Astralwerks is a New York-based record label that releases primarily electronic music. It is owned by Virgin Records/EMI and distributed by Caroline Distribution in the United States.

Below is an overview of the artists that have released material on Astralwerks. A number of the acts listed below are only distributed by Astralwerks, as it licenses a number of European acts for the US market.

Artists

22-20s

777

Adam F

Air

Alpha

Alpinestars

Air Traffic

Ambulette

Amorphous Androgynous

Craig Armstrong

Athlete

Audio Bullys

The B-52's

Basement Jaxx

Bat for Lashes

The Bees

Bentley Rhythm Ace

The Beta Band

Blue Six (Naked Music/Astralwerks)

Boymerang

Cassius

The Chemical Brothers

Clinton (Luaka Bop/Astralwerks)

BJ Cole

The Concretes

Graham Coxon

The Daedalus Project

Day One

Diamond Rings

Digitalism

Dom

Brian Eno

Doves

Empire of the Sun

Fatboy Slim

Bryan Ferry

Fierce Ruling Diva

Fluke

Freaky Chakra

Sia Furler

Future Sound of London

Gabin

The Golden Republic

David Guetta

Steve Hackett

Gemma Hayes

H_Foundation

Hot Chip

The Irresistible Force

Iggy Pop

The Japanese Popstars

Joi

Kate Bush

King Biscuit Time

Kings of Convenience

The Kooks

k-os

Kraftwerk

Kylie Minogue

Late of the Pier

Sondre Lerche

The Little Ones

Laura Marling

Miguel Migs (Naked Music/Astralwerks)

Miss Kittin

μ-ziq

Ben Neill

Nervo

Neu!

Beth Orton

Erlend Øye

Pet Shop Boys

Phoenix

Photek

Placebo

Plastilina Mosh

Playgroup

Primal Scream

Radio 4

Revolver

Röyksopp

Les Rythmes Digitales

Seefeel

Simian

Skylab

The Sleepy Jackson

Small Sins

Soul Oddity

Yoko Ono

Spacetime Continuum

Sparklehorse

Sunna

Swedish House Mafia

System 7

Techno Animal

Sébastien Tellier

Todd Terry

Tracey Thorn

T-Love (Pickininny/Astralwerks)

Tranquility Bass

Turin Brakes

Überzone

VHS or Beta

Luke Vibert

Wagon Christ

West Indian Girl

Robbie Williams

Discography

References

External links

Official site

Category:American record labels Category:Astralwerks artists Category:Electronic music record labels Category:EMI

es:Astralwerks fr:Astralwerks ko:아스트랄베르크스 pt:Astralwerks ru:Astralwerks fi:Astralwerks sv:Astralwerks

Coordinates	44°6′51″N15°13′40″N
name	The Chemical Brothers
landscape	yes
background	group_or_band
alias	The 237 Turbo Nutters, The Dust Brothers, Chemical Ed & Chemical Tom
origin	London, United Kingdom
genre	Big beat, alternative dance, progressive house, breakbeat, trip hop
years active	1991–present
label	Junior Boy's Own, Astralwerks, Freestyle Dust, Virgin Records, Ultra Records
website	TheChemicalBrothers.com
current members	Tom RowlandsEd Simons
past members	}}

The Chemical Brothers are a Grammy award-winning British electronic music duo comprising Tom Rowlands and Ed Simons. Originating in London in 1991, along with The Prodigy, Fatboy Slim, The Crystal Method and fellow acts, they were pioneers at bringing the big beat electronic dance genre to the forefront of pop culture.

History

Background (1984–1991)

Ed Simons was born in Herne Hill, South London, England, on 9 June 1970 to a barrister mother and a father who was not around much when Simons was growing up. Simons’ two main interests when he was young were aeroplanes and musicals. Simons attended two South London public schools, Alleyn's School and Dulwich College. During his school years, he developed a fondness for rare groove and Hip hop music, having frequented a club called The Mud Club from the age of 14. By the time he left school, his two main musical interests were two Manchester bands, New Order and The Smiths. After finishing school with 11 O levels and three A-levels, he continued on to study History, especially Late Medieval History, at the University of Manchester.

Tom Rowlands, a childhood classmate of Simons', was born on 11 January 1971 in Kingston upon Thames, London. When Rowlands was very young, his family relocated to Henley-on-Thames. He later attended Reading Blue Coat School in Berkshire, during which time he became obsessed with Scotland, developing a fondness for the bagpipes in particular. In his early teens, his interest in music broadened to other genres. Initially, some of his favourites included the ''Oh What a Lovely War'' soundtrack, ''2-Tone'', the nascent Goth genre (Sisters of Mercy, Fields of the Nephilim) and the electro sounds of artists such as Kraftwerk, New Order, Cabaret Voltaire and Heaven 17. He described the first Public Enemy album as the record that probably changed his life, and commented that "Miuzi Weighs a Ton" was one of the most amazing tracks he had ever heard. Rowlands also started collecting hip hop records by artists like Eric B and Schoolly D. Rowlands left school with similar accomplishments to Simons', achieving nine O levels and three A levels. For university, he followed Simons to Manchester primarily to immerse himself in its music scene in general and the Haçienda in particular.

Rowlands was also in a band called Ariel prior to meeting up with Simons. Ariel was formed in London by Rowlands and his friends Brendan Melck and Matt Berry. Their first single was "Sea of Beats". This was essentially a white label, before Philip Brown set up Echo Logik Records, their first promo was Bokadilo (ELR1201), Other songs, released on 12" included "Mustn't Grumble" (ELR1203) and their most well-known, "Rollercoaster" (ELR1202). After a year on Echo Logik they signed to the record label deConstruction. They insisted that they get a female singer and they recruited former Xpansions frontwoman Sally Ann Marsh, and after some disappointing songs like "Let It Slide" (Rowlands would later describe it as "a stinker") the band fell apart. One of the last things Ariel did was the song "T Baby" which was remixed by the pair.

Rowlands and Simons then started to DJ at a club called "Naked Under Leather", in the back of a pub, in 1992 under the alias of "The 237 Turbo Nutters" (named after the number of their house on Dickenson Road in Manchester and a reference to their Blackburn raving days). The pair would play hip hop, techno and house.

The Dust Brothers (1992–1994)

Rowlands and Simons called themselves The Dust Brothers, after the US production duo famous for their work with the Beastie Boys. After a while, they began to run out of suitable instrumental hip hop tracks to use, so they started to make their own. Using a Hitachi hi-fi system, a computer, a sampler and a keyboard, they recorded "Song To The Siren", which sampled This Mortal Coil. "Song To The Siren" was released on their own record label, called "Diamond Records" (after Ed's nickname). In October 1992, they pressed 500 white-label copies and took them to various dance record shops around London, but none would play it, saying that it was too slow (The track played at 111 BPM). They sent a copy to London DJ Andrew Weatherall, who made it a permanent fixture in his DJ sets. Weatherall also signed the band to his Junior Boy's Own label. In May 1993, Junior Boy's Own released 'Song To The Siren'.

Around June 1993, the Dust Brothers did their first remixes. The first was "Packet Of Peace" for Justin Robertson's Lionrock outfit, followed by tracks for Leftfield, Republica and The Sandals. Late in 1993, The Dust Brothers completed work on their ''Fourteenth Century Sky'' EP, released in January 1994. It contained the ground-breaking "Chemical Beats", which epitomized the duo's genre-defining big beat sound, later taken up by Fatboy Slim and many more. The EP also contained "One Too Many Mornings", which for the first time showed the less intense, more chilled-out side of The Dust Brothers. Both "One Too Many Mornings" and "Chemical Beats" would later appear on their debut album. ''Fourteenth Century Sky'' was followed later in 1993 by the ''My Mercury Mouth EP''. "Chemical Beats" was also part of the soundtrack for the first edition of the Wipeout games series, having been featured in ''Wipeout'' for the PlayStation in 1995.

In October 1994, The Dust Brothers became resident DJs at the small, but hugely influential Heavenly Sunday Social Club at the Albany pub in London's Great Portland Street. The likes of Noel Gallagher, Paul Weller, James Dean Bradfield and Tim Burgess were regular visitors. The Dust Brothers were subsequently asked to remix tracks by Manic Street Preachers and The Charlatans, plus Primal Scream's "Jailbird" and The Prodigy's "Voodoo People". These two remixes received television exposure, being playlisted by MTV Europe's "The Party Zone" in 1995. Early in 1994, The Dust Brothers were approached in the club one Sunday by Noel Gallagher, from Oasis, who at the time were becoming one of the most prominent guitar bands in Britain. Gallagher told the duo that he had a Balearic inspired track which he had written, which he would like the Dust Brothers to remix. However, over time, Gallagher changed his mind, and in the end the Brothers did not remix it. The track was "Wonderwall".

In March 1995, The Dust Brothers began their first international tour, which included the United States – where they played with Orbital and Underworld – then a series of European festivals. Also around this time, the original Dust Brothers threatened legal action over the use of their name, and so Rowlands and Simons had to decide on a new name quickly. They decided to then call themselves "The Chemical Brothers" after "Chemical Beats" (Simons' grandmother had suggested they call themselves "The Grit Brothers").

In June 1995, they released their fourth single, the first under their new identity. "Leave Home" was released on Junior Boy's Own, as a preview of the imminent debut album and became the band's first chart hit, peaking at No. 17. It stayed at number 17 for 8 weeks, the most weeks a record has stayed at the same place in the charts (apart from Number 1's).

''Exit Planet Dust'' (1995–1996)

In July 1995, The Chemical Brothers released their debut album ''Exit Planet Dust'' (the title inspired by their name change) on Freestyle Dust/Junior Boy's Own. It entered the UK charts at #9 and featured guest vocalist Beth Orton on the song "Alive Alone". It eventually went on to sell over a million copies worldwide, and was used on the soundtrack of the science fiction TV series pilot Virtuality. Shortly after its release, The Chemical Brothers signed to Virgin Records, to which they took their own offshoot label, Freestyle Dust. For their next single, in September 1995, they again used a guest vocalist, for the release of "Life Is Sweet", featuring their friend Tim Burgess, singer with The Charlatans. It reached #25 in the singles charts. The single was also ''Select'' Magazine's Single Of The Month for October. The release included a Daft Punk remix of "Life Is Sweet".

In August 1995, the Chemical Brothers DJ'ed for Oasis at a Sheffield gig. The gig began to backfire when it became apparent that Liam Gallagher didn't seem to like any of the tracks they were spinning. The closest that they could come to pleasing him was the Happy Mondays' "Wrote For Luck". Gallagher proceeded to kick the Chemical Brothers off the turntables and procured a friend from The Verve to continue to DJ. He subsequently favoured psychedelic material to the displeasure of the crowd.

Around this period, The Stone Roses asked the Chemical Brothers to remix "Begging You", from their ''Second Coming'' album. After beginning work on a remix which they viewed as having potential, the Stone Roses changed their minds and the project was cancelled.

In October 1995, the duo returned to the Heavenly Sunday Social for a second and final run of DJ dates. They then became residents at the Heavenly Social on Saturdays at Turnmills. In November, The Chemical Brothers played the Astoria Theatre in London. At this time the Chems usually used a fusion of "Chemical Beats" and The Beatles' "Tomorrow Never Knows" as their encore. During the encore, however, Keith Flint from The Prodigy jumped up on stage to dance, wearing a t-shirt sporting the slogan "Occupation: mad bastard". A few from the crowd subsequently joined in. This resulted in a power cable being kicked loose, bringing the show to a temporary close. The Chemical Brothers confessed to not being too bothered; "because he's Keith from the Prodigy, and he can do whatever the fucking hell he likes" Rowlands said later. Just before Christmas, 1995, they played their biggest gig to date, with The Prodigy, at the Brixton Academy.

In January 1996, ''Exit Planet Dust'' went gold. The Chemical Brothers released their first new material in six months on Virgin, the "Loops Of Fury" EP. The four-track release was limited to 20,000 copies, but is now available for digital download. It entered the UK charts at #13. NME described the lead track as "splashing waves of synths across hard-hitting beats". The EP also contained a Dave Clarke remix of "Chemical Beats", and two other new tracks "Get Up On It Like This" and "(The Best Part Of) Breaking Up".

In February 1996, Select Magazine published a list of the 100 best albums of the 1990s thus far. ''Exit Planet Dust'' was listed at Number 39. In August 1996, The Chemical Brothers supported Oasis at Knebworth, where 125,000 people attended each of the two shows.

During the 1995 Glastonbury Festival, Rowlands and Simons had another conversation with Noel Gallagher. Gallagher told them how much he liked ''Exit Planet Dust'', and asked if he could sing on a future track, similar to the way Tim Burgess had worked on "Life Is Sweet". They didn't think much of the offer at the time, given how busy Gallagher would be with the release of Oasis' ''(What's the Story) Morning Glory?'', plus the complexities of dealing with each others' record companies. However, the duo later worked on a track which they thought would benefit from having a vocal on it. They sent Gallagher a tape of what they had done so far. He worked on it overnight, and left a message with them early the next morning that he was ready to record it. The track was called "Setting Sun" and was finally released in October 1996. It entered the UK charts at the top, giving the duo their first ever Number One single. "Setting Sun" was backed by a longer instrumental version, and also a new track "Buzz Tracks", which was not much more than a DJ tool. The three remaining Beatles' lawyers later wrote to the Chemical Brothers, mistakenly claiming that they had sampled "Tomorrow Never Knows". Virgin Records hired a musicologist to prove that they did not sample the classic 1960s psychedelic song.

Meanwhile, in 1996, ''Live at the Social Volume 1'' was released by Heavenly Records, which became The Chemical Brothers' first mix CD (excluding ''Xmas Dust Up'', a free album that came in a 1994 issue of NME). It was also the duo's first live album, and their only live album (excluding the EP ''Live 05'').

''Dig Your Own Hole'' (1997–1998)

In March 1997, the Brothers released the second track from their forthcoming album, to give the world a further taste of what to expect. "Block Rockin' Beats" went straight to #1 in the UK, possibly thanks, this time, to its Schoolly D vocal sample and re-working of the bassline from 23 Skidoo's single "Coup". The NME named it Single Of The Week and said "It throbs like your head might if you had just done a length underwater in a swimming pool full of amyl." It later won them a Grammy Award for Best Rock Instrumental Performance.

In the US at this time, "Setting Sun" was sitting at Number 80 in the Billboard Top 100, after selling around 80,000 copies, an uncommon achievement for a European "dance" act. Sales from ''Exit Planet Dust'' were also around 150,000.

On 7 April 1997 the Chemical Brothers released their second album, ''Dig Your Own Hole''. It was recorded at the band's own south London studio, with the title taken from graffiti on the wall outside. The album was well received, ''Mixmag'' rating it 10/10 and calling it "mad enough to be thrilling, slick enough for not even remotely trendy coffee tables".

During the summer of 1997, the Brothers toured extensively, particularly in the States. They also became residents at Tokyo's Liquid Rooms. In August, the Chemical Brothers achieved rapprochement with the US Dust Brothers, and asked them to remix the forthcoming single "Elektrobank". They themselves also became highly sought-after for remixes for other artists. Metallica asked the Brothers several times to remix "Enter Sandman", but were repeatedly turned down. In September, the next single from ''Dig Your Own Hole'', "Elektrobank" was released. In November, the pair played at Dublin's Point Theatre, with support from Carl Cox. They also began a US tour in Detroit.

At the end of the year, ''Dig Your Own Hole'''s final track, the nine minute-long "The Private Psychedelic Reel" gave rise to a limited-edition mini-EP of the same name. The b-side consisted of a live version of "Setting Sun", recorded at the Lowlands Festival, Netherlands on 24 August 1997. Also in December, following four sold-out US shows, The Chemical Brothers toured the UK, finishing with a sold-out gig at London's Brixton Academy.

In 1998, they concentrated more on DJ'ing, although some remixes did see the light of day, including "I Think I'm In Love" from Spiritualized. Both a vocal remix and an instrumental remix were included in the single release. Each came in at over seven-and-a-half minutes. Another remix completed by the Brothers was "Delta Sun Bottleneck Stomp", from Mercury Rev. This was another extension in the association between the two bands, since Mercury Rev's Jonathon Donahue contributed to "The Private Psychedelic Reel" on ''Dig Your Own Hole''.

In September 1998, a second mix album, ''Brothers Gonna Work It Out'', was released. It contains some of their own tracks and remixes, as well as songs from artists who have influenced their sound, such as Renegade Soundwave, Meat Beat Manifesto, Carlos "After Dark" Berrios, and Kenny 'Dope' Gonzales.

In May 1999, The Chemical Brothers played three UK dates in Manchester, Sheffield and Brighton, their first since December 1997. Also that month, they released their first new original material in two years, a track called "Hey Boy, Hey Girl". This was more house influenced than hip-hop. In interviews at the time, Rowlands and Simons indicated that the track was inspired by nights out at Sheffield club "Gatecrasher". The track was also one of their more commercially accessible tracks and went to number 3 in the UK charts.

''Surrender'' (1999)

The third album ''Surrender'' was released in June 1999. It featured vocals from Noel Gallagher, Mercury Rev's Jonathan Donahue and Mazzy Star's Hope Sandoval. As "Hey Boy, Hey Girl" had suggested, the album was more house-oriented than the previous two. On one of the album's stand out tracks, "Out Of Control", New Order's Bernard Sumner supported by Primal Scream's Bobby Gillespie provided vocals. It reached Number 1 in the UK album charts, and was widely praised in the print media. The Michel Gondry-directed music video for "Let Forever Be", which utilized ground-breaking video and film effects in its depiction of a young woman's nightmares, also received a lot of attention.

Later that summer, The Brothers headlined the Glastonbury dance tent on the Friday night, followed by a UK tour which ended in December and included Homelands Scotland on 4 September. In November, "Out Of Control", featuring Sumner and Gillespie on vocals, was released as a single. The release also contained the Sasha remix. The final single from ''Surrender'', in February 2000, was the five track "Music: Response" EP, containing the title track and two remixes, plus Electronic Battle Weapon 4 named "Freak of the Week", and a track called "Enjoyed", which was essentially a remix of "Out Of Control" by the Brothers themselves.

A CD copy of ''Surrender'' was placed in the third ''Blue Peter'' time capsule, buried in January 2000. That same month, they appeared on Primal Scream's album ''Xtrmntr'' at track 11 with a remix.

''Come with Us'' (2000–2003)

In June 2000, Tom and Ed played the Pyramid stage at the Glastonbury Festival pulling in the largest audience ever seen in the Festival's history. In August 2000 they played to a large crowd at the main stage at Creamfields festival, Ireland. In December 2000, The Chemical Brothers aired one of their new tracks, "It Began in Afrika" at their New York DJ gigs, supporting U2.

In 2001, they were quite active with releases and live performances. Early in the year, they began working on a fourth album, provisionally titled "Chemical Four". The first track which fans got a taste of was "It Began In Afrika", as previously played in their DJ set in New York. The track would make its live debut in California in April 2001, at the Coachella Valley Music and Arts Festival. Another new track also got its public debut at Coachella, "Galaxy Bounce". As had become customary for their releases and experiments, "It Began In Afrika" was first pressed as a promo, as part of the "Electronic Battle Weapon" series. It received much airplay on dance music radio shows in the UK, and became more and more popular in clubs over the course of the summer. It also became one of the "anthems" in Ibiza as the summer progressed. It was given a full commercial single release in September, reaching #8 in the UK singles chart, even though no promotional video was made for the track.

Rowlands and Simons also remixed a track from Fatboy Slim's ''Halfway Between the Gutter and the Stars'', entitled "Song For Shelter." This remix was released as a single on 3 September 2001 (one week before "It Began in Afrika") as the CD2 single for "Song for Shelter / Ya Mama". It reached #30 in the UK Singles Charts (sales were combined with the CD1 single).

The Chemical Brothers finished work on another album, ''Come with Us'', in October 2001. It featured collaborations with Richard Ashcroft ("The Test"), of The Verve, and long-time collaborator Beth Orton ("The State We're In"). The album was released in January 2002, preceded by a single, "Star Guitar", a melodic, Balearic Beat number, with a promotional video by Michel Gondry that featured passing scenery synchronized to the beat viewed through a train window. What would be the second track on the album, "It Began in Afrika", was released 10 September 2001 to be circulated around the clubbing scene where it was a popular hit. "Star Guitar" was also released as a DVD single, the pair's first.

The album, ''Come with Us'', was less well received than their previous albums, but nonetheless went straight in at #1 in the UK album charts in the first week of its release, selling 100,000 copies. In April, the title track from the album was released as a single with remixes by Fatboy Slim as part of a double-A sided release with "The Test".

During the summer of 2002, The Chemical Brothers traveled the festival circuit to promote the album. Later in 2002, they released two EPs, one specifically aimed at Japan and the other the US (entitled ''AmericanEP''). Both contained remixes, live versions and B-sides. Additionally, the band produced New Order's final non-album single "Here to Stay" and remixed the song as well.

One of their other major songs from this album was "Galaxy Bounce", which was popular and featured as the main title music for the Xbox game ''Project Gotham Racing'', it was also included on the soundtrack for the movie adaptation of Tomb Raider. "Star Guitar" was featured as a song on the PSP's Lumines II.

Two other songs, "Come with Us (Introduction)" and "Star Guitar (Title Screen)", were featured on a ''PS2'' racing game title ''WRC II: Extreme''. Both songs are instrumental.

The Song ''My Elastic Eye'' from the "Come With Us" album was played in the 2004 movie The Butterfly Effect'''' starring Ashton Kutcher and Amy Smart.

Late 2002 and early 2003, saw Rowlands and Simons back in the studio, working on new material, including "The Golden Path", a collaboration with Wayne Coyne, the lead singer of The Flaming Lips. This was released in September 2003, at the same time as a "best of" album, entitled ''Singles 93-03'' marking ten years of The Chemical Brothers' releases. ''Singles 93-03'' included most, but not all, of their singles. A second new track, in addition to "The Golden Path", was included on the album, called "Get Yourself High". ''Singles 93-03'' was also released on DVD, whose extra features included selected live performances and interviews with Rowlands, Simons and many of their collaborators from throughout the period. "Get Yourself High", which featured Canadian rapper k-os on vocals, was released as a single in November 2003.

In late 2003 and 2004, The Chemical Brothers continued to work in the studio, on new material and a remix of "Slow" by Kylie Minogue. After being released on rare white label vinyl, it was subsequently given a commercial release in March on CD (on her next single "Red Blooded Woman") and on exclusive 12" vinyl picture disc (containing two other Kylie remixes). In Summer 2004 they returned to the festival circuit, including appearances at the Glastonbury Festival, Tokyo, Scotland and Ireland. They also visited South America for the second time (being the first time in 1999), arriving at Chile, Argentina and Brazil. It was during these sets that they played new material, including "Acid Children", which proved to be one of the most popular new tracks.

In September 2004 The Chemical Brothers released the "seventh Electronic Battle Weapon". "Electronic Battle Weapon 7" was being released as a one-sided promo-only 12", containing "Acid Children". A marked departure from the Chemical Brothers' previous musical endeavours, it featured a screeching 303 bassline and a distinctive vocal sample; a pitch-altered vocal sample proclaiming "You Are All My Children Now!", which is lifted from an old horror film, A Nightmare on Elm Street Part 2: Freddy's Revenge. It was coupled with the projection of a sinister clown mouthing these same words at their live gigs.

The Electronic Battle Weapon series of promo releases have typically been newly recorded Chemical Brothers tracks, released on promo to allow DJs to test them in a club environment, and to gauge their popularity.

''Push the Button'' (2004–2006)

In 2004, The Chemical Brothers began work on ''Push the Button'', their fifth studio album, which features collaborations with Tim Burgess, Kele Okereke and Anwar Superstar, amongst others. The album was released on 24 January 2005.

"Galvanize", which features Q-Tip on vocals, was the first single to be taken from ''Push the Button'', and premiered exclusively on iTunes. The single was released on 17 January 2005, and entered the UK chart at #3. The second single "Believe" (featuring Kele Okereke from Bloc Party) failed to crack top 10, but still made it into the top 20, peaking at #18. "The Boxer", featuring Tim Burgess, became the duo's first single to fail to crack the top 40.

The album and single "Galvanize" won a Grammy in the Grammy Awards of 2006. One of the songs in this album, "The Big Jump" appears in the video game ''Burnout Revenge'', as well as ''Project Gotham Racing 3''. The track "Surface To Air" features a pulsing chord progression and bassline reminiscent of the intro to The Strokes song "The Modern Age".

An unofficial, remixed version of the album entitled "Flip the Switch" was released as a free download, along with the "Believe EP", six further remixes of "Believe".

In September 2006, the Chemical Brothers were revealed as the first musicians to be involved in Tate Tracks. Tate Modern invited various groups and songwriters to choose a work that inspired them from the gallery's collection of modern art and then write a track about it. The Chemical Brothers' submission, ''Rock Drill'', was inspired by the Jacob Epstein sculpture ''Torso in Metal from The Rock Drill'', and can be heard on headphones in front of the work in the gallery. From October 2006, it also became available to hear online at the Tate Tracks website.

''We Are the Night'' (2007–2009)

The Chemicals welcomed June 2006 with an announcement on their official forum stating that the duo had been working on fresh material, specifically an album, codenamed 'Chemical 6'. Simons also told everyone that the band would be playing select venues in the Summer 2007 season, specifying Rome, and also fabric in London. Simons is also quoted as saying that the duo are 'hoping to put a battle weapon out for the summer,', retrieved possibly referring to the 'Electronic Battle Weapon' series, which are somewhat experimental tracks the band occasionally release on white label.

Electronic Battle Weapon 8 & 9 were debuted on Pete Tong's BBC Radio 1 show on 8 December 2006. The double sided vinyl was finally released just before The Chemical Brother's much anticipated New Year's Eve gig at the famous Turnmills in London. The vinyl had a limited edition release worldwide and has been received well by fans, DJs and critics alike. Electronic Battle Weapon 8 at about six and a half minutes is very distinct from the 'big acid' style that the earlier battle weapons adhered to. It is characterised by 'thundering dirty drums' with a rising synth line, and to many it is perceived as being one of the most euphoric tracks that the Chemicals have released. A version of this track features on the ''We Are The Night'' album and is entitled 'Saturate'. Electronic Battle Weapon 9 is typical Chemicals dancefloor track with their trademark vocoder vocals coupled with sirens and a basic 'tribal' melody.

At the same Turnmills gig, the Brothers also played a previously unreleased song at midnight to welcome 2007 which went down well with the crowd. This track eventually emerged as Burst Generator, found on the album ''We Are The Night''. Many are left wondering if the latest in the Electronic Battle Weapon series were simply one off genius pieces or signal a new direction they could take with the new album, perhaps swaying from their genre defining 'big beat' psychedelic albums of the past. The song was also the band's 100th released song.

On 21 March 2007, The Chemical Brothers officially announced their forthcoming album on MySpace. The new album entitled ''We Are the Night'', was released on 2 July 2007 in the United Kingdom and 17 July 2007 in the United States. The Chemicals cited a delay in the production of artwork for this delay. EMI subsequently released an online 'old-skool' The Chemical Brothers computer game as an apology. The track listing was released to the fans on the official mailing list on 10 April. The new album is heavily collaborated with the likes of Klaxons (on "All Rights Reversed"), Midlake (on "The Pills Won't Help You Now"), Ali Love (on "Do It Again") and Willy Mason (on "Battle Scars").

On 12 April 2007, Pete Tong again had the privilege of giving the world the very first preview of a Chemicals track. This time it was the first single "Do It Again" off their new album, aired on his BBC Radio 1 "In New Music We Trust" show. . The track is widely regarded as dance floor friendly, dominated by pop vocals and a minimalistic production approach. The track is regarded as a 'grower' after gaining mixed reviews after the first listen on Pete Tong's show, with its simplistic catchy vocals and electro beat. The official release of the single was 4 June (digital download) and 14 June (12", 7" and CD). The album went on general release in the UK on 2 July.

In September 2007, The Chemical Brothers played a free live gig in Trafalgar Square as part of the Becks Fusions event. All who attended were provided with 3D glasses to view the on-screen visual effects.

In 2008, The Chemical Brothers' music will also be featured in a movie adaption of Irvine Welsh's best-selling novel Ecstasy: Three Tales of Chemical Romance.

The Chemical Brothers supplied a new track for the Heroes Soundtrack titled "Keep My Composure".

''Further'' and motion picture soundtracks (2010–present)

On 30 March 2010, the band announced on their website that their seventh studio album will be titled ''Further'' and will be released 22 June, adding that it will be "the band's first to be released with corresponding films made specifically to match each of the 8 audio tracks." The films have been made with long-time visuals collaborators Adam Smith and Marcus Lyall. The album has been described as their most "psychedelic and melodic to date". Before the release of the album, the band played four shows in May at the London Roundhouse where they played the album and its accompanying films in its entirety. The films will feature on a special edition DVD and on the iTunes LP edition.

Most reviews have been positive with BBC Music declaring that '...Synths are brutally manhandled and pushed to their limits across the eight tracks' with Ian Wade summarising that 'It’s better to continuously explode than fade away, or something. Really rather wonderful indeed...' The Irish Times also reported that 'This is a very impressive collection that is carried along with a stirring sense of velocity and momentum'. However, praise hasn't been unanimous for the LP, with the American rock magazine Spin giving it a rating of three out of five stars.

At the New York Comic Con, on 10 October 2010, English film director Joe Wright announced that the Chemical Brothers would be scoring the soundtrack to his upcoming film, ''Hanna''. Joe Wright, who had worked with the Chemical Brothers in the past as a member of the visual company Vegetable Vision, expressed his feelings on the score, stating that he was "very excited to finally... work with a more modern beat. There's a lot of bass, it's very loud." The soundtrack was released exclusively on iTunes on 15 March 2011. It will be released on CD on 4 July 2011.

Two weeks after the announcement regarding ''Hanna'', rumors began circulating that the Chemical Brothers had recorded part of the score for the movie ''Black Swan'', after a post in Ed Simon's twitter account. A second post on the Chemical Brothers own twitter account seemed to confirm this. On 22 November 2010, a ''Black Swan'' music video was released along with the movie trailer. This music video featured a different version of the track "Don't Think" and announced that the movie would feature new music from the Chemical Brothers, along with a handful of other artists. The next day, the names of the eight tracks not composed by Clint Mansell – ''Black Swan'''s main composer – were released, listing the Chemical Brothers as contributing three new songs for the movie. On 29 November, an exclusive video was posted on rollingstone.com, containing more footage of the alternate version of "Don't Think". Mansell's work was released the next day. No announcement has been made yet on whether the original tracks not by Mansell would be given a release or not.

Live

The Chemical Brothers are credited as being one of the few truly arena-sized electronic acts. Their live acts comprise large screens displaying psychedelic images, strobe lights and lasers that project over the crowd. There has been speculation over how much of their live gigs are pre-recorded, although they insist (on their official website FAQ) that they have a mere outline of track order and the rest is mixed live. This would seem to be confirmed by concertgoers who have seen gigs on consecutive nights and have posted notable differences between the sets played.

The Brothers have also played at many major festivals, from Glastonbury to the Reading, the HFStival, and Leeds festival. They currently hold the record for most gigs performed in a year at the Brixton Academy. The brothers have infamously, despite their high status in the mainstream, never appeared on Top of the Pops, with the use of music videos to replace the performance, sometimes accompanied by a video apologising for their absence. In 1999, a live US tour video of "Hey Boy, Hey Girl" was shown, even though the song was not in the top 40 at the time, and also released other singles before then at the time.

In addition to performing their own music they also hold regular DJ nights where they mix other artist's tracks (in the style of ''Brothers Gonna Work It Out'').

As with their recorded albums, the Chemical Brothers are well known for their incorporation of guest vocalists into their live performances. Notable appearances in recent gigs have included Bernard Sumner of New Order, who sang on the original "Out of Control", Wayne Coyne of The Flaming Lips, and Tim Burgess.

The duo also played at the launch event for the Wii video game console.

On the night of 1 September 2007, the Chemical Brothers played at the main stage of the Electric Picnic to a crowd of around 20,000. The Chemical Brothers appeared in Los Angeles on 29 September 2007, headlining the 13th Annual Nocturnal Wonderland Festival.

The duo was one of the head-liners for Roskilde Festival 2008 in Denmark. The festival is held from the 3rd-6 July and is the biggest festival in Northern Europe.

The Chemical Brothers played at London's Olympia Grand Hall on 30 August 2008. This was the first time any major band has played at Olympia's Grand Hall in over 10 years.

On 18 April 2009, the Chemical Brothers performed a DJ Set at the Coachella Festival, at which they premiered two previously unnamed new tracks. The tracks were the bonus track "Don't Think", and "Escape Velocity", both of which were later included on the album ''Further''.

On 8 February 2010, they confirmed their presence at Sónar Festival in Barcelona in June 2010. They also announced they would be performing another two nights at the London Roundhouse in Camden, on 20 and 21 May. Due to phenomenal demand, as tickets sold out within two minutes, they added a further two nights; 22 and 23 May.

On 3 September 2010, they performed at North Coast Music Festival in Chicago. The following day they performed at Electric Zoo festival in New York City.

4–14 March 2011, they headlined the Future Music Festival in 5 cities across Australia.

On 27 March 2011, they headlined Ultra Music Festival in Miami, FL and closed out the Main Stage for the weekend. They also were the closing performance at the Coachella Valley Music and Arts Festival Friday 15 April 2011. The Chemical Brothers will headline the UK dance festival Creamfields in Cheshire on 27 August 2011.

The band also played at the 'Other Stage' at Glastonbury Festival 2011 as that stage's lead headliners.

Logo

The typeface used to write the typical "The Chemical Brothers" logo is derived from Sho, designed by Karlgeorg Hoefer in 1992. The Chemical Brothers' original logo differs only in a few details from orthodox Sho, e.g. in the letters a and b. Mergenthaler Linotype Company holds the licence for this typeface.

Discography

Studio albums

''Exit Planet Dust'' (1995)

''Dig Your Own Hole'' (1997)

''Surrender'' (1999)

''Come with Us'' (2002)

''Push the Button'' (2005)

''We Are the Night'' (2007)

''Further'' (2010)

Soundtrack albums

''Hanna'' (2011)

Main compilation albums

''Brothers Gonna Work It Out'' (1998)

''Singles 93-03'' (2003)

''Brotherhood'' (2008)

See also

Daft Punk

Fatboy Slim

Orbital

The Prodigy

References

External links

YouTube Remix Channel (Taiwan)

Category:British electronic music groups Category:British techno music groups Category:English dance music groups Category:English house music groups Category:Musical groups established in 1991 Category:1991 establishments in England Category:Club DJs Category:Remixers Category:Virgin Records artists Category:Astralwerks artists Category:Musical groups from Manchester Category:Celebrity duos Category:Breakbeat musicians Category:Electronic music duos Category:BRIT Award winners Category:Grammy Award winners Category:People educated at Alleyn's School

ca:The Chemical Brothers cs:The Chemical Brothers da:The Chemical Brothers de:The Chemical Brothers es:The Chemical Brothers fr:The Chemical Brothers ko:케미컬 브라더스 it:The Chemical Brothers ka:The Chemical Brothers lv:The Chemical Brothers lt:The Chemical Brothers hu:The Chemical Brothers mk:The Chemical Brothers nl:The Chemical Brothers ja:ケミカル・ブラザーズ no:The Chemical Brothers pl:The Chemical Brothers pt:The Chemical Brothers ro:The Chemical Brothers ru:The Chemical Brothers simple:The Chemical Brothers sk:The Chemical Brothers fi:The Chemical Brothers sv:The Chemical Brothers th:เดอะเคมิคอลบราเทอร์ส tr:The Chemical Brothers uk:The Chemical Brothers zh:化學兄弟

Coordinates	44°6′51″N15°13′40″N
name	Kylie Minogue
background	solo_singer
birth name	Kylie Ann Minogue
birth date	May 28, 1968
birth place	Melbourne, Australia
genre	Pop, synthpop, rock, dance, electronic
occupation	Singer, songwriter, actress, record producer, fashion designer, author, entrepreneur, philanthropist
years active	1979–present
label	PWL, Deconstruction, Parlophone
website	}}

Kylie Ann Minogue, OBE (; born 28 May 1968), is an Australian pop singer, songwriter, and actress. After beginning her career as a child actress on Australian television, she achieved recognition through her role in the television soap opera ''Neighbours'', before commencing her career as a recording artist in 1987. Her first single, "Locomotion", spent seven weeks at number one on the Australian singles chart and became the highest selling single of the decade. This led to a contract with songwriters and producers Stock, Aitken & Waterman. Her debut album, ''Kylie'' (1988), and the single "I Should Be So Lucky", each reached number one in the United Kingdom, and over the next two years, her first 13 singles reached the British top ten. Her debut film, ''The Delinquents'' (1989) was a box-office hit in Australia and the UK despite negative reviews.

Initially presented as a "girl next door", Minogue attempted to convey a more mature style in her music and public image. Her singles were well received, but after four albums her record sales were declining, and she left Stock, Aitken & Waterman in 1992 to establish herself as an independent performer. Her next single, "Confide in Me", reached number one in Australia and was a hit in several European countries in 1994, and a duet with Nick Cave, "Where the Wild Roses Grow", brought Minogue a greater degree of artistic credibility. Drawing inspiration from a range of musical styles and artists, Minogue took creative control over the songwriting for her next album, ''Impossible Princess'' (1997). It failed to attract strong reviews or sales in the UK, but was successful in Australia.

Minogue returned to prominence in 2000 with the single "Spinning Around" and the dance-oriented album ''Light Years'', and she performed during the closing ceremonies of the 2000 Sydney Olympics. Her music videos showed a more sexually provocative and flirtatious personality and several hit singles followed. "Can't Get You Out of My Head" reached number one in more than 40 countries, and the album ''Fever'' (2001) was a hit in many countries, including the United States, a market in which Minogue had previously received little recognition. Minogue embarked on a concert tour but cancelled it when she was diagnosed with breast cancer in May 2005. After surgery and chemotherapy treatment, she resumed her career in 2006 with ''Showgirl: The Homecoming Tour''. Her tenth studio album ''X'' was released in 2007 and was followed by the ''KylieX2008'' tour. In 2009, she embarked upon her ''For You, For Me Tour'', her first concert tour of the United States and Canada, and the following year released her eleventh studio album, ''Aphrodite''.

Minogue has achieved worldwide record sales of more than 68 million, and has received notable music awards, including multiple ARIA and Brit Awards and a Grammy Award. She has mounted several successful concert tours and received a Mo Award for "Australian Entertainer of the Year" for her live performances. She was awarded the Order of the British Empire "for services to music", and an Ordre des Arts et des Lettres in 2008. In 2011, I Should Be So Lucky was added to the National Film and Sound Archive of Australia's Sounds of Australia registry.

Life and career

1968–86: Early life and career beginnings

Kylie Ann Minogue was born 28 May 1968 in Melbourne, Australia, the eldest child of Ronald Charles Minogue, an accountant of Irish ancestry and Carol Ann (née Jones), a former dancer from Maesteg, Wales. Her sister, Dannii Minogue, is also a pop singer and is a judge on The X Factor, and her brother, Brendan, works as a news cameraman in Australia. The Minogue children were raised in Surrey Hills, Melbourne, and educated at Camberwell High School.

The Minogue sisters began their careers as children on Australian television. From the age of 11, Kylie appeared in small roles in soap operas such as ''The Sullivans'' and ''Skyways'', and in 1985 was cast in one of the lead roles in ''The Henderson Kids''. Interested in following a career in music, she made a demo tape for the producers of the weekly music programme ''Young Talent Time'', which featured Dannii as a regular performer. Kylie gave her first television singing performance on the show in 1985 but was not invited to join the cast. Dannii's success overshadowed Kylie's acting achievements, until Kylie was cast in the soap opera ''Neighbours'' in 1986, as Charlene Mitchell, a schoolgirl turned garage mechanic. ''Neighbours'' achieved popularity in the UK, and a story arc that created a romance between her character and the character played by Jason Donovan, culminated in a wedding episode in 1987 that attracted an audience of 20 million British viewers.

Her popularity in Australia was demonstrated when she became the first person to win four Logie Awards in one event, and the youngest recipient of the "Gold Logie" as the country's "Most Popular Television Performer", with the result determined by public vote.

1987–92: Stock, Aitken and Waterman and ''Kylie''

During a Fitzroy Football Club benefit concert with other ''Neighbours'' cast members, Minogue performed "I Got You Babe" as a duet with the actor John Waters, and "The Loco-Motion" as an encore, and was subsequently signed to a recording contract with Mushroom Records in 1987. Her first single, "The Loco-Motion", spent seven weeks at number one on the Australian music charts. It sold 200,000 copies, became the highest selling single of the 1980s, and Minogue received the ARIA Award for the year's highest selling single. Its success resulted in Minogue travelling to England with Mushroom Records executive Gary Ashley to work with Stock, Aitken & Waterman. They knew little of Minogue and had forgotten that she was arriving; as a result, they wrote "I Should Be So Lucky" while she waited outside the studio. The song reached number one in the UK, Australia, Germany, Finland, Switzerland, Israel and Hong Kong. Minogue won her second consecutive ARIA Award for the year's highest selling single, and received a "Special Achievement Award". Her debut album, ''Kylie'', a collection of dance-oriented pop tunes spent more than a year on the British album charts, including several weeks at number one. The album went gold in the United States, and the single, "The Loco-Motion", reached number three on the U.S. ''Billboard'' Hot 100 chart, and number one on the Canadian Singles Chart. "It's No Secret", released only in the U.S., peaked at number 37 in early 1989, and "Turn It Into Love" was released as a single in Japan, where it reached number one.

In July 1988, "Got To Be Certain" became Minogue's third consecutive number one single on the Australian music charts, and later in the year she left ''Neighbours'' to focus on her music career. Jason Donovan commented "When viewers watched her on screen they no longer saw Charlene the local mechanic, they saw Kylie the pop star." A duet with Donovan, titled "Especially for You", sold almost one million copies in the UK in early 1989, but critic Kevin Killian wrote that the duet was "majestically awful ...[it] makes the Diana Ross, Lionel Richie 'Endless Love' sound like Mahler." She was sometimes referred to as "the Singing Budgie" by her detractors over the coming years, however Chris True's comment about the album ''Kylie'' for Allmusic suggests that Minogue's appeal transcended the limitations of her music, by noting that "her cuteness makes these rather vapid tracks bearable".

Her follow-up album ''Enjoy Yourself'' (1989) was a success in the United Kingdom, Europe, New Zealand, Asia and Australia, and contained several successful singles, including the British number one "Hand on Your Heart", but it failed throughout North America, and Minogue was dropped by her American record label Geffen Records. She embarked on her first concert tour, the Enjoy Yourself Tour, in the United Kingdom, Europe, Asia and Australia, where Melbourne's ''Herald Sun'' wrote that it was "time to ditch the snobbery and face facts—the kid's a star." In December 1989, Minogue was one of the featured vocalists on the remake of "Do They Know It's Christmas", and her debut film, ''The Delinquents'', premiered in London. It was poorly received by critics, and the ''Daily Mirror'' reviewed Minogue's performance with the comment that she "has as much acting charisma as cold porridge", but it proved popular with audiences; in the UK it grossed more than £200,000, and in Australia it was the fourth-highest grossing local film of 1989 and the highest grossing local film of 1990.

''Rhythm of Love'' (1990) presented a more sophisticated and adult style of dance music and also marked the first signs of Minogue's rebellion against her production team and the "girl-next-door" image. Determined to be accepted by a more mature audience, Minogue took control of her music videos, starting with "Better the Devil You Know", and presented herself as a sexually aware adult. Her relationship with Michael Hutchence was also seen as part of Minogue's departure from her earlier persona; Hutchence was quoted as saying that his hobby was "corrupting Kylie", and that the INXS song "Suicide Blonde" had been inspired by her. The singles from ''Rhythm of Love'' sold well in Europe and Australia and were popular in British nightclubs. Pete Waterman later reflected that "Better the Devil You Know" was a milestone in her career and said that it made her "the hottest, hippest dance act on the scene and nobody could knock it as it was the best dance record around at the time". "Shocked" became Minogue's thirteenth consecutive British top-10 single.

In May 1990, Minogue performed her band's arrangement of The Beatles's "Help!" before a crowd of 25,000 at the ''John Lennon: The Tribute Concert'' on the banks of the River Mersey in Liverpool. Yoko Ono and Sean Lennon offered Minogue their thanks for her support of The John Lennon Fund, while the media commented positively on her performance. ''The Sun'' wrote "The soap star wows the Scousers — Kylie Minogue deserved her applause". Her fourth album, ''Let's Get to It'' (1991), reached number 15 on the British album charts and was the first of her albums to fail to reach the Top 10; her fourteenth single "Word Is Out" was the first to miss the Top 10 singles chart, though subsequent singles "If You Were with Me Now" and "Give Me Just a Little More Time" reached number four and number two respectively. Minogue had fulfilled the requirements of her contract and elected not to renew it. She later expressed her opinion that she was stifled by Stock, Aitken and Waterman, and said, "I was very much a puppet in the beginning. I was blinkered by my record company. I was unable to look left or right."

A ''Greatest Hits'' album was released in 1992. It reached number one in the UK and number three in Australia, and the singles "What Kind of Fool (Heard All That Before)" and her cover version of Kool & The Gang's "Celebration" each reached the UK Top 20.

1993–98: Deconstruction, ''Kylie Minogue'' and ''Impossible Princess''

Minogue's subsequent signing with Deconstruction Records was highly touted in the music media as the beginning of a new phase in her career, but the eponymous ''Kylie Minogue'' (1994) received mixed reviews. It sold well in Europe and Australia, where the single "Confide in Me" spent four weeks at number one. She performed a striptease in the video for her next single, "Put Yourself in My Place", inspired by Jane Fonda in the film ''Barbarella''. This single and her next, "Where Is the Feeling?" each reached the British top 20, and the album peaked at number four, eventually selling 250,000 copies. During this period she made a guest appearance as herself, in an episode of the comedy ''The Vicar of Dibley''. The director Steven E. de Souza was intrigued by Minogue's cover photo in Australia's ''Who Magazine'' as one of "The 30 Most Beautiful People in the World", and offered her a role opposite Jean-Claude Van Damme in ''Street Fighter'' (1994). The film was a moderate success, earning USD$70 million in the U.S., but received poor reviews with ''The Washington Post'''s Richard Harrington calling Minogue "the worst actress in the English-speaking world". She co-starred with Pauly Shore and Stephen Baldwin in ''Bio-Dome'' (1996), but it was a failure, dismissed by ''Movie Magazine International'' as the "biggest waste of celluloid space". Minogue returned to Australia where she appeared in the short film, ''Hayride to Hell'' (1995), and then to the UK where she filmed a cameo role as herself in the film ''Diana & Me'' (1997).

Australian artist Nick Cave had been interested in working with Minogue since hearing "Better the Devil You Know", saying it contained "one of pop music's most violent and distressing lyrics" and "when Kylie Minogue sings these words, there is an innocence to her that makes the horror of this chilling lyric all the more compelling". They collaborated on "Where the Wild Roses Grow" (1995), a brooding ballad whose lyrics narrated a murder from the points of view of both the murderer (Cave), and his victim (Minogue). The video was inspired by John Everett Millais's painting ''Ophelia'' (1851–1852), and showed Minogue as the murdered woman, floating in a pond as a serpent swam over her body. The single received widespread attention in Europe, where it reached the top 10 in several countries, and acclaim in Australia where it reached number two on the singles chart, and won ARIA Awards for "Song of the Year" and "Best Pop Release". Following concert appearances with Cave, Minogue recited the lyrics to "I Should Be So Lucky" as poetry in London's Royal Albert Hall "Poetry Jam", at the suggestion of Cave, and later described it as a "most cathartic moment". She credited Cave with giving her the confidence to express herself artistically, saying: "He taught me to never veer too far from who I am, but to go further, try different things, and never lose sight of myself at the core. For me, the hard part was unleashing the core of myself and being totally truthful in my music." By 1997, Minogue was in a relationship with the French photographer Stéphane Sednaoui, who encouraged her to develop her creativity. Inspired by a mutual appreciation of Japanese culture, they created a visual combination of "geisha and manga superheroine" for the photographs taken for the album ''Impossible Princess'' and the video for "German Bold Italic", Minogue's collaboration with Towa Tei. Minogue drew inspiration from the music of artists such as Shirley Manson and Garbage, Björk, Tricky and U2, and Japanese pop musicians such as Pizzicato Five and Towa Tei.

''Impossible Princess'' featured collaborations with musicians such as James Dean Bradfield and Sean Moore of the Manic Street Preachers. Mostly a dance album, its style was not represented by its first single "Some Kind of Bliss", and Minogue countered suggestions that she was trying to become an indie artist. She told ''Music Week'', "I have to keep telling people that this isn't an indie-guitar album. I'm not about to pick up a guitar and rock." Acknowledging that she had attempted to escape the perceptions of her that had developed during her early career, Minogue commented that she was ready to "forget the painful criticism" and "accept the past, embrace it, use it". Her video for "Did It Again" paid homage to her earlier incarnations, as noted in her biography, ''La La La'', "Dance Kylie, Cute Kylie, Sex Kylie and Indie Kylie all struggled for supremacy as they battled bitchily with each other." ''Billboard'' described the album as "stunning" and concluded that "it's a golden commercial opportunity for a major [record company] with vision and energy [to release it in the United States]. A sharp ear will detect a kinship between ''Impossible Princess'' and Madonna's hugely successful album, ''Ray of Light''". In the UK, ''Music Week'' gave a negative assessment, commenting that "Kylie's vocals take on a stroppy edge ... but not strong enough to do much". Retitled ''Kylie Minogue'' in the UK following the death of Diana, Princess of Wales, it became the lowest-selling album of her career. At the end of the year a campaign by ''Virgin Radio'' stated, "We've done something to improve Kylie's records: we've banned them." A poll conducted by ''Smash Hits'' voted her the "worst-dressed person, worst singer and second-most very horrible thing—after spiders".

In Australia, ''Impossible Princess'' spent 35 weeks on the album chart and peaked at number four, to become her most successful album since ''Kylie'' in 1988, and her Intimate and Live tour was extended due to demand. The Victorian Premier, Jeff Kennett, hosted a civic reception for Minogue in Melbourne, and she maintained her high profile in Australia with live performances, including the 1998 Sydney Gay and Lesbian Mardi Gras, the opening ceremonies of Melbourne's Crown Casino and Sydney's Fox Studios in 1999, where she performed Marilyn Monroe's "Diamonds Are a Girl's Best Friend", and a Christmas concert in Dili, East Timor in association with the United Nations Peace-Keeping Forces. During this time she filmed a small role for the Australian-made Molly Ringwald film, ''Cut'' (2000).

1999–2005: ''Light Years'', ''Fever'' and ''Body Language''

Minogue and Deconstruction Records parted company. She performed a duet with the Pet Shop Boys' on their ''Nightlife'' album and spent several months in Barbados performing in Shakespeare's ''The Tempest''. Returning to Australia, she appeared in the film ''Sample People'' and recorded a cover version of Russell Morris's "The Real Thing" for the soundtrack. She signed with Parlophone Records in April 1999. According to Miles Leonard, her new A&R; at Parlophone, it was the label and not Minogue that was responsible for her career downturn, believing that her talent hadn't been tapped into by Deconstruction. Leonard later told HitQuarters: "I believed that she was still very strong vocally, and still definitely a star ... and I knew that with the right project, the right songwriters, the right producers, the right team, she would still have a fanbase out there." Parlophone wanted to reestablish Minogue as the pop artist they felt she essentially was, but that had been lost. Leonard said: "But I didn't want to make a throwaway pop record, I wanted it to have an edge and some depth."

Her album ''Light Years'' (2000) was a collection of dance songs, influenced by disco music. Minogue said that her intention was to present dance-pop music in a "more exaggerated form" and to make it "fun". It generated strong reviews and was successful throughout Asia, Australia, New Zealand and Europe, selling over one million copies in the UK. The single "Spinning Around" became her first British number one in ten years, and its accompanying video featured Minogue in revealing gold hot pants, which came to be regarded as a "trademark". The single was described by a 2009 The Times article as heralding a new era in synthpop that was continuing. Her second single, "On a Night Like This" reached number one in Australia and number two in the UK. "Kids", a duet with Robbie Williams, was also included on Williams's album ''Sing When You're Winning'', and peaked at number two in the UK.

In 2000, Minogue performed ABBA's "Dancing Queen" and her single "On a Night like This" at the 2000 Sydney Olympics closing ceremony. She then embarked upon a concert tour, On A Night like This Tour, which played to sell-out crowds in Australia and the United Kingdom. Minogue was inspired by Madonna's 1993 world tour The Girlie Show which incorporated Burlesque and theatre, William Baker also cited the style of Broadway shows such as ''42nd Street'', films such as ''Anchors Aweigh'', ''South Pacific'', the Fred Astaire and Ginger Rogers musicals of the 1930s and the live performances of Bette Midler. Minogue was praised for her new material and her reinterpretations of some of her greatest successes, turning "I Should Be So Lucky" into a torch song and "Better the Devil You Know" into a 1940s big band number. She won a "Mo Award" for Australian live entertainment as "Performer of the Year". Following the tour she was asked by a ''Seattle Post-Intelligencer'' journalist what she thought was her greatest strength, and replied, "[That] I am an all-rounder. If I was to choose any one element of what I do, I don't know if I would excel at any one of them. But put all of them together, and I know what I'm doing."

She appeared as "The Green Fairy" in ''Moulin Rouge!'' (2001), shortly before the release of ''Fever'', an album containing disco elements combined with 1980s electropop and synthpop. ''Fever'' reached number one in Australia, the UK, and throughout Europe, eventually achieving worldwide sales in excess of eight million. Its lead single "Can't Get You Out of My Head" became the biggest success of her career, reaching number one in more than 40 countries. She won four ARIA Awards including a "Most Outstanding Achievement" award, and two Brit Awards, for "Best international female solo artist" and "Best international album". ''Rolling Stone'' states that "Can't Get You out of My Head" "was easily the best and most omnipresent dance track of the new century", and following extensive airplay by American radio, Capitol Records released it and the album ''Fever'' in the U.S. in 2002. ''Fever'' debuted on the ''Billboard'' 200 albums chart at number three, and "Can't Get You out of My Head" reached number seven on the Hot 100. The subsequent singles "In Your Eyes", "Love at First Sight" and "Come into My World" were successful throughout the world, and Minogue established a presence in the mainstream North American market, particularly in the club scene. Minogue followed the success of the album by touring the United States with the Jingle Ball festival, visiting Miami, Anaheim, New York City, Philadelphia and Houston. In 2003 she received a Grammy Award nomination for "Best Dance Recording" for "Love at First Sight", and the following year won the same award for "Come into My World".

Minogue's stylist and creative director William Baker explained that the music videos for the ''Fever'' album were inspired by science fiction films—specifically those by Stanley Kubrick—and accentuated the electropop elements of the music by using dancers in the style of Kraftwerk. Alan MacDonald, the designer of the 2002 KylieFever tour, brought those elements into the stage show which drew inspiration from Minogue's past incarnations. The show opened with Minogue as a space age vamp, which she described as "Queen of Metropolis with her drones", through to scenes inspired by Kubrick's ''A Clockwork Orange'', followed by the various personas of Minogue's career. Minogue said that she was finally able to express herself the way she wanted, and that she had always been "a showgirl at heart". During 2002 she worked on the animated film ''The Magic Roundabout'', released in 2005 in Europe and 2006 in the U.S.; she voiced one of the principal characters, Florence.

Minogue began a relationship with the French actor, Olivier Martinez, after meeting him at the 2002 Grammy Awards ceremony. Her next album, ''Body Language'' (2003), was released following an invitation-only concert, titled ''Money Can't Buy'', at the Hammersmith Apollo in London. The event marked the presentation of a new visual style, designed by Minogue and Baker, inspired in part by Brigitte Bardot, about whom Minogue commented: "I just tended to think of BB [Bardot] as, well, she's a sexpot, isn't she? She's one of the greatest pinups. But she was fairly radical in her own way at that time. And we chose to reference the period, which was ... a perfect blend of coquette and rock and roll." The album downplayed the disco style and Minogue said she was inspired by 1980s artists such as Scritti Politti, The Human League, Adam and the Ants and Prince, blending their styles with elements of hip hop. It received positive reviews with ''Billboard Magazine'' writing of "Minogue's knack for picking great songs and producers". Allmusic described it as "a near perfect pop record... ''Body Language'' is what happens when a dance-pop diva takes the high road and focuses on what's important instead of trying to shock herself into continued relevance". Sales of ''Body Language'' were lower than anticipated after the success of ''Fever'', though the first single, "Slow", was a number-one hit in the UK and Australia. After reaching number one on the US club chart, "Slow" received a Grammy Award nomination in the Best Dance Recording category.

''Body Language'' achieved first week sales of 43,000 in the U.S., and declined significantly in the second week. ''The Wall Street Journal'' described Minogue as "an international superstar who seems perpetually unable to conquer the U.S. market". Minogue commented that she had told her American record company that she was not willing to invest the time needed to establish herself in the U.S. and that she would rather enhance the success she had already achieved in other parts of the world, an attitude endorsed by ''Billboard'' analyst Geoff Mayfield as a "business decision... If I were her accountant, I couldn't blame her for making that call." Minogue later commented that she was not concerned by her limited success in the U.S. and was more frustrated by assumptions that she considered her career incomplete without it.

Minogue played a guest role in the season finale of the comedy series ''Kath & Kim'', in which she referenced her earlier role as Charlene in ''Neighbours'', during a wedding sequence. The episode achieved the Australian Broadcasting Corporation's highest ratings of the year.

She released her second official greatest hits album in November 2004, entitled ''Ultimate Kylie'', along with her music videos on a DVD compilation of the same title. The album introduced her singles "I Believe in You", co-written with Jake Shears and Babydaddy from the Scissor Sisters, and "Giving You Up". "I Believe in You" reached the U.S. Hot Dance Club Play top three, and Minogue was nominated for a Grammy Award for the fourth consecutive year when the song was nominated in the category of "Best Dance Recording".

Early in 2005, Kylie : The Exhibition opened in Melbourne. The free exhibition featured costumes and photographs spanning Minogue's career and went on to tour Australian capital cities receiving over 300,000 visitors, and was exhibited at the Victoria and Albert Museum in London in February 2007. Minogue commenced her Showgirl: The Greatest Hits Tour, and after performing in Europe, travelled to Melbourne, where she was diagnosed with breast cancer.

2006–09: Showgirl: The Homecoming Tour, ''X'', KylieX2008 and For You, for Me Tour

In November 2006, Minogue resumed her Showgirl: The Homecoming Tour with a performance in Sydney. She had told journalists before the concert that she would be highly emotional, and she cried before dedicating the song "Especially for You" to her father, a survivor of prostate cancer. Her dance routines had been reworked to accommodate her medical condition, and slower costume changes and longer breaks were introduced between sections of the show to conserve her strength. The media reported that Minogue performed energetically, with the ''Sydney Morning Herald'' describing the show as an "extravaganza" and "nothing less than a triumph". The following night, Minogue was joined by Bono, who was in Australia as part of U2's ''Vertigo'' tour, for the duet "Kids", but Minogue was forced to cancel a subsequent planned appearance at U2's show, because of exhaustion. Minogue's shows throughout Australia continued to draw positive reviews, and after spending Christmas with her family, she resumed the European leg of her tour with six sold-out shows in Wembley Arena, before taking her tour to Manchester for a further six shows.

In February 2007, Minogue and Olivier Martinez announced that they had ended their relationship, but remained on friendly terms. Minogue was reported to have been "saddened by false [media] accusations of [Martinez's] disloyalty". She defended Martinez, and acknowledged the support he had given during her treatment for breast cancer, commenting "He was always there, helping with the practical stuff and being protective. He was incredible. He didn't hesitate in cancelling work and putting projects on hold so he could be with me. He's the most honourable man I have ever met."

Minogue released ''X'', her tenth studio album and much-discussed "comeback" album, in November 2007. The electro-styled album included contributions from Guy Chambers, Cathy Dennis, Bloodshy & Avant and Calvin Harris. For the overarching visual look of ''X'', including the music video for first single "2 Hearts", Minogue and William Baker developed a combination of the style of Kabuki theatre and the aesthetics originating from London danceclubs including BoomBox. The album received some criticism for the triviality of its subject matter in light of Minogue's experiences with breast cancer; she responded by explaining the personal nature of some of the album's songs, and said "My conclusion is that if I'd done an album of personal songs it'd be seen as 'Impossible Princess 2' and be equally critiqued." ''Rolling Stone'''s reviewer described Minogue as "pop divadom's party planner in chief", and said of her breast cancer, "thankfully, the experience hasn't made her music discernibly deeper". Minogue later said, "In retrospect we could definitely have bettered it [the album], I'll say that straight up. Given the time we had, it is what it is. I had a lot of fun doing it." ''X'' and "2 Hearts" entered at number one on the Australian albums and singles charts respectively. In the UK, ''X'' initially attracted lukewarm sales, although its commercial performance eventually improved, and Minogue won a Brit Award for "International solo female". ''X'' was released in the U.S. in April 2008, and debuted outside the top 100 on the albums chart despite some promotion. Minogue called the U.S. market "notoriously difficult ... [Y]ou have so many denominations with radio. To know where I fit within that market is sometimes difficult." ''X'' was nominated for the 2009 Grammy Award for Best Electronic/Dance Album, Minogue's fifth Grammy Award nomination.

In December 2007, Minogue participated in the ''Nobel Peace Prize Concert'' in Oslo, Norway, and later performed in the final of the UK talent show ''The X Factor'' with the eventual winner, Leon Jackson, whose mentor was Dannii Minogue. From May 2008, Minogue promoted ''X'' with a European tour, KylieX2008, which is her most expensive tour to date with production costs of £10 million. Although she described the rehearsals as "grim" and the set list went through several overhauls, the tour was generally acclaimed and sold well.

Minogue was featured in ''White Diamond'', a documentary filmed during 2006 and 2007 as she resumed her Showgirl Homecoming Tour. She appeared in ''The Kylie Show'', which featured highly stylised set-piece song performances from Minogue as well as comedy sketches with Mathew Horne, Dannii Minogue, Jason Donovan and Simon Cowell. She co-starred in the 2007 ''Doctor Who'' Christmas special episode, "Voyage of the Damned", as Astrid Peth, a waitress on a spaceship ''Titanic''. The episode aired on 25 December 2007, with 13.31 million viewers, the show's highest viewing figures since 1979.

It was announced in late December 2007 that Minogue was to be among those honoured in Queen Elizabeth II's 2008 New Years Honours list, with an OBE for services to music. Minogue commented "I am almost as surprised as I am honoured. I feel deeply touched to be acknowledged by the UK, my adopted home, in this way." She received the OBE officially from The Prince of Wales in July 2008. In May, 2008 Minogue was awarded the French Ordre des Arts et des Lettres, France's highest cultural honour. Culture Minister Christine Albanel described Minogue as a "midas of the international music scene who turns everything she touches into gold", and saluted her for publicly discussing her breast cancer. In July, Minogue was named the UK's "Best Loved Celebrity" by a tabloid newspaper, who commented that she "won the hearts of the nation as she bravely battled breast cancer", and won the "Best International Female Solo Artist" award at the 2008 BRIT Awards.

In late September 2008, Minogue made her Middle East debut as the headline act at the opening of Atlantis, The Palm, an exclusive hotel resort in Dubai, and from November, she continued with her ''KylieX2008'' tour, taking the show to cities across South America, Asia and Australia. The tour visited 21 countries, and was considered a success, with ticket sales estimated at $70,000,000. She hosted the ''2009 BRIT Awards'' on 18 February 2009 with James Corden and Mathew Horne.

In September and October 2009, Minogue embarked on the For You, For Me Tour, her first North American concert tour, which included shows in the U.S. and Canada. She was also featured in the Bollywood film, ''Blue'', performing an A.R. Rahman song, and had confirmed that she was working on her eleventh studio album, commenting that it would be an album of dance and pop music. On 13 September 2009, Minogue performed "Super Trouper" and "When All Is Said and Done" with Benny Andersson at the ABBA tribute concert "Thank You for the Music... a Celebration of the Music of ABBA" at London's Hyde Park, her only live performance in the UK in 2009. On 14 December 2009, Minogue released a download-only concert album entitled ''Kylie: Live in New York''. The album was recorded at New York's Hammerstein Ballroom and contains 25 live version songs.

2010–present: ''Aphrodite''

Minogue's eleventh studio album, ''Aphrodite'', was released in Japan on 30 June 2010 and worldwide in July 2010. The lead single, "All the Lovers", premiered on radio in May 2010 and was made available for purchase in June 2010. The album debuted at number one in the UK charts, exactly twenty two years after her first UK number one hit. On 3 June 2010, she hosted the inaugural AmfAR "Inspiration Gala" at the New York Public Library honouring Jean Paul Gaultier for his lifelong contribution to men's fashion and the fight against AIDS. Minogue appeared on BBC1's ''Friday Night With Jonathan Ross'' on 25 June 2010, during which she confirmed she is a UK resident, and announced that she will tour in 2011.

In July 2010, Minogue filmed a cameo performance as a rock star in the American independent film ''Jack and Diane''. The movie stars Juno Temple, Riley Keough and Jena Malone. She also recorded a duet titled "Devotion" with British synthpop duo Hurts for their debut album ''Happiness'', released on 6 September 2010. The second single from ''Aphrodite'', titled "Get Outta My Way" was released on 27 September 2010. In October 2010, Minogue performed in front of the Sphinx and the Pyramids at Giza, Egypt to celebrate the anniversary of "Enigma" magazine, with profits going to the We Owe It To Egypt Foundation. A third single, "Better Than Today", was released on 6 December 2010.

Minogue's singles, "All the Lovers" and "Get Outta My Way", were popular in U.S. clubs, each reaching number one on the ''Billboard'' Hot Dance Club Songs chart. On March 5, 2011 "Better Than Today" was at number one on the chart, and her collaboration with Taio Cruz, "Higher", was at number three, making her the first artist in the chart's history to have two singles simultaneously in the top three. On 1 December 2010, Minogue and Parlophone records released the EP ''A Kylie Christmas'' on iTunes, which included a cover of the 1945 song "Let It Snow" as well as "Santa Baby" which was previously available as a b-side to her 2000 single "Please Stay". In August 2011, "Put Your Hands Up (If You Feel Love)", also reached number one on the Billboard dance chart, where Minogue has now achieved five consecutive number one spots on the chart for her last five releases - including her collaboration with Taio Cruz on the track, "Higher".

In 2011, Minogue embarked on the ''Aphrodite World Tour'', travelling to Europe, North America, Canada, Africa, Asia and Australia.

Image and celebrity status

Minogue's efforts to be taken seriously as a recording artist were initially hindered by the perception that she had not "paid her dues" and was no more than a manufactured pop star exploiting the image she had created during her stint on ''Neighbours''. Minogue acknowledged this viewpoint, saying, "if you're part of a record company, I think to a degree it's fair to say that you're a manufactured product. You're a product and you're selling a product. It doesn't mean that you're not talented and that you don't make creative and business decisions about what you will and won't do and where you want to go." In 1993, Baz Luhrmann introduced Minogue to the photographer Bert Stern, notable for his work with Marilyn Monroe. Stern photographed her in Los Angeles and, comparing her to Monroe, commented that Minogue had a similar mix of vulnerability and eroticism. During her career Minogue has chosen photographers who attempt to create a new "look" for her, and the resulting photographs have appeared in a variety of magazines, from the cutting edge ''The Face'' to the more traditionally sophisticated ''Vogue'' and ''Vanity Fair'', making the Minogue face and name known to a broad group of people. Stylist William Baker has suggested that this is part of the reason she has entered in the mainstream pop culture of Europe more successfully than many other pop singers who concentrate solely on selling records.

By 2000, when Minogue returned to prominence, she was considered to be have achieved a degree of musical credibility for having maintained her career longer than her critics had expected. That same year, ''Birmingham Post'' noted "[o]nce upon a time, long before anybody had even heard of Britney, Christina, Jessica or Mandy, Australian singer Kylie Minogue ruled the charts as princess of pop. Back in 1988 her first single, I Should Be So Lucky, spent five weeks at number one, making her the most successful female artist in the UK charts with 13 successive Top 10 entries." Her progression from the wholesome "girl next door" to a more sophisticated performer with a flirtatious and playful persona attracted new fans to her. Her "Spinning Around" video led to some media outlets referring to her as "SexKylie", and sex became a stronger element in her subsequent videos. William Baker described her status as a sex symbol as a "double edged sword" observing that "we always attempted to use her sex appeal as an enhancement of her music and to sell a record. But now it has become in danger of eclipsing what she actually is: a pop singer." After 20 years as a performer, Minogue was described as a fashion "trend-setter" and a "style icon who constantly reinvents herself". She has been acknowledged for mounting successful tours, and for worldwide record sales of more than 60 million.

Minogue is regarded as a gay icon, which she encourages with comments such as "I am not a traditional gay icon. There's been no tragedy in my life, only tragic outfits..." and "My gay audience has been with me from the beginning ... they kind of adopted me." Minogue has explained that she first became aware of her gay audience in 1988, when several drag queens performed to her music at a Sydney pub and she later saw a similar show in Melbourne. She said that she felt "very touched" to have such an "appreciative crowd" and this had encouraged her to perform at gay venues throughout the world, as well as headlining the 1994 Sydney Gay and Lesbian Mardi Gras. Minogue has been inspired by and compared to Madonna throughout her career. Her producer, Pete Waterman recalled Minogue during the early years of her success, with the observation, "She was setting her sights on becoming the new Prince or Madonna... What I found amazing was that she was outselling Madonna four to one, but still wanted to be her." Minogue received negative comments that her Rhythm of Love tour in 1991 was too similar visually to Madonna's Blond Ambition World Tour of the previous year for which the critics labelled her a Madonna wannabe. Kathy McCabe for ''The Telegraph'' notes that Minogue and Madonna follow similar styles in music and fashion, and concludes, "Where they truly diverge on the pop-culture scale is in shock value. Minogue's clips might draw a gasp from some but Madonna's ignite religious and political debate unlike any other artist on the planet... Simply, Madonna is the dark force; Kylie is the light force." ''Rolling Stone'' comments that, with the exception of the U.S., Minogue is regarded throughout the world as "an icon to rival Madonna", and says, "Like Madonna, Minogue was not a virtuosic singer but a canny trend spotter." Minogue has said of Madonna, "Her huge influence on the world, in pop and fashion, meant that I wasn't immune to the trends she created. I admire Madonna greatly but in the beginning she made it difficult for artists like me, she had done everything there was to be done...", and "Madonna's the Queen of Pop, I'm the princess. I'm quite happy with that."

In January 2007 Madame Tussauds in London unveiled its fourth waxwork of Minogue; only Queen Elizabeth II has had more models created. During the same week a bronze cast of her hands was added to Wembley Arena's "Square of Fame". On 23 November 2007, a bronze statue of Minogue was unveiled at Melbourne Docklands for permanent display.

In March 2010, Minogue was declared by researchers as the "most powerful celebrity in Britain". The study examined how marketers identify celebrity and brand partnerships. Mark Husak, head of Millward Brown's UK media practice, said: "Kylie is widely accepted as an adopted Brit. People know her, like her and she is surrounded by positive buzz".

Cancer

Minogue was diagnosed with breast cancer on 17 May 2005, leading to the postponement of the remainder of her Showgirl – The Greatest Hits Tour and her withdrawal from the Glastonbury Festival. Her hospitalisation and treatment in Melbourne resulted in a brief but intense period of media coverage, particularly in Australia, where Prime Minister John Howard issued a statement supporting Minogue. As media and fans began to congregate outside the Minogue residence in Melbourne, the Victorian Premier Steve Bracks warned the international media that any disruption of the Minogue family's rights under Australian privacy laws would not be tolerated. His comments became part of a wider criticism of the media's overall reaction, with particular criticism directed towards paparazzi. Minogue underwent surgery on 21 May 2005 at Cabrini Hospital in Malvern, and commenced chemotherapy treatment soon after.

On 8 July 2005, she made her first public appearance after her surgery, when she visited a children's cancer ward at Melbourne's Royal Children's Hospital. She returned to France where she completed her chemotherapy treatment at the Institut Gustave-Roussy in Villejuif, near Paris. In December 2005, Minogue released a digital-only single, "Over the Rainbow", a live recording from her Showgirl tour. Her children's book, ''The Showgirl Princess'', written during her period of convalescence, was published in October 2006, and her perfume, "Darling", was launched in November. This range was later augmented by eau de toilettes such as Pink Sparkle, Couture and Inverse. On her return to Australia for her concert tour, she discussed her illness, and said that her chemotherapy treatment had been like "experiencing a nuclear bomb". While appearing on ''The Ellen DeGeneres Show'' in 2008, Minogue said that her cancer had originally been misdiagnosed. She commented, "Because someone is in a white coat and using big medical instruments doesn't necessarily mean they're right", but she later spoke of her respect for the medical profession.

Minogue was acknowledged for the impact she had made by publicly discussing her cancer diagnosis and treatment; in May 2008, the French Cultural Minister Christine Albanel said, "Doctors now even go as far as saying there is a 'Kylie effect' that encourages young women to have regular checks."

Discography

''Kylie'' (1988)

''Enjoy Yourself'' (1989)

''Rhythm of Love'' (1990)

''Let's Get to It'' (1991)

''Kylie Minogue'' (1994)

''Impossible Princess'' (1997)

''Light Years'' (2000)

''Fever'' (2001)

''Body Language'' (2003)

''X'' (2007)

''Aphrodite'' (2010)

See also

List of awards and nominations received by Kylie Minogue

List of Kylie Minogue concert tours

Kylie Minogue filmography

Honorific nicknames in popular music

List of best-selling music artists

References

;Notes

;Bibliography

External links

 – owned and maintained by EMI and represents Kylie Minogue

Kylie Minogue Collection at the Performing Arts Collection

Category:1968 births Category:Living people Category:20th-century actors Category:21st-century actors Category:Actors from Melbourne Category:ARIA Award winners Category:Australian child actors Category:Australian dance musicians Category:Australian expatriates in the United Kingdom Category:Australian female singers Category:Australian film actors Category:Australian pop singers Category:Australian television actors Category:Australian people of Irish descent Category:Australian people of Welsh descent Category:Breast cancer survivors Category:BRIT Award winners Category:Capitol Records artists Category:Nu-disco musicians Category:Freestyle musicians Category:Gold Logie winners Category:Grammy Award winners Category:LGBT rights activists from Australia Category:Officers of the Order of the British Empire Category:Parlophone artists Category:Recipients of the Centenary Medal Category:Singers from Melbourne Category:The X Factor judges Category:The X Factor (UK) Category:Chevaliers of the Ordre des Arts et des Lettres

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