Coordinates | 23°12′48″N94°19′06″N |
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birth name | Emmitt Perry, Jr. |
birth date | September 13, 1969 |
birth place | New Orleans, Louisiana, US |
occupation | Actor, author, screenwriter, film director, theater producer, theater director, television director, playwright, film producer, television producer, lyricist |
yearsactive | 1992–present |
website | Official site }} |
Many years later, after seeing the film ''Precious'', he was moved to relate for the first time accounts of being molested by a friend's mother at age 10; he was also molested by three men previous to this, and later found out his own father had molested a friend.
While Perry did not complete high school, he earned a GED. In his early 20s, watching an Oprah Winfrey talk show, he heard someone describe the sometimes therapeutic effect that the act of writing can have, enabling the author to work out his or her own problems. This comment inspired him to apply himself to a career in writing. He soon started writing a series of letters to himself, which became the basis for the musical, ''I Know I've Been Changed.''
Perry's next Lionsgate project, ''Daddy's Little Girls'', starred Gabrielle Union and Idris Elba and was released in the U.S. on February 14, 2007. It grossed over $31 million. Perry wrote, directed, produced and starred in his next film, ''Why Did I Get Married?'', released on October 12, 2007. It opened at number one, grossing $21.4 million that weekend. It is loosely based on his play of the same name. Filming began March 5, 2007, in Whistler, British Columbia, Vancouver, then moved to Atlanta, where Perry had opened his own studio. Janet Jackson, Sharon Leal, Jill Scott and Tasha Smith appeared in the film. Perry's 2008 film, ''Meet the Browns'', released on March 21, opened at number two with a $20,082,809 weekend gross. ''The Family That Preys'' opened on September 12, 2008, and grossed over $37.1 million.
''Madea Goes to Jail'' opened at number one on February 20, 2009, grossing $41 million and becoming his largest opening to date. This was Perry's seventh film with Lionsgate Entertainment. At the request of director J. J. Abrams, Perry had a cameo appearance in ''Star Trek'' as the Starfleet Academy commandant Admiral Barnett, which opened on May 8, 2009. This was his first film appearance outside of his own projects.
Perry next wrote, directed, and starred in ''I Can Do Bad All By Myself'', a film structured around his Madea character. This was Perry's eighth film and also made number one at the box office. In 2009, Perry teamed with Oprah Winfrey to present ''Precious,'' a film based on the novel ''Push'' by Sapphire.
''Why Did I Get Married Too?'', the sequel to ''Why Did I Get Married?'', opened in theaters on April 2, 2010. It featured Janet Jackson, Cicely Tyson, Louis Gossett, Jr., Jill Scott and Malik Yoba. As of April 18, the film has grossed over $54 million domestically, with $29 million made the opening weekend.
Perry directed a film adaptation of Ntozake Shange's ''For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf''. It was released November 5, 2010. He appeared in the stage show ''Madea's Big Happy Family'', which toured the U.S. and was a movie in 2011, written, directed by, and starring Perry. ''Madea's Big Happy Family'' raked in 25.8 million dollars at the box office, taking 2nd place.
Perry is also slated to take over the role of James Patterson's Alex Cross from Morgan Freeman in the pending film adaptation of ''I, Alex Cross''.
Perry's films are co-produced and distributed by Lionsgate Entertainment; he retains full copyright ownership under the corporate name Very Perry Films, and places his name in front of all titles. Perry's movies have seen very limited release outside North America, but in May 2010 Lionsgate announced plans to begin releasing his films in the United Kingdom.
Perry's next film with Lionsgate is set to be ''Good Deeds'', as he again will work behind and in front of the camera. Perry will be playing lead character Glen Deeds. The movie is also set to star Thandie Newton, Rebecca Romijn, Gabrielle Union, Eddie Cibrian, Jamie Kennedy, Phylicia Rashad and more.
movie Perry produces a television show entitled ''Tyler Perry's House of Payne'', which follows an African-American household of three generations. The show demonstrates the family members' struggles with faith and love, as well as living with different generations. The show ran in the spring of 2006 as a 10-show pilot. After the successful pilot run, Perry signed a $200 million, 100-episode deal with TBS. On June 6, 2007, the first two episodes of ''Tyler Perry's House of Payne'' ran on TBS. After receiving high ratings, ''House of Payne'' entered broadcast syndication. Reruns were played through December 2007 before the second season began. The third season began on March 5, 2008 and the fourth season on June 4, 2008. ''House of Payne'' airs on TBS.
The Writers Guild of America, West has filed unfair labor practice charges with the National Labor Relations Board (NLRB), alleging that Perry's production company, House of Payne, unlawfully fired four writers in October 2008 in retaliation for their trying to get a union contract. The dispute was settled a month later, when Tyler Perry Studios agreed to be a WGA signatory.
Perry wrote, directed and produced the sitcom ''Meet the Browns'', which premiered on TBS on January 7, 2009.
Perry has said he may produce more sitcoms entitled ''Floyd's Family'', a spin off of ''House of Payne'' featuring the character Floyd, and another called ''For Better or Worse'' based on the play and motion picture, ''Why Did I Get Married'' and its sequel.
In early 2009, Perry threatened legal action against Mo' Money Taxes, a tax preparation company based in Memphis, for running a TV spot that he felt offensively parodied his work, in particular ''Madea Goes to Jail''. The ad features a large Caucasian male (John Cowan) in drag, named "Ma'Madea". The offending ad was dropped from circulation.
The recurring character of Mabel "Madea" Simmons appears in much of Perry's work. Perry first introduced Madea in his 1999 play, ''I Can Do Bad All By Myself'', and the character has recurred in many of his subsequent works. Perry portrays Madea by cross-dressing in his plays and films. Perry has said he based Madea on an aunt who lives in Georgia, as well as on his mother. Madea dispenses wisdom in a "no-nonsense manner", and she usually engages in physical comedy and/or sight gags. The nickname "Madea" comes from a Southern contraction of the words "mother dear", which is commonly used as a term of affection or as a reference to a great-grandmother.
Perry often refers to Steven Spielberg's adaptation of Alice Walker's ''The Color Purple'', which he notes as one of his favorite films. Perry's plays refer to 1970s R&B; and soul music, and the differences between that and the current state of rap/hip-hop music and other music popular among the black community.
Other references include singers Patti LaBelle, Whitney Houston, 50 Cent (who was referred to as Creflo Dollar's half-brother), R. Kelly, Michael Jackson, Ike & Tina Turner, and Tweet, rapper Missy Elliott, the 1994 film ''Forrest Gump'', and the sitcom ''Good Times''.
Many of Perry's television works, such as ''House of Payne'', are sitcoms that feature subject matter and themes that are darker and heavier than those of traditional sitcoms. Thus, his sitcoms have often been classified as comedy-dramas or black comedies. The storyline of the shows are often serialized, with many references to past episodes, creating a continuing story arc.
Despite praising Perry in 2006, in 2009 director Spike Lee criticized his work when interviewed by Ed Gordon on ''Our World with Black Enterprise'', saying, "Each artist should be allowed to pursue their artistic endeavors but I still think there is a lot of stuff out today that is 'coonery' and buffoonery. I know it's making a lot of money and breaking records, but we can do better … I see these two ads for these two shows [Tyler Perry’s ''Meet the Browns'' and ''House of Payne''] and I am scratching my head … We got a black president and we going back to Mantan Moreland and Sleep 'n' Eat?" When Gordon cited Perry’s success among black audiences and asked Spike if Perry wasn’t just giving black America what they wanted, he responded, "We've had this discussion back and forth. When John Singleton [created his films], people came out to see ''Boyz n the Hood'', but when he did ''Rosewood'', nobody showed up. So a lot of this is on us. You vote with your pocketbook, your wallet. You vote with your time sitting in front of the idiot box, and the man has a huge audience, Tyler's very smart. …We shouldn’t think that Tyler Perry is going to make the same film that I am going to make, or that John Singleton or my cousin Malcolm Lee [would make]. As African Americans, we're not one monolithic group so there is room for all of that, but at the same time, for me, the imaging is troubling and it harkens back to ''Amos 'n' Andy''."
In September 2009, Jamilah Lemieux made similar remarks on National Public Radio. While thanking Perry for employing blacks in front of and behind the camera and for making work with humor and "positive messages about self-worth, love and respect", she criticized him for making television shows "marked by old stereotypes of buffoonish, emasculated black men and crass, sassy black women." She took him to task for his Madea character saying that through this, "the country has laughed at one of the most important members of the black community: Mother Dear, the beloved matriarch. […] Our mothers and grandmothers deserve much more than that." She stated that she appreciated that he was dismissive of critics' comments concerning his work, "but many black folks have expressed some of the very same attitudes about your work that white critics have." She stated that blacks "have been fed the same images of ourselves over and over and over because they sell." She felt that his success had been "mired with the worst black pathologies and stereotypes" and called on him to "stop dismissing the critics as haters and realize that black people need new stories and new storytellers."
Lemieux’s criticism of Perry was cited and expanded upon by the author Tom Burrell in his 2010 book ''Brainwashed: Challenging the Myth of Black Inferiority''. Burrell cited Perry’s 2008 film ''Meet the Browns'' as an example of when "we black people pull the trigger for our own image assassination." Burrell also stated, "…it's not entirely fair to expect Perry to chart a new course alone. His movies and TV shows would not be so successful if blacks didn't have a raging appetite for messages and images that project us as dysfunctional or incompetent. Nothing that occurred during Amos 'n' Andy’s radio and television reign could match the words and actions of black comedies like Madea and The Browns. Our attraction to self-demeaning images came way before, and goes far beyond, Tyler Perry." Burrell called for new images of blacks in entertainment and a new vision of black self-image.
Perry (and Madea) were satirized in a June 2010 episode of the Adult Swim animated series ''The Boondocks''; the ''Los Angeles Times'' called this episode "one of the sharpest public criticisms of Perry".
Cultural critic Touré stated in an April 21, 2011 NPR ''All Things Considered'' interview that "Tyler Perry is perhaps the worst filmmaker in Hollywood" and was quoted as saying earlier that Perry is the "KFC of black cinema".
On May 4, 2011, Perry was satirized by ''South Park'' in the episode "Funnybot". At the South Park Elementary Special Education Department Comedy Awards, Perry was presented the Kathy Griffin Award, "given to the celebrity most likely to show up". Following the awards presentation, Perry annoyingly remained in South Park, now dressed as Madea, cracking wise and uttering non sequiturs while constantly being given money by Token, the only black student; Token explains that "I can’t help myself". The ''South Park'' writers further satirized Perry by showing President Obama addressing the nation, stating he was going to watch "a Tyler Perry movie. I know, it’s embarrassing. But I simply can’t help myself." Finally, in a surprise twist, Perry is forever buried, encased in steel, because, as President Obama puts it, "I am pleased to announce that the greatest threat to mankind has now gone forever. Justice has been done."
Perry’s work has also been defended by Oprah Winfrey, who joined Perry in promoting Lee Daniels' film ''Precious''. She told an interviewer, "I think [Perry] grew up being raised by strong, black women. And so much of what he does is really in celebration of that. I think that's what Madea really is: a compilation of all those strong black women that I know and maybe you do too? And so the reason it works is because people see themselves."
Goldie Taylor, of ''The Grio'' and MSNBC, stated in an April 21, 2011 NPR ''All Things Considered'' interview regarding Perry's target audience: "I don't think Tyler Perry is talking to Touré. I don't think he's talking to me, but I know that he's speaking directly to my mother, my sister, my cousins and meeting them at their point of need, and that's what art and filmmaking is about." In the same interview, NPR's Michele Norris reported Tyler Perry had said a week earlier that "Spike Lee can, quote, 'go straight to hell.'"
On July 20, 2009, Perry sponsored 65 children from a Philadelphia day camp to go to Walt Disney World, after reading that a suburban swim club (Valley Swim Club, Huntingdon Valley, Pennsylvania) had shunned them. Perry wrote on his website, "I want them to know that for every act of evil that a few people will throw at you, there are millions more who will do something kind for them."
On December 8, 2009, Tyler's mother, Willie Maxine Perry, died at the age of 64, following an illness. As of 2011, Perry remains unmarried. He lives and works in Southwest Atlanta where he operates the Tyler Perry movies and TV studios. In August 2010, it was reported that Perry had purchased Dean Gardens, a estate in the Atlanta suburb of Johns Creek. Perry was reportedly planning to tear down the existing mansion and build a new, environmentally friendly home on the property.
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Category:1969 births Category:Actors from Louisiana Category:African American dramatists and playwrights Category:African American film actors Category:African American film directors Category:African-American film producers Category:African American screenwriters Category:African American television actors Category:African American television directors Category:American Christians Category:American dramatists and playwrights Category:American film directors Category:American film producers Category:American screenwriters Category:American television directors Category:American television producers Category:American television writers Category:Living people Category:People from New Orleans, Louisiana
fr:Tyler Perry it:Tyler Perry ja:タイラー・ペリー no:Tyler Perry pl:Tyler Perry pt:Tyler Perry fi:Tyler PerryThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 23°12′48″N94°19′06″N |
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birth name | Whitney Elizabeth Houston |
background | solo_singer |
birth date | August 09, 1963 |
birth place | |
death date | February 11, 2012 |
death place | |
instrument | Vocals, piano |
genre | R&B;, soul, pop, dance, gospel |
occupation | Singer, actress, model, film producer, record producer, songwriter |
years active | 1977–2012 |
label | Arista, RCA |
associated acts | Cissy Houston, Dionne Warwick, Aretha Franklin, Jermaine Jackson, Mariah Carey, Enrique Iglesias, Bobby Brown |
website | 130pxWhitney Houston's Autograph }} |
Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the ''Guinness World Records'' cited her as the most-awarded female act of all-time. Houston was also one of the world's best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African-American female artists to follow in her footsteps.
Houston is the only artist to chart seven consecutive No. 1 ''Billboard'' Hot 100 hits. She is the second artist behind Elton John and the only female artist to have two number-one ''Billboard'' 200 Album awards (formerly "Top Pop Album") on the ''Billboard'' magazine year-end charts. Houston's 1985 debut album ''Whitney Houston'' became the best-selling debut album by a female act at the time of its release. The album was named ''Rolling Stone''s best album of 1986, and was ranked at number 254 on ''Rolling Stone''s list of the 500 Greatest Albums of All Time. Her second studio album ''Whitney'' (1987) became the first album by a female artist to debut at number one on the ''Billboard'' 200 albums chart.
Houston's first acting role was as the star of the feature film ''The Bodyguard'' (1992). The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single "I Will Always Love You", became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period under Nielsen SoundScan system. The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films ''Waiting to Exhale'' (1995) and ''The Preacher's Wife'' (1996). ''The Preacher's Wife'' soundtrack became the best-selling gospel album in history.
On February 11, 2012, Houston was found dead in her guest room at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known. News of her death, the day before and after the 2012 Grammy Awards, featured prominently in American and international media.
At the age of 11, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girls' high school in Caldwell, New Jersey, where she met her best friend Robyn Crawford, whom she described as the "sister she never had". While Houston was still in school, her mother continued to teach her how to sing. In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.
In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in ''Seventeen'' and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of ''Glamour'', ''Cosmopolitan'', ''Young Miss'', and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time. While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called ''One Down'', which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of ''The Village Voice'' called her contribution "one of the most gorgeous ballads you've ever heard". She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled ''Paul Jabara and Friends'', released by Columbia Records in 1983.
Houston had previously been offered several recording agencies (Michael Zager in 1980, and Elektra Records in 1981), however her mother declined the offers stating her daughter must first complete high school. In 1983, Gerry Griffith, an A&R; representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on ''The Merv Griffin Show''.
Houston signed with Arista in 1983, but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, ''Love Language''. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.
In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US ''Billboard'' Hot 100 chart, and No. 1 on the Hot R&B; chart. As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented; radio stations, which peaked at number ten on the US R&B; Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts. The third US single, "How Will I Know", peaked at No. 1 and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American female artist to receive consistent heavy rotation on MTV.
By 1986, a year after its initial release, ''Whitney Houston'' topped the ''Billboard'' 200 albums chart and stayed there for 14 non-consecutive weeks. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking No. 1 and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a female artist to yield three No. 1 hits. Houston was No. 1 artist of the year and ''Whitney Houston'' was the No. 1 album of the year on the 1986 ''Billboard'' year-end charts, making her the first female artist to earn that distinction. At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, ''Greatest Love Tour''. The album had become an international success, and was certified 13× platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.
At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the Best New Artist category due to her previous hit R&B; duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for Best Pop Vocal Performance, Female for "Saving All My Love for You". At the same award show, she performed that Grammy-winning hit, that performance later winning her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.
Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of ''Rolling Stone''s 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today''. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.
At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the ''Moment of Truth World Tour'', which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to ''Forbes'' magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.
Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to ''Forbes'' magazine.
In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". They felt her singing on record lacked the soul that was present during her live concerts.
At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it". Houston took a more urban direction with her third studio album, ''I'm Your Baby Tonight'', released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. ''Rolling Stone'' felt it was her "best and most integrated album". while ''Entertainment Weekly'', at the time thought Houston's shift towards an urban direction was "superficial".
The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the ''Billboard'' Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B; chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B; top twenty. The album peaked at number three on the ''Billboard'' 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.
In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges.
With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV at Tampa Stadium on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors.
Her rendition was considered the benchmark for singers and critically acclaimed. ''Rolling Stone'' commented that "her singing stirs such strong patriotism. Unforgettable", and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on 9/11, it was released again by Arista Records, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America.
Later in 1991, Houston put together her ''Welcome Home Heroes'' concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the ''I'm Your Baby Tonight World Tour''.
With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston's first film role was in ''The Bodyguard'', released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. ''USA Today'' listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston's mainstream appeal allowed people to look at the movie color-blind.
Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with ''Rolling Stone'' in 1993, the singer commented that "people know who Whitney Houston is – I'm black. You can't hide that fact." Houston received a Razzie Award nomination for Worst Actress. ''The Washington Post'' said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and ''The New York Times'' commented that she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising ticket prices since the time the film was released.
The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. ''Rolling Stone'' said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance". ''Rolling Stone'' and ''USA Today'' called her rendition "the tour-de-force". The single peaked at number one on the ''Billboard'' Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks.
The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the ''Billboard'' 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making ''The Bodyguard'' the biggest-selling album by a female act on the list of the world's Top 10 best-selling albums, topping Shania Twain's 40 million sold for ''Come On Over''.
Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour, ''The Bodyguard World Tour'', in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to ''Forbes'' magazine. Houston placed in the top five of ''Entertainment Weekly''s annual "Entertainer of the Year" ranking and was labeled by ''Premiere'' magazine as one of the 100 most powerful people in Hollywood.
In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".
The film's accompanying soundtrack, ''Waiting to Exhale: Original Soundtrack Album'', was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as ''Entertainment Weekly'' said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.
In 1996, Houston starred in the holiday comedy ''The Preacher's Wife'', with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film "The Bishop's Wife" which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. ''The San Francisco Chronicle'' said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice". Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.
Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. ''The Preacher's Wife: Original Soundtrack Album'' included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of ''USA Today'', noted the presence of her emotional depth, while ''The Times'' said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".
In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's ''Cinderella''. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.
Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert ''Classic Whitney'', live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.
From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's ''The Prince of Egypt'' soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B; Video, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B; Vocal Performance; "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK No. 19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the ''Billboard'' Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.
The album gave Houston some of her strongest reviews ever. ''Rolling Stone'' said Houston was singing "with a bite in her voice" and ''The Village Voice'' called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date ''My Love Is Your Love World Tour''. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B; Female Artist of the Century with certified US sales of 51 million copies at the time and ''The Bodyguard Soundtrack'' was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA). She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B;.
In May 2000, ''Whitney: The Greatest Hits'' was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 ''Precious Moments'' album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on ''The Merv Griffin Show'', and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.
Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book ''The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards'', author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.
In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on ''Michael Jackson: 30th Anniversary Special''. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.
In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.
Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine.
In December 2002, Houston released her fifth studio album, ''Just Whitney...''. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, ''Just Whitney...'' received mixed reviews. The album debuted at number 9 on the ''Billboard'' 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the ''Billboard'' Hot 100, but became Hot Dance Club Play hits. ''Just Whitney...'' was certified platinum in the United States, and sold approximately three million worldwide.
On a June 2003 trip to Israel, Houston said of her visit, "I've never felt like this in any other country. I feel at home, I feel wonderful."
In late 2003, Houston released her first Christmas album ''One Wish: The Holiday Album'', with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.
In early 2004, husband Bobby Brown starred in his own reality TV program, ''Being Bobby Brown'' (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The ''Hollywood Reporter'' said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.
Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere. The interview was billed as "the most anticipated music interview of the decade". Whitney admitted on the show to using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself."
Houston released her new album, ''I Look to You'', in August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since '' The Bodyguard'', and Houston's first studio album to reach number one since 1987's ''Whitney''. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show ''Wetten, dass..?''. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on ''The X Factor'' in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".
The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of ''The X Factor'', performing the same song "Million Dollar Bill" to excellent reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album was re-released in a special edition entitled ''Whitney Houston – The Deluxe Anniversary Edition''.
Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.
In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You". On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors award was held at the Warner Theatre in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper ''The Mirror'' reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration.
Houston also performed the song "I Look to You" on the 2011 BET ''Celebration of Gospel'', with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in a rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process".
In September 2011, ''The Hollywood Reporter'' announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film ''Sparkle''. In the film, Houston portrays Sparks' "not-so encouraging mother". Houston will have executive producer credits on top of acting credits according to Debra Martin Chase, producer of ''Sparkle''. She stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained ''Sparkle'' production rights. R&B; singer Aaliyah - originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of ''Sparkle'' was filmed in the fall of 2011, and is set for release by TriStar Pictures in August 2012.
On February 11, 2012, Houston was found dead in a suite at the Beverly Hilton Hotel, in Beverly Hills, California, submerged in the bathtub. The cause of death was not immediately known. Beverly Hills paramedics arrived at approximately 3:30 p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 4:00 p.m. PST. Local police said there were "no obvious signs of criminal intent."
Houston had an invitation-only memorial on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted for four hours. Stevie Wonder (rewritten version of "Ribbon in the Sky," and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry" and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come") and R. Kelly ("I Look to You") were among those who performed at the funeral, interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Ricky Minor her music director; her cousin Dionne Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service due to illness. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried Sunday, February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey next to her father, John Russell Houston, who died in 2003.
Tony Bennett, who had a drug addiction problem in the 1970s, spoke of Houston's death before performing at Davis' party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston", tying it into his public stance in favor of legalizing drugs. Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"
However, many people were shocked at Davis' decision to continue on the party despite the fact that a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying "I thought that was complete insanity. And knowing Whitney I don't believe that she would have said 'the show must go on.' She's the kind of woman that would've said 'Stop everything! Un-unh. I'm not going to be there.' [...] I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like... I don't understand how that party went on." Sharon Osbourne, on February 15 episode of ''The Talk'', also condemned the Davis party, declaring "I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong."
Several other celebrities released statements responding to Houston's death. Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed'." Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Mariah Carey said, "Heartbroken and in tears over the shocking death of my friend ... She will never be forgotten as one of the greatest voices to ever grace the earth." Oprah Winfrey, who did an in-depth interview with Houston in 2009, wrote on Twitter "To me Whitney was THE VOICE. We got to hear a part of God every time she sang. Heart is heavy, spirit grateful for the GIFT of her." Quincy Jones said, "I am absolutely heartbroken at the news of Whitney’s passing. Ashford & Simpson first made me aware of Whitney when she was just sixteen, and I always regretted not having had the opportunity to work with her. She was a true original and a talent beyond compare. I will miss her terribly."
Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who knew Houston including those that have worked with her, interviewed her along with some of her peers in the music industry. ''Saturday Night Live'' displayed a still photo in silent reverence of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.
Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney".
Ken Ehrlich, executive producer of the 54th Grammy Awards announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012, awards. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston". Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years". At the start of the awards ceremony, a footage of Houston performing "I Will Always Love You" from 1994 Grammys was shown following a prayer read by host, LL Cool J. Later in the program following a montage of photos of musicians who died in 2011 including Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You". New Jersey Governor Chris Christie said that all New Jersey state flags will be flown at half-staff on Tuesday, February 21 to honor Houston.
Jon Caramanica of ''The New York Times'' commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [...] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances." Mariah Carey stated, "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of ''I Look to You'', music critic Ann Powers of the ''Los Angeles Times'' writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano".
Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable," stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [...] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging', it's easy to appreciate Houston's ability to save melisma for just the right moment".
Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from ''The New York Times'', in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer highly, writing, "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." With regard to her singing style, he added: "Her [Houston's] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning."
Elysa Gardner of the ''Los Angeles Times'' in her review for ''The Preacher's Wife Soundtrack'' praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."
Allmusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake". ''The New York Times'' stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of ''Time'' magazine commented on her initial success breaking various barriers:
Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.
Stephen Holden of ''The New York Times'' said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the ''Los Angeles Times'' referred to the singer as a "national treasure". Jon Caramanica, other music critic of ''The New York Times'', called Houston "R&B;'s great modernizer," adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream". He also drew comparisons between Houston's influence and other big names' on 1980s pop:
She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.
''The Independant''s music critic Andy Gill also wrote about Houston's influence on modern R&B; and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist ― Michael Jackson included ― effectively mapped out the course of modern R&B;, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva'," stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".
Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators. ''Rolling Stone'', on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna". ''Essence'' ranked Houston the fifth on their list of 50 Most Influential R&B; Stars of all time, calling her "the diva to end all divas".
A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey, Toni Braxton, Christina Aguilera, LeAnn Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Britney Spears, Ciara, P!nk,Ashanti, Robin Thicke, Jennifer Hudson, Stacie Orrico, Amerie, and Destiny's Child. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told ''USA Today'' that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with ''Good Morning America'' on February 13, 2012, telling "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her." Beyoncé told the ''Globe and Mail'' that Houston "inspired [her] to get up there and do what [she] did". She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."
Mary J. Blige said that Houston inviting her onstage during VH1's ''Divas Live'' show in 1999 "opened doors for [her] all over the world". Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing." Kelly Rowland, in an ''Ebony'' feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."
Alicia Keys, in an interview about her album ''The Element of Freedom'' with ''Billboard'' magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl". Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told ''Newsday'' that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.
In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time". In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010. In November 2010, ''Billboard'' released its "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight number one singles on the R&B;/Hip-Hop Songs chart, but also landed five number ones on R&B;/Hip-Hop Albums.
Houston's debut album is listed as one of the 500 Greatest Albums of All Time by ''Rolling Stone'' magazine and is on Rock and Roll Hall of Fame's Definitive 200 list. In 2004, ''Billboard'' picked the success of her first release on the charts as one of 110 Musical Milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today'' in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist ever to be given a BET Lifetime Achievement Award.
Houston was also one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide. Although she released relatively few albums, she was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone.
She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.
+ Film roles | |||
! Year | ! Title | ! Role | Notes and awards |
1992 | ''The Bodyguard'' | Rachel Marron | Nominated – 1993 MTV Movie Award for Best Female PerformanceNominated – 1993 MTV Movie Award for Best Breakthrough PerformanceNominated – 1993 MTV Movie Award for Best On-Screen Duo with co-star Kevin CostnerNominated – 1992 Golden Raspberry Award for Worst Actress |
1995 | ''Waiting to Exhale'' | Savannah Jackson | Nominated – 1996 NAACP Image Award for Outstanding Actress in a Motion Picture |
1996 | ''The Preacher's Wife'' | Julia Biggs | |
1997 | Fairy Godmother | Made-for-television film, part of a revival of the ''Wonderful World of Disney''.Nominated – 1998 Emmy Award for Outstanding Variety, Music Or Comedy SpecialNominated – 1998 NAACP Image Award for Outstanding Television Movie/Mini-Series | |
2012 | Emma | Posthumous release |
+ Television roles | ! Year | ! Title | ! Network | ! Role | Notes |
1984 | ''Gimme a Break!'' | NBC | Rita | "Katie's College" (Season 3, Episode 20) | |
1985 | ''Silver Spoons'' | NBC | Herself | "Head Over Heels" (Season 4, Episode 1, Air date: September 15, 1985)She performed the edited version of "Saving All My Love for You", changing some of the words. | |
2002 | ''Boston Public'' | Fox | Herself | She performed "Try It On My Own" from the 2002 studio album ''Just Whitney''. |
+ Commercials | |||||||
! Year | ! Company | ! Promoting | ! Country | Notes | |||
Dr Pepper/Seven Up | Canada Dry(soft drink beverage) | United States | * Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar free Canada Dry Ginger Ale. | ||||
Coca-Cola | Diet Coke(soft drink beverage) | United States | * Houston sang the Diet Coke theme song, "Just for the taste of it". | ||||
Coca-Cola | Diet Coke(soft drink beverage) | United States | * Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it". | * Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music. | 1989 MTV Video Music Awards#Video of the Year>Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alikes for them. | ||
Electronics(the stereo, TV) | Japan | Keith Thomas (producer)>Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of ''I'm Your Baby Tonight''. | |||||
AT&T; | Telephone services | United States | * Houston sang its theme song, "True Voice". |
+ Production | |||
! Year | ! Title | ! Director | Notes and awards |
1997 | Robert Iscove | Executive producerNominated – 50th Primetime Emmy Awards | |
2001 | [[Garry Marshall | ProducerWon – 2002 Young Artist Award for Best Family Feature Film – ComedyNominated – 2002 Broadcast Film Critics Association Award for Best Family Film (Live Action) Nominated – 2002 Phoenix Film Critics Society Award for Best Family FilmNominated – 2002 Teen Choice Award for Film – Choice Movie, Comedy | |
2003 | Oz Scott | Producer | |
2004 | ''The Princess Diaries 2: Royal Engagement'' | Garry Marshall | Producer |
2006 | Kenny Ortega | Co-executive producer |
;World tours
;Regional tours
;Televised concerts
Category:1963 births Category:2012 deaths Category:American people of Dutch descent Category:American people of Native American descent Category:Actors from New Jersey Category:African American female singers Category:African American film actors Category:African American record producers Category:African-American film producers Category:American dance musicians Category:American female models Category:American gospel singers Category:American mezzo-sopranos Category:American pop singers Category:American rhythm and blues singers Category:Arista Records artists Category:Articles with inconsistent citation formats Category:Baptists from the United States Category:Death in California Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from East Orange, New Jersey Category:People from Newark, New Jersey Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers
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Coordinates | 23°12′48″N94°19′06″N |
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name | Spike Lee |
birth name | Shelton Jackson Lee |
birth date | March 20, 1957 |
birth place | Atlanta, Georgia, United States |
alma mater | Morehouse,NYUTisch School of the Arts |
years active | 1977–present |
occupation | Actor, director, producer, screenwriter |
spouse | Tonya Lewis (1993–present) }} |
Lee's movies have examined race relations, the role of media in contemporary life, urban crime and poverty, and other political issues. Lee has won numerous awards, including an Emmy Award. He has also received two Academy Award nominations.
In 1985, Lee began work on his first feature film, ''She's Gotta Have It''. With a budget of $175,000, the film was shot in two weeks. When the film was released in 1986, it grossed over $7,000,000 at the U.S. box office. The reception of ''She's Gotta Have It'' led Lee down a second career avenue. Marketing executives from Nike offered Lee a job directing commercials for the company. They wanted to pair Lee's character from ''She's Gotta Have It'', the Michael Jordan-loving Mars Blackmon, and Jordan himself in their marketing campaign for the Air Jordan line. Later, Lee would be a central figure in the controversy surrounding the inner-city rash of violence involving Air Jordans. Lee countered that instead of blaming manufacturers of apparel, "deal with the conditions that make a kid put so much importance on a pair of sneakers, a jacket and gold". Through the marketing wing of 40 Acres and a Mule, Lee has also directed commercials for Converse, Jaguar, Taco Bell and Ben & Jerry's.
His documentary ''4 Little Girls'' was nominated for the Best Feature Documentary Academy Award in 1997.
On May 2, 2007, the 50th San Francisco International Film Festival honored Spike Lee with the San Francisco Film Society's Directing Award. He was the recipient of the 2008 Wexner Prize.
Lee films commonly feature a sequence depicting a "floating" effect, when a character seems to glide in the air like a ghost instead of walking, which is achieved by filming the actor on a camera dolly, framed so that his or her feet are not seen. Denzel Washington has been the focus of this shot in ''Mo' Better Blues'', ''Malcolm X'', and ''Inside Man''. Mekhi Phifer is given the same treatment in ''Clockers'', as well as Laurence Fishburne in ''School Daze'', and Zelda Harris in ''Crooklyn''. Philip Seymour Hoffman and Anna Paquin have similar shots in ''25th Hour''. This also occurs with Damon Wayans in the opening scene of ''Bamboozled''.
Lee incorporates baseball-related motifs in his movies. Examples include the New York Mets in ''Mo' Better Blues'' and ''Jungle Fever'', Dwight Gooden and Roger Clemens in ''Do The Right Thing'', Willie Mays and Roberto Clemente in ''Clockers'', Reggie Jackson and the New York Yankees in ''Summer of Sam'', and Jackie Robinson in ''Malcolm X'', amongst other recurring themes in his movies such as ''She Hate Me''.
After the 1990 release of ''Mo' Better Blues'', Lee was accused of antisemitism by the Anti-Defamation League and several film critics, who pointed to the characters of club owners Josh and Moe Flatbush in the film, which have been described as "Shylocks". Lee denied the charge, explaining that he wrote those characters in order to depict how black artists struggled against exploitation. Lee further expressed skepticism that Lew Wasserman, Sidney Sheinberg or Tom Pollock, the Jewish heads of MCA and Universal Studios, would have allowed antisemitic content in a film they produced. He also said he could not make an antisemitic film because Jews run Hollywood, and "that's a fact."
In the Knicks' 93–86 loss to the Indiana Pacers in Game 5 of the 1994 Eastern Conference Finals, Reggie Miller scored 25 points in the 4th quarter. Lee was apparently taunting Miller throughout the 4th quarter, and Miller responded by making shot after shot. Miller also gave the choke sign to Lee. The headline of the ''New York Daily News'' the next day sarcastically said, "Thanks A Lot Spike". This was parodied in the ''Seinfeld'' episode "The Susie", in which Kramer, Lee and Miller ultimately reconcile and go to a strip club together.
In May 1999 The ''New York Post'' reported that Lee said of National Rifle Association President Charlton Heston, "Shoot him with a .44 Bulldog." Lee contended, "I intended it as ironic, as a joke to show how violence begets more violence," Lee said. "I told everyone there it was a joke. I said I did not want to read in the papers, 'Shoot Charlton Heston.'" Insisting that he had no reason to apologize, Lee further explained that his remark was in response to a question about whether Hollywood was responsible for the then-recent rash of school shootings, saying, "The problem is guns," he said. Republican House Majority Leader Dick Armey issued a statement condemning Lee as having "nothing to offer the debate on school violence except more violence and more hate."
Lee sparked controversy on a March 28, 2004 segment on ABC when he said that basketball player Larry Bird was overrated because of his race, saying, "The most overrated player of all time, I would say it'd be Larry Bird. Now, Larry Bird is one of the greatest players of all time, but listen to the white media, it's like this guy was like nobody ever played basketball before him—Larry Bird, Larry Bird, Larry Bird, Larry Bird, Larry Bird."
In October 2005, Lee commented on the federal government's response to the 2005 Hurricane Katrina catastrophe. Responding to a CNN anchor's question as to whether the government intentionally ignored the plight of black Americans during the disaster, Lee replied, "It's not too far-fetched. I don't put anything past the United States government. I don't find it too far-fetched that they tried to displace all the black people out of New Orleans." On ''Real Time with Bill Maher'', Lee cited the government's past atrocities including the Tuskegee Study of Untreated Syphilis in the Negro Male.
At the 2008 Cannes Film Festival, Lee, who was then making ''Miracle at St. Anna,'' about an all-black U.S. division fighting in Italy during World War II, criticized director Clint Eastwood for not depicting black Marines in his own WWII film, ''Flags of Our Fathers''. Citing historical accuracy, Eastwood responded that his film was specifically about the soldiers who raised the flag on Mount Suribachi at Iwo Jima, pointing out that while black soldiers did fight at Iwo Jima, the U.S. military was segregated during WWII, and none of the men who raised the flag were black. Eastwood also pointed out that his 1988 film ''Bird'', about the Jazz musician Charlie Parker featured 90% black actors, and sarcastically said that ''Invictus'', his then-upcoming movie about post-apartheid South Africa, would not feature a white actor in the role of Nelson Mandela. He angrily said that Lee should "shut his face". Lee responded that Eastwood was acting like an "angry old man", and argued that despite making two Iwo Jima films back to back, ''Letters from Iwo Jima'' and ''Flags of Our Fathers'', "there was not one black soldier in both of those films". He added that he and Eastwood were "not on a plantation." In fact, black Marines are seen in scenes during which the mission is outlined, as well as during the initial landings, when a wounded black Marine is carried away. During the end credits, historical photographs taken during the Battle of Iwo Jima show black Marines. Although black Marines fought in the battle, they were restricted to auxiliary roles such as ammunition supply, and were not involved in the battle's major assaults, but took part in defensive actions. Lee later claimed that the event was exaggerated by the media and that he and Eastwood had reconciled through mutual friend Steven Spielberg, culminating in his sending Eastwood a print of ''Miracle at St. Anna''.
During a lecture at Concordia University in Montreal, Canada on February 11, 2009, Lee criticized how some in the black community wrongfully associate "intelligence with acting white, and ignorance with acting black", admonishing students and parents to maintain more positive attitudes in order to follow their dreams and achieving their goals.
Category:1957 births Category:Actors from Georgia (U.S. state) Category:Actors from New York City Category:African American actors Category:African American film directors Category:African-American film producers Category:African American screenwriters Category:American documentary filmmakers Category:American film directors Category:American film producers Category:American music video directors Category:American screenwriters Category:BAFTA winners (people) Category:César Award winners Category:Emmy Award winners Category:Living people Category:Morehouse College alumni Category:New York University alumni Category:People from Atlanta, Georgia Category:People from Brooklyn
ar:سبايك لي ast:Spike Lee bs:Spike Lee br:Spike Lee ca:Spike Lee da:Spike Lee de:Spike Lee es:Spike Lee fa:اسپایک لی fr:Spike Lee ko:스파이크 리 io:Spike Lee id:Spike Lee it:Spike Lee he:ספייק לי la:Spike Lee hu:Spike Lee nl:Spike Lee ja:スパイク・リー pl:Spike Lee pt:Spike Lee ru:Ли, Спайк simple:Spike Lee fi:Spike Lee sv:Spike Lee ta:இசுப்பைக் லீ th:สไปค์ ลี tr:Spike Lee yo:Spike Lee zh:史派克·李This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 23°12′48″N94°19′06″N |
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name | Kim Kardashian Humphries |
birth name | Kimberly Noel Kardashian |
birth date | October 21, 1980 |
birth place | Los Angeles, California, US |
nationality | American |
ethnicity | Armenian, Dutch, Scottish |
net worth | $35million |
years active | 2007–present |
known for | Reality show ''Keeping Up with the Kardashians'' and ''Kourtney and Kim Take New York'' |
occupation | Entrepreneur, actress, model, socialite |
height | |
measurements | 35D-26-40 |
spouse | Damon Thomas (2000-2004) Kris Humphries (2011-present) |
parents | Robert Kardashian (father)Kris Jenner (mother)Bruce Jenner (stepfather) |
relatives | Kourtney Kardashian (sister)Khloé Kardashian (sister)Robert Kardashian Jr. (brother)Kylie Jenner (half-sister)Kendall Jenner (half-sister) |
website | http://kimkardashian.celebuzz.com/ }} |
Kardashian has launched multiple fragrances, guest starred on numerous shows, competed on ABC's ''Dancing with the Stars'', and has had roles in movies such as ''Disaster Movie'' and ''Deep in the Valley''. In 2010, Kardashian, along with her sisters Kourtney and Khloé, released an autobiography, ''Kardashian Konfidential''.
Kardashian has two sisters, Kourtney and Khloé, and one brother, Robert. She has stepbrothers Burton Jenner, Brandon Jenner, and reality TV star Brody Jenner, step-sister Casey Jenner, and half-sisters Kendall Jenner and Kylie Jenner.
She attended Marymount High School. During high school, Kardashian worked at her father's music marketing firm, Movie Tunes.
Her first acting role was in the television series ''Beyond the Break''. She then starred in the 2008 disaster film spoof ''Disaster Movie'' as Lisa. Kardashian appeared in the ''How I Met Your Mother'' episode "Benefits". She also appeared on the Season 3 premiere of the series ''90210'' with her sisters Khloé and Kourtney; they all played themselves. Kardashian was a guest hostess of WrestleMania XXIV and appeared as a guest judge during Cycle 13 of ''America's Next Top Model''. On December 16, 2009, Kardashian made a guest star appearance on CBS's ''CSI: NY'' with Vanessa Minnillo.
Kardashian was one of 13 participants on the seventh season of ''Dancing with the Stars''. She was partnered with Mark Ballas and was the third contestant voted off the show on September 30, 2008, finishing in 11th place overall.
In December 2007, Kardashian posed nude for ''Playboy''. She has also featured in numerous international editions of ''FHM'', including the cover of the April 2010 Australian edition and the UK March 2011 edition. In February 2008, Bongo Jeans announced that Kardashian would be their face model. She also models for Balenciaga shoes, Carl's Jr. fast food, Sugar Factory lollipops, and various other products.
Kardashian released her own fragrance product in 2010.
In March 2009, Kardashian launched an endorsement with ''ShoeDazzle'' shopping, of which she is the co-founder and chief fashion stylist.. The following month on April 9, 2009, Kardashian released a workout DVD series, ''Fit In Your Jeans By Friday,'' with trainers Jennifer Galardi and Patrick Goudeau. In September 2009, Fusion Beauty and Seven Bar Foundation launched "Kiss Away Poverty", with Kardashian as the face of the campaign. For every LipFusion lipgloss sold, $1 went to the Foundation to fund women entrepreneurs in the US.
Famous Cupcakes, a Los Angeles bakery, created a vanilla cupcake mix for Kardashian. The cupcake flavor is called Va-Va-Va-Nilla.
Kardashian has also created jewelry along with her sisters, Khloé and Kourtney. They produced a collection for ''Virgins, Saints, and Angels'' in 2010.
Again with her sisters, Kardashian has released various clothing lines. One called K-Dash was to be sold on QVC in 2010, and in the same year they produced a range for Bebe. As of August 2011 they are creating another for Sears, called the ''Kardashian Kollection''.
In addition, Kardashian and her sisters created a sunless tanner called Kardashian Glamour Tan in 2010.
On July 1, 2010, the New York City branch of Madame Tussauds revealed a wax figure of Kardashian.
Kim, Kourtney, and Khloé wrote an autobiography entitled ''Kardashian Konfidential''. The book was released in stores on November 23, 2010.
In December 2010, Kardashian filmed a music video for a song titled "Jam (Turn It Up)," the video was directed by Hype Williams; Kanye West makes a cameo in the video. Kardashian premiered the song during a New Year's Eve party at TAO Las Vegas on December 31, 2010. The song was produced by The-Dream and Tricky Stewart. Kardashian said that she was forced into doing the song by friends such as Ciara, Kanye West, and "Turn It Up" producer The-Dream. When asked if an album is in the works, Kardashian replied: "There's no album in the works or anything – just one song we did for ''Kourtney and Kim Take New York'', and a video Hype Williams directed, half of the proceeds we're giving away to a cancer foundation, because The-Dream's and one of my parents passed away from cancer. It's just all having fun – with a good cause". Jim Farber, writing for the ''Daily News'', called the song a "dead-brained piece of generic dance music, without a single distinguishing feature," and suggested that the single made Kardashian the "worst singer in the reality TV universe."
Kardashian's 2010 earnings were the highest of any other reality star at $6 million.
A mainstream UK national newspaper, ''The Guardian'', has commented on her ability to attract payments of up to US$10,000 from sponsors for each tweet that she broadcasts, noting that she is "an American reality TV star whose sole talent lies in her large rump".
On April 1, 2010, Kardashian joined Cyndi Lauper in the launch of her Give a Damn campaign to create a wider awareness of discrimination against the LGBT community as part of her True Colors Fund.
However, she has also been on the receiving end of activism. Animal rights organization PETA has criticized her for repeatedly wearing fur coats, and named her as one of the five worst people or organizations of 2010 when it came to animal welfare.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 23°12′48″N94°19′06″N |
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name | Thandie Newton |
birth name | Thandiwe Nashita Newton |
birth date | November 06, 1972 |
birth place | London, England, UK |
agency | |
occupation | Actress |
years active | 1991–present |
spouse | Ol Parker (m. 1998–present; 2 children) }} |
Between 2003 and 2005, Newton played Makemba "Kem" Likasu, the love interest, and later wife of Dr. John Carter on the American television series ''ER''. She reprised the role once more for the series finale in 2009. In 2004 also appeared in ''The Chronicles of Riddick'' and ''Crash''. In the latter, she played Christine Thayer, a wealthy black woman who, along with her husband, finds herself the target of a racist policeman (played by Matt Dillon), who sexually assaults Thayer but then later saves her life after he is the first on the scene at a car crash. Newton was honoured with a BAFTA award for Best Supporting Actress in 2006 for her role in Crash. She also played Chris Gardner's wife, Linda Gardner, in ''The Pursuit of Happyness''.
In addition to her film and television credits she played the title role in a 2006 radio pantomime version of ''Cinderella''.
In 2007, she starred with Eddie Murphy in the comedy ''Norbit'' as his love interest, and opposite Simon Pegg as his ex-girlfriend in the comedy ''Run Fat Boy Run''.
Newton next portrayed U.S. National Security Advisor-turned Secretary of State Condoleezza Rice, in ''W.'', Oliver Stone's film biography of President George W. Bush. The film was released 17 October 2008.
Newton was an introducer at Wembley Stadium on 7 July 2007 for the UK leg of Live Earth. She was due to introduce Al Gore to the concert, but he was delayed, leaving Newton to tell jokes to try and entertain the audience.
Newton next portrayed the United States President's First Daughter Laura Wilson in ''2012'', a disaster film directed by Roland Emmerich and released 13 November 2009.
In July 2011, Newton delivered a TED Talk on "Embracing otherness, embracing myself". In it, she discussed finding her "otherness" as a child growing up in two distinct cultures, and as an actor playing with many different selves.
She married English writer/director/producer Ol Parker in 1998. The couple have two daughters: Ripley, born in 2000, and Nico, born in 2004. Her daughters were named after the character Ellen Ripley in the ''Alien'' films and the singer Nico.
In 2006, she contributed a foreword to ''We Wish: Hopes and Dreams of Cornwall's Children'', a book of children's writing published in aid of the NSPCC. In it, she writes vividly about her childhood memories of growing up in Cornwall and the way in which the county's vibrant cultural heritage made it easy for her to "enrich every situation with layers of magic and meaning".
In 2008, Newton visited poverty-stricken Mali, describing it as a "humbling experience". She visited the village of Nampasso in the Ségou Region of the country.
Newton swapped her BMW X5 for a Toyota Prius after protesters bombarded the car with eggs at the gates of her daughters’ school. She then wrote to her celebrity friends, asking them to join her in switching to more environmentally sound cars.
Newton has suffered from bulimia.
Some of Newton's co-stars have mentioned that she can be a bit of a practical joker. Simon Pegg, for instance, mentioned that she once put cellophane over his toilet whilst shooting ''Run Fatboy Run'', and sewed up the neck and cuffs of his T-shirts. Furthermore, on the special features of the DVD, whilst Simon Pegg is being interviewed, they are interrupted by the fact that Pegg has to change bottles of water – the stock provided was replaced with vodka by Newton. "He is extremely easy to do these things to. I got him, what a sap!" said Newton at the film's London premiere. David Schwimmer (who directed the film) dubbed the actress "the queen of practical jokes".
Year | ! Title | ! Role | Notes |
1991 | Flirting (film)>Flirting'' | Thandiwe Adjewa | |
1991 | ''Pirate Prince''| | Becky Newton | Television film |
1993 | ''''| | Rachael Stevens | |
1994 | ''Loaded (1994 film)Loaded'' || | Zita | |
1994 | ''Interview with the Vampire: The Vampire Chronicles''| | Yvette | |
1995 | ''Jefferson in Paris''| | Sally Hemings | |
1995 | ''The Journey of August King''| | Annalees | |
1996 | ''''| | Hilary Rule | |
1997 | ''Gridlock'd''| | Barbara "Cookie" Cook | |
1997 | ''In Your Dreams''| | Clare | Television film |
1998 | ''Besieged (film)Besieged'' || | Shandurai | Black Reel Awards>Black Reel Award for Best Theatrical Actress |
1998 | ''Beloved (film)Beloved'' || | Beloved | Nominated – NAACP Image Award for Outstanding Supporting Actress in a Motion PictureNominated – Satellite Award for Best Supporting Actress - Motion Picture |
2000 | ''Mission: Impossible II''| | Nyah Nordoff-Hall | Empire Awards>Empire Award for Best British ActressNominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture |
2000 | ''It Was an Accident''| | Noreen Hurlock | |
2002 | ''''| | Regina Lambert | Black Reel Awards of 2003>Black Reel Award for Best Theatrical ActressNominated – NAACP Image Award for Outstanding Actress in a Motion Picture |
2003 | ''Shade (film)Shade'' || | Tiffany | |
2004 | ''''| | Dame Vaako | |
2004 | ''Crash (2005 film)Crash'' || | Christine | BAFTA Award for Best Actress in a Supporting RoleBlack Reel Awards of 2006Black Reel Award for Best Ensemble CastEmpire Award for Best ActressLondon Film Critics' Circle Award for British Supporting Actress of the YearScreen Actors Guild Award for Outstanding Performance by a Cast in a Motion PictureNominated – Black Movie Award for Outstanding Performance by an Actress in a Supporting RoleNominated – Black Reel Award for Best Supporting ActressNominated – Gotham Award for Best Ensemble CastNominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture |
2006 | ''| | The Mona Lisa | Short film |
2006 | ''American Dad!''| | Makeva | "Camp Refoogee" |
2006 | ''''| | Linda | Nominated – NAACP Image Award for Outstanding Supporting Actress in a Motion Picture |
2007 | ''Norbit''| | Kate | |
2007 | ''Run Fatboy Run''| | Libby | |
2008 | ''RocknRolla''| | Stella | |
2008 | ''How to Lose Friends & Alienate People (film)How to Lose Friends & Alienate People'' || | Herself | |
2008 | ''W. (film)W.'' || | Condoleezza Rice | |
2003–2009 | ''ER (TV series)ER'' || | Makemba "Kem" Likasu | |
2009 | ''2012 (film)2012'' || | Laura Wilson | |
2010 | ''Huge''| | ||
2010 | ''Vanishing on 7th Street''| | Rosemary | |
2010 | ''For Colored Girls''| | Tangie | Nominated – Black Reel Award (Best Actress)'''Won – Black Reel Award (Best Ensemble) |
2011 | ''Retreat (film)Retreat'' || | Kate | ''post-production'' |
2011 | ''Good Deeds (film)Good Deeds''|| | Lindsey | ''filming'' |
Category:English film actors Category:English television actors Category:English radio actors Category:BAFTA Award for Best Supporting Actress Category:Living people Category:1972 births Category:Alumni of Downing College, Cambridge Category:Outstanding Performance by a Cast in a Motion Picture Screen Actors Guild Award winners Category:People from London Category:People from Penzance Category:British people of Zimbabwean descent Category:Black British actors Category:People educated at Tring Park School for the Performing Arts
bg:Танди Нютън da:Thandie Newton de:Thandie Newton es:Thandie Newton fa:تانیدا نیوتون fr:Thandie Newton ko:탠디 뉴턴 id:Thandie Newton it:Thandie Newton he:טנדי ניוטון nl:Thandie Newton ja:タンディ・ニュートン no:Thandie Newton pl:Thandie Newton pt:Thandie Newton ru:Ньютон, Тэнди sr:Танди Њутон fi:Thandie Newton sv:Thandie Newton zh:譚蒂·紐頓This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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