed Michelle Burkham in the drama film ''Skateland'', which premiered at the 2010 Sundance Film Festival.
She reunited with her ''Twilight'' co-star Kellan Lutz in the movie ''Warrior'' and also stars in thriller film, ''Summer's Blood'', as well as the Dark Castle Entertainment production ''The Apparition'', which began filming on February 1, 2010.
Appearing nude in a bodypainted bikini, Greene posed for SoBe advertisements that ran in the 2010 issue of the ''Sports Illustrated Swimsuit Edition''. ''People Magazine'' named Greene as one of the "World's Most Beautiful Women of 2010". She received "The Style Icon Award" at Hollywood Life’s Young Hollywood Awards this year. Greene was also presented an award from the PETA foundation for representing Avon and their no testing on animals policy.
Greene presented an award at the 2010 MTV Video Music Awards on Sept. 12, 2010.
! Year | ! Title | ! Role | Notes |
2005 | ''Punk'd'' | Girlfriend | 1 episode |
''Crossing Jordan'' | Ann Rappaport | 1 episode | |
''MADtv'' | Amber | 1 episode | |
Renata | 7 episodes | ||
2007 | ''King of California'' | McDonald's Customer | |
Natalie Faber | 1 episode | ||
Kim #4 | Straight-to-DVD | ||
Teen Choice Award for Movie Fresh Face FemaleNominated–Scream Award for Best Supporting ActressNominated–Scream Award for Best Ensemble Cast | |||
Missy | |||
''Summer's Blood'' | Summer Matthews | Straight-to-DVDOriginally titled ''Summer's Blood'' | |
'''' | Teen Choice Awards | ||
''[[Skateland'' | Michelle Burkham | Premiered at the 2010 Sundance Film Festival | |
Rhonda | Post-production | ||
''A Warrior's Heart'' | Brooklyn | Post-production | |
'''' | |||
''LOL: Laughing Out Loud'' | Ashley | Post-production | |
'''' | Kelly | Post-production | |
rowspan="2" | Post-production | ||
Post-production | |||
''Butter'' | Kaitlen Pickler | Filming | |
''The Boom Boom Room'' | Adeline Winter | Filming |
Category:1987 births Category:Living people Category:People from Jacksonville, Florida Category:Actors from Florida Category:American film actors Category:American television actors Category:American female models
ar:آشلي غرين cs:Ashley Greeneová da:Ashley Greene de:Ashley Greene et:Ashley Greene es:Ashley Greene fa:اشلی گرین fr:Ashley Greene hr:Ashley Greene id:Ashley Greene it:Ashley Greene he:אשלי גרין ka:ეშლი გრინი lv:Ešlija Grīna lt:Ashley Greene hu:Ashley Greene nl:Ashley Greene ja:アシュリー・グリーン no:Ashley Greene pl:Ashley Greene pt:Ashley Greene ro:Ashley Greene ru:Грин, Эшли sk:Ashley Greenová sl:Ashley Greene fi:Ashley Greene sv:Ashley Greene tr:Ashley Greene uk:Ешлі Грін vi:Ashley GreeneThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Image name | Station fire at 40 seconds.jpg |
---|---|
Date | |
Time | 11:07 pm |
Place | West Warwick, Rhode Island |
Reported death(s) | 100 |
Reported injuries | 200+}} |
The Station nightclub fire was the fourth deadliest nightclub fire in American history, killing 100 people. The fire began at 11:07 PM EST, on Thursday, February 20, 2003, at The Station, a glam metal and rock n roll themed nightclub located at 211 Cowesett Avenue in West Warwick, Rhode Island.
The fire was caused by pyrotechnics set off by the tour manager of the evening's headlining band, Great White, which ignited flammable sound insulation foam in the walls and ceilings surrounding the stage. A fast-moving fire engulfed the club in 5½ minutes. Some 230 people were injured and another 132 escaped uninjured. Video footage of the fire shows its initial growth, billowing smoke that quickly made escape impossible, and the exit blockage that further hindered evacuation.
The flames were at first thought to be part of the act; only as the fire reached the ceiling and smoke began to billow did people realize it was uncontrolled. Twenty seconds after the pyrotechnics ended, the band stopped playing and lead singer Jack Russell calmly remarked into the microphone, "Wow...that's not good." In less than a minute, the entire stage was engulfed in flames, with most of the band members and entourage fleeing for the west exit by the stage. right|thumb|Floor plan of Station nightclub, showing available exits right|thumb|Number of victims found by location (main exit at bottom-center) By this time, the nightclub's Wheelock AS fire alarm system had made everyone acutely aware of the impending danger, and, although there were four possible exits, most people naturally headed for the front door through which they had entered. The ensuing stampede led to a crush in the narrow hallway leading to that exit, quickly blocking the exit completely and resulting in numerous deaths and injuries among the patrons and staff. Of the 462 in attendance, 100 lost their lives, and about half were injured, either from burns, smoke inhalation, or trampling. Among those who perished in the fire were Great White's lead guitarist, Ty Longley, and the show's emcee, WHJY DJ Mike "The Doctor" Gonsalves.
The fire, from its inception, was caught on videotape by cameraman Brian Butler for WPRI-TV of Providence, and the beginning of the tape was released to national news stations. Butler was there for a planned piece on nightclub safety being reported by Jeffrey Derderian, a WPRI news reporter who was also a part-owner of The Station. WPRI-TV would later be cited for conflict of interest in having a reporter do a report concerning his own property. The report had been inspired by the E2 nightclub stampede in Chicago that had claimed 21 lives only four days earlier. At the scene of the fire, Butler gave this account of the tragedy:
Five months after the fire, Great White started a benefit tour, saying a prayer at the beginning of each concert for the friends and families touched by that fateful night and giving a portion of the proceeds to the Station Family Fund. The band said they would never play the song "Desert Moon" again. "I don't think I could ever sing that song again," said lead singer and founder Jack Russell. Guitarist Mark Kendall stated, "We haven't played that song. Things that bring back memories of that night we try to stay away from. And that song reminds us of that night. We haven't played it since then and probably never will." The band has since resumed playing the song.
The fire was the deadliest in the United States since the 1977 Southgate, Kentucky, Beverly Hills Supper Club fire that claimed 165 lives. The worst nightclub fire occurred on November 28, 1942, in Boston at the Cocoanut Grove, where 492 died after paper decorations caught fire. The Rhythm Night Club Fire in Natchez, Mississippi, claimed the lives of approximately 209 persons during a dance on April 23, 1940. The Station fire exceeded the death toll of 87 in the March 25, 1990 Happyland Fire in the Bronx, New York City.
Currently, the site of the fire is an empty lot, with the exception of a multitude of crosses, memorials left by loved ones of the deceased. Surviving family members have announced their intention to acquire the site and erect a permanent memorial.
On May 20, 2003, nondenominational services began to be held at the site of the fire on a monthly basis. Family members and friends gathered to memorialize their loved ones. In June 2003, the Station Fire Memorial Foundation was formed with the purpose of purchasing the property, building and maintaining a memorial. The Foundation continues to hold yearly services on the site, near the anniversary of the fire.
While investigators focused on the foam material that had been installed behind the stage, claiming the foam was intended for use in packaging and product display, testimony available to the public contradicts this. Testimony by Barry Warner, the salesman from American Foam who sold the foam to the Derderians, confirmed that there was a sales order for high-density acoustic soundproofing foam. Chemical analysis of the actual foam that was in the nightclub on the evening of the fire was never released to the public. A roll of foam confiscated from the basement of the nightclub after the fire was removed by the ATF but the testing done on that specific foam was never released to the public. Witnesses to the fire reported that once ignited, flames spread across the foam at approximately one foot per second.
A National Institute of Standards and Technology (NIST) investigation of the fire, using computer simulations with FDS and a mock-up of the stage area and dance floor, concluded that a sprinkler system would have contained the fire long enough to give everyone time to get out safely. However, because of the building's age (built in 1946) and size (4,484 square feet (404 m²)), many believed the Station to be exempt from sprinkler system requirements. In fact, the building had undergone an occupancy change when it was converted from a restaurant to a nightclub. This change dissolved its exemption from the law, a fact that West Warwick fire inspectors never noticed. On the night in question, the Station was legally required to have a sprinkler system but did not; outcry over the event has sparked calls for a national Fire Sprinkler Incentive Act but those efforts have so far stalled.
On December 9, 2003, brothers Jeffrey A. and Michael A. Derderian, the two owners of The Station nightclub, and Daniel M. Biechele, Great White's former road manager, were charged with 200 counts of involuntary manslaughter — two per death, because they were indicted under two separate theories of the crime: criminal-negligence manslaughter (resulting from a legal act in which the accused ignores the risks to others and someone is killed) and misdemeanor manslaughter (resulting from a petty crime that causes a death). All three pleaded not guilty to the charges. The Derderians also were fined $1.07 million for failing to carry workers' compensation insurance for their employees, four of whom died in the blaze.
Biechele's statement to the court
As the thirty-minute sentencing progressed, Biechele accepted responsibility for his crime.
name | Daniel Michael Biechele |
---|---|
birth date | October 08, 1976 |
birth place | New York state |
charge | 100 counts of involuntary manslaughter |
conviction | Pleaded guiltySentenced May 10, 2006 |
conviction penalty | 15 years:4 years to serve11 years suspended + 3 years probation |
conviction status | Released March 19, 2008 |
occupation | Flooring company accountant }} |
The sentence drew mixed reactions in the courtroom. Many of the families believed that the punishment was just; others had hoped for a more severe sentence.
Leland Hoisington, whose 28-year-old daughter, Abbie, was killed in the fire, told reporters, "I think they should not even bother with a hearing -- just let Biechele out... I just don't find him as guilty of anything." The state parole board received approximately 20 letters, the majority of which expressed their sympathy and support for Biechele, some going as far as to describe him as a "scapegoat" with limited responsibility.
Board chairwoman Lisa Holley told journalists of her surprise at the forgiving attitude of the families, saying, "I think the most overwhelming part of it for me was the depth of forgiveness of many of these families that have sustained such a loss."
Dave Kane and Joanne O'Neill, parents of youngest victim Nicholas O'Neill, released their letter to the board to reporters. "In the period following this tragedy, it was Mr. Biechele, alone, who stood up and admitted responsibility for his part in this horrible event... He apologized to the families of the victims and made no attempt to mitigate his guilt," the letter said.
Others pointed out that Biechele had sent handwritten letters to the families of each of the 100 victims and that he had a work release position in a local charity.
On September 19, 2007, the Rhode Island Parole Board announced that Biechele would be released in March 2008.
Biechele was released from prison on March 19, 2008. As reported by the Associated Press, he did not answer any questions and was quickly whisked away in a waiting car.
In a letter to the victims' families, Judge Darigan said that a trial "would only serve to further traumatize and victimize not only the loved ones of the deceased and the survivors of this fire, but the general public as well." He added that the difference in the brothers' sentences reflected their respective involvement with the purchase and installation of the flammable foam.
Rhode Island Attorney General Patrick C. Lynch objected strenuously to the plea bargain, saying that both brothers should have received jail time and that Michael Derderian should have received more time than Biechele.
In January 2008, the Parole Board decided to grant Michael Derderian an early release; he was scheduled to be released from prison in September 2009, but was granted his release in June 2009 for good behavior.
In February 2008, Providence television station WPRI-TV made an out-of-court settlement of US $30 million as a result of the claim that their video journalist was said to be obstructing escape and not helping people exit. WPRI-TV (owned by LIN Broadcasting) was filming a story on nightclub tragedies, and was there that night to film as part of their story.
In late March 2008, JBL Speakers settled out of court for $815,000. JBL was accused of using flammable foam inside their speakers. The company denied any wrongdoing.
Anheuser-Busch has offered $5 million, McLaughlin & Moran, Anheuser-Busch's distributor, has offered $16 million, Clear Channel Broadcasting has offered $22 million. Home Depot and insulation company Polar Industries has also made a settlement offer of $5 million.
Sealed Air Corporation agreed to pay $25 million as settlement. Sealed Air made soundproofing foam installed in the club. The State of Rhode Island and the town of West Warwick agreed to pay $10 million as settlement.
In September 2008 the band Great White offered $1 million in a settlement to survivors and victim's relatives, the maximum allowed under the band's insurance plan. Club owners Jeffrey and Michael Derderian have offered to settle for $813,000, which is to be covered by their insurance plan due to the pair having bankruptcy protection from lawsuits.
There are other named defendants who have not yet made a settlement offer including American Foam Corporation who sold the insulation to the Station Nightclub.
Category:2003 in Rhode Island Category:2003 fires Category:Fires in Rhode Island Category:Nightclub fires Category:Building fires in the United States Category:Fire disasters involving barricaded escape routes Category:Human stampedes in the United States Category:Nightclubs in the United States Category:Kent County, Rhode Island Category:Accidental deaths in Rhode Island Category:West Warwick, Rhode Island
de:Brandkatastrophe im Nachtclub The Station ru:Пожар в клубе «Station» zh:羅德島夜總會大火This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | The Station Agent |
---|---|
Director | Thomas McCarthy |
Producer | Robert MayMary Jane SkalskiKathryn Tucker |
Writer | Thomas McCarthy |
Starring | Peter DinklagePatricia ClarksonBobby CannavaleMichelle WilliamsRaven GoodwinPaul Benjamin |
Music | Stephen Trask |
Cinematography | Oliver Bokelberg |
Editing | Tom McArdle |
Distributor | Miramax Films |
Released | October 3, 2003 |
Runtime | 88 minutes |
Country | |
Language | English |
Budget | $500,000 (estimated) |
Gross | $8,679,814 (worldwide) |
thumb|left|175px|The train station used in the movie.When Henry dies unexpectedly, Fin is told that the hobby shop is to be closed forever. However, he also learns that in Henry's will he had left him a piece of rural property with an abandoned train depot on it. He moves into the old building hoping for a life of solitude, but he quickly finds himself reluctantly becoming enmeshed in the lives of his neighbors. Joe Oramas, a Cuban American, is operating his father's roadside snack truck while the elder man recovers from an illness, and Olivia Harris is an artist trying to cope with the sudden death of her young son two years earlier and the ramifications it has had on her marriage to David, from whom she is separated. Cleo is a young African American girl who shares Fin's interest in trains and finally convinces him to lecture her class about them. Emily is the local librarian, a young woman dismayed to discover she is pregnant by her ne'er-do-well boyfriend.
Joe, relentlessly upbeat and overly talkative, soon cracks through Fin's reserve. The two begin to take daily walks along the tracks, and when Olivia gives Fin a movie camera to film the passing trains, Joe pursues them in his truck while Fin photographs them. Joe and Fin sleep over at Olivia's house after watching this footage and the next morning a flustered, unannounced David is greeted by the two of them. The three forge a tentative friendship that is threatened when Olivia descends into a deep depression. Meanwhile, Emily seeks solace from Fin, who slowly is realizing interaction with other humans may not be as unpleasant as he thought. Fin tries to protect Emily from her boyfriend at a bar, but he pushes Fin aside, causing Fin to lapse back into his antisocial behaviour. Fin spends the night drinking and, collapsing on the track, is passed over by a train, undamaged but for his pocket watch. As if feeling blessed by his gift of life (and symbolically upon his watch getting destroyed in the train mishap), Fin picks up the courage to talk to school kids about trains. Later Fin even walks up to Olivia's home (in spite of being humiliated the previous time) only to find she had attempted suicide. He takes care of her home while she recuperates in hospital. The last scene has Olivia, Joe, and Fin all watch the film of their trainspotting at Olivia's house, closing the movie with their small talk and reconciliation.
The film premiered at the Sundance Film Festival and was shown at the Toronto International Film Festival and the San Sebastián Film Festival before going into limited release in the US on October 3, 2003. Playing on three screens, it grossed $57,785 on its opening weekend. The film eventually earned $8,679,814, of which $5,739,376 was from the USA.
Roger Ebert of the ''Chicago Sun-Times'' said, "[T]his is a comedy, but it's also sad, and finally it's simply a story about trying to figure out what you love to do and then trying to figure out how to do it . . . It is a great relief . . . that ''The Station Agent'' is not one of those movies in which the problem is that the characters have not slept with each other and the solution is that they do. It's more about the enormous unrealized fears and angers that throb beneath the surfaces of their lives."
Ruthe Stein of the ''San Francisco Chronicle'' called it "as touching and original a movie as you're likely to see this year" and "a remarkably assured first film."
Peter Travers of ''Rolling Stone'' said, "Tom McCarthy has a gift for funny and touching nuances . . . The three actors could not be better. Huge feelings are packed into this small, fragile movie. It's something special."
James Christopher of ''The Times'' stated, "The brilliance of Peter Dinklage's performance as the ironclad loner is that he doesn’t much care. Yet there’s something deeply affecting about his stoicism and suspicion that has nothing to do with artificial sweeteners, Disney sentiment, or party political broadcasts on behalf of dwarfs. Dinklage just gets on with his performance like an actor who can't understand why he's got the lead role. It's this tension between the film and the unwilling Romeo that makes ''The Station Agent'' such a hypnotic watch."
Rotten Tomatoes gives the film a 95 percent Fresh rating on the Tomatometer and a 90 percent Liked It audience rating.
Category:2003 films Category:American films Category:Independent films Category:American comedy-drama films Category:Films set in New Jersey Category:Films shot in New Jersey Category:Films shot in Super 16 Category:English-language films Category:Miramax Films films Category:Directorial debut films Category:Rail transport films
de:Station Agent fr:The Station Agent it:Station Agent he:אנשי התחנה pl:Dróżnik (film) pt:The Station Agent sv:Station Agent zh:下一站,幸福 (電影)This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.