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name | Sarah Bernhardt |
---|---|
birth name | Rosine Bernardt |
birth date | ca. October 22, 1844 |
birth place | Paris, France |
death date | March 26, 1923 |
death place | Paris, France |
years active | 1862–1922 |
spouse | }} |
Sarah Bernhardt (; c. 22/23 October 1844 — 26 March 1923) was a French stage and early film actress, and has been referred to as "the most famous actress the world has ever known". Bernhardt made her fame on the stages of France in the 1870s, and was soon in demand in Europe and the Americas. She developed a reputation as a serious dramatic actress, earning the nickname "The Divine Sarah".
Much of the uncertainty about Bernhardt's life arises because of her tendency to exaggerate and distort. Alexandre Dumas, fils described her as a notorious liar.
However, she was not entirely successful at the conservatory and left to become a courtesan by 1865. During this time that she acquired her famous coffin, in which she often slept in lieu of a bed – claiming that doing so helped her understand her many tragic roles. She made her fame on the stages of Europe in the 1870s, and was soon in demand all over Europe and in New York. She developed a reputation as a serious dramatic actress, earning the title "The Divine Sarah"; arguably, she was the most famous actress of the 19th century. In 1872 she left the Odéon and returned to Comédie-Française. One of her remarkable successes there was in the title role of Voltaire's Zaïre (1874). She even traveled to Cuba and performed in the Sauto Theater, in Matanzas, in 1887. She coached many young women in the art of acting, including actress and courtesan Liane de Pougy.
Sarah's close friends would include several artists, most notably Gustave Doré and Georges Clairin, and actors Mounet-Sully and Lou Tellegen, as well as the famous French author Victor Hugo. Alphonse Mucha based several of his iconic Art Nouveau works on her. Her friendship with Louise Abbéma (1853–1927), a French impressionist painter, some nine years her junior, was so close and passionate that the two women were rumored to be lovers. In 1990, a painting by Abbéma, depicting the two on a boat ride on the lake in the bois de Boulogne, was donated to the Comédie-Française. The accompanying letter stated that the painting was "Peint par Louise Abbéma, le jour anniversaire de leur liaison amoureuse."
Bernhardt also expressed strong interest in inventor Nikola Tesla, only to be disregarded as a distraction to his work.
She later married Greek-born actor Aristides Damala (known in France by the stage name Jacques Damala) in London in 1882, but the marriage, which legally endured until Damala's death in 1889 at age 34, quickly collapsed, largely due to Damala's dependence on morphine. During the later years of this marriage, Bernhardt was said to have been involved in an affair with the Prince of Wales, who later became Edward VII.
Bernhardt once stated, "Me pray? Never! I'm an atheist." However, she had been baptised a Roman Catholic, and accepted the last rites shortly before her death.
Sarah Bernhardt died from uremia following kidney failure in 1923; she is believed to have been 78 years old. She has a star on the Hollywood Walk of Fame at 1751 Vine Street.
A popular scented pink double flowering cultivar of the peony is also named after her.
Category:1844 births Category:1923 deaths Category:19th-century actors Category:Burials at Père Lachaise Cemetery Category:Deaths from renal failure Category:Disease-related deaths in France Category:French amputees Category:French atheists Category:French film actors Category:Actor-managers Category:French people of Dutch descent Category:French people of Jewish descent Category:French stage actors Category:French women writers Category:Jewish actors Category:Légion d'honneur recipients Category:Mistresses of British royalty Category:Actors from Paris Category:Sociétaires of the Comédie-Française Category:Vaudeville performers
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name | Lillian Gish |
---|---|
birth name | Lillian Diana Gish |
birth date | October 14, 1893 |
birth place | Springfield, Ohio, U.S. |
death date | February 27, 1993 |
death place | New York, New York, U.S. |
occupation | Actress |
years active | 1912–1987 |
website | http://www.lilliangish.com/index.php}} |
Lillian Diana Gish (October 14, 1893 – February 27, 1993) was an American stage, screen and television actress whose film acting career spanned 75 years, from 1912 to 1987.
She was a prominent film star of the 1910s and 1920s, particularly associated with the films of director D.W. Griffith, including her leading role in Griffith's seminal Birth of a Nation (1915). Her sound-era film appearances were sporadic, but included memorable roles in the controversial western Duel in the Sun (1946) and the offbeat thriller Night of the Hunter (1955). She did considerable television work from the early 1950s into the 1980s, and closed her career playing, for the first time, opposite Bette Davis in the 1987 film The Whales of August.
The American Film Institute (AFI) named Gish 17th among the greatest female stars of all time. She was awarded an Honorary Academy Award in 1971, and in 1984 she received an AFI Life Achievement Award.
The first several generations of Gishes were Dunkard ministers. Her great-great-great grandfather came to America on the ship Pennsylvania Merchant in 1733 and received a land grant from William Penn. Her great-great grandfather was in the American Revolutionary War and is buried in a cemetery in Pennsylvania for such soldiers, a bit of an oddity because Dunkards are supposed to be more pacifist than Amish or Quakers. Letters between her and a Pennsylvania college professor indicate that her knowledge of her family background was limited.
In 1912, their friend Mary Pickford introduced the sisters to D. W. Griffith, and helped get them contracts with Biograph Studios. Lillian Gish would soon become one of America's best-loved actresses. Although she was already nineteen, she gave her age as 16 to the studio.
Having appeared in over 25 short films and features in her first two years as a movie actress, Lillian became a major star, becoming known as "The First Lady of the Silent Screen" and appearing in lavish productions, frequently of literary works such as The Scarlet Letter. MGM released her from her contract in 1928 after the failure of The Wind (1928), now recognized by many as among her finest performances and one of the most distinguished works of the late silent period.
She directed one film, Remodeling Her Husband (1920), when D. W. Griffith took his unit on location—he told Gish that he thought the crew would work harder for a girl. Gish never directed again, telling reporters at the time that directing was a man's job.
With her debut in talkies only moderately successful, she acted on the stage for the most part in the 1930s and early 1940s, appearing in roles as varied as Ophelia in Guthrie McClintic's landmark 1936 production of Hamlet (with John Gielgud and Judith Anderson) and Marguerite in a limited run of La Dame aux Camélias. Of the former, she said, with pride, "I played a lewd Ophelia!".
Returning to movies, Gish was nominated for the Academy Award for Best Supporting Actress in 1946 for Duel in the Sun. The scenes of her character's illness and death late in that film seemed intended to evoke the memory of some of her silent film performances. She appeared in films from time to time for the rest of her life, notably in Night of the Hunter (1955) as a rural guardian angel protecting her charges from a murderous preacher played by Robert Mitchum. She was considered for various roles in Gone with the Wind ranging from Ellen O'Hara, Scarlett's mother, which went to Barbara O'Neil, to prostitute Belle Watling, which went to Ona Munson.
Gish made numerous television appearances from the early 1950s into the late 1980s. Her most acclaimed television work was starring in the original production of The Trip to Bountiful in 1953. She appeared as Dowager Empress Maria Feodorovna in the short-lived 1965 Broadway musical Anya. In addition to her later acting appearances, Gish became one of the leading advocates on the lost art of the silent film, often giving speeches and touring to screenings of classic works. In 1975, she hosted The Silent Years, a PBS film program of silent films.
Gish received a Special Academy Award in 1971 "For superlative artistry and for distinguished contribution to the progress of motion pictures." In 1979, she was awarded the Women in film Crystal Award in Los Angeles In 1984, she received an American Film Institute Lifetime Achievement Award, becoming only the second female recipient (preceded by Bette Davis in 1977), and the only recipient who was a major figure in the silent era. She has a star on the Hollywood Walk of Fame at 1720 Vine Street.
Her last film role was in The Whales of August in 1987 at the age of 93, with Vincent Price, Bette Davis and Ann Sothern, in which she and Davis starred as elderly sisters in Maine. Her final professional appearance was a cameo on the 1988 studio recording of Jerome Kern's Show Boat, starring Frederica von Stade and Jerry Hadley, in which she affectingly spoke the few lines of The Old Lady on the Levee in the final scene. The last words of her long career were, "Good night, dear."
Some in the entertainment industry were angry that Gish did not receive an Oscar nomination for her role in The Whales of August. Gish herself was more complacent, remarking that it saved her the trouble of "losing to Cher" (who did, in fact, win for her performance in Moonstruck).
She was involved with producer Charles Duell and drama critic and editor George Jean Nathan. In the 1920s, Gish's association with Duell was something of a tabloid scandal because he had sued her and made the details of their relationship public.
During the period of political turmoil in the United States that lasted from the outbreak of World War II in Europe until the attack on Pearl Harbor, she maintained an outspoken non-interventionist stance. She was an active member of the America First Committee, an anti-intervention organization founded by retired General Robert E. Wood with aviation pioneer Charles Lindbergh as its leading spokesman. She said she was blacklisted by the film and theater industries until she signed a contract in which she promised to cease her anti-interventionist activities and never disclose the fact that she had agreed to do so.
She maintained a very close relationship with her sister Dorothy, as well as with Mary Pickford, for her entire life. Another of her closest friends was actress Helen Hayes; Gish was the godmother of Hayes' son James MacArthur.
Biographical and other:
Category:1893 births Category:1993 deaths Category:Academy Honorary Award recipients Category:American silent film actors Category:American film actors Category:American stage actors Category:American film directors Category:Actors from Ohio Category:Kennedy Center honorees Category:American Episcopalians Category:American people of German descent Category:People from Springfield, Ohio Category:Cardiovascular disease deaths in New York Category:Old Right (United States) Category:20th-century actors Category:Silent film directors
ar:ليليان غيش ca:Lillian Gish da:Lillian Gish de:Lillian Gish es:Lillian Gish fa:لیلین گیش fr:Lillian Gish fy:Lillian Gish gl:Lillian Gish ko:릴리안 기시 id:Lillian Gish is:Lillian Gish it:Lillian Gish he:ליליאן גיש la:Lilliana Gish hu:Lillian Gish nl:Lillian Gish ja:リリアン・ギッシュ no:Lillian Gish pl:Lillian Gish pt:Lillian Gish ro:Lillian Gish ru:Гиш, Лиллиан sr:Лилијан Гиш sh:Lilian Gish fi:Lillian Gish sv:Lillian Gish tr:Lillian Gish vi:Lillian Gish zh:莉蓮·吉許This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
played for | Johnstown JetsRochester AmericansToledo Mercurys |
---|---|
position | Right Wing |
shoots | Right |
height ft | 5 |
height in | 10 |
weight lb | 175 |
birth date | April 02, 1930 |
birth place | Toronto, ON |
career start | 1950 |
career end | 1962 }} |
Don Hall signed with the Johnstown Jets, a Montreal Canadiens farm team in 1951. Upon signing, Hall agreed to sign a "C-form", which allowed for the Canadiens to own Hall's rights as a professional hockey player. During Hall's rookie season, he played against future hockey Hall of Fame forward Maurice Richard in an exhibition game on November 20, 1951 in front of 1,638 fans at the Cambria County War Memorial Arena. Although Hall did not score that night, Richard would go on to score six goals against Ivan Walmsley, who was considered to be the Jets' standout goaltender at the time.
Hall would go on to have an 11 year career with the Jets. His 248 career goals with the Jets is the second-highest total in team history. His career total ties him with Reg Kent, who started his career with the Jets in 1965. Dick Roberge, who currently holds the minor league goal scoring record with 756 career goals, scored 753 goals as a member of the Johnstown Jets from 1954 until 1972.
After retiring in 1962, Hall would go on to coach an EHL All-Star team that would tour the former Soviet Union. In Hall's words, their team would get "creamed" and didn't win a game until they reached the former Czechoslovakia. "They sent their best teams," Hall remarked, "and they didn't lay down for anybody."
Although Hall retired in 1962 after 11 seasons with the Johnstown Jets, Hall's number 9 was retired by the Johnstown Chiefs during the 1990-91 season. A banner commemorating this retirement currently hangs in the Cambria Country War Memorial Arena.
Hall currently resides in Johnstown, Pennsylvania.
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A prolific artist, McCay's pioneering early animated films far outshone the work of his contemporaries, and set a standard followed by Walt Disney and others in later decades. His two best-known creations are the newspaper comic strip Little Nemo in Slumberland, which ran from 1905–1914 and 1924–1927, and the animated cartoon Gertie the Dinosaur, which he created in 1914.
His comic strip work has influenced generations of artists, including creators such as William Joyce, André LeBlanc, Moebius, Maurice Sendak, Chris Ware and Bill Watterson.
In 1886, McCay's parents sent him to Cleary's Business College in Ypsilanti, Michigan to learn to be a businessman. While in Ypsilanti, he also received his only formal art training, from John Goodison of Michigan State Normal College (now known as Eastern Michigan University). Goodison taught him the strict application of the fundamentals of perspective, which he put to significant use later in his career. Goodison, formerly a glass stainer, also influenced McCay's bold use of color.
McCay's first major comic strip series was Tales of the Jungle Imps by Felix Fiddle. Forty-three installments were published from January to November 1903, in the Cincinnati Enquirer. The strip was based on poems by George Randolph Chester, then a reporter and editor at the Enquirer. The stories concerned jungle creatures and the ways that they adapted to a hostile world, with individual titles such as How the Elephant Got His Trunk and How the Ostrich Got So Tall.
His strips Little Nemo and Dreams of a Rarebit Fiend were both set in the dreams of their characters and featured fantasy art that attempted to capture the look and feel of dreams. McCay's cartoons were never overwhelmingly popular, but always had a strong following because of his expressive graphic style. Newspaper pages were physically much larger in that time and McCay usually had a half a page to work with. For fantasy art in comics, his only rival was Lyonel Feininger, who went on to have a career in the fine arts after his comics days were over.
McCay also created a number of animated short films, in which every single frame of each cartoon (with each film requiring thousands of frames) was hand-drawn by McCay and occasionally his assistants. McCay went on vaudeville tours with his films. He presented lectures and did drawings; then he interacted with his animated films, performing such tricks as holding his hand out to "pet" his animated creations. The star of McCay's groundbreaking animated film Gertie the Dinosaur is classified by film and animation historians as the first cartoon character created especially for film to display a unique, realistic personality. In the film, Gertie causes trouble and cries when she is scolded, and finally she gives McCay himself a ride on her back as he steps into the movie picture.
In addition to a series of cartoons based on his popular "rarebit" gags, McCay also created The Sinking of the Lusitania, a depiction of the attack on the maritime ship. The cartoon contained a message that was meant to inspire America into joining World War I.
Woody Gelman discovered many of the original Little Nemo strips at a cartoon studio where Bob McCay, Winsor's son, had worked in 1966. Many of the original drawings that Gelman recovered were displayed at the Metropolitan Museum of Art under the direction of curator A. Hyatt Mayor. In 1973, Gelman would publish a collection of Little Nemo strips in Italy.
Category:1934 deaths Category:American animators Category:Artists from Cincinnati, Ohio Category:Burials at the Cemetery of the Evergreens Category:Cleary University alumni Category:Comic strip cartoonists Category:Eastern Michigan University alumni Category:People from Chicago, Illinois Category:People from Ypsilanti, Michigan Category:Vaudeville performers Category:Will Eisner Award Hall of Fame inductees
bs:Winsor McCay ca:Winsor McCay de:Winsor McCay et:Winsor McCay es:Winsor McCay fr:Winsor McCay hr:Winsor McCay it:Winsor McCay nl:Winsor McCay ja:ウィンザー・マッケイ no:Winsor McCay pt:Winsor McCay ro:Winsor McCay ru:Маккей, Уинзор sr:Винзор Мекеј fi:Winsor McCay sv:Winsor McCayThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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