The aria first appeared in the 14th century when it signified a manner or style of singing or playing. Aria could also mean a melodic scheme (motif) or pattern for singing a poetic pattern, such as a sonnet. It was also attached to instrumental music, though this is no longer the case. Over time, arias evolved from simple melodies into a structured form. In the 17th century, the aria was written in ternary form (A–B–A); these arias were known as ''da capo arias''. The aria later "invaded" the opera repertoire with its many sub-species (''Aria cantabile'', ''Aria agitata'', ''Aria di bravura'', and so on). By the mid-19th century, many operas became a sequence of arias, reducing the space left for ''recitative'', while other operas (for instance those by Wagner) were entirely through-composed, with no section being readily identifiable as a self-contained aria.
An arietta is a short aria.
Category:Song forms Category:Opera terminology Category:Italian loanwords
bs:Arija bg:Ария ca:Ària (música) cs:Árie da:Arie de:Arie et:Aaria el:Άρια es:Aria eo:Ario fa:آریا (موسیقی) fr:Aria ko:아리아 hr:Arija io:Ario it:Aria (musica) he:אריה (מוזיקה) ka:არია kk:Ария lv:Ārija lt:Arija hu:Ária ms:Aria mn:Ари nl:Aria (compositie) ja:アリア no:Arie nn:Arie pl:Aria pt:Ária ru:Ария scn:Aria (musica) simple:Aria sk:Ária sl:Arija sh:Arija (muzika) fi:Aaria sv:Aria th:อาเรีย tr:Arya uk:Арія zh:詠嘆調This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Acker Bilk |
---|---|
background | non_vocal_instrumentalist |
birth name | Bernard Stanley Bilk |
born | January 28, 1929Pensford, Somerset, England |
instrument | Clarinet |
genre | Pop, easy listening, dixieland |
occupation | Clarinetist |
years active | 1954–2000, 2001–2002 |
label | Atco, EMI, Columbia Records,Castle Records, Philips Records, Stomp Off Records, GNP Records, Lake Records |
website | Official site }} |
Bilk was part of the boom in traditional jazz that swept the United Kingdom in the late 1950s. He first joined Ken Colyer's band in 1954, and then formed his own ensemble, The Paramount Jazz Band, in 1956. Four years later, their single "Summer Set," a pun on their home county co-written by Bilk and pianist Dave Collett, reached number 8 in the British charts and began a run of eleven top 50 hit singles.
Bilk was not an international star until an experiment with a string ensemble and a composition of his own as its keynote piece made him one in 1962. He wrote "Stranger on the Shore" for a British television serial series and recorded it as the title track of a new album in which his signature deep, quivering clarinet was backed by the Leon Young String Chorale. The single was not only a big hit in the United Kingdom, where it stayed on the charts for a remarkable 55 weeks, gaining a second wind after Bilk was the subject of the TV show This Is Your Life, but also shot to the top of the American charts at a time when the American pop charts and radio playlists were open to just about anything in just about any style. As a result, Bilk was the first British artist to have a single in the number one position on the ''Billboard'' Hot 100 singles chart. (Vera Lynn was the first British artist to top the U.S. Billboard charts with "Auf Wiederseh'n Sweetheart" in 1952). "Stranger on the Shore" sold over one million copies, and was awarded a gold disc. The album was also highlighted by a striking interpretation of Bunny Berigan's legendary hit "I Can't Get Started." At one point, at the height of his career, Bilk's public relations workers were known as the "Bilk Marketing Board", a play on the then Milk Marketing Board.
In January 1963, the British music magazine, ''NME'' reported that the biggest trad jazz event to be staged in Britain had taken place at Alexandra Palace. The event included George Melly, Diz Disley, Alex Welsh, Chris Barber, Kenny Ball, Ken Colyer, Monty Sunshine, Bob Wallis, Bruce Turner, Mick Mulligan and Bilk. Bilk recorded a series of albums in England that were also released successfully in the United States (on the Atlantic Records subsidiary Atco), including a memorable collaboration (''Together'') with Danish jazz pianist-composer Bent Fabric ("The Alley Cat"). But his success tapered off when British rock and roll made its big international explosion beginning in 1964, and Bilk shifted direction to the cabaret circuit. He finally had another chart success in 1976, with "Aria," which went to number five in the United Kingdom. In May 1977, Bilk & His Paramount Jazz Band provided the interval act for the Eurovision Song Contest 1977. In the early 1980s, Bilk and his signature hit were newly familiar, thanks to "Stranger on the Shore" being used in the soundtrack to ''Sweet Dreams'', the film biography of country music legend Patsy Cline. Most of his classic albums with the Paramount Jazz Band have been reissued and are available on the UK based Lake Records label.
Bilk has been described as "Great Master of the Clarinet". His clarinet sound and style was at least as singular as had been those of American jazzmen such as Benny Goodman, Artie Shaw, and Russell Procope, and "Stranger on the Shore" – which he was once quoted as calling "my old-age pension" – remains a beloved standard of jazz and popular music alike.
Acker Bilk continues to tour with his Paramount Jazz Band, as well as performing concerts with his two contemporaries, Chris Barber and Kenny Ball (both of whom were born in 1930) as the 3B's.
One of his recordings is with the Chris Barber band, sharing the clarinet spot with the band's regular reedsmen, John Crocker and Ian Wheeler. He made a CD with another legend of British Jazz Wally Fawkes for the Lake Records label in 2002. He has appeared on two recent albums by Van Morrison, ''Down the Road'' and ''What's Wrong With This Picture?''.
In July 2011 Bilk and his band are scheduled to play at the Sidmouth Folk Festival.
Category:1929 births Category:Living people Category:People from Bath and North East Somerset (district) Category:Dixieland clarinetists Category:English jazz clarinetists Category:Members of the Order of the British Empire Category:Music from Somerset Category:Royal Engineers soldiers Category:Scrumpy and Western Category:Music from Bristol, England
cs:Acker Bilk de:Acker Bilk ko:액커 빌크 lb:Mr. Acker Bilk ja:アッカー・ビルク no:Acker Bilk pl:Acker Bilk pt:Acker Bilk ru:Акер Билк fi:Acker Bilk sv:Acker BilkThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Toše Proeski ''Тоше Проески'' |
---|---|
Background | solo_singer |
Birth name | Todor Proeski |
Alias | Toše |
Born | January 25, 1981 in Prilep, Macedonia, (then SFR Yugoslavia) |
Died | October 16, 2007Nova Gradiška, Croatia |
Instrument | Keyboard, guitar, piano |
Genre | Macedonian Traditional music, Classical music, Pop, Rock, Classic metal |
Occupation | Singer/songwriter |
Years active | 1996–2007 |
Website | www.toseproeski.info |
Past members | }} |
Following this public exposure, he was awarded for his strong vocal capabilities. This led to his rise to fame when he participated in the music festival Makfest in Štip with the song "Pusti Me" ("Let Me Go") in 1997. His fanbase quickly grew and he continued to make use of festivals, such as SkopjeFest and OhridFest, as a platform for promotion and publicity. Proeski collaborated with one of Macedonia’s acclaimed lyricists and composers, Grigor Koprov, to produce some of the greatest hits of his career such as "Usni na Usni" ("Lips over Lips") and "Sonce vo Tvoite Rusi Kosi" ("Sun in Your Golden Hair"). In 1999, he released his debut album, ''Nekade vo Nokta'' (''Somewhere in the Night''), which contained eleven tracks. In the summer of the same year, Proeski performed his first solo concert in Skopje.
In 2000, Proeski participated in the Eurovision pre-selection for Macedonia in SkopjeFest. He sang "Solzi Pravat Zlaten Prsten" ("Tears Make a Golden Ring"), which won the televoting from the public but he finished third overall, behind Karolina Gočeva and the winners XXL. During that period, he began recording the tracks for his second album, ''Sinot Božji'' (''The Son of God''), which was promoted by the end of June 2000. The album brought some great hits, like "Nemir" ("Restless") (a duet with Karolina Gočeva), "Vo Kosi da ti Spijam" ("Sleeping in Your Hair"), "Izlaži me Ušte Ednaš" ("Lie to Me One More Time"), as well as "Iluzija" ("Illusion") (Grand Prix at the festival Slavianski Bazaar in Vitebsk) and "Tajno Moja" ("Secret of Mine"). Two songs are composed by Kire Kostov (winning second prize at the festival Sunčane Skale, held in Herceg Novi, now Montenegro).
The Serbian production house BK Sound purchased the rights to release Proeski's latest album in the other former Yugoslav republics, which led to his victory of the Oscar of Popularity in those former republics for the year of 2000, and his sell-out shows in Skopje and Belgrade. Proeski embarked on an Australian tour along with other Macedonian singers in 2001.
To improve his singing, Proeski took classes in New York from maestro William Riley, who was also coach to famous tenor, Luciano Pavarotti. When he returned, Proeski held humanitarian concerts throughout Macedonia. He was awarded with the Mother Theresa Humanitarian Award and in 2003 he became a Regional UNICEF Ambassador. In 2004, MKTV chose Proeski to represent Macedonia at the 2004 Eurovision Song Contest in Istanbul, Turkey, and in February, he performed eight songs, where a jury, televoting, and his own opinion chose the song. The song "Angel Si Ti" ("You’re an Angel") was chosen by all three. In April, Proeski released his album "Den Za Nas" ("A Day For Us"), which featured the eight songs from the Eurovision selection in Macedonian.
In May, Proeski finished 14th with the song "Life", which was the English version of "Angel Si Ti”. Prior to the contest he was popularised by reporters due to his tremendous opera singing ability, at his press conferences.
All eight songs were recorded in English, but only the winning song of the national final "Life" was released. During the TV national final show, after each song was performed, a clip of the song was played in English to show viewers how it would sound if that song won the contest and was performed in English at the Eurovision Song Contest 2004 final.
In 2004 Proeski was named a UNICEF Goodwill Ambassador, and recorded the song "This World" which became the UNICEF anthem. Proeski signed a contract with Dallas Records so his next album could be released in Croatia and Slovenia. To establish himself in these countries, Proeski recorded "Krajnje Vreme” with Slovenian singer, Anja Rupel. In 2005, Toše’s fifth album ''Po Tebe'' (''After You'') was released throughout ex-Yugoslavia. ''Po Tebe'', is one of the most successful Balkan albums ever. It topped music charts for months in the Macedonia, Serbia, Croatia, Slovenia and Bosnia and Herzegovina.
''Božilak'' (''Rainbow''), was a compilation of 14 selected traditional Macedonian songs arranged by Sasa Nikolovski Gjumar, Ilija Pejovski and Soni Petrovski. The artist was backed up by a symphony orchestra on the album.
His last album ''Igri Bez Granici'' (Macedonian title)/'Igra Bez Granica' (Croatian title) ("Game Without Borders") was released all over ex-Yugoslavia in August, 2007.
Apart from songs in Macedonian, Croatian, Serbian, he also recorded one song in Slovene, "Moja" ("Mine") in 2007, and one in Italian, "Aria" ("Air"), with Italian superstar, Gianna Nannini. List of artist who collaborated with Proeski include Anja Rupel, Antonija Šola, Bora Čorba, Karolina Gočeva, Esma Redžepova, Gianna Nannini, Goca Tržan, Grigor Koprov, Jeff Beck, Tony Cetinski, Željko Joksimović and other notable musicians. Prior to his death, he was a student in his final year in the solo singing department of the Skopje Music Academy.
On October 15, Proeski gave his final interview to the Macedonian Television Station Kanal 5. He talked about his intention to finish his Musical Academy studies, his search for his soul mate, and his new album in the works.
Toše's last concert was held on October 5, 2007 for the Primary Education Project for USAID. The concert raised tens of thousands of euros for the primary schools of Macedonia. The concert was attended by over 35,000 people and viewed all over the world.
Proeski's body arrived at midnight in Skopje by helicopter of the Macedonian army, and was transported by car to his home town Kruševo. Grieving citizens gathered to pay their last respects at the airport and also in Macedonia Square. The Embassy of the United States of America, the USAID and the Diplomatic mission of the European Union published official statements on the death of Toše Proeski. October 17 was pronounced a national day of mourning in Macedonia. The three days following his death were pronounced days of mourning in the City of Kruševo.
After his death, the government of the Republic of Macedonia, gave him the title "Honorable citizen of Macedonia"
Numerous websites, blogs and internet forums are filled with the last messages from his fans and friends (example). A petition is available on-line for Toše Proeski to be remembered by naming educational facilities, like the local Center for Music Education in Bitola, where he had studied to carry his name. Also this petition is to promote an annual humanitarian concert, carrying his name "Toše Proeski" for the poor and disabled and those of desperate need of medical attention. Also, a page for condolences can be found at the Kruševo municipality official website.
An online petition was held for a tribute to be paid to Toše Proeski at the Eurovision Song Contest 2008. It gathered over 13,900 signings however it was not honoured. Tamara Todevska, singer of the Macedonian Eurovision entry of this year said that their entry was dedicated to a few people including their "angel who is up there watching over us".
A documentary about the work of Toše Proeski was released on February 12, 2009 in cinemas all over former Yugoslavia.
Another concert was held on January 24, 2010, a day before Toše's birthday.
Year | Single | Translation | Chart positions | Album | |||||
!width="35" | !width="35" | !width="35" | !width="35" | !width="35" | MTV Adria | ||||
align="left" | |||||||||
:An em dash (—) indicates that the single did not chart.
Category:1981 births Category:2007 deaths Category:People from Prilep Category:Macedonian Orthodox Christians Category:Aromanian people Category:Macedonian Eurovision Song Contest entrants Category:Eurovision Song Contest entrants of 2004 Category:Macedonian male singers Category:Macedonian pop singers Category:Road accident deaths in Croatia
az:Toşe Proeski bs:Toše Proeski bg:Тоше Проески de:Toše Proeski et:Toše Proeski el:Τόσε Πρόεσκι es:Toše Proeski eo:Toše Proeski fr:Toše Proeski hr:Toše Proeski io:Toše Proeski it:Toše Proeski ka:ტოშე პროესკი lt:Toše Proeski hu:Toše Proeski mk:Тоше Проески nl:Toše Proeski ja:トシェ・プロエスキ uz:Toše Proeski pl:Tosze Proeski crh:Toşe Proeski ro:Toše Proeski ru:Проески, Тоше sq:Toše Proeski cu:Тошѧ Проѥвьскꙑи sl:Toše Proeski sr:Тоше Проески sh:Toše Proeski fi:Toše Proeski sv:Toše Proeski tr:Toşe Proeski bat-smg:Toše ProeskiThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Fernandez's early training was at the Philadelphia Academy of Vocal Arts, followed by a scholarship at the Juilliard School of Music in New York. Her operatic debut was as Bess in ''Porgy and Bess'' for Houston Grand Opera, a production which toured both the USA and Europe.
She made her début in Paris as Musetta in ''La bohème'' (with Plácido Domingo and Kiri Te Kanawa) and at the New York City Opera in the same role in 1982.
Since then she has sung in operas and recitals in cities all over the world, her most notable roles being Carmen, Carmen Jones, for which she received the Laurence Olivier Theatre Award in 1992 as Best Actress in a Musical and Aida, a role she has performed in Luxor and at the Pyramids in Egypt.
She has made recordings of George Gershwin and of Negro spirituals.
Category:1949 births Category:People from Philadelphia, Pennsylvania Category:American opera singers Category:Operatic sopranos Category:Living people Category:Olivier Award winners
de:Wilhelmenia Fernandez es:Wilhelmenia Fernandez fr:Wilhelmenia Wiggins Fernandez la:Gulielmina Fernandez
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Lisa Gerrard |
---|---|
Background | solo_singer |
Birth name | Lisa Gerrard |
Origin | Melbourne, Australia |
Birth date | April 12, 1961 |
Genre | Neoclassical, New Age, Ethereal Wave, Gothic rock |
Occupation | ComposerSingerMusician |
Years active | 1981–present |
Instrument | VocalsYangqinAccordion |
Label | Gerrard Records |
Associated acts | Dead Can Dance |
Website | Lisa Gerrard }} |
Lisa Gerrard (born 12 April 1961) is an Australian musician, singer, and composer who rose to prominence as part of the music group Dead Can Dance with former music partner Brendan Perry.
Since her career began in 1981, she has been involved in a wide range of projects. Gerrard received a Golden Globe Award for the music score to the film ''Gladiator'', on which she collaborated with Hans Zimmer. In addition to singing, she is an instrumentalist for much of her work, most prolifically using the yangqin (a Chinese hammered dulcimer).
Gerrard's first foray into forming bands and creative music-making was the highly experimental Little Band scene. It was at one of these little band events that she first met Dead Can Dance cofounder Brendan Perry. Perry recalls, "It never occurred to me that we would one day collaborate musically together because at the time I thought her music was too avant garde. I particularly remember one song that she sang about finding a man in the park and asking her mother if she could bring him home to keep in her wardrobe as she attacked this chinese dulcimer with two bamboo sticks."
In 1995 Gerrard recorded and released her first solo album ''The Mirror Pool''. After the release of this album, she continued to work with Dead Can Dance, releasing their final album, ''Spiritchaser'', in 1996. Following this, in 1998 she recorded ''Duality'' in collaboration with Pieter Bourke. This album would mark the beginning of an extensive collaboration together for a number of film scores, including ''The Insider'' and ''Ali''. Gerrard began a new collaboration with Patrick Cassidy in 2004 with the release of ''Immortal Memory''. Again, this collaboration was furthered in film work, including ''Salem's Lot''.
The following year in 2005, Gerrard contributed to the ''Ashes and Snow Soundtrack.'' For the songs "Womb" and "Wisdom," Gerrard and Patrick Cassidy wrote and performed together. Gerrard's collaboration with Cassidy extended to include work with conductor Julie Rogers on the songs "Devota" and "Vespers."
In 2006, ''Sanctuary'', a documentary about the life and work of Lisa Gerrard, was recorded and released in September 2006. It is the work of multi-skilled producer/director Clive Collier and features extensive interviews with Lisa Gerrard and various people who have collaborated and worked with her in the past including Michael Mann, Russell Crowe, Hans Zimmer, and Niki Caro. The documentary was released on DVD by Milan Entertainment on 24 April 2007.
In the same year, Lisa Gerrard released her second solo album ''The Silver Tree''. This album was markedly different from her previous work and was also her first album released outside of 4AD Records. The album was first released on iTunes, with a wider physical release planned at a future date. The album was nominated for the Australian Music Prize for 2006. It is currently shortlisted as one out of nine of the best Australian albums. In 2007 a retrospective album ''The Best of Lisa Gerrard'', a compilation of fifteen songs, was released covering her career in Dead Can Dance, solo work, and film work.
A world tour was undertaken in 2007 beginning in April in Melbourne, Australia. This tour marked the first time Lisa Gerrard had toured in Australia, with a performance in three cities. The tour was followed by performances in Europe and North America. More performances took place in Europe and Russia from 30 October to 22 November 2007. In November 2007, Lisa Gerrard collaborated with German electronic musician Klaus Schulze on the double-album ''Farscape''. The album was released 27 July 2008 and was followed by a European tour.
In 2009 Lisa Gerrard completed work on the documentary by Australian adventurer Tim Cope called On the Trail of Genghis Khan and contributed her voice to the soundtrack, which began airing in 2010, of the Japanese NHK taiga drama ''Ryōmaden'', a story based on the life of Sakamoto Ryoma. Also in 2009, Lisa Gerrard created her own record label, Gerrard Records, which, aside from being a conduit for the release of Gerrard's future works will also act to promote and support unrecognised artists of all genres. In September 2009, Gerrard and Klaus Schulze performed another tour in six European cities - Warsaw, Berlin, Amsterdam, Essen, Paris, and Brussels. This tour coincided with the release of ''Come Quietly'', a joint project between Gerrard and Schulze that was released during the tour.
Lisa Gerrard released her third solo album, ''The Black Opal'' in October 2009. The album included collaboration with Michael Edwards, Patrick Cassidy, Pieter Bourke, and James Orr and was the first release to come from Gerrard Records.
In 2010 Gerrard released a new album with fellow composer Marcello De Francisci titled "Departum" from Gerrard Records which was followed by the release of three new singles; "Coming Home" - as featured in ''Legend of the Guardians: The Owls of Ga'Hoole'', "Entry" and "Come This Way".
Gerrard also collaborated with Prash Mistry from "Engine Earz Experiment" on a track titled "Spirit Guide" which will appear on his upcoming album in 2011.
On 1 December 2010 Gerrard capped off a busy 2010 with the release of a new soundtrack album with Cye Wood titled "The Trail of Genghis Khan" which contains music from the Gerrard/Wood score to the documentary TV series by Australian adventurer Tim Cope.
Lisa Gerrard has a contralto vocal range. Her vocals have been variously described as rich, jaw-dropping, deep, dark, mournful and unique. Her vocals spans into the dramatic mezzo-soprano range on ''The Host of Seraphim'', ''Elegy'', ''Space Weaver'' and ''Come This Way''. Gerrard performs in the dramatic contralto range on the other songs, ''Sanvean'', ''Sacrifice'', ''Largo'' and ''Not Yet'',
Gerrard sings many of her songs, such as ''Now We Are Free'', ''Come Tenderness'', ''Serenity'', ''The Valley of the Moon'', ''Tempest'', ''Pilgrimage of Lost Children'', ''Coming Home'' and ''Sanvean'' in an idioglossia (an idiosyncratic language) that she has developed since the age of twelve.
Lisa Gerrard's first experience in composing music for a film came with the 1989 Spanish film ''El Niño de la Luna'', directed by Agustín Villaronga. The film score was composed by Dead Can Dance and the film featured Lisa Gerrard in her first acting role. ''El Niño de la Luna'' describes the story of David, a young orphan with special powers, escaping an institution with the help of a fellow institute inmate, Georgina, played by Lisa Gerrard.
Gerrard participated in a number of musical scores but came to fame as a film composer after recording ''The Insider'' in 1999, with Pieter Bourke, and ''Gladiator'' in 2000, with Hans Zimmer, which received an Academy Award nomination for best music score, although only Zimmer was nominated. It did, however, win a Golden Globe Award for both composers. Gerrard's score for the New Zealand independent film ''Whale Rider'' consisted entirely of solo material; a soundtrack album was released by 4AD.
In 2005 Gerrard collaborated with Ennio Morricone for ''Fateless'' followed by a collaboration with Jeff Rona on the score for the feature film "A Thousand Roads" and the song ''On an Ocean'' for the ''Henry Poole Is Here'' score. Gerrard along with Dead Can Dance also provided several contributions to the soundtrack of ''Baraka'', a visual journey showcasing mankind's impact on our planet. Gerrard was also invited by Denez Prigent to collaborate with him on his piece "Gortoz a ran - J'attends" (meaning "I await"), a piece that was later used in the soundtrack of Ridley Scott's film ''Black Hawk Down''.
In 2009 Lisa Gerrard wrote the score for ''Balibo'', for which she won a Best Feature Film Score award at the ''2009 APRA Screen Music Awards'' and an Aria Award for Best Original Soundtrack/Cast/Show Album at the ''2009 Aria Awards''. Gerrard finished 2009 by contributing her voice to the theme song for the Japanese NHK taiga drama ''Ryōmaden'', which began airing in 2010.
In 2010 Gerrard completed the score for "Tears of Gaza" with Marcello De Francisci which was well received despite its controversial theme. Gerrard also scored the Jim Loach directed ''Oranges and Sunshine'' starring Emily Watson and Hugo Weaving released in April 2011.
In November 2010 Gerrard provided vocals and additional music for the post-apocalyptic sci-fi thriller ''Priest'' scored by Christopher Young which was released in 2011.
Category:1961 births Category:Living people Category:4AD artists Category:Australian female singers Category:Contraltos Category:Female film score composers Category:Australian film score composers Category:Australian composers Category:Australian women composers Category:Women composers Category:Musicians from Melbourne Category:Mission: Impossible music Category:Australian people of Irish descent
af:Lisa Gerrard ang:Lisa Ȝerrard frp:Lisa Gerrard az:Liza Cerrard be:Ліза Джэрард bs:Lisa Gerrard bg:Лиза Жерар ca:Lisa Gerrard cs:Lisa Gerrard cbk-zam:Lisa Gerrard cy:Lisa Gerrard da:Lisa Gerrard de:Lisa Gerrard et:Lisa Gerrard el:Λίζα Γκέραρντ es:Lisa Gerrard eo:Lisa Gerrard fa:لیزا جرارد fr:Lisa Gerrard ga:Lisa Gerrard gv:Lisa Gerrard gd:Lisa Gerrard ko:리사 제라드 hy:Լիզա Ջերարդ hi:लिसा जेरार्ड hsb:Lisa Gerrard hr:Lisa Gerrard is:Lisa Gerrard it:Lisa Gerrard he:ליסה ג'רארד ka:ლიზა ჯერარდი sw:Lisa Gerrard la:Lisa Gerrard lv:Līza Džerārda lt:Lisa Gerrard hu:Lisa Gerrard mk:Лиза Џерард arz:ليسا جيرارد ms:Lisa Gerrard mn:Лиза Жеррард nl:Lisa Gerrard ja:リサ・ジェラルド no:Lisa Gerrard nn:Lisa Gerrard oc:Lisa Gerrard uz:Lisa Gerrard nds:Lisa Gerrard pl:Lisa Gerrard pt:Lisa Gerrard ro:Lisa Gerrard ru:Джеррард, Лиза sco:Lisa Gerrard sq:Lisa Gerrard scn:Lisa Gerrard simple:Lisa Gerrard sk:Lisa Gerrardová szl:Lisa Gerrard so:Lisa Gerrard sh:Lisa Gerrard fi:Lisa Gerrard sv:Lisa Gerrard tl:Lisa Gerrard th:ลิซ่า เจอร์ราด tr:Lisa Gerrard uk:Ліза Джеррард vi:Lisa Gerrard bat-smg:Lisa Gerrard zh:莉薩·傑勒德This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The World News (WN) Network, has created this privacy statement in order to demonstrate our firm commitment to user privacy. The following discloses our information gathering and dissemination practices for wn.com, as well as e-mail newsletters.
We do not collect personally identifiable information about you, except when you provide it to us. For example, if you submit an inquiry to us or sign up for our newsletter, you may be asked to provide certain information such as your contact details (name, e-mail address, mailing address, etc.).
When you submit your personally identifiable information through wn.com, you are giving your consent to the collection, use and disclosure of your personal information as set forth in this Privacy Policy. If you would prefer that we not collect any personally identifiable information from you, please do not provide us with any such information. We will not sell or rent your personally identifiable information to third parties without your consent, except as otherwise disclosed in this Privacy Policy.
Except as otherwise disclosed in this Privacy Policy, we will use the information you provide us only for the purpose of responding to your inquiry or in connection with the service for which you provided such information. We may forward your contact information and inquiry to our affiliates and other divisions of our company that we feel can best address your inquiry or provide you with the requested service. We may also use the information you provide in aggregate form for internal business purposes, such as generating statistics and developing marketing plans. We may share or transfer such non-personally identifiable information with or to our affiliates, licensees, agents and partners.
We may retain other companies and individuals to perform functions on our behalf. Such third parties may be provided with access to personally identifiable information needed to perform their functions, but may not use such information for any other purpose.
In addition, we may disclose any information, including personally identifiable information, we deem necessary, in our sole discretion, to comply with any applicable law, regulation, legal proceeding or governmental request.
We do not want you to receive unwanted e-mail from us. We try to make it easy to opt-out of any service you have asked to receive. If you sign-up to our e-mail newsletters we do not sell, exchange or give your e-mail address to a third party.
E-mail addresses are collected via the wn.com web site. Users have to physically opt-in to receive the wn.com newsletter and a verification e-mail is sent. wn.com is clearly and conspicuously named at the point of
collection.If you no longer wish to receive our newsletter and promotional communications, you may opt-out of receiving them by following the instructions included in each newsletter or communication or by e-mailing us at michaelw(at)wn.com
The security of your personal information is important to us. We follow generally accepted industry standards to protect the personal information submitted to us, both during registration and once we receive it. No method of transmission over the Internet, or method of electronic storage, is 100 percent secure, however. Therefore, though we strive to use commercially acceptable means to protect your personal information, we cannot guarantee its absolute security.
If we decide to change our e-mail practices, we will post those changes to this privacy statement, the homepage, and other places we think appropriate so that you are aware of what information we collect, how we use it, and under what circumstances, if any, we disclose it.
If we make material changes to our e-mail practices, we will notify you here, by e-mail, and by means of a notice on our home page.
The advertising banners and other forms of advertising appearing on this Web site are sometimes delivered to you, on our behalf, by a third party. In the course of serving advertisements to this site, the third party may place or recognize a unique cookie on your browser. For more information on cookies, you can visit www.cookiecentral.com.
As we continue to develop our business, we might sell certain aspects of our entities or assets. In such transactions, user information, including personally identifiable information, generally is one of the transferred business assets, and by submitting your personal information on Wn.com you agree that your data may be transferred to such parties in these circumstances.