name	Punk rock
color	white
bgcolor	crimson
stylistic origins	Rock and roll folk rockabilly surf rock garage rock glam rock pub rock protopunk
cultural origins	Mid-1970s, United States, United Kingdom, and Australia
instruments	Vocals electric guitar bass drums occasional use of other instruments
popularity	Topped charts in UK during late 1970s. International commercial success for pop punk and ska punk, mid-1990s–2000s.
derivatives	New Wave post-punk gothic rock alternative rock grunge emo
subgenrelist	Punk rock subgenres
subgenres	Anarcho-punk art punk Christian punk crust punk garage punk glam punk hardcore punk oi! Riot Grrrl skate punk
fusiongenres	2 Tone anti-folk avant-punk Celtic punk Chicano punk cowpunk deathrock folk punk Gaelic punk Gypsy punk pop punk psychobilly punk blues punk jazz ska punk
regional scenes	Argentina Australia Basque Country Belgium Brazil California France Germany Spain Uruguay Yugoslavia
local scenes	Brisbane Toronto
other topics	Protopunk DIY ethic First wave punk Queercore Punk fashion Punk forerunners Punk ideologies Punk movies Punk fanzines Punk subculture Punk timeline Second wave punk Straight Edge List of punk bands Punk rock subgenres ''' ''' }}

Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom, and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed perceived excesses of mainstream 1970s rock. Punk bands created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produced recordings and distributed them through informal channels.

By late 1976, bands such as the Ramones, in New York City, and the Sex Pistols and The Clash, in London, were recognized as the vanguard of a new musical movement. The following year saw punk rock spreading around the world, and it became a major cultural phenomenon in the United Kingdom. For the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated punk subculture emerged, expressing youthful rebellion and characterized by distinctive styles of clothing and adornment and a variety of anti-authoritarian ideologies.

By the beginning of the 1980s, faster, more aggressive styles such as hardcore and Oi! had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to post-punk and the alternative rock movement. By the turn of the century, pop punk had been adopted by the mainstream, as bands such as Green Day and The Offspring brought the genre widespread popularity.

Characteristics

Philosophy

The first wave of punk rock aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock. According to Ramones drummer Tommy Ramone, "In its initial form, a lot of [1960s] stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom, founding editor of ''Punk'' magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that [acts] like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." In critic Robert Christgau's description, "It was also a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth." Patti Smith, in contrast, suggests in the documentary ''25 Years of Punk'' that the hippies and the punk rockers were linked by a common anti-establishment mentality.

Throughout punk rock history, technical accessibility and a DIY spirit have been prized. In the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very much skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine ''Sideburns'' published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band." The title of a 1980 single by the New York punk band Stimulators, "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach.

Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated predecessors: "No Elvis, Beatles or the Rolling Stones in 1977", declared The Clash song "1977". The previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". Even as nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future"; in the later words of one observer, amid the unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation" was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass, who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do."

The issue of authenticity is important in the punk subculture—the pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as the punk scene matured, he observes, eventually "[e]veryone got called a poseur".

Musical and lyrical elements

Punk rock bands often emulate the bare musical structures and arrangements of 1960s garage rock. Typical punk rock instrumentation includes one or two electric guitars, an electric bass, and a drum kit, along with vocals. Punk rock songs tend to be shorter than those of other popular genres—on the Ramones' debut album, for instance, half of the fourteen tracks are under two minutes long. Most early punk rock songs retained a traditional rock 'n' roll verse-chorus form and 4/4 time signature. However, punk rock bands in the movement's second wave and afterward have often broken from this format. In critic Steven Blush's description, "The Sex Pistols were still rock'n'roll...like the craziest version of Chuck Berry. Hardcore was a radical departure from that. It wasn't verse-chorus rock. It dispelled any notion of what songwriting is supposed to be. It's its own form."

Punk rock vocals sometimes sound nasal, and lyrics are often shouted instead of sung in a conventional sense, particularly in hardcore styles. The vocal approach is characterized by a lack of variety; shifts in pitch, volume, or intonational style are relatively infrequent. Complicated guitar solos are considered self-indulgent and unnecessary, although basic guitar breaks are common. Guitar parts tend to include highly distorted power chords or barre chords, creating a characteristic sound described by Christgau as a "buzzsaw drone". Some punk rock bands take a surf rock approach with a lighter, twangier guitar tone. Others, such as Robert Quine, lead guitarist of The Voidoids, have employed a wild, "gonzo" attack, a style that stretches back through The Velvet Underground to the 1950s recordings of Ike Turner. Bass guitar lines are often uncomplicated; the quintessential approach is a relentless, repetitive "forced rhythm", although some punk rock bass players—such as Mike Watt of The Minutemen and Firehose—emphasize more technical bass lines. Bassists often use a pick due to the rapid succession of notes, which makes fingerpicking impractical. Drums typically sound heavy and dry, and often have a minimal set-up. Compared to other forms of rock, syncopation is much less the rule. Hardcore drumming tends to be especially fast. Production tends to be minimalistic, with tracks sometimes laid down on home tape recorders or simple four-track portastudios. The typical objective is to have the recording sound unmanipulated and "real", reflecting the commitment and "authenticity" of a live performance. Punk recordings thus often have a lo-fi quality, with the sound left relatively unpolished in the mastering process; recordings may contain dialogue between band members, false starts, and background noise.

Punk rock lyrics are typically frank and confrontational; compared to the lyrics of other popular music genres, they frequently comment on social and political issues. Trend-setting songs such as The Clash's "Career Opportunities" and Chelsea's "Right to Work" deal with unemployment and the grim realities of urban life. Especially in early British punk, a central goal was to outrage and shock the mainstream. The Sex Pistols classics "Anarchy in the U.K." and "God Save the Queen" openly disparage the British political system and social mores. There is also a characteristic strain of anti-sentimental depictions of relationships and sex, exemplified by "Love Comes in Spurts", written by Richard Hell and recorded by him with The Voidoids. Anomie, variously expressed in the poetic terms of Hell's "Blank Generation" and the bluntness of the Ramones' "Now I Wanna Sniff Some Glue", is a common theme. Identifying punk with such topics aligns with the view expressed by V. Vale, founder of San Francisco fanzine ''Search and Destroy'': "Punk was a total cultural revolt. It was a hardcore confrontation with the black side of history and culture, right-wing imagery, sexual taboos, a delving into it that had never been done before by any generation in such a thorough way." However, many punk rock lyrics deal in more traditional rock 'n' roll themes of courtship, heartbreak, and hanging out; the approach ranges from the deadpan, aggressive simplicity of Ramones standards such as "I Wanna Be Your Boyfriend" to the more unambiguously sincere style of many later pop punk groups.

Visual and other elements

The classic punk rock look among male U.S. musicians harkens back to the T-shirt, motorcycle jacket, and jeans ensemble favored by American greasers of the 1950s associated with the rockabilly scene and by British rockers of the 1960s. The cover of the Ramones' 1976 debut album, featuring a shot of the band by ''Punk'' photographer Roberta Bayley, set forth the basic elements of a style that was soon widely emulated by rock musicians both punk and nonpunk. Richard Hell's more androgynous, ragamuffin look—and reputed invention of the safety-pin aesthetic—was a major influence on Sex Pistols impresario Malcolm McLaren and, in turn, British punk style. (John Morton of Cleveland's Electric Eels may have been the first rock musician to wear a safety-pin-covered jacket.) McLaren's partner, fashion designer Vivienne Westwood, credits Johnny Rotten as the first British punk to rip his shirt, and Sex Pistols bassist Sid Vicious as the first to use safety pins. Early female punk musicians displayed styles ranging from Siouxsie Sioux's bondage gear to Patti Smith's "straight-from-the-gutter androgyny". The former proved much more influential on female fan styles. Over time, tattoos, piercings, and metal-studded and -spiked accessories became increasingly common elements of punk fashion among both musicians and fans, a "style of adornment calculated to disturb and outrage". The typical male punk haircut was originally short and choppy; the Mohawk later emerged as a characteristic style. Those in hardcore scenes often adopt a skinhead look.

The characteristic stage performance style of male punk musicians does not deviate significantly from the macho postures classically associated with rock music. Female punk musicians broke more clearly from earlier styles. Scholar John Strohm suggests that they did so by creating personas of a type conventionally seen as masculine: "They adopted a tough, unladylike pose that borrowed more from the macho swagger of sixties garage bands than from the calculated bad-girl image of bands like The Runaways." Scholar Dave Laing describes how bassist Gaye Advert adopted fashion elements associated with male musicians only to generate a stage persona readily consumed as "sexy". Laing focuses on more innovative and challenging performance styles, seen in the various erotically destabilizing approaches of Siouxsie Sioux, The Slits' Ari Up, and X-Ray Spex' Poly Styrene.

The lack of emphatic syncopation led punk dance to "deviant" forms. The characteristic style was originally the pogo. Sid Vicious, before he became the Sex Pistols' bassist, is credited with initiating the pogo in Britain as an attendee at one of their concerts. Moshing is typical at hardcore shows. The lack of conventional dance rhythms was a central factor in limiting punk's mainstream commercial impact.

Breaking down the distance between performer and audience is central to the punk ethic. Fan participation at concerts is thus important; during the movement's first heyday, it was often provoked in an adversarial manner—apparently perverse, but appropriately "punk". First-wave British punk bands such as the Sex Pistols and The Damned insulted and otherwise goaded the audience into intense reactions. Laing has identified three primary forms of audience physical response to goading: can throwing, stage invasion, and spitting or "gobbing". In the hardcore realm, stage invasion is often a prelude to stage diving. In addition to the numerous fans who have started or joined punk bands, audience members also become important participants via the scene's many amateur periodicals—in England, according to Laing, punk "was the first musical genre to spawn fanzines in any significant numbers".

==Pre-history==

Garage rock and mod

In the early and mid-1960s, garage rock bands that came to be recognized as punk rock's progenitors began springing up in many different locations around North America. The Kingsmen, a garage band from Portland, Oregon, had a breakout hit with their 1963 cover of "Louie, Louie", cited as "punk rock's defining ur-text". The minimalist sound of many garage rock bands was influenced by the harder-edged wing of the British Invasion. The Kinks' hit singles of 1964, "You Really Got Me" and "All Day and All of the Night", have been described as "predecessors of the whole three-chord genre—the Ramones' 1978 'I Don't Want You,' for instance, was pure Kinks-by-proxy". In 1965, The Who quickly progressed from their debut single, "I Can't Explain", a virtual Kinks clone, to "My Generation". Though it had little impact on the American charts, The Who's mod anthem presaged a more cerebral mix of musical ferocity and rebellious posture that characterized much early British punk rock: John Reed describes The Clash's emergence as a "tight ball of energy with both an image and rhetoric reminiscent of a young Pete Townshend—speed obsession, pop-art clothing, art school ambition". The Who and fellow mods The Small Faces were among the few rock elders acknowledged by the Sex Pistols. By 1966, mod was already in decline. U.S. garage rock began to lose steam within a couple of years, but the raw sound and outsider attitude of "garage psych" bands like The Seeds presaged the style of bands that would become known as the archetypal figures of protopunk.

Protopunk

In 1969, debut albums by two Michigan-based bands appeared that are commonly regarded as the central protopunk records. In January, Detroit's MC5 released ''Kick Out the Jams''. "Musically the group is intentionally crude and aggressively raw", wrote critic Lester Bangs in ''Rolling Stone'':

Most of the songs are barely distinguishable from each other in their primitive two-chord structures. You've heard all this before from such notables as the Seeds, Blue Cheer, Question Mark and the Mysterians, and the Kingsmen. The difference here ... is in the hype, the thick overlay of teenage-revolution and total-energy-thing which conceals these scrapyard vistas of clichés and ugly noise. ... "I Want You Right Now" sounds exactly (down to the lyrics) like a song called "I Want You" by the Troggs, a British group who came on with a similar sex-and-raw-sound image a couple of years ago (remember "Wild Thing"?)

That August, The Stooges, from Ann Arbor, premiered with a self-titled album. According to critic Greil Marcus, the band, led by singer Iggy Pop, created "the sound of Chuck Berry's Airmobile—after thieves stripped it for parts". The album was produced by John Cale, a former member of New York's experimental rock group The Velvet Underground. Having earned a "reputation as the first underground rock band", The Velvet Underground inspired, directly or indirectly, many of those involved in the creation of punk rock.

In the early 1970s, the New York Dolls updated the original wildness of 1950s rock 'n' roll in a fashion that later became known as glam punk. The New York duo Suicide played spare, experimental music with a confrontational stage act inspired by that of The Stooges. At the Coventry club in the New York City borough of Queens, The Dictators used rock as a vehicle for wise-ass attitude and humor. In Boston, The Modern Lovers, led by Velvet Underground devotee Jonathan Richman, gained attention with a minimalistic style. In 1974, an updated garage rock scene began to coalesce around the newly opened Rathskeller club in Kenmore Square. Among the leading acts were the Real Kids, founded by former Modern Lover John Felice; Willie Alexander and the Boom Boom Band, whose frontman had been a member of the Velvet Underground for a few months in 1971; and Mickey Clean and the Mezz. In 1974, as well, the Detroit band Death—made up of three African-American brothers—recorded "scorching blasts of feral ur-punk", but couldn't arrange a release deal. In Ohio, a small but influential underground rock scene emerged, led by Devo in Akron and Kent and by Cleveland's The Electric Eels, Mirrors and Rocket from the Tombs. In 1975, Rocket from the Tombs split into Pere Ubu and Frankenstein. The Electric Eels and Mirrors both broke up, and The Styrenes emerged from the fallout.

Britain's Deviants, in the late 1960s, played in a range of psychedelic styles with a satiric, anarchic edge and a penchant for situationist-style spectacle presaging the Sex Pistols by almost a decade. In 1970, the act evolved into the Pink Fairies, which carried on in a similar vein. With his Ziggy Stardust persona, David Bowie made artifice and exaggeration central—elements, again, that were picked up by the Sex Pistols and certain other punk acts. The Doctors of Madness built on Bowie's presentation concepts, while moving musically in the direction that would become identified with punk. Bands in London's pub rock scene stripped the music back to its basics, playing hard, R&B-influenced; rock 'n' roll. By 1974, the scene's top act, Dr. Feelgood, was paving the way for others such as The Stranglers and Cock Sparrer that would play a role in the punk explosion. Among the pub rock bands that formed that year was The 101'ers, whose lead singer would soon adopt the name Joe Strummer.

Bands anticipating the forthcoming movement were appearing as far afield as Düsseldorf, West Germany, where "punk before punk" band NEU! formed in 1971, building on the Krautrock tradition of groups such as Can. In Japan, the anti-establishment Zunō Keisatsu (Brain Police) mixed garage psych and folk. The combo regularly faced censorship challenges, their live act at least once including onstage masturbation. A new generation of Australian garage rock bands, inspired mainly by The Stooges and MC5, was coming even closer to the sound that would soon be called "punk": In Brisbane, The Saints also recalled the raw live sound of the British Pretty Things, who had made a notorious tour of Australia and New Zealand in 1965. Radio Birdman, cofounded by Detroit expatriate Deniz Tek in 1974, was playing gigs to a small but fanatical following in Sydney.

Etymology

From the late 16th through the 18th century, ''punk'' was a common, coarse synonym for ''prostitute''; William Shakespeare used it with that meaning in ''The Merry Wives of Windsor'' (1602) and ''Measure for Measure'' (1623). The term eventually came to describe "a young male hustler, a gangster, a hoodlum, or a ruffian". As Legs McNeil explains, "On TV, if you watched cop shows, ''Kojak'', ''Baretta'', when the cops finally catch the mass murderer, they'd say, 'you dirty Punk.' It was what your teachers would call you. It meant that you were the lowest." The first known use of the phrase ''punk rock'' appeared in the ''Chicago Tribune'' on March 22, 1970, attributed to Ed Sanders, cofounder of New York's anarcho-prankster band The Fugs. Sanders was quoted describing a solo album of his as "punk rock—redneck sentimentality". In the December 1970 issue of ''Creem'', Lester Bangs, mocking more mainstream rock musicians, ironically referred to Iggy Pop as "that Stooge punk". Suicide's Alan Vega credits this usage with inspiring his duo to bill its gigs as a "punk mass" for the next couple of years.

Dave Marsh was the first music critic to employ the term ''punk rock'': In the May 1971 issue of ''Creem'', he described ? and the Mysterians, one of the most popular 1960s garage rock acts, as giving a "landmark exposition of punk rock". Later in 1971, in his fanzine ''Who Put the Bomp'', Greg Shaw wrote about "what I have chosen to call 'punk rock' bands—white teenage hard rock of '64-66 (Standells, Kingsmen, Shadows of Knight, etc.)". Lenny Kaye used the term "classic garage-punk," in reference to a song recorded in 1966 by The Shadows of Knight, in the liner notes of the anthology album ''Nuggets'', released in 1972. In June 1972, the fanzine ''Flash'' included a "Punk Top Ten" of 1960s albums. By that December, the term was in circulation to the extent that ''The New Yorker''s Ellen Willis, contrasting her own tastes with those of ''Flash'' and fellow critic Nick Tosches, wrote, "''Punk-rock'' has become the favored term of endearment." In February 1973, Terry Atkinson of the ''Los Angeles Times'', reviewing the debut album by a hard rock band, Aerosmith, declared that it "achieves all that punk-rock bands strive for but most miss." Three months later, Billy Altman launched the short-lived ''punk magazine''.

In May 1974, ''Los Angeles Times'' critic Robert Hilburn reviewed the second New York Dolls album, ''Too Much Too Soon''. "I told ya the New York Dolls were the real thing", he wrote, describing the album as "perhaps the best example of raw, thumb-your-nose-at-the-world, punk rock since the Rolling Stones' ''Exile on Main Street''.'" Bassist Jeff Jensen of Boston's Real Kids reports of a show that year, "A reviewer for one of the free entertainment magazines of the time caught the act and gave us a great review, calling us a 'punk band.' ... [W]e all sort of looked at each other and said, 'What's punk?'"

By 1975, ''punk'' was being used to describe acts as diverse as the Patti Smith Group, the Bay City Rollers, and Bruce Springsteen. As the scene at New York's CBGB club attracted notice, a name was sought for the developing sound. Club owner Hilly Kristal called the movement "street rock"; John Holmstrom credits ''Aquarian'' magazine with using ''punk'' "to describe what was going on at CBGBs". Holmstrom, McNeil, and Ged Dunn's magazine ''Punk'', which debuted at the end of 1975, was crucial in codifying the term. "It was pretty obvious that the word was getting very popular", Holmstrom later remarked. "We figured we'd take the name before anyone else claimed it. We wanted to get rid of the bullshit, strip it down to rock 'n' roll. We wanted the fun and liveliness back."

Early history

North America

New York City

The origins of New York's punk rock scene can be traced back to such sources as late 1960s trash culture and an early 1970s underground rock movement centered on the Mercer Arts Center in Greenwich Village, where the New York Dolls performed. In early 1974, a new scene began to develop around the CBGB club, also in lower Manhattan. At its core was Television, described by critic John Walker as "the ultimate garage band with pretensions". Their influences ranged from the Velvet Underground to the staccato guitar work of Dr. Feelgood's Wilko Johnson. The band's bassist/singer, Richard Hell, created a look with cropped, ragged hair, ripped T-shirts, and black leather jackets credited as the basis for punk rock visual style. In April 1974, Patti Smith, a member of the Mercer Arts Center crowd and a friend of Hell's, came to CBGB for the first time to see the band perform. A veteran of independent theater and performance poetry, Smith was developing an intellectual, feminist take on rock 'n' roll. On June 5, she recorded the single "Hey Joe"/"Piss Factory", featuring Television guitarist Tom Verlaine; released on her own Mer Records label, it heralded the scene's do it yourself (DIY) ethic and has often been cited as the first punk rock record. By August, Smith and Television were gigging together at another downtown New York club, Max's Kansas City.

Out in Forest Hills, Queens, several miles from lower Manhattan, the members of a newly formed band adopted a common surname. Drawing on sources ranging from the Stooges to The Beatles and The Beach Boys to Herman's Hermits and 1960s girl groups, the Ramones condensed rock 'n' roll to its primal level: "'1-2-3-4!' bass-player Dee Dee Ramone shouted at the start of every song, as if the group could barely master the rudiments of rhythm." The band played its first gig at CBGB on August 16, 1974. Another new act, Blondie, also debuted at the club that month. By the end of the year, the Ramones had performed seventy-four shows, each about seventeen minutes long. "When I first saw the Ramones", critic Mary Harron later remembered, "I couldn't believe people were doing this. The dumb brattiness." The Dictators, with a similar "playing dumb" concept, were recording their debut album. ''The Dictators Go Girl Crazy!'' came out in March 1975, mixing absurdist originals such as "Master Race Rock" and loud, straight-faced covers of cheese pop like Sonny & Cher's "I Got You Babe".

That spring, Smith and Television shared a two-month-long weekend residency at CBGB that significantly raised the club's profile. The Television sets included Richard Hell's "Blank Generation", which became the scene's emblematic anthem. Soon after, Hell left Television and founded a band featuring a more stripped-down sound, The Heartbreakers, with former New York Dolls Johnny Thunders and Jerry Nolan. The pairing of Hell and Thunders, in one critical assessment, "inject[ed] a poetic intelligence into mindless self-destruction". A July festival at CBGB featuring over thirty new groups brought the scene its first substantial media coverage. In August, Television—with Fred Smith, former Blondie bassist, replacing Hell—recorded a single, "Little Johnny Jewel", for the tiny Ork label. In the words of John Walker, the record was "a turning point for the whole New York scene" if not quite for the punk rock sound itself—Hell's departure had left the band "significantly reduced in fringe aggression".

Other bands were becoming regulars at CBGB, such as Mink DeVille and Talking Heads, which moved down from Rhode Island. More closely associated with Max's Kansas City were Suicide and the band led by drag queen Wayne County, another Mercer Arts Center alumna. The first album to come out of this downtown scene was released in November 1975: Smith's debut, ''Horses'', produced by John Cale for the major Arista label. The inaugural issue of ''Punk'' appeared in December. The new magazine tied together earlier artists such as Velvet Underground lead singer Lou Reed, the Stooges, and the New York Dolls with the editors' favorite band, The Dictators, and the array of new acts centered around CBGB and Max's. That winter, Pere Ubu came in from Cleveland and played at both spots.

Early in 1976, Hell left The Heartbreakers; he soon formed a new group that would become known as The Voidoids, "one of the most harshly uncompromising bands" on the scene. That April, the Ramones' debut album was released by Sire Records; the first single was "Blitzkrieg Bop", opening with the rally cry "Hey! Ho! Let's go!" According to a later description, "Like all cultural watersheds, ''Ramones'' was embraced by a discerning few and slagged off as a bad joke by the uncomprehending majority." At the instigation of Ramones lead singer Joey Ramone, the members of Cleveland's Frankenstein moved east to join the New York scene. Reconstituted as the Dead Boys, they played their first CBGB gig in late July. In August, Ork put out an EP recorded by Hell with his new band that included the first released version of "Blank Generation".

The term ''punk'' initially referred to the scene in general, than the sound itself—the early New York punk bands represented a broad variety of influences. Among them, the Ramones, The Heartbreakers, Richard Hell and The Voidoids, and the Dead Boys were establishing a distinct musical style. Even where they diverged most clearly, in lyrical approach—the Ramones' apparent guilelessness at one extreme, Hell's conscious craft at the other—there was an abrasive attitude in common. Their shared attributes of minimalism and speed, however, had not yet come to define punk rock.

Other U.S. cities

In 1975, the Suicide Commandos formed in Minneapolis. They were one of the first U.S. bands outside of New York to play in the Ramones-style harder-louder-faster mode that would define punk rock. Detroit's Death self-released one of their 1974 recordings, "Politicians in My Eyes", in 1976. As the punk movement expanded rapidly in the United Kingdom that year, a few bands with similar tastes and attitude appeared around the United States. The first West Coast punk scenes emerged in San Francisco, with the bands Crime and The Nuns, and Seattle, where the Telepaths, Meyce, and The Tupperwares played a groundbreaking show on May 1. Rock critic Richard Meltzer cofounded VOM (short for "vomit") in Los Angeles. In Washington, D.C., raucous roots-rockers The Razz helped along a nascent punk scene featuring Overkill, the Slickee Boys, and The Look. Around the turn of the year, White Boy began giving notoriously crazed performances. In Boston, the scene at the Rathskeller—affectionately known as the Rat—was also turning toward punk, though the defining sound retained a distinct garage rock orientation. Among the city's first new acts to be identified with punk rock was DMZ. In Bloomington, Indiana, The Gizmos played in a jokey, raunchy, Dictators-inspired style later referred to as "frat punk".

Like their garage rock predecessors, these local scenes were facilitated by enthusiastic impresarios who operated nightclubs or organized concerts in venues such as schools, garages, or warehouses, advertised via inexpensively printed flyers and fanzines. In some cases, punk's do it yourself ethic reflected an aversion to commercial success, as well as a desire to maintain creative and financial autonomy. As Joe Harvard, a participant in the Boston scene, describes, it was often a simple necessity—the absence of a local recording industry and well-distributed music magazines left little recourse but DIY.

Australia

At the same time, a similar music-based subculture was beginning to take shape in various parts of Australia. A scene was developing around Radio Birdman and its main performance venue, the Oxford Tavern (later the Oxford Funhouse), located in Sydney's Darlinghurst suburb. In December 1975, the group won the ''RAM (Rock Australia Magazine)''/Levi's Punk Band Thriller competition. By 1976, The Saints were hiring Brisbane local halls to use as venues, or playing in "Club 76", their shared house in the inner suburb of Petrie Terrace. The band soon discovered that musicians were exploring similar paths in other parts of the world. Ed Kuepper, coleader of The Saints, later recalled:

One thing I remember having had a really depressing effect on me was the first Ramones album. When I heard it [in 1976], I mean it was a great record ... but I hated it because I knew we’d been doing this sort of stuff for years. There was even a chord progression on that album that we used ... and I thought, "Fuck. We’re going to be labeled as influenced by the Ramones", when nothing could have been further from the truth.

On the other side of Australia, in Perth, germinal punk rock act the Cheap Nasties, featuring singer-guitarist Kim Salmon, formed in August. In September 1976, The Saints became the first punk rock band outside the U.S. to release a recording, the single "(I'm) Stranded". As with Patti Smith's debut, the band self-financed, packaged, and distributed the single. "(I'm) Stranded" had limited impact at home, but the British music press recognized it as a groundbreaking record. At the insistence of their superiors in the UK, EMI Australia signed The Saints. Meanwhile, Radio Birdman came out with a self-financed EP, ''Burn My Eye'', in October. ''Trouser Press'' critic Ian McCaleb later described the record as the "archetype for the musical explosion that was about to occur".

United Kingdom

After a brief period unofficially managing the New York Dolls, Englishman Malcolm McLaren returned to London in May 1975, inspired by the new scene he had witnessed at CBGB. The Kings Road clothing store he co-owned, recently renamed Sex, was building a reputation with its outrageous "anti-fashion". Among those who frequented the shop were members of a band called The Strand, which McLaren had also been managing. In August, the group was seeking a new lead singer. Another Sex habitué, Johnny Rotten, auditioned for and won the job. Adopting a new name, the group played its first gig as the Sex Pistols on November 6, 1975, at St. Martin's School of Art and soon attracted a small but ardent following. In February 1976, the band received its first significant press coverage; guitarist Steve Jones declared that the Sex Pistols were not so much into music as they were "chaos". The band often provoked its crowds into near-riots. Rotten announced to one audience, "Bet you don't hate us as much as we hate you!" McLaren envisioned the Sex Pistols as central players in a new youth movement, "hard and tough". As described by critic Jon Savage, the band members "embodied an attitude into which McLaren fed a new set of references: late-sixties radical politics, sexual fetish material, pop history,...youth sociology".

Bernard Rhodes, a sometime associate of McLaren's and friend of the Sex Pistols', was similarly aiming to make stars of the band London SS. Early in 1976, London SS broke up before ever performing publicly, spinning off two new bands: The Damned and The Clash, which was joined by Joe Strummer, former lead singer of The 101'ers. On June 4, 1976, the Sex Pistols played Manchester's Lesser Free Trade Hall in what came to be regarded as one of the most influential rock shows ever. Among the approximately forty audience members were the two locals who organized the gig—they had formed the Buzzcocks after seeing the Sex Pistols in February. Others in the small crowd went on to form Joy Division, The Fall, and—in the 1980s—The Smiths.

In July, the Ramones crossed the Atlantic for two London shows that helped spark the nascent UK punk scene and affected its musical style—"instantly nearly every band speeded up". On July 4, they played with the Flamin' Groovies and The Stranglers before a crowd of 2,000 at the Roundhouse. That same night, The Clash debuted, opening for the Sex Pistols in Sheffield. On July 5, members of both bands attended a Ramones club gig. The following night, The Damned played their first show, as a Pistols opening act in London. In critic Kurt Loder's description, the Sex Pistols purveyed a "calculated, arty nihilism, [while] the Clash were unabashed idealists, proponents of a radical left-wing social critique of a sort that reached back at least to ... Woody Guthrie in the 1940s". The Damned built a reputation as "punk's party boys". This London scene's first fanzine appeared a week later. Its title, ''Sniffin' Glue'', derived from a Ramones song. Its subtitle affirmed the connection with what was happening in New York: "+ Other Rock 'n' Roll Habits for Punks!"

Another Sex Pistols gig in Manchester on July 20, with a reorganized version of the Buzzcocks debuting in support, gave further impetus to the scene there. In August, the self-described "First European Punk Rock Festival" was held in Mont de Marsan in the southwest of France. Eddie and the Hot Rods, a London pub rock group, headlined. The Sex Pistols, originally scheduled to play, were dropped by the organizers who said the band had gone "too far" in demanding top billing and certain amenities; The Clash backed out in solidarity. The only band from the new punk movement to appear was The Damned.

Over the next several months, many new punk rock bands formed, often directly inspired by the Sex Pistols. In London, women were near the center of the scene—among the initial wave of bands were the female-fronted Siouxsie and the Banshees and X-Ray Spex and the all-female The Slits. There were female bassists Gaye Advert in The Adverts and Shanne Bradley in The Nipple Erectors. Other groups included Subway Sect, Eater, The Subversives, the aptly named London, and Chelsea, which soon spun off Generation X. Farther afield, Sham 69 began practicing in the southeastern town of Hersham. In Durham, there was Penetration, with lead singer Pauline Murray. On September 20–21, the 100 Club Punk Festival in London featured the four primary British groups (London's big three and the Buzzcocks), as well as Paris's female-fronted Stinky Toys, arguably the first punk rock band from a non-Anglophone country. Siouxsie and the Banshees and Subway Sect debuted on the festival's first night; that same evening, Eater debuted in Manchester. On the festival's second night, audience member Sid Vicious was arrested, charged with throwing a glass at The Damned that shattered and destroyed a girl's eye. Press coverage of the incident fueled punk's reputation as a social menace. Some new bands, such as London's Alternative TV and Edinburgh's Rezillos, identified with the scene even as they pursued more experimental music. Others of a comparatively traditional rock 'n' roll bent were also swept up by the movement: The Vibrators, formed as a pub rock–style act in February 1976, soon adopted a punk look and sound. A few even longer-active bands including Surrey neo-mods The Jam and pub rockers The Stranglers and Cock Sparrer also became associated with the punk rock scene. Alongside the musical roots shared with their American counterparts and the calculated confrontationalism of the early Who, the British punks also reflected the influence of glam rock and related bands such as Slade, T.Rex, and Roxy Music. One of the groups openly acknowledging that influence were The Undertones, from Derry in Northern Ireland. Another punk band formed to the south, Dublin's The Radiators From Space.

In October, The Damned became the first UK punk rock band to release a single, the romance-themed "New Rose". The Vibrators followed the next month with "We Vibrate" and, backing long-time rocker Chris Spedding, "Pogo Dancing". The latter was hardly a punk song by any stretch, but it was perhaps the first song ''about'' punk rock. On 26 November, the Sex Pistols' "Anarchy in the U.K." came out—with its debut single the band succeeded in its goal of becoming a "national scandal". Jamie Reid's "anarchy flag" poster and his other design work for the Sex Pistols helped establish a distinctive punk visual aesthetic. On December 1, an incident took place that sealed punk rock's notorious reputation: On ''Thames Today'', an early evening London TV show, Sex Pistols guitarist Steve Jones was goaded into a verbal altercation by the host, Bill Grundy. Jones called Grundy a "dirty fucker" on live television, triggering a media controversy. Two days later, the Sex Pistols, The Clash, The Damned, and The Heartbreakers set out on the Anarchy Tour, a series of gigs throughout the UK. Many of the shows were cancelled by venue owners in response to the media outrage following the Grundy confrontation.

Second wave

By 1977, a second wave of the punk rock movement was breaking in the three countries where it had emerged, as well as in many other places. Bands from the same scenes often sounded very different from each other, reflecting the eclectic state of punk music during the era. While punk rock remained largely an underground phenomenon in North America, Australia, and the new spots where it was emerging, in the UK it briefly became a major sensation.

North America

The California punk scene was in full swing by early 1977. In Los Angeles, there were The Weirdos, The Zeros, The Germs, X, The Dickies, The Bags, and the relocated Tupperwares, now dubbed The Screamers. San Francisco's second wave included The Avengers, Negative Trend, The Mutants, and The Sleepers. The Dils, from Carlsbad, moved between the two major cities. The Wipers formed in Portland, Oregon. In Seattle, there was The Lewd. Often sharing gigs with the Seattle punks were bands from across the Canadian border. A major scene developed in Vancouver, spearheaded by the Furies and Victoria's all-female Dee Dee and the Dishrags. The Skulls spun off into D.O.A. and The Subhumans. The K-Tels (later known as the Young Canadians) and Pointed Sticks were among the area's other leading punk acts.

In eastern Canada, the Toronto protopunk band Dishes had laid the groundwork for another sizable scene, and a September 1976 concert by the touring Ramones had catalyzed the movement. Early Ontario punk bands included The Diodes, The Viletones, The Battered Wives, The Demics, Forgotten Rebels, Teenage Head, The Poles, and The Ugly. Along with the Dishrags, Toronto's The Curse and B Girls were North America's first all-female punk acts. In July 1977, the Viletones, Diodes, Curse, and Teenage Head headed down to New York City to play "Canada night" at CBGB.

By mid-1977 in downtown New York, punk rock was already ceding its cutting-edge status to the anarchic sound of Teenage Jesus and the Jerks and Mars, spearheads of what became known as No Wave, although several original punk bands continued to perform and new ones emerged on the scene. The Cramps, whose core members were from Sacramento by way of Akron, had debuted at CBGB in November 1976, opening for the Dead Boys. They were soon playing regularly at Max's Kansas City. The Misfits formed in nearby New Jersey. Still developing what would become their signature B movie–inspired style, later dubbed horror punk, they made their first appearance at CBGB in April 1977.

''Leave Home'', the Ramones' second album, had come out in January. The Dead Boys' debut LP, ''Young, Loud and Snotty'', was released at the end of August. October saw two more debut albums from the scene: Richard Hell and The Voidoids' first full-length, ''Blank Generation'', and the Heartbreakers' ''L.A.M.F.'' One track on the latter exemplified both the scene's close-knit character and the popularity of heroin within it: "Chinese Rocks"—the title refers to a strong form of the drug—was written by Dee Dee Ramone and Hell, both users, as were the Heartbreakers' Thunders and Nolan. (During the Heartbreakers' 1976 and 1977 tours of Britain, Thunders played a central role in popularizing heroin among the punk crowd there, as well.) The Ramones' third album, ''Rocket to Russia'', appeared in November 1977.

The Ohio protopunk bands were joined by Cleveland's The Pagans, Akron's Bizarros and Rubber City Rebels, and Kent's Human Switchboard. Bloomington, Indiana, had MX-80 Sound and Detroit had The Sillies. The Suburbs came together in the Twin Cities scene sparked by the Suicide Commandos. The Feederz formed in Arizona. Atlanta had The Fans. In North Carolina, there was Chapel Hill's H-Bombs and Raleigh's Th' Cigaretz. The Chicago scene began not with a band but with a group of DJs transforming a gay bar, La Mere Vipere, into what became known as America's first punk dance club. Tutu and the Pirates and Silver Abuse were among the city's first punk bands. In Boston, the scene at the Rat was joined by the Nervous Eaters, Thrills, and Human Sexual Response. In Washington, D.C., the Controls played their first gig in spring 1977, but the city's second wave really broke the following year with acts such as Urban Verbs, Half Japanese, D'Chumps, Rudements and Shirkers. By early 1978, the D.C. jazz-fusion group Mind Power had transformed into Bad Brains, one of the first bands to be identified with hardcore punk.

United Kingdom

The Sex Pistols' live TV skirmish with Bill Grundy was the signal moment in British punk's transformation into a major media phenomenon, even as some stores refused to stock the records and radio airplay was hard to come by. Press coverage of punk misbehavior grew intense: On January 4, 1977, the ''Evening News'' of London ran a front-page story on how the Sex Pistols "vomited and spat their way to an Amsterdam flight". In February 1977, the first album by a British punk band appeared: ''Damned Damned Damned'' (by the Damned) reached number thirty-six on the UK chart. The EP ''Spiral Scratch'', self-released by Manchester's Buzzcocks, was a benchmark for both the DIY ethic and regionalism in the country's punk movement. The Clash's self-titled debut album came out two months later and rose to number twelve; the single "White Riot" entered the top forty. In May, the Sex Pistols achieved new heights of controversy (and number two on the singles chart) with "God Save the Queen". The band had recently acquired a new bassist, Sid Vicious, who was seen as exemplifying the punk persona.

Scores of new punk groups formed around the United Kingdom, as far from London as Belfast's Stiff Little Fingers and Dunfermline, Scotland's The Skids. Though most survived only briefly, perhaps recording a small-label single or two, others set off new trends. Crass, from Essex, merged a vehement, straight-ahead punk rock style with a committed anarchist mission. Sham 69, London's Menace, and the Angelic Upstarts from South Shields in the Northeast combined a similarly stripped-down sound with populist lyrics, a style that became known as streetpunk. These expressly working-class bands contrasted with others in the second wave that presaged the post-punk phenomenon. Liverpool's first punk group, Big in Japan, moved in a glam, theatrical direction. The band didn't survive long, but it spun off several well-known post-punk acts. The songs of London's Wire were characterized by sophisticated lyrics, minimalist arrangements, and extreme brevity. By the end of 1977, according to music historian Clinton Heylin, they were "England's arch-exponents of New Musick, and the true heralds of what came next." Alongside thirteen original songs that would define classic punk rock, The Clash's debut had included a cover of the recent Jamaican reggae hit "Police and Thieves". Other first wave bands such as The Slits and new entrants to the scene like The Ruts and The Police interacted with the reggae and ska subcultures, incorporating their rhythms and production styles. The punk rock phenomenon helped spark a full-fledged ska revival movement known as 2 Tone, centered around bands such as The Specials, The Beat, Madness, and The Selecter.

June 1977 saw the release of another charting punk album: The Vibrators' ''Pure Mania''. In July, the Sex Pistols' third single, "Pretty Vacant", reached number six and The Saints had a top-forty hit with "This Perfect Day". Recently arrived from Australia, the band was now considered insufficiently "cool" to qualify as punk by much of the British media, though they had been playing a similar brand of music for years. In August, The Adverts entered the top twenty with "Gary Gilmore's Eyes". As punk became a broad-based national phenomenon in the summer of 1977, punk musicians and fans were increasingly subject to violent assaults by Teddy boys, football yobbos, and others. A Ted-aligned band recorded "The Punk Bashing Boogie".

In September, Generation X and The Clash reached the top forty with, respectively, "Your Generation" and "Complete Control". X-Ray Spex' "Oh Bondage Up Yours!" didn't chart, but it became a requisite item for punk fans. In October, the Sex Pistols hit number eight with "Holidays in the Sun", followed by the release of their first and only "official" album, ''Never Mind the Bollocks, Here's the Sex Pistols''. Inspiring yet another round of controversy, it topped the British charts. In December, one of the first books about punk rock was published: ''The Boy Looked at Johnny'', by Julie Burchill and Tony Parsons. Declaring the punk rock movement to be already over, it was subtitled ''The Obituary of Rock and Roll''. In January 1978, the Sex Pistols broke up while on American tour.

Australia

In February 1977, EMI released The Saints' debut album, ''(I'm) Stranded'', which the band recorded in two days. The Saints had relocated to Sydney; in April, they and Radio Birdman united for a major gig at Paddington Town Hall. Last Words had also formed in the city. The following month, The Saints relocated again, to Great Britain. In June, Radio Birdman released the album ''Radios Appear'' on its own Trafalgar label.

The Victims became a short-lived leader of the Perth scene, self-releasing the classic "Television Addict". They were joined by The Scientists, Kim Salmon's successor band to the Cheap Nasties. Among the other bands constituting Australia's second wave were Johnny Dole & The Scabs, the Hellcats, and Psychosurgeons (later known as the Lipstick Killers) in Sydney; The Leftovers, The Survivors, and Razar in Brisbane; and La Femme, The Negatives, and The Babeez (later known as The News) in Melbourne. Melbourne's art rock–influenced Boys Next Door featured singer Nick Cave, who would become one of the world's best-known post-punk artists.

Rest of the world

Meanwhile, punk rock scenes were emerging around the globe. In France, ''les punks'', a Parisian subculture of Lou Reed fans, had already been around for years. Following the lead of Stinky Toys, Métal Urbain played its first concert in December 1976. In August 1977, Asphalt Jungle played at the second Mont de Marsan punk festival. Stinky Toys' debut single, "Boozy Creed", came out in September. It was perhaps the first non-English-language punk rock record, though as music historian George Gimarc notes, the punk enunciation made that distinction somewhat moot. The following month, Métal Urbain's first 45, "Panik", appeared. After the release of their minimalist punk debut, "Rien à dire", Marie et les Garçons became involved in New York's mutant disco scene. Asphalt Jungle's "Deconnection" and Gasoline's "Killer Man" also came out before the end of the year, and other French punk acts such as Oberkampf and Starshooter soon formed.

Nineteen seventy-seven also saw the debut album from Hamburg's Big Balls and the Great White Idiot, arguably West Germany's first punk band. Other early German punk acts included the Fred Banana Combo and Pack. Bands primarily inspired by British punk sparked what became known as the Neue Deutsche Welle (NDW) movement. Vanguard NDW acts such as the Nina Hagen Band and S.Y.P.H. featured strident vocals and an emphasis on provocation. Before turning in a mainstream direction in the 1980s, NDW attracted a politically conscious and diverse audience, including both participants of the left-wing alternative scene and neo-Nazi skinheads. These opposing factions were mutually attracted by a view of punk rock as "politically as well as musically...'against the system'."

Briard jump-started Finnish punk with its 1977 single "I Really Hate Ya"/"I Want Ya Back"; other early Finnish punk acts included Eppu Normaali and singer Pelle Miljoona. In Yugoslavia, punk rock acts emerged in Croatia (Paraf), Slovenia (Pankrti), and Serbia (Pekinška patka). In Japan, a punk movement developed around bands playing in an art/noise style such as Friction, and "psych punk" acts like Gaseneta and Kadotani Michio. In New Zealand, Auckland's Scavengers and Suburban Reptiles were followed by The Enemy of Dunedin. In Brazil, punk first came to prominence in Brasília, the capital, with the bands Aborto Elétrico and Dado e o Reino Animal. Punk rock scenes also grew in other countries such as Belgium (The Kids, Chainsaw), the Netherlands (The Suzannes, The Ex), Spain (La Banda Trapera Del Río, Kaka De Luxe), Sweden (Ebba Grön, KSMB), and Switzerland (Nasal Boys, Kleenex).

Schism and diversification

By 1979, the hardcore punk movement was emerging in Southern California. A rivalry developed between adherents of the new sound and the older punk rock crowd. Hardcore, appealing to a younger, more suburban audience, was perceived by some as anti-intellectual, overly violent, and musically limited. In Los Angeles, the opposing factions were often described as "Hollywood punks" and "beach punks", referring to Hollywood's central position in the original L.A. punk rock scene and to hardcore's popularity in the shoreline communities of South Bay and Orange County.

As hardcore became the dominant punk rock style, many bands of the older California punk rock movement split up, although X went on to mainstream success and The Go-Go's, part of the Hollywood punk scene when they formed in 1978, adopted a pop sound and became major stars. Across North America, many other first and second wave punk bands also dissolved, while younger musicians inspired by the movement explored new variations on punk. Some early punk bands transformed into hardcore acts. A few, most notably the Ramones, Richard Hell and The Voidoids, and Johnny Thunders and The Heartbreakers, continued to pursue the style they had helped create. Crossing the lines between "classic" punk, post-punk, and hardcore, San Francisco's Flipper was founded in 1979 by former members of Negative Trend and The Sleepers. They became "the reigning kings of American underground rock, for a few years".

Radio Birdman broke up in June 1978 while touring the UK, where the early unity between bohemian, middle-class punks (many with art school backgrounds) and working-class punks had disintegrated. In contrast to North America, more of the bands from the original British punk movement remained active, sustaining extended careers even as their styles evolved and diverged. Meanwhile, the Oi! and anarcho-punk movements were emerging. Musically in the same aggressive vein as American hardcore, they addressed different constituencies with overlapping but distinct anti-establishment messages. As described by Dave Laing, "The model for self-proclaimed punk after 1978 derived from the Ramones via the eight-to-the-bar rhythms most characteristic of The Vibrators and Clash. ... It became essential to sound one particular way to be recognized as a 'punk band' now." In February 1979, former Sex Pistols bassist Sid Vicious died of a heroin overdose in New York. If the Sex Pistols' breakup the previous year had marked the end of the original UK punk scene and its promise of cultural transformation, for many the death of Vicious signified that it had been doomed from the start. By the turn of the decade, the punk rock movement had split deeply along cultural and musical lines, leaving a variety of derivative scenes and forms. On one side were New Wave and post-punk artists; some adopted more accessible musical styles and gained broad popularity, while some turned in more experimental, less commercial directions. On the other side, hardcore punk, Oi!, and anarcho-punk bands became closely linked with underground cultures and spun off an array of subgenres. Somewhere in between, pop punk groups created blends like that of the ideal record, as defined by Mekons cofounder Kevin Lycett: "a cross between Abba and the Sex Pistols". A range of other styles emerged, many of them fusions with long-established genres. The Clash album ''London Calling'', released in December 1979, exemplified the breadth of classic punk's legacy. Combining punk rock with reggae, ska, R&B;, and rockabilly, it went on to be acclaimed as one of the best rock records ever. At the same time, as observed by Flipper singer Bruce Loose, the relatively restrictive hardcore scenes diminished the variety of music that could once be heard at many punk gigs. If early punk, like most rock scenes, was ultimately male-oriented, the hardcore and Oi! scenes were significantly more so, marked in part by the slam dancing and moshing with which they became identified.

New Wave

In 1976—first in London, then in the United States—"New Wave" was introduced as a complementary label for the formative scenes and groups also known as "punk"; the two terms were essentially interchangeable. ''NME'' journalist Roy Carr is credited with proposing the term's use (adopted from the cinematic French New Wave of the 1960s) in this context. Over time, "New Wave" acquired a distinct meaning: Bands such as Blondie and Talking Heads from the CBGB scene; The Cars, who emerged from the Rat in Boston; The Go-Go's in Los Angeles; and The Police in London that were broadening their instrumental palette, incorporating dance-oriented rhythms, and working with more polished production were specifically designated "New Wave" and no longer called "punk". Dave Laing suggests that some punk-identified British acts pursued the New Wave label in order to avoid radio censorship and make themselves more palatable to concert bookers.

Bringing elements of punk rock music and fashion into more pop-oriented, less "dangerous" styles, New Wave artists became very popular on both sides of the Atlantic. New Wave became a catch-all term, encompassing disparate styles such as 2 Tone ska, the mod revival inspired by The Jam, the sophisticated pop-rock of Elvis Costello and XTC, the New Romantic phenomenon typified by Ultravox, synthpop groups like Tubeway Army (which had started out as a straight-ahead punk band) and Human League, and the sui generis subversions of Devo, who had gone "beyond punk before punk even properly existed". New Wave became a pop culture sensation with the debut of the cable television network MTV in 1981, which put many New Wave videos into regular rotation. However, the music was often derided at the time as being silly and disposable.

Post-punk

During 1976–77, in the midst of the original UK punk movement, bands emerged such as Manchester's Joy Division, The Fall, and Magazine, Leeds' Gang of Four, and London's The Raincoats that became central post-punk figures. Some bands classified as post-punk, such as Throbbing Gristle and Cabaret Voltaire, had been active well before the punk scene coalesced; others, such as The Slits and Siouxsie and the Banshees, transitioned from punk rock into post-punk. A few months after the Sex Pistols' breakup, John Lydon (no longer "Rotten") cofounded Public Image Ltd. Lora Logic, formerly of X-Ray Spex, founded Essential Logic. Killing Joke formed in 1979. These bands were often musically experimental, like certain New Wave acts; defining them as "post-punk" was a sound that tended to be less pop and more dark and abrasive—sometimes verging on the atonal, as with Subway Sect and Wire—and an anti-establishment posture directly related to punk's. Post-punk reflected a range of art rock influences from Captain Beefheart to David Bowie and Roxy Music to Krautrock and, once again, the Velvet Underground.

Post-punk brought together a new fraternity of musicians, journalists, managers, and entrepreneurs; the latter, notably Geoff Travis of Rough Trade and Tony Wilson of Factory, helped to develop the production and distribution infrastructure of the indie music scene that blossomed in the mid-1980s. Smoothing the edges of their style in the direction of New Wave, several post-punk bands such as New Order (descended from Joy Division), The Cure, and U2 crossed over to a mainstream U.S. audience. Bauhaus was one of the formative gothic rock bands. Others, like Gang of Four, The Raincoats and Throbbing Gristle, who had little more than cult followings at the time, are seen in retrospect as significant influences on modern popular culture.

A number of U.S. artists were retrospectively defined as post-punk; Television's debut album ''Marquee Moon'', released in 1977, is frequently cited as a seminal album in the field. The No Wave movement that developed in New York in the late 1970s, with artists such as Lydia Lunch and James Chance, is often treated as the phenomenon's U.S. parallel. The later work of Ohio protopunk pioneers Pere Ubu is also commonly described as post-punk. One of the most influential American post-punk bands was Boston's Mission of Burma, who brought abrupt rhythmic shifts derived from hardcore into a highly experimental musical context. In 1980, Australia's Boys Next Door moved to London and changed their name to The Birthday Party, which evolved into Nick Cave and the Bad Seeds. Led by the Primitive Calculators, Melbourne's Little Band scene would further explore the possibilities of post-punk. Later alternative rock musicians found diverse inspiration among these post-punk predecessors, as they did among their New Wave contemporaries.

Hardcore

A distinctive style of punk, characterized by superfast, aggressive beats, screaming vocals, and often politically aware lyrics, began to emerge in 1978 among bands scattered around the United States and Canada. The first major scene of what came to be known as hardcore punk developed in Southern California in 1978–79, initially around such punk bands as The Germs and Fear. The movement soon spread around North America and internationally. According to author Steven Blush, "Hardcore comes from the bleak suburbs of America. Parents moved their kids out of the cities to these horrible suburbs to save them from the 'reality' of the cities and what they ended up with was this new breed of monster". Among the earliest hardcore bands, regarded as having made the first recordings in the style, were Southern California's Middle Class and Black Flag. Bad Brains—all of whom were black, a rarity in punk of any era—launched the D.C. scene. Austin, Texas's Big Boys, San Francisco's Dead Kennedys, and Vancouver's D.O.A. were among the other initial hardcore groups. They were soon joined by bands such as the Minutemen, Descendents, Circle Jerks, Adolescents, and TSOL in Southern California; D.C.'s Teen Idles, Minor Threat, and State of Alert; and Austin's MDC and The Dicks. By 1981, hardcore was the dominant punk rock style not only in California, but much of the rest of North America as well. A New York hardcore scene grew, including the relocated Bad Brains, New Jersey's Misfits and Adrenalin O.D., and local acts such as the Nihilistics, The Mob, Reagan Youth, and Agnostic Front. Beastie Boys, who would become famous as a hip-hop group, debuted that year as a hardcore band. They were followed by The Cro-Mags, Murphy's Law, and Leeway. By 1983, St. Paul's Hüsker Dü, Willful Neglect and Chicago's Naked Raygun were taking the hardcore sound in experimental and ultimately more melodic directions. Hardcore would constitute the American punk rock standard throughout the decade.

The lyrical content of hardcore songs is often critical of commercial culture and middle-class values, as in Dead Kennedys' celebrated "Holiday in Cambodia" (1980). Straight edge bands like Minor Threat, Boston's SS Decontrol, and Reno, Nevada's 7 Seconds rejected the self-destructive lifestyles of many of their peers, and built a movement based on positivity and abstinence from cigarettes, alcohol, drugs, and casual sex. In the early 1980s, bands from the American southwest and California such as JFA, Agent Orange, and The Faction helped create a rhythmically distinctive style of hardcore known as skate punk. Skate punk innovators also pointed in other directions: Big Boys helped establish funkcore, while Venice, California's Suicidal Tendencies had a formative effect on the heavy metal–influenced crossover thrash style. Toward the end of the decade, crossover thrash spawned the metalcore fusion style and the superfast thrashcore subgenre developed in multiple locations.

Oi!

Following the lead of first-wave British punk bands Cock Sparrer and Sham 69, in the late 1970s second-wave units like Cockney Rejects, Angelic Upstarts, The Exploited, and The 4-Skins sought to realign punk rock with a working class, street-level following. For that purpose, they believed, the music needed to stay "accessible and unpretentious", in the words of music historian Simon Reynolds. Their style was originally called "real punk" or streetpunk; ''Sounds'' journalist Garry Bushell is credited with labelling the genre ''Oi!'' in 1980. The name is partly derived from the Cockney Rejects' habit of shouting "Oi! Oi! Oi!" before each song, instead of the time-honored "1,2,3,4!" Oi! bands' lyrics sought to reflect the harsh realities of living in Margaret Thatcher's Britain in the late 1970s and early 1980s. A subgroup of Oi! bands dubbed "punk pathetique"—including Splodgenessabounds, Peter and the Test Tube Babies, and Toy Dolls—had a more humorous and absurdist bent.

The Oi! movement was fueled by a sense that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, "trendy university people using long words, trying to be artistic ... and losing touch". According to Bushell, "Punk was meant to be of the voice of the dole queue, and in reality most of them were not. But Oi was the reality of the punk mythology. In the places where [these bands] came from, it was harder and more aggressive and it produced just as much quality music." Lester Bangs described Oi! as "politicized football chants for unemployed louts". One song in particular, The Exploited's "Punks Not Dead", spoke to an international constituency. It was adopted as an anthem by the groups of disaffected Mexican urban youth known in the 1980s as ''bandas''; one ''banda'' named itself PND, after the song's initials.

Although most Oi! bands in the initial wave were apolitical or left wing, many of them began to attract a white power skinhead following. Racist skinheads sometimes disrupted Oi! concerts by shouting fascist slogans and starting fights, but some Oi! bands were reluctant to endorse criticism of their fans from what they perceived as the "middle-class establishment". In the popular imagination, the movement thus became linked to the far right. ''Strength Thru Oi!'', an album compiled by Bushell and released in May 1981, stirred controversy, especially when it was revealed that the belligerent figure on the cover was a neo-Nazi jailed for racist violence (Bushell claimed ignorance). On July 3, a concert at Hamborough Tavern in Southall featuring The Business, The 4-Skins, and The Last Resort was firebombed by local Asian youths who believed that the event was a neo-Nazi gathering. Following the Southall riot, press coverage increasingly associated Oi! with the extreme right, and the movement soon began to lose momentum.

Anarcho-punk

Anarcho-punk developed alongside the Oi! and American hardcore movements. With a primitive, stripped-down musical style and ranting, shouted vocals, British bands such as Crass—the scene's "moral leaders"—Subhumans, Flux of Pink Indians, Conflict, Poison Girls, and The Apostles attempted to transform the punk rock scene into a full-blown anarchist movement. Revolution and military action were primary lyrical topics. As with straight edge, anarcho-punk is based on a set of principles, including prohibitions on wearing leather and the promotion of a vegetarian or vegan diet.

The movement spun off several subgenres of a similar political bent. Discharge, founded back in 1977, established D-beat in the early 1980s. Other groups in the movement, led by Amebix and Antisect, developed the extreme style known as crust punk. Several of these bands rooted in anarcho-punk such as The Varukers, Discharge, and Amebix, along with former Oi! groups such as The Exploited and bands from father afield like Birmingham's Charged GBH, became the leading figures in the UK 82 hardcore movement. The anarcho-punk scene also spawned bands such as Napalm Death, Carcass, and Extreme Noise Terror that in the mid-1980s defined grindcore, incorporating extremely fast tempos and death metal–style guitarwork. Led by Dead Kennedys, a U.S. anarcho-punk scene developed around such bands as Austin's MDC and Southern California's Another Destructive System.

Pop punk

With their love of the Beach Boys and late 1960s bubblegum pop, the Ramones paved the way to what became known as pop punk. In the late 1970s, UK bands such as Buzzcocks and The Undertones combined pop-style tunes and lyrical themes with punk's speed and chaotic edge. In the early 1980s, some of the leading bands in Southern California's hardcore punk rock scene emphasized a more melodic approach than was typical of their peers. According to music journalist Ben Myers, Bad Religion "layered their pissed off, politicized sound with the smoothest of harmonies"; Descendents "wrote almost surfy, Beach Boys–inspired songs about girls and food and being young(ish)". Epitaph Records, founded by Brett Gurewitz of Bad Religion, was the base for many future pop punk bands, including NOFX, with their third wave ska–influenced skate punk rhythms. Bands that fused punk with light-hearted pop melodies, such as The Queers and Screeching Weasel, began appearing around the country, in turn influencing bands like Green Day and The Offspring, who brought pop punk wide popularity and major record sales. Bands such as The Vandals and Guttermouth developed a style blending pop melodies with humorous and offensive lyrics. The mainstream pop punk of latter-day bands such as Blink-182 is criticized by many punk rock devotees; in critic Christine Di Bella's words, "It's punk taken to its most accessible point, a point where it barely reflects its lineage at all, except in the three-chord song structures."

Other fusions and directions

From 1977 on, punk rock crossed lines with many other popular music genres. Los Angeles punk rock bands laid the groundwork for a wide variety of styles: The Flesh Eaters with deathrock; The Plugz with Chicano punk; and Gun Club with punk blues. The Meteors, from South London, and The Cramps, who moved from New York to Los Angeles in 1980, were innovators in the psychobilly fusion style. Milwaukee's Violent Femmes jumpstarted the American folk punk scene, while The Pogues did the same on the other side of the Atlantic, influencing many Celtic punk bands. The Mekons, from Leeds, combined their punk rock ethos with country music, greatly influencing the later alternative country movement. In the United States, varieties of cowpunk played by bands such as Nashville's Jason & the Scorchers, Arizona's Meat Puppets, and Southern California's Social Distortion had a similar effect.

Other bands pointed punk rock toward future rock styles or its own foundations. New York's Suicide, L.A.'s The Screamers and Nervous Gender, Australia's JAB, and Germany's DAF were pioneers of synthpunk. The Ex, from the Netherlands, were in the art punk vanguard. Chicago's Big Black was a major influence on noise rock, math rock, and industrial rock. Garage punk bands from all over—such as Medway's Thee Mighty Caesars, Chicago's Dwarves, and Adelaide's Exploding White Mice—pursued a version of punk rock that was close to its roots in 1960s garage rock. Seattle's Mudhoney, one of the central bands in the development of grunge, has been described as "garage punk".

Legacy and later developments

Alternative rock

The underground punk rock movement inspired countless bands that either evolved from a punk rock sound or brought its outsider spirit to very different kinds of music. The original punk explosion also had a long-term effect on the music industry, spurring the growth of the independent sector. During the early 1980s, British bands like New Order and The Cure that straddled the lines of post-punk and New Wave developed both new musical styles and a distinctive industrial niche. Though commercially successful over an extended period, they maintained an underground-style, subcultural identity. In the United States, bands such as Hüsker Dü and their Minneapolis protégés The Replacements bridged the gap between punk rock genres like hardcore and the more melodic, explorative realm of what was then called "college rock". A 1985 ''Rolling Stone'' feature on the Minneapolis scene and innovative California hardcore acts such as Black Flag and Minutemen declared, "Primal punk is passé. The best of the American punk rockers have moved on. They have learned how to play their instruments. They have discovered melody, guitar solos and lyrics that are more than shouted political slogans. Some of them have even discovered the Grateful Dead." By the end of the 1980s, these bands, who had largely eclipsed their punk rock forebears in popularity, were classified broadly as alternative rock. Alternative rock encompasses a diverse set of styles—including gothic rock and grunge, among others—unified by their debt to punk rock and their origins outside of the musical mainstream.

As American alternative bands like Sonic Youth, which had grown out of the No Wave scene, and Boston's Pixies started to gain larger audiences, major labels sought to capitalize on the underground market that had been sustained by hardcore punk for years. In 1991, Nirvana emerged from Washington State's grunge scene, achieving huge commercial success with its second album, ''Nevermind''. The band's members cited punk rock as a key influence on their style. "Punk is musical freedom", wrote singer Kurt Cobain. "It’s saying, doing, and playing what you want." The widespread popularity of Nirvana and other punk-influenced bands such as Pearl Jam and Red Hot Chili Peppers fueled the alternative rock boom of the early and mid-1990s.

Emo

In its original, mid-1980s incarnation, emo was a less musically restrictive style of punk developed by participants in the Washington, D.C. area hardcore scene. It was originally referred to as "emocore", an abbreviation of "emotive hardcore". Notable early emo bands included Rites of Spring, Embrace, The Hated, and One Last Wish. The term derived from the tendency of some of these bands' members to become strongly emotional during performances. Fugazi, formed out of the dissolution of Embrace, inspired a second, much broader based wave of emo bands beginning in the mid-1990s. Groups like San Diego's Antioch Arrow generated new, more intense subgenres like screamo, while others developed a more melodic style closer to indie rock. Bands such as Seattle's Sunny Day Real Estate and Mesa, Arizona's Jimmy Eat World broke out of the underground, attracting national attention.

Queercore and riot grrrl

In the 1990s, the queercore movement developed around a number of punk bands with gay, lesbian, or bisexual members such as God Is My Co-Pilot, Pansy Division, Team Dresch, and Sister George. Inspired by openly gay punk musicians of an earlier generation such as Jayne County, Phranc, Darby Crash and Randy Turner, and bands like Nervous Gender, The Screamers, and Coil, queercore embraces a variety of punk and other alternative music styles. Queercore lyrics often treat the themes of prejudice, sexual identity, gender identity, and individual rights. The movement has continued into the 21st century, supported by festivals such as Queeruption.

In 1991, a concert of female-led bands at the International Pop Underground Convention in Olympia, Washington, heralded the emerging riot grrrl phenomenon. Billed as "Love Rock Revolution Girl Style Now", the concert's lineup included Bikini Kill, Bratmobile, Heavens to Betsy, L7, and Mecca Normal. The riot grrrl movement foregrounded feminist concerns and progressive politics in general; the DIY ethic and fanzines were also central elements of the scene. Singer-guitarists Corin Tucker of Heavens to Betsy and Carrie Brownstein of Excuse 17, bands active in both the queercore and riot grrrl scenes, cofounded the celebrated indie/punk band Sleater-Kinney in 1994. Bikini Kill's lead singer, Kathleen Hanna, the iconic figure of riot grrrl, moved on to form the art punk group Le Tigre in 1998.

Revival

By the 1990s, punk rock was sufficiently ingrained in Western culture that punk trappings were often used to market highly commercial bands as "rebels". Marketers capitalized on the style and hipness of punk rock to such an extent that a 1993 ad campaign for an automobile, the Subaru Impreza, claimed that the car was "like punk rock". Along with Nirvana, many of the leading alternative rock artists of the early 1990s acknowledged the influence of earlier punk rock acts. With Nirvana's success, the major record companies once again saw punk bands as potentially profitable.

In 1993, California's Green Day and Bad Religion were both signed to major labels. The next year, Green Day put out ''Dookie,'' which became a huge hit, selling nine million albums in the United States in just over two years. Bad Religion's ''Stranger Than Fiction'' was certified gold. Other California punk bands on the independent label Epitaph, run by Bad Religion guitarist Brett Gurewitz, also began achieving mainstream popularity. In 1994, Epitaph released ''Let's Go'' by Rancid, ''Punk in Drublic'' by NOFX, and ''Smash'' by The Offspring, each eventually certified gold or better. That June, Green Day's "Longview" reached number one on ''Billboard''s Modern Rock Tracks chart and became a top forty airplay hit, arguably the first ever American punk song to do so; just one month later, The Offspring's "Come Out and Play" followed suit. MTV and radio stations such as Los Angeles' KROQ-FM played a major role in these bands' crossover success, though NOFX refused to let MTV air its videos. ''Smash'' went on to sell over twelve million copies worldwide, becoming the best-selling independent-label album of all time.

Following the lead of Boston's Mighty Mighty Bosstones and two California bands, Berkeley's Operation Ivy and Long Beach's Sublime, ska punk and ska-core became widely popular in the mid-1990s. By 1996, genre acts such as Reel Big Fish and Less Than Jake were being signed to major labels. The original 2 Tone bands had emerged amid punk rock's second wave, but their music was much closer to its Jamaican roots—"ska at 78 rpm". Ska punk bands in the third wave of ska created a true musical fusion between the genres. ''...And Out Come the Wolves'', the 1995 album by Rancid—which had evolved out of Operation Ivy—became the first record in this ska revival to be certified gold; Sublime's self-titled 1996 album was certified platinum early in 1997.

In Australia, two popular groups, skatecore band Frenzal Rhomb and pop punk act Bodyjar, also established followings in Japan.

Green Day and ''Dookie'''s enormous sales paved the way for a host of bankable North American pop punk bands in the following decade. With punk rock's renewed visibility came concerns among some in the punk community that the music was being co-opted by the mainstream. They argued that by signing to major labels and appearing on MTV, punk bands like Green Day were buying into a system that punk was created to challenge. Such controversies have been part of the punk culture since 1977, when The Clash was widely accused of "selling out" for signing with CBS Records. The Vans Warped Tour and the mall chain store Hot Topic brought punk even further into the U.S. mainstream.

In the mainstream

By early 1998, the punk revival had commercially stalled, but not for long. That November, The Offspring's ''Americana'' on the major Columbia label debuted at number two on the album chart. A bootleg MP3 of its first single, "Pretty Fly (For a White Guy)", made it on to the Internet and was downloaded a record 22 million times—illegally. The following year, ''Enema of the State'', the first major-label release by pop punk band Blink-182, reached the top ten and sold four million copies in under twelve months. In January 2000, the album's second single, "All the Small Things", hit the sixth spot on the ''Billboard'' Hot 100. While they were viewed as Green Day "acolytes", critics also found teen pop acts like Britney Spears, the Backstreet Boys, and 'N Sync suitable points of comparison for Blink-182's sound and market niche. The band's ''Take Off Your Pants and Jacket'' (2001) and ''Blink-182'' (2003) respectively rose to numbers one and three on the album chart. In November 2003, ''The New Yorker'' described how the "giddily puerile" act had "become massively popular with the mainstream audience, a demographic formerly considered untouchable by punk-rock purists."

Other new North American pop punk bands, though often critically dismissed, also achieved major sales in the first decade of the 2000s. Ontario's Sum 41 reached the Canadian top ten with its 2001 debut album, ''All Killer No Filler'', which eventually went platinum in the United States. The record included the number one U.S. Alternative hit "Fat Lip", which incorporated verses of what one critic called "brat rap." Good Charlotte, from Maryland, had three successive top ten albums beginning with ''The Young and the Hopeless'' in 2002. Florida's Yellowcard, which had been together since 1997, had its first hit in 2003 with its major-label debut, ''Ocean Avenue''. Simple Plan, from Montréal, climbed to number three in the United States with ''Still Not Getting Any...'' in 2004. That same year, Green Day, which had gone through a relatively fallow period commercially, took ''American Idiot'' to number one on both the U.S. and UK charts; the band matched the feat five years later with ''21st Century Breakdown''. Jimmy Eat World, taking emo in a radio-ready pop punk direction, had top ten albums in 2004 and 2007. In a similar style, Fall Out Boy hit number one with 2007's ''Infinity on High''. The wave of commercial success was broad-based: AFI, with roots in hardcore and skate punk, had great success with 2003's ''Sing the Sorrow'' and topped the U.S. chart with ''Decemberunderground'' in 2006. Two years later, The Offspring had its fifth top ten album with ''Rise and Fall, Rage and Grace'' and its third Modern Rock/Alternative Songs chart-topper with "You're Gonna Go Far, Kid". Starting in 2003, Alkaline Trio had four consecutive top twenty-five albums, peaking at number eleven with 2010's ''This Addiction''.

The effect of commercialization on the music became an increasingly contentious issue. As observed by scholar Ross Haenfler, many punk fans "'despise corporate punk rock', typified by bands such as Sum 41 and Blink 182". At the same time, politicized and independent-label punk continued to thrive in the United States. Since 1993, Anti-Flag had been putting progressive politics at the center of its music. The administration of George W. Bush provided them and similarly minded acts eight years of conservative government to excoriate. Rise Against was the most successful of these groups, registering top ten records in 2006 with ''The Sufferer & the Witness'' and two years later with ''Appeal to Reason''. Leftist folk punk band Against Me!'s ''New Wave'' was named best album of 2007 by ''Spin''. In the realm of the U.S. independents, Celtic punk attracted a substantial audience. Flogging Molly and Dropkick Murphys each had top twenty albums on small labels, with the former's ''Float'' landing at number four in 2008.

Elsewhere around the world, "punkabilly" band The Living End became major stars in Australia with their self-titled 1998 debut. The group topped the national album chart again with ''State of Emergency'' in 2006 and ''White Noise'' in 2008.

See also

List of punk bands

Punk rock subgenres

Timeline of punk rock

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Sinagra, Laura (2004). "Sum 41", in ''The New Rolling Stone Album Guide'', 4th ed., ed. Nathan Brackett (New York: Fireside/Simon & Schuster), pp. 791–92. ISBN 0-7432-0169-8

Smith, Kerry L. (2008). ''Encyclopedia of Indie Rock'' (Westport, Conn.: Greenwood). ISBN 978-0-313-34119-9

Spencer, Amy (2005). ''DIY: The Rise of Lo-Fi Culture'' (London: Marion Boyars). ISBN 0-7145-3105-7

Spitz, Marc (2006). ''Nobody Likes You: Inside the Turbulent Life, Times, and Music of Green Day'' (New York: Hyperion). ISBN 1-4013-0274-2

Spitz, Marc, and Brendan Mullen (2001). ''We Got the Neutron Bomb: The Untold Story of L.A. Punk'' (New York: Three Rivers Press). ISBN 0-609-80774-9

Stafford, Andrew (2006). ''Pig City: From the Saints to Savage Garden'', 2d rev. ed. (Brisbane: University of Queensland Press). ISBN 0-7022-3561-X

Stark, James (2006). ''Punk '77: An Inside Look at the San Francisco Rock N' Roll Scene'', 3d ed. (San Francisco: RE/Search Publications). ISBN 1-889307-14-9

Strohm, John (2004). "Women Guitarists: Gender Issues in Alternative Rock", in ''The Electric Guitar: A History of an American Icon'', ed. A. J. Millard (Baltimore: Johns Hopkins University Press), pp. 181–200. ISBN 0-8018-7862-4

Strongman, Phil (2008). ''Pretty Vacant: A History of UK Punk'' (Chicago: Chicago Review Press). ISBN 1-55652-752-7

St. Thomas, Kurt, with Troy Smith (2002). ''Nirvana: The Chosen Rejects'' (New York: St. Martin's). ISBN 0-312-20663-1

Taylor, Steven (2003). ''False Prophet: Field Notes from the Punk Underground'' (Middletown, Conn.: Wesleyan University Press). ISBN 0-8195-6668-3

Taylor, Steve (2004). ''The A to X of Alternative Music'' (London and New York: Continuum). ISBN 0-8264-8217-1

Thompson, Dave (2000). ''Alternative Rock'' (San Francisco: Miller Freeman). ISBN 0-87930-607-6

Unterberger, Richie (1998). ''Unknown Legends of Rock 'n' Roll: Psychedelic Unknowns, Mad Geniuses, Punk Pioneers, Lo-Fi Mavericks & More'' (San Francisco: Backbeat). ISBN 0-87930-534-7

Unterberger, Richie (1999). ''Music USA: The Rough Guide'' (London: Rough Guides). ISBN 1-85828-421-X

Unterberger, Richie (2002). "British Punk", in ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'', 3d ed., ed. Vladimir Bogdanov, Chris Woodstra, and Stephen Thomas Erlewine (San Francisco: Backbeat). ISBN 0-879-30653-X

Valentine, Gary (2006). ''New York Rocker: My Life in the Blank Generation with Blondie, Iggy Pop, and Others, 1974–1981'' (New York: Thunder's Mouth). ISBN 1-56025-944-2

Walker, John (1991). "Television", in ''The Trouser Press Record Guide'', 4th ed., ed. Ira Robbins (New York: Collier), p. 662. ISBN 0-02-036361-3

Walsh, Gavin (2006). ''Punk on 45; Revolutions on Vinyl, 1976–79'' (London: Plexus). ISBN 0-85965-370-6

Weinstein, Deena (2000). ''Heavy Metal: The Music and Its Culture'' (New York: Da Capo). ISBN 0-306-80970-2

Wells, Steven (2004). ''Punk: Loud, Young & Snotty: The Story Behind the Songs'' (New York and London: Thunder's Mouth). ISBN 1-56025-573-0

Wilkerson, Mark Ian (2006). ''Amazing Journey: The Life of Pete Townshend'' (Louisville: Bad News Press). ISBN 1-4116-7700-5

Wojcik, Daniel (1995). ''Punk and Neo-Tribal Body Art'' (Jackson: University Press of Mississippi). ISBN 0-87805-735-8

Wojcik, Daniel (1997). ''The End of the World as We Know It: Faith, Fatalism, and Apocalypse in America'' (New York: New York University Press). ISBN 0-8147-9283-9

External links

Fales Library of NYU Downtown Collection archival collection with the personal papers of NYC punk figures.

A History of Punk 1990 essay by rock critic A.S. Van Dorston

Punk 77 history of early UK punk

"We Have to Deal With It: Punk England Report", by Robert Christgau, ''Village Voice'', January 9, 1978

Category:Culture of New York City Category:Rock music genres Category:Underground culture Category:Youth culture in the United Kingdom

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name	Katy Perry
background	solo_singer
birth name	Katheryn Elizabeth Hudson
alias	Katy Hudson
birth date	October 25, 1984
birth place	Santa Barbara, California, U.S.
genre	Pop, rock, gospel
occupation	Singer-songwriter, actress
instrument	Vocals, guitar, piano
years active	2001–present
label	Red Hill, Island, Columbia, Capitol
website	}}

Katy Perry (born Katheryn Elizabeth Hudson; October 25, 1984) is an American singer-songwriter and actress. Born in Santa Barbara, California, and raised by Christian pastor parents. Perry grew up listening to only gospel music and sang in her local church as a child. After earning a GED during her first year of high school, she began to pursue a career in music. As Katy Hudson, she released a self-titled gospel album in 2001, which was unsuccessful. She later recorded an album with production team The Matrix and completed the majority of a solo album from 2004–05, the later of which was never released. Perry is the first female artist to get five hits on the Billboard Hot 100 in one year.

After signing with Capitol Music Group in 2007, her fourth record label in seven years, she adopted the stage name Katy Perry and released her first Internet single "Ur So Gay" that November, which garnered public attention but failed to chart. She rose to fame with the release of her second single "I Kissed a Girl" in 2008, which went on to top international charts. Perry's first mainstream studio album ''One of the Boys'' followed later that year and subsequently became the 33rd-best selling album worldwide of 2008. It was accredited platinum certification by the Recording Industry Association of America, while "I Kissed a Girl" and her second single "Hot n Cold" both received multi-platinum certifications.

Her second studio album ''Teenage Dream'' was released in August 2010 and debuted at number one on the Billboard 200. The album included the Billboard chart-toppers "California Gurls", "Teenage Dream", "Firework", and "E.T." and most recently "Last Friday Night (T.G.I.F.)". The album produced five Hot 100 toppers, making ''Teenage Dream'' only the second album—after Michael Jackson's ''Bad''—to do so. With "E.T." at number one on the chart of May 12, 2011, Perry became the first artist in history to spend 52 consecutive weeks in the top 10 of the Billboard Hot 100.

Perry was a guest judge on the seventh series of British television show ''The X Factor'', has released a fragrance called "Purr", and voices Smurfette in the 2011 film ''The Smurfs''. Perry had a long relationship with Travie McCoy; she married Russell Brand on October 23, 2010.

Early life and career

1984–2006: Early life and career beginnings

Perry was born Katheryn Elizabeth Hudson in Santa Barbara, California to Keith, a West Coast scenester in the 1960s, and Mary Hudson (née Perry), an evangelist who grew up in Southern California and had "a tempestuous first marriage in Zimbabwe". Perry has German, Portuguese, Irish, and English ancestry. She is the second child of two pastors. She has an older sister and younger brother. Perry's mother's aunt and uncle were screenwriter Eleanor Perry and director Frank Perry.

Perry was incorporated into her parents' ministry and sang in their church between the ages of nine and seventeen. She grew up listening to gospel music, was not allowed to listen to what her mother called "secular music", and attended Christian schools and camps. As a child, Perry learned how to dance in a recreation building in Santa Barbara. She was taught by seasoned dancers and began with swing, Lindy Hop, and jitterbug. She took her GED after her freshman year at Dos Pueblos High School and decided to leave school in the pursuit of a career in music. Perry initially started singing "because [she] was at that point in [her] childhood where [she] was copycatting [her] sister and everything she [would do]." Her sister practiced with cassette tapes, while Perry took the tapes herself when her sister was not around. She rehearsed the songs and performed them in front of her parents, who suggested she take vocal coaching. She grabbed the opportunity and began taking lessons at the age of nine and continued until she was sixteen. She later enrolled in at the Music Academy of the West in Santa Barbara, and studied Italian opera for a short period of time.

At the age of 15, Perry's singing in church attracted the attention of rock veterans from Nashville, Tennessee, who brought her there to polish her writing skills. In Nashville, Perry started recording demos and was taught by country music veterans on how to craft songs and play guitar. Perry signed to the Christian music label Red Hill, under which she recorded her first album at the age of 15. Performing as Katy Hudson, she released the self-titled Gospel-rock album in 2001. The album was unsuccessful, however, after the label ceased operations at the end of 2001. She later changed her surname to Perry, her mother's maiden name, because "Katy Hudson" was too close to film actress Kate Hudson.

At the age of 17, Perry left her home for Los Angeles, where she worked with Glen Ballard on an album for record label Island. Growing up listening to mostly gospel music, Perry had few references when she began recording songs. Asked by the producer with whom she would like to collaborate, Perry had no idea. That night, she went with her mother to a hotel. Inside, she turned on VH1 and saw producer Glen Ballard talking about Alanis Morissette; Ballard produced Morissette's ''Jagged Little Pill'', which had had a "huge influence" on Perry. She expressed interest in working with Ballard to her initial collaborator, who arranged a meeting for her with Ballard in Los Angeles. Perry presented one her songs to Ballard, and received a call back a day later. Ballard then helped Perry develop her songwriting over the next few years. The album was due for release in 2005, but ''Billboard'' reported it also went nowhere. Perry was dropped by The Island Def Jam Music Group. Some of Perry and Ballard's collaborations included "Box", "Diamonds" and "Long Shot", were posted on her official MySpace page. "Simple", one of the songs she recorded with Ballard, was released on the soundtrack to the 2005 film ''The Sisterhood of the Traveling Pants''.

Perry signed to Columbia Records in 2004. However, the label was not amenable with her vision, not putting her in the "driver's seat". Instead, one of Columbia's ideas was to pair Perry with the record production team The Matrix, who was working on an album, to serve as its female vocalist. Although the album was later shelved, she caught the attention of the music press: Her burgeoning music career led to her being named "The Next Big Thing" in October 2004 by ''Blender'' magazine. With no album project ongoing, Perry began recording her own. Eighty percent completed, however, Columbia decided not to finish it and dropped her off the label. While waiting to find another label, she worked in an independent A&R; company called Taxi Music. In 2006, Perry was featured in the tail-end of the video to P.O.D.'s single "Goodbye for Now". She made a cameo appearance in Carbon Leaf's video, "Learn to Fly". She also appeared in other videos like Timbaland's "If We Ever Meet Again" and more. There were other videos she was included in too.

2007–09: ''One of the Boys'' and ''MTV Unplugged''

While in the process of being dropped by Columbia in 2006, the company's publicity executive Angelica Cob-Baehler enthusiastically recommended Perry to Virgin Records chairman Jason Flom. At the time Flom was leading a complete revival in fortunes at the label and looking to crown recent achievements by breaking a global pop act. Despite mixed reactions from fellow Virgin executives, Flom became convinced that Perry could be that breakthrough star, and at the start of 2007 extended discussions with Columbia resulted in Katy Perry signing to the newly created Capitol Music Group, a merger between Virgin and Capitol. As part of the deal, the label secured the masters to the unfinished album, recorded while at Columbia, that would go on form a significant part of her official mainstream debut album, ''One of the Boys''. The Columbia recordings were seen by Flom as being "very strong but lacking an undeniable smash or two that would work both at U.S. pop radio and internationally" and so one of the executive's first actions after completing the signing was to set up a collaboration between Perry and the writer-producer Dr. Luke. The results were the songs "I Kissed a Girl" and "Hot n Cold". Establishing her image was one of the immediate concerns of her management. A campaign was started in November 2007 with the release of the video to "Ur So Gay", aimed at introducing her to the music market. A digital EP led by "Ur So Gay" was later released to create online buzz and press story. This was a successful move that resulted in bringing Perry to the attention of Madonna, who mentioned her on KISS FM and KRQ's ''JohnJay & Rich'' morning show in Arizona. On March 10, 2008, she appeared as herself on the ABC Family television series, ''Wildfire'', on the episode "Life's Too Short".

She went on the next step of promoting the album, undertaking a two-month tour of radio stations. The album's official lead single, "I Kissed a Girl", was released on May 6, 2008. Perry's A&R;, Chris Anokute, told HitQuarters the song and its controversial theme met with strong resistance at the label, "People said, 'This is never going to get played on the radio. How do we sell this? How’s this going to be played in the bible belt?'" Anokute said that they needed the support of one of the label's radio promoters to convince people to believe in the record otherwise Perry would have likely been dropped again. Capitol's SVP of Promotions Dennis Reese saw the vision and helped push the single on national radio. The first station to pick it up and take a chance was The River in Nashville. After playing it for three days they were innundated with enthusiastic calls. With the song climbing atop the charts, Perry embarked on the annual Warped Tour music festival, which her management used to "establish her as a credible performer and make sure she wasn't seen as just a one-hit wonder." The single was a commercial success, peaking at number one for seven weeks on the ''Billboard'' Hot 100. It has since become a major worldwide hit, topping charts in 30 countries, including Australia, Canada, and the United Kingdom. On June 12, 2008, Perry appeared as herself on the daytime soap opera ''The Young and the Restless'', posing for the cover to the June 2008 issue of the fictional magazine ''Restless Style''. Perry also performed backing vocals on the song, "Another Night in the Hills" from Gavin Rossdale's 2008 solo album ''Wanderlust''.

''One of the Boys'' was released on June 17, 2008 to mixed critical reviews. The album has reached number nine on the ''Billboard'' 200, and has been certified platinum by the Recording Industry Association of America. Perry released her second single, "Hot n Cold", which became her second top three single in dozens of countries around the world, including the United States where it reached number three on the ''Billboard'' Hot 100, as well as topping the charts in Germany, Canada, and Denmark. After Perry wrapped up her appearance at the Warped Tour, she went on tours in Europe. She later launched her first headlining tour, the Hello Katy Tour, in January 2009. "I Kissed a Girl" earned Perry a nomination for Best Female Pop Vocal Performance at the 2009 Grammy Awards. Perry was nominated in five categories at the 2008 MTV Video Music Awards, including Best New Artist and Best Female Video, but lost to Britney Spears. She won Best New Act at the 2008 MTV Europe Music Awards, which she co-hosted, and Best International Female Artist at the 2009 BRIT Awards. On February 9, 2009, both "I Kissed a Girl" and "Hot n Cold" were certified three-time platinum by Recording Industry Association of America for individual digital sales of over three million. The Guinness Book of World Records recognized Perry in its 2010 version as the "Best Start on the US Digital Chart by a Female Artist," for having her first two singles sell over two million digital copies.

The Matrix's self-titled debut album, which features Perry, was later released via the team's label, Let's Hear It, during Perry's solo tour. When the release date was scheduled, "I Kissed a Girl" had been charting well. Matrix member Lauren Christy spoke to Perry about the decision, but she wanted to hold the release until the fourth single of ''One of the Boys'' had been dispatched. Despite their communication, ''The Matrix'' was released on January 27, 2009, via iTunes Store. thumb|left|upright|Perry performing in June 2009 In December 2008, Perry apologized to British singer Lily Allen for remarks in which she called herself a "skinnier version" of her, saying she meant it as a joke. Allen retaliated and told a British radio station that she "happen[ed] to know for a fact that she [Perry] was an American version" of her because their record company needed "to find something controversial and 'kooky'" like her.

On May 16, 2009, Perry performed at the opening ceremony of the annual Life Ball in Vienna, Austria. In June 2009, lawyers acting for Katy Perry opposed the recent trademark of Australian fashion designer Katie Perry who uses her own name to market loungewear. Some media outlets reported this as a lawsuit, which Katy Perry has denied on her blog. Katie Perry the designer reports on her blog that at a hearing with IP Australia on July 10, 2009, the singer's lawyers withdrew their opposition to the trademark. During the summer of 2009 Perry filmed a cameo appearance for ''Get Him to the Greek''; her scene, in which she kisses her future fiancé Russell Brand was cut, and does not appear in the final film. Discussing the issue with MTV, Perry hypothesized there may have been some fear that seeing the two make out would have taken viewers out of the experience. In 2009, Perry was featured on two singles: a remix of Colorado-based band 3OH!3's song "Starstrukk" in August (the idea for the collaboration came after Perry's tour that featured 3OH!3 as the supporting act). The song was released over iTunes on September 8, 2009; and "If We Ever Meet Again", the fourth single off Timbaland's album ''Shock Value II'' in December. In October 2009, ''MTV Unplugged'' revealed that Perry was one of the artists to perform for them, and that she would be releasing a live album of the performance, including two new tracks, "Brick by Brick" and Fountains of Wayne cover "Hackensack". The album was released on November 17, and includes both a CD and a DVD.

2010–present: ''Teenage Dream'' and Film debut

Perry appeared as a guest judge alongside Simon Cowell, Cheryl Cole and Louis Walsh during the Dublin audition stage of the seventh series of the British television show ''The X Factor'' on June 28, 2010 (later televised on August 28). She was one of the many celebrities chosen to fulfil the role of judge whilst Dannii Minogue was on maternity leave. She later returned to the show on October 17 to perform "Firework". Perry's second mainstream studio album was titled ''Teenage Dream'' and was released in August 2010. The first single from the album was titled "California Gurls". The single peaked at number one on the ''Billboard'' Hot 100 and was the fastest rising single from a Capitol Records artist since Bobbie Gentry's "Ode to Billie Joe" in 1967. The cover art for ''Teenage Dream'' is a painting by Will Cotton in which depicts Perry lying naked on clouds of cotton candy; resembling the shots of Perry in the video for "California Gurls". The booklet of the physical edition of the album, in keeping with the theme of cotton candy, has a cotton candy scent. The album's second single "Teenage Dream" was released in July 2010. "Firework" is the album's third single.

Perry appeared at the 2010 MTV Video Music Awards on September 12, 2010. She was nominated for two awards, including the Best Female Video and Best Pop Video for "California Gurls", and presented the award of "Best Male Video" with Nicki Minaj to Eminem. On September 14, she returned to her old high school, Dos Pueblos High School, where she performed a short set for the school's students. Perry performed "Hot n Cold" with Elmo from ''Sesame Street'', which was originally to appear on the forty-first-season premiere of the educational children's program on September 27, 2010. However, four days before the scheduled airing, Sesame Workshop announced, "In light of the feedback we've received on the Katy Perry music video ... we have decided we will not air the segment on the television broadcast of ''Sesame Street'', which is aimed at preschoolers. Katy Perry fans will still be able to view the video on YouTube." The main reason was that parents complained about what appeared to be a great amount of cleavage shown by her dress. Perry shot the video for ''Firework'' in Budapest in September 2010. An open casting call drew an unprecedented 38,000 applicants. She proceeded to perform at a concert in Budapest on October 1, her first concert in Central and Eastern Europe. Perry released a perfume named "Purr" in November. It comes in a cat-shaped bottle, and is available through Nordstrom stores. ''Teenage Dream'' led Perry to nominations four awards at the 2011 Grammy Awards: Album of the Year, Best Pop Vocal Album, Best Female Pop Vocal Performance for "Teenage Dream", and Best Pop Collaboration with Vocals for "California Gurls". Following the Grammys, Perry released "E.T." as the fourth single from the album. The single was a remixed version featuring Kanye West. The music video for "E.T." was directed by Floria Sigismondi and features Shaun Ross as the main love interest. In June 2011, Perry released the fifth single, "Last Friday Night (T.G.I.F.)". A remixed version featuring American rapper Missy Elliot was released in early August. The single has topped U.S. download and radio charts. The song topped the Billboard Hot 100 on August 17, 2011, making Perry the first female artist ever to have five #1 singles from one album. Katy Perry appeared at the 2011 MTV Video Music Awards on August 28, 2011. She was nominated for ten awards, received the most nominations of the ceremony and was the only singer in history to have four different music videos shown on various categories, eventually winning three of those, including Video of the Year for "Firework", Best Collaboration and Best Special Effects for "E.T.".

On September 17, 2011, Perry hits the 69th consecutive weeks in the Top 10.

On September 23 she attended the opening day of the 2011 Rock in Rio festival, which was extended to October 2. During the show, produced one of the most striking scenes of the event, when he called to the scene ''Júlio César de Salvo'', a fan who was an anonymous until then. The man, who became known as "''Júlio de Sorocaba''", became an instant celebrity when he was "harassed" by the singer with a kiss, getting the opportunity to give back also one another. The fact made ​​headlines in most Brazilian television news programs, including the Fantástico and the Jornal Nacional, including therefore becoming a trend topic, not just in Twitter, but at Internet in general.

Artistry

Musical style and themes

Perry has a contralto vocal range. Perry's first album is of the gospel music genre. She related that her perspective in music was "a bit enclosed and very strict", and everything she did was church-related. Her second album, ''One of the Boys'', is described as "secular" and "rock," and reflects a departure from her religious musical roots. Her next album ''Teenage Dream'' featured more pop songs in the vein of ''Boys''. Among Perry's musical influences are Alanis Morissette, pop rockers Cyndi Lauper, Pat Benatar, Joan Jett, Shirley Manson, and Freddie Mercury, the late frontman of the British band Queen. In her tribute to Mercury on what would have been his 65th birthday, Perry stated; "Without you I wouldn't be making music or doing what I do because your lyrics inspired me as a 15 year old girl." She was especially inspired by the Queen song, "Killer Queen" to pursue a career in pop music after her first album. She also described Morissette's album, ''Jagged Little Pill'' as having influenced her music profoundly; even going on to work with Morissette's collaborator on the album, Glen Ballard because of that.

Perry is artistically involved in her projects, especially in the writing process. Since she could play guitar, she would start writing songs at home and present it to her producers. Perry is mostly inspired by specific moments of her life. She said it is easy for her to write songs about heartbreak. Most of the themes in ''One of the Boys'' deal with heartbreak, teen adventure, and "puking into toilets". Perry's mother reportedly told British tabloid ''Daily Mail'' that she dislikes her daughter's music, calling it "shameful and disgusting". Perry said her mother was misquoted and told MTV that it was false information. Her songs "Ur So Gay" and "I Kissed a Girl" have received negative reactions from both religious and gay sectors. The songs have been respectively labeled as being homophobic and promoting homosexuality, as well as "lez ploitational". MTV mentioned criticism suggesting that Perry is using "bi-curiosity" as a way to sell records. Perry responded to the controversy surrounding "Ur So Gay": "It's not a negative connotation. It's not, 'you're so gay,' like, 'you're so lame,' but the fact of the matter is that this boy should've been gay. I totally understand how it could be misconstrued or whatever ... It wasn't stereotyping anyone in particular, I was talking about ex-boyfriends."

Public image

Perry is known for her unconventional style of dress. It is often humorous, bright in color, and reminiscent of different decades, and she frequently used fruit-shaped accessories, mainly watermelon, as part of her outfits. Since the Teenage Dream era, Perry has included more glamorous and food-related outfits in her wardrobe. Having learned dancing at an early age, she fantasized about having her own style. Perry's transformation into an artist began with fashion, inspired by American film actress Dominique Swain's portrayal in 1997 film adaptation of the novel ''Lolita''. She defines her fashion style as "a bit of a concoction of different things". Johnny Wujek, Perry's stylist, described her style, upon meeting her for the first time, as "very colorful and vintage". Her fashion has caught the attention of designers. In June 2008, a publicity photo that showed Perry posing with a switchblade was criticized. The picture was defended as only an effort to give Perry a "sexy, harder edge". The criticism leveled at her was mocked by Perry who subsequently posed with a spoon instead. She has appeared in FHM Magazine's 100 Sexiest Women poll twice, ranking at No.23 in 2009 and No.37 in 2010.

She was ranked 7th in ''Rolling Stone'''s global Queen of Pop poll in July 2011.

Personal life

Perry has been generally associated with three men: Matt Thiessen, Travie McCoy, and Russell Brand. She dated Relient K frontman Matt Thiessen for a few years. Thiessen has worked on Teenage Dream. Perry dated Gym Class Heroes frontman Travie McCoy, whom she met in a recording studio in New York. They broke up in December 2008.

Perry first met British comedian Russell Brand in the summer of 2009 when Perry filmed a cameo appearance for Brand's film ''Get Him to the Greek''. Perry and Brand began dating after meeting again in September 2009 at the MTV Video Music Awards, where Brand, as host, remarked, "Katy Perry didn't win an award and she's staying at the same hotel as me, so she's gonna need a shoulder to cry on. So in a way, I'm the real winner tonight." The couple became engaged in December 2009 while vacationing in India. Perry stated that she plans to take dual British citizenship. "One of the first things I'll do is apply for dual citizenship. I'm not too sure if I have to take a test as I've not had time to look into it. But England is like my second home". Perry and Brand married on October 23, 2010 in a traditional Hindu ceremony near the Ranthambhore tiger sanctuary in Rajasthan, India, where Brand had proposed.

In an interview with ''Rolling Stone'' she said, "I am sensitive to Russell taking the Lord's name in vain and to Lady Gaga putting a rosary in her mouth. I think when you put sex and spirituality in the same bottle and shake it up, bad things happen."

Discography

''Katy Hudson'' (2001)

''One of the Boys'' (2008)

''Teenage Dream'' (2010)

Tours

Warped Tour 2008 (2008)

Hello Katy Tour (2009)

California Dreams Tour (2011)

Filmography

Television

!Year	!Title	!Role	Notes
	''''	Herself	Episode 8914
	Herself
	''American Idol''	Guest judge
	Guest judge
''Sesame Street''	Herself	Online special (deleted from televised episode due to viewer controversy)
''The Simpsons''	Herself	1 episode, "The Fight Before Christmas"
2011	''How I Met Your Mother''	Honey	1 episode, "Oh Honey"
2011	''America's Got Talent''	Guest Judge	July 27 (Season 6, Qtr Finals 3 results)

Films

!Year	!Title	!Role	class="unsortable"	Notes
	''Get Him to the Greek''	Herself	Deleted sceneUncredited
''Out in the Desert''	Herself	Post-production
	2011		Smurfette	Voice

Awards and nominations

References

External links

Official website

Category:1984 births Category:Living people Category:21st-century actors Category:Actors from California Category:American bloggers Category:American Christians Category:American contraltos Category:American dance musicians Category:American female guitarists Category:American female pop singers Category:American film actors Category:American musicians of German descent Category:American people of English descent Category:American people of German descent Category:American people of Irish descent Category:American people of Portuguese descent Category:American pop rock singers Category:American pop singer-songwriters Category:American singer-songwriters Category:American television actors Category:American voice actors Category:Brit Award winners Category:Capitol Records artists Category:English-language singers Category:Female rock singers Category:Musicians from California Category:People from Santa Barbara, California Category:Singers from California Category:The X Factor judges

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name	Rebecca Black
background	solo_singer
birth date	June 21, 1997
birth place	Anaheim, California, U.S.
genre	Teen pop, bubblegum pop, dance-pop, pop
occupation	Singer
instrument	Vocals
years active	2011–present
label	RB
website
notable instruments	}}

Rebecca Black (born June 21, 1997) is an American pop singer who gained extensive media attention with her 2011 single "Friday". Her mother paid $4,000 to have the single and an accompanying music video put out as a vanity release through the record label ARK Music Factory. The song was co-written and produced by Clarence Jey and Patrice Wilson of Ark Music Factory. After the video went viral on YouTube and other social media sites, "Friday" was derided by many music critics and viewers, who dubbed it "the worst song ever." The music video received around 167 million views, causing Black to gain international attention as a "viral star," before being removed from the site on June 16.

Biography

Rebecca Black was born on June 21, 1997, in Anaheim, California. She is the daughter of John Jeffery Black and Georgina Marquez Kelly, both veterinarians. An honor student, Black studied dance, auditioned for school shows, attended music summer camps, and began singing publicly in 2008 after joining the patriotic group Celebration USA. In 2011 Black left public school in favor of homeschooling, both in response to constant verbal bullying at school and in order to focus more of her time on her career.

Music career

In late 2010, a classmate of Black and music-video client of ARK Music Factory, a Los Angeles label, told her about the company. Black's mother paid $4,000 for Ark Music to produce her daughter's music video while the Blacks retained ownership of the master. The single, "Friday," written entirely by Ark, was released on YouTube and iTunes. The song's video was uploaded to YouTube on February 10, 2011, and received approximately 1,000 views in the first month. The video went viral on March 11, 2011, acquiring millions of views on YouTube in a matter of days, becoming the most-talked-about topic on social networking site Twitter, and garnering mostly negative media coverage. As of June 14, 2011, the video had received more than 3,190,000 "dislikes" on YouTube compared to more than 451,000 "likes". As of March 22, 2011, first-week sales of her digital single were estimated to be around 40,000 by ''Billboard.'' On March 22, 2011, Black appeared on ''The Tonight Show with Jay Leno,'' during which she performed the single and discussed the negative reaction to it. The song has peaked on the ''Billboard'' Hot 100 and the New Zealand Singles Chart at number 58 and 33, respectively. In the UK, the song debuted at number 61 on the UK Singles Chart.

In an interview with ''The Sun'', Black said that she is recording a new song for possible release as a single. She is currently working without a record deal. She also said that she is preparing materials for her debut album at Flying Pig Productions studio in Los Angeles containing songs with themes similar to that of "Friday," as she wants it to be "appropriate and clean." Black teamed up with Funny or Die on April Fools Day (the site was renamed Friday or Die) for a series of videos, including one which addresses the controversy about the driving kids in her music video, stating "We so excited about safety." She has also stated that she is a fan of Justin Bieber, and expressed interest in performing a duet with him.

In response to the YouTube video of "Friday," Black began to receive death threats in late February 2011, specifically by phone and email. These threats are being investigated by the Anaheim Police Department.

In March 2011, Ryan Seacrest reportedly helped sign Rebecca to manager Debra Baum's DB Entertainment.

MTV selected Rebecca to host its first online awards show, the O Music Awards Fan Army Party in April 2011. As an homage to "Friday," Black appears in the music video for Katy Perry's "Last Friday Night (T.G.I.F.)," in which Black plays alongside Perry as the hostess of a party Perry attends. "Friday" was also performed on the second season of ''Glee'' in the episode, "Prom Queen," which originally aired May 10, 2011. When asked about why the song was covered on ''Glee'', show creator Ryan Murphy replied, "The show pays tribute to pop culture and, love it or hate it, that song is pop culture."

Black released a self-produced single titled "My Moment" on July 18, with an accompanying music video, publishing it to her YouTube channel; the video as of August 22 has received, approximately, 520,000 "dislikes" against 300,000 "likes." In the "My Moment" music video, director Morgan Lawley features real life video of Black's life from both before and after her fame. Black is set to release a digital 5-track EP in August.

Black appears as herself in the music video of Katy Perry's single "Last Friday Night (T.G.I.F.)". She appears as the host of a party in the house next door to that of "Kathy Beth Terry". At the end of the video Perry attempts to blame the excesses of the party (which had subsequently moved to her own house) on Black, only for her parents (Corey Feldman and Debbie Gibson) to disbelieve her. Later on, Perry (in character as Kathy Beth Terry) and Black hosted a livestream on Tinychat.com after weeks of Black being mentioned on Terry's twitter. Perry, who performs Friday routinely on stage as part of California Dreams Tour, also brought Black on stage to perform the song as a duet during her show at the Nokia Theater on August 5, 2011.

On August 10, 2011, Rebecca Black was featured in an ABC ''Primetime Nightline: Celebrity Secrets'' special entitled ''Underage and Famous: Inside Child Stars' Lives''.

RB Records

Rebecca Black established her own independent record label RB Records. The first release on the new label was "My Moment", the follow up single to "Friday".

Discography

Singles

61 —

scope="col" rowspan="2" style="width:16em;"	Title	Year	Peak chart positions						Album
! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"		! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"	! scope="col" style="width:3em;font-size:90%;"
! scope="row"	rowspan="2">2011	58	40	|	46	33	60	rowspan="2"	TBA
scope="row"	"My Moment"	—	—	|	—	—	—

Awards and nominations

In April 2011, the ''MTV O Music Awards'', one of the annual awards established by MTV to honor the art, creativity, personality and technology of music into the digital space nominated "Which Seat Can I Take?" for "Favorite Animated GIF" that included footage by Rebecca Black featuring 50 Cent and Bert. Black was named "Choice Web Star" at the 2011 Teen Choice Awards in August 2011.

Year	Nominated work	Event	Award	Result
	"Which Seat Can I Take?" (50 Cent, Rebecca Black, Bert)	MTV O Music Awards	Favorite Animated GIF
Herself	2011 Teen Choice Awards	Choice Web Star

References

External links

Official YouTube channel

Category:1997 births Category:American child singers Category:American dance musicians Category:American female pop singers Category:ARK Music Factory Category:Child pop musicians Category:Internet memes Category:Living people Category:People from Anaheim, California Category:Singers from California

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name	Nicki Minaj
background	solo_singer
birth name	Onika Tanya Maraj
birth date	December 08, 1982
birth place	Saint James, Trinidad and Tobago
origin	South Jamaica, Queens,
genre	Hip hop, R&B;, pop
occupation	Rapper, singer-songwriter
years active	2002–present
label	Cash Money Records, Young Money Entertainment, Universal Republic Records, Universal Motown
associated acts	Young Money
website	}}

Onika Tanya Maraj (born December 8, 1982), known by her stage name Nicki Minaj (), is a Trinidadian-born American musician. She was born in Saint James, Trinidad and Tobago, and moved to the New York borough of Queens when she was five.

After releasing three mixtapes between 2007 and 2009 and being signed to Young Money Entertainment in August 2009, Minaj released her debut album, ''Pink Friday'', in November 2010. It quickly became a commercial success, peaking at number one on the U.S. ''Billboard'' 200 and being certified Platinum by the Recording Industry Association of America (RIAA) a month after its release. She became the first artist to have seven singles on the ''Billboard'' Hot 100 at the same time. Her second single, "Your Love", reached #1 on the ''Billboard'' Hot Rap Songs chart, making Minaj the first female artist to top the chart unaccompanied since 2002. She also became the first female artist to be included on MTV's Annual Hottest MC List. Minaj was named the 2011 ''Rising Star'' by ''Billboard''.

Early life

Maraj was born in 1982 in Saint James, a suburb of Trinidad and Tobago's capital city Port of Spain. Her parents are of mixed Indian and Afro-Trinidadian ancestry and she lived in Saint James with her grandmother until age five, because her parents were looking for a place to live in the Queens borough of New York City at the time. Her mother would occasionally visit, and one day, when Minaj was five, her mother picked her up to move to Queens. According to Minaj, her father drank heavily, took drugs, and once tried to kill her mother by setting the house on fire.

She attended Elizabeth Blackwell Middle School 210, where she played the clarinet. She graduated from LaGuardia High School. At LaGuardia, a school specializing in music and the visual and performing arts, Minaj participated in the drama program. She had initially planned to sing at LaGuardia, but lost her voice on the day of the audition.

Career

2007–09: Mixtapes and Young Money

Minaj released her first mixtape in 2007 after releasing ''Playtime Is Over'' with ''Dirty Money Records''. She released another mixtape on July 7, 2008, titled ''Sucka Free'', under the label ''Be''. On April 18, 2009, Minaj released a third mixtape and appeared in ''XXL'' magazine. She won the Female Artist of the Year award at the 2008 Underground Music Awards. Minaj released ''Beam Me Up Scotty'', another mixtape, in April 2009 under the label of ''Trapaholics Records''; it received positive coverage on both BET and MTV.

In August 2009, Minaj signed a record deal with Young Money Entertainment, with distribution from Universal Motown Records, after fellow American rapper Lil Wayne discovered her and secured the record deal. She then had a solo rap verse in their single "BedRock," which became a commercial success, reaching #2 on the ''Billboard'' Hot 100. Minaj also appeared on "Roger That", which charted at #56. The song, and in particular Minaj, received positive reviews from critics. Both songs were included in Young Money Entertainment's debut collaborative studio album ''We Are Young Money'', which was released in December 2009. The album charted in the top ten on the ''Billboard'' 200, reaching #9 and later receiving a Gold Certification by the RIAA. She was then chosen by Mariah Carey to be featured on her single and music video for "Up Out My Face". Critics praised her collaboration for helping to maintain Carey's feminine image and providing a polite track for the female R&B; singer.

2010–present: ''Pink Friday'' and ''Pink Friday: Roman Reloaded''

After a major record label bidding war, Young Money Entertainment announced on August 31, 2009 that Minaj had been released a 360 deal with the label in which she retains and owns all of her 360 rights – including merchandising, sponsorships, endorsements, touring and publishing. In an interview with 95.8 Capital FM, Rihanna stated that after the two collaborated on "Raining Men" from her album ''Loud'' that the duo would be teaming up together for a possible second collaboration on Minaj's ''Pink Friday''. Hip-hop rap artist and producer Kanye West was also confirmed for the album. On August 3, 2010 Minaj revealed on a Ustream.tv channel that the album's name would be ''Pink Friday'', in reference to Black Friday.

''Pink Friday'' was released on November 19, 2010 in both standard and deluxe versions. A buzz single, "Massive Attack", was released in April. In August, Minaj released "Your Love" as the first official single from her debut album. The single peaked at 14 on the ''Billboard'' Hot 100, 7 on the Hot R&B;/Hip-Hop Songs chart and topped the Rap Songs chart. Minaj became the first female artist to be included on MTV's Annual Hottest MC List and the first female artist to top the chart unaccompanied since 2002. In October 2010, Minaj became the first artist to have seven songs on the ''Billboard'' Hot 100 chart simultaneously. Minaj released a joint single with The Black Eyed Peas front man, will.i.am titled, "Check It Out", which is Minaj's most successful single to date in Europe. "Right thru Me" was released September 24, 2010; the music video was released in late October. "Moment 4 Life" was released as the fourth single. The track featured Canadian rapper Drake and was released on December 7, 2010, becoming a success on the ''Billboard'' Hot 100. The single peaked at number 5 on the Hot Rap Songs. The album gained a Platinum certification in the United States a month after the release. It was hinted by Simon Cowell that Minaj would join the judging panel of the American version of the ''The X Factor.'' Starting in June 2011, Minaj will be supporting ''Pink Friday'' by serving as an opening act along with Jessie and the Toy Boys and Nervo on Britney Spears' sixth concert tour, the Femme Fatale Tour, in support of her seventh studio album, ''Femme Fatale''. She also was featured on the official remix of Spears' track "Till The World Ends" along with Spears and singer Kesha, which charted at number 3 in the US in April 2011. "Super Bass" was released from ''Pink Friday'' in May 2011, the single charted within the top 10 in many countries including; United Kingdom, United States, Australia, Canada and more. The song gained positive reviews from critics. Minaj will voice a character in the 3D animated film, ''Ice Age: Continental Drift'', as an unknown character. Minaj is also featured on French disc jockey David Guetta's 2011 album, ''Nothing but the Beat'' on "Where Them Girls At" and "Turn Me On". She will be featured alongside Madonna and M.I.A on an upcoming single from Madonna's twelfth studio album, for which a music video has been directed by Megaforce.

Minaj's second studio album, ''Pink Friday: Roman Reloaded'', was announced through Twitter in November 2011 and is set to be released on April 3, 2012. The album's first single, "Va Va Voom," is set to be released on February 7, 2012.

Musical style and image

Image

In an interview with ''Vibe'' Minaj discussed her sexual image stating, "[w]hen I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot... and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing." In an interview with ''Interview'', Minaj commented on her sexual image again stating, "I made a conscious decision to try to tone down the sexiness, I want people—especially young girls—to know that in life, nothing is going to be based on sex appeal. You’ve got to have something else to go with that.” Minaj has a tattoo in Chinese characters that reads "" (''shangdi yu ni chang zai'') on her left arm, meaning, "God is always with you."

Alter egos

While growing up, Minaj's home life was often chaotic, with her parents constantly fighting. As a means of escape, she would create characters and live her life through them. In an interview with ''New York'' she stated, "To get away from all their fighting, I would imagine being a new person. 'Cookie' was my first identity – that stayed with me for a while. I went on to 'Harajuku Barbie,' then 'Nicki Minaj'. Fantasy was my reality."

For her debut album, Minaj created another alter-ego named "Roman Zolanski". She stated that in songs like "Bottoms Up" with Trey Songz it is not Minaj rapping, but instead Roman Zolanski, and claims that Roman is her "twin sister". She claims that he was born inside her, out of rage, and becomes him when she is angry. She has also said 'He is a demon inside her'. Roman has been compared to Eminem's alter ego Slim Shady, and on the song "Roman's Revenge" from ''Pink Friday'', Minaj and Eminem collaborate, using these alter egos. On the collaboration, she said "The new album is going to have a lot of Roman on it ... And if you're not familiar with Roman, then you will be familiar with him very soon. He’s the boy that lives inside of me. He's a lunatic and he's gay and he'll be on there a lot." Roman also has a "mother" called "Martha Zolanski", who also appeared on the song Roman's Revenge, with a British accent. Martha appears in the video for "Moment 4 Life" where she appears to be Minaj's magical Godmother. In songs such as "All I Do Is Win (Remix)" it is Minaj rapping. Minaj stated that on her debut album, fans will get to "meet" Nicki, Roman and Onika.

On November 18, 2010, Minaj assumed a different alter-ego named "Nicki Teresa". Wearing a colorful scarf around her head, she went around as the "healer to her fans" as she visited them at The Garden of Dreams Foundation at Fuse studios in New York City. Minaj made an appearance on ''Lopez Tonight'' on December 6, 2010 and presented a different alter-ego for the Spanish-inspired occasion, named "Rosa" (pronounced Rrrrrosa).

Influences

Minaj has stated that artists who have influenced her musical style include Lisa "Left Eye" Lopes, Lil Wayne, Lauryn Hill, Jadakiss, Natasha Bedingfield, Foxy Brown, Lil' Kim and Missy Elliott. She was also inspired by Janet Jackson, Madonna, Marilyn Monroe, Grace Jones M.I.A and Cyndi Lauper.

Personal life

While some songs and interviews have implied that Minaj is bisexual, she has said that she does not date nor have sex with women, but added in an interview with ''Out'' magazine, "I don’t date men either." In an interview with ''Vibe'' she commented, "I just embrace all people of all lifestyles and I don’t tell them they are bad people. And I say girls are beautiful and girls are sexy and they need to be told that, and if they don’t have anyone to tell them that and mean it, I’m gonna tell them that. But I feel like people always wanna define me and I don’t wanna be defined." She reiterated her dislike of being labeled in an interview with ''Out'', saying: "The point is, everyone is not black and white. There are so many shades in the middle, and you’ve got to let people feel comfortable with saying what they want to say when they want to say it."

During an interview in the May 2010 issue of ''Details'', Minaj was asked if she felt hip-hop was becoming more gay-friendly. She responded, "I think the world is getting more gay-friendly, so hip-hop is too. But it's harder to imagine an openly gay male rapper being embraced, people view gay men as having no street credibility. But I think we'll see one in my lifetime."

In July 2011, Minaj's cousin Nicholas was murdered near his home in Brooklyn, New York City.

Discography

''Pink Friday'' (2010)

''Pink Friday: Roman Reloaded'' (2012)

See also

List of awards and nominations received by Nicki Minaj

Notes

References

External links

Category:Nicki Minaj Category:1982 births Category:Living people Category:African American female singers Category:African American rappers Category:American musicians of Indian descent Category:American people of Trinidad and Tobago descent Category:Female rappers Category:Fiorello H. LaGuardia High School alumni Category:Hip hop singers Category:Naturalized citizens of the United States Category:People from Queens Category:People from Port of Spain Category:Rappers from New York City Category:Singers from New York City Category:Trinidad and Tobago emigrants to the United States Category:Trinidad and Tobago musicians Category:Trinidad and Tobago people of Dougla descent Category:Young Money Entertainment artists

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Name	Taylor Swift
Background	solo_singer
Birth name	Taylor Alison Swift
Birth date	December 13, 1989
Birth place	Reading, Pennsylvania, U.S.
Instrument	Vocals, guitar, ganjo, piano, ukulele
Genre	Country pop, pop, country, dance-pop
Occupation	Singer-songwriter, musician, record producer, actress
Years active	2006–present
Label	Big Machine
Associated acts	Nathan Chapman, Liz Rose
Website	150pxTaylor Swift's signature }}

Taylor Alison Swift (born December 13, 1989) is an American country pop singer-songwriter, musician and actress.

In 2006, she released her debut single "Tim McGraw", then her self-titled debut album, which was subsequently certified multi-platinum by the Recording Industry Association of America. In November 2008, Swift released her second album, ''Fearless'', and the recording earned Swift four Grammy Awards, including the Album of the Year, at the 52nd Grammy Awards. ''Fearless'' and ''Taylor Swift'' finished 2008 at number-three and number-six respectively, with sales of 2.1 and 1.5 million. ''Fearless'' topped the ''Billboard'' 200 for 11 non-consecutive weeks. Swift was named ''Artist of the Year'' by ''Billboard'' Magazine in 2009. Swift released her third album ''Speak Now'' on October 25, 2010, which sold 1,047,000 copies in its first week.

In 2008, her albums sold a combined four million copies, making her the best-selling musician of the year in the United States, according to Nielsen SoundScan. ''Forbes'' ranked Swift 2009's 69th-most powerful celebrity with earnings of $18 million, 2010's 12th-most powerful celebrity with earnings of $45 million and 2011's 7th-most powerful celebrity with earnings of $45 million, too. Swift was ranked the 38th Best Artist of the 2000s by ''Billboard''. In January 2010 Nielsen SoundScan listed Swift as the most successful digital artist in music history with over 34.3 million digital tracks sold. On June 2011, renowned site The Boot named Swift and Carrie Underwood ''The Country Royalty'', as they were the only female country artists to be ranked on ''Rolling Stone'' Queens of Pop list. , she has sold over 20 million albums and 34.3 million singles worldwide. She has been listed in the 2012 ''Guinness Book Of World Records'' as the Fastest Selling Digital Album by a Female Artist for her album ''Speak Now'', and Most Simultaneous U.S. Hot 100 Hits by a Female Artist. In 2011, ''Billboard'' named her woman of the year.

Early life

Swift was born on December 13, 1989, in Reading, Pennsylvania, and raised in Wyomissing, Pennsylvania. She is the daughter of Andrea Gardner (née Finlay), a homemaker who previously worked in finance, and Scott Kingsley Swift, a stockbroker. Her maternal grandmother, Marjorie Finlay (née Moehlenkamp), was an opera singer. Swift has a younger brother, Austin. She grew up on a Christmas-tree farm.

When Swift was in fourth grade, she won a national poetry contest with a three-page poem, "Monster in My Closet". At the age of ten, a computer repairman showed her how to play three chords on a guitar, sparking her interest in learning the instrument. Afterwards, Swift wrote her first song, "Lucky You". When Swift was 12, she devoted an entire summer to writing a 350-page novel, which remains unpublished. She began writing songs regularly and used it as an outlet to help her with her pain from not fitting in at school. Swift was a victim of bullying, and spent her time writing songs to express her emotions. She also started performing at local karaoke contests, festivals, and fairs.

Swift began to regularly visit Nashville, Tennessee, and work with local songwriters. When she was 14, her family relocated to Nashville. Her first major show was a well-received performance at the Bloomsburg Fair. In Tennessee, Swift attended Hendersonville High School, but was subsequently homeschooled for her junior and senior years. In 2008, she earned her high school diploma.

Swift's greatest musical influence is Shania Twain. Her other influences include LeAnn Rimes, Tina Turner, Dolly Parton, and Swift's grandmother. Although her grandmother was a professional opera singer, Swift's tastes always leaned more toward country music. In her younger years, she developed a love for Patsy Cline and Dolly Parton. She also credits the Dixie Chicks for demonstrating the impact that one can have by "stretching boundaries".

Music career

2000–2005: musical beginnings

At age 11, Swift made her first trip to Nashville, hoping to obtain a record deal by distributing a demo tape of her singing with karaoke songs. She gave a copy to every label in town, but was rejected. After Swift returned to Pennsylvania, she was asked to sing at the US Open tennis tournament, where her rendition of the national anthem received much attention.

When Swift was 15, she rejected RCA Records because the company wanted to keep her on an artist development deal. After performing at Nashville's songwriters' venue, The Bluebird Café, she caught the attention of Scott Borchetta, who signed her to his newly formed record label, Big Machine Records. At age 14, she became the youngest staff songwriter ever hired by the Sony/ATV Tree publishing house.

2006–2008: ''Taylor Swift''

Swift released her debut single, "Tim McGraw", in mid-2006, reaching No.6 on ''Billboard'' magazine's Hot Country Songs chart. Her self-titled debut album was later released on October 24, 2006. Debuting high on the ''Billboard'' 200, the album sold 39,000 copies during its first week. It peaked at No.1 on the Billboard Top Country Albums and No.5 on the ''Billboard'' 200. Her debut album spent eight consecutive weeks at the top of the Top Country Albums charts and remained at the top for 24 out of 91 weeks. The only other country artists this decade to achieve the number-one sales position for 20 weeks or more are The Dixie Chicks and Carrie Underwood. The music video for "Tim McGraw" won Swift an award for Breakthrough Video of the Year at the 2007 CMT Music Awards. Her pursuit of country music stardom was the subject of "GAC Short Cuts", a part-documentary, part-music-video series airing since the summer of 2006. On May 15, 2007, Swift performed "Tim McGraw" at the Academy of Country Music Awards. Swift has been an opening act for Tim McGraw and Faith Hill on their Soul2Soul 2007 tour. She has opened in the past for George Strait, Brad Paisley and Rascal Flatts as well. The second single from the ''Taylor Swift'' album, "Teardrops on My Guitar", was released February 24, 2007. In mid-2007, the song peaked at No.2 on Billboard's Hot Country Songs chart and No.33 on the ''Billboard'' Hot 100. The song was re-released with a pop remix that brought "Teardrops on My Guitar" to No.13 on the Hot 100 and No.11 on the Pop 100. In October 2007, Swift was awarded Songwriter/Artist of the Year by the Nashville Songwriters Assn. Intl., making her the youngest artist ever to win the award. Her third song off her debut album, "Our Song" spent six weeks at No.1 on the Country charts, peaked at No.16 on the ''Billboard'' Hot 100, and rose to No.24 on the ''Billboard'' Pop 100. Swift recorded a holiday album, ''Sounds of the Season: The Taylor Swift Holiday Collection,'' which was released exclusively at Target in late 2007. Swift was nominated for a 2008 Grammy Award in the category of Best New Artist, but lost to Amy Winehouse. Swift's successful single, "Picture to Burn", was the fourth single from her debut album. The song debuted and soon peaked at No.3 on the Billboard Country chart in spring 2008. left|upright|thumb|Swift performing at Yahoo HQ in 2007 "Should've Said No" became Swift's second No.1 single. In Summer 2008, Swift released ''Beautiful Eyes'', an EP sold exclusively at Wal-Mart. In its first week of release, the album sold 45,000 copies, debuting at No.1 on ''Billboard'''s Top Country Albums chart and No.9 on the ''Billboard'' 200. With her self-titled debut album sitting at No.2 during the same week, Swift became the first artist since 1997 to hold the Top 2 positions of the Top Country Albums chart. In October 2008, Swift performed a duet with best selling rock band Def Leppard in a taped show in Nashville, Tennessee, and their collaboration was up for both Performance of the Year and Wide Open Country Video of the Year at the CMT Music Awards in 2009.

2008–2010: ''Fearless'' and MTV VMA incident

Swift's second studio album, ''Fearless'', was released in the United States on November 11, 2008. The album debuted at No.1 on the ''Billboard'' 200 Album Chart. Its sales of 592,304 were the highest debut of any country artist in 2008. This is also the largest opening U.S. sales week in 2008 by a female artist in all genres of music, and the fourth biggest overall behind Lil Wayne, AC/DC and Coldplay. Its lead single "Love Story" became a hit on both the country and pop charts. During the first week of release, more than 129,000 of Swift's sales were sold digitally. This gives Swift the best online start for any country album in history. It also makes Swift the fourth biggest week for a digital album since Nielsen SoundScan began tracking them in 2004. Through its eighth week of release, ''Fearless'' has sold more than 338,467 downloads, making it the bestselling country album in digital history. In second place is Swift's debut ''Taylor Swift'' with sales of 236,046 downloads as of April 18, 2009. In its debut week, seven songs in total on ''Fearless'' were charted on ''Billboard'' Hot 100, tying Swift with Miley Cyrus for the most by a female artist in a single week. With "White Horse" charted at #13, this gave Swift her sixth top 20 debut of 2008, a calendar year record for any artist in the history of the ''Billboard'' Hot 100. Of the 13 tracks on ''Fearless'', 11 have already spent time on the Hot 100. "Change", a song from the album, was selected as part of a soundtrack supporting Team USA's efforts in the 2008 Summer Olympics. The song was also featured as part of the soundtrack of NBC's broadcast package of the Olympics. The lead single from the album, "Love Story", was released on September 12, 2008. The Fearless album includes the "Love Story" music video which is based on ''Romeo and Juliet''. The song has reached No.2 on iTunes Store Top Downloaded Songs and No.4 on the ''Billboard'' Hot 100. Fifteen weeks after being added to pop radio, "Love Story" also became the first country crossover recording to hit number one on the Nielsen BDS CHR/Top 40 chart in the 16-year-history of the list, as well as number one on the Mediabase Top 40 Chart. The second single from ''Fearless'', "White Horse", was released on December 8, 2008. The music video for the song premiered on CMT on February 7, 2009. Though it missed the No.1 spot on Billboard's Hot Country Songs as of the week April 11, 2009, "White Horse" claimed the No.1 spot atop the USA Today/Country Aircheck chart (powered by Mediabase) in that week. "Forever & Always", another song from the album, was based on Swift's relationship with singer Joe Jonas. She was the first artist in the history of Nielsen SoundScan to have two different albums in the Top 10 on the year end album chart. It also was the first album by a female artist in country music history to log eight weeks at No.1 on The ''Billboard'' 200. In mid-January 2009, Swift became the first country artist to top the 2 million mark in paid downloads with three different songs. Swift is ''Billboard'''s Top Country Artist and Hot Country Songwriter of 2008; she is also country music's best-selling artist of 2008. Swift ranked seventh on Nielsen SoundScan Canada's top-10 selling artists across all genres in 2008. ''Fearless'' and ''Taylor Swift'' took the No.1 and No.2 slots on 2008 Year-End Canadian Country Albums Chart. Swift sang the Star-Spangled Banner at game three of the World Series in Philadelphia on October 25, 2008. In January 2009, Swift announced her North American Fearless Tour planned for 52 cities in 38 states and provinces in the US and Canada over the span of 6 months. The tour kicked off April 23 in Evansville, Indiana. In the same month, Swift made her first musical guest appearance on ''Saturday Night Live''. On February 8, 2009, Swift performed her song "Fifteen" with Miley Cyrus at the 51st Grammy Awards. As of the week ending February 8, 2009, Swift's single "Love Story" became the country song with the most paid downloads in history. Since the release of Swift's second album, ''Fearless'', she has released one new song "Crazier" for the soundtrack of the feature film ''Hannah Montana: The Movie''. At the 44th Annual Academy of Country Music Awards, Swift picked up Album of the Year honors as a performer and producer for ''Fearless''. Swift is the youngest artist in history to win the ACM ''Album of the Year'' award. The Academy lauded her for career achievements including selling more albums in 2008 than any other artist in any genre of music, the breakthrough success of her debut album, and the worldwide crossover success of her No.1 single "Love Story". The Academy also cited Swift's contribution to helping country music attract a younger audience. As of late April 2009, Swift has sold more than 14 million downloads, as well as three Gold Mobile Ringtones. On April 28, 2009, Swift gave a free, private concert to students at Bishop Ireton High School, a small Catholic school in Alexandria, Virginia after the school won a national "TXT 2 WIN" contest from Verizon Wireless. The students sent over 19,000 text messages to Verizon during a roughly one month long contest. Swift played for about an hour during the school's field day, an annual day-long recess with games and activities. On October 8, 2009 Swift's official website announced that her sold-out Fearless Tour would return to North America for 37 additional dates in 2010.

Scheduled to perform on September 13, 2009, Swift attended the 2009 MTV Video Music Awards. This was her first VMA performance, where she became the first country music artist to win an MTV Video Music Award. During the show, as Swift was on stage accepting the award for Best Female Video for "You Belong with Me," singer/rapper Kanye West came on stage and took the microphone from Swift, saying that Beyoncé's video for "Single Ladies (Put a Ring on It)", nominated for the same award, was "one of the best videos of all time," an action that caused the many audience members to boo West. He handed the microphone back to a stunned and reportedly upset Swift, who did not finish her acceptance speech. When Beyoncé later won the award for Best Video of the Year for "Single Ladies (Put a Ring on It)", she called Swift up on stage so that she could finish her acceptance speech. Following the awards show, West apologized for his verbal outburst in a blog entry (which was subsequently removed). He was criticized by various celebrities for the outburst, and even by President Barack Obama who called West a "jackass" in an "off the record" comment. He later posted a second apology on his blog and made his first public apology one day after the incident on the debut episode of ''The Jay Leno Show''. On September 15, 2009, Swift talked about the matter on ''The View'', where she said she was at first excited to see West on stage and then disappointed once he acted out. She said West had not spoken to her following the incident. Following her appearance on ''The View'', West contacted her to apologize personally; Swift said she accepted his apology. However, on November 8, 2010, in an interview with a Minnesota radio station, West seemed to recant a bit of his past apologies by attempting to describe the act at the 2009 awards show as "selfless" and downgrade the perception of disrespect it created. Swift would later perform a song at the 2010 VMA called "Innocent" which is about the incident and in the song she absolves West of his actions. On November 11, 2009, Swift became the youngest artist ever to win the Country Music Association Award for Entertainer of the year, and is one of only six women to win the Country Music Association's highest honor. On the chart week of November 14, 2009, Swift set a record for the most songs on the ''Billboard'' Hot 100 by a female artist at the same time with eight singles from the re-release of her 2008 album ''Fearless'' namely five debut new songs in the top 30: "Jump Then Fall" at #10, "Untouchable" at #19, "The Other Side of the Door" at #22, "Superstar" at No.27 and "Come in With the Rain" at No.30 and three already-charted songs that were released as singles—"You Belong with Me" (#14), "Forever & Always" which re-entered the chart at #34, and "Fifteen" (#46). In addition, the song "Two Is Better Than One" by Boys Like Girls which features Swift, debuted at No.80 in the same issue. This gives Swift six debuts in one week, the biggest number of debuts by any female artist of all time. It also lifts the number of her simultaneously-charting songs to nine, setting another record for the biggest number of charting songs by the same female artist in the same week. When "Fifteen" reached No.38 on the chart week of November 21, 2009, Swift became the female artist with the most Top 40 singles this decade, surpassing Beyoncé. "Fifteen" became Swift's twentieth Top 40 single overall. "Two Is Better Than One" by Boys Like Girls and John Mayer's "Half of My Heart" both featured Swift, peaking at No.40 and No.25 respectively. The two songs are her 21st and 22nd Top 40 singles. ''Fearless'' was the best-selling album of 2009 in the US with more than 3.2 millions copies sold in that year. Swift claimed both the No.1 and No.2 positions atop Nielsen's BDS Top 10 Most Played Songs chart (all genres), with "You Belong With Me" and "Love Story," respectively. She also topped the all format 2009 Top 10 Artist Airplay chart with over 1.29 million song detections, and the Top 10 Artist Internet Streams chart with more than 46 million song plays.

2010–present: ''Speak Now''

Swift released the track "Today Was a Fairytale" as a digital download on iTunes on January 19, 2010. The song was featured on the soundtrack for the film ''Valentine's Day'', in which she made her feature-film acting debut. The song debuted on the ''Billboard'' Hot 100 at No. 2, becoming her sixth Top 10 and 23rd Top 40 single on that chart. According to Nielsen SoundScan, with sales of "Today Was a Fairytale" more than 325,000 in its first week, Swift has broken the record for first-week download sales by a female artist. The song also debuted at number one on the Canadian Hot 100, making it Swift's first number one hit in Canada. In February 2010, Swift brought her Fearless Tour to 5 cities in Australia. Opening acts included Gloriana. In mid-July 2010, ''Billboard'' revealed that Swift's new album is called ''Speak Now''. It was released on October 25, 2010. She has written the album completely by herself in Arkansas, New York, Boston and Nashville with Nathan Chapman serving as co-producer. On Wednesday, August 4, 2010, the lead single from the album, "Mine," was leaked onto the internet. Big Machine Records decided to rush the release of the song to counteract the leak. Swift appeared at the 44th Annual Country Music Awards on November 10, 2010. In 2011, Swift visited Singapore as the first stop of the Asian leg of her first world tour. Hong Kong is the last stop of the Speak Now World Tour and Swift will begin the European and American leg afterwards. Swift's first live album, ''Speak Now World Tour: Live'', featuring all seventeen performances from the North American leg of her concert tour, is scheduled for a November 21, 2011 release. Many dates on the Speak Now World Tour were cancelled due to Swift suffering from bronchitis and was told she is unable to perform. Swift sold approximately 4,470,000 albums in the US in 2010 (more than any other artist) and sold 9.9 million digital tracks. She was ranked second on ''Rolling Stone'''s lists of Top 16 "Queen Of Pops" of the decade. Swift appeared on the ''Hamish & Andy'' show where she performed a new song called "Chaperone Dads", which is dedicated to a select group of her fans. The week following the release of her "Sparks Fly" video Swift jumped from nineteen to ten on the ''Billboard'''s Social 50. Swift has revealed that she has already written 25 songs for an untitled follow-up album to ''Speak Now'', set to release in the later part of 2012. She commented on them, "They’re sad. If I'm being honest."

On December 23, 2011, Taylor announced via Twitter, "Something I've been VERY excited about for a VERY long time is going to be happening VERY soon." Several hours later, Taylor announced that she is featured on ''The Hunger Games'' Official Movie Soundtrack. Her song, entitled "Safe & Sound", was the first track released from the album. The song was co-written by The Civil Wars, who also co-recorded the song with Taylor. On January 8, 2012, Taylor was elected the fifth top artist (fourth female top artist) of all-time with the best-selling digital music tracks. Taylor has sold 41,821,000 million digital tracks as of the end of 2011 according to Nielsen SoundScan.

Songwriting style

Swift's lyrics are highly autobiographical; she has said that "If you listen to my albums, it’s like reading my diary." For example, the song "Forever & Always" was inspired by her relationship with Joe Jonas, while the song "Hey Stephen" was written about a boy whom she toured with in the past. "Fifteen" was written about her freshman year of high school. It has been said that her lyrics "can be tinged with acid: the quiet loner girl getting one over on the cheerleaders, or a caustic payback for the boy who dumped her." She has also indicated that she tries to write so her fans can relate to the lyrics, saying "My goal is to never write songs that my fans can't relate to." She parodied her confrontational style of songwriting during her appearance on ''Saturday Night Live''; during her opening monologue, she performed an original song that featured lines such as "You might think I'd bring up Joe, that guy who broke up with me on the phone/ Hey, Joe, I'm doing real well, tonight I'm hosting 'SNL'" referring to her highly publicized relationship with Joe Jonas.

The intensely personal nature of the songs has drawn her attention in the music industry. Swift once said, "I thought people might find them hard to relate to, but it turned out that the more personal my songs were, the more closely people could relate to them." Due to the autobiographical nature of her songs, some fans have researched the songs' origins. Swift once said, "Every single one of the guys that I’ve written songs about has been tracked down on MySpace by my fans." ''The New York Times'' described Swift as "one of pop's finest songwriters, country’s foremost pragmatist and more in touch with her inner life than most adults".

Other work

Acting

In 2008, Swift made her acting debut in Brad Paisley's music video "Online". In that same year Swift filmed a documentary for MTV entitled ''MTV's Once Upon a Prom'' and a documentary with Def Leppard for CMT entitled ''CMT Crossroads'', which premiered on November 7, 2008. Swift collaborated with the Jonas Brothers in their 3D Concert Film, ''Jonas Brothers: The 3D Concert Experience''. The film was released on February 27, 2009 in North America and brought in $12.7 million on its opening weekend. Swift made her primetime television acting debut on CBS's ''CSI: Crime Scene Investigation'' "Turn, Turn, Turn" as Haley Jones on March 5, 2009 in the U.S. and Canada. The episode was watched by 20.8 million viewers. Swift made a cameo appearance in Kellie Pickler's music video "Best Days of Your Life". Swift also appeared in ''Hannah Montana: The Movie'' credited as herself. The film was released on April 10, 2009 in North America. The television show Dateline NBC showcased an hour on Swift on May 31, 2009. The episode titled ''Dateline NBC: On Tour With Taylor Swift'' included scenes from her tour bus, concert footage, and rehearsals. Swift both hosted and performed as the musical guest for the November 7, 2009 episode of ''Saturday Night Live''. In 2010, Swift made her feature film acting debut as Felicia in the film ''Valentine's Day''. For this role she won the Teen Choice Award for Movie Female Breakout. She has been cast to voice the role of Audrey in the animated film ''The Lorax'', set to be released in 2012. In January 2012, Swift was offered the role of Eponine in the film adaptation of the musical, ''Les Misérables''.

Cover model and recognition

Swift has been featured on the cover of a number of magazines. She has been a cover girl for ''Blender'', for which she was one of two country artists during the magazine’s fifteen year run to be a cover subject. She was included in ''People'''s annual "100 Most Beautiful People" 2008, 2009, and 2010 lists. Additionally, she was named number fifty-seven on ''Maxim's'' sexiest women of 2008, number fifty on the 2009 list and number thirty-one on the 2010 list. ''CosmoGirl'' voted Swift as the "2008 Girl of the Year". Swift was named by ''Rolling Stone'' magazine as one of "The RS 100: Agents of Change". She was nominated as a candidate for ''TIME''s "2009 The Time 100 Finalists" list, which is determined by online voting. ''People'' magazine named Swift one of 25 Most Intriguing People of 2009.

Merchandise

Jakks Pacific released a celebrity doll of Swift in late 2008. Swift has been the face of L.E.I. Jeans (Life Energy Intelligence) since 2008. Swift and the L.e.i. Clothing Line made a deal to create a line based on Swift's style of dressing, which will appear in Wal-Mart in the coming months. However, Swift said she does not want to be called a designer. Instead, she says she will inspire the clothing company's dress line based on her own style. "I don't look at it like I'm branching out as a designer... It's not the Taylor Swift designer line." In 2009, Swift became the National Hockey League's newest celebrity spokesperson. She appears in commercials for the Nashville Predators.

In May 2009, Swift filed a lawsuit (kept sealed until August 2010) against numerous sellers of unauthorized counterfeit merchandise bearing her name, likeness, and trademarks, where she demanded a trial by jury, sought a judgement for compensatory damages, punitive damages, three times the actual damages sustained, and statutory damages, and sought for recovery of her attorney's fees and prejudgement interest. Nashville's U.S. District Court granted an injunction and judgment against the sellers, who had been identified at Swift's concerts in several states. The court ordered merchandise seized from the defendants to be destroyed. On July 15, 2011, Swift's official website announced that she had partnered with Elizabeth Arden to launch a fragrance, which is to be released in October 2011. The fragrance's name, "Wonderstruck", is a reference to the song "Enchanted" featured on her ''Speak Now'' album. Swift is also working with American Greetings, Inc.

Philanthropy

On September 21, 2007, Swift helped launch a campaign to protect children from online predators. She has teamed up with Tennessee Governor Phil Bredesen to combat internet sex crimes. The year-long campaign, in partnership with the Tennessee Association of Chiefs of Police, will distribute Internet safety information and materials to parents and students across the state. In early 2008, Swift donated the pink Chevy pick-up truck given to her by her record label to the children’s charity, the ''Victory Junction Gang''; in June 2008, Swift donated all the proceeds from her merchandise sales at the 2008 Country Music Festival to Red Cross, the ''Nashville Area Red Cross Disaster Relief Fund'' and the ''National American Red Cross Disaster Relief Fund''.

Swift donated $100,000 to the Red Cross in Cedar Rapids, Iowa to help the victims of the Iowa flood of 2008. Swift has teamed up with Sound Matters to make listeners aware of listening "responsibly". Swift supports @15, a teen-led social change platform underwritten by Best Buy to give teens opportunities to direct the company's philanthropy through the newly-created @15 Fund. Swift's song, "Fifteen", is featured in this campaign. Swift lent her support to the Victorian Bushfire Appeal by joining the lineup at Sydney's Sound Relief concert, reportedly making the biggest contribution of any artist playing at Sound Relief to the Australian Red Cross. Swift donated her prom dress, which raised $1,200 for charity, to DonateMyDress.org. On November 20, 2009 after a live performance on BBC's Children in Need night Swift announced to Sir Terry Wogan she would donate £13,000 of her own money to the cause.

On December 13, Swift's own birthday, she donated $250,000 to various schools around the country which she had either attended or been involved with. Swift has donated a pair of her shoes – a gently-worn pair of black Betsey Johnson heels with her autograph on the sole – to the Wish Upon a Hero Foundation's Hero in Heels fundraiser for auction to raise money to benefit women with cancer.

In response to the May 2010 Tennessee floods, Swift donated $500,000 during a flood relief telethon hosted by WSMV, a Nashville television station.

On May 23, 2011, Taylor Swift transformed what was to have been the final dress rehearsal for the North American leg of her Speak Now tour into a benefit concert for victims of recent tornadoes in the United States southeast region. The concert in Nashville drew more than 13,000 people and raised more than $750,000 from proceeds from ticket sales, merchandise and other facets of the show. The benefit concert for tornado relief was subsequently honored at the 2011 Do Something Awards. In July 2011, Swift further aided to the cause by donating $250,000 to Alabama football coach Nick Saban's charity Nick's Kids to aid in the tornado relief efforts of West Alabama.

Personal life

In addition to her relationship with Joe Jonas, which ended in October 2008, Swift's dating history has included other celebrities: Taylor Lautner, for three months in 2009; and Jake Gyllenhaal, from late 2010 to early 2011. Swift has also been romantically linked to John Mayer. There has been speculation that the songs "Dear John" and "The Story of Us" from her album ''Speak Now'' are about Mayer. In October 2011, she revealed to Ellen Degeneres on her show ''Ellen'' that, "I don't even have, like, kind of a boyfriend. I don't have someone that I'm texting that is a guy that someday might be my boyfriend. There's like nothing going on right now."

In November 2011, Taylor adopted a Scottish fold kitten. She named her Meredith after the character Meredith Grey from the popular ABC drama ''Grey's Anatomy''. The kitten appeared in the official music video for Taylor's song ''Ours'' alongside Taylor and ''Friday Night Lights'' star Zach Gilford.

Filmography

>

! Year	! Title	! Role	Notes
2007		Herself	Guest; Episode: Season 2 Finale
2008	''CMT Crossroads''	Herself	Episode: "Taylor Swift and Def Leppard"
2009	''Jonas Brothers: The 3D Concert Experience''	Herself
2009	''CSI: Crime Scene Investigation''	Haley Jones
2009	''Hannah Montana: The Movie''	Herself	Cameo
2009	''Saturday Night Live''	Herself	Host/Musical Guest
2009		Herself	Guest; Episode: Week 6 results
2010		Felicia	Movie acting debut
2010	''Taylor Swift: Journey to Fearless''	Herself	Main Role
2010		Herself	Guest; Episode: 200th episode
2012	''''	Audrey
2012	''Bruno the Robot''	Various

Discography

Albums

''Taylor Swift'' (2006)

''Fearless'' (2008)

''Speak Now'' (2010)

Awards and nominations

Tours

Fearless Tour (2009–10)

Speak Now World Tour (2011–2012)

References

External links

Category:1989 births Category:American child singers Category:American country banjoists Category:American country singer-songwriters Category:American female guitarists Category:American female singers Category:American film actors Category:American pianists Category:American pop singers Category:American television actors Category:Big Machine Records artists Category:Child pop musicians Category:English-language singers Category:Grammy Award winners Category:Living people Category:Musicians from Pennsylvania Category:People from Reading, Pennsylvania Category:People from Wyomissing, Pennsylvania Category:Ukulele players

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