alt | A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare. |
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background | solo_singer |
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birth name | Michael Joseph Jackson |
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alias | Michael Joe Jackson, MJ, King of Pop |
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birth date | August 29, 1958 |
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birth place | Gary, Indiana, U.S. |
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death date | June 25, 2009 |
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death place | Los Angeles, California, U.S. |
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instrument | vocals, guitar, drums, percussion, keyboards |
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genre | R&B;, pop, rock, soul, dance, funk, disco, new jack swing |
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occupation | Singer-songwriter, musician, composer, dancer, choreographer, record producer, actor, businessman, philanthropist |
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years active | 1964–2009 |
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label | Motown, Epic, Legacy |
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associated acts | The Jackson 5 |
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relatives | Janet Jackson (sister) |
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website |
130pxMichael Jackson's signature
}} |
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Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, entertainer, and businessman. Often referred to as the King of Pop, or by his initials MJ, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance, and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The seventh child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5, then the Jacksons in 1964, and began his solo career in 1971.
In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs, including those of "Beat It", "Billie Jean", and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive musical sound and vocal style have influenced numerous hip hop, post-disco, contemporary R&B;, pop and rock artists.
Jackson's 1982 album ''Thriller'' is the best-selling album of all time. His other records, including ''Off the Wall'' (1979), ''Bad'' (1987), ''Dangerous'' (1991), and ''HIStory'' (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him the most-awarded recording artist in the history of popular music.
Life and career
Early life and The Jackson 5 (1958–1975)
Michael Jackson was born on August 29, 1958, the eighth of ten children in an African American working-class family who lived in a small 3-room house in
Gary, Indiana, an industrial city near Chicago. His mother,
Katherine Esther Scruse, was a devout
Jehovah's Witness, and his father,
Joseph Walter "Joe" Jackson, was a steel mill worker who performed with an R&B; band called The Falcons. Jackson had three sisters:
Rebbie,
La Toya, and
Janet, and five brothers:
Jackie,
Tito,
Jermaine,
Marlon, and
Randy. A sixth brother, Brandon, died shortly after birth.
Jackson had a troubled relationship with his father, Joe. In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B; Album, Favorite Soul/R&B; Male Artist, and Favorite Soul/R&B; Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Year-End for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B; Vocal Performance, also for "Don't Stop 'Til You Get Enough". Jackson again won at the American Music Awards in 1981 for Favorite Soul/R&B; Album and Favorite Soul/R&B; Male Artist. Despite its commercial success, Jackson felt ''Off the Wall'' should have made a much bigger impact, and was determined to exceed expectations with his next release. In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.
''Thriller'' and ''Motown 25'' (1982–83)
In 1982, Jackson contributed the song "Someone In the Dark" to the
storybook for the film ''
E.T. the Extra-Terrestrial''; the record won a Grammy for Best Recording for Children in 1984. In the same year he won another seven Grammys and eight American Music Awards (including the Award of Merit, the youngest artist to win it), making him the most awarded in one night for both award shows. The album topped the
''Billboard'' 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to have seven ''Billboard'' Hot 100 top 10 singles, including "
Billie Jean", "
Beat It," and "
Wanna Be Startin' Somethin'." ''Thriller'' was certified for 29 million shipments by the
RIAA, giving it
Double Diamond status in the United States. The album won also another Grammy for Best Engineered Recording – Non Classical in 1984, awarding
Bruce Swedien for his work. Thanks to the ''Bad'' album, Bruce Swedien and
Humberto Gatica won one Grammy in 1988 for Best Engineered Recording – Non Classical and Michael Jackson won one Grammy for Best Music Video, Short Form for "
Leave Me Alone" in 1989. ''HIStory'' received a Grammy nomination for
Album of the Year. However, the sales for ''Invincible'' were lower than those of his previous releases, due in part to a lack of promotion, no supporting world tour and the label dispute. The album also came out at a bad time for the music industry in general. Jackson rehearsed in Los Angeles in the weeks leading up to the tour under the direction of choreographer
Kenny Ortega. Most of these rehearsals took place at the
Staples Center, which was owned by AEG. With ''Thriller'', Christopher Connelly of ''Rolling Stone'' commented that Jackson developed his long association with the subliminal theme of
paranoia and darker imagery. Allmusic's
Stephen Thomas Erlewine noted this is evident on the songs "Billie Jean" and "Wanna Be Startin' Somethin'". In "Billie Jean", Jackson sings about an obsessive fan who alleges he has fathered a child of hers. In "Wanna Be Startin' Somethin'" he argues against gossip and the media. "Beat It" decried gang violence in an homage to ''
West Side Story'', and was Jackson's first successful rock cross-over piece, according to Huey. He also observed that the title track "
Thriller" began Jackson's interest with the theme of the
supernatural, a topic he revisited in subsequent years. In 1985, Jackson co-wrote the charity anthem "
We Are the World"; humanitarian themes later became a recurring theme in his lyrics and public persona.
In ''Bad'', Jackson's concept of the predatory lover can be seen on the rock song "Dirty Diana". The lead single "I Just Can't Stop Loving You" is a traditional love ballad, while "Man in the Mirror" is an anthemic ballad of confession and resolution. "Smooth Criminal" was an evocation of bloody assault, rape and likely murder. Allmusic's Stephen Thomas Erlewine states that ''Dangerous'' presents Jackson as a very paradoxical individual. He comments the album is more diverse than his previous ''Bad'', as it appeals to an urban audience while also attracting the middle class with anthems like "Heal the World". The first half of the record is dedicated to new jack swing, including songs like "Jam" and "Remember the Time". The album is Jackson's first where social ills become a primary theme; "Why You Wanna Trip on Me", for example, protests against world hunger, AIDS, homelessness and drugs. ''Dangerous'' contains sexually charged efforts such as the multifaceted love song, "In the Closet". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as "Will You Be There", "Heal the World" and "Keep the Faith"; these songs show Jackson opening up about various personal struggles and worries. In the ballad "Gone Too Soon", Jackson gives tribute to his friend Ryan White and the plight of those with AIDS.
''HIStory'' creates an atmosphere of paranoia. Its content focuses on the hardships and public struggles Jackson went through just prior to its production. In the new jack swing-funk-rock efforts "Scream" and "Tabloid Junkie", along with the R&B; ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs much of his anger at the media. In the introspective ballad "Stranger in Moscow", Jackson laments over his "fall from grace", while songs like "Earth Song", "Childhood", "Little Susie" and "Smile" are all operatic pop pieces. In the track "D.S.", Jackson launched a verbal attack against Tom Sneddon. He describes Sneddon as an antisocial, white supremacist who wanted to "get my ass, dead or alive". Of the song, Sneddon said, "I have not—shall we say—done him the honor of listening to it, but I've been told that it ends with the sound of a gunshot". ''Invincible'' found Jackson working heavily with producer Rodney Jerkins. It is a record made up of urban soul like "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn" and "Butterflies" and mixes hip-hop, pop and R&B; in "2000 Watts", "Heartbreaker" and "Invincible".
Vocal style
Jackson sang from childhood, and over time his voice and vocal style changed noticeably. Between 1971 and 1975, Jackson's voice descended from boy soprano to high tenor. Jackson first used a technique called the "vocal hiccup" in 1973, starting with the song "It's Too Late to Change the Time" from
The Jackson 5's ''
G.I.T.: Get It Together'' album. Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of ''
Off the Wall'': it can be seen in full force in the "
Shake Your Body (Down to the Ground)" promotional video. With the arrival of ''Off the Wall'' in the late 1970s, Jackson's abilities as a vocalist were well regarded. At the time, ''Rolling Stone'' compared his vocals to the "breathless, dreamy stutter" of Stevie Wonder. Their analysis was also that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling
falsetto that's used very daringly". 1982 saw the release of ''Thriller'', and ''Rolling Stone'' was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness".
A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelled "cha'mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album ''Dangerous''. ''The New York Times'' noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". When singing of brotherhood or self-esteem the musician would return to "smooth" vocals. When commenting on ''Invincible'', ''Rolling Stone'' were of the opinion that—at the age of 43—Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies". Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".
Music videos and choreography
Referred to as the King of Music Videos, Steve Huey of Allmusic observed how Jackson transformed the music video into an art form and a promotional tool through complex story lines, dance routines, special effects and famous cameo appearances; simultaneously breaking down racial barriers. Before ''Thriller'', Jackson struggled to receive coverage on MTV, allegedly because he was African American. Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", leading to a lengthy partnership with Jackson, also helping other black music artists gain recognition. MTV employees deny any racism in their coverage, or pressure to change their stance. MTV maintains that they played rock music, regardless of race. The popularity of his videos on MTV helped to put the relatively young channel "on the map"; MTV's focus shifted in favor of pop and R&B.; His performance on ''Motown 25: Yesterday, Today, Forever'' changed the scope of live stage show; "That Jackson lip-synced 'Billie Jean' is, in itself, not extraordinary, but the fact that it did not change the impact of the performance is extraordinary; whether the performance was live or lip-synced made no difference to the audience" thus creating an era in which artists re-create the spectacle of music video imagery on stage. Short films like ''
Thriller'' largely remained unique to Jackson, while the group dance sequence in "Beat It" has frequently been imitated. The choreography in ''Thriller'' has become a part of global pop culture, replicated everywhere from
Indian films to
prisons in the Philippines. The ''Thriller'' short film marked an increase in scale for music videos, and has been named the most successful music video ever by the ''Guinness World Records''.
In the 19-minute music video for "Bad"—directed by Martin Scorsese—Jackson began using sexual imagery and choreography not previously seen in his work. He occasionally grabbed or touched his chest, torso and crotch. When asked by Oprah in the 1993 interview about why he grabbed his crotch, he replied, "I think it happens subliminally" and he described it as something that was not planned, but rather, as something that was compelled by the music. "Bad" garnered a mixed reception from both fans and critics; ''Time'' magazine described it as "infamous". The video also featured Wesley Snipes; in the future Jackson's videos would often feature famous cameo roles.
}}
;Bibliography
George, Nelson (2004). ''Michael Jackson: The Ultimate Collection'' booklet. Sony BMG.
Further reading
External links
Michael Jackson Live: Best Pics – slideshow by ''Life magazine''
Michael Jackson at MTV
FBI file on Michael Jackson
Category:1958 births
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