XHJK-TV is the television call sign for the TV Azteca television station in Tecate, Baja California, Mexico. XHJK is affiliated to TV Azteca's Azteca 13, with 2-hour delay except for live television.

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• XHTIT-TV
• KZSD-LP

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César Vallejo
Peruvian poet Cesar Vallejo
Birth name	César Abraham Vallejo Mendoza
Born	March 16, 1892 Santiago de Chuco, La Libertad –  Peru
Died	April 15, 1938 (age 46) Paris
Nationality	Peruvian
Field	Poet, writer, journalist
Works	Los Heraldos Negros, Trilce

César Abraham Vallejo Mendoza (March 16, 1892 – April 15, 1938) was a Peruvian poet. Although he published only three books of poetry during his lifetime, he is considered one of the great poetic innovators of the 20th century in any language. Always a step ahead of literary currents, each of his books was distinct from the others, and, in its own sense, revolutionary. Thomas Merton called him "the greatest universal poet since Dante". The late British poet, critic and biographer Martin Seymour-Smith, a leading authority on world literature, called Vallejo "...the greatest twentieth-century poet in any language."

Clayton Eshleman and José Rubia Barcia's translation of The Complete Posthumous Poetry of César Vallejo won the National Book Award for translation in 1979.

Life[link]

Monument to César Vallejo at National University of San Marcos, where he studied.

César Vallejo was born the youngest of eleven children in Santiago de Chuco, a remote village in the Peruvian Andes. He studied literature at University of Trujillo in Trujillo. Lack of funds forced him to withdraw from his studies for a time and work at a sugar plantation, the Roma Hacienda, where he witnessed the exploitation of agrarian workers firsthand, an experience which would have an important impact on his politics and aesthetics. Vallejo received a BA in Spanish literature in 1915, the same year that he became acquainted with the bohemia of Trujillo, in particular with APRA co-founders Antenor Orrego and Victor Raul Haya de la Torre.

In 1916 Vallejo moved to Lima, where he studied at National University of San Marcos, read, worked as a schoolteacher, and came into contact with artistic and political avant-garde. While in Lima he also produced his first poetry collection, Los Heraldos Negros. Despite its publication year of 1918, the book was actually published a year later. It is also heavily infuenced by the poetry and other writings of fellow Peruvian Manuel González Prada, who had only recently died. Vallejo then suffered a number of calamities over the next few years: he refused to marry a woman with whom he had an affair and thus lost his teaching post, his mother died in 1920, and he went to prison for 105 days for alleged intellectual instigation of a partisan skirmish in his hometown, Santiago de Chuco. Nonetheless, 1922 he published his second volume of poetry, Trilce, which is still considered one of the most radically avant-garde poetry collections in the Spanish language. After publishing the short story collections Escalas melografiadas and Fabla salvaje in 1923, Vallejo emigrated to Europe under the threat of further incarceration and remained there until his death in Paris in 1938.

His European years found him living in dire poverty in Paris, with the exception of three trips to the USSR and a couple of years in the early 1930s spent in exile in Spain. In 1926 he met his first French mistress, Henriette Maisse, with whom he lived until a breakup in October 1928. In 1927 he had formally met Georgette Marie Philippart Travers (see Georgette Vallejo), whom he had seen when she was 17 and lived in his neighborhood. This was also the year of his first trip to Russia. They eventually became lovers, much to the dismay of her mother. Georgette traveled with him to Spain the end of December 1930 and returned in January 1932. In 1930 the Spanish government awarded him a modest author's grant. When he returned to Paris, he also went on to Russia to participate in the International Congress of Writers' Solidarity towards the Soviet Regime (not to be confused with the First Congress of Soviet Writers of 1934, which solidified the parameters for Socialist Realism). Back in París Vallejo married Georgette Philippart in 1934. His wife remained a controversial figure concerning the publication of Vallejo's works for many years after his death.

A regular cultural contributor to weeklies in Lima, Vallejo also sent sporadic articles to newspapers and magazines in other parts of Latin America, Spain, Italy, and France. His USSR trips also led to two books of reportage he was able to get published early in the 1930s. Vallejo also prepared several theatrical works never performed during his lifetime, among them his drama Colacho Hermanos, o Los Presidentes de America, which shares content with another work he completed during this period, the socialist-realist novel El Tungsteno. He even wrote a children's book, Paco Yunque. After becoming emotionally and intellectually involved in the Spanish Civil War, Vallejo had a final burst of poetic activity in the late 1930s, producing two books of poetry (both published posthumously) whose titles and proper organization remain a matter of debate: they were published as Poemas humanos and España, aparta de mí este cáliz. He died on April 15, 1938, of an unknown illness now thought to have been a form of malaria, an event fictionalized in Roberto Bolaño's novel Monsieur Pain. Originally buried in the proletarian Montrouge cemetery, Vallejo's remains are now in the Cimetière du Montparnasse in Paris.

Works[link]

Los Heraldos Negros (1919)[link]

Los Heraldos Negros (The Black Messengers) was completed in 1918, but not published until 1919. Robert Bly, in the 1993 edited volume Neruda and Vallejo: Selected Poems, describes it as "a staggering book, sensual, prophetic, affectionate, wild," and as "the greatest single collection of poems I have ever read." The title is likely suggestive of the four horsemen of the apocalypse, as the book itself touches on topics of religiosity, life and death.

Trilce (1922)[link]

Trilce, published in 1922, anticipated much of the avant-garde movement that would develop in the 1920s and 1930s. Vallejo's book takes language to a radical extreme, inventing words, stretching syntax, using automatic writing and other techniques now known as "surrealist" (though he did this before the Surrealist movement began). The book put Latin America at the center of the Avant-garde. Like James Joyce's Finnegans Wake, Trilce borders on inaccessibility.

España, Aparta de Mí Este Cáliz (1937)[link]

In España, aparta de mí este cáliz (Spain, Take This Chalice from Me), Vallejo takes the Spanish Civil War (1936–39) as a living representation of a struggle between good and evil forces, where he advocates for the triumph of mankind symbolised in the salvation of the Second Spanish Republic (1931–39) that was being attacked by fascist allied forces led by General Franco. In 1994 Harold Bloom included España, Aparta de Mí Este Cáliz in his list of influential works of the Western Canon.

Poemas Humanos (1939)[link]

Poemas Humanos (Human Poems), published by the poet's wife after his death, is a leftist work of political, socially oriented poetry. Although a few of these poems appeared in magazines during Vallejo's lifetime, almost all of them were published posthumously. The poet never specified a title for this grouping, but while reading his body of work his widow found that he had planned a book of "human poems", which is why his editors decided on this title. Of this the poet's last written work, it was said^[1]"... after a long silence, as if the presentiment of death might have urged him, he wrote in a few months the Poemas humanos."

Plays[link]

Vallejo wrote five plays, none of which were staged or published during his lifetime.

Mampar is the subject of a critical letter from producer Louis Jouvet which says, in summary, "Interesting, but terminally flawed". The text itself is lost, assumed to have been destroyed by Vallejo.

Lock-Out (1930, written in French; a Spanish translation by Vallejo himself is lost) deals with a labour struggle in a foundry.

Entre las dos orillas corre el río (1930s) was the product of a long and difficult birth. Titles of earlier versions include Varona Polianova, Moscú contra Moscú, El juego del amor, del odio y de la muerte and several variations on this latter title.

Colacho hermanos o Presidentes de América (1934). Satire displaying Peruvian democracy as a bourgeois farce under pressure from international companies and diplomacy.

La piedra cansada (1937).

Novels[link]

El tungsteno (1931). A social realist novel depicting the oppression of native Peruvian miners and their communities by a foreign-owned tungsten mine.

Towards the kingdom of the Sciris (1928) is a historic short story dealing with the Incan theme.

Fabla Salvaje (1924) Literally 'Wild Language', is a short novel which follows the insanity of a character who lives in the Andes.

The children's book, "Paco Yunque", was rejected in Spain in 1930 for being too violent for children. But after it was published in Peru in the 1960s, it became mandatory reading in the elementary schools in Peru.

Non-fiction[link]

Rusia en 1931, reflexiones al pie del Kremlin (Russia in 1931, reflections on foot of the Kremlin), first published in 1931, is a journalistic work describing Vallejo's impressions of the new socialist society that he saw being built in Soviet Russia.

Rusia ante el II Plan Quinquenal is a second work of Vallejo's chronicles of his travels in Soviet Russia, focusing on Joseph Stalin's second Five Year Plan. The book, originally written in 1931, was not published until 1965.

Miscellany[link]

• The American dramatist, actor, and short story writer Sam Shepard writes in Cruising Paradise that Cesar Vallejo is his favorite poet. Shepard's previous book of stories and poems, Motel Chronicles, begins with an inscription from a Vallejo poem, "...never did far away charge so close."

• American poet Joe Bolton adapted several sections of Trilce in his book Days of Summer Gone (Galileo Press, 1990).

• American poet Charles Bukowski wrote a poem about Vallejo in his book What matters most is how well you walk through the fire.

• The Puerto Rican poet and novelist Giannina Braschi pays homage to Cesar Vallejo's "Los Heraldos Negros" in the poetry trilogy "Empire of Dreams" (Yale, 1994).

• The Swedish movie Songs from the Second Floor (2000) quotes Cesar Vallejo's work as a recurring motif.

• "César Vallejo – Xxviii", Folkways Records, ASIN B000UXU4ZI, January 1, 1960

See also[link]

• Peruvian literature
• List of Peruvian writers

References[link]

Selected works available in English[link]

The Complete Poetry of César Vallejo (Edited and Translated by Clayton Eshleman. With a Foreword by Mario Vargas Llosa, an Introduction by Efrain Kristal, and a Chronology by Stephen M. Hart.) University of California Press. ISBN 0-520-24552-0 (shortlisted for the 2008 International Griffin Poetry Prize)

The Complete Posthumous Poetry of César Vallejo (Translators: Clayton Eshleman and José Rubia Barcia), University of California Press ISBN 0-520-04099-6

Trilce (Translators: Michael Smith, Valentino Gianuzzi). Shearsman Books. ISBN 0-907562-72-8

The Complete Later Poems 1923–1938 (Translators: Michael Smith, Valentino Gianuzzi). Shearsman Books. ISBN 0-907562-73-6

The Black Heralds (Translator: Rebecca Seiferle) Copper Canyon Press ISBN 1-55659-199-3

Trilce (Translator: Rebecca Seiferle) Sheep Meadow Press. ISBN 1-878818-12-0

The Black Heralds (Translator: Barry Fogden) Allardyce, Barnett Publishers. ISBN 0-907954-23-5

The Black Heralds (Translators: Richard Schaaf and Kathleen Ross) Latin American Literary Review Press. ISBN 0-935480-43-9

Trilce (Translator: Dave Smith) Mishima Books. ISBN 0-670-73060-2

Autopsy on Surrealism (Translator: Richard Schaaf) Curbstone Press. ISBN 0-915306-32-8

Cesar Vallejo (Translators: Gordon Brotherstone and Edward Dorn) Penguin. ISBN 0-14-042189-0

Neruda and Vallejo: Selected Poems (Translators: Robert Bly and James Wright) Beacon Press. ISBN 0-8070-6489-0

I'm going to speak of hope (Translator: Peter Boyle) Peruvian Consulate Publication.

Cesar Vallejo: An Anthology of His Poetry (Introduction by James Higgins) The Commonwealth and International Library. ISBN 0-08-015761-0

Selected Poems of Cesar Vallejo (Translator: H. R. Hays) Sachem Press. ISBN 0-937584-01-0

Poemas Humanos, Human Poems, by César Vallejo, a bilingual edition translated by Clayton Eshleman. Copyright 1968. Grove Press, 1969, xxv + 326 pp. ISBN 84-376-0731-0.

The Mayakovsky Case (Translator: Richard Schaaf) Curbstone Press. ISBN 0-915306-31-X

Tungsten (Translator: Robert Mezey) Syracuse University Press. ISBN 0-8156-0226-X

Songs of Home (Translators: Kathleen Ross and Richard Schaaf) Ziesing Brothers Book Emporium. ISBN 0-917488-05-9

Spain Take This Cup from Me (Translator: Mary Sarko ) Azul. ISBN 1-885214-03-0

Spain, Let This Cup Pass from Me (Translator: Alvaro Cardona-Hine) Azul. ISBN 1-885214-42-1

Trilce (Selections from the 1922 Edition), Vols. 38/39 and 40/41 (Translator: Prospero Saiz) Abraxas Press. ISBN 0-932868-07-X

Further reading[link]

English:

• César Vallejo: A Critical Bibliography of Research, Stephen M Hart, 2002
• César Vallejo: The Dialectics of Poetry and Silence, Jean Franco, 1976
• The Catastrophe of Modernity: Tragedy and the Nation in Latin American Literature, Patrick Dove, 2004
• The Poem on the Edge of the Word: the Limits of Language and the Uses of Silence, D.C. Niebylski, 1993
• Vallejo, Xavier Abril, 1958
• The Poetry and Poetics of Cesar Vallejo: the Fourth Angle of the Circle, Adam Sharman, 1997
• Wounded Fiction: Modern Poetry and Deconstruction, Joseph Adamson, 1988
• Homage to Vallejo, Christopher Buckley, 2006
• Trilce I: a Second Look, George Gordon Wing, 1972
• Neruda and Vallejo in Contemporary United States Poetry, Mark Jonathan Cramer, 1976
• “Vallejo on Language and Politics,” Letras hispanas: Revista de literatura y cultura, Rolando Pérez, 2008.
• http://letrashispanas.unlv.edu/vol5iss2/perez.htm; http://letrashispanas.unlv.edu/vol5iss2/perez.pdf
• “César Vallejo’s Ars Poética of Nonsense: A Deleuzean Reading of Trilce.” Dissidences: Hispanic Journal of Theory and Criticism, Rolando Pérez, 2008. www.dissidences/4PerezVallejo.html

Spanish:

• César Vallejo, el poeta y el hombre / Ricardo Silva-Santisteban. Lima, 2010
• Recordando a Vallejo: La Bohemia de Trujillo / Luis Alva Castro, Luis. www.Tribuna-us.com
• Ensayos vallejianos / William Rowe., 2006
• César Vallejo al pie del orbe / Iván Rodríguez Chávez., 2006
• Alcance filosófico en Cesar Vallejo y Antonio Machado / Antonio Belaunde Moreyra., 2005
• César Vallejo : estudios de poética / Jesús Humberto Florencia., 2005
• Poéticas y utopías en la poesía de César Vallejo / Pedro José Granados., 2004
• César Vallejo : muerte y resurrección / Max Silva Tuesta., 2003
• César Vallejo, arquitecto de la palabra, caminante de la gloria / Idelfonso Niño Albán., 2003
• Algunos críticos de Vallejo y otros ensayos vallejianos / César Augusto Angeles Caballero., 2002
• César Vallejo en la crítica internacional / Wilfredo Kapsoli Escudero., 2001
• César Vallejo y el surrealismo / Juan Larrea., 2001
• César Vallejo y la muerte de Dios / Rafael Gutiérrez Girardot., 2000
• César Vallejo / Víctor de Lama., 2000
• Recopilación de textos sobre César Vallejo / Raúl Hernández Novás., 2000
• Mi encuentro con Vallejo; Prólogo de Luis Alva Castro / Antenor Orrego. Bogotá: Tercer Mundo Editores, 1989. ISBN 93-8601-224-7
• Antenor Orrego y sus dos prólogos a Trilce / Manuel Ibáñez Rosazza. Trilce Editores: Trujillo, 1995
• César Vallejo, Sus mejores obras. Ediciones Perú: Lima, 1962
• César Vallejo, vida y obra / Luis Monguió. Editora Perú Nuevo: Lima, 1952
• César Vallejo (1892–1938); Vida y obra, Revista Hispánica Moderna, New York, 1950.

External links[link]

Wikimedia Commons has media related to: César Vallejo

Wikiquote has a collection of quotations related to: César Vallejo

• Works by or about César Vallejo in libraries (WorldCat catalog)
• Human Potential: The Life and Work of César Vallejo
• Information about Vallejo from the Academy of American Poets
• Griffin Poetry Prize biography, including audio and video clips of Guillermo Verdecchia reading Clayton Eshleman's translation of Vallejo's Guitar
• Interview with Vallejo, the only extant interview with Vallejo, 1931.

Jose Mari Chan (born March 11, 1945) is a Chinese Filipino singer, songwriter and businessman in the sugar industry. He was born in Iloilo City on March 11, 1945. He graduated with a Bachelor of Arts Degree in Economics from the Ateneo de Manila University in 1967.^[1] He is married to Mary Ann Ansaldo^[2] and has five children, Jose Antonio, Elizabeth Ann, Michael Philip Ciprian, Francisco Rafael and Marie Angelica. Chan also engage in business in addition to his musical career. He is currently Chairman and CEO of BISCOM, Inc. and A. Chan Sugar Corporation. He is also the Chairman and President of Signature Music Inc.

Musical Career[link]

He first appeared on the local scene as the Host & Singer of a Television show called "9 Teeners" of ABS-CBN in 1966. His first single Afterglow was released in 1967.^[3] His first long playing album "Deep in My Heart (album)" was issued in 1969. In 1973 he represented the Philippines in the World Popular Song Festival in Tokyo where his song "Can We Just Stop and Talk A While" went into the final entries.^[4]

In 1975 he moved to the United States for his sugar business and remained there for 11 years. In 1986, he went back to the music industry with the release of his album A Golden Change.^[3]

In 1989, he released his album "Constant Change".^[3] It was named Album of the Year by the Awit Awards, the local equivalent of the American Grammy Awards and reached the Diamond Record in terms of sales. It also sold in other Asian countries such as Malaysia, Singapore and Indonesia.

In 1990 his Christmas album "Christmas in Our Hearts" was released.^[3] It reached triple platinum status that same year, eventually earning the Double Diamond Record Award. His 2001 album "A Heart's Journey" won Album of the year in the Awit Awards.

In 2005 he composed "We're All Just One" as the theme song of the 2005 Southeast Asian Games.^[5]

In 2011, he released his 13th full length album, The Manhattan Connection: The Songs of Jose Mari Chan. The album, which was produced by Janis Siegel of The Manhattan Transfer. The songs were reimagined by music producer Yaron Gershovsky.^[6]

Awards[link]

Discography[link]

Albums[link]

• Deep in My Heart (1969)
• Can We Just Stop and Talk a While (1973)
• Afterthoughts (1974)
• Here and Now (1975)
• A Golden Collection (1985)
• Constant Change (1989) - 2× Diamond
• Christmas in Our Hearts (1990) - 2× Diamond
• Thank You Love (1994)
• Souvenirs (1998)
• A Heart's Journey (2001) - Awit Awards, Album of the Year
• Strictly Commercial: The Jingles Collection (1997)
• Love Letters and Other Souvenirs (2007)
• The Manhattan Connection" (2011)

Singles[link]

• Beautiful Girl
• Can We Just Stop and Talk A while
• Christmas In Our Hearts
• A Perfect Christmas
• Please Be Careful with My Heart
• Can't We Start Over Again
• Constant Change
• Is She Thinking About Me?
• If We Only Had More Time Together
• Easier Said Than Done
• Love At Thirty Thousand Feet
• My Girl, My Woman, My Friend
• Perhaps Love (with his daughter Liza Chan)
• So I'll Go
• Here and Now
• We're All Just One (2005 SEA Games Theme)
• Afraid for Love to Fade
• Counterpoint to Lennon & McCartney's "Here, There & Everywhere"
• Big Beautiful Country
• Love At 30,000 Feet
• Refrain
• Tell Me Your Name
• Good Old Fashioned Romance
• A Love to Last a Lifetime
• Afterglow
• Deep In My Heart
• Leave You
• High and Mighty
• Night Time
• Mr. Songwriter
• Sing Me Your Song Again, Daddy
• No Rewind, No Replay
• The Sound of Life
• Empty Space

Collaborations[link]

• Gold Ito! (Dyna Music, 1988)
• Ginintuang Diwa ng Pasko (Universal Records, 1989)
• Maayong Pasko (Universal Records, 1990)
• Presence (Universal Records 2002)
• Only Selfless Love 2 (Universal Records, 2003)
• Something More (JesCom Music, 2004)
• Best of OPM Love Songs (Universal Records, 2005)
• Best of OPM Acoustic Hits (Universal Records, 2005)
• OPM Gold Christmas (Universal Records, 2006)
• OPM Superstars Christmas (Universal Records, 2006)
• Sail On...His Most Holy Face (Universal Records, 2006)
• OPM Platinum Christmas (Universal Records, 2007)
• HOPE... Healing Of Pain and Enlightenment (Star Records, 2007)
• No. 1 Signature Hits OPM's Best (Vicor Music Corp., 2008)
• Senti 18 Pinoy Love Hits (Vicor Music Corp., 2008)
• Bongga! (The Biggest Retro OPM Hits) (Universal Records, 2008)
• Bongga 2 (The Biggest Retro OPM Hits) (Universal Records, 2009)
• Paalam, Maraming Salamat Pres. Aquino (A Memorial Tribute Soundtrack) (Star Records, 2009)

References[link]

External links[link]

• Planet Philippines feature - Jose Mari Chan