Coordinates	54°5′20″N18°25′10″N
bgcolour	orange
name	Annie Leibovitz
birth name	Anna-Lou Leibovitz
birth date	October 02, 1949
birth place	Waterbury, Connecticut, U.S.
nationality	American
field	Photography
training	San Francisco Art Institute
signature	Leibovitzbook1.jpg }}

Anna-Lou "Annie" Leibovitz (; born October 2, 1949) is an American portrait photographer.

Early life and education

Born in Waterbury, Connecticut, Leibovitz is the third of six children. She is a third-generation American whose great-grandparents were Jewish immigrants, from Central and Eastern Europe. Her father's parents had emigrated from Romania. Her mother, Marilyn Leibovitz, was a modern dance instructor of Estonian Jewish heritage; her father, Sam Leibovitz, was a lieutenant colonel in the U.S. Air Force. The family moved frequently with her father's duty assignments, and she took her first pictures when he was stationed in the Philippines during the Vietnam War.

In high school, she became interested in various artistic endeavours, and began to write and play music. She attended the San Francisco Art Institute, where she studied painting. There she learnt all her skills from her teacher Sasha Michelle, who Annie says she owes a lot of her career to. For several years, she continued to develop her photography skills while working various jobs, including a stint on a kibbutz in Amir, Israel, for several months in 1969.

Career

''Rolling Stone'' magazine

When Leibovitz returned to the United States in 1970, she started her career as staff photographer, working for the just launched ''Rolling Stone'' magazine. In 1973, publisher Jann Wenner named Leibovitz chief photographer of ''Rolling Stone'', a job she would hold for 10 years. Leibovitz worked for the magazine until 1983, and her intimate photographs of celebrities helped define the ''Rolling Stone'' look. While working for ''Rolling Stone'', Leibovitz became more aware of the other magazines. Richard Avedon's portraits were an important and powerful example in her life. She learned that you can work for magazines and still do your own personal work, which for her was the most important thing. It is much more intimate and tells a story for her as she works with people who love her and who will "Open their hearts and souls and lives to you."

Photographers such as Robert Frank and Henri Cartier-Bresson influenced her during her time at the San Francisco Art Institute. "Their style of personal reportage - taken in a graphic way - was what we were taught to emulate."

The Rolling Stones

Leibovitz photographed The Rolling Stones in San Francisco in 1971 and 1972, and served as the concert-tour photographer for Rolling Stones Tour of the Americas '75. Her favorite photo from the tour was a photo of Mick Jagger in an elevator.

John Lennon 1980

On December 8, 1980, Leibovitz had a photo shoot with John Lennon for ''Rolling Stone'', promising him that he would make the cover. She had initially tried to get a picture with just Lennon alone, which is what ''Rolling Stone'' wanted, but Lennon insisted that both he and Yoko Ono be on the cover. Leibovitz then tried to re-create something like the kissing scene from the ''Double Fantasy'' album cover, a picture that she loved. She had John remove his clothes and curl up next to Yoko. Leibovitz recalls, "What is interesting is she said she'd take her top off and I said, 'Leave everything on' — not really preconceiving the picture at all. Then he curled up next to her and it was very, very strong. You couldn't help but feel that she was cold and he looked like he was clinging on to her. I think it was amazing to look at the first Polaroid and they were both very excited. John said, 'You've captured our relationship exactly. Promise me it'll be on the cover.' I looked him in the eye and we shook on it." Leibovitz was the last person to professionally photograph Lennon—he was shot and killed five hours later.

The photograph was subsequently re-created in 2009 by John and Yoko's son Sean Lennon, posing with his girlfriend Charlotte Kemp Muhl, with male/female roles reversed (Sean clothed, Kemp naked), and by Henry Bond and Sam Taylor-Wood in their YBA pastiche October 26, 1993.

Other projects

In the 1980s, Leibovitz's new style of lighting and use of bold colors and poses, got her the position with Vanity Fair magazine. Leibovitz photographed celebrities for an international advertising campaign for American Express charge cards, winning her a Clio award in 1987.

In 1991, Leibovitz mounted an exhibition at the National Portrait Gallery. She was the second living portraitist and first woman to show there. Leibovitz had also been made Commandeur de l'Ordre des Arts et des Lettres by the French Government.

Also in 1991, Leibovitz emulated Margaret Bourke-White's feat, when she mounted one of the eagle gargoyles on the 61st floor of the Chrysler Building in Manhattan, where she photographed the dancer David Parsons cavorting on another eagle gargoyle. Noted ''Life'' photographer and picture editor John Loengard made a gripping photo of Leibovitz at the climax of her danger. (Loengard was photographing Leibovitz for the ''New York Times'' that day).

A major retrospective of Leibovitz's work was held at the Brooklyn Museum, Oct. 2006 - Jan. 2007. The retrospective was based on her book, ''Annie Leibovitz: A Photographer's Life, 1990–2005'', and included many of her professional (celebrity) photographs as well as numerous personal photographs of her family, children, and partner Susan Sontag. This show, which was expanded to include three of the official portraits of Queen Elizabeth II, then went on the road for seven stops. It was on display at the Corcoran Gallery of Art in Washington, D.C., from October 2007 to January 2008, and at the Palace of the Legion of Honor in San Francisco from March 2008 to May 2008. In February 2009 the exhibition was moved to Berlin, Germany. The show included 200 photographs. At the exhibition, Leibovitz said that she doesn't have two lives, career and personal, but has one where assignments and personal pictures are all part of her works. This exhibition and her talk focused on her personal photographs and life. In 2007, The BBC misrepresented a portrait shooting by Leibovitz of Queen Elizabeth II to take the queen's official picture for her state visit to Virginia. This was filmed for the BBC documentary ''A Year with the Queen''. A promotional trailer for the film showed the Queen reacting angrily to Leibovitz's suggestion ("less dressy") that she remove her tiara, then a scene of the Queen walking down a corridor, telling an aide "I'm not changing anything. I've had enough dressing like this, thank you very much." The BBC later apologised and admitted that the sequence of events had been misrepresented, as the Queen was in fact walking to the sitting in the second scene. This led to a BBC scandal and a shake-up of ethics training. See The Tiaragate Affair. In 2007, the Walt Disney Company hired her to do a series of photographs with celebrities in various roles and scenes for Disney Parks "Year of a Million Dreams" campaign.

Leibovitz claims she never liked the word "celebrity". "I've always been more interested in what they do than who they are, I hope that my photographs reflect that." She tries to receive a little piece of each subjects personality in the photos.

On April 25, 2008, the televised entertainment program ''Entertainment Tonight'' reported that 15 year old Miley Cyrus had posed topless for a photo shoot with ''Vanity Fair''. The photograph, and subsequently released behind-the-scenes photographs, show Cyrus without a top, her bare back exposed but her front covered with a bedsheet. The photo shoot was taken by photographer Annie Leibovitz. The full photograph was published with an accompanying story on ''The New York Times''' website on April 27, 2008. On April 29, 2008, ''The New York Times'' clarified that though the pictures left an impression that she was bare-breasted, Cyrus was wrapped in a bedsheet and was actually not topless. Some parents expressed outrage at the nature of the photograph, which a Disney spokesperson described as "a situation [that] was created to deliberately manipulate a 15-year-old in order to sell magazines."

In response to the internet circulation of the photo and ensuing media attention, Cyrus released a statement of apology on April 27:

"I took part in a photo shoot that was supposed to be ‘artistic’ and now, seeing the photographs and reading the story, I feel so embarrassed. I never intended for any of this to happen and I apologize to my fans who I care so deeply about."

Leibovitz also released a statement saying:

"I'm sorry that my portrait of Miley has been misinterpreted," Leibovitz said. "The photograph is a simple, classic portrait, shot with very little makeup, and I think it is very beautiful."

Archive

Since 1977, Leibovitz licensing images have been represented by Contact Press Images, a photojournalism agency based in New York City. She ceased to be represented by Jim Moffat at A Corporation for Art & Commerce in 2009.

Personal life

Leibovitz had a close romantic relationship with noted writer and essayist Susan Sontag. They met in 1989, when both had already established notability in their careers. Leibovitz has suggested that Sontag mentored her and constructively criticized her work.

After Sontag's death in 2004, ''Newsweek'' published an article about Leibovitz that made reference to her decade-plus relationship with Sontag, stating that "The two first met in the late '80s, when Leibovitz photographed her for a book jacket. They never lived together, though they each had an apartment within view of the other's."

Neither Leibovitz nor Sontag had ever previously publicly disclosed whether the relationship was familial, a friendship, or sexual in nature. However, when Leibovitz was interviewed for her 2006 book ''A Photographer's Life: 1990-2005'', she said the book told a number of stories, and that "with Susan, it was a love story."

In the preface to the book, she speaks in greater detail about her romantic/intellectual relationship with Sontag, briefly discussing a book they were working on together and describes how assembling ''A Photographer's Life: 1990-2005'' was part of the grieving process after Sontag's death. The book and accompanying show include many photographs of Sontag throughout their life together, including several on her deathbed.

Leibovitz acknowledged that she and Sontag were romantically involved. When asked why she used terms like "companion" to describe Sontag, instead of more specific ones like "partner" or "lover," Leibovitz finally said that "lover" was fine with her. She later repeated the assertion in stating to the ''San Francisco Chronicle'': "Call us 'lovers'. I like 'lovers.' You know, 'lovers' sounds romantic. I mean, I want to be perfectly clear. I love Susan."

Leibovitz is Jewish and nonobservant. Asked if being Jewish is important to her, Leibovitz replied, ''"I'm not a practicing Jew, but I feel very Jewish."''

Children

Leibovitz has three children: the eldest, Sarah Cameron Leibovitz (b. October 2001), was born when Leibovitz was 51 years old. Her twins Susan and Samuelle were born to a surrogate mother in May 2005.

Financial troubles

In February 2009, Leibovitz borrowed $15.5 million, having experienced financial challenges in recent years. She put up as collateral, not only several houses, but the rights to all of her photographs. The ''New York Times'' noted “one of the world’s most successful photographers essentially pawned every snap of the shutter she had made or will make until the loans are paid off.” In July 2009, a breach of contract lawsuit against Leibovitz was filed by Art Capital Group in the amount of $24 million regarding the repayment of these loans. In a follow-up article, the ''Times'' explores why an artist of her standing could be in such financial straits, despite a $50 million archive. They cite a "long history of less than careful financial dealings," and "a recent series of personal issues." The latter include the recent loss of her father, her mother, her companion (Susan Sontag), the addition of two children to her family, and the controversial renovation of three properties in Greenwich Village. In early September 2009, an Associated Press story quoted legal experts as saying that filing for bankruptcy reorganization might offer Leibovitz her best chance to control and direct the disposition of her assets to satisfy debts. On September 11, Art Capital Group withdrew its lawsuit against Leibovitz, and extended the due date for repayment of the $24 million loan. Under the agreement, Leibovitz retains control over her work, and will be the "exclusive agent in the sale of her real property (land) and copyrights."

In March, 2010, Colony Capital concluded a new financing and marketing agreement with Leibovitz, paying off Art Capital and removing or reducing the risks of Leibovitz losing her artistic and real estate.

In April 2010 Brunswick Capital Partners filed suit against Leibovitz, claiming that they are owed several hundred thousand dollars for helping her restructure her debt.

Examples of Leibovitz's photographs

John Lennon and Yoko Ono for the Jan. 22, 1981 ''Rolling Stone'' cover, shot the day of Lennon's death. Linda Ronstadt in a red slip, on her bed, reaching for a glass of water in a 1976 cover story for Rolling Stone magazine. Demi Moore has been the subject of two highly publicized ''Vanity Fair'' covers taken by Leibovitz: ''More Demi Moore'' (Aug. 1991) featuring Moore pregnant and nude, and ''Demi's Birthday Suit'' (Aug 1992), showing Moore nude with a suit painted on her body. Fleetwood Mac for a 1977 issue of ''Rolling Stone'' magazine. Stevie Nicks and Mick Fleetwood are shown lying together, as are Christine McVie and Lindsey Buckingham at the opposite end of the bed. John McVie is shown reading ''Playboy'' magazine. Whoopi Goldberg lying in a bathtub full of milk, shot from above. Christo, fully wrapped so the viewer must take the artist's word that Christo is actually under the wrapping. David Cassidy on the ''Rolling Stone'' cover depicting him naked from his head to his waist. Dolly Parton vamping for the camera while Arnold Schwarzenegger flexes his biceps behind her. Dan Aykroyd and John Belushi, as The Blues Brothers, with their faces painted blue. Keira Knightley and Scarlett Johansson, both nude, with a fully-clothed Tom Ford, for the cover of Vanity Fair's March 2006 Hollywood Issue. Knut with American actor Leonardo DiCaprio, a 2007 ''Vanity Fair'' cover. Queen Elizabeth II on occasion of her state visit in United States in 2007. Jackie and Joan Collins in a limo, Los Angeles 1987. Sting in the desert, covered in mud to blend in with the scenery. Closeup portrait of Pete Townshend framed by his bleeding hand dripping real blood down the side of his face. "Fire" portrait and caption "Patti Smith Catches Fire". Cyndi Lauper, ''She's So Unusual'' and ''True Colors'' album covers Bruce Springsteen, ''Born in the U.S.A.'' album cover. Gisele Bündchen and LeBron James on the April 2008 cover of ''Vogue'' America.

Miley Cyrus' ''Vanity Fair'' photo in which the child star appeared semi-nude, leading to a controversy.

Michael Jackson twice for the cover of the Vanity Fair magazine, including other additional photographs of him which were not featured on the cover of the magazine.

Bill Gates for the cover of Gates' book "The Road Ahead".

Family of Barack Obama in the White House.

Johnny Depp and Kate Moss at the Royalton Hotel, New York in 1994. A nude Moss laying on a bed while fully clothed Depp is lying between her legs, covering her abdomen.

Lance Armstrong riding his Trek Madone bicycle in the buff in the rain. It was shown in ''Vanity Fair'''s 1999 December issue.

Bibliography

''Photographs''

''Photographs 1970–1990''

"Dancers: Photographs by Annie Leibovitz"

"White Oak Dance Project: Photographs by Annie Leibovitz"

''Olympic Portraits''

''Women''

''American Music''

''A Photographer’s Life 1990–2005'' (catalog for a travelling exhibit that debuted at the Brooklyn Museum in October 2006)

''Annie Leibovitz: At Work''

References

External links

A Photographer´s Life ANNIE LEIBOVITZ

Leibovitz sued by photographer for copyright infringement. BBC News, Sep 6, 2009.

Contact Press Images

NPR's interview with Leibovitz, All Things Considered, October 3, 2006

October 17, 2006 Interview with Tom Ashbrook on NPR’s ''On Point''.

Interview by Michael Krasny on KQED Forum, October 26, 2006

1 Nov 06 San Francisco Chronicle Interview

Review of Leibovitz's ''American Music'' exhibit at the Austin Museum of Art in Fotophile Magazine

Annie Leibovitz's thoughts on Earth Day 2006

BBC Offers Apologies For Showing Film Of Angry Queen

Art Directors Club biography, portrait and images of work

David J. Marcou's ''Smithsonian'' article of February 2008, pp. 10–12, ''Gaga Over a Gargoyle,''covering John Loengard's gripping photo of Annie Leibovitz photographing atop an eagle gargoyle on the 61st floor of New York's Chrysler Building in 1991.

Category:1949 births Category:American photographers Category:Fashion photographers Category:Photographers from New York Category:Lesbian artists Category:LGBT Jews Category:LGBT artists from the United States Category:LGBT parents Category:American Jews Category:American people of Russian-Jewish descent Category:American people of Romanian-Jewish descent Category:Living people Category:People from Westport, Connecticut Category:Portrait photographers Category:San Francisco Art Institute alumni Category:People from Greenwich Village, New York Category:Military brats Category:Women photographers

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Coordinates	54°5′20″N18°25′10″N
Name	Lady Gaga
Alt	Portrait of Lady Gaga
Background	solo_singer
Birth name	Stefani Joanne Angelina Germanotta
Birth date	March 28, 1986
Birth place	New York City, New York, U.S.
Instrument	Vocals, piano, keyboards
Genre	Pop, dance
Occupation	Singer-songwriter, performance artist, record producer, dancer, businesswoman, activist
Years active	2005–present
Label	Def Jam, Cherrytree, Streamline, Kon Live, Interscope
Website	}}

Stefani Joanne Angelina Germanotta (; born March 28, 1986), better known by her stage name Lady Gaga, is an American singer and songwriter. Born and raised in New York City, she primarily studied at the Convent of the Sacred Heart and briefly attended New York University's Tisch School of the Arts before withdrawing to focus on her musical career. She began performing in the rock music scene of Manhattan's Lower East Side, and by the end of 2007, was signed with Streamline Records. Employed as a songwriter for the record company, her vocal abilities captured the attention of recording artist Akon, who signed her to his label Kon Live Distribution.

Lady Gaga came to prominence as a recording artist following the release of her debut album ''The Fame'' (2008), which was a critical and commercial success that topped charts around the world and included the international number-one singles "Just Dance" and "Poker Face". After embarking on the Fame Ball Tour, she followed the album with ''The Fame Monster'' (2009), which spawned the worldwide hit singles "Bad Romance", "Telephone" and "Alejandro" and allowed her to embark on the eighteen-month long Monster Ball Tour, which later became one of the highest-grossing concert tours of all time. Her most recent album ''Born This Way'' (2011) topped the charts of most major markets and generated more international chart-topping singles that include "Born This Way", "Judas", "The Edge of Glory", and "Marry The Night". Beside her musical career, she involves herself with humanitarian causes and LGBT activism.

Influenced by such acts as David Bowie, Michael Jackson, Madonna and Queen, Lady Gaga is well-recognized for her flamboyant, diverse and outré contributions to the music industry through fashion, performance and music videos. She has sold an estimated 23 million albums and 64 million singles worldwide, making her one of the best-selling music artists of all time and her singles some of the best-selling worldwide. Her achievements include four ''Guinness World Records'', five Grammy Awards and thirteen MTV Video Music Awards. Lady Gaga has consecutively appeared on ''Billboard'' magazine's Artists of the Year (scoring the definitive title in 2010), is regularly placed on lists composed by ''Forbes'' magazine, and was named one of the most influential people in the world by ''Time'' magazine.

Biography

1986–2004: Early life

Lady Gaga was born Stefani Joanne Angelina Germanotta on March 28, 1986 in New York City to parents Cynthia (née Bissett) and Joseph Germanotta, an internet entrepreneur. Descending from Italian and more distant French-Canadian roots, Gaga is the elder of two children. Her sister, Natali, a fashion student, was born in 1992. Despite her seemingly affluent upbringing in the family home in Manhattan's Upper West Side, Gaga has stressed that she did not come from a wealthy background, stating that her parents "both came from lower-class families, so we've worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father."

From the age of 11, Gaga – who was raised Roman Catholic – attended the Convent of the Sacred Heart, a private all-girls Roman Catholic school on Manhattan's Upper East Side. She described her academic life in high school as "very dedicated, very studious, very disciplined" but also "a bit insecure": "I used to get made fun of for being either too provocative or too eccentric, so I started to tone it down. I didn't fit in, and I felt like a freak." Acquaintances dispute that she did not fit in at school. "She had a core group of friends; she was a good student. She liked boys a lot, but singing was No. 1," recalled a former high school classmate.

Left-handed Gaga began playing the piano at the age of 4, went on to write her first piano ballad at 13, and started to perform at open mike nights by the age of 14. Her passion for musical theatre brought her lead roles in high school productions, including Adelaide in ''Guys and Dolls'' and Philia in ''A Funny Thing Happened on the Way to the Forum''. She also appeared in a very small role as a mischievous classmate in the television drama series ''The Sopranos'' in a 2001 episode titled "The Telltale Moozadell" in addition to unsuccessfully auditioning for parts in New York shows. When her time at the Convent of the Sacred Heart came to an end, her mother encouraged her to apply for the Collaborative Arts Project 21 (CAP21), a musical theatre training conservatory at New York University's Tisch School of the Arts. After gaining early admission at 17, she eventually lived in an NYU dorm on 11th Street.

CAP21 prepared her for her future career focus in "music, art, sex and celebrity" where, in addition to sharpening her songwriting skills, she composed essays and analytical papers on art, religion, social issues and politics, including a thesis on pop artists Spencer Tunick and Damien Hirst. With CAP21, she also tried out for and won auditions, including the part of an unsuspecting diner customer where MTV's ''Boiling Points'', a prank reality television show, was being filmed. Notwithstanding these achievements, she felt that she was more creative than some of her classmates. "Once you learn how to think about art, you can teach yourself," she said. By the second semester of her sophomore year, she withdrew to focus on her musical career. Her father agreed to pay her rent for a year, on the condition that she re-enroll at Tisch if unsuccessful. "I left my entire family, got the cheapest apartment I could find, and ate shit until somebody would listen," she remembers.

2005–07: Career beginnings

Settled in a small apartment on Rivington Street towards the summer of 2005, Gaga recorded a couple of songs with hip-hop singer Grandmaster Melle Mel, for an audio book accompanying the children's book ''The Portal in the Park'', by Cricket Casey. She also began a band called the Stefani Germanotta Band (SGBand) with some friends from NYU – guitarist Calvin Pia, bassist Eli Silverman, drummer Alex Beckham and booking manager Frank Fredericks – in September of that year. The band played a mixture of songs: some self-penned alongside classic rock numbers like Led Zeppelin's "D'yer Mak'er". Playing in bars like the Greenwich Village's The Bitter End and the Lower East Side's the Mercury Lounge, the band developed a small fan base and caught the eye of music producer Joe Vulpis. Soon after arranging time in Vulpis' studio in the months that followed, SGBand were selling their extended plays ''Words'' and ''Red and Blue'' at gigs around New York while becoming a local fixture of the downtown Lower East Side club scene.

SGBand reached their career peak at the 2006 Songwriters Hall of Fame New Songwriters Showcase at The Cutting Room in June where Wendy Starland, a singer and model, appeared as a talent scout for music producer Rob Fusari. Starland informed Fusari – who was searching for a female singer to front a new band – of Gaga's ability and contacted her. With SGBand disbanded, Gaga traveled daily to New Jersey to work on songs she had written and compose new material with the music producer. While in collaboration, Fusari compared some of her vocal harmonies to those of Freddie Mercury, lead singer of Queen. It was Fusari who helped create the moniker Gaga after the Queen song "Radio Ga Ga". Gaga was in the process of trying to come up with a stage name when she received a text message from Fusari that read "Lady Gaga." He explained, "Every day, when Stef came to the studio, instead of saying hello, I would start singing 'Radio Ga Ga'. That was her entrance song" and that the text message was the result of a predictive text glitch that changed "radio" to "lady". She texted back, "That's it," and declared, "Don't ever call me Stefani again." ''The New York Post'', however, has reported that this story is incorrect, and that the name resulted from a marketing meeting.

Although the musical relationship between Fusari and Gaga was unsuccessful at first, the pair soon set up a company titled Team Lovechild in which they recorded and produced electropop tracks and sent them to music industry bosses. Joshua Sarubin, the head of A&R; at Def Jam Recordings, responded positively and vied for the record company to take a chance on her "unusual and provocative" performance. After having his boss Antonio "L.A." Reid in agreement, Gaga was signed to Def Jam in September 2006 with the intention of having an album ready in nine months. However, she was dropped by the label after only three months – an unfortunate period of her life that would later inspire her treatment for the music video for her 2011 single "Marry the Night". Devastated, Gaga returned to the solace of the family home for Christmas and the nightlife culture of the Lower East Side.

She became increasingly experimental: fascinating herself with emerging neo-burlesque shows, go-go dancing at bars dressed in little more than a bikini in addition to experimenting with drugs. Her father, however, did not understand the reason behind her drug intake and could not look at her for several months. "I was onstage in a thong, with a fringe hanging over my ass thinking that had covered it, lighting hairsprays on fire, go-go dancing to Black Sabbath and singing songs about oral sex. The kids would scream and cheer and then we'd all go grab a beer. It represented freedom to me. I went to a Catholic school but it was on the New York underground that I found myself." It was then when she became romantically involved with a heavy metal drummer in a relationship and break-up she likened to the musical film ''Grease'': "I was his Sandy, and he was my Danny, and I just broke." He later became an inspiration behind some of her later songs.

During this time, she met performance artist Lady Starlight, who helped mold her on-stage persona. Starlight explained that, upon their first meeting, Gaga wanted to perform with her to songs she had recorded with Fusari. Like SGBand, the pair soon began performing at many of the downtown club venues like the Mercury Lounge, The Bitter End, and the Rockwood Music Hall. Their live performance art piece was known as "Lady Gaga and the Starlight Revue" and, billed as "The Ultimate Pop Burlesque Rockshow", was a low-fi tribute to 1970s variety acts. Soon after, the two were invited to play at the 2007 Lollapalooza music festival in August that year. The show was critically acclaimed, and their performance received positive reviews. Having initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music.

While Gaga and Starlight were busy performing, producer Rob Fusari continued to work on the songs he had created with Gaga. Fusari sent these songs to his friend, producer and record executive Vincent Herbert. Herbert was quick to sign her to his label Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. Gaga later credited Herbert as the man who discovered her, adding "I really feel like we made pop history, and we're gonna keep going." Having already served as an apprentice songwriter under an internship at Famous Music Publishing, which was later acquired by Sony/ATV Music Publishing, Gaga subsequently struck a music publishing deal with Sony/ATV. As a result, she was hired to write songs for Britney Spears and labelmates New Kids on the Block, Fergie, and the Pussycat Dolls.

While Gaga was writing at Interscope, singer-songwriter Akon recognized her vocal abilities when she sang a reference vocal for one of his tracks in studio. He then convinced Interscope-Geffen-A&M; Chairman and CEO Jimmy Iovine to form a joint deal by having her also sign with his own label Kon Live Distribution, making her his "franchise player." As 2007 came to a close, her former management company introduced her to songwriter and producer RedOne, whom they also managed. The first song she produced with RedOne was "Boys Boys Boys", a mash-up inspired by Mötley Crüe's "Girls, Girls, Girls" and AC/DC's "T.N.T.". Gaga continued her collaboration with RedOne in the recording studio for a week on her debut album; making the chart-topping singles "Just Dance", "Poker Face" and "LoveGame" together. Gaga also joined the roster of Cherrytree Records, an Interscope imprint established by producer and songwriter Martin Kierszenbaum, after co-writing four songs with Kierszenbaum including the singles "Christmas Tree" and "Eh, Eh (Nothing Else I Can Say)". Despite her secure record deal, she admitted that there was fear about her being too "racy", "dance-orientated" and "underground" for the mainstream market. She responded, "My name is Lady Gaga, I've been on the music scene for years, and I'm telling you, this is what's next."

2008–10: ''The Fame'' and ''The Fame Monster''

By 2008, Gaga had relocated to Los Angeles, where she worked extensively with her record label to complete her debut album in addition to setting up her own creative team – modeled on Andy Warhol's Factory – Haus of Gaga. Intensive work continued on the album, combining genres "from Def Leppard drums and hand claps to metal drums on urban tracks" while drawing inspiration from 1980s synthpop and incorporating dance music with clear hooks. ''The Fame'', described as an exploration of her obsession with fame and the intricacies of a rich and famous lifestyle, was first released on August 19, 2008, preceded by lead single "Just Dance" four months earlier. Due to radio play being slow, Gaga supported the releases by performing in the backwaters of Malta and Vietnam in addition to small gay clubs around the United States. She was also billed as a supporting artist on the North American leg of New Kids on the Block's reunion concert tour.

A sleeper hit, "Just Dance" hit the summit of the charts in six countries – Australia, Canada, the Netherlands, Ireland, the United Kingdom, and the United States – in January 2009. The Grammy Award-nominated song provoked the instant success of ''The Fame''. Receiving positive reviews from contemporary critics who commended Gaga's ability to discover a melodious hook and compared her vocal abilities to those of Gwen Stefani, the album went to number-one in countries like the United Kingdom, Canada, Austria, Germany, Switzerland and Ireland while appearing in the top-five in Australia, the United States and fifteen other countries. On ''Billboard'''s Dance/Electronic Albums chart, it stayed at the top spot 106 non-consecutive weeks. Since its release, ''The Fame'' has sold over 12 million copies worldwide. Gaga achieved an even greater unexpected success when "Poker Face", another sleeper hit, reached number-one in almost all major music markets in the world including the United Kingdom and the United States in early 2009. The follow-up single won the award for Best Dance Recording at the 52nd Grammy Awards over nominations for Song of the Year and Record of the Year, while ''The Fame'' was nominated for Album of the Year and won the Grammy Award for Best Dance/Electronica Album. Gaga was the recipient of many other honors in 2009 including the accumulation of 3 of 9 MTV Video Music Awards nominations – she won Best New Artist while the video for her single "Paparazzi" gained the awards for Best Art Direction and Best Special Effects – and ''Billboard'' magazine's Rising Star award. In addition to being an opening act on the Pussycat Dolls' Doll Domination Tour during the first half of 2009 on their legs in Europe and Oceania, she also embarked on her own six-month critically appreciated worldwide concert tour The Fame Ball Tour which ran from March to September 2009.

While she traveled the world on tour, she wrote ''The Fame Monster'', a collection of eight songs, which was released in November 2009. Each song, dealing with the darker side of fame from personal experience, is expressed through a monster metaphor. Its first single "Bad Romance" topped the charts in eighteen countries, while reaching the top-two in the United States, Australia and New Zealand. It made Gaga the first artist in digital history to have three singles (along with "Just Dance" and "Poker Face") to pass the four million mark in digital sales and accrued the Grammy Award for Best Female Pop Vocal Performance while its accompanying music video won the Grammy Award for Best Short Form Music Video at the 53rd Grammy Awards The album's second single "Telephone", which features singer Beyoncé, was nominated for the Grammy Award for Best Pop Collaboration with Vocals and became Gaga's fourth UK number-one single while its accompanying music video, although controversial, received a more positive reception from contemporary critics: praising her for "the musicality and showmanship of Michael Jackson and the powerful sexuality and provocative instincts of Madonna." Her following single "Alejandro" paired Gaga with fashion photographer Steven Klein for a music video similarly as controversial – critics complimented its ideas and dark nature but the Catholic League attacked Gaga for her alleged use of blasphemy. Despite the controversy surrounding her music videos, they made Gaga the first artist to gain over one billion viral views on video-sharing website YouTube. Musically, ''The Fame Monster'' has also received abundant success. Equating to the amount of Grammy nominations her debut received, ''The Fame Monster'' garnered a total of six nominations; the album won for Best Pop Vocal Album and earned her a second-consecutive nomination for Album of the Year at the 53rd annual awards ceremony.

The success of the album allowed Gaga to start her second worldwide concert tour, The Monster Ball Tour, just weeks after the release of ''The Fame Monster'' and months after having finished The Fame Ball Tour. Upon finishing in May 2011, the critically acclaimed and commercially accomplished tour ran for over one and a half years and, according to ''Billboard'', grossed $227.4 million, making it one of the highest-grossing concert tours of all time and the highest-grossing for a debut headlining artist. Concerts performed at Madison Square Garden in New York City were filmed for a HBO television special titled ''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden''. The special accrued one of its five Emmy Award nominations and has since been released on DVD and Blu-ray.

Gaga also performed songs from the album at international events such as the 2009 Royal Variety Performance where she sang "Speechless", a power ballad, in the presence of Queen Elizabeth II; the 52nd Grammy Awards where her opening performance consisted of the song "Poker Face" and a piano duet of "Speechless" in a medley of "Your Song" with Elton John; and the 2010 BRIT Awards where a performance of an acoustic rendition of "Telephone" followed by "Dance in the Dark" dedicated to the late fashion designer and close friend, Alexander McQueen, supplemented her hat-trick win at the awards ceremony.

Other performances may have included her participation in Michael Jackson's This Is It concert series at London's O2 Arena. "I was actually asked to open for Michael on his tour," she stated. "We were going to open for him at the O2 and we were working on making it happen. I believe there was some talk about us, lots of the openers, doing duets with Michael on stage." A realized collaboration with Polaroid started in January 2010. Excited about combining the company with the digital era, Gaga was named Chief Creative Officer for a line of imaging products for the international optic company with the intent of creating fashion, technology and photography products.

Despite a successful debut, Mermaid Music LLC – her production team – was sued in March 2010 by past producer Rob Fusari who claimed that he was entitled to a 20% share of its earnings. Gaga's lawyer, Charles Ortner, described the agreement with Fusari as "unlawful" and declined to comment. Five months later, the New York Supreme Court dismissed both the lawsuit and a countersuit by Gaga. In addition to such strife, Gaga has been tested borderline positive for lupus, but claims not to be affected by the symptoms. The revelations caused considerable dismay amongst her fans, leading to Gaga addressing the matter in an interview with Larry King, saying she hopes to avoid symptoms by maintaining a healthy lifestyle.

2011–present: ''Born This Way''

Gaga's second studio album and third major release ''Born This Way'' was released on May 23, 2011. Described as "a marriage of electronic music with major [...] metal or rock 'n' roll, pop, anthemic style melodies with really sledge-hammering dance beats" and referred to as an album "about what what keeps us up at night and what makes us afraid", she stated. Gaga characterized her new music as "something so much deeper than a wig or lipstick or a fucking meat dress" and upon hearing it, Akon remarked that she is taking music to the "next level". Its arrival followed the release of its eponymous lead single "Born This Way" on February 11, 2011, which was performed live for the first time at the 53rd Grammy Awards two days after its release. The song, dealing with self-acceptance regardless of race or sexual orientation, debuted atop the ''Billboard'' Hot 100, becoming the 19th number-one debut and the 1,000th number-one single in the history of the charts, while selling more than 3 million digital copies in the United States by October 2011. A music video was released for the song, showing Gaga giving birth to a new race amidst surrealistic images; critics noted artistic and cultural references and praised its concept. Gaga lent her vocals elsewhere, pairing with Elton John to record an original duet for the animated feature film ''Gnomeo & Juliet''. The song, titled "Hello, Hello", was released on February 11, 2011, without Gaga's vocals. The duet version was only featured in the film.

Two other singles, "Judas" and "The Edge of Glory", as well as a promotional single, "Hair", were eventually released before the album. The music video for "Judas", in which Gaga portrays Mary Magdalene, and Biblical figures such as Jesus Christ and Judas Iscariot are also featured, was criticized for its religious references; the video, nonetheless, received acclaim for its overall delivery and praise from others who claimed that there was nothing offensive about it. "Judas" additionally peaked within the top ten in several major musical markets. "The Edge of Glory" was intended as a promotional single; nevertheless, due to commercial success in digital outlets, the song was released as a single to critical appreciation, accompanied by a music video. Gaga also undertook a job as a fashion columnist for ''V'', where she wrote about her creative process, her studying of the world of pop culture, and her ability to tune into the evolution of pop-culture meme. Upon release, ''Born This Way'' sold 1.108 million copies in its first week in the United States, debuting atop the ''Billboard'' 200, and topping the charts in more than 20 other countries. The album received generally positive reviews from music critics, who praised its range of different styles as well as her vocals. Later, Lady Gaga went to Sydney to promote ''Born This Way'' with a one-of-a-kind concert at the Sydney Town Hall on July 13, 2011.

She continued her musical endeavors, releasing "You and I" and "Marry the Night" as succeeding singles from ''Born This Way'', as well as recording songs with veteran artists like Cher and Tony Bennett. The song recorded with Bennett is a jazz version of "The Lady Is a Tramp", while Gaga described her duet with Cher as a "massive" and "beautiful" track, which she "wrote a long time ago, and I've never put it on one of my own albums for, really, no particular reason." On August 28, at the 2011 MTV Video Music Awards, Gaga won two awards out of four nominations, and attended the event dressed as Jo Calderone, her male alter-ego. For the 2012 edition of the ''Guinness World Records'', Gaga was listed for Most Followers on Twitter, with over 13 million followers, and "Poker Face" was listed for Most Weeks on US Digital Hot Songs, with 83 weeks. Gaga continued her live appearances, and performed at the celebration of former US president Bill Clinton's 65th Birthday alongside Bono, Stevie Wonder and Usher, among others. She wore a blond wig as a nod to the famous performance of Marilyn Monroe for John F. Kennedy and changed the lyrics to her song "You and I" specifically for the performance. Later on, Gaga won four awards out of six nominations in the main categories at the 2011 MTV Europe Music Awards in November, for Best Female, Biggest Fans, Best Song and Best Video; the latter two with "Born This Way". On November 14, 2011, Gaga and her choreographer and creative director Laurieann Gibson parted ways, after working together for four years. Gibson's assistant Richard Jackson replaced her as Lady Gaga's choreographer.

Gaga released her fourth extended play ''A Very Gaga Holiday'' on November 22, and followed an appearance in her Thanksgiving Day television special entitled ''A Very Gaga Thanksgiving''. The television special was critically acclaimed and attained 5.749 million American viewers upon original airing. The accompanying tour for ''Born This Way'' was materializing, and at the same time Gaga started writing songs for a new record. She further explained to MTV News that she and Garibay were working on the follow-up album to ''Born This Way'' and stated that it was "beginning to flourish".

Artistry

Influences

Gaga's parents, who exposed her to artists like The Beatles, Stevie Wonder, Bruce Springsteen, Pink Floyd, Led Zeppelin and Elton John, had significant influence on her childhood and, presently, still do. "I am a real family girl. When it comes to love and loyalty, I am very old-fashioned. And I am quite down-to-earth for such an eccentric person," she insists. "I'm quite traditional in the family sense. I've always been that way." According to Gaga, Joanne Germanotta – her aunt who died of lupus aged 19 – lives on through her and inspires all of her music and art. Joanne's date of death is tattooed on Gaga's body and, despite dying 12 years before her birth, Gaga commented, "I really believe I have two hearts. I think I actually carry two souls in my body, and that I'm living out the rest of her life and her goodness – she died a virgin, she died never having experienced all these things that we all get to love and experience in our lives." Another spiritual influence on Gaga has been the Indian physician, public speaker and writer Deepak Chopra. Labeling him a "true inspiration", she stated that "he's always reminded me to work in a life of service to my fans and to fulfill my vision and my destiny" in addition to thinking about Chopra when it comes to her work as a musician: "I want so much for it to go beyond the music for my fans."

Musically, Gaga takes influence from numerous musicians from dance-pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Warhol and of her musical theatre roots in performance. The Queen song "Radio Ga Ga" inspired her stage name: "I adored Freddie Mercury and Queen had a hit called 'Radio Gaga'. That's why I love the name [...] Freddie was unique—one of the biggest personalities in the whole of pop music," she commented. Gaga receives regular comparisons to recording artist Madonna who admits that she sees herself reflected in Gaga. In response to the comparisons, Gaga stated, "I don't want to sound presumptuous, but I've made it my goal to revolutionize pop music. The last revolution was launched by Madonna 25 years ago" in addition to commenting that "there is really no one that is a more adoring and loving Madonna fan than me. I am the hugest fan personally and professionally." Like Madonna, Gaga has continued to reinvent herself and, over the years of her career, has drawn musical inspiration from a diverse mix of artists including Whitney Houston, Britney Spears, Grace Jones, Cyndi Lauper, Blondie singer Debbie Harry, Scissor Sisters, Prince, Marilyn Manson and Yoko Ono.

Gaga has identified fashion as a major influence and has been stylistically compared to English eccentrics Leigh Bowery and Isabella Blow and to American recording artist Cher. She commented that "as a child, she somehow absorbed Cher's out-there fashion sense and made it her own." She has considered Donatella Versace her muse and the late British fashion designer and close friend Alexander McQueen as an inspiration, admitting that "I miss Lee every time I get dressed" while channeling him in some of her work. Modeled on Andy Warhol's Factory, Gaga has her own creative production team, which she handles personally, called the Haus of Gaga, who create many of her clothes, stage props, and hairdos. Her adoration of fashion came from her mother, who she stated was "always very well kept and beautiful." "When I'm writing music, I'm thinking about the clothes I want to wear on stage. It's all about everything altogether—performance art, pop performance art, fashion. For me, it's everything coming together and being a real story that will bring back the super-fan. I want to bring that back. I want the imagery to be so strong that fans will want to eat and taste and lick every part of us." The Global Language Monitor named "Lady Gaga" as the Top Fashion Buzzword with her trademark "no pants" a close third. ''Entertainment Weekly'' put her outfits on its end of the decade "best-of" list, saying, "Whether it's a dress made of Muppets or strategically placed bubbles, Gaga's outré ensembles brought performance art into the mainstream."

Musical and performance style

Continually experimenting with new musical ideas and images, Gaga's musical and performance style is the subject of much analysis and scrutiny from critics. She professes that she is "liberating" herself by constantly reinventing her sound and image, insisting that she has been drawn to such a practice since her childhood. Vocally, Gaga possesses the range of a contralto and exhibits "overwhelming expression, instinctive vocal phrasing, '80s rock reminiscent chest belts and animalistic vocal ticks" while being able to move through 2.4 octaves. Refusing to lip sync, Gaga – whose range is frequently compared to those of Madonna and Gwen Stefani – has manipulated her vocal style over the course of her career yet considers ''Born This Way'' (2011) "much more vocally up to par with what I've always been capable of." In summation of her voice, ''Entertainment Weekly'' wrote, "There's an immense emotional intelligence behind the way she uses her voice. Almost never does she overwhelm a song with her vocal ability, recognizing instead that artistry is to be found in nuance rather than lung power."

Although her early lyrics have been criticized for lacking intellectual stimulation, "[Gaga] does manage to get you moving and grooving at an almost effortless pace." She admits that her songwriting has been misinterpreted; her friend and blogger Perez Hilton articulated her message in a clearer way: "you write really deep intelligent lyrics with shallow concepts." Gaga opined, "Perez is very intelligent and clearly listened to my record from beginning to end, and he is correct." "I love songwriting. It's so funny – I will just jam around in my underwear or I could be washing my dishes. I wrote several songs just at the piano," she confesses. Gaga believes that "all good music can be played at a piano and still sound like a hit." She has covered a wide variety of topics in her songs: while ''The Fame'' (2008) meditates on the lust for stardom, ''The Fame Monster'' (2009) expresses fame's dark side through monster metaphors. ''Born This Way'' (2011) is sung in English, French, German and Spanish and includes common themes in Gaga's controversial songwriting like love, sex, religion, money, drugs, identity, liberation, sexuality, freedom and individualism.

The structure of her music is said to echo classic 1980s pop and 1990s Europop. Her debut album ''The Fame'' (2008) provoked ''The Sunday Times'' to assert "in combining music, fashion, art and technology, [Gaga] evokes Madonna, Gwen Stefani circa 'Hollaback Girl', Kylie Minogue 2001 or Grace Jones right now" and a critic from ''The Boston Globe'' to comment that she draws "obvious inspirations from Madonna to Gwen Stefani... in [her] girlish but sturdy pipes and bubbly beats." Music critic Simon Reynolds wrote that "Everything about Gaga came from electroclash, except the music, which wasn't particularly 1980s, just ruthlessly catchy naughties pop glazed with Auto-Tune and undergirded with R&B;-ish beats." The follow-up ''The Fame Monster'' (2009), saw Gaga's taste for pastiche, drawing on "Seventies arena glam, perky ABBA disco and sugary throwbacks like Stacey Q" while ''Born This Way'' (2011) also draws on the records of her childhood and still has the "electro-sleaze beats and Eurodisco chorus chants" of its predecessor but includes genres as diverse as opera, heavy metal, disco, and rock and roll. "There isn't a subtle moment on the album, but even at its nuttiest, the music is full of wide-awake emotional details," wrote ''Rolling Stone'', who concluded: "The more excessive Gaga gets, the more honest she sounds."

Her performances are described as "highly entertaining and innovative"; the blood-spurting performance of "Paparazzi" at the 2009 MTV Video Music Awards was described as "eye-popping" by MTV. She continued the "blood soaked" theme in The Monster Ball Tour, in which she wore a revealing leather corset and is "attacked" by a performer dressed in black who gnaws on her throat, causing "blood" to spurt down her chest, after which she lies "dying" in a pool of blood. Her performances of that scene on tour in England triggered protests from family groups and fans in the aftermath of a local tragedy, in which a taxi driver had murdered 12 people. "What happened in Bradford is very fresh in people's minds and given all the violence which happened in Cumbria just hours earlier, it was insensitive," said Lynn Costello of Mothers Against Violence. Her unconventionality continued at the 2011 MTV Video Music Awards when she performed in drag as her male alter ego, Jo Calderone, and delivered a lovesick monologue before a performance of her song "Yoü and I". Chris Rock has defended her flamboyant and provocative behavior. "Well, she's Lady Gaga," he said. "She's not 'Lady Behave Yourself.' Do you want great behavior from a person named Gaga? Is this what you were expecting?"

Public image

While ''Rolling Stone'' named Gaga the "Queen of Pop" in 2011, public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since the spring of 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga."

Contrary to her outré style, the ''New York Post'' described her early look as like "a refugee from ''Jersey Shore''" with "big black hair, heavy eye makeup and tight, revealing clothes." Lady Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, who she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. Towards the end of 2008, comparisons were made between the fashions of Lady Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Lady Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way."

When interviewed by Barbara Walters for her annual ABC News special ''10 Most Fascinating People'' in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Lady Gaga's video for "Bad Romance". There have also been similar comparisons made between Lady Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier. Nonetheless, Gaga was named one of Vogue.com UK's Best Dressed people of 2010 while her stylist, Dazed & Confused creative director Nicola Formichetti, won the Fashion Creator of the Year Award at the British Fashion Awards.

Part of the reasoning for Gaga's Best Dressed achievement was her attire worn to the 2010 MTV Video Music Awards: a dress supplemented by boots, a purse and a hat – each fabricated from the flesh of a dead animal. The dress, named ''Time'' magazine's Fashion Statement of 2010 and more widely known as the "meat dress", received divided opinions – evoking the attention of worldwide media but invoking the fury of animal rights organization PETA. Lady Gaga denied any intention of causing disrespect to any person or organization and wished for the dress to be interpreted as a statement of human rights with focus upon those in the LGBT community. In addition to this unconventionality, in a question posed about the necessary procedure to attach the prosthetics to give the appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is. When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.

Gaga often refers to her fans as "Little Monsters" and in dedication, has had that inscription tattooed on "the arm that holds my mic." Her treatment of her "Little Monsters" has inspired criticism, due to the highly commercial nature of her music and image. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in ''The Sunday Times'' asserts thatGaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for ''The Guardian'', Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere."

Philanthropy

Besides her career in music, Gaga has also contributed to various charities and humanitarian works. In 2011, she launched her own non-profit organization, the Born This Way Foundation, which focuses on youth empowerment and issues like self-confidence, well-being, anti-bullying, mentoring, and career development. "My mother and I have initiated a passion project. We call it the Born This Way Foundation," Gaga said in a statement about the foundation, which takes its name from the eponymous 2011 single and album. "Together we hope to establish a standard of Bravery and Kindness, as well as a community worldwide that protects and nurtures others in the face of bullying and abandonment." The foundation will work with a number of partners, including the John D. and Catherine T. MacArthur Foundation, The California Endowment and the Berkman Center for Internet & Society at Harvard University.

For natural disasters, Gaga has also helped various relief efforts. Although declining an invitation to appear on the single "We Are the World 25" to benefit victims of the 2010 Haiti earthquake, she donated the proceeds of her January 24, 2010 concert at New York's Radio City Music Hall to the country's reconstruction relief fund. All profits from her official online store on that day were also donated. Gaga announced that an estimated total of $500,000 was collected for the fund. Hours after the 2011 Tōhoku earthquake and tsunami hit Japan on March 11, 2011, Gaga tweeted a message and a link to Japan Prayer Bracelets. All revenue from a bracelet she designed in conjunction with the company was donated to relief efforts. As of March 29, 2011, the bracelets raised $1.5 million. However, attorney Alyson Oliver filed a lawsuit against Gaga in Detroit in June 2011, noting that the bracelet was subject to a sales tax and an extra $3.99 shipping charge was added to the price. She also believed that not all proceeds from the bracelets would go to the relief efforts, demanding a public accounting of the campaign and refunds for people who had bought the bracelet. Lady Gaga's spokesperson called the lawsuit "meritless" and "misleading". On June 25, 2011, Gaga performed at MTV Japan's charity show in Makuhari Messe, which benefited the Japanese Red Cross.

Gaga also contributes in the fight against HIV and AIDS with the focus upon educating young women about the risks of the disease. In collaboration with Cyndi Lauper, Gaga joined forces with MAC Cosmetics to launch a line of lipstick under their supplementary cosmetic line, Viva Glam. Titled Viva Glam Gaga and Viva Glam Cyndi for each contributor respectively, all net proceeds of the lipstick line were donated to the cosmetic company's campaign to prevent HIV and AIDS worldwide. In a press release, Gaga declared, "I don't want Viva Glam to be just a lipstick you buy to help a cause. I want it to be a reminder when you go out at night to put a condom in your purse right next to your lipstick." The sales of Gaga-endorsed Viva Glam lipstick and lipgloss have raised more than $202 million to fight HIV and AIDS.

With the performance of the bilingual song "Americano" from her second studio album ''Born This Way'' (2011), Gaga jumped into the debate surrounding SB 1070, Arizona's immigration law. She premiered the tune for the first time on the Guadalajara, Mexico stop of her Monster Ball tour telling the local press that she could not "stand by many of the unjust immigration laws" in the United States.

LGBT advocacy

Gaga attributes much of her early success as a mainstream artist to her gay fans and is considered to be a gay icon. Early in her career she had difficulty getting radio airplay, and stated, "The turning point for me was the gay community. I've got so many gay fans and they're so loyal to me and they really lifted me up. They'll always stand by me and I'll always stand by them. It's not an easy thing to create a fanbase." She thanked FlyLife, a Manhattan-based LGBT marketing company with whom her label Interscope works, in the liner notes of ''The Fame'', saying, "I love you so much. You were the first heartbeat in this project, and your support and brilliance means the world to me. I will always fight for the gay community hand in hand with this incredible team." One of her first televised performances was in May 2008 at the NewNowNext Awards, an awards show aired by the LGBT television network Logo, where she sang her song "Just Dance". In June of the same year, she performed the song again at the San Francisco Pride event.

After ''The Fame'' was released, she revealed that the song "Poker Face" was about her bisexuality. In an interview with ''Rolling Stone'', she spoke about how her boyfriends tended to react to her bisexuality, saying "The fact that I'm into women, they're all intimidated by it. It makes them uncomfortable. They're like, 'I don't need to have a threesome. I'm happy with just you'." When she appeared as a guest on ''The Ellen DeGeneres Show'' in May 2009, she praised DeGeneres for being "an inspiration for women and for the gay community". She proclaimed that the October 11, 2009 National Equality March rally on the National Mall was "the single most important event of her career." As she exited, she left with an exultant "Bless God and bless the gays," similar to her 2009 MTV Video Music Awards acceptance speech for Best New Artist a month earlier. At the Human Rights Campaign Dinner, held the same weekend as the rally, she performed a cover of John Lennon's "Imagine" declaring that "I'm not going to [play] one of my songs tonight because tonight is not about me, it's about you." She changed the original lyrics of the song to reflect the death of Matthew Shepard, a college student murdered because of his sexuality.

Gaga attended the 2010 MTV Video Music Awards accompanied by four service members of the United States Armed Forces (Mike Almy, David Hall, Katie Miller and Stacy Vasquez), all of whom, under the United States military's "Don't ask, don't tell" (DADT) policy, had been prohibited from serving openly because of their sexuality. In addition, Gaga wore a dress fabricated from the flesh of a dead animal to the awards ceremony. Gaga wished that the dress, more widely known as the "meat dress", was interpreted as a statement of human rights with focus upon those in the LGBT community adding that "If we don't stand up for what we believe in and if we don't fight for our rights, pretty soon we're going to have as much rights as the meat on our own bones." She later released three videos on YouTube videos urging her fans to contact their Senators in an effort to overturn the policy. In late September 2010 she spoke at the Servicemembers Legal Defense Network's "4the14K" Rally in Deering Oaks Park in Portland, Maine. The name of the rally signified the number – an estimated 14,000 – of service members discharged under the DADT policy at the time. During her remarks, she urged members of the U.S. Senate (and in particular, moderate Republican Senators from Maine, Olympia Snowe and Susan Collins) to vote in favor of legislation that would repeal the DADT policy. Following this event, editors of ''The Advocate'' commented that she had become "the real fierce advocate" for gays and lesbians, one that Barack Obama had promised to be.

Gaga appeared at Europride, a pan-European international event dedicated to LGBT pride, held in Rome in June 2011. In a nearly twenty-minute speech, she criticized the intolerant state of gay rights in many European countries and described homosexuals as "revolutionaries of love" before performing acoustic renderings of "Born This Way" and "The Edge of Glory" in front of thousands at the Circus Maximus. She stated that "Today and every day we fight for freedom. We fight for justice. We beckon for compassion, understanding and above all we want full equality now". Gaga revealed that she is often questioned why she dedicates herself to "gayspeak" and "how gay" she is, to which, she told the audience: "Why is this question, why is this issue so important? My answer is: I am a child of diversity, I am one with my generation, I feel a moral obligation as a woman, or a man, to exercise my revolutionary potential and make the world a better place." She then joked: "On a gay scale from 1 to 10, I'm a Judy Garland fucking 42."

Discography

''The Fame'' (2008)

''The Fame Monster'' (2009)

''Born This Way'' (2011)

Filmography

''Lady Gaga Presents the Monster Ball Tour: At Madison Square Garden'' (2011)

''A Very Gaga Thanksgiving'' (2011)

Concert tours

The Fame Ball Tour (2009)

Fame Kills: Starring Kanye West and Lady Gaga (2009–10) (canceled)

The Monster Ball Tour (2009–11)

See also

List of awards and nominations received by Lady Gaga

Honorific nicknames in popular music

List of best-selling music artists

References

Further reading

Monster Anthems (2011) by Robert Christgau

External links

Slide show ''Vanity Fair''

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Coordinates	54°5′20″N18°25′10″N
name	Keith Richards
background	solo_singer
alias	Keith Richard
born	December 18, 1943Dartford, Kent, England
instrument	Guitar, Vocals, Bass guitar, Keyboards
genre	Rock and rollBluesCountryBlues rockRhythm and blues
occupation	MusicianSongwriterRecord producer
years active	1962–present
label	DeccaRolling StonesVirginMindless Records
associated acts	The Rolling StonesThe Dirty MacThe New BarbariansThe X-Pensive Winos
website	keithrichards.com
notable instruments	1953 Fender Telecaster "Micawber"1959 Gibson Les PaulGibson ES-355Fender Stratocaster }}

Keith Richards (born 18 December 1943) is an English musician, songwriter and founding member of The Rolling Stones. ''Rolling Stone'' magazine, calling him the creator of "rock's greatest single body of riffs", placed him as the "10th greatest guitarist of all time", and listed fourteen songs written by Richards and songwriting partner and band vocalist Mick Jagger as among their "500 Greatest Songs of All Time". Richards' notoriety for illicit drug use has stemmed in part from several drug busts in the late 1960s and the 1970s.

Early life

Keith Richards is the only child of Bert Richards and Doris Dupree Richards. He was born at Livingston Hospital in Dartford, Kent. His father was a factory worker injured during World War II during the Normandy invasion.

Richards' paternal grandparents were socialists and civic leaders whose family originated from Wales. His maternal grandfather (Augustus Theodore Dupree), who toured Britain with a jazz big band, "Gus Dupree and his Boys", fostered Richards' interest in guitar.

Richards' mother introduced him to the music of Billie Holiday, Louis Armstrong and Duke Ellington and bought his first guitar, while his father disparaged his son's musical enthusiasm. Richards' first guitar hero was Scotty Moore.

Richards attended Wentworth Primary School with Mick Jagger and was his neighbor until 1954, when the family moved. From 1955 to 1959 he attended Dartford Technical School. Recruited by Dartford Tech's choirmaster Jake Clair, Richards sang in a trio of boy sopranos at, among other occasions, Westminster Abbey for Queen Elizabeth II.

In 1959 Richards was expelled from Dartford Technical School for truancy and transferred to Sidcup Art College. At Sidcup, he was diverted from his studies proper and devoted more time to playing guitar with other students in the boys room. At this point, Richards had learned most of Chuck Berry's solos. thumb|220px|right|Richards 1965 Richards met Jagger on a train as Jagger was headed to classes at the London School of Economics. The mail order rhythm & blues albums from Chess Records albums by Chuck Berry and Muddy Waters Jagger was carrying revealed a mutual interest and led to a renewal of their friendship. Along with mutual friend Dick Taylor, Jagger was singing in an amateur band: "Little Boy Blue and the Blue Boys", which Richards soon joined. The Blues Boys folded when Brian Jones and Ian Stewart accepted Richards, Jagger, and Taylor into the just-forming Rolling Stones.

In mid-1962 Richards had left Sidcup Art College to devote himself to music and moved into a London flat with Jagger and Jones. His parents divorced about the same time, resulting in his staying close to his mother and remaining estranged from his father until 1982.

After the Rolling Stones signed to Decca Records in 1963, their band manager, Andrew Loog Oldham, dropped the "s" from his surname believing "Keith Richard", in his words, "looked more pop". In the late 1970s Richards reestablished the "s" to his surname.

Musicianship

Bandleader

Richards views his role in the Rolling Stones as "oiling the machinery", while Stewart has called him the musical leader of the band. Both Bill Wyman and Ronnie Wood have said that, unlike most other bands which usually follow the drummer, the Rolling Stones, in Wyman's words, "have no way of ''not'' following him".

Guitar playing

Richards' guitar playing shows a fascination with chords and rhythm while avoiding flamboyant virtuosity in favour of riffs described by Chris Spedding as "direct, incisive and unpretentious." Richards prefers to play in tandem with another guitarist and has always toured with one. Chuck Berry has been an inspiration for Richards, and it was Richards and Jagger who introduced Berry's songs to the Rolling Stones' early repertoire. Chicago artists such as Jimmy Reed and Muddy Waters provided the basis of a style of interwoven lead and rhythm guitar that Richards developed with Brian Jones that continues with the Rolling Stones' current guitarist, Ronnie Wood. In the late 1960s, Jones' declining contributions led Richards to record all guitar parts on many tracks, including slide guitar, which had been Jones' specialty in the band's early years. Jones' replacement guitarist Mick Taylor worked with the Rolling Stones from 1969 to 1974, and Taylor's virtuosity at lead guitar led to a much more pronounced separation between lead and rhythm guitar roles, notably onstage. In 1975 Taylor was replaced by Wood, marking a return to the style of guitar interplay that he and Richards described as "the ancient art of weaving".

The 1967/68 break in touring allowed Richards to focus on open tunings, which are commonly used for slide guitar. Instead, Richards primarily used open tunings for fingered chording, developing a distinctive style of syncopated and ringing I-IV chording heard on "Street Fighting Man" and "Start Me Up". Richards has used various open tunings (while continuing to use standard tuning) but has often favoured a five-string variant of open G tuning using GDGBD unencumbered by a low sixth string. Several of his Telecasters are tuned this way (see the "Guitars" section below), and this tuning is prominent on Rolling Stones tracks and concert renditions including "Honky Tonk Women", "Brown Sugar" and "Start Me Up".

Richards regards acoustic guitar as the basis for his playing, believing that the limitations of electric guitar would cause him to "lose that touch" if he didn't play acoustic. Richards plays acoustic guitar on many Rolling Stones' tracks including like "Not Fade Away", "Satisfaction", "Brown Sugar", and "Angie". All guitars on the studio versions of "Street Fighting Man" and "Jumping Jack Flash" feature acoustic guitars overloaded to a cassette recorder which were then reamped through a loudspeaker in the studio.

Vocals

Richards' backing vocals appear on every Rolling Stones album; and on most albums since ''Between the Buttons'' (1967), he has sung lead or co-lead on at least one track (see list below). Richards views the vocal training he got in his choirboy days as part of his professional arsenal, and has said of his own singing: "It's not the most beautiful voice in the world anymore, but the Queen liked it, when it was at its best... It's not been my job, singing, but to me, if you're gonna write songs, you've got to know how to sing".

Richards began singing regular lead-vocals on stage in 1972, with "Happy" (from the album ''Exile on Main Street''). "Happy", a signature song for Richards, is often performed by him during Rolling Stones concerts, as well as on both of his solo tours. From 1972 to 1982, Richards routinely took one lead-vocal turn during Rolling Stones concerts; since 1989 he has normally sung lead on two numbers per show. Each of the band's studio albums since ''Dirty Work'' (1986) have also featured Richards's lead vocals on at least two tracks.

During concerts on the two final legs (autumn 2006 and summer 2007) of The Rolling Stones' Bigger Bang Tour, Richards set his guitar aside to sing his 1969 ballad "You Got the Silver" without self-accompaniment. Prior to that he had occasionally switched from guitar to keyboards in concert, but these concerts were the first time since his choirboy days that Richards appeared on stage armed with only his voice.

Other instruments

Richards has played bass guitar on about two dozen Rolling Stones studio recordings, from "Have You Seen Your Mother, Baby, Standing in the Shadow?" (1966) through "Infamy" (2005). One unusual instance was when he and Bill Wyman joined forces to play the bowed double bass on "Ruby Tuesday" (1967) – Wyman did the fingerboard work while Richards manned the bow. The rest of Richards' contributions that followed have been on bass guitar, rather than double bass. Among these were on tracks including "Jumpin' Jack Flash" (1968), "Sympathy for the Devil" (1968), "Live With Me" (1969), "Before They Make Me Run" (1978), "Sleep Tonight" (1986), and "Brand New Car" (1994). He has occasionally played bass on stage, including The Dirty Mac performance in 1968 (see "Recordings with other artists", below) and on "Sympathy for the Devil" at a Rolling Stones concert at Madison Square Garden in June 1975.

Richards' keyboard playing has also been featured on several Rolling Stones tracks, including "She Smiled Sweetly" (1967), "Memory Motel" (1976), "All About You" (1980), "Thru and Thru" (1994), and "This Place Is Empty" (2005), among others. He sometimes composes on piano – "Have You Seen Your Mother, Baby, Standing in the Shadow?" and "Let's Spend the Night Together" are two early examples, and he's said of his keyboard playing: "Maybe I'm a little more accomplished now – to me it's just a way of getting out of always using one instrument to write." Richards played keyboards on stage at two 1974 concerts while Wood toured to support his solo albums, and on The New Barbarians' tour in 1979, and 1977 and 1981 studio sessions featuring his piano and vocals have been well documented, though never officially released.

Richards has also served as percussionist on a few Rolling Stones tracks, including the floor tom on "Jumpin' Jack Flash" and bicycle spokes on "Continental Drift" (1989).

Songwriting

Richards and Jagger collaborated on songs in 1963, following the nearby example of the Beatles' Lennon/McCartney and the encouragement of Rolling Stones manager Andrew Loog Oldham, who saw little future for a cover band. The earliest Jagger/Richards collaborations were recorded by other artists, including Gene Pitney, whose rendition of "That Girl Belongs to Yesterday" was their first top-ten single in the UK. Richards recalls: "We were writing these terrible pop songs that were becoming Top 10 hits... They had nothing to do with us, except we wrote 'em."

The Rolling Stones' first top-ten hit with a Jagger/Richards original was "The Last Time" (1965); "(I Can't Get No) Satisfaction" (also 1965) was their first international #1 recording. (Richards has stated that the "Satisfaction" riff came to him in his sleep; he woke up just long enough to record it on a cassette player by his bed.) Since ''Aftermath'' (1966) most Rolling Stones albums have consisted mainly of Jagger/Richards originals. Their songs reflect the influence of blues, R&B;, rock & roll, pop, soul, gospel and country, as well as forays into psychedelia and Dylanesque social commentary. Their work in the 1970s and beyond has incorporated elements of funk, disco, reggae and punk. Richards has also written and recorded slow torchy ballads, such as "All About You" (1980).

In his solo career, Richards has often shared co-writing credits with drummer and co-producer Steve Jordan. Richards has said: "I've always thought songs written by two people are better than those written by one. You get another angle on it."

Richards has frequently stated that he feels less like a creator than a conduit when writing songs: "I don't have that God aspect about it. I prefer to think of myself as an antenna. There's only one song, and Adam and Eve wrote it; the rest is a variation on a theme."

Richards was inducted into the Songwriters Hall of Fame in 1993.

Record production

Richards has been active as a record producer since the 1960s. He was credited as producer and musical director on the 1966 album ''Today's Pop Symphony'', one of manager Andrew Loog Oldham's side projects, although there are doubts about how much Richards was actually involved with it. On the Rolling Stones' 1967 album ''Their Satanic Majesties Request'' the entire band was credited as producer, but since 1974, Richards and Mick Jagger have frequently co-produced Rolling Stones and other artists' records under the joint name "The Glimmer Twins", often in collaboration with other producers.

Since the 1980s Richards has chalked up numerous production and co-production credits on projects with other artists including Aretha Franklin, Johnnie Johnson and Ronnie Spector, as well as on his own albums with the X-Pensive Winos (see below). In the 1990s Richards co-produced and added guitar and vocals to a recording of nyabinghi Rastafarian chanting and drumming entitled ''Wingless Angels'', released on Richards's own record label, Mindless Records, in 1997.

Solo recordings

Richards has released few solo recordings. His first solo single released in 1978 was versions of Chuck Berry's "Run Rudolph Run" and Jimmy Cliff's "The Harder They Come". In 1987, after Jagger pursued a solo recording and touring career, Richards formed the "X-pensive Winos" with co-songwriter, and co-producer Steve Jordan whom Richards assembled for his Chuck Berry documentary, ''Hail! Hail! Rock 'n' Roll''.

Additional members of the X-pensive Winos included guitarist Waddy Wachtel, saxist Bobby Keys, keyboardist Ivan Neville and Charley Drayton on bass. The first Winos' record,''Talk Is Cheap'' also featured Bernie Worrell, Bootsy Collins and Maceo Parker). Since its release, ''Talk Is Cheap'' has gone gold and has sold consistently. Its release was followed by the first of the two U.S. tours Richards has done as a solo artist. ''Live at the Hollywood Palladium, December 15, 1988'' documents the first of these tours. In 1992 the Winos' second studio record ''Main Offender'' was released, and was also following by a tour.

Recordings with other artists

During the 1960s most of Richards's recordings with artists other than The Rolling Stones were sessions for Andrew Oldham's Immediate Records label. Notable exceptions were when Richards, along with Mick Jagger and numerous other guests, sang on The Beatles' 1967 TV broadcast of "All You Need Is Love"; and when he played bass with John Lennon, Eric Clapton, Mitch Mitchell, Ivry Gitlis and Yoko Ono as The Dirty Mac for ''The Rolling Stones Rock and Roll Circus'' TV special, filmed in 1968.

In the 1970s Richards worked outside The Rolling Stones with Ronnie Wood on several occasions, contributing guitar, piano and vocals to Wood's first two solo albums and joining him on stage for two July 1974 concerts to promote ''I've Got My Own Album to Do''. In December 1974 Richards also made a guest appearance at a Faces concert. In 1976–77 Richards played on and co-produced John Phillips' solo recording ''Pay, Pack & Follow'' (released in 2001). In 1979 he toured the U.S. with The New Barbarians, the band that Wood put together to promote his album ''Gimme Some Neck''; he and Wood also contributed guitar and backing vocals to "Truly" on Ian McLagan's 1979 album ''Troublemaker'' (re-released in 2005 as ''Here Comes Trouble'').

Since the 1980s Richards has made more frequent guest appearances. In 1981 he played on reggae singer Max Romeo's album ''Holding Out My Love to You''. He has worked with Tom Waits on two occasions, adding guitar and backing vocals to Waits's 1985 album ''Rain Dogs'', and co-writing, playing and sharing the lead vocal on "That Feel" on ''Bone Machine '' (1992). In 1986 Richards produced and played on Aretha Franklin's rendition of "Jumping Jack Flash" and served as musical producer and band leader (or as he phrased it "S&M; director") for the Chuck Berry film ''Hail! Hail! Rock 'n' Roll''.

In the 1990s and 2000s Richards has continued to contribute to a wide range of musical projects as a guest artist. A few of the notable sessions he has done include guitar and vocals on Johnnie Johnson's 1991 release ''Johnnie B. Bad'', which he also co-produced; and lead vocals and guitar on "Oh Lord, Don’t Let Them Drop That Atomic Bomb on Me" on the 1992 Charles Mingus tribute album ''Weird Nightmare''. He duetted with country legend George Jones on "Say It's Not You" on the ''Bradley Barn Sessions'' (1994); a second duet from the same sessions – "Burn Your Playhouse Down" – appeared on Jones' 2008 release ''Burn Your Playhouse Down – The Unreleased Duets''. He partnered with Levon Helm on "Deuce and a Quarter" for Scotty Moore's album ''All the King's Men'' (1997). His guitar and lead vocals are featured on the Hank Williams tribute album ''Timeless'' (2001) and on veteran blues guitarist Hubert Sumlin's album ''About Them Shoes'' (2005). Richards also added guitar and vocals to Toots & the Maytals' recording of "Careless Ethiopians" for their 2004 album ''True Love'' and to their re-recording of "Pressure Drop", which came out in 2007 as the b-side to Richards's iTunes re-release of "Run Rudolph Run".

Rare and unreleased recordings

In 2005 The Rolling Stones released ''Rarities 1971-2003'', which includes some rare and limited-issue recordings, but Richards has described the band's released output as the "tip of the iceberg". Many of the band's unreleased songs and studio jam sessions are widely bootlegged, as are numerous Richards solo recordings, including his 1977 Toronto studio sessions, some 1981 studio sessions and tapes made during his 1983 wedding trip to Mexico.

Public image and private life

Music journalist Nick Kent attached to Richards Lord Byron's epithet of "mad, bad, and dangerous to know." Jagger thought that Richards' image had "contributed to him becoming a junkie." In 1994 Richards said his image was "like a long shadow ... Even though that was nearly twenty years ago, you cannot convince some people that I'm not a mad drug addict." In 2010, Peter Hitchens wrote of Richards that he is "a capering streak of living gristle who ought to be exhibited as a warning to the young of what drugs can do to you even if you're lucky enough not to choke on your own vomit".

Richards has been tried on drug-related charges five times: in 1967, twice in 1973, in 1977 and in 1978. The first trial – the only one involving a prison sentence – resulted from a February 1967 police raid on Redlands, Richards's Sussex estate, where he and some friends, including Jagger, were spending the weekend. The subsequent arrest of Richards and Jagger put them on trial before the Courts of the United Kingdom while also exposing them to public opinion. On 29 June 1967, Jagger was sentenced to three months' imprisonment for possession of four amphetamine tablets; Richards was found guilty of allowing cannabis to be smoked on his property and sentenced to one year in prison. Both Jagger and Richards were imprisoned at that point: Jagger was taken to Brixton prison in south London, and Richards to Wormwood Scrubs Prison in west London. Both were released on bail the next day pending appeal. On 1 July ''The Times'' ran an editorial entitled "Who breaks a butterfly on a wheel?", portraying Jagger's sentence as persecution, and public sentiment against the convictions increased. A month later the appeals court overturned Richards's conviction for lack of evidence, while Jagger was given a conditional discharge. On 27 February 1977 Richards was charged with "possession of heroin for the purpose of trafficking" – an offence that under the Criminal Code of Canada can result in prison sentences of seven years to life. His passport was confiscated and Richards and his family remained in Toronto until 1 April, when Richards was allowed to enter the United States on a medical visa for treatment for heroin addiction. The charge against him was later reduced to "simple possession of heroin".

For the next two years, Richards lived under threat of criminal sanction. Throughout this period he remained active with The Rolling Stones, recording their biggest-selling studio album, ''Some Girls'', and touring North America. Richards was tried in October 1978, pleading guilty to possession of heroin. He was given a suspended sentence and put on probation for one year, with orders to continue treatment for heroin addiction and to perform a benefit concert on behalf of the Canadian National Institute for the Blind. Although the prosecution had filed an appeal of the sentence, Richards performed two CNIB benefit concerts at Oshawa Civic Auditorium on 22 April 1979; both shows featured The Rolling Stones and The New Barbarians. In September 1979 the Ontario Court of Appeal upheld the original sentence.

Later in 1979, Richards met future wife, model Patti Hansen. They married on 18 December 1983, Richards's 40th birthday, and have two daughters, Theodora and Alexandra, born in 1985 and 1986 respectively.

Richards maintains cordial relations with Italian-born actress Anita Pallenberg, the mother of his first three children; although they were never married, Richards and Pallenberg were a couple from 1967 to 1979. Together they have a son, Marlon (named after the actor Marlon Brando), born in 1969, and a daughter, Angela (originally named Dandelion), born in 1972. Their third child, a boy named Tara (after Richards's and Pallenberg's friend Guinness heir Tara Browne), died on 6 June 1976, less than three months after his birth.

Richards still owns Redlands, the Sussex estate he purchased in 1966, as well as a home in Weston, Connecticut and another in Turks & Caicos. His primary home is in Weston. He is an avid reader with a strong interest in history and owns an extensive library. An April 2010 article revealed that Richards yearns to be a librarian.

21st century

On 27 April 2006, Richards, while in Fiji, suffered a head injury after falling out of a tree; he subsequently underwent cranial surgery at a New Zealand hospital. The incident caused a six-week delay in launching The Rolling Stones' 2006 European tour and the rescheduling of several shows; the revised tour schedule included a brief statement from Richards apologising for "falling off his perch". The band made up most of the postponed dates in 2006, and toured Europe in the summer of 2007 to make up the remainder.

In August 2006 Richards was granted a pardon by Arkansas governor Mike Huckabee for a 1975 reckless driving citation.

On 12 March 2007 Richards attended the Rock & Roll Hall of Fame ceremony to induct The Ronettes; he also played guitar during the ceremony's all-star jam session.

In an April 2007 interview for ''NME'' magazine, music journalist Mark Beaumont asked Richards what the strangest thing he ever snorted was, and quoted him as replying: "My father. I snorted my father. He was cremated and I couldn't resist grinding him up with a little bit of blow. My dad wouldn't have cared ... It went down pretty well, and I'm still alive." In the media uproar that followed, Richards' manager said that the anecdote had been meant as a joke; Beaumont told ''Uncut'' magazine that the interview had been conducted by international telephone and that he had misquoted Richards at one point (reporting that Richards had said he listens to Motörhead, when what he had said was Mozart), but that he believed the ash-snorting anecdote was true. Musician Jay Farrar from the band Son Volt wrote a song titled 'Cocaine And Ashes', which was inspired by Richards drug habits.

Doris Richards, Richards' 91-year-old mother, died of cancer in England on 21 April 2007. An official statement released by a family representative stated that Keith kept a vigil by her bedside during her last days.

Richards made a cameo appearance as Captain Teague, the father of Captain Jack Sparrow (played by Johnny Depp), in ''Pirates of the Caribbean: At World's End'', released in May 2007, and won the Best Celebrity Cameo award at the 2007 Spike Horror Awards for the role. Depp has stated that he based many of Sparrow's mannerisms on Richards. Richards reprised his role in ''Pirates of the Caribbean: On Stranger Tides'', released in May 2011.

In March 2008 fashion house Louis Vuitton unveiled an advertising campaign featuring a photo of Richards with his ebony Gibson ES-355, taken by photographer Annie Leibovitz. Richards donated the fee for his involvement to The Climate Project, an organisation for raising environmental awareness.

On 28 October 2008 Richards appeared at the Musicians' Hall of Fame induction ceremony in Nashville, Tennessee, joining the newly inducted Crickets on stage for performances of "Peggy Sue", "Not Fade Away" and "That'll Be the Day".

In August 2009, Richards was ranked #4 in ''Time'' magazine's list of the 10 best electric guitar players of all time. In September 2009 Richards revealed to ''Rolling Stone'' magazine that in addition to anticipating a new Rolling Stones album, he has done some recording with Jack White: "I enjoy working with Jack," he said. "We’ve done a couple of tracks." On 17 October 2009, Richards received the Rock Immortal Award at Spike TV’s Scream 2009 awards ceremony at the Greek Theatre in Los Angeles; the award was presented by Johnny Depp. "I liked the living legend, that was all right," Richards said, referring to an award he received in 1989, "but immortal is even better."

In 2009, a book of Richards' quotations was published, titled ''What Would Keith Richards Do?: Daily Affirmations from a Rock 'n' Roll Survivor''.

In August 2007 Richards signed a publishing deal for his autobiography, ''Life'', which was released October 26, 2010. On October 15, 2010, the Associated Press published an article stating that Richards refers to Mick Jagger as "unbearable" in the book and notes that their relationship has been strained "for decades."

Musical equipment

Guitars

Richards has a collection of approximately 3,000 guitars. Even though Richards has used many different guitar models, in a 1986 ''Guitar World'' interview he joked that no matter what model he plays, "give me five minutes and I'll make 'em all sound the same." However, Richards has often thanked Leo Fender, and other guitar manufacturers for making the instruments, as he did during the induction ceremony of the Rolling Stones into the Rock and Roll Hall of Fame. Some of his notable instruments are: 1959 Gibson Les Paul Standard: Richards acquired this instrument, fitted with a Bigsby tailpiece, in 1964. The guitar was the first "star-owned" Les Paul in Britain and served as one of Richards's main instruments through 1966. He later sold the guitar to future Rolling Stones bandmate Mick Taylor. 1961 Epiphone Casino: Richards first used this instrument in May 1964, shortly before the Stones' first tour of America. The guitar (along with the 1959 Les Paul Standard) became a frequently used guitar by Richards until 1966. 1957 Gibson Les Paul Custom: In 1966 Richards acquired a 1957 Les Paul Custom, and hand-painted it with psychedelic patterns in 1968. It served as his main stage and studio guitar from 1966 through the end of the Rolling Stones' 1970 European tour, for which he acquired a second late-50s Les Paul Custom which he used in open-G tuning.

1969 Gibson SG: In the 1969 film "Gimme Shelter", Richards is seen playing the iconic Gibson SG, with its signature "Heritage Cherry" finish. It is this Gibson flat-body which produced the raw, driving chord progression heard in the live version of "Jumping Jack Flash" on the Stones' 1969 live album "GET YER YA-YAS OUT!".

Gibson ES-355s: Richards used this semi-hollow model on stage during the Rolling Stones' 1969 tour; it was a favourite for both Richards and Taylor during recording sessions for ''Sticky Fingers'' and ''Exile on Main St.'' Richards has also used ES-355s on every tour since 1997. In 2006 he also unveiled a white Gibson ES-345. Gibson Les Paul Juniors: Richards has regularly used both single-cutaway and double-cutaway Juniors since 1973. The one he is most frequently seen with is a TV-yellow double-cutaway instrument nicknamed "Dice", which he has used since 1979. On recent tours he has used this guitar for "Midnight Rambler" and "Out of Control". 1953 Fender Telecaster: Richards acquired this butterscotch Telecaster in 1971. Nicknamed "Micawber", after a character in Charles Dickens's novel ''David Copperfield'', it is set up for five-string open-G tuning (-GDGBD), and has only five bridge saddles. The neck pick-up has been replaced by a Gibson PAF humbucking pick-up, and the bridge pick-up has been replaced by a Fender lap steel pick-up (similar to a Fender Broadcaster pick-up). "Micawber" is one of Richards' main stage guitars, and is often used to play "Brown Sugar", "Before They Make Me Run", and "Honky Tonk Women". 1954 Fender Telecaster: A second Telecaster, nicknamed both "Malcolm" and "Number 2", is also set up for 5-string open-G tuning and has a Gibson PAF pick-up in the neck position. It has a natural finish and the wood grain is visible. 1967 Fender Telecaster: A third Telecaster used for five-string open-G playing is a dark sunburst model which is also fitted with a Gibson PAF pick-up; the PAF on this guitar has had its cover removed, exposing the bobbins. Richards has used this guitar on stage for many songs, including "You Can't Always Get What You Want" and "Tumbling Dice". 1958 Fender Stratocaster: Fellow Rolling Stones guitarist Ronnie Wood gave Richards his 1958 Mary Kaye Signature Stratocaster after the band's 1982 tour. The guitar is finished in see-through blond and fitted with gold hardware. Richards has used this guitar onstage for "You Don't Have to Mean It" and "Miss You". 1975 Fender Telecaster Custom: Richards first used this guitar on the Rolling Stones' 1975 Tour of the Americas, and it was his main stage and recording guitar until 1986. It was later adapted for five-string open-G tuning, and reappeared on stage in 2005. Ampeg Dan Armstrong plexiglas guitar: The Dan Armstrong guitar was given to Richards during rehearsals for the 1969 tour, and became one of his main stage guitars from 1969 through the first shows of the 1972 tour. Fitted with a custom-made "sustained treble" humbucker pick-up, the guitar was used mainly in standard tuning and can be heard on "Carol", "Sympathy for the Devil" and "Midnight Rambler" on ''Get Yer Ya-Ya's Out''. On the 1970 tour Richards added a second Dan Armstrong guitar fitted with a "rock treble" pick-up.

Gibson L6-S Custom: Played around the time of "Black And Blue". Appears in a video performance of "Crazy Mama".

Zemaitis Five-String: Custom-made in 1974 by British luthier Tony Zemaitis, the guitar nicknamed both "Macabre" and "the Pirate Zemaitis" was decorated with skulls, a pistol and a dagger. Richards used it as his main open-G guitar from 1975 to 1978, when it was destroyed in a fire at his rented Los Angeles home. Richards used a Japanese-made replica on the 2005/06 tour. Newman-Jones custom guitars: Texas luthier Ted Newman-Jones made several custom five-string instruments that Richards used on the 1973 tours of Australasia and Europe. Richards used another Newman-Jones custom model on the 1979 New Barbarians tour.

Amplifiers

Richards's amplifier preferences have changed repeatedly, but some of his notable amplifiers are: Mesa Boogie Mark 1 A804 – Used between 1977 and 1993, this 100-watt 1x12" combo is finished in hardwood with a wicker grille. It can be heard on the Rolling Stones albums ''Love You Live'', ''Some Girls'', ''Emotional Rescue'' and Tattoo You, as well as on Richards's two solo albums ''Talk is Cheap'' and ''Main Offender''. This amplifier was handcrafted by Randall Smith and delivered to Richards in March 1977. Fender Twin – Since the 1990s, Richards has tended to use a variety of Fender "tweed" Twins on stage. Containing a pair of 12" speakers, the Fender Twin was, by 1958, an 80-watt all-tube guitar amplifier. Richards has utilised a pair of Fender Twins to "to achieve his signature clean/dirty rhythm and lead sound."

Fender Dual Showman – first acquired in 1964, Richards made frequent use of his blackface Dual Showman amp through mid-1966. Used to record The Rolling Stones, Now!, Out of Our Heads, December's Children and Aftermath before switching over to various prototype amplifiers from Vox in 1967 and the fairly new Hiwatt in 1968

Effects

In 1965 Richards used a Gibson Maestro fuzzbox to achieve the distinctive tone of his riff on "(I Can't Get No) Satisfaction"; the success of the resulting single boosted the sales of the device to the extent that all available stock had sold out by the end of 1965. In the 1970s and early 1980s Richards frequently used guitar effects such as a wah-wah pedal, a phaser and a Leslie speaker, but he mainly relies on combining "the right amp with the right guitar" to achieve the sound he wants.

Discography

Studio albums

{|class="wikitable" |- !rowspan="2"| Year !rowspan="2"| Title !colspan="2"| Chart positions !rowspan="2"| Certifications(sales thresholds) |- ! U.K. ! U.S. |- |1988 |''Talk Is Cheap''

Released: October 3, 1988

Label: Virgin

| style="text-align:center;"|37 [3 wks] | style="text-align:center;"|24 [23 wks] |

US: Gold

|- |1991 |''Live at the Hollywood Palladium, December 15, 1988''

Released: December 10, 1991

Label: Virgin

| style="text-align:center;"| — | style="text-align:center;"| — |- |1992 |''Main Offender''

Released: October 19, 1992

Label: Virgin

| style="text-align:center;"|45 [2 wks] | style="text-align:center;"|99 [10 wks] |- |2010 |''Vintage Vinos''

Released: November 2, 2010

Label: Mindless Records

| style="text-align:center;"| — | style="text-align:center;"| — |- |}

Singles

!Release date	!Title	!US Mainstream Rock
December 1978	"Run Rudolph Run" b/w "The Harder They Come"
October 1988	"Take It So Hard"
November 1988	"You Don't Move Me"
February 1989	"Struggle"
October 1992	"Wicked As It Seems"
January 1993	"Eileen"
December 2007

Guest appearances on other artists' releases

The Beatles: backing vocals on "All You Need Is Love" broadcast (1967)

The Dirty Mac: ''The Rolling Stones' Rock & Roll Circus'' (recorded 1968, released 2004): bass on "Yer Blues" and "Her Blues"

Billy Preston: ''That's the Way God Planned It'' (1969): bass

Alexis Korner: ''Musically Rich...and Famous: Anthology 1967–1982'' (2003): guitar on "Get Off of My Cloud" (recorded 1974 or 1975)

Ronnie Wood: ''I've Got My Own Album to Do'' (1974): co-composer, guitar and vocals on "Sure the One You Need"; co-composer, guitar, piano and backing vocals on "Act Together"; guitar and backing vocals on several other tracks; ''The First Barbarians Live From Kilburn'' (recorded 1974, released 2007): guitar, vocals, keyboards; ''Now Look'' (1975): guitar and backing vocals on "Breathe on Me", "I Can't Stand the Rain" and "I Can Say She's Alright"; ''Gimme Some Neck'' (1979): guitar and backing vocals on "Buried Alive", backing vocals on "Seven Days"

Faces: ''The Faces' Final Concert'' (recorded 1974, released 2000): guitar on "Sweet Little Rock & Roller", "I’d Rather Go Blind" and "Twistin’ The Night Away"

John Phillips: ''Pay, Pack & Follow'' (recorded 1976–1977, released 2001) and ''Pussycat'' (outtakes and alternate mixes – recorded 1976–77, released 2008): co-producer, guitar, backing vocals

Peter Tosh: ''Bush Doctor'' (1978): guitar

The New Barbarians: ''Buried Alive: Live in Maryland'' (recorded 1979, released 2006): guitar, piano, lead and backing vocals

Ian McLagan: ''Troublemaker'' (1979, re-released in 2005 as ''Here Comes Trouble''): guitar and backing vocals on "Truly"

Screamin' Jay Hawkins: ''Portrait of a Man: A History of Screamin' Jay Hawkins'' (1979): guitar on "I Put a Spell on You and "Armpit #6"

Max Romeo: ''Holding Out My Love For You'' (1981): guitar, mixing

Tom Waits: ''Rain Dogs'' (1985): guitar and backing vocals on "Big Black Mariah", "Union Square" and "Blind Love"; ''Bone Machine'' (1992): co-composer, guitar and vocals on "That Feel"

''Sun City: Artists United Against Apartheid'' (1985): co-composer and guitar on "Silver and Gold"

Slim Jim Phantom, Lee Rocker & Earl Slick: ''Phantom Rocker and Slick'' (1986): guitar on "My Mistake"

Aretha Franklin: ''Jumpin' Jack Flash'' film soundtrack (1986): producer and guitar on title track, also on ''Jewels in the Crown: All-Star Duets with the Queen'' (2007)

Chuck Berry concert film ''Hail! Hail! Rock 'n' Roll'' (1987): musical producer, guitar and backing vocals

Nona Hendryx: ''Female Trouble'' (1987): guitar on "Rock This House"

Ziggy Marley: ''Conscious Party'' (1988): guitar on "Lee & Molly"

Feargal Sharkey: ''Wish'' (1988): guitar on "More Love"

The Dirty Strangers: ''Dirty Strangers'' (1988): guitar; ''From W12 to Wittering'' (2009): piano on five tracks, co-composer of "Real Botticelli"

Johnnie Johnson: ''Johnnie B. Bad'' (1991): co-producer, guitar and vocals on "Key to the Highway", co-composer and guitar on "Tanqueray"

John Lee Hooker: ''Mr. Lucky'' (1991): guitar on "Crawling King Snake", guitar and backing vocals on "Whiskey and Wimmen"

The Neville Brothers: ''Uptown'' (1991): guitar

''Weird Nightmare: Meditations on Mingus'' (1992): guitar and vocals on "Oh Lord Don't Let Them Drop That Atomic Bomb on Me"

George Jones: ''Bradley Barn Sessions'' (1994): guitar and vocals on "Say It's Not You"; ''Burn Your Playhouse Down – The Unreleased Duets'' (2008): vocals on "Burn Your Playhouse Down" (recorded in 1994)

Bernie Worrell: ''Funk of Ages'' (1994): guitar

Bobby Womack: ''Resurrection'' (1994): guitar

Marianne Faithfull: ''A Collection'' (1994): co-producer and guitar on "Ghost Dance"; ''Easy Come, Easy Go'' (2008): guitar and harmony vocals on "Sing Me Back Home"

The Chieftains: ''Long Black Veil'' (1995): guitar on "The Rocky Road to Dublin"

Ivan Neville: ''Thanks'' (1995): guitar; ''Scrape'' (2004): guitar

Bo Diddley: ''A Man Amongst Men'' (1996): guitar on "Bo Diddley Is Crazy"

B.B. King: ''Deuces Wild'' (1997): guitar on "Paying the Cost to Be the Boss"

''Wingless Angels'' (1997): co-producer, guitar, backing vocals

Scotty Moore: ''All the King's Men'' (1997): guitar and vocals on "Deuce and a Quarter"

Jimmy Rogers All-Stars: ''Blues Blues Blues'' (1999): guitar on "Trouble No More", "Don't Start Me Talkin'" and "Goin' Away"

Sheryl Crow: ''Sheryl Crow & Friends: Live From Central Park'' (1999): guitar and vocals on "Happy"

Charlie Watts: ''Charlie Watts – Jim Keltner Project'' (2000): guitar on "The Elvin Suite"

''Timeless: Tribute to Hank Williams'' (2001): guitar and vocals on "You Win Again"

Peter Wolf: ''Sleepless'' (2002): guitar and vocals on "Too Close Together"

Willie Nelson & Friends: ''Stars & Guitars'' (2002): guitar and vocals on "Dead Flowers"; ''Outlaws & Angels'' (2004): guitar and vocals on "We Had It All", guitar on "Trouble in Mind" and "Whole Lotta Shakin' Goin On"

Hubert Sumlin: ''About Them Shoes'' (2004): guitar and vocals on "Still a Fool", guitar on "I Love the Life I Lead" and "Little Girl"

Toots & the Maytals: ''True Love'' (2004): guitar and vocals on "Careless Ethiopians"; guitar and backing vocals on "Pressure Drop" (released 2007)

''Return to Sin City: A Tribute to Gram Parsons'' (2004): guitar and vocals on "Love Hurts", "Hickory Wind" and "Wild Horses"

''Make It Funky'' (2005): guitar and vocals on "I'm Ready"

Les Paul & Friends: ''American Made World Played'' (2005): guitar on "Good Morning Little Schoolgirl"

Buddy Guy: ''Bring 'Em In'' (2005): guitar on "The Price You Gotta Pay"

Jerry Lee Lewis: ''Last Man Standing: The Duets'' (2006): guitar and vocals on "That Kind of Fool"

Ronnie Spector: ''Last of the Rock Stars'' (2006): guitar and vocals on "It's Gonna Work Out Fine", guitar on "All I Want"

Lee "Scratch" Perry: ''Scratch Came Scratch Saw Scratch Conquered'' (2008): guitar on "Heavy Voodoo" and "Once There's a Will There's a Way"

''Little Steven's Underground Garage'': ''Christmas a Go-Go'' (2008): This compilation album starts with Richards' "Run Rudolph Run", which the liner notes state is now "available for the first time on CD"

Richards also appeared on ''The Simpsons'' episode, "How I Spent My Strummer Vacation"

Lead vocals on Rolling Stones tracks

Below is a list of the officially released Rolling Stones tracks on which Richards sings lead vocals or shares lead-vocal duties:

"Something Happened to Me Yesterday" (alternates with Jagger), "Connection" (co-lead with Jagger) – ''Between the Buttons'' (1967)

"Salt of the Earth" (first verse) – ''Beggars Banquet'' (1968)

"You Got the Silver" – ''Let It Bleed'' (1969)

"Happy" – ''Exile On Main St.'' (1972)

"Coming Down Again" – ''Goats Head Soup'' (1973)

"Memory Motel" (alternates with Jagger) – ''Black and Blue'' (1976)

"Happy" (live) – ''Love You Live'' (1977)

"Before They Make Me Run" – ''Some Girls'' (1978)

"All About You" – ''Emotional Rescue'' (1980)

"Little T&A;" – ''Tattoo You'' (1981)

"Wanna Hold You" – ''Undercover'' (1983)

"Too Rude", "Sleep Tonight" – '' Dirty Work'' (1986)

"Can't Be Seen", "Slipping Away" – ''Steel Wheels'' (1989)

"Can't Be Seen" (live) – ''Flashpoint'' (1991)

"The Worst", "Thru and Thru" – ''Voodoo Lounge'' (1994)

"Slipping Away" (acoustic studio rehearsal) – ''Stripped'' (1995)

"You Don't Have to Mean It", "Thief in the Night", "How Can I Stop" – ''Bridges to Babylon'' (1997)

"Thief in the Night" (live) – ''No Security'' (1999)

"Losing My Touch" – ''Forty Licks'' (2002)

"Happy" (live), "The Nearness of You" (live), "You Don't Have to Mean It" (live) – ''Live Licks'' (2004)

"This Place Is Empty", "Infamy" – ''A Bigger Bang'' (2005)

"Hurricane" – CD single (free at US Rolling Stones concerts in 2005 with donation to Hurricane Katrina fund)

"Thru and Thru" (live) – ''Rarities 1971-2003'' (2005)

"You Got the Silver" (live), "Connection" (live), "Little T&A;" (live) – ''Shine a Light'' (2008)

Filmography

+Film	! Year	! Title	! Role
2007	''Pirates of the Caribbean: At World's End''	Captain Teague
2011	''Pirates of the Caribbean: On Stranger Tides''	Captain Teague

References

External links

(requires Flash) in 2010

CBC Archives Richards's trial and sentencing in 24 Oct. 1978 and 16 April 1979

}}

Category:1943 births Category:Living people Category:English expatriates in the United States Category:English blues guitarists Category:English-language singers Category:English male singers Category:English rock musicians Category:English people of Welsh descent Category:English rock guitarists Category:English singer-songwriters Category:Ivor Novello Award winners Category:Lead guitarists Category:People convicted of drug offenses Category:People from Dartford Category:People from Fairfield County, Connecticut Category:People from Staten Island Category:People self-identifying as substance abusers Category:Recipients of American gubernatorial pardons Category:Songwriters Hall of Fame inductees Category:Rhythm guitarists Category:The Dirty Mac Category:The Rolling Stones members Category:British rhythm and blues boom musicians

ca:Keith Richards cs:Keith Richards da:Keith Richards de:Keith Richards et:Keith Richards es:Keith Richards eo:Keith Richards eu:Keith Richards fr:Keith Richards fy:Keith Richards gd:Keith Richards hr:Keith Richards id:Keith Richards it:Keith Richards he:קית' ריצ'רדס ka:კით რიჩარდსი li:Keith Richards hu:Keith Richards nl:Keith Richards ja:キース・リチャーズ no:Keith Richards nn:Keith Richards pl:Keith Richards pt:Keith Richards ro:Keith Richards ru:Ричардс, Кит simple:Keith Richards sk:Keith Richards sl:Keith Richards sr:Kit Ričards fi:Keith Richards sv:Keith Richards tr:Keith Richards uk:Кіт Річардс

Coordinates	54°5′20″N18°25′10″N
name	David Letterman
pseudonym	Earl Hofert
birth date	April 12, 1947
birth place	Indianapolis, Indiana, U.S.
medium	Stand-up, talk show
nationality	American
genre	Observational comedy, surreal humor, deadpan
subject	Self-deprecation, everyday life
influences	Steve Allen, Johnny Carson, Jack Paar, Paul Dixon
influenced
website	CBS.com/latenight/lateshow
active	1974–present
domesticpartner	Regina Lasko (1986-2009)
spouse	Michelle Cook (1969–1977)Regina Lasko (2009–present)
Religion	Lutheran
notable work	Host of ''Late Night with David Letterman'' (NBC)Host of ''Late Show with David Letterman'' (CBS)
signature	David Letterman Autograph.svg

}} David Michael Letterman (born April 12, 1947) is an American television host and comedian. He hosts the late night television talk show, ''Late Show with David Letterman'', broadcast on CBS. Letterman has been a fixture on late night television since the 1982 debut of ''Late Night with David Letterman'' on NBC. Only Letterman's friend and mentor Johnny Carson had a longer late-night hosting career in the United States.

Letterman is also a television and film producer. His company Worldwide Pants produces his show as well as its network follow-up ''The Late Late Show with Craig Ferguson''. Worldwide Pants has also produced several prime-time comedies, the most successful of which was ''Everybody Loves Raymond'', currently in syndication.

In 1996, David Letterman was ranked #45 on TV Guide's 50 Greatest TV Stars of All Time.

Early life and career

Letterman was born in Indianapolis, Indiana. His father, Harry Joseph Letterman (April 1915 – February 1973), was a florist of British descent; his mother Dorothy Letterman (''née'' Hofert, now Dorothy Mengering), a Presbyterian church secretary of German descent, is an occasional figure on the show, usually at holidays and birthdays.

Letterman lived on the north side of Indianapolis (Broad Ripple area), not far from Speedway, IN, and the Indianapolis Motor Speedway, and he enjoyed collecting model cars, including racers. In 2000, he told an interviewer for ''Esquire'' that, while growing up, he admired his father's ability to tell jokes and be the life of the party. Harry Joseph Letterman survived a heart attack at age 36, when David was a young boy. The fear of losing his father was constantly with Letterman as he grew up. The elder Letterman died of a second heart attack at age 57.

Letterman attended his hometown's Broad Ripple High School at the same time as Marilyn Tucker Quayle (wife of the former Vice President) and worked as a stock boy at the local Atlas supermarket. According to the ''Ball State Daily News'', he originally had wanted to attend Indiana University, but his grades weren't good enough, so he decided to attend Ball State University, in Muncie, Indiana. He is a member of the Sigma Chi Fraternity, and he graduated from what was then the Department of Radio and Television, in 1969. A self-described average student, Letterman endowed a scholarship for what he called "C students" at Ball State.

Though he registered for the draft and passed his physical after graduating from college, he was not drafted for service in Vietnam due to receiving a draft lottery number of 352 (out of 365).

Letterman began his broadcasting career as an announcer and newscaster at the college's student-run radio station—WBST—a 10-watt campus station which now is part of Indiana Public Radio. He was fired for treating classical music with irreverence.

Letterman then became involved with the founding of another campus station—WAGO-AM 570 (now WWHI, 91.3).

Letterman credits Paul Dixon—host of the ''Paul Dixon Show'', a Cincinnati-based talk show also shown in Indianapolis while Letterman was growing up—for inspiring his choice of career: :"I was just out of college [in 1969], and I really didn't know what I wanted to do. And then all of a sudden I saw him doing it [on TV]. And I thought: That's really what I want to do!"

Weatherman

Letterman began his career as a radio talk show host on WNTS (AM), and on Indianapolis television station WLWI (now called WTHR) as a local anchor and weatherman. He received some attention for his unpredictable on-air behavior, which included congratulating a tropical storm for being upgraded to a hurricane and predicting hail stones "the size of canned hams." He would also occasionally report the weather and the day's very high and low temps for fictitious cities ("Eight inches of snow in Bingree and surrounding areas.") while on another occasion saying that a state border had been erased. ("From space you can see the border between Indiana and Ohio has been erased. I'm not in favor of this.") He also starred in a local kiddie show, made wisecracks as host of a late night TV show called "Freeze-Dried Movies" (he once acted out a scene from "Godzilla" using plastic dinosaurs), and hosted a talk show that aired early on Saturday mornings called "Clover Power," in which he interviewed 4-H members about their projects.

In 1971, Letterman appeared as a pit road reporter for ABC Sports' tape-delayed coverage of the Indianapolis 500. David is initially introduced as Chris Economaki in his job as a corner reporter. He interviews Mario Andretti who has just crashed out of the race and asks him a question about traffic on the course.

Move to Los Angeles

In 1975, encouraged by his then-wife Michelle and several of his Sigma Chi fraternity brothers, Letterman moved to Los Angeles, California, with hope of becoming a comedy writer. He started off by writing material for comedian Jimmie Walker. He also began performing stand-up comedy at The Comedy Store, a proving ground for unknown comics.

Letterman appeared in the summer of 1977 on the short-lived ''Starland Vocal Band Show''. He has since joked about how fortunate he was that nobody would ever see his performance on the program (due to its low ratings).

Letterman had a stint as a cast member on Mary Tyler Moore's variety show, ''Mary''; a guest appearance on ''Mork & Mindy'' (as a parody of EST leader Werner Erhard); and appearances on game shows such as ''The $20,000 Pyramid'', ''The Gong Show'', ''Password Plus'' and ''Liar's Club''. He also hosted a 1977 pilot for a game show entitled ''The Riddlers'' that was never picked up. He was also screen tested for the lead role in ''Airplane!'', a role that eventually went to Robert Hays.

His dry, sarcastic humor caught the attention of scouts for ''The Tonight Show Starring Johnny Carson'', and Letterman was soon a regular guest on the show. Letterman became a favorite of Carson's and was a regular guest host for the show beginning in 1978. Letterman credits Carson as the person who influenced his career the most.

NBC

Morning show

On June 23, 1980, Letterman was given his own morning comedy show on NBC, ''The David Letterman Show''. It was originally 90 minutes long, but was shortened to 60 minutes in August 1980. The show was a critical success, winning two Emmy Awards, but was a ratings disappointment and was canceled in October 1980.

''Late Night with David Letterman''

NBC kept Letterman under contract to try him in a different time slot. ''Late Night with David Letterman'' debuted February 1, 1982; the first guest on the first show was Bill Murray. The show ran Monday through Thursday at 12:30 a.m. Eastern Time, immediately following ''The Tonight Show Starring Johnny Carson'' (a Friday night broadcast was added in June 1987. It was seen as being edgy and unpredictable, and soon developed a cult following (particularly among college students). Letterman's reputation as an acerbic interviewer was borne out in verbal sparring matches with Cher (who even called him an asshole on the show), Shirley MacLaine, Charles Grodin, and Madonna. The show also featured comedy segments and running characters, in a style heavily influenced by the 1950s and '60s programs of Steve Allen. Although Ernie Kovacs is often cited as an influence on the show, Letterman has denied this.

The show often featured quirky, genre-mocking regular features, including "Stupid Pet Tricks", dropping various objects off the roof of a five-story building, demonstrations of unorthodox clothing (such as suits made of Alka-Seltzer, Velcro and suet), a recurring Top 10 list, the Monkey-Cam (and the Audience Cam), and a facetious letter-answering segment. The Top 10 list, several "Film[s] by My Dog Bob" in which a camera was mounted on Letterman's own dog (often with comic results), Stupid Human Tricks, Small Town News, and Stupid Pet Tricks (which had its origins on Letterman's morning show) all eventually moved with Letterman to CBS.

Other memorable moments included Letterman using a bullhorn to interrupt a live interview on ''The Today Show'', announcing that he was the NBC president while not wearing any pants; interrupting Al Roker on WNBC-TV's broadcast of ''Live at Five'' by walking into their studio (which occupied the same floor of 30 Rockefeller Plaza as Letterman's studio); and staging "elevator races", complete with commentary by NBC Sports' Bob Costas. In one infamous appearance, in 1982, Andy Kaufman (who was already wearing a neck brace) appeared to be slapped and knocked to the ground by professional wrestler Jerry Lawler (though Lawler and Kaufman's friend Bob Zmuda later revealed that the event was staged.) In another memorable exchange, sex expert Dr. Ruth Westheimer included cucumbers in a list of handy sex objects that women could find at home. The following night, guest Ted Koppel asked Letterman "May I insert something here?" and Dave responded "OK, as long as it's not a cucumber."

''Late Show with David Letterman''

In 1992, Johnny Carson retired, and many fans believed that Letterman would become host of ''The Tonight Show''. When NBC instead gave the job to Jay Leno, Letterman departed NBC to host his own late-night show on CBS, opposite ''The Tonight Show'' at 11:30 p.m., called the ''Late Show with David Letterman''. The new show debuted on August 30, 1993 and was taped at the historic Ed Sullivan Theater, where Ed Sullivan taped his eponymous variety series from 1948 to 1971. For Letterman's arrival, CBS spent $8 million in renovations. In addition to that cost, CBS also signed Letterman to a lucrative three-year, $14 million/year contract, doubling his ''Late Night'' salary. The total cost for everything (renovations, negotiation right paid to NBC, signing Letterman, announcer Bill Wendell, Shaffer, the writers and the band) was over $140 million.

But while the expectation was that Letterman would retain his unique style and sense of humor with the move, ''Late Show'' was not an exact replica of his old NBC program. Recognizing the more formal mood (and wider audience) of his new time slot and studio, Letterman eschewed his trademark blazer with khaki pants and white sneakers wardrobe combination in favor of expensive shoes and tailored suits. The monologue was lengthened and Paul Shaffer and the "World's Most Dangerous Band" followed Letterman to CBS, but they added a brass section and were rebranded the "CBS Orchestra" as a short monologue and a small band were mandated by Carson while Letterman occupied the 12:30 slot. Additionally, because of intellectual property disagreements, Letterman was unable to import many of his ''Late Night'' segments verbatim, but he sidestepped this problem by simply renaming them (the "Top Ten List" became the "Late Show Top Ten", "Viewer Mail" became the "CBS Mailbag", etc.)

Popularity

The main competitor of ''The Late Show'' is NBC's ''The Tonight Show'', which was hosted by Jay Leno for nearly 16 years, but from June 1, 2009, to January 22, 2010, was hosted by Conan O'Brien. In 1993 and 1994, ''The Late Show'' consistently gained higher ratings than ''Tonight''. But in 1995, ratings dipped and Leno's show consistently beat Letterman's in the ratings; Leno typically attracted about 5 million nightly viewers between 1999 and 2009. ''The Late Show'' lost nearly half its audience during its competition with Leno, attracting 7.1 million viewers nightly in its 1993–94 season and about 3.8 million per night as of Leno's departure in 2009. In the final months of his first stint as host of ''The Tonight Show'', Leno beat Letterman in the ratings by a 1.3 million viewer margin (5.2 million to 3.9 million), and ''Nightline'' and ''The Late Show'' were virtually tied. Once O'Brien took over ''Tonight'', however, Letterman closed the gap in the ratings. O'Brien initially drove the median age of ''Tonight Show'' viewers from 55 to 45, with most older viewers opting to watch ''The Late Show'' instead.

Following Leno's return to ''The Tonight Show'', however, Leno has regained his lead.

Letterman's shows have garnered both critical and industry praise, receiving 67 Emmy Award nominations, winning 12 times in his first 20 years in late night television. From 1993–2009, Letterman ranked higher than Leno in the annual Harris Poll of ''Nation's Favorite TV Personality'' 12 times. For example, in 2003 and 2004 Letterman ranked second in that poll, behind only Oprah Winfrey, a year that Leno was ranked fifth. Leno was higher than Letterman on that poll three times during the same period, in 1998, 2007, and 2008.

Hosting the Academy Awards

On March 27, 1995, Letterman acted as the host for the 67th Academy Awards ceremony. Critics blasted Letterman for what they deemed a poor hosting of the Oscars, noting that his irreverent style undermined the traditional importance and glamor of the event. In a joke about their unusual names (inspired by a similar joke by Woody Allen), he started off by introducing Uma Thurman to Oprah Winfrey, and then the both of them to Keanu Reeves: "Oprah...Uma. Uma...Oprah," "Have you kids met Keanu?" This and many of his other jokes fell flat. Although Letterman attracted the highest ratings to the annual telecast since 1983, many felt that the bad publicity garnered by Letterman's hosting caused a decline in the ''Late Show'''s ratings.

Letterman recycled the apparent debacle into a long-running gag. On his first show after the Oscars, he joked, "Looking back, I had no idea that thing was being televised." He lampooned his stint two years later, during Billy Crystal's opening Oscar skit, which also parodied the plane-crashing scenes from that year's chief nominated film, ''The English Patient''.

For years afterward, Letterman recounted his hosting the Oscars, although the Academy of Motion Picture Arts and Sciences continued to hold Letterman in high regard and they had invited him to host the Oscars again. On September 7, 2010, he made an appearance on the premiere of the 14th season of ''The View'', and confirmed that he had been considered for hosting again.

Heart surgery hiatus

On January 14, 2000, a routine check-up revealed that an artery in Letterman's heart was severely obstructed. He was rushed to emergency surgery for a quintuple bypass.

During the initial weeks of his recovery, reruns of the ''Late Show'' were shown and introduced by friends of Letterman including Drew Barrymore, including Dr. O. Wayne Isom and physician Louis Aronne, who frequently appears on the show. In a show of emotion, Letterman was nearly in tears as he thanked the health care team with the words "These are the people who saved my life!" The episode earned an Emmy nomination. For a number of episodes, Letterman continued to crack jokes about his bypass, including saying, "Bypass surgery: it's when doctors surgically create new blood flow to your heart. A bypass is what happened to me when I didn't get ''The Tonight Show!'' It's a whole different thing." In a later running gag he lobbied his home state of Indiana to rename the freeway circling Indianapolis (I-465) "The David Letterman Bypass." He also featured a montage of faux news coverage of his bypass surgery, which included a clip of Dave's heart for sale on the Home Shopping Network. Letterman became friends with his doctors and nurses. In 2008, a ''Rolling Stone'' interview stated "he hosted a doctor and nurse who'd helped perform the emergency quintuple-bypass heart surgery that saved his life in 2000. 'These are people who were complete strangers when they opened my chest,' he says. 'And now, eight years later, they're among my best friends.' "

Additionally, Letterman invited the band Foo Fighters to play "Everlong", introducing them as "my favorite band, playing my favorite song." During a later Foo Fighters appearance, Letterman said that Foo Fighters had been in the middle of a South American tour which they canceled to come play on his comeback episode.

Letterman again handed over the reins of the show to several guest hosts (including Bill Cosby, Brad Garrett, Elvis Costello, John McEnroe, Vince Vaughn, Will Ferrell, Bonnie Hunt, Luke Wilson and bandleader Paul Shaffer) in February 2003, when he was diagnosed with a severe case of shingles. Later that year, Letterman made regular use of guest hosts—including Tom Arnold and Kelsey Grammer—for new shows broadcast on Fridays. In March 2007, Adam Sandler—who had been scheduled to be the lead guest—served as a guest host while Letterman was ill with a stomach virus.

Re-signing with CBS

In March 2002, as Letterman's contract with CBS neared expiration, ABC offered him the time slot for long-running news program ''Nightline'' with Ted Koppel. Letterman was interested as he believed he could never match Leno's ratings at CBS due to Letterman's complaint of weaker lead-ins from the network's late local news programs, but was reluctant to replace Koppel. Letterman addressed his decision to re-sign on the air, stating that he was content at CBS and that he had great respect for Koppel.

On December 4, 2006, CBS revealed that Letterman signed a new contract to host ''The Late Show with David Letterman'' through the fall of 2010. "I'm thrilled to be continuing on at CBS," said Letterman. "At my age you really don't want to have to learn a new commute." Letterman further joked about the subject by pulling up his right pants leg, revealing a tattoo, presumably temporary, of the ABC logo.

"Thirteen years ago, David Letterman put CBS late night on the map and in the process became one of the defining icons of our network," said Leslie Moonves, president and CEO of CBS Corporation. "His presence on our air is an ongoing source of pride, and the creativity and imagination that the ''Late Show'' puts forth every night is an ongoing display of the highest quality entertainment. We are truly honored that one of the most revered and talented entertainers of our time will continue to call CBS 'home.'"

According to a 2007 article in ''Forbes'' magazine, Letterman earned $40 million a year. A 2009 article in ''The New York Times'', however, said his salary was estimated at $32 million per year. In June 2009, Letterman's Worldwide Pants and CBS reached agreement to continue the ''Late Show'' until at least August 2012. The previous contract had been set to expire in 2010, and the two-year extension is shorter than the typical three-year contract period negotiated in the past. Worldwide Pants agreed to lower its fee for the show, though it had remained a "solid moneymaker for CBS" under the previous contract.

On the February 3, 2011 edition of the ''Late Show'', during an interview with Howard Stern, Letterman said he would continue to do his talk show for "maybe two years, I think."

2007–2008 writers' strike

The Late Show went off air for eight weeks during the months of November and December because of the Writers Guild of America strike. Letterman's production company—Worldwide Pants—was the first company to make an individual agreement with the WGA, thus allowing his show to come back on air on January 2, 2008. On his first episode since being off air, he surprised the viewing audience with his newly grown beard, which signified solidarity with the strike. His beard was shaved off during the show on January 7, 2008.

Letterman and Carson

NBC's decision to select Jay Leno and not Letterman to succeed Johnny Carson as host of ''The Tonight Show'' was an embarrassment to Carson, who had all but promised the succession to Letterman. Letterman maintained a close relationship with Carson through his break with NBC. Three years after he left for CBS, HBO produced a made-for-television movie called ''The Late Shift'', based on a book by ''New York Times'' reporter Bill Carter, chronicling the battle between Letterman and Leno for the coveted ''Tonight Show'' hosting spot. Letterman would mock the film for months afterward, specifically on how the actor playing him, John Michael Higgins, did not resemble him in the least. ("They took a guy who looked nothing like me and with make-up and special camera angles, turned him into a guy who looked nothing like me, with red hair.")

Carson later made a few cameo appearances as a guest on Letterman's show. Carson's final television appearance came May 13, 1994 on a ''Late Show'' episode taped in Los Angeles, when he made a surprise appearance during a 'Top 10 list' segment. The audience went wild as Letterman stood up and proudly invited Carson to sit at his desk. The applause was so protracted that Carson was unable to say anything, and he finally returned backstage as the applause continued (it was later explained that Carson had laryngitis, though Carson can be heard talking to Letterman during his appearance).

In early 2005, it was revealed that Carson still kept up with current events and late-night TV right up to his death that year, and that he occasionally sent jokes to Letterman, who used these jokes in his monologue; according to CBS senior vice president Peter Lassally (a onetime producer for both men), Carson got "a big kick out of it." Letterman would do a characteristic Johnny Carson golf swing after delivering one of Carson's jokes. In a tribute to Carson, all of the opening monologue jokes during the first show following Carson's death were written by Carson.

Lassally also claimed that Carson had always believed Letterman, not Leno, to be his "rightful successor." Letterman also frequently employs some of Carson's trademark bits on his show, including "Carnac the Magnificent" (with Paul Shaffer as Carnac), "Stump the Band" and the "Week in Review."

Letterman and Oprah Winfrey

On September 10, 2007, Letterman made his first appearance on ''The Oprah Winfrey Show'' at Madison Square Garden in New York City. He shared pictures of his son and live-in girlfriend. The so-called feud between Letterman and Winfrey apparently ended in 2005 when Winfrey appeared on CBS's ''Late Show with David Letterman'' on December 2, in an event Letterman jokingly referred to as "the Super Bowl of Love". Winfrey had previously appeared on Letterman's show when he was hosting NBC's ''Late Night'' on May 2, 1989.

Winfrey and Letterman also appeared together in a Late Show promo that aired during CBS's coverage of Super Bowl XLI in February 2007, with the two sitting next to each other on the couch watching the game. Since the game was played between the Indianapolis Colts and Chicago Bears, the Indianapolis-born Letterman wears a Peyton Manning jersey, while Winfrey—who tapes her show in Chicago—is in a Brian Urlacher jersey. Three years later, during CBS's coverage of Super Bowl XLIV, the two appeared again, this time with Winfrey sitting on a couch between Letterman and Jay Leno. The appearance was Letterman's idea: Leno flew to New York City in an NBC corporate jet, sneaking into the Ed Sullivan Theater during the ''Late Show'''s February 4 taping wearing a disguise, meeting Winfrey and Letterman at a living room set created in the theater's balcony where they taped their promo.

Response to Internet death threat

On August 17, 2011 it was reported that a Muslim militant had posted a death threat against Letterman on a website frequented by Al-Qaeda supporters, calling on American Muslims to kill Letterman for making a joke about the death of an Al-Qaeda leader killed in a drone strike in Pakistan in June 2011. In his show on August 22, Letterman joked about the threat, saying "State Department authorities are looking into this. They're not taking this lightly. They’re looking into it. They're questioning, they're interrogating, there's an electronic trail — but everybody knows it's Leno."

Appearances in other media

Letterman appeared in issue 239 of the Marvel comic book ''The Avengers'', in which the title characters are guests on ''Late Night''. A parody of Letterman, named "David Endochrine," is gassed to death along with his bandleader named "Paul" and their audience in Frank Miller's ''The Dark Knight Returns''.

Letterman appeared in the pilot episode of the short-lived 1986 series "Coach Toast", and he appears with a bag over his head as a guest on Bonnie Hunt's ca. 1993 sitcom ''The Building''. He also appears in The Simpsons, as himself in a couch gag when The Simpsons find themselves (and the couch) in "Late Night with David Letterman." He had a cameo in the feature film ''Cabin Boy'', with Chris Elliott, who worked as a writer on Letterman's show. In this and other appearances, Letterman is listed in the credits as "Earl Hofert", the name of Letterman's maternal grandfather. He also appeared as himself in the Howard Stern biopic Private Parts as well as the 1999 Andy Kaufman biopic ''Man on the Moon'', in a few episodes of Garry Shandling's 1990s TV series ''The Larry Sanders Show'' and in "The Abstinence", a 1996 episode of the sitcom ''Seinfeld''. Letterman also made an uncredited appearance in the first episode of the third season of the sitcom The Nanny.

Letterman provided vocals for the Warren Zevon song "Hit Somebody" from ''My Ride's Here'', and provided the voice for Butt-head's father in the 1996 animated film ''Beavis and Butt-head Do America''.

In 2010, a documentary ''Dying to Do Letterman'' was released directed by Joke Fincioen and Biagio Messina featuring Steve Mazan, a stand up comic, who has cancer and wants to appear on the Letterman Show. The film won Best Documentary and Jury Awards at the Cinequest Film Festival. Steve Mazan published a same-titled book (full title, ''Dying to Do Letterman: Turning Someday into Today'' about his own saga.

Other projects

Worldwide Pants

Letterman started his own production company—Worldwide Pants Incorporated—which produced his show and several others, including ''Everybody Loves Raymond'', ''The Late Late Show'', and several critically acclaimed, but short-lived television series for Bonnie Hunt. Worldwide Pants also produced the dramedy program ''Ed'', which aired on NBC from 2000–2004. It was Letterman's first association with NBC since he left the network in 1993. During ''Ed's'' run, the star, Tom Cavanagh, appeared as a guest on ''The Late Show'' several times.

In 2005, Worldwide Pants produced its first feature film, ''Strangers with Candy'', which was a prequel to the Comedy Central TV series of the same title. In 2007, Worldwide Pants produced the ABC comedy series, ''Knights of Prosperity''.

Worldwide Pants made significant news in December 2007 when it was announced that Letterman's company had independently negotiated its own contract with the Writers Guild of America, East, thus allowing Letterman, Craig Ferguson, and their writers to return to work, while the union continued its strike against production companies, networks and studios who had not reached an agreement.

Record company

In late April 2010, several music industry websites reported that Letterman started a record label named Clear Entertainment/C.E. Music and signed his first artist, Runner Runner. Lucy Walsh announced on her MySpace page that she has been signed by Letterman and Clear Entertainment/C.E. Music and is working on her album.

Rahal Letterman Racing

Rahal Letterman Racing (RLR) is an auto racing team that currently races in the American Le Mans Series, and part-time in the Indy Racing League. It is co-owned by 1986 Indianapolis 500 winner Bobby Rahal and Letterman himself, and is based in Hilliard, Ohio. The team won the 2004 Indianapolis 500 with driver Buddy Rice. Letterman was a pit reporter for ABC in the 1971 Indianapolis 500.

American Foundation for Courtesy and Grooming

American Foundation for Courtesy and Grooming is Letterman's private foundation. Through it, Letterman has donated millions of dollars to charities and other non-profits in Indiana and Montana, celebrity-affiliated organizations such as Paul Newman's Hole in the Wall Gang Camp, universities such as Ball State, and other organizations such as the American Cancer Society, Salvation Army, and Doctors Without Borders.

Personal life

Marriages and long-term relationships

In 1969, Letterman married Michelle Cook; the marriage ended by divorce in 1977. He also had a long-term relationship with former head writer and producer on ''Late Night'', Merrill Markoe. In fact, Markoe was the mind behind several ''Late Night'' staples, such as "Stupid Pet/Human Tricks".

Letterman has a son, Harry Joseph Letterman (born on November 3, 2003), with Regina Lasko. Harry is named after Letterman's father. In 2005, police discovered a plot to kidnap Harry Letterman and ransom him for $5 million. Kelly Frank, a house painter who had worked for Letterman, was charged in the conspiracy.

Letterman and Lasko, who had been together since 1986, wed on March 19, 2009, during a quiet courthouse civil ceremony in Choteau, Montana, where he purchased a ranch in 1999. Letterman announced the marriage during the taping of his March 23 show, shortly after congratulating Bruce Willis for getting married the previous week. Letterman told the audience he nearly missed the ceremony because his truck became stuck in mud two miles from their house. The family resides in North Salem, New York, on a estate.

Stalking incidents

Beginning in May 1988, Letterman was stalked by Margaret Mary Ray, a woman suffering from schizophrenia. She once stole his Porsche, repeatedly broke into his house, and camped out on his tennis court. Her exploits drew national attention, and Letterman occasionally joked about her behavior in his show, although never mentioning her name. After she committed suicide in 1998, Letterman told the ''New York Times'' that he had had great compassion for her, and publicly expressed sympathy.

Extortion attempt and revelation of affairs

On his October 1, 2009 show, Letterman announced that he had been the victim of an extortion attempt by someone threatening to reveal that he had had sex with several of his female employees, confirming the relationships. He stated that three weeks earlier (on September 9, 2009) someone had left a package in his car with material he said he would write into a screenplay and a book if Letterman did not pay him $2 million. Letterman said that he contacted the Manhattan District Attorney's office, ultimately cooperating with them to conduct a sting operation involving giving the man a phony check. Subsequently, Robert J. "Joe" Halderman, a producer of the CBS true crime journalism series ''48 Hours'', was arrested after trying to deposit the check. He was indicted by a Manhattan grand jury and pleaded not guilty to a charge of attempted grand larceny on October 2, 2009. Eventually, on March 9, 2010, he pleaded guilty to this same felony and served a 6-month jail sentence, followed by probation and community service.

A central figure in the case and one of the women Letterman had had a sexual relationship with was his longtime personal assistant Stephanie Birkitt who often appeared with him in his show. She had also worked for ''48 Hours''. Until a month prior to the revelations she had shared a residence with Halderman, who allegedly had copied her personal diary and used it, along with private emails, in the blackmail package.

On October 3, 2009, a former CBS employee, Holly Hester, announced that she and Letterman had engaged in a year-long "secret" affair in the early 1990s while she was his intern and a student at New York University.

In the days following the initial announcement of the affairs and the arrest, several prominent women, including Kathie Lee Gifford, co-host of NBC's ''Today Show'', and NBC news anchor Ann Curry questioned whether Letterman's affairs with subordinates created an unfair working environment. A spokesman for Worldwide Pants said that the company's sexual harassment policy did not prohibit sexual relationships between managers and employees. According to business news reporter Eve Tahmincioglu, "CBS suppliers are supposed to follow the company's business conduct policies" and the CBS 2008 Business Conduct Statement states that "If a consenting romantic or sexual relationship between a supervisor and a direct or indirect subordinate should develop, CBS requires the supervisor to disclose this information to his or her Company's Human Resources Department..."

On October 5, 2009, Letterman devoted a segment of his show to a public apology to his wife and staff. Three days later, Worldwide Pants announced that Birkitt had been placed on a "paid leave of absence" from the ''Late Show''. On October 15, CBS News announced that the company's Chief Investigative Correspondent, Armen Keteyian, had been assigned to conduct an "in-depth investigation" into Halderman's blackmail of Letterman.

Awards and honors

Awards

In his capacities as either a writer, producer, performer, or as part of a writing team, Letterman is among the most nominated people in Emmy Award history with 52 nominations, winning two Daytime Emmys and five Primetime Emmys since 1981. His nomination record is second only to producer Jac Venza, who holds the record for the most Emmy nominations for an individual (57). Letterman has been nominated every year since 1984, when he first appeared on late night television as the host of ''Late Night with David Letterman.'' Additionally, he has won four American Comedy Awards. Letterman was the first recipient of the Johnny Carson Award for Comedic Excellence at The Comedy Awards in 2011.

David Letterman Communication and Media Building

On September 7, 2007, Letterman visited his alma mater, Ball State University in Muncie, Indiana, for the dedication of a communications facility named in his honor for his dedication to the university throughout his career as a comedian. The $21 million, David Letterman Communication and Media Building opened for the 2007 Fall semester. It features state-of-the-art recording equipment and facilities. Thousands of Ball State students, faculty, and local residents welcomed Letterman back to Indiana. Letterman's emotional speech touched on his struggles as a college student and his late father, and also included the "top ten good things about having your name on a building", finishing with, "if reasonable people can put my name on a $21 million building, anything is possible."

At the same time, Letterman also received a Sagamore of the Wabash award given by Indiana Governor Mitch Daniels, which recognizes distinguished service to the state of Indiana.

References

External links

David Letterman's Feb. 24, 1978 appearance on ''90 Minutes Live''

Official ''Late Show'' biography

1999 article on Letterman from Salon.com

Tape of Letterman announcing affairs/extortion attempt on Late Show

Category:1947 births Category:Living people Category:American entertainment industry businesspeople Category:American people of German descent Category:American television talk show hosts Category:Ball State University alumni Category:Daytime Emmy Award winners Category:Emmy Award winners Category:Indianapolis, Indiana television anchors Category:Indy Racing League owners Category:People from Indianapolis, Indiana Category:Weather presenters

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Coordinates	54°5′20″N18°25′10″N
name	Walt Disney
birth name	Walter Elias Disney
birth date	December 05, 1901
birth place	Hermosa, Chicago, Illinois, U.S.
death date	December 15, 1966
death place	Burbank, California, U.S. Interred: Forest Lawn Memorial Park, Glendale, California, U.S.
occupation	Film producer, Co-founder of The Walt Disney Company, formerly known as Walt Disney Productions
yearsactive	1920–1966
spouse	Lillian Bounds (1925–1966)
parents	Elias DisneyFlora Call Disney
relations	Herbert Arthur Disney (brother)Raymond Arnold Disney (brother)Roy Oliver Disney (brother)Ruth Flora Disney (sister)Ronald William Miller (son-in-law)Robert Borgfeldt Brown (son-in-law)Roy Edward Disney (nephew)
children	Diane Marie DisneySharon Mae Disney
religion	Christian (Congregationalist)
party	Republican
signature	Walt Disney Signature 2.svg }}

Walter Elias "Walt" Disney (December 5, 1901 – December 15, 1966) was an American film producer, director, screenwriter, voice actor, animator, entrepreneur, entertainer, international icon, and philanthropist, well-known for his influence in the field of entertainment during the 20th century. Along with his brother Roy O. Disney, he was co-founder of Walt Disney Productions, which later became one of the best-known motion picture producers in the world. The corporation is now known as The Walt Disney Company and has annual revenues of approximately USD $35 billion.

Disney is particularly noted as a film producer and a popular showman, as well as an innovator in animation and theme park design. He and his staff created some of the world's most well-known fictional characters including Mickey Mouse, for whom Disney himself provided the original voice. During his lifetime he received four honorary Academy Awards and won twenty-two Academy Awards from a total of fifty-nine nominations, including a record four in one year, giving him more awards and nominations than any other individual in history. Disney also won seven Emmy Awards and gave his name to the Disneyland and Walt Disney World Resort theme parks in the U.S., as well as the international resorts Tokyo Disney, Disneyland Paris, and Disneyland Hong Kong.

The year after his December 15, 1966 death from lung cancer in Burbank, California, construction began on Walt Disney World Resort in Florida. His brother Roy Disney inaugurated the Magic Kingdom on October 1, 1971.

1901–1937: Beginnings

Childhood

Disney was born on December 5, 1901, at 2156 N. Tripp Avenue in Chicago's Hermosa community area to Irish-Canadian father Elias Disney and German-American mother Flora Call Disney. His great-grandfather, Arundel Elias Disney, had emigrated from Gowran, County Kilkenny, Ireland where he was born in 1801. Arundel Disney was a descendant of Robert d'Isigny, a Frenchman who had travelled to England with William the Conqueror in 1066. With the d'Isigny name anglicised as "Disney", the family settled in a village now known as Norton Disney, south of the city of Lincoln, in the county of Lincolnshire.

In 1878, Disney's father Elias had moved from Huron County, Ontario, Canada to the United States at first seeking gold in California before finally settling down to farm with his parents near Ellis, Kansas, until 1884. Elias worked for the Union Pacific Railroad and married Flora Call on January 1, 1888, in Acron, Florida. The family moved to Chicago, Illinois, in 1890, hometown of his brother Robert who helped Elias financially for most of his early life. In 1906, when Walt was four, Elias and his family moved to a farm in Marceline, Missouri, where his brother Roy had recently purchased farmland. In Marceline, Disney developed his love for drawing with one of the family's neighbors, a retired doctor named "Doc" Sherwood, paying him to draw pictures of Sherwood's horse, Rupert. His interest in trains also developed in Marceline, a town that owed its existence to the Atchison, Topeka and Santa Fe Railway which ran through it. Walt would put his ear to the tracks in anticipation of the coming train then try and spot his uncle, engineer Michael Martin, running the train.

The Disneys remained in Marceline for four years, before moving to Kansas City in 1911 where Walt and his younger sister Ruth attended the Benton Grammar School. At school he met Walter Pfeiffer who came from a family of theatre aficionados, and introduced Walt to the world of vaudeville and motion pictures. Before long Walt was spending more time at the Pfeiffers' than at home. As well as attending Saturday courses at the Kansas City Art Institute, Walt often took Ruth to Electric Park, 15 blocks from their home, which Disney would later acknowledge as a major influence of his design of Disneyland).

Teenage years

In 1917, Elias acquired shares in the O-Zell jelly factory in Chicago and moved his family back to the city, where in the fall Disney began his freshman year at McKinley High School and took night courses at the Chicago Art Institute. He became the cartoonist for the school newspaper, drawing patriotic topics and focusing on World War I. Despite dropping out of high school at the age of sixteen to join the army, Disney was rejected for being underage.

After his rejection by the army, Walt and a friend decided to join the Red Cross. Soon after joining he was sent to France for a year, where he drove an ambulance, but only after the armistice was signed on November 11, 1918.

Hoping to find work outside the Chicago O-Zell factory, in 1919 Walt moved back to Kansas City to begin his artistic career. After considering whether to become an actor or a newspaper artist, he decided on a career as a newspaper artist, drawing political caricatures or comic strips. But when nobody wanted to hire him as either an artist or even as an ambulance driver, his brother Roy, then working in a local bank, got Walt a temporary job through a bank colleague at the Pesmen-Rubin Art Studio where he created advertisements for newspapers, magazines, and movie theaters. At Pesmen-Rubin he met cartoonist Ubbe Iwerks and when their time at the studio expired, they decided to start their own commercial company together.

In January 1920, Disney and Iwerks formed a short-lived company called, "Iwerks-Disney Commercial Artists". However, following a rough start, Disney left temporarily to earn money at the Kansas City Film Ad Company, and was soon joined by Iwerks who was not able to run their business alone. While working for the Kansas City Film Ad Company, where he made commercials based on cutout animations, Disney became interested in animation, and decided to become an animator. The owner of the Ad Company, A.V. Cauger, allowed him to borrow a camera from work to experiment with at home. After reading the Edwin G. Lutz book ''Animated Cartoons: How They Are Made, Their Origin and Development'', Disney considered cel animation to be much more promising than the cutout animation he was doing for Cauger. Walt eventually decided to open his own animation business, and recruited a fellow co-worker at the Kansas City Film Ad Company, Fred Harman, as his first employee. Walt and Harman then secured a deal with local theater owner Frank L. Newman, arguably the most popular "showman" in the Kansas City area at the time, to screen their cartoons at his local theater, which they titled ''Laugh-O-Grams''.

Laugh-O-Gram Studio

Presented as "Newman Laugh-O-Grams", Disney's cartoons became widely popular in the Kansas City area and through their success, he was able to acquire his own studio, also called Laugh-O-Gram, for which he hired a vast number of additional animators, including Fred Harman's brother Hugh Harman, Rudolf Ising, and his close friend Ubbe Iwerks. Unfortunately, studio profits were insufficient to cover the high salaries paid to employees. Unable to successfully manage money, Disney's studio became loaded with debt and wound up bankrupt whereupon he decided to set up a studio in the movie industry's capital city, Hollywood, California.

Hollywood

Disney and his brother Roy pooled their money and set up a cartoon studio in Hollywood where they needed to find a distributor for Walt's new Alice Comedies, which he had started making while in Kansas City but never got to distribute. Disney sent an unfinished print to New York distributor Margaret Winkler, who promptly wrote back to him that she was keen on a distribution deal for more live-action/animated shorts based upon ''Alice's Wonderland''.

Alice Comedies

Virginia Davis, the live-action star of ''Alice’s Wonderland'' and her family relocated from Kansas City to Hollywood at Disney's request, as did Iwerks and his family. This was the beginning of the Disney Brothers' Studio located on Hyperion Avenue in the Silver Lake district, where it remained until 1939. In 1925, Disney hired a young woman named Lillian Bounds to ink and paint celluloid. After a brief courtship, the pair married that same year.

The new series, ''Alice Comedies'', proved reasonably successful, and featured both Dawn O'Day and Margie Gay as Alice with Lois Hardwick also briefly assuming the role. By the time the series ended in 1927, its focus was more on the animated characters and in particular a cat named Julius who resembled Felix the Cat, rather than the live-action Alice.

Oswald the Lucky Rabbit

By 1927, Charles Mintz had married Margaret Winkler and assumed control of her business. He then ordered a new all-animated series to be put into production for distribution through Universal Pictures. The new series, ''Oswald the Lucky Rabbit'', was an almost instant success, and the character, Oswald — drawn and created by Iwerks — became a popular figure. The Disney studio expanded and Walt re-hired Harman, Rudolph Ising, Carman Maxwell, and Friz Freleng from Kansas City.

Disney went to New York in February 1928 to negotiate a higher fee per short and was shocked when Mintz told him that not only did he want to reduce the fee he paid Disney per short but also that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng—but not Iwerks, who refused to leave Disney—under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Walt. Disney declined Mintz's offer and as a result lost most of his animation staff whereupon he found himself on his own again.

It subsequently took his company 78 years to get back the rights to the Oswald character when in 2006 the Walt Disney Company reacquired the rights to Oswald the Lucky Rabbit from NBC Universal, through a trade for longtime ABC sports commentator Al Michaels.

Mickey Mouse

After losing the rights to Oswald, Disney felt the need to develop a new character to replace him, which was based on a mouse he had adopted as a pet while working in his Laugh-O-Gram studio in Kansas City. Ub Iwerks reworked the sketches made by Disney to make the character easier to animate although Mickey's voice and personality were provided by Disney himself until 1947. In the words of one Disney employee, "Ub designed Mickey's physical appearance, but Walt gave him his soul." Besides Oswald and Mickey, a similar mouse-character is seen in the ''Alice Comedies'', which featured "Ike the Mouse". Moreover, the first Flip the Frog cartoon called Fiddlesticks showed a Mickey Mouse look-alike playing fiddle. The initial films were animated by Iwerks with his name prominently featured on the title cards. Originally named "Mortimer", the mouse was later re-christened "Mickey" by Lillian Disney who thought that the name Mortimer did not fit. Mortimer later became the name of Mickey's rival for Minnie – taller than his renowned adversary and speaking with a Brooklyn accent.

The first animated short to feature Mickey, ''Plane Crazy'' was a silent film like all of Disney's previous works. After failing to find a distributor for the short and its follow-up, ''The Gallopin' Gaucho'', Disney created a Mickey cartoon with sound entitled ''Steamboat Willie''. A businessman named Pat Powers provided Disney with both distribution and Cinephone, a sound-synchronization process. ''Steamboat Willie'' became an instant success, and ''Plane Crazy'', ''The Galloping Gaucho'', and all future Mickey cartoons were released with soundtracks. After the release of ''Steamboat Willie'', Disney successfully used sound in all of his subsequent cartoons, and Cinephone also became the new distributor for Disney's early sound cartoons. Mickey soon eclipsed Felix the Cat as the world's most popular cartoon character and by 1930, despite their having sound, cartoons featuring Felix had faded from the screen after failing to gain attention. Mickey's popularity would subsequently skyrocket in the early 1930s.

''Silly Symphonies''

Following in the footsteps of ''Mickey Mouse series'', a series of musical shorts titled, ''Silly Symphonies'' were released in 1929. The first, ''The Skeleton Dance'' was entirely drawn and animated by Iwerks, who was also responsible for drawing the majority of cartoons released by Disney in 1928 and 1929. Although both series were successful, the Disney studio was not receiving its rightful share of profits from Pat Powers, and in 1930, Disney signed a new distribution deal with Columbia Pictures. The original basis of the cartoons was their musical novelty with the first Silly Symphony cartoons featuring scores by Carl Stalling.

Iwerks was soon lured by Powers into opening his own studio with an exclusive contract, while Stalling would also later leave Disney to join Iwerks. Iwerks launched his ''Flip the Frog'' series with the first voiced color cartoon ''Fiddlesticks'', filmed in two-strip Technicolor. Iwerks also created two other cartoon series, ''Willie Whopper'' and the ''Comicolor''. In 1936, Iwerks shut down his studio in order to work on various projects dealing with animation technology. He would return to Disney in 1940 and go on to pioneer a number of film processes and specialized animation technologies in the studio's research and development department.

By 1932, although Mickey Mouse had become a relatively popular cinema character, ''Silly Symphonies'' was not as successful. The same year also saw competition increase as Max Fleischer's flapper cartoon character, Betty Boop, gained popularity among theater audiences. Fleischer, considered Disney's main rival in the 1930s, was also the father of Richard Fleischer, whom Disney would later hire to direct his 1954 film ''20,000 Leagues Under the Sea''. Meanwhile, Columbia Pictures dropped the distribution of Disney cartoons to be replaced by United Artists. In late 1932, Herbert Kalmus, who had just completed work on the first three-strip technicolor camera, approached Walt and convinced him to reshoot the black and white ''Flowers and Trees'' in three-strip Technicolor. ''Flowers and Trees'' would go on to be a phenomenal success and would also win the first 1932 Academy Award for Best Short Subject: Cartoons. After the release of ''Flowers and Trees'', all subsequent ''Silly Symphony'' cartoons were in color while Disney was also able to negotiate a two-year deal with Technicolor, giving him the sole right to use their three-strip process, a period eventually extended to five years. Through ''Silly Symphonies'', Disney also created his most successful cartoon short of all time, ''The Three Little Pigs'' (1933). The cartoon ran in theaters for many months, featuring the hit song that became the anthem of the Great Depression, "Who's Afraid of the Big Bad Wolf".

First Academy Award

In 1932, Disney received a special Academy Award for the creation of "Mickey Mouse", a series which switched to color in 1935 and soon launched spin-offs for supporting characters such as Donald Duck, Goofy, and Pluto. Pluto and Donald became standalone cartoons in 1937, with Goofy following in 1939. Of all Mickey's partners, Donald Duck, who first teamed up with Mickey in the 1934 cartoon, ''Orphan's Benefit'', was arguably the most popular, going on to become Disney's second most successful cartoon character of all time.

Children

The Disneys' first attempt at pregnancy ended when Lillian miscarried. She became pregnant again and gave birth to a daughter, Diane Marie Disney, on December 18, 1933. The Disneys adopted Sharon Mae Disney (December 31, 1936 – February 16, 1993).

1937–1941: Golden age of animation

"Disney's Folly": ''Snow White and the Seven Dwarfs''

[[Image:Walt Disney Snow white 1937 trailer screenshot (13).jpg|left|thumb|Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 ''Snow White'' theatrical trailer.]]

Following the creation of two cartoon series, in 1934 Disney began planning a full-length feature. The following year, opinion polls showed that another cartoon series, ''Popeye the Sailor'', produced by Max Fleischer, was more popular than Mickey Mouse. Nevertheless, Disney was able to put Mickey back on top as well as increase his popularity by colorizing and partially redesigning the character to become what was considered his most appealing design to date. When the film industry learned of Disney's plans to produce an ''animated'' feature-length version of ''Snow White'', they were certain that the endeavor would destroy the Disney Studio and dubbed the project "Disney's Folly". Both Lillian and Roy tried to talk Disney out of the project, but he continued plans for the feature, employing Chouinard Art Institute professor Don Graham to start a training operation for the studio staff. Disney then used the ''Silly Symphonies'' as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the multiplane camera – a new technique first used by Disney in the 1937 ''Silly Symphonies'' short ''The Old Mill''.

All of this development and training was used to increase quality at the studio and to ensure that the feature film would match Disney's quality expectations. Entitled ''Snow White and the Seven Dwarfs'', the feature went into full production in 1934 and continued until mid-1937, when the studio ran out of money. To obtain the funding to complete ''Snow White'', Disney had to show a rough cut of the motion picture to loan officers at the Bank of America, who then gave the studio the money to finish the picture. The film premiered at the Carthay Circle Theater on December 21, 1937 and at its conclusion the audience gave ''Snow White and the Seven Dwarfs'' a standing ovation. ''Snow White'', the first animated feature in America made in Technicolor, was released in February 1938 under a new distribution deal with RKO Radio Pictures. RKO had been the distributor for Disney cartoons in 1936, after it closed down the Van Beuren Studios in exchange for distribution. The film became the most successful motion picture of 1938 and earned over $8 million on its initial release.

Golden age of animation

Following the success of ''Snow White'', for which Disney received one full-size, and seven miniature Oscar statuettes, he was able to build a new campus for the Walt Disney Studios in Burbank, which opened for business on December 24, 1939. ''Snow White'' was not only the peak of Disney's success, but also ushered in a period that would later be known as the Golden Age of Animation for the studio. Feature animation staff, having just completed ''Pinocchio'', continued work on ''Fantasia'' and ''Bambi'' as well as the early production stages of ''Alice in Wonderland'', ''Peter Pan'' and ''Wind in the Willows'' while the shorts staff carried on working on the ''Mickey Mouse'', ''Donald Duck'', ''Goofy'', and ''Pluto'' cartoon series, ending the ''Silly Symphonies'' at this time. Animator Fred Moore had redesigned Mickey Mouse in the late 1930s after Donald Duck overtook him in popularity among theater audiences.

''Pinocchio'' and ''Fantasia'' followed ''Snow White and the Seven Dwarfs'' into the movie theaters in 1940, but both proved financial disappointments. The inexpensive ''Dumbo'' was then planned as an income generator, but during production most of the animation staff went on strike, permanently straining relations between Disney and his artists.

1941–1945: World War II era

In 1941, the U.S. State Department sent Disney and a group of animators to South America as part of its Good Neighbor policy, at the same time guaranteeing financing for the resultant movie, ''Saludos Amigos''.

Shortly after the release of ''Dumbo'' in October 1941, the United States entered World War II. The U.S. Army contracted most of the Disney studio's facilities where the staff created training and instruction films for the military, home-front morale-boosting shorts such as ''Der Fuehrer's Face'' and the 1943 feature film ''Victory Through Air Power''. However, military films did not generate income, and the feature film ''Bambi'' underperformed on its release in April 1942. Disney successfully re-issued ''Snow White'' in 1944, establishing a seven-year re-release tradition for his features. In 1945, ''The Three Caballeros'' was the last animated feature released by the studio during the war.

In 1944, ''Encyclopædia Britannica'' publisher William Benton, entered into unsuccessful negotiations with Disney to make six to twelve educational films per annum. Disney was asked by the US Coordinator of Inter-American Affairs, Office of Inter-American Affairs (OIAA), to make an educational film about the Amazon Basin, which resulted in the 1944 animated short, ''The Amazon Awakens''.

1945–1955: Post-war period

Disney studios also created inexpensive package films, containing collections of cartoon shorts, and issued them to theaters during this period. These included ''Make Mine Music'' (1946), ''Melody Time'' (1948), ''Fun and Fancy Free'' (1947) and ''The Adventures of Ichabod and Mr. Toad'' (1949). The latter had only two sections, the first based on ''The Wind in the Willows'' by Kenneth Grahame, and the second on ''The Legend of Sleepy Hollow'' by Washington Irving. During this period, Disney also ventured into full-length dramatic films that mixed live action and animated scenes, including ''Song of the South'' and ''So Dear to My Heart''. After the war ended, Mickey's popularity would also fade.

By the late 1940s, the studio had recovered enough to continue production on the full-length features ''Alice in Wonderland'' and ''Peter Pan'', both of which had been shelved during the war years. Work also began on ''Cinderella'', which became Disney's most successful film since ''Snow White and the Seven Dwarfs''. In 1948 the studio also initiated a series of live-action nature films, titled ''True-Life Adventures'', with ''On Seal Island'' the first. Despite its resounding success with feature films, the studio's animation shorts were no longer as popular as they once were, with people paying more attention to Warner Bros. and their animation star Bugs Bunny. By 1942, Leon Schlesinger Productions, which produced the Warner Bros. cartoons, had become the country's most popular animation studio. However, while Bugs Bunny's popularity rose in the 1940s, so did Donald Duck's, a character who would replace Mickey Mouse as Disney's star character by 1949.

During the mid-1950s, Disney produced a number of educational films on the space program in collaboration with NASA rocket designer Wernher von Braun: ''Man in Space'' and ''Man and the Moon'' in 1955, and ''Mars and Beyond'' in 1957.

Testimony before Congress

Disney was a founding member of the anti-communist Motion Picture Alliance for the Preservation of American Ideals. In 1947, during the early years of the Cold War, Disney testified before the House Un-American Activities Committee (HUAC), where he branded Herbert Sorrell, David Hilberman and William Pomerance, former animators and labor union organizers, Communist agitators. All three men denied the allegations and Sorrell went on to testify before the HUAC in 1946 when insufficient evidence was found to link him to the Communist Party.

Disney also accused the Screen Actors Guild of being a Communist front, and charged that the 1941 strike was part of an organized Communist effort to gain influence in Hollywood.

1955–1966: Theme parks and beyond

Planning Disneyland

On a business trip to Chicago in the late-1940s, Disney drew sketches of his ideas for an amusement park where he envisioned his employees spending time with their children. The idea for a children's theme park came after a visit to Children's Fairyland in Oakland, California. This plan was originally intended to be built on a plot located across the street to the south of the studio. These original ideas developed into a concept for a larger enterprise that would become Disneyland. Disney spent five years developing Disneyland and created a new subsidiary company, WED Enterprises, to carry out planning and production of the park. A small group of Disney studio employees joined the Disneyland development project as engineers and planners, and were dubbed Imagineers.

As Disney explained one of his earliest plans to Herb Ryman, who created the first aerial drawing of Disneyland presented to the Bank of America during fund raising for the project, he said, "Herbie, I just want it to look like nothing else in the world. And it should be surrounded by a train." Entertaining his daughters and their friends in his backyard and taking them for rides on his Carolwood Pacific Railroad had inspired Disney to include a railroad in the plans for Disneyland.

Disneyland grand opening

Disneyland officially opened on July 18, 1955. On Sunday, July 17, 1955, Disneyland hosted a live TV preview, among the thousands of people in attendance were Ronald Reagan, Bob Cummings and Art Linkletter, who shared cohosting duties, as well as the mayor of Anaheim. Walt gave the following dedication day speech:

Carolwood Pacific Railroad

During 1949, Disney and his family moved to a new home on a large piece of land in the Holmby Hills district of Los Angeles, California. With the help of his friends Ward and Betty Kimball, who already had their own backyard railroad, Disney developed blueprints and immediately set to work on creating a miniature live steam railroad for his backyard. The name of the railroad, Carolwood Pacific Railroad, came from his home's location on Carolwood Drive. The railroad's half-mile long layout included a long trestle bridge, loops, overpasses, gradients, an elevated berm, and a tunnel underneath his wife's flowerbed. He named the miniature working steam locomotive built by Disney Studios engineer Roger E. Broggie ''Lilly Belle'' in his wife's honor and had his attorney draw up right-of-way papers giving the railroad a permanent, legal easement through the garden areas, which his wife dutifully signed; however, there is no evidence of the documents ever recorded as a restriction on the property's title.

Expansion into new areas

As Walt Disney Productions began work on Disneyland, it also began expanding its other entertainment operations. In 1950, ''Treasure Island'' became the studio's first all-live-action feature, soon followed by ''20,000 Leagues Under the Sea'' (in CinemaScope, 1954), ''Old Yeller'' (1957), ''The Shaggy Dog'' (1959), ''Pollyanna'' (1960), ''Swiss Family Robinson'' (1960), ''The Absent-Minded Professor'' (1961), and ''The Parent Trap'' (1961). The studio produced its first TV special, ''One Hour in Wonderland'', in 1950. Disney began hosting a weekly anthology series on ABC entitled ''Disneyland'', after the park, on which he aired clips of past Disney productions, gave tours of his studio, and familiarized the public with Disneyland as it was being constructed in Anaheim. The show also featured a Davy Crockett miniseries, which started the "Davy Crockett craze" among American youth, during which millions of coonskin caps and other Crockett memorabilia were sold across the country. In 1955, the studio's first daily television show, ''Mickey Mouse Club'' debuted and would continue in various incarnations into the 1990s.

As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the Nine Old Men. Although he was spending less time supervising the production of the animated films, he was always present at story meetings.. During Disney's lifetime, the animation department created the successful ''Lady and the Tramp'' ( the first animated film in CinemaScope) in 1955, ''Sleeping Beauty'' ( the first animated film in Super Technirama 70mm) in 1959, ''One Hundred and One Dalmatians'' (the first animated feature film to use Xerox cels) in 1961, and ''The Sword in the Stone'' in 1963.

Production of short cartoons kept pace until 1956, when Disney shut down the responsible division although special shorts projects would continue for the remainder of the studio's duration on an irregular basis. These productions were all distributed by Disney's new subsidiary, Buena Vista Distribution, which had taken over all distribution duties for Disney films from RKO by 1955. Disneyland, one of the world's first theme parks, finally opened on July 17, 1955, and was immediately successful. Visitors from around the world came to visit Disneyland, which contained attractions based on a number of successful Disney characters and films.

After 1955, the ''Disneyland'' TV show was renamed ''Walt Disney Presents''. It switched from black-and-white to color in 1961 and changed its name to ''Walt Disney's Wonderful World of Color'', at the same time moving from ABC to NBC, and eventually evolving into its current form as ''The Wonderful World of Disney''. The series continued to air on NBC until 1981, when it was picked up by CBS. Since then, it has aired on ABC, NBC, the Hallmark Channel and the Cartoon Network via separate broadcast rights deals. During its run, the Disney series offered some recurring characters, such as the newspaper reporter and sleuth "Gallegher" played by Roger Mobley with a plot based on the writings of Richard Harding Davis.

Disney had already formed his own music publishing division in 1949 and in 1956, partly inspired by the huge success of the television theme song The Ballad of Davy Crockett, he created a company-owned record production and distribution entity called Disneyland Records.

Early 1960s successes

By the early 1960s, the Disney empire had become a major success, and Walt Disney Productions had established itself as the world's leading producer of family entertainment. Walt Disney was the Head of Pageantry for the 1960 Winter Olympics.

After decades of pursuit, Disney finally acquired the rights to P.L. Travers' books about a magical nanny. ''Mary Poppins'', released in 1964, was the most successful Disney film of the 1960s and featured a memorable song score written by Disney favorites, the Sherman Brothers. The same year, Disney debuted a number of exhibits at the 1964 New York World's Fair, including Audio-Animatronic figures, all of which were later integrated into attractions at Disneyland and a new theme park project which was to be established on the East Coast.

Although the studio would probably have proved major competition for Hanna-Barbera, Disney decided not to enter the race and mimic Hanna-Barbera by producing Saturday morning TV cartoon series. With the expansion of Disney's empire and constant production of feature films, the financial burden involved in such a move would have proven too great.

Plans for Disney World and EPCOT

In early 1964, Disney announced plans to develop another theme park to be called Disney World a few miles west of Orlando, Florida. Disney World was to include "the Magic Kingdom", a larger, more elaborate version of Disneyland. It would also feature a number of golf courses and resort hotels. The heart of Disney World, however, was to be the Experimental Prototype City (or Community) of Tomorrow, known as EPCOT for short.

Mineral King Ski Resort

During the early to mid 1960s, Walt Disney developed plans for a ski resort in Mineral King, a glacial valley in California's Sierra Nevada mountain range. He brought in experts such as the renowned Olympic ski coach and ski-area designer Willy Schaeffler, who helped plan a visitor village, ski runs and ski lifts among the several bowls surrounding the valley. Plans finally moved into action in the mid 1960s, but Walt died before the actual work started. Disney's death and opposition from conservationists ensured that the resort was never built.

Death

In 1966, Disney was scheduled to undergo surgery to repair an old neck injury caused by many years of playing polo at the Riviera Club in Hollywood. On November 2, during pre-operative X-rays, doctors at Providence St. Joseph Medical Center, across the street from the Disney Studio, discovered a tumor in his left lung. Five days later a biopsy showed the tumor to be malignant and to have spread throughout the entire left lung. After removal of the lung, doctors informed Disney that his life expectancy was six months to two years. After several chemotherapy sessions, Disney and his wife spent a short amount of time in Palm Springs, California. On November 30, Disney collapsed at his home. He was revived by fire department personnel and rushed to St. Joseph's where on December 15, 1966, at 9:30 a.m., ten days after his 65th birthday, Disney died of acute circulatory collapse, caused by lung cancer. The last thing he reportedly wrote before his death was the name of actor Kurt Russell, the significance of which remains a mystery, even to Russell.

Disney was cremated on December 17, 1966, and his ashes interred at the Forest Lawn Memorial Park in Glendale, California. Roy O. Disney continued out with the Florida project, insisting that the name be changed to Walt Disney World in honor of his brother.

The final productions in which Disney played an active role were the animated features ''The Jungle Book'' and ''Winnie the Pooh and the Blustery Day'', as well as the live-action musical comedy ''The Happiest Millionaire'', both released in 1967. Songwriter Robert B. Sherman recalled of the last time he saw Disney: }}

A long-standing urban legend maintains that Disney was cryogenically frozen, and his frozen corpse stored beneath the Pirates of the Caribbean ride at Disneyland. However, the first known cryogenic freezing of a human corpse did not occur until January 1967, more than a month after his death.

Legacy: 1967–present

Continuing Disney Productions

After Walt Disney's death, Roy Disney returned from retirement to take full control of Walt Disney Productions and WED Enterprises. In October 1971, the families of Walt and Roy met in front of Cinderella Castle at the Magic Kingdom to officially open the Walt Disney World Resort.

After giving his dedication for Walt Disney World, Roy asked Lillian Disney to join him. As the orchestra played "When You Wish Upon a Star", she stepped up to the podium accompanied by Mickey Mouse. He then said, "Lilly, you knew all of Walt's ideas and hopes as well as anybody; what would Walt think of it [Walt Disney World]?". "I think Walt would have approved," she replied. Roy died from a cerebral hemorrhage on December 20, 1971, the day he was due to open the Disneyland Christmas parade. During the second phase of the "Walt Disney World" theme park, EPCOT was translated by Disney's successors into EPCOT Center, which opened in 1982. As it currently exists, EPCOT is essentially a living world's fair, different from the actual functional city that Disney had envisioned. In 1992, Walt Disney Imagineering took the step closer to Disney's original ideas and dedicated Celebration, Florida, a town built by the Walt Disney Company adjacent to Walt Disney World, that hearkens back to the spirit of EPCOT. EPCOT was also originally intended to be devoid of Disney characters which initially limited the appeal of the park to young children. However, the company later changed this policy and Disney characters can now be found throughout the park, often dressed in costumes reflecting the different pavilions.

The Disney entertainment empire

Today, Walt Disney's animation/motion picture studios and theme parks have developed into a multi-billion dollar television, motion picture, vacation destination and media corporation that carry his name. Among other assets The Walt Disney Company owns five vacation resorts, eleven theme parks, two water parks, thirty-nine hotels, eight motion picture studios, six record labels, eleven cable television networks, and one terrestrial television network. As of 2007, the company had annual revenues of over U.S. $35 billion.

Disney Animation

Walt Disney was a pioneer in character animation. He was one of the first people to move away from basic cartoons with just ''"impossible outlandish gags"'' and crudely drawn characters to an art form with heartwarming stories and characters the audience can connect to on an emotional level. The personality displayed in the characters of his films and the technological advancements remain influential when animating today. He was also considered by many of his colleagues to be a master storyteller and the animation department did not fully recover from his demise until the late 1980's in a period known as the Disney Renaissance. The most finacially and critically successful films produced during this time include Who Framed Roger Rabbit (1988), The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992) and The Lion King (1994). In 1995 Walt Disney Pictures distributed Pixar's Toy Story, the first computer animated feature film. Walt Disney's nephew Roy E. Disney claimed that Walt would have loved ''Toy Story'' and that it was ''"his kind of movie"'' . With the rise of computer animated films a stream of financially unsuccessful Traditional hand-drawn animated features in the early 2000s emerged. This led to the company's controversial decision to close the traditional animation department. The two satellite studios in Paris and Orlando were closed, and the main studio in Burbank was converted to a computer animation production facility, firing hundreds of people in the process. In 2004, Disney released what was announced as their final "traditionally animated" feature film, ''Home on the Range''. However, since the 2006 acquisition of Pixar, and the resulting rise of John Lasseter to Chief Creative Officer, that position has changed with the largely successful 2009 film ''The Princess and the Frog''. This marked Disney's return to traditional hand-drawn animation and the studio hired back staff who had been laid-off in the past. Today Disney produces both traditional and computer animation.

CalArts

In his later years, Disney devoted substantial time to funding The California Institute of the Arts (CalArts). Formed in 1961 through a merger of the Los Angeles Conservatory of Music and the Chouinard Art Institute, which had helped in the training of the animation staff during the 1930s, when Disney died, one-fourth of his estate went to CalArts, which helped in building its campus. In his will, Disney paved the way for the creation of several charitable trusts which included one for the California Institute of the Arts and other for the Disney Foundation. He also donated of the Golden Oaks ranch in Valencia for construction of the school. CalArts moved onto the Valencia campus in 1972.

In an early admissions bulletin, Disney explained: }}

Walt Disney Family Museum

In 2009, the Walt Disney Family Museum opened in the Presidio of San Francisco. Thousands of artifacts from Disney's life and career are on display, including 248 awards that he received.

Anti-Semitism accusations

Disney was long rumored to be anti-Semitic during his lifetime, and such rumors have persisted after his death. Disney biographer Neal Gabler, the first writer to gain unrestricted access to the Disney archives, concluded in 2006 that available evidence does not support such accusations. In a CBS interview Gabler summarized his findings: }} Disney eventually distanced himself from the Motion Picture Alliance in the 1950s.

The Walt Disney Family Museum acknowledges that Disney did have "difficult relationships" with some Jewish individuals, and that ethnic stereotypes common to films of the 1930s were included in some early cartoons, such as ''Three Little Pigs''. However, the museum points out that Disney employed Jews throughout his career and was named "1955 Man Of The Year" by the B'nai B'rith chapter in Beverly Hills.

Academy Awards

Walt Disney holds the record for both the most Academy Award nominations (59) and the number of Oscars awarded (22). He also earned four honorary Oscars while his last competitive Academy Award was posthumous.

1932: Best Short Subject, Cartoons for: Flowers and Trees (1932)

1932: Honorary Award for: creation of Mickey Mouse.

1934: Best Short Subject, Cartoons for: Three Little Pigs (1933)

1935: Best Short Subject, Cartoons for: The Tortoise and the Hare (1934)

1936: Best Short Subject, Cartoons for: Three Orphan Kittens (1935)

1937: Best Short Subject, Cartoons for: The Country Cousin (1936)

1938: Best Short Subject, Cartoons for: The Old Mill (1937)

1939: Best Short Subject, Cartoons for: Ferdinand the Bull (1938)

1939: Honorary Award for ''Snow White and the Seven Dwarfs'' (1937) The citation read: ''"For Snow White and the Seven Dwarfs, recognized as a significant screen innovation which has charmed millions and pioneered a great new entertainment field"'' (the award was one statuette and seven miniature statuettes)

1940: Best Short Subject, Cartoons for: Ugly Duckling (1939)

1941: Honorary Award for: Fantasia (1940), shared with: William E. Garity and J.N.A. Hawkins. The citation for the certificate of merit read: ''"For their outstanding contribution to the advancement of the use of sound in motion pictures through the production of ''Fantasia''"''

1942: Best Short Subject, Cartoons for: Lend a Paw (1941)

1943: Best Short Subject, Cartoons for: Der Fuehrer's Face (1942)

1949: Best Short Subject, Two-reel for: Seal Island (1948)

1949: Irving G. Thalberg Memorial Award (Honorary Award)

1951: Best Short Subject, Two-reel for: Beaver Valley (1950)

1952: Best Short Subject, Two-reel for: Nature's Half Acre (1951)

1953: Best Short Subject, Two-reel for: Water Birds (1952)

1954: Best Documentary, Features for: The Living Desert (1953)

1954: Best Documentary, Short Subjects for: The Alaskan Eskimo (1953)

1954: Best Short Subject, Cartoons for: Toot Whistle Plunk and Boom (1953)

1954: Best Short Subject, Two-reel for: Bear Country (1953)

1955: Best Documentary, Features for: The Vanishing Prairie (1954)

1956: Best Documentary, Short Subjects for: Men Against the Arctic

1959: Best Short Subject, Live Action Subjects for: Grand Canyon

1969: Best Short Subject, Cartoons for: Winnie the Pooh and the Blustery Day

Other honors

Walt Disney was the inaugural recipient of a star on the Anaheim walk of stars awarded in recognition of his significant contribution to the city of Anaheim and specifically Disneyland, which is now the Disneyland Resort. The star is located at the pedestrian entrance to the Disneyland Resort on Harbor Boulevard. Disney has two stars on the Hollywood Walk of Fame, one for motion pictures and the other for his television work.

Walt Disney received the Congressional Gold Medal on May 24, 1968 (P.L. 90-316, 82 Stat. 130–131) and the Légion d'Honneur awarded by France in 1935. In 1935, Walt received a special medal from the League of Nations for creation of Mickey Mouse, held to be Mickey Mouse award. He also received the Presidential Medal of Freedom on September 14, 1964. On December 6, 2006, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Walt Disney into the California Hall of Fame located at The California Museum for History, Women, and the Arts.

A minor planet, 4017 Disneya, discovered in 1980 by Soviet astronomer Lyudmila Georgievna Karachkina, is named after him.

The Walt Disney Concert Hall in Los Angeles, California, opened in 2003, was named in his honor.

In 1993, HBO began development of a Walt Disney biopic directed by Frank Pierson and featuring Lawrence Turman but the project never materialized and was soon abandoned. However, ''Walt - The Man Behind the Myth'', a biographical documentary about Disney, was later made.

See also

Disney family

The Mickey Mouse Club

The Walt Disney Family Museum

Walt Disney anthology television series

Notes

References

Further reading

Barrier, Michael (1999). ''Hollywood Cartoons: American Animation in Its Golden Age''. Oxford: Oxford University Press. ISBN 0-19-516729-5.

Broggie, Michael (1997, 1998, 2005). ''Walt Disney's Railroad Story''. Virginia Beach, Virginia. Donning Publishers. ISBN 1-56342-009-0

Eliot, Marc (1993). ''Walt Disney: Hollywood's Dark Prince''. Carol. ISBN 1-55972-174-X

Mosley, Leonard. ''Disney's World: A Biography'' (1985, 2002). Chelsea, MI: Scarborough House. ISBN 0-8128-8514-7.

Gabler, Neal. ''Walt Disney: The Triumph of American Imagination'' (2006). New York, NY. Random House. ISBN 0-679-43822-X

Schickel, Richard, and Dee, Ivan R. (1967, 1985, 1997). ''The Disney Version: The Life, Times, Art and Commerce of Walt Disney''. Chicago: Ivan R. Dee, Publisher. ISBN 1-56663-158-0.

Sherman, Robert B. and Sherman, Richard M. (1998) "Walt's Time: From Before to Beyond" ISBN 0-9646059-3-7

Watts, Steven, ''The Magic Kingdom: Walt Disney and the American Way of Life'', University of Missouri Press, 2001, ISBN 0826213790

External links

Discusses Walt Disney's attitude towards unions and communism.

Walt Disney Family Museum

Neal Gabler, Inside Walt Disney

Interview with Robert Stack About Walt Disney's Involvement in Polo

Walt Disney Gravesite

Disney's Fantastic Voyage

History of Walt Disney

Category:1901 births Category:1966 deaths Category:American animators Category:American anti-communists Category:American cartoonists Category:American Congregationalists Category:American Christians Category:American entertainment industry businesspeople Category:American film directors Category:American film producers Category:American screenwriters Category:American television personalities Category:American voice actors Category:Animated film directors Category:Burials at Forest Lawn Memorial Park (Glendale) Category:California Republicans Category:Cancer deaths in California Category:Congressional Gold Medal recipients Category:Deaths from lung cancer Category:Disney comics writers Category:Disney people Category:English-language film directors Category:Film studio executives Category:American artists of German descent Category:American writers of German descent Category:Illinois Republicans Category:American writers of Irish descent Category:American people of Canadian descent Category:American people of English descent Category:American people of French descent Category:Kansas City Art Institute alumni Category:National Inventors Hall of Fame inductees Category:People from Chicago, Illinois Category:Presidential Medal of Freedom recipients Category:School of the Art Institute of Chicago alumni Category:Animated film producers

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