The concept of mind () is understood in many different ways by many different traditions, ranging from panpsychism and animism to traditional and organized religious views, as well as secular and materialist philosophies. Most agree that minds are constituted by conscious experience and intelligent thought. Common attributes of mind include perception, reason, imagination, memory, emotion, attention, and a capacity for communication. A rich set of unconscious processes are also included in many modern characterizations of mind.

Theories of mind and its function are numerous. Earliest recorded speculations are from the likes of Zoroaster, the Buddha, Plato, Aristotle, and other ancient Greek, Indian and, later, Islamic and medieval European philosophers. Pre-modern understandings of the mind, such as the neoplatonic ''"nous"'' saw it as an aspect of the soul, in the sense of being both divine and immortal, linking human thinking with the un-changing ordering principle of the cosmos itself.

Which attributes make up the mind is much debated. Some psychologists argue that only the "higher" intellectual functions constitute mind, particularly reason and memory. In this view the emotions—love, hate, fear, joy—are more ''primitive ''or subjective in nature and should be seen as different from the mind as such. Others argue that various rational and emotional states cannot be so separated, that they are of the same nature and origin, and should therefore be considered all part of what we call the mind.

In popular usage ''mind ''is frequently synonymous with ''thought'': the private conversation with ourselves that we carry on "inside our heads." Thus we "make up our minds," "change our minds" or are "of two minds" about something. One of the key attributes of the mind in this sense is that it is a private sphere to which no one but the owner has access. No one else can "know our mind." They can only interpret what we consciously or unconsciously communicate.

Etymology

The original meaning of Old English ''gemynd'' was the faculty of memory, not of thought in general. Hence ''call to mind'', ''come to mind'', ''keep in mind'', ''to have mind of'', etc. Old English had other words to express "mind", such as ''hyge'' "mind, spirit".

The generalization of ''mind'' to include all mental faculties, thought, volition, feeling and memory, gradually develops over the 14th and 15th centuries.

The meaning of "memory" is shared with Old Norse, which has ''munr''. The word is originally from a PIE verbal root '''', meaning "to think, remember", whence also Latin ''mens'' "mind", Sanskrit '''' "mind" and Greek μένος "mind, courage, anger".

Mental faculties

Broadly speaking, mental faculties are the various functions of the mind, or things the mind can "do".

Thought is a mental activity which allows human beings to make sense of things in the world, and to represent and interpret them in ways that are significant, or which accord with their needs, attachments, goals, commitments, plans, ends, desires, etc. Thinking involves the symbolic or semantic mediation of ideas or data, as when we form concepts, engage in problem solving, reasoning and making decisions. Words that refer to similar concepts and processes include deliberation, cognition, ideation, discourse and imagination.

Thinking is sometimes described as a "higher" cognitive function and the analysis of thinking processes is a part of cognitive psychology. It is also deeply connected with our capacity to make and use tools; to understand cause and effect; to recognize patterns of significance; to comprehend and disclose unique contexts of experience or activity; and to respond to the world in a meaningful way.

Memory is the ability to preserve, retain, and subsequently recall, knowledge, information or experience. Although memory has traditionally been a persistent theme in philosophy, the late nineteenth and early twentieth centuries also saw the study of memory emerge as a subject of inquiry within the paradigms of cognitive psychology. In recent decades, it has become one of the pillars of a new branch of science called cognitive neuroscience, a marriage between cognitive psychology and neuroscience.

The subject of memory has also been addressed in highly sophisticated ways in classic works of 20th century literature, notably in the novel of Marcel Proust, and in popular films, e.g. Eternal Sunshine of the Spotless Mind.

Imagination is the activity of generating or evoking novel situations, images, ideas or other qualia in the mind. It is a characteristically subjective ''activity'', rather than a direct or passive experience. The term is technically used in psychology for the process of reviving in the mind percepts of objects formerly given in sense perception. Since this use of the term conflicts with that of ordinary language, some psychologists have preferred to describe this process as "imaging" or "imagery" or to speak of it as "reproductive" as opposed to "productive" or "constructive" imagination. Things that are imagined are said to be seen in the "mind's eye". Among the many practical functions of imagination are the ability to project possible futures (or histories), to "see" things from another's perspective, and to change the way something is perceived, including to make decisions to respond to, or enact, what is imagined.

Consciousness in mammals (this includes humans) is an aspect of the mind generally thought to comprise qualities such as subjectivity, sentience, and the ability to perceive the relationship between oneself and one's environment. It is a subject of much research in philosophy of mind, psychology, neuroscience, and cognitive science. Some philosophers divide consciousness into phenomenal consciousness, which is subjective experience itself, and access consciousness, which refers to the global availability of information to processing systems in the brain. Phenomenal consciousness has many different experienced qualities, often referred to as qualia. Phenomenal consciousness is usually consciousness ''of'' something or ''about'' something, a property known as intentionality in philosophy of mind.

Mental content

Mental contents are those items which are thought of as being "in" the mind, and capable of being formed and manipulated by mental processes and faculties. Examples include thoughts, concepts, memories, emotions, percepts and intentions. Philosophical theories of mental content include internalism, externalism, representationalism and intentionality.

Brain and mind

In animals, the brain, or ''encephalon'' (Greek for "in the head"), is the control center of the central nervous system, responsible for thought. In most animals, the brain is located in the head, protected by the skull and close to the primary sensory apparatus of vision, hearing, equilibrioception, taste and olfaction. While all vertebrates have a brain, most invertebrates have either a centralized brain or collections of individual ganglia. Primitive animals such as sponges do not have a brain at all. Brains can be extremely complex. For example, the human brain contains more than 100 billion neurons, each linked to as many as 10,000 others.

Understanding the relationship between the brain and the mind — mind-body problem is one of the central issues in the history of philosophy — is a challenging problem both philosophically and scientifically. There are three major philosophical schools of thought concerning the answer: dualism, materialism, and idealism. Dualism holds that the mind exists independently of the brain; materialism holds that mental phenomena are identical to neuronal phenomena; and idealism holds that only mental phenomena exist.

The most straightforward scientific evidence that there is a strong relationship between the physical brain matter and the mind is the impact physical alterations to the brain have on the mind, such as with traumatic brain injury and psychoactive drug use.

In addition to the philosophical questions, the relationship between mind and brain involves a number of scientific questions, including understanding the relationship between mental activity and brain activity, the exact mechanisms by which drugs influence cognition, and the neural correlates of consciousness.

Through most of history many philosophers found it inconceivable that cognition could be implemented by a physical substance such as brain tissue (that is neurons and synapses). Philosophers such as Patricia Churchland posit that the drug-mind interaction is indicative of an intimate connection between the brain and the mind, not that the two are the same entity. Descartes, who thought extensively about mind-brain relationships, found it possible to explain reflexes and other simple behaviors in mechanistic terms, although he did not believe that complex thought, and language in particular, could be explained by reference to the physical brain alone.

Philosophy of mind

Philosophy of mind is the branch of philosophy that studies the nature of the mind, mental events, mental functions, mental properties, consciousness and their relationship to the physical body. The ''mind-body problem'', i.e. the relationship of the mind to the body, is commonly seen as the central issue in philosophy of mind, although there are other issues concerning the nature of the mind that do not involve its relation to the physical body.

''Dualism'' and ''monism'' are the two major schools of thought that attempt to resolve the mind-body problem. Dualism is the position that mind and body are in some way separate from each other. It can be traced back to Plato, Aristotle and the Samkhya and Yoga schools of Hindu philosophy, but it was most precisely formulated by René Descartes in the 17th century. ''Substance dualists'' argue that the mind is an independently existing substance, whereas ''Property dualists'' maintain that the mind is a group of independent properties that emerge from and cannot be reduced to the brain, but that it is not a distinct substance.

The 20th century philosopher Martin Heidegger suggested that subjective experience and activity (i.e. the "mind") cannot be made sense of in terms of Cartesian "substances" that bear "properties" at all (whether the mind itself is thought of as a distinct, separate kind of substance or not). This is because the nature of subjective, ''qualitative'' experience is incoherent in terms of – or semantically incommensurable with the concept of – substances that bear properties. This is a fundamentally ontological argument.

Mind/body perspectives

''Monism'' is the position that mind and body are not physiologically and ontologically distinct kinds of entities. This view was first advocated in Western Philosophy by Parmenides in the 5th Century BC and was later espoused by the 17th Century rationalist Baruch Spinoza. According to Spinoza's dual-aspect theory, mind and body are two aspects of an underlying reality which he variously described as "Nature" or "God".

''Physicalists'' argue that only the entities postulated by physical theory exist, and that the mind will eventually be explained in terms of these entities as physical theory continues to evolve.

''Idealists'' maintain that the mind is all that exists and that the external world is either mental itself, or an illusion created by the mind.

''Neutral monists'' adhere to the position that perceived things in the world can be regarded as either physical or mental depending on whether one is interested in their relationship to other things in the world or their relationship to the perceiver. For example, a red spot on a wall is physical in its dependence on the wall and the pigment of which it is made, but it is mental in so far as its perceived redness depends on the workings of the visual system. Unlike dual-aspect theory, neutral monism does not posit a more fundamental substance of which mind and body are aspects.

The most common monisms in the 20th and 21st centuries have all been variations of physicalism; these positions include behaviorism, the type identity theory, anomalous monism and functionalism.

Many modern philosophers of mind adopt either a ''reductive'' or ''non-reductive physicalist'' position, maintaining in their different ways that the mind is not something separate from the body. These approaches have been particularly influential in the sciences, e.g. in the fields of sociobiology, computer science, evolutionary psychology and the various neurosciences. Other philosophers, however, adopt a non-physicalist position which challenges the notion that the mind is a purely physical construct.

''Reductive physicalists'' assert that all mental states and properties will eventually be explained by scientific accounts of physiological processes and states.

''Non-reductive physicalists'' argue that although the brain is all there ''is'' to the mind, the predicates and vocabulary used in mental descriptions and explanations are indispensable, and cannot be reduced to the language and lower-level explanations of physical science.

Continued neuroscientific progress has helped to clarify some of these issues. However, they are far from having been resolved, and modern philosophers of mind continue to ask how (if at all) the subjective qualities and the intentionality (aboutness) of mental states and properties can be explained in naturalistic terms.

Other perspectives

Jose M.R. Delgado writes, "Aristotelian thought has permeated most Occidental philosophical system until modern times, and the classification of man's function as vegetative, sensitive, and rational is still useful. In present popular usage, soul and mind are not clearly differentiated and some people, more or less consciously, still feel that the soul, and perhaps the mind, may enter or leave the body as independent entities."

Science of mind

Psychology

Psychology is the scientific study of human behaviour, mental functioning, and experience; noology, the study of thought. As both an academic and applied discipline, Psychology involves the scientific study of mental processes such as perception, cognition, emotion, personality, as well as environmental influences, such as social and cultural influences, and interpersonal relationships, in order to devise theories of human behaviour. Psychology also refers to the application of such knowledge to various spheres of human activity, including problems of individuals' daily lives and the treatment of mental health problems.

Psychology differs from the other social sciences (e.g., anthropology, economics, political science, and sociology) due to its focus on experimentation at the scale of the individual, or individuals in small groups as opposed to large groups, institutions or societies. Historically, psychology differed from biology and neuroscience in that it was primarily concerned with mind rather than brain. Modern psychological science incorporates physiological and neurological processes into its conceptions of perception, cognition, behaviour, and mental disorders.

Evolutionary psychology

Evolutionary psychology (EP) is an approach within psychology that examines psychological traits — such as memory, perception, or language — from a Darwinian evolutionary perspective. It seeks to explain how many human psychological traits are evolved adaptations, that is, the functional products of natural selection or sexual selection. Adaptationist thinking about physiological mechanisms, such as the heart, lungs, and immune system, is common in evolutionary biology. Evolutionary psychology applies the same thinking to psychology.

Evolutionary psychologists argue that much of human behavior originates as psychological adaptations that evolved to solve recurrent problems in human ancestral environments.

Evolutionary history of the human mind

The evolution of human intelligence refers to a set of theories that attempt to explain how human intelligence has evolved. The question is closely tied to the evolution of the human brain, and to the emergence of human language.

The timeline of human evolution spans some 7 million years, from the separation of the ''Pan'' genus until the emergence of behavioral modernity by 50,000 years ago. Of this timeline, the first 3 million years concern Sahelanthropus, the following 2 million concern Australopithecus, while the final 2 million span the history of actual human species (the Paleolithic).

Many traits of human intelligence, such as empathy, theory of mind, mourning, ritual, and the use of symbols and tools, are already apparent in great apes although in lesser sophistication than in humans.

There is a debate between supporters of the idea of a sudden emergence of intelligence, or "Great leap forward" and those of a gradual or continuum hypothesis.

Theories of the evolution of intelligence include: Robin Dunbar's social brain hypothesis Geoffrey Miller's sexual selection hypothesis The ecological dominance-social competition (EDSC) explained by Mark V. Flinn, David C. Geary and Carol V. Ward based mainly on work by Richard D. Alexander.

The idea of intelligence as a signal of good health and resistance to disease.

The Group selection theory contends that organism characteristics that provide benefits to a group (clan, tribe, or larger population) can evolve despite individual disadvantages such as those cited above.

The idea that intelligence is connected with nutrition, and thereby with status A higher IQ could be a signal that an individual comes from and lives in a physical and social environment where nutrition levels are high, and vice versa.

Mental health

By analogy with the health of the body, one can speak metaphorically of a state of health of the mind, or mental health. Merriam-Webster defines mental health as "A state of emotional and psychological well-being in which an individual is able to use his or her cognitive and emotional capabilities, function in society, and meet the ordinary demands of everyday life." According to the World Health Organization (WHO), there is no one "official" definition of mental health. Cultural differences, subjective assessments, and competing professional theories all affect how "mental health" is defined. In general, most experts agree that "mental health" and "mental illness" are not opposites. In other words, the absence of a recognized mental disorder is not necessarily an indicator of mental health.

One way to think about mental health is by looking at how effectively and successfully a person functions. Feeling capable and competent; being able to handle normal levels of stress, maintaining satisfying relationships, and leading an independent life; and being able to "bounce back," or recover from difficult situations, are all signs of mental health.

Psychotherapy is an interpersonal, relational intervention used by trained psychotherapists to aid clients in problems of living. This usually includes increasing individual sense of well-being and reducing subjective discomforting experience. Psychotherapists employ a range of techniques based on experiential relationship building, dialogue, communication and behavior change and that are designed to improve the mental health of a client or patient, or to improve group relationships (such as in a family). Most forms of psychotherapy use only spoken conversation, though some also use various other forms of communication such as the written word, art, drama, narrative story, or therapeutic touch. Psychotherapy occurs within a structured encounter between a trained therapist and client(s). Purposeful, theoretically based psychotherapy began in the 19th century with psychoanalysis; since then, scores of other approaches have been developed and continue to be created.

Animal intelligence

Animal cognition, or cognitive ethology, is the title given to a modern approach to the mental capacities of animals. It has developed out of comparative psychology, but has also been strongly influenced by the approach of ethology, behavioral ecology, and evolutionary psychology. Much of what used to be considered under the title of animal intelligence is now thought of under this heading. Animal language acquisition, attempting to discern or understand the degree to which animal cognition can be revealed by linguistics-related study, has been controversial among cognitive linguists.

Artificial intelligence

In 1950 Alan M. Turing published "Computing machinery and intelligence" in ''Mind'', in which he proposed that machines could be tested for intelligence using questions and answers. This process is now named the Turing Test. The term Artificial Intelligence (AI) was first used by John McCarthy who considers it to mean "the science and engineering of making intelligent machines". It can also refer to intelligence as exhibited by an artificial (''man-made'', ''non-natural'', ''manufactured'') entity. AI is studied in overlapping fields of computer science, psychology, neuroscience and engineering, dealing with intelligent behavior, learning and adaptation and usually developed using customized machines or computers.

Research in AI is concerned with producing machines to automate tasks requiring intelligent behavior. Examples include control, planning and scheduling, the ability to answer diagnostic and consumer questions, handwriting, natural language, speech and facial recognition. As such, the study of AI has also become an engineering discipline, focused on providing solutions to real life problems, knowledge mining, software applications, strategy games like computer chess and other video games. One of the biggest difficulties with AI is that of comprehension. Many devices have been created that can do amazing things, but critics of AI claim that no actual comprehension by the AI machine has taken place.

The debate about the nature of the mind is relevant to the development of artificial intelligence. If the mind is indeed a thing separate from or higher than the functioning of the brain, then hypothetically it would be much more difficult to recreate within a machine, if it were possible at all. If, on the other hand, the mind is no more than the aggregated functions of the brain, then it will be possible to create a machine with a recognisable mind (though possibly only with computers much different from today's), by simple virtue of the fact that such a machine already exists in the form of the human brain.

Religious perspectives

Various religious traditions have contributed unique perspectives on the nature of mind. In many traditions, especially mystical traditions, overcoming the ego is considered a worthy spiritual goal.

Judaism teaches that "moach shalit al halev", the mind rules the heart. Humans can approach the Divine intellectually, through learning and behaving according to the Divine Will as enclothed in the Torah, and use that deep logical understanding to elicit and guide emotional arousal during prayer. Christianity has tended to see the mind as distinct from the soul (Greek ''nous'') and sometimes further distinguished from the spirit. Western esoteric traditions sometimes refer to a mental body that exists on a plane other than the physical.

Hinduism's various philosophical schools have debated whether the human soul (Sanskrit ''atman'') is distinct from, or identical to, ''Brahman'', the divine reality.

Buddhism posits that there is actually no distinct thing as a human being, who merely consists of five aggregates, or ''skandhas''. According to Buddhist philosopher Dharmakirti, mind is defined as "that which is clarity and cognizes"—where 'clarity' refers to the formless nature of the mind and 'cognizes' to the function of mind, namely that every mind must cognize an object. The Indian philosopher-sage Sri Aurobindo attempted to unite the Eastern and Western psychological traditions with his integral psychology, as have many philosophers and New religious movements.

Taoism sees the human being as contiguous with natural forces, and the mind as not separate from the body. Confucianism sees the mind, like the body, as inherently perfectible.

Other perspectives

Parapsychology

Parapsychology is the scientific study of certain types of paranormal phenomena, or of phenomena which appear to be paranormal., for instance precognition, telekinesis and telepathy. The term is based on the Greek para (beside/beyond), psyche (soul/mind), and logos (account/explanation) and was coined by psychologist Max Dessoir in or before 1889. J. B. Rhine later popularized "parapsychology" as a replacement for the earlier term "psychical research", during a shift in methodologies which brought experimental methods to the study of psychic phenomena. Parapsychology is controversial, with many scientists believing that psychic abilities have not been demonstrated to exist. The status of parapsychology as a science has also been disputed, with many scientists regarding the discipline as pseudoscience.

Memetics

Memetics is a theory of mental content based on an analogy with Darwinian evolution, which was originated by Richard Dawkins and Douglas Hofstadter in the 1980s. It purports to be an approach to evolutionary models of cultural information transfer. A meme, analogous to a gene, is an idea, belief, pattern of behaviour (etc.) which is "hosted" in one or more individual minds, and which can reproduce itself from mind to mind. Thus what would otherwise be regarded as one individual influencing another to adopt a belief is seen memetically as a meme reproducing itself. As with genetics, particularly under Dawkins's interpretation, a meme's success may be due its contribution to the effectiveness of its host (i.e., a the meme is a useful, beneficial idea), or may be "selfish", in which case it could be considered a "virus of the mind".

See also

Cognitive sciences

Conscience

Consciousness

Explanatory gap

Hard problem of consciousness

Mental state

Mental energy

Mind-body problem

Mind at Large

Neural Darwinism

Philosophical zombie

Philosophy of mind

Problem of other minds

Sentience

Subjective character of experience

Theory of mind

Skandha

References

External links

C. D. Broad, ''The Mind and Its Place in Nature'', 1925.

Abhidhamma: Buddhist Perspective of the Mind and the Mental Functions

Buddhist View of the Mind

Current Scientific Research on the Mind and Brain From ScienceDaily

R. Shayna Rosenbaum, Donald T. Stuss, Brian Levine, Endel Tulving, "Theory of Mind Is Independent of Episodic Memory", Science, 23 November 2007: Vol. 318. no. 5854, p. 1257

The Extended Mind by Andy Clark & David J. Chalmers

The Mind and the Brain A site exploring J. Krishnamurti's view of the Mind.

ThinkQuest: Think.com, Oracle Education Foundation, Projects | Competition | Library, History of Artificial Intelligence.

Loebner.net, Description by Turing of testing machines for intelligence.

Discourse on the mind by Swami Parmanand Ji Maharaj of Bhagwat Bhakti Ashram. (PDF document)

Category:Cognitive science Category:Philosophy of mind Category:Concepts in metaphysics Category:Mind

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name	Alicia Keys
background	solo_singer
birth name	Alicia Augello Cook
alias	Lellow
birth place	January 25, 1981
origin	New York City, New York, United States
instrument	Vocals, piano, keyboards, cello, synthesizer, vocoder, guitar, bass guitar
genre	Soul, R&B;, pop, hip hop, jazz, neo soul, electronic
occupation	singer-songwriter, record producer, actress
years active	1997–present
label	RCA, J, Arista, Columbia
website	}}

Alicia Augello Cook (born January 25, 1981), better known by her stage name Alicia Keys, is an American R&B; singer-songwriter, record producer, and actress. Keys was raised by a single mother in the Hell's Kitchen area of Manhattan in New York City. At age seven, Keys began playing the piano. She attended Professional Performing Arts School and graduated at 16 as valedictorian. Keys released her debut album with J Records, having had previous record deals first with Columbia and then Arista Records.

Keys' debut album, ''Songs in A Minor'', was a commercial success, selling over 12 million copies worldwide. She became the best-selling new artist and best-selling R&B; artist of 2001. The album earned Keys five Grammy Awards in 2002, including Best New Artist and Song of the Year for "Fallin'". Her second studio album, ''The Diary of Alicia Keys'', was released in 2003 and was also another success worldwide, selling eight million copies. The album garnered her an additional four Grammy Awards in 2005. Later that year, she released her first live album, ''Unplugged'', which debuted at number one in the United States. She became the first female to have an ''MTV Unplugged'' album to debut at number one and the highest since Nirvana in 1994.

Keys made guest appearances on several television series in the following years, beginning with ''Charmed''. She made her film debut in ''Smokin' Aces'' and went on to appear in ''The Nanny Diaries'' in 2007. Her third studio album, ''As I Am'', was released in the same year and sold six million copies worldwide, earning Keys an additional three Grammy Awards. The following year, she appeared in ''The Secret Life of Bees'', which earned her a nomination at the NAACP Image Awards. She released her fourth album, ''The Element of Freedom'', in December 2009, which became Keys' first chart-topping album in the United Kingdom. Throughout her career, Keys has won numerous awards and has sold over 30 million albums worldwide and 25 million singles, which makes her one of the best selling artists of all time. ''Billboard'' magazine named her the top R&B; artist of the 2000–2009 decade, establishing herself as one of the best-selling artists of her time. In 2010, VH1 included Keys on its list of the 100 Greatest Artists of All Time. ''Billboard'' magazine placed her number ten on their list of Top 50 R&B;/Hip-Hop Artists of the Past 25 Years.

Life and career

1981–96: Early life

Keys was born Alicia Augello Cook on January 25, 1981, in the Hell's Kitchen area of Manhattan, in New York City, New York. She is the only child of Teresa Augello, a paralegal and part-time actress, and Craig Cook, a flight attendant. Keys' mother is of Italian, Scottish, and Irish descent, and her father is African American; Keys has expressed that she was comfortable with her biracial heritage because she felt she was able to "relate to different cultures". Her parents separated when she was two and she was subsequently raised by her mother during her formative years in Hell's Kitchen, Manhattan. In 1985, Keys made an appearance on ''The Cosby Show'' at the age of four, where she and a group of girls played the parts of Rudy Huxtable's sleepover guests in the episode "Slumber Party". Throughout her childhood, Keys was sent to music and dance classes by her mother. She began playing the piano when she was seven and learned classical music by composers such as Beethoven, Mozart and Chopin. Keys enrolled in the Professional Performing Arts School at the age of 12, where she majored in choir and began writing songs at the age of 14. She graduated in three years as valedictorian at the age of 16.

In 1994 Keys met long-term manager Jeff Robinson after she enrolled in his brother's after-school program. The following year Robinson introduced Keys to her future A&R; at Arista Records, Peter Edge, who later described his first impressions to HitQuarters: "I had never met a young R&B; artist with that level of musicianship. So many people were just singing on top of loops and tracks, but she had the ability, not only to be part of hip-hop, but also to go way beyond that." Edge helped Robinson create a showcase for Keys and also got involved in developing her demo material. He was keen to sign Keys himself but was unable to do so at that time due to being on the verge of leaving his present record company. Keys signed to Columbia Records soon after. At the same time as signing a recording contract with Columbia Records, Keys was accepted into Columbia University. At first, Keys attempted to manage both but after four weeks dropped out of college to pursue her musical career fulltime.

1997–2000: Career beginnings

Keys signed a demo deal with Jermaine Dupri and So So Def Recordings, where she appeared on the label's Christmas album performing "The Little Drummer Girl". She also co-wrote and recorded a song entitled "Dah Dee Dah (Sexy Thing)", which appeared on the soundtrack to the 1997 film, ''Men in Black''. The song was Keys' first professional recording; however, it was never released as a single and her record contract with Columbia ended after a dispute with the label. Keys was unhappy with the label because her career had stalled during her two years under contract at Columbia due to executive indecision over her direction and major changes within the company. Keys called Clive Davis, who sensed a "special, unique" artist from her performance and signed her to Arista Records, which later disbanded. Keys almost chose Wilde as her stage name until her manager suggested the name Keys after a dream he had. Keys felt that name represented her both as a performer and person. Following Davis to his newly formed J Records label, she recorded the songs "Rock wit U" and "Rear View Mirror", which were featured on the soundtracks to the films ''Shaft'' (2000) and ''Dr. Dolittle 2'' (2001), respectively.

2001–2002: ''Songs in A Minor''

Keys released her first studio album, ''Songs in A Minor'', in June 2001. It debuted at number one on the ''Billboard'' 200 and sold 236,000 copies in its first week. The album sold over 6.2 million copies in the United States, where it was certified six times Platinum by the Recording Industry Association of America (RIAA). It went on to sell over 12 million copies worldwide, establishing Keys' popularity both inside and outside the United States, where she became the best-selling new artist and best-selling R&B; artist of 2001. The album's lead single, "Fallin'", spent six weeks at number one on the ''Billboard'' Hot 100. The album's second single, "A Woman's Worth", was released in February 2002 and peaked at number 7 on the ''Billboard Hot 100'' and number three on the ''Hot R&B;/Hip-Hop Songs'', as her second Top 10 single in both charts. The album's third single, "How Come You Don't Call Me", was released in June 2002 and peaked at number 59 on the ''Billboard Hot 100'' and number 30 on the ''Hot R&B;/Hip-Hop Songs''. The album's fourth single, "Girlfriend", was released in November 2002 in UK and peaked at number 82 on the ''Hot R&B;/Hip-Hop Songs''. The following year, the album was reissued as ''Remixed & Unplugged in A Minor'', which included eight remixes and seven unplugged versions of the songs from the original.

''Songs in A Minor'' led Keys to win five awards at the 2002 Grammy Awards: Song of the Year, Best Female R&B; Vocal Performance, and Best R&B; Song for "Fallin'", Best New Artist, and Best R&B; Album; "Fallin'" was also nominated for Record of the Year. Keys became the second female solo artist to win five Grammy Awards in a single night, following Lauryn Hill at the 41st Grammy Awards. That same year, she collaborated with Christina Aguilera for the latter's upcoming album ''Stripped'' on a song entitled "Impossible", which Keys wrote, co-produced, and provided with background vocals. During the early 2000s, Keys also made small cameos in television series ''Charmed'' and ''American Dreams''.

2003–2005: ''The Diary of Alicia Keys'' and ''Unplugged''

Keys followed up her debut with ''The Diary of Alicia Keys'', which was released in December 2003. The album debuted at number one on the ''Billboard'' 200, selling over 618,000 copies its first week of release, becoming the largest first-week sales for a female artist in 2003. It sold 4.4 million copies in the United States and was certified four times Platinum by the RIAA. It sold eight million copies worldwide, becoming the sixth biggest-selling album by a female artist and the second biggest-selling album by a female R&B; artist. The album's lead single, "You Don't Know My Name", peaked at number three on the ''Billboard Hot 100'' and number one on ''Hot R&B;/Hip-Hop Songs'' for eight consecutive weeks, his first Top 10 single in both charts since 2002's "A Woman's Worth ". The album's second single, "If I Ain't Got You", was released in February 2004 and peaked at number 4 on the ''Billboard Hot 100'' and number one on the ''Hot R&B;/Hip-Hop Songs'' for six weeks. The album's third single, "Diary", peaked at number 8 on the ''Billboard Hot 100'' and number two on the ''Hot R&B;/Hip-Hop Songs'' chart, being their third consecutive Top 10 single in both charts. The album's fourth and final single, "Karma", which peaked at number 20 on the ''Billboard Hot 100'' and number 17 on the ''Hot R&B;/Hip-Hop Songs'', first release to fail to achieve top ten status on both charts. "If I Ain't Got You" became the first single by a female artist to remain on the ''Billboard'' Hot R&B;/Hip-Hop Songs chart for over a year. Keys also collaborated with recording artist Usher on the song "My Boo" from his 2004 album, ''Confessions (Special Edition)''. The song topped the ''Billboard Hot 100'' for six weeks and ''Hot R&B;/Hip-Hop Songs'' for three weeks, became her first number-one single in ''Hot 100'' since 2001's "Fallin'".

Keys won Best R&B; Video for "If I Ain't Got You" at the 2004 MTV Video Music Awards; she performed the song and "Higher Ground" with Lenny Kravitz and Stevie Wonder. Later that year, Keys released her novel ''Tears for Water: Songbook of Poems and Lyrics'', a collection of unreleased poems from her journals and lyrics. The title derived from one of her poems, "Love and Chains" from the line: "I don't mind drinking my tears for water." She said the title is the foundation of her writing because "everything I have ever written has stemmed from my tears of joy, of pain, of sorrow, of depression, even of question". The book sold over US$500,000 and Keys made ''The New York Times'' bestseller list in 2005. The following year, she won a second consecutive award for Best R&B; Video at the MTV Video Music Awards for the video "Karma". Keys performed "If I Ain't Got You" and then joined Jamie Foxx and Quincy Jones in a rendition of "Georgia on My Mind", the Hoagy Carmichael song made famous by Ray Charles in 1960 at the 2005 Grammy Awards. That evening, she won four Grammy Awards: Best Female R&B; Vocal Performance for "If I Ain't Got You", Best R&B; Song for "You Don't Know My Name", Best R&B; Album for ''The Diary of Alicia Keys'', and Best R&B; Performance by a Duo or Group with Vocals" for "My Boo" with Usher.

Keys performed and taped her installment of the ''MTV Unplugged'' series in July 2005 at the Brooklyn Academy of Music. During this session, Keys added new arrangements to her original songs and performed a few choice covers. The session was released on CD and DVD in October 2005. Simply titled ''Unplugged'', the album debuted at number one on the U.S. ''Billboard'' 200 chart with 196,000 units sold in its first week of release. The album sold one million copies in the United States, where it was certified Platinum by the RIAA, and two million copies worldwide. The debut of Keys' ''Unplugged'' was the highest for an ''MTV Unplugged'' album since Nirvana's 1994 ''MTV Unplugged in New York'' and the first ''Unplugged'' by a female artist to debut at number one. The album's first single, "Unbreakable", peaked at number 34 on the ''Billboard'' Hot 100 and number four on the Hot R&B;/Hip-Hop Songs. It remained at number one on the ''Billboard'' Hot Adult R&B; Airplay for 11 weeks. The album's second and final single, "Every Little Bit Hurts", was released in January 2006, it failed to enter the U.S. charts.

Keys opened a recording studio in Long Island, New York, called The Oven Studios, which she co-owns with her production and songwriting partner Kerry "Krucial" Brothers. The studio was designed by renowned studio architect John Storyk of WSDG, designer of Jimi Hendrix' Electric Lady Studios. Keys and Brothers are the co-founders of KrucialKeys Enterprises, a production and songwriting team who assisted Keys in creating her albums as well as create music for other artists.

2006–2008: Film debut and ''As I Am''

In 2006, Keys won three NAACP Image Awards, including Outstanding Female Artist and Outstanding Song for "Unbreakable". She also received the Starlight Award by the Songwriters Hall of Fame. In October 2006, she played the voice of Mommy Martian in the "Mission to Mars" episode of the children's television series ''The Backyardigans'', in which she sang an original song, "Almost Everything Is Boinga Here". That same year, Keys nearly suffered a mental breakdown. Her grandmother had died and her family was heavily dependent on her. She felt she needed to "escape" and went to Egypt for three weeks. She explained: "That trip was definitely the most crucial thing I've ever done for myself in my life to date. It was a very difficult time that I was dealing with, and it just came to the point where I really needed to—basically, I just needed to run away, honestly. And I needed to get as far away as possible."

Keys made her film debut in early 2007 in the crime film ''Smokin' Aces'', co-starring as an assassin named Georgia Sykes opposite Ben Affleck and Andy García. Keys received much praise from her co-stars in the film; Reynolds said that Keys was "so natural" and that she would "blow everybody away". ''Smokin' Aces'' had a hit moderate performance at the box office, earning only $57,103,895 worldwide during its theatrical run. In the same year, Keys earned further praise for her second film, ''The Nanny Diaries'', based on the 2002 novel of the same name, where she co-starred alongside Scarlett Johansson and Chris Evans. ''The Nanny Diaries'' had a hit moderate performance at the box office, earning only $44,638,886 worldwide during its theatrical run. She also guest starred as herself in the "One Man Is an Island" episode of the drama series ''Cane''.

Keys released her third studio album, ''As I Am'', in November 2007; it debuted at number one on the ''Billboard'' 200, selling 742,000 copies in its first week. It gained Keys her largest first week sales of her career and became her fourth consecutive number one album, tying her with Britney Spears for the most consecutive number-one debuts on the ''Billboard'' 200 by a female artist. The week became the second largest sales week of 2007 and the largest sales week for a female solo artist since singer Norah Jones' album ''Feels like Home'' in 2004. The album has sold nearly four million copies in the United States and has been certified three times Platinum by the RIAA. It has sold nearly six million copies worldwide. Keys received five nominations for ''As I Am'' at the 2008 American Music Award and ultimately won two. The album's lead single, "No One", peaked at number one on the ''Billboard'' Hot 100 for fifth consecutive weeks and Hot R&B;/Hip-Hop Songs for ten consecutive weeks, became her first number-one single in ''Hot 100'' since 2004's "My Boo" and becoming Keys' third and fifth number-one single on each chart, respectively. The album's second single, "Like You'll Never See Me Again", was released in late 2007 and peaked at number 12 on the ''Billboard'' Hot 100 and number one on the ''Hot R&B;/Hip-Hop Songs'' for seven consecutive weeks. From October 27, 2007, when "No One" reached No. 1, through February 16, 2008, the last week "Like You'll Never See Me Again" was at No. 1, the Keys was on top of the chart for 17 weeks, more consecutive weeks than any other artist in ''Hot R&B;/Hip/Hop Songs'' chart. The album's third single, "Teenage Love Affair", which peaked at number 54 on the '''Billboard Hot 100'' and number three on the ''Hot R&B;/Hip-Hop Songs''. The album's fourth and final single, "Superwoman", which peaked at number 82 on the ''Billboard Hot 100'' and number 12 on the ''Hot R&B;/Hip-Hop Songs''.

"No One" earned Keys the awards for Best Female R&B; Vocal Performance and Best R&B; Song at the 2008 Grammy Awards. Keys opened the ceremony singing Frank Sinatra's 1950s song "Learnin' the Blues" as a "duet" with archival footage of Sinatra in video and "No One" with John Mayer later in the show. Keys also won Best Female R&B; Artist during the show. She starred in "Fresh Takes", a commercial micro-series created by Dove Go Fresh, which premiered during ''The Hills'' on MTV from March to April 2008. The premiere celebrated the launch of new Dove Go Fresh. She also signed a deal as spokesperson with Glacéau's VitaminWater to endorse the product, and was in an American Express commercial for the "Are you a Cardmember?" campaign. Keys, along with The White Stripes' guitarist and lead vocalist Jack White, recorded the theme song to ''Quantum of Solace'', the first duet in Bond soundtrack history. In 2008, Keys was ranked in at number 80 the ''Billboard'' Hot 100 All-Time Top Artists. She also starred in ''The Secret Life of Bees'', a film adaptation of Sue Monk Kidd's acclaimed 2003 bestseller novel of the same name alongside Jennifer Hudson, Dakota Fanning, Paul Bettany and Queen Latifah, released in October 2008 via Fox Searchlight. ''The Secret Life of Bees'' had a hit moderate performance at the box office, earning only $39,947,322 worldwide during its theatrical run. Her role earned her a nomination for Outstanding Supporting Actress in a Motion Picture at the NAACP Image Awards. She also received three nominations at the 2009 Grammy Awards and won Best Female R&B; Vocal Performance for "Superwoman".

In an interview with ''Blender'' magazine, Keys allegedly said "'Gangsta rap' was a ploy to convince black people to kill each other, 'gangsta rap' didn't exist" and went on to say that it was created by "the government". The magazine also claimed she said that Tupac Shakur and The Notorious B.I.G. were "essentially assassinated, their beefs stoked by the government and the media, to stop another great black leader from existing". Keys later wrote a statement clarifying the issues and saying her words were misinterpreted. Later that year, Keys was criticized by anti-smoking campaigners after billboard posters for her forthcoming concerts in Indonesia featured a logo for the A Mild cigarette brand sponsored by tobacco firm Philip Morris. She apologized after discovering that the concert was sponsored by the firm and asked for "corrective actions". In response, the company withdrew its sponsorship.

2009–2010 ''The Element of Freedom'', marriage and motherhood

Keys and manager Jeff Robinson signed a film production deal to develop live-action and animated projects with Disney. Their first film will be a remake of the 1958 comedy ''Bell, Book and Candle'' and will star Keys as a witch who casts a love spell to lure a rival's fiancé. Keys and Robinson also formed a television production company called Big Pita. Keys and Robinson will develop live-action and animated projects from their company, Big Pita and Little Pita, with Keys as producer, thespian, banner spearheading soundtrack and music supervision.

Keys collaborated with the record producer Swizz Beatz to write and produce "Million Dollar Bill" for Whitney Houston's seventh studio album, ''I Look to You''. Keys had approached Clive Davis for permission to submit a song for the album. Keys also collaborated with the recording artist Jay-Z on the song "Empire State of Mind" from his 2009 album, ''The Blueprint 3''. The song topped the ''Billboard'' Hot 100 and became her fourth number-one single on that chart. At the 53rd Grammy Awards ceremony, "Empire State of Mind" won Best Rap/Sung Collaboration and Best Rap Song. It had also been one of the five nominees for Record of the Year. The following month, the American Society of Composers, Authors and Publishers honored Keys with the Golden Note Award, an award given to artists "who have achieved extraordinary career milestones". She collaborated with Spanish recording artist Alejandro Sanz for "Looking for Paradise", which topped the Hot Latin Songs chart, this was Keys' first number one on all three charts, which also made her the first African-American of non-Hispanic origin to reach #1 on the ''Hot Latin Tracks''. Keys released her fourth studio album, ''The Element of Freedom'', in December 2009. It debuted at number two on the ''Billboard'' 200, selling 417,000 copies in its first week. As part of the promotional drive for the album, she performed at the Cayman Island Jazz Festival on December 5, the final night of the three day festival which will be broadcast on Black Entertainment Television (BET). The album's lead single, "Doesn't Mean Anything", has peaked at number 60 on the ''Billboard'' Hot 100 and number 14 on the ''Hot R&B;/Hip-Hop Songs''. Keys was ranked as the top R&B; recording artist of the 2000–2009 decade by ''Billboard'' magazine and ranked at number five as artist of the decade, while her song, "No One", was ranked at number six on the magazine's songs of the decade. In the United Kingdom, ''The Element of Freedom'' became Keys' first album to top the UK Albums Chart. The album's second single, "Try Sleeping with a Broken Heart", was released in November 2009 and peaked at number 27 on the ''Billboard Hot 100'' and number two on the ''Hot R&B;/Hip-Hop Songs''. The album's third single, "Put It in a Love Song", featuring Grammy-winner Beyoncé, peaked at number 60 on the ''Hot R&B;/Hip-Hop Songs''. The music video for the single, which was filmed in Rio de Janeiro, Brazil, has been postponed several times, and later it was confirmed that Alicia Keys' team made a decision not to release the video. The album's fourth single, "Empire State of Mind (Part II) Broken Down", was released in February 2010 and peaked at number 55 on the ''Billboard Hot 100'' and number 76 on the ''Hot R&B;/Hip-Hop Songs''. The album's fifth single, "Un-Thinkable (I'm Ready)", was released in May 2010 and peaked at number 21 on the ''Billboard Hot 100'' and number one on the ''Hot R&B;/Hip-Hop Songs'', for twelve consecutive weeks and became the album's most successful single, becoming Keys' eighth number-one single on ''Hot R&B;/Hip-Hop Songs'' chart. The album's sixth and final single, "Wait Til You See My Smile", was released in December 2010 in the U.K only.

In May 2009, Swizz Beatz announced that he and Keys were romantically involved, and in May 2010, a representative for Keys and Swizz Beatz confirmed that they were engaged and expecting a child together. During the time of the 2010 FIFA World Cup, the couple took part of a union and had the unborn child blessed in a Zulu ceremony, which took place in the Illovo suburb of Johannesburg, South Africa. Keys and Swizz Beatz were married on the French island of Corsica on July 31, 2010. On October 14, 2010, Keys gave birth to a son, Egypt Daoud Ibarr Dean, in New York City.

2011-Present: Ten Year Celebration, Project 5, Stick Fly and Upcoming New Album

In June 2011, ''Songs in A Minor'' was re-released as deluxe and collector's editions in commemoration of its 10th anniversary. To support the release, Keys embarked on a four-city promotional tour, entitled Piano & I: A One Night Only Event With Alicia Keys, featuring only her piano. Keys is also set to co-produce the Broadway premiere of ''Stick Fly'', which will open in December 2011. On September 26, 2011, was the premiere of ''Project 5'' known as ''Five'', short film that marks the debut of Alicia Keys as a director. It is a documentary of five episodes that tell stories of five women who were victims of breast cancer and how it affected their lives. The production also has co-direction of the actresses Jennifer Aniston, Demi Moore and film director Patty Jenkins.

On September 23, she performed at ''iHeart Music Festival'' and sang her new song "A Place Of My Own", which is present in her fifth studio album. On October 7, RCA Music Group announced it was disbanding J Records along with Arista Records and Jive Records. With the shutdown, Keys (and all other artists previously signed to these three labels) will release her future material on the RCA Records brand.

Musical style

An accomplished pianist, Keys incorporates piano into a majority of her songs and often writes about love, heartbreak and female empowerment. She has cited several musicians as her inspirations, including Prince, Nina Simone, Barbra Streisand, Marvin Gaye, Quincy Jones, Donny Hathaway and Stevie Wonder. Keys' style is rooted in gospel and vintage soul music, supplemented by bass and programmed drumbeats. She heavily incorporates classical piano with R&B;, soul and jazz into her music. She began experimenting with other genres, including pop and rock, in her third studio album, ''As I Am'', transitioning from neo soul to a 1980s and 1990s R&B; sound with her fourth album, ''The Element of Freedom''. Patrick Huguenin of the ''New York Daily News'' stated that her incorporation of classical piano riffs contributed to her breakout success. ''Jet'' magazine states she "thrives" by touching her fans with "piano mastery, words and melodious voice". ''The Independent'' described her style as consisting of "crawling blues coupled with a hip-hop backbeat", noting that her lyrics "rarely stray from matters of the heart". ''Blender'' magazine referred to her as "the first new pop artist of the millennium who was capable of changing music."

Keys has a vocal range of a contralto, which spans three octaves. She can sing from B flat over an octave below middle C (B₂) to B below soprano C (B₅). Often referred to as the "Princess of Soul", Keys has been commended as having a strong, raw and impassioned voice; others feel that her voice is "emotionally manufactured" at times and that she pushes her voice out of its natural range. Keys' songwriting is often criticized for lack of depth, which has led to her writing abilities being called limited. Her lyrics have been called generic, clichéd and that her songs revolve around generalities. Greg Kot of the ''Chicago Tribune'' feels that she "[pokes] around for multi-format hits rather than trying to project any sort of artistic vision". Diversely, Jon Pareles of ''Blender'' magazine stated that the musical composition of her songs makes up for their lyrical weakness, while Gregory Stephen Tate of ''The Village Voice'' compared Keys' writing and production to 1970s music.

Joanna Hunkin of ''The New Zealand Herald'' reviewed one of Keys' performances, where Kylie Minogue also attended. She described Minogue's reaction to Keys' performance, saying "it was obvious she was just as much of a fan as the 10,000 other people at Vector Arena". She went on to say that Minogue was "the original pop princess bowing down to the modern-day queen of soul". Hunkin characterized Keys' opening performance as a "headbanging, hip-gyrating performance" and her energy as "high-octane energy most bands save for their closing finale". At the end of her two-hour performance, fans "screamed, stomped and begged for a second encore". Hillary Crosley and Mariel Concepcion of ''Billboard'' magazine noted that her shows are "extremely coordinated" with the audience's attention span "consistently maintained". The show ended with a standing ovation and Keys "proved that a dynamic performance mixed with superior musicianship always wins". Throughout her career, Keys has won numerous awards and is listed on the Recording Industry Association of America's best-selling artists in the United States, with 15 million certified albums. She has sold over 30 million albums worldwide and has established herself as one of the best-selling artists of her time.

Philanthropy

Keys is the co-founder and Global Ambassador of Keep a Child Alive, a non-profit organization that provides medicine to families with HIV and AIDS in Africa. Keys and U2 lead singer Bono recorded a cover version of Peter Gabriel and Kate Bush's "Don't Give Up", in recognition of World AIDS Day 2005. Keys and Bono's version of the song was retitled "Don't Give Up (Africa)" to reflect the nature of the charity it was benefiting. She visited African countries such as Uganda, Kenya and South Africa to promote care for children affected by AIDS. Her work in Africa was documented in the documentary ''Alicia in Africa: Journey to the Motherland'' and was available in April 2008.

Keys has also donated to Frum tha Ground Up, a non-profit organization that aids children and teenagers with scholarships. She performed in Philadelphia, Pennsylvania, as part of the worldwide Live 8 concerts to raise awareness of the poverty in Africa and to pressure the G8 leaders to take action. In 2005, Keys performed on ''ReAct Now: Music & Relief'' and ''Shelter from the Storm: A Concert for the Gulf Coast'', two benefit programs that raised money for those affected by Hurricane Katrina. In July 2007, Keys and Keith Urban performed The Rolling Stones' 1969 song "Gimme Shelter" at Giants Stadium in East Rutherford, New Jersey at the American leg of the Live Earth concerts.

Keys performed Donny Hathaway's 1973 song "Someday We'll All Be Free" at the ''America: A Tribute to Heroes'' televised benefit concert following the September 11 attacks. She participated in the Nobel Peace Prize Concert which took place at the Oslo Spektrum in Oslo, Norway, on December 11, 2007, along with other various artists. She recorded a theme song for Democratic presidential nominee Barack Obama. She joined Joss Stone and Jay-Z on the effort, which served as a theme song for Obama's campaign. For her work, Keys was honored at the 2009 BET Awards with the Humanitarian Award. Keys performed the song "Prelude to a Kiss", retitled "Send Me an Angel", from her 2007 album ''As I Am'' for the "Hope for Haiti Now: A Global Benefit for Earthquake Relief" telethon in response to the 2010 Haiti earthquake.

Discography

''Songs in A Minor'' (2001)

''The Diary of Alicia Keys'' (2003)

''As I Am'' (2007)

''The Element of Freedom'' (2009)

''TBA'' (2012)

;Live albums

''Unplugged'' (2005)

Tours

{|class="wikitable" ! style="background:darkGrey;"| Year !! style="background:darkGrey;"| Title !! style="background:darkGrey;"| Number ofperformances |- style="background:#dcdcdc;" | style="text-align:center; width:5px;;"| 2001/2002 || style="background:#dcdcdc; text-align:center;"| ''Songs in A Minor Tour'' || style="background:#dcdcdc;"| 58 |- style="background:#dcdcdc;" | style="text-align:center; width:5px;;"| 2004|| style="background:#dcdcdc; text-align:center;"| ''Verizon Ladies First Tour'' || style="background:#dcdcdc;"| 25 |- style="background:#dcdcdc;" | style="text-align:center; width:5px;;"| 2005 || style="background:#dcdcdc; text-align:center;"| ''The Diary Tour'' || style="background:#dcdcdc;"| 36 |- style="background:#dcdcdc;" | style="text-align:center; width:5px;;"| 2008 || style="background:#dcdcdc; text-align:center;"| ''As I Am Tour'' || style="background:#dcdcdc;"| 94 |- style="background:#dcdcdc;" | style="text-align:center; width:5px;;"| 2010 || style="background:#dcdcdc; text-align:center;"| ''The Freedom Tour'' || style="background:#dcdcdc;"| 50 |- style="background:#dcdcdc;" | style="text-align:center; width:5px;;"| 2011 || style="background:#dcdcdc; text-align:center;"| ''Piano & I: A One Night Only Event With Alicia Keys'' || style="background:#dcdcdc;"| 5 |}

Filmography

Television
!Year	!Title	!Role	!Notes
1985	''The Cosby Show''	Maria
2001	''Charmed''	P3 VIP Patron (uncredited)
	''American Dreams''	Fontella Bass	"Rescue Me" (season 2, episode 6)
''The Proud Family''	Herself (voice)
2005	''Sesame Street''	Herself	Season 36
2006	''The Backyardigans''	Mommy Martian (voice)
		Herself	"One Man Is an Island" (season 1, episode 7)
''Elmo's Christmas Countdown''	Herself	Christmas television special
2008		Alex	Starred in all five episodes
2010	American Idol (season 9)	Herself	Mentor
Film
!Year	!Title	!Role	!Notes
	''Smokin' Aces''	Georgia Sykes	Debut filmMain role
	Lynette	Support role
2008		June Boatwright	Main role
Director
!Year	!Title	!Type	!Notes
	2004		Music video	MTV Video Music Award for Best R&B; Video
2011	''Project 5''	Short film/Documentary

See also

List of artists who reached number one in the United States

List of awards and nominations received by Alicia Keys

List of honorific titles in popular music

References

Further reading

External links

Alicia Keys at Billboard.com

Alicia Keys at Discogs

Alicia Keys at Metacritic

Category:1981 births Category:Living people Category:Actors from New York City Category:African American composers Category:African American female singer-songwriters Category:African American film actors Category:African American pianists Category:African American poets Category:African American record producers Category:American contraltos Category:American hip hop musicians Category:American multi-instrumentalists Category:American music arrangers Category:American music video directors Category:American musicians of Irish descent Category:American people of Italian descent Category:American people of Scottish descent Category:American philanthropists Category:American pop singer-songwriters Category:American rhythm and blues keyboardists Category:American rhythm and blues singer-songwriters Category:American soul keyboardists Category:American soul singers Category:American television actors Category:Echo winners Category:Grammy Award winners Category:Hip hop singers Category:Neo soul singers Category:People from Hell's Kitchen, Manhattan Category:J Records artists Category:RCA Records artists Category:Rhythm and blues pianists Category:Singers from New York City Category:Songwriters from New York Category:World Music Awards winners

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Name	Elvis Presley
Alt	A young man dancing, swiveling his hips. He has dark hair, short and slicked up a bit. He wears an unbuttoned band-collared jacket over a shirt with bold black-and-white horizontal stripes. Behind him, on either side, are a pair of barred frames, like prison doors.
Background	solo_singer
Birth name	Elvis Aaron Presley
Birth date	January 08, 1935
Birth place
Death date	August 16, 1977
Death place
Genre	Rock and roll, pop, rockabilly, country, blues, gospel, R&B;
Associated acts	The Blue Moon Boys, The Jordanaires, The Imperials
Occupation	Musician, actor
Instrument	Vocals, guitar, piano
Years active	1953–77
Label	Sun, RCA Victor
Website	}}

Elvis Aaron Presley (, 1935 , 1977) was one of the most popular American singers of the 20th century. A cultural icon, he is widely known by the single name Elvis. He is often referred to as the "King of Rock and Roll" or simply "the King".

Born in Tupelo, Mississippi, Presley moved to Memphis, Tennessee, with his family at the age of 13. He began his career there in 1954, working with Sun Records owner Sam Phillips, who wanted to bring the sound of African American music to a wider audience. Accompanied by guitarist Scotty Moore and bassist Bill Black, Presley was one of the originators of rockabilly, an uptempo, backbeat-driven fusion of country and rhythm and blues. RCA Victor acquired his contract in a deal arranged by Colonel Tom Parker, who would manage the singer for over two decades. Presley's first RCA single, "Heartbreak Hotel", released in January 1956, was a number one hit. He became the leading figure of the newly popular sound of rock and roll with a series of network television appearances and chart-topping records. His energized interpretations of songs, many from African American sources, and his uninhibited performance style made him enormously popular—and controversial. In November 1956, he made his film debut in ''Love Me Tender''.

Conscripted into military service in 1958, Presley relaunched his recording career two years later with some of his most commercially successful work. He staged few concerts however, and guided by Parker, proceeded to devote much of the 1960s to making Hollywood movies and soundtrack albums, most of them critically derided. In 1968, after seven years away from the stage, he returned to live performance in a celebrated comeback television special that led to an extended Las Vegas concert residency and a string of profitable tours. In 1973 Presley staged the first concert broadcast globally via satellite, ''Aloha from Hawaii'', seen by approximately 1.5 billion viewers. Prescription drug abuse severely compromised his health, and he died suddenly in 1977 at the age of 42.

Presley is regarded as one of the most important figures of 20th-century popular culture. He had a versatile voice and unusually wide success encompassing many genres, including country, pop ballads, gospel, and blues. He is the best-selling solo artist in the history of popular music. Nominated for 14 competitive Grammys, he won three, and received the Grammy Lifetime Achievement Award at age 36. He has been inducted into multiple music halls of fame.

Life and career

Early years (1935–53)

Childhood in Tupelo

Elvis Presley was born on January 8, 1935, in Tupelo, Mississippi, to 18-year-old Vernon Elvis and 22-year-old Gladys Love Presley. In the two-room shotgun house built by his father in readiness for the birth, Jesse Garon Presley, his identical twin brother, was delivered 35 minutes before him, stillborn. As an only child, Presley became close to both parents and formed an unusually tight bond with his mother. The family attended an Assembly of God church where he found his initial musical inspiration.

Presley's ancestry was primarily a Western European mix: On his mother's side, he was Scots-Irish, with some French Norman; one of Gladys's great-great-grandmothers was Cherokee. His father's forebears were of Scottish or German origin. Gladys was regarded by relatives and friends as the dominant member of the small family. Vernon moved from one odd job to the next, evidencing little ambition. The family often relied on help from neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of altering a check written by the landowner. He was jailed for eight months, and Gladys and Elvis moved in with relatives.

In September 1941, Presley entered first grade at East Tupelo Consolidated, where his instructors regarded him as "average". He was encouraged to enter a singing contest after impressing his schoolteacher with a rendition of Red Foley's country song "Old Shep" during morning prayers. The contest, held at the Mississippi-Alabama Fair and Dairy Show on October 3, 1945, saw his first public performance: dressed as a cowboy, the ten-year-old Presley stood on a chair to reach the microphone and sang "Old Shep". He recalled placing fifth. A few months later, Presley received his first guitar for his birthday; he had hoped for something else—by different accounts, either a bicycle or a rifle. Over the following year, he received basic guitar lessons from two of his uncles and the new pastor at the family's church. Presley recalled, "I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it."

Entering a new school, Milam, for sixth grade in September 1946, Presley was regarded as a loner. The following year, he began bringing his guitar in on a daily basis. He played and sang during lunchtime, and was often teased as a "trashy" kid who played hillbilly music. The family was by then living in a largely African American neighborhood. A devotee of Mississippi Slim's show on the Tupelo radio station WELO, Presley was described as "crazy about music" by Slim's younger brother, a classmate of Presley's, who often took him in to the station. Slim supplemented Presley's guitar tuition by demonstrating chord techniques. When his protégé was 12 years old, Slim scheduled him for two on-air performances. Presley was overcome by stage fright the first time, but succeeded in performing the following week.

Teenage life in Memphis

In November 1948, the family moved to Memphis, Tennessee. After residing for nearly a year in rooming houses, they were granted a two-bedroom apartment in the public housing complex known as the Courts. Enrolled at Humes High School, Presley received only a C in music in eighth grade. When his music teacher told him he had no aptitude for singing, he brought in his guitar the next day and sang a recent hit, "Keep Them Cold Icy Fingers Off Me", in an effort to prove otherwise. A classmate later recalled that the teacher "agreed that Elvis was right when he said that she didn't appreciate his kind of singing." He was generally too shy to perform openly, and was occasionally bullied by classmates who viewed him as a "mama's boy". In 1950, he began practicing guitar regularly under the tutelage of Jesse Lee Denson, a neighbor two-and-a-half years his senior. They and three other boys—including two future rockabilly pioneers, brothers Dorsey and Johnny Burnette—formed a loose musical collective that played frequently around the Courts. That September, he began ushering at Loew's State Theater. Other jobs followed during his school years: Precision Tool, Loew's again, and MARL Metal Products.

During his junior year, Presley began to stand out more among his classmates, largely because of his appearance: he grew out his sideburns and styled his hair with rose oil and Vaseline. On his own time, he would head down to Beale Street, the heart of Memphis's thriving blues scene, and gaze longingly at the wild, flashy clothes in the windows of Lansky Brothers. By his senior year, he was wearing them. Overcoming his reticence about performing outside the Courts, he competed in Humes's Annual "Minstrel" show in April 1953. Singing and playing guitar, he opened with "Till I Waltz Again with You", a recent hit for Teresa Brewer. Presley recalled that the performance did much for his reputation: "I wasn't popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage I heard people kind of rumbling and whispering and so forth, 'cause nobody knew I even sang. It was amazing how popular I became after that."

Presley, who never received formal music training or learned to read music, studied and played by ear. He frequented record stores with jukeboxes and listening booths. He knew all of Hank Snow's songs and he loved records by other country singers such as Roy Acuff, Ernest Tubb, Ted Daffan, Jimmie Rodgers, Jimmie Davis, and Bob Wills. The Southern Gospel singer Jake Hess, one of his favorite performers, was a significant influence on his ballad-singing style. He was a regular audience member at the monthly All-Night Singings downtown, where many of the white gospel groups that performed reflected the influence of African American spiritual music. He adored the music of black gospel singer Sister Rosetta Tharpe. Like some of his peers, he may have attended blues venues—of necessity, in the segregated South, only on nights designated for exclusively white audiences. He certainly listened to the regional radio stations that played "race records": spirituals, blues, and the modern, backbeat-heavy sound of rhythm and blues. Many of his future recordings were inspired by local African American musicians such as Arthur Crudup and Rufus Thomas. B.B. King recalled that he knew Presley before he was popular when they both used to frequent Beale Street. By the time he graduated high school in June 1953, Presley had already singled out music as his future.

First recordings (1953–55)

Sam Phillips and Sun Records

In August 1953, Presley walked into the offices of Sun Records. He aimed to pay for a few minutes of studio time to record a two-sided acetate disc: "My Happiness" and "That's When Your Heartaches Begin". He would later claim he intended the record as a gift for his mother, or was merely interested in what he "sounded like", though there was a much cheaper, amateur record-making service at a nearby general store. Biographer Peter Guralnick argues that he chose Sun in the hope of being discovered. Asked by receptionist Marion Keisker what kind of singer he was, Presley responded, "I sing all kinds." When she pressed him on whom he sounded like, he repeatedly answered, "I don't sound like nobody." After he recorded, Sun boss Sam Phillips asked Keisker to note down the young man's name, which she did along with her own commentary: "Good ballad singer. Hold." Presley cut a second acetate in January 1954—"I'll Never Stand In Your Way" and "It Wouldn't Be the Same Without You"—but again nothing came of it.

Not long after, he failed an audition for a local vocal quartet, the Songfellows. He explained to his father, "They told me I couldn't sing." Songfellow Jim Hamill later claimed that he was turned down because he did not demonstrate an ear for harmony at the time. In April, Presley began working for the Crown Electric company as a truck driver. His friend Ronnie Smith, after playing a few local gigs with him, suggested he contact Eddie Bond, leader of Smith's professional band, which had an opening for a vocalist. Bond rejected him after a tryout, advising Presley to stick to truck driving "because you're never going to make it as a singer."

Phillips, meanwhile, was always on the lookout for someone who could bring the sound of the black musicians on whom Sun focused to a broader audience. As Keisker reported, "Over and over I remember Sam saying, 'If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.'" In June, he acquired a demo recording of a ballad, "Without You", that he thought might suit the teenaged singer. Presley came by the studio, but was unable to do it justice. Despite this, Phillips asked Presley to sing as many numbers as he knew. He was sufficiently affected by what he heard to invite two local musicians, guitarist Winfield "Scotty" Moore and upright bass player Bill Black, to work something up with Presley for a recording session. }} The session, held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to give up and go home, Presley took his guitar and launched into a 1946 blues number, Arthur Crudup's "That's All Right". Moore recalled, "All of a sudden, Elvis just started singing this song, jumping around and acting the fool, and then Bill picked up his bass, and he started acting the fool, too, and I started playing with them. Sam, I think, had the door to the control booth open ... he stuck his head out and said, 'What are you doing?' And we said, 'We don't know.' 'Well, back up,' he said, 'try to find a place to start, and do it again.'" Phillips quickly began taping; this was the sound he had been looking for. Three days later, popular Memphis DJ Dewey Phillips played "That's All Right" on his ''Red, Hot, and Blue'' show. Listeners began phoning in, eager to find out who the singer was. The interest was such that Phillips played the record repeatedly during the last two hours of his show. Interviewing Presley on-air, Phillips asked him what high school he attended in order to clarify his color for the many callers who had assumed he was black. During the next few days the trio recorded a bluegrass number, Bill Monroe's "Blue Moon of Kentucky", again in a distinctive style and employing a jury-rigged echo effect that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A side and "Blue Moon of Kentucky" on the reverse.

Early live performances and signing to RCA

The trio played publicly for the first time on July 17 at the Bon Air club—Presley still sporting his child-size guitar. At the end of the month, they appeared at the Overton Park Shell, with Slim Whitman headlining. A combination of his strong response to rhythm and nervousness at playing before a large crowd led Presley to shake his legs as he performed: his wide-cut pants emphasized his movements, causing young women in the audience to start screaming. Moore recalled, "During the instrumental parts he would back off from the mike and be playing and shaking, and the crowd would just go wild". Black, a natural showman, whooped and rode his bass, hitting double licks that Presley would later remember as "really a wild sound, like a jungle drum or something". Soon after, Moore and Black quit their old band to play with Presley regularly, and DJ and promoter Bob Neal became the trio's manager. From August through October, they played frequently at the Eagle's Nest club and returned to Sun Studio for more recording sessions, and Presley quickly grew more confident on stage. According to Moore, "His movement was a natural thing, but he was also very conscious of what got a reaction. He'd do something one time and then he would expand on it real quick." Presley made what would be his only appearance on Nashville's ''Grand Ole Opry'' on October 2; after a polite audience response, ''Opry'' manager Jim Denny told Phillips that his singer was "not bad" but did not suit the program. Two weeks later, Presley was booked on ''Louisiana Hayride'', the ''Opry''s chief, and more adventurous, rival. The Shreveport-based show was broadcast to 198 radio stations in 28 states. Presley had another attack of nerves during the first set, which drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response. House drummer D.J. Fontana brought a new element, complementing Presley's movements with accented beats that he had mastered playing in strip clubs. Soon after the show, the ''Hayride'' engaged Presley for a year's worth of Saturday-night appearances. Trading in his old guitar for $8 (and seeing it promptly dispatched to the garbage), he purchased a Martin instrument for $175, and his trio began playing in new locales including Houston, Texas, and Texarkana, Arkansas.

By early 1955, Presley's regular ''Hayride'' appearances, constant touring, and well-received record releases had made him a substantial regional star, from Tennessee to West Texas. In January, Neal signed a formal management contract with Presley and brought the singer to the attention of Colonel Tom Parker, whom he considered the best promoter in the music business. Parker—Dutch-born, though he claimed to be from West Virginia—had acquired an honorary colonel's commission from country singer turned Louisiana governor Jimmie Davis. Having successfully managed top country star Eddy Arnold, he was now working with the new number one country singer, Hank Snow. Parker booked Presley on Snow's February tour. When the tour reached Odessa, Texas, a 19-year-old Roy Orbison saw Presley for the first time: "His energy was incredible, his instinct was just amazing. ... I just didn't know what to make of it. There was just no reference point in the culture to compare it." Presley made his television debut on March 3 on the KSLA-TV broadcast of ''Louisiana Hayride''. Soon after, he failed an audition for ''Arthur Godfrey's Talent Scouts'' on the CBS television network. By August, Sun had released ten sides credited to "Elvis Presley, Scotty and Bill"; on the latest recordings, the trio were joined by a drummer. Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B; idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both". This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country music disc jockeys would not play it because he sounded too much like a black artist and none of the rhythm and blues stations would touch him because "he sounded too much like a hillbilly." The blend came to be known as rockabilly. At the time, Presley was variously billed as "The King of Western Bop", "The Hillbilly Cat", and "The Memphis Flash".

Presley renewed Neal's management contract in August 1955, simultaneously appointing Parker as his special adviser. The group maintained an extensive touring schedule throughout the second half of the year. Neal recalled, "It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. There were occasions in some towns in Texas when we'd have to be sure to have a police guard because somebody'd always try to take a crack at him. They'd get a gang and try to waylay him or something." The trio became a quartet when ''Hayride'' drummer Fontana joined as a full member. In mid-October, they played a few shows in support of Bill Haley, whose "Rock Around the Clock" had been a number one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads.

At the Country Disc Jockey Convention in early November, Presley was voted the year's most promising male artist. Several record companies had by now shown interest in signing him. After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with RCA Victor on November 21 to acquire Presley's Sun contract for an unprecedented $40,000. Presley, at 20, was still a minor, so his father signed the contract. Parker arranged with the owners of Hill and Range Publishing, Jean and Julian Aberbach, to create two entities, Elvis Presley Music and Gladys Music, to handle all of the new material recorded by Presley. Songwriters were obliged to forego one third of their customary royalties in exchange for having him perform their compositions. By December, RCA had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings.

Commercial breakout and controversy (1956–58)

First national TV appearances and debut album

On January 10, 1956, Presley made his first recordings for RCA in Nashville. Extending the singer's by now customary backup of Moore, Black, and Fontana, RCA enlisted pianist Floyd Cramer, guitarist Chet Atkins, and three background singers, including Gordon Stoker of the popular Jordanaires quartet, to fill out the sound. The session produced the moody, unusual "Heartbreak Hotel", released as a single on January 27. Parker finally brought Presley to national television, booking him on CBS's ''Stage Show'' for six appearances over two months. The program, produced in New York, was hosted on alternate weeks by big band leaders and brothers Tommy and Jimmy Dorsey. After his first appearance, on January 28, Presley stayed in town to record at RCA's New York studio. The sessions yielded eight songs, including a cover of Carl Perkins' rockabilly anthem "Blue Suede Shoes". In February, Presley's "I Forgot to Remember to Forget", a Sun recording initially released the previous August, reached the top of the ''Billboard'' country chart. Neal's contract was terminated and, on March 2, Parker became Presley's manager. RCA Victor released Presley's self-titled debut album on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks were of a broad variety. There were two country songs and a bouncy pop tune. The others would centrally define the evolving sound of rock and roll: "Blue Suede Shoes"—"an improvement over Perkins' in almost every way", according to critic Robert Hilburn—and three R&B; numbers that had been part of Presley's stage repertoire for some time, covers of Little Richard, Ray Charles, and The Drifters. As described by Hilburn, these "were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R&B; versions of songs in the '50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases." It became the first rock and roll album to top the ''Billboard'' chart, a position it held for 10 weeks. While Presley was not an innovative instrumentalist like Moore or contemporary African American rockers Bo Diddley and Chuck Berry, cultural historian Gilbert B. Rodman argues that the album's cover image, "of Elvis having the time of his life on stage ''with a guitar in his hands'' played a crucial role in positioning the guitar...as the instrument that best captured the style and spirit of this new music."

''Milton Berle Show'' and "Hound Dog"

Presley made the first of two appearances on NBC's ''Milton Berle Show'' on April 3. His performance, on the deck of the USS ''Hancock'' in San Diego, prompted cheers and screams from an audience of sailors and their dates. A few days later, a flight taking Presley and his band to Nashville for a recording session left all three badly shaken when an engine died and the plane almost went down over Arkansas. Twelve weeks after its original release, "Heartbreak Hotel" became Presley's first number one pop hit. In late April, Presley began a two-week residency at the New Frontier Hotel and Casino on the Las Vegas Strip. The shows were poorly received by the conservative, middle-aged hotel guests—"like a jug of corn liquor at a champagne party", wrote a critic for ''Newsweek''. Amid his Vegas tenure, Presley, who had serious acting ambitions, signed a seven-year contract with Paramount Pictures. He began a tour of the Midwest in mid-May, taking in 15 cities in as many days. He had attended several shows by Freddie Bell and the Bellboys in Vegas, and was struck by their cover of "Hound Dog", a hit in 1952 for blues singer Big Mama Thornton by songwriters Jerry Leiber and Mike Stoller. It became the new closing number of his act. After a show in La Crosse, Wisconsin, an urgent message on the letterhead of the local Catholic diocese's newspaper was sent to FBI director J. Edgar Hoover. It warned that "Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley's room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley's autograph."

The second ''Milton Berle Show'' appearance came on June 5 at NBC's Hollywood studio, amid another hectic tour. Berle persuaded the singer to leave his guitar backstage, advising, "Let 'em see you, son." During the performance, Presley abruptly halted an uptempo rendition of "Hound Dog" with a wave of his arm and launched into a slow, grinding version accentuated with energetic, exaggerated body movements. Presley's gyrations created a storm of controversy. Television critics were outraged: Jack Gould of ''The New York Times'' wrote, "Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway." Ben Gross of the New York ''Daily News'' opined that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos". Ed Sullivan, whose own variety show was the nation's most popular, declared him "unfit for family viewing". To Presley's displeasure, he soon found himself being referred to as "Elvis the Pelvis", which he called "one of the most childish expressions I ever heard, comin' from an adult."

''Steve Allen Show'' and first Sullivan appearance

The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC's ''Steve Allen Show'' in New York. Allen, no fan of rock and roll, introduced a "new Elvis" in a white bow tie and black tails. Presley sang "Hound Dog" for less than a minute to a basset hound wearing a top hat and bow tie. As described by television historian Jake Austen, "Allen thought Presley was talentless and absurd... [he] set things up so that Presley would show his contrition". Allen, for his part, later wrote that he found Presley's "strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing" and simply worked the singer into the customary "comedy fabric" of his program. Presley would refer back to the Allen show as the most ridiculous performance of his career. Later that night, he appeared on ''Hy Gardner Calling'', a popular local TV show. Pressed on whether he had learned anything from the criticism to which he was being subjected, Presley responded, "No, I haven't, I don't feel like I'm doing anything wrong. ... I don't see how any type of music would have any bad influence on people when it's only music. ... I mean, how would rock 'n' roll music make anyone rebel against their parents?"

The next day, Presley recorded "Hound Dog", along with "Any Way You Want Me" and "Don't Be Cruel". The Jordanaires sang harmony, as they had on ''The Steve Allen Show''; they would work with Presley through the 1960s. A few days later, the singer made an outdoor concert appearance in Memphis at which he announced, "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight." In August, a judge in Jacksonville, Florida, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order. The single pairing "Don't Be Cruel" with "Hound Dog" ruled the top of the charts for 11 weeks—a mark that would not be surpassed for 36 years. Recording sessions for Presley's second album took place in Hollywood during the first week of September. Leiber and Stoller, the writers of "Hound Dog", contributed "Love Me".

Allen's show with Presley had, for the first time, beaten CBS's ''Ed Sullivan Show'' in the ratings. Sullivan, despite his June pronouncement, booked the singer for three appearances for an unprecedented $50,000. The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience. Actor Charles Laughton hosted the show, filling in while Sullivan recuperated from a car accident. Presley appeared in two segments that night from CBS Television City in Los Angeles. According to Elvis legend, Presley was shot only from the waist up. Watching clips of the Allen and Berle shows with his producer, Sullivan had opined that Presley "got some kind of device hanging down below the crotch of his pants–so when he moves his legs back and forth you can see the outline of his cock. ... I think it's a Coke bottle. ... We just can't have this on a Sunday night. This is a family show!" Sullivan publicly told ''TV Guide'', "As for his gyrations, the whole thing can be controlled with camera shots." In fact, Presley was shown head-to-toe in the first and second shows. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted in customary style: screaming. Presley's performance of his forthcoming single, the ballad "Love Me Tender", prompted a record-shattering million advance orders. More than any other single event, it was this first appearance on ''The Ed Sullivan Show'' that made Presley a national celebrity of barely precedented proportions.

Accompanying Presley's rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. Igniting the "biggest pop craze since Glenn Miller and Frank Sinatra ... Presley brought rock'n'roll into the mainstream of popular culture", writes historian Marty Jezer. "As Presley set the artistic pace, other artists followed. ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture."

Crazed crowds and movie debut

The audience response at Presley's live shows became increasingly fevered. Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time." At the two concerts he performed in September at the Mississippi-Alabama Fair and Dairy Show, 50 National Guardsmen were added to the police security to prevent crowd trouble. ''Elvis'', Presley's second album, was released in October and quickly rose to number one. Assessing the musical and cultural impact of Presley's recordings from "That's All Right" through ''Elvis'', rock critic Dave Marsh wrote that "these records, more than any others, contain the seeds of what rock & roll was, has been and most likely what it may foreseeably become."

Presley returned to the Sullivan show at its main studio in New York, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and St. Louis burned him in effigy. His first motion picture, ''Love Me Tender'', was released on November 21. Though he was not top billed, the film's original title—''The Reno Brothers''—was changed to capitalize on his latest number one record: "Love Me Tender" had hit the top of the charts earlier that month. To further take advantage of Presley's popularity, four musical numbers were added to what was originally a straight acting role. The movie was panned by the critics but did very well at the box office. Presley would receive top billing on every subsequent film he made.

On December 4, Presley dropped into Sun Records where Carl Perkins and Jerry Lee Lewis were recording and jammed with them. Though Phillips no longer had the right to release any Presley material, he made sure the session was captured on tape. The results became legendary as the "Million Dollar Quartet" recordings—Johnny Cash was long thought to have played as well, but he was present only briefly at Phillips' instigation for a photo opportunity. The year ended with a front-page story in ''The Wall Street Journal'' reporting that Presley merchandise had brought in $22 million on top of his record sales, and ''Billboard''s declaration that he had placed more songs in the top 100 than any other artist since records were first charted. In his first full year on RCA, one of the music industry's largest companies, Presley had accounted for over 50 percent of the label's singles sales.

Leiber and Stoller collaboration and draft notice

Presley made his third and final ''Ed Sullivan Show'' appearance on January 6, 1957—on this occasion indeed shot only down to the waist. Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity. In any event, as critic Greil Marcus describes, Presley "did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a pasha, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing Rudolph Valentino in ''The Sheik'', with all stops out." To close, displaying his range and defying Sullivan's wishes, Presley sang a gentle black spiritual, "Peace in the Valley". At the end of the show, Sullivan declared Presley "a real decent, fine boy". Two days later, the Memphis draft board announced that Presley would be classified 1A and would probably be drafted sometime that year. Each of the three Presley singles released in the first half of 1957 went to number one: "Too Much", "All Shook Up", and "(Let Me Be Your) Teddy Bear". Already an international star, he was attracting fans even where his music was not officially released. Under the headline "Presley Records a Craze in Soviet", ''The New York Times'' reported that pressings of his music on discarded X-ray plates were commanding high prices in Leningrad. Between film shoots and recording sessions, the singer also found time to purchase an 18-room mansion eight miles (13 km) south of downtown Memphis for himself and his parents: Graceland. ''Loving You''—the soundtrack to his second film, released in July—was Presley's third straight number one album. The title track was written by Leiber and Stoller, who were then retained to write four of the six songs recorded at the sessions for ''Jailhouse Rock'', Presley's next movie. The songwriting team effectively produced the ''Jailhouse'' sessions and developed a close working relationship with Presley, who came to regard them as his "good-luck charm". The title track was yet another number one hit, as was the ''Jailhouse Rock'' EP.

Presley undertook three brief tours during the year, continuing to generate a crazed audience response. A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed." Villanova students pelted him with eggs in Philadelphia, and in Vancouver, the crowd rioted after the end of the show, destroying the stage. Frank Sinatra, who had famously inspired the swooning of teenaged girls in the 1940s, condemned the new musical phenomenon. In a magazine article, he decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore." Asked for a response, Presley said, "I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago."

Leiber and Stoller were again in the studio for the recording of ''Elvis' Christmas Album''. Toward the end of the session, they wrote a song on the spot at Presley's request: "Santa Claus Is Back In Town", an innuendo-laden blues. The holiday release stretched Presley's string of number one albums to four and would eventually become the best selling Christmas album of all time. After the session, Moore and Black—drawing only modest weekly salaries, sharing in none of Presley's massive financial success—resigned. Though they were brought back on a per diem basis a few weeks later, it was clear that they had not been part of Presley's inner circle for some time. On December 20, Presley received his draft notice. He was granted a deferment to finish the forthcoming ''King Creole'', in which $350,000 had already been invested by Paramount and producer Hal Wallis. A couple of weeks into the new year, "Don't", another Leiber and Stoller tune, became Presley's tenth number one seller. It had been only 21 months since "Heartbreak Hotel" had brought him to the top for the first time. Recording sessions for the ''King Creole'' soundtrack were held in Hollywood mid-January. Leiber and Stoller provided three songs and were again on hand, but it would be the last time they worked closely with Presley. A studio session on February 1 marked another ending: it was the final occasion on which Black was to perform with Presley. He died in 1965.

Military service and mother's death (1958–60)

On March 24, Presley was inducted into the U.S. Army as a private at Fort Chaffee, near Fort Smith, Arkansas. His arrival was a major media event. Hundreds of people descended on Presley as he stepped from the bus; photographers then accompanied him into the base. Presley announced that he was looking forward to his military stint, saying he did not want to be treated any differently from anyone else: "The Army can do anything it wants with me."

Soon after Presley commenced basic training at Fort Hood, Texas, he received a visit from Eddie Fadal, a businessman he had met on tour. According to Fadal, Presley had become convinced his career was finished—"He firmly believed that." During a two-week leave in early June, Presley cut five sides in Nashville. In early August, his mother was diagnosed with hepatitis and her condition swiftly worsened. Presley, granted emergency leave to visit her, arrived in Memphis on August 12. Two days later, she died of heart failure, aged 46. Presley was devastated; their relationship had remained extremely close—even into his adulthood, they would use baby talk with each other and Presley would address her with pet names.

After training, Presley joined the 3rd Armored Division in Friedberg, Germany, on October 1. Introduced to amphetamines by a sergeant while on maneuvers, he became "practically evangelical about their benefits"—not only for energy, but for "strength" and weight loss, as well—and many of his friends in the outfit joined him in indulging. The Army also introduced Presley to karate, which he studied seriously, later including it in his live performances. Fellow soldiers have attested to Presley's wish to be seen as an able, ordinary soldier, despite his fame, and to his generosity. He donated his Army pay to charity, purchased TV sets for the base, and bought an extra set of fatigues for everyone in his outfit.

While in Friedberg, Presley met 14-year-old Priscilla Beaulieu. They would eventually marry after a seven-and-a-half-year courtship. In her autobiography, Priscilla says that despite his worries that it would ruin his career, Parker convinced Presley that to gain popular respect, he should serve his country as a regular soldier rather than in Special Services, where he would have been able to give some musical performances and remain in touch with the public. Media reports echoed Presley's concerns about his career, but RCA producer Steve Sholes and Freddy Bienstock of Hill and Range had carefully prepared for his two-year hiatus. Armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases. Between his induction and discharge, Presley had ten top 40 hits, including "Wear My Ring Around Your Neck", the best-selling "Hard Headed Woman", and "One Night" in 1958, and "(Now and Then There's) A Fool Such as I" and the number one "A Big Hunk o' Love" in 1959. RCA also generated four albums compiling old material during this period, most successfully ''Elvis' Golden Records'' (1958), which hit number three on the LP chart.

Focus on movies (1960–67)

''Elvis Is Back''

}} Presley returned to the United States on March 2, 1960, and was honorably discharged with the rank of sergeant on March 5. The train that carried him from New Jersey to Tennessee was mobbed all the way, and Presley was called upon to appear at scheduled stops to please his fans. On the night of March 20, he entered RCA's Nashville studio to cut tracks for a new album along with a single—"Stuck on You" was rushed into release and swiftly became a number one hit. Another Nashville session two weeks later yielded a pair of his best-selling singles, the ballads "It's Now or Never" and "Are You Lonesome Tonight?", along with the rest of ''Elvis Is Back!'' The album features several songs described by Greil Marcus as full of Chicago blues "menace, driven by Presley's own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from Boots Randolph. Elvis's singing wasn't sexy, it was pornographic." As a whole, the record "conjured up the vision of a performer who could be all things", in the words of music historian John Robertson: "a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; [a] raucous rocker". Released only days after recording was complete, it reached number two on the album chart.

Presley returned to television on May 12 as a guest on ''The Frank Sinatra Timex Special''—ironic for both stars, given Sinatra's not-so-distant excoriation of rock and roll. Also known as ''Welcome Home Elvis'', the show had been taped in late March, the only time all year Presley performed in front of an audience. Parker secured an unheard-of $125,000 fee for eight minutes of singing. The broadcast drew an enormous viewership.

''G.I. Blues'', the soundtrack to Presley's first film since his return, was a number one album in October. His first LP of sacred material, ''His Hand in Mine'', followed two months later. It reached number 13 on the U.S. pop chart and number 3 in Great Britain, remarkable figures for a gospel album. In February 1961, Presley performed two shows for a benefit event in Memphis, on behalf of 24 local charities. During a luncheon preceding the event, RCA presented him with a plaque certifying worldwide sales of over 75 million records. A 12-hour Nashville session in mid-March yielded nearly all of Presley's next studio album, ''Something for Everybody''. As described by John Robertson, it exemplifies the Nashville sound, the restrained, cosmopolitan style that would define country music in the 1960s. Presaging much of what was to come from Presley himself over the next half-decade, the album is largely "a pleasant, unthreatening pastiche of the music that had once been Elvis's birthright." It would be his sixth number one LP. Another benefit concert, raising money for a Pearl Harbor memorial, was staged on March 25, in Hawaii. It was to be Presley's last public performance for seven years.

Lost in Hollywood

Parker had by now pushed Presley into a heavy moviemaking schedule, focused on formulaic, modestly budgeted musical comedies. Presley at first insisted on pursuing more serious roles, but when two films in a more dramatic vein—''Flaming Star'' (1960) and ''Wild in the Country'' (1961)—were less commercially successful, he reverted to the formula. Among the 27 movies he made during the 1960s, there were few further exceptions. His films were almost universally panned; one critic dismissed them as a "pantheon of bad taste". Nonetheless, they were virtually all profitable. Hal Wallis, who produced nine of them, declared, "A Presley picture is the only sure thing in Hollywood."

Of Presley's films in the 1960s, 15 were accompanied by soundtrack albums and another 5 by soundtrack EPs. The movies' rapid production and release schedules—he frequently starred in three a year—affected his music. According to Jerry Leiber, the soundtrack formula was already evident before Presley left for the Army: "three ballads, one medium-tempo [number], one up-tempo, and one break blues boogie". As the decade wore on, the quality of the soundtrack songs grew "progressively worse". Julie Parrish, who appeared in ''Paradise, Hawaiian Style'' (1966), says that he hated many of the songs chosen for his films. The Jordanaires' Gordon Stoker describes how Presley would retreat from the studio microphone: "The material was so bad that he felt like he couldn't sing it." Most of the movie albums featured a song or two from respected writers such as the team of Doc Pomus and Mort Shuman. But by and large, according to biographer Jerry Hopkins, the numbers seemed to be "written on order by men who never really understood Elvis or rock and roll." Regardless of the songs' quality, it has been argued that Presley generally sang them well, with commitment. Critic Dave Marsh heard the opposite: "Presley isn't trying, probably the wisest course in the face of material like 'No Room to Rumba in a Sports Car' and 'Rock-a-Hula Baby.'"

In the first half of the decade, three of Presley's soundtrack albums hit number one on the pop charts, and a few of his most popular songs came from his films, such as "Can't Help Falling in Love" (1961) and "Return to Sender" (1962). ("Viva Las Vegas", the title track to the 1964 film, was a minor hit as a B-side, and became truly popular only later.) But, as with artistic merit, the commercial returns steadily diminished. During a five-year span—1964 through 1968—Presley had only one top ten hit: "Crying in the Chapel" (1965), a gospel number recorded back in 1960. As for non-movie albums, between the June 1962 release of ''Pot Luck'' and the November 1968 release of the soundtrack to the television special that signaled his comeback, only one LP of new material by Presley was issued: the gospel album ''How Great Thou Art'' (1967). It won him his first Grammy Award, for Best Sacred Performance. As Marsh described, Presley was "arguably the greatest white gospel singer of his time [and] really the last rock & roll artist to make gospel as vital a component of his musical personality as his secular songs."

Shortly before Christmas 1966, more than seven years since they first met, Presley proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the Aladdin Hotel in Las Vegas. The flow of formulaic movies and assembly-line soundtracks rolled on. It was not until October 1967, when the ''Clambake'' soundtrack LP registered record low sales for a new Presley album, that RCA executives recognized a problem. "By then, of course, the damage had been done", as historians Connie Kirchberg and Marc Hendrickx put it. "Elvis was viewed as a joke by serious music lovers and a has-been to all but his most loyal fans."

Comeback (1968–73)

''Elvis'': the '68 Comeback Special

Presley's only child, Lisa Marie, was born on February 1, 1968, during a period when he had grown deeply unhappy with his career. Of the eight Presley singles released between January 1967 and May 1968, only two charted in the top 40, and none higher than number 28. His forthcoming soundtrack album, ''Speedway'', would die at number 82 on the ''Billboard'' chart. Parker had already shifted his plans to television, where Presley had not appeared since the Sinatra Timex show in 1960. He maneuvered a deal with NBC that committed the network to both finance a theatrical feature and broadcast a Christmas special.

Recorded in late June in Burbank, California, the special, called simply ''Elvis'', aired on December 3, 1968. Later known as the '68 Comeback Special, the show featured lavishly staged studio productions as well as songs performed with a band in front of a small audience—Presley's first live performances since 1961. The live segments saw Presley clad in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and coproducer Steve Binder had worked hard to reassure the nervous singer and to produce a show that was far from the hour of Christmas songs Parker had originally planned. The show, NBC's highest rated that season, captured 42 percent of the total viewing audience. Jon Landau of ''Eye'' magazine remarked, "There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made Jim Morrison green with envy." Dave Marsh calls the performance one of "emotional grandeur and historical resonance."

By January 1969, the single "If I Can Dream", written for the special, reached number 12. The soundtrack album broke into the top ten. According to friend Jerry Schilling, the special reminded Presley of what "he had not been able to do for years, being able to choose the people; being able to choose what songs and not being told what had to be on the soundtrack. ... He was out of prison, man." Binder said of Presley's reaction, "I played Elvis the 60-minute show, and he told me in the screening room, 'Steve, it's the greatest thing I've ever done in my life. I give you my word I will never sing a song I don't believe in.'"

''From Elvis In Memphis'' and the International

}} Buoyed by the experience of the Comeback Special, Presley engaged in a prolific series of recording sessions at American Sound Studio, which led to the acclaimed ''From Elvis in Memphis''. Released in June 1969, it was his first secular, non-soundtrack album from a dedicated period in the studio in eight years. As described by Dave Marsh, it is "a masterpiece in which Presley immediately catches up with pop music trends that had seemed to pass him by during the movie years. He sings country songs, soul songs and rockers with real conviction, a stunning achievement." The album featured the hit single "In the Ghetto", issued in April, which reached number three on the pop chart—Presley's first non-gospel top ten hit since "Bossa Nova Baby" in 1963. Further hit singles were culled from the American Sound sessions: "Suspicious Minds", "Don't Cry Daddy", and "Kentucky Rain".

Presley was keen to resume regular live performing. Following the success of the Comeback Special, offers came in from around the world. The London Palladium offered Parker $28,000 for a one-week engagement. He responded, "That's fine for me, now how much can you get for Elvis?" In May, the brand new International Hotel in Las Vegas, boasting the largest showroom in the city, announced that it had booked Presley. He was scheduled to perform 57 shows over four weeks beginning July 31. Moore, Fontana, and the Jordanaires declined to participate, afraid of losing the lucrative session work they had in Nashville. Presley assembled new, top-notch accompaniment, led by guitarist James Burton and including two gospel groups, The Imperials and Sweet Inspirations. Nonetheless, he was nervous: his only previous Las Vegas engagement, in 1956, had been dismal. Parker, who intended to make Presley's return the show business event of the year, oversaw a major promotional push. For his part, hotel owner Kirk Kerkorian arranged to send his own plane to New York to fly in rock journalists for the debut performance.

Presley took to the stage without introduction. The audience of 2,200, including many celebrities, gave him a standing ovation before he sang a note and another after his performance. A third followed his encore, "Can't Help Falling in Love" (a song that would be his closing number for much of the 1970s). At a press conference after the show, when a journalist referred to him as "The King", Presley gestured toward Fats Domino, who was taking in the scene. "No," Presley said, "that's the real king of rock and roll." The next day, Parker's negotiations with the hotel resulted in a five-year contract for Presley to play each February and August, at an annual salary of $1 million. ''Newsweek'' commented, "There are several unbelievable things about Elvis, but the most incredible is his staying power in a world where meteoric careers fade like shooting stars." ''Rolling Stone'' called Presley "supernatural, his own resurrection." In November, Presley's final non-concert movie, ''Change of Habit'', opened. The double album ''From Memphis To Vegas/From Vegas To Memphis'' came out the same month; the first LP consisted of live performances from the International, the second of more cuts from the American Sound sessions. "Suspicious Minds" reached the top of the charts—Presley's first U.S. pop number one in over seven years, and his last.

Cassandra Peterson, later television's Elvira, met Presley during this period in Las Vegas, where she was working as showgirl. She recalls of their encounter, "He was so anti-drug when I met him. I mentioned to him that I smoked marijuana, and he was just appalled. He said, 'Don't ever do that again.'" Presley was not only deeply opposed to recreational drugs, he also rarely drank. Several of his family members had been alcoholics, a fate he intended to avoid.

Back on tour and meeting Nixon

Presley returned to the International early in 1970 for the first of the year's two month-long engagements, performing two shows a night. Recordings from these shows were issued on the album ''On Stage''. In late February, Presley performed six attendance-record–breaking shows at the Houston Astrodome. In April, the single "The Wonder of You" was issued—a number one hit in Great Britain, it topped the U.S. adult contemporary chart, as well. MGM filmed rehearsal and concert footage at the International during August for the documentary ''Elvis: That's the Way It Is''. Presley was by now performing in a jumpsuit, which would become a trademark of his live act. During this engagement, he was threatened with murder unless $50,000 was paid. Presley had been the target of many threats since the 1950s, often without his knowledge. The FBI took the threat seriously and security was stepped up for the next two shows. Presley went onstage with a Derringer in his right boot and a .45 pistol in his waistband, but the concerts went off without incident.

The album ''That's the Way It Is'', produced to accompany the documentary and featuring both studio and live recordings, marked a stylistic shift. As music historian John Robertson notes, "The authority of Presley's singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound. With country put on the back burner, and soul and R&B; left in Memphis, what was left was very classy, very clean white pop—perfect for the Las Vegas crowd, but a definite retrograde step for Elvis." After the end of his International engagement on September 7, Presley embarked on a week-long concert tour, largely of the South, his first since 1958. Another week-long tour, of the West Coast, followed in November.

On December 21, 1970, Presley engineered a meeting with President Richard Nixon at the White House, where he expressed his patriotism and his contempt for the hippie drug culture. He asked Nixon for a Bureau of Narcotics and Dangerous Drugs badge, to add to similar items he had begun collecting and to signify official sanction of his patriotic efforts. Nixon, who apparently found the encounter awkward, expressed a belief that Presley could send a positive message to young people and that it was therefore important he "retain his credibility". Presley told Nixon that The Beatles, whose songs he regularly performed in concert during the era, exemplified what he saw as a trend of anti-Americanism and drug abuse in popular culture. (Presley and his friends had had a four-hour get-together with The Beatles five years earlier.) On hearing reports of the meeting, Paul McCartney later said that he "felt a bit betrayed. ... The great joke was that we were taking [illegal] drugs, and look what happened to him", a reference to Presley's death, hastened by prescription drug abuse.

The U.S. Junior Chamber of Commerce named Presley one of its annual Ten Most Outstanding Young Men of the Nation on January 16, 1971. Not long after, the City of Memphis named the stretch of Highway 51 South on which Graceland is located "Elvis Presley Boulevard". The same year, Presley became the first rock and roll singer to be awarded the Lifetime Achievement Award (then known as the Bing Crosby Award) by the National Academy of Recording Arts and Sciences, the Grammy Award organization. Three new, non-movie Presley studio albums were released in 1971, as many as had come out over the previous eight years. Best received by critics was ''Elvis Country'', a concept record that focused on genre standards. The biggest seller was ''Elvis Sings the Wonderful World of Christmas'', "the truest statement of all", according to Greil Marcus. "In the midst of ten painfully genteel Christmas songs, every one sung with appalling sincerity and humility, one could find Elvis tom-catting his way through six blazing minutes of 'Merry Christmas, Baby,' a raunchy old Charles Brown blues. ... If [Presley's] sin was his lifelessness, it was his sinfulness that brought him to life".

Marriage breakdown and ''Aloha from Hawaii''

MGM again filmed Presley in April 1972, this time for ''Elvis on Tour'', which went on to win the Golden Globe Award for Best Documentary Film that year. His gospel album ''He Touched Me'', released that month, would earn him his second Grammy Award, for Best Inspirational Performance. A 14-date tour commenced with an unprecedented four consecutive sold-out shows at New York's Madison Square Garden. The evening concert on July 10 was recorded and issued in LP form a week later. ''Elvis: As Recorded at Madison Square Garden'' became one of Presley's biggest-selling albums. After the tour, the single "Burning Love" was released—Presley's last top ten hit on the U.S. pop chart. "The most exciting single Elvis has made since 'All Shook Up'", wrote rock critic Robert Christgau. "Who else could make 'It's coming closer, the flames are now licking my body' sound like an assignation with James Brown's backup band?"

Presley and his wife, meanwhile, had become increasingly distant, barely cohabiting. In 1971, an affair he had with Joyce Bova resulted—unbeknownst to him—in her pregnancy and an abortion. He often raised the possibility of her moving in to Graceland, saying that he was likely to leave Priscilla. The Presleys separated on February 23, 1972, after Priscilla disclosed her relationship with Mike Stone, a karate instructor Presley had recommended to her. Priscilla relates that when she told him, Presley "grabbed ... and forcefully made love to" her, declaring, "This is how a real man makes love to his woman." Five months later, Presley's new girlfriend, Linda Thompson, a songwriter and one-time Memphis beauty queen, moved in with him. Presley and his wife filed for divorce on August 18. According to Joe Moscheo of the Imperials, the failure of Presley's marriage "was a blow from which he never recovered."

In January 1973, Presley performed two benefit concerts for the Kui Lee Cancer Fund in connection with a groundbreaking TV special, ''Aloha from Hawaii''. The first show served as a practice run and backup should technical problems affect the live broadcast two days later. Aired as scheduled on January 14, ''Aloha from Hawaii'' was the first global concert satellite broadcast, reaching approximately 1.5 billion viewers live and on tape delay. Presley's costume became the most recognized example of the elaborate concert garb with which his latter-day persona became closely associated. As described by Bobbie Ann Mason, "At the end of the show, when he spreads out his American Eagle cape, with the full stretched wings of the eagle studded on the back, he becomes a god figure." The accompanying double album, released in February, went to number one and eventually sold over 5 million copies in the United States. It proved to be Presley's last U.S. number one pop album during his lifetime.

At a midnight show the same month, four men rushed onto the stage in an apparent attack. Security men leapt to Presley's defense, and the singer's karate instinct took over as he ejected one invader from the stage himself. Following the show, he became obsessed with the idea that the men had been sent by Mike Stone to kill him. Though they were shown to have been only overexuberant fans, he raged, "There's too much pain in me ... Stone [must] die." His outbursts continued with such intensity that a physician was unable to calm him, despite administering large doses of medication. After another two full days of raging, Red West, his friend and bodyguard, felt compelled to get a price for a contract killing and was relieved when Presley decided, "Aw hell, let's just leave it for now. Maybe it's a bit heavy."

Health deterioration and death (1973–77)

Medical crises and last studio sessions

Presley's divorce took effect on October 9, 1973. He was now becoming increasingly unwell. Twice during the year he overdosed on barbiturates, spending three days in a coma in his hotel suite after the first incident. Toward the end of 1973, he was hospitalized, semicomatose from the effects of Demerol addiction. According to his main physician, Dr. George C. Nichopoulos, Presley "felt that by getting [drugs] from a doctor, he wasn't the common everyday junkie getting something off the street." Since his comeback, he had staged more live shows with each passing year, and 1973 saw 168 concerts, his busiest schedule ever. Despite his failing health, in 1974 he undertook another intensive touring schedule.

Presley's condition declined precipitously in September. Keyboardist Tony Brown remembers the singer's arrival at a University of Maryland concert: "He fell out of the limousine, to his knees. People jumped to help, and he pushed them away like, 'Don't help me.' He walked on stage and held onto the mike for the first thirty minutes like it was a post. Everybody's looking at each other like, Is the tour gonna happen?" Guitarist John Wilkinson recalled, "He was all gut. He was slurring. He was so fucked up. ... It was obvious he was drugged. It was obvious there was something terribly wrong with his body. It was so bad the words to the songs were barely intelligible. ... I remember crying. He could barely get through the introductions". Wilkinson recounted that a few nights later in Detroit, "I watched him in his dressing room, just draped over a chair, unable to move. So often I thought, 'Boss, why don't you just cancel this tour and take a year off...?' I mentioned something once in a guarded moment. He patted me on the back and said, 'It'll be all right. Don't you worry about it.'" Presley continued to play to sellout crowds. As cultural critic Marjorie Garber describes, he was now widely seen as a garish pop crooner: "in effect he had become Liberace. Even his fans were now middle-aged matrons and blue-haired grandmothers."

On July 13, 1976, Vernon Presley—who had become deeply involved in his son's financial affairs—fired "Memphis Mafia" bodyguards Red West (Presley's friend since the 1950s), Sonny West, and David Hebler, citing the need to "cut back on expenses". Presley was in Palm Springs at the time, and some suggest the singer was too cowardly to face the three himself. Another associate of Presley's, John O'Grady, argued that the bodyguards were dropped because their rough treatment of fans had prompted too many lawsuits. However, Presley's stepbrother David Stanley has claimed that the bodyguards were fired because they were becoming more outspoken about Presley's drug dependency. Presley and Linda Thompson split in November, and he took up with a new girlfriend, Ginger Alden. He proposed to Alden and gave her an engagement ring two months later, though several of his friends later claimed that he had no serious intention of marrying again.

RCA, which had enjoyed a steady stream of product from Presley for over a decade, grew anxious as his interest in spending time in the studio waned. After a December 1973 session that produced 18 songs, enough for almost two albums, he did not enter the studio in 1974. Parker sold RCA on another concert record, ''Elvis: As Recorded Live on Stage in Memphis''. Recorded on March 20, it included a version of "How Great Thou Art" that would win Presley his third and final competitive Grammy Award. (All three of his competitive Grammy wins—out of 14 total nominations—were for gospel recordings.) Presley returned to the studio in Hollywood in March 1975, but Parker's attempts to arrange another session toward the end of the year were unsuccessful. In 1976, RCA sent a mobile studio to Graceland that made possible two full-scale recording sessions at Presley's home. Even in that comfortable context, the recording process was now a struggle for him.

}} For all the concerns of his label and manager, in studio sessions between July 1973 and October 1976, Presley recorded virtually the entire contents of six albums. Though he was no longer a major presence on the pop charts, five of those albums entered the top five of the country chart, and three went to number one: ''Promised Land'' (1975), ''From Elvis Presley Boulevard, Memphis, Tennessee'' (1976), and ''Moody Blue'' (1977). The story was similar with his singles—there were no major pop hits, but Presley was a significant force in not just the country market, but on adult contemporary radio as well. Eight studio singles from this period released during his lifetime were top ten hits on one or both charts, four in 1974 alone. "My Boy" was a number one AC hit in 1975, and "Moody Blue" topped the country chart and reached the second spot on the AC in 1976. Perhaps his most critically acclaimed recording of the era came that year, with what Greil Marcus described as his "apocalyptic attack" on the soul classic "Hurt". "If he felt the way he sounded", Dave Marsh wrote of Presley's performance, "the wonder isn't that he had only a year left to live but that he managed to survive that long."

Final year and death

Journalist Tony Scherman writes that by early 1977, "Elvis Presley had become a grotesque caricature of his sleek, energetic former self. Hugely overweight, his mind dulled by the pharmacopoeia he daily ingested, he was barely able to pull himself through his abbreviated concerts." In Alexandria, Louisiana, the singer was on stage for less than an hour and "was impossible to understand". Presley failed to appear in Baton Rouge; he was unable to get out of his hotel bed, and the rest of the tour was cancelled. Despite the accelerating deterioration of his health, he stuck to most touring commitments. In Rapid City, South Dakota, "he was so nervous on stage that he could hardly talk", according to Presley historian Samuel Roy, and unable to "perform any significant movement." Guralnick relates that fans "were becoming increasingly voluble about their disappointment, but it all seemed to go right past Elvis, whose world was now confined almost entirely to his room and his spiritualism books." A cousin, Billy Smith, recalled how Presley would sit in his room and chat for hours, sometimes recounting favorite Monty Python sketches and his own past escapades, but more often gripped by paranoid obsessions that reminded Smith of Howard Hughes. "Way Down", Presley's last single issued during his lifetime, came out on June 6. His final concert was held in Indianapolis at the Market Square Arena, on June 26.

The book ''Elvis: What Happened?'', cowritten by the three bodyguards fired the previous year, was published on August 1. It was the first exposé to detail Presley's years of drug misuse. He was devastated by the book and tried unsuccessfully to halt its release by offering money to the publishers. By this point, he suffered from multiple ailments: glaucoma, high blood pressure, liver damage, and an enlarged colon, each aggravated—and possibly caused—by drug abuse.

Presley was scheduled to fly out of Memphis on the evening of August 16, 1977, to begin another tour. That afternoon, Alden discovered him unresponsive on his bathroom floor. Attempts to revive him failed, and death was officially pronounced at 3:30 pm at Baptist Memorial Hospital.

President Jimmy Carter issued a statement that credited Presley with having "permanently changed the face of American popular culture". Thousands of people gathered outside Graceland to view the open casket. One of Presley's cousins, Billy Mann, accepted $18,000 to secretly photograph the corpse; the picture appeared on the cover of the ''National Enquirer''s biggest-selling issue ever. Alden struck a $105,000 deal with the ''Enquirer'' for her story, but settled for less when she broke her exclusivity agreement. Presley left her nothing in his will.

Presley's funeral was held at Graceland, on Thursday, August 18. Outside the gates, a car plowed into a group of fans, killing two women and critically injuring a third. Approximately 80,000 people lined the processional route to Forest Hill Cemetery, where Presley was buried next to his mother. Within a few days, "Way Down" topped the country and UK pop charts. Following an attempt to steal the singer's body in late August, the remains of both Elvis Presley and his mother were reburied in Graceland's Meditation Garden on October 2.

Since 1977

Between 1977 and 1981, six posthumously released singles by Presley were top ten country hits. Graceland was opened to the public in 1982. Attracting over half a million visitors annually, it is the second most-visited home in the United States, after the White House. It was declared a National Historic Landmark in 2006.

Presley has been inducted into four music halls of fame: the Rock and Roll Hall of Fame (1986), the Country Music Hall of Fame (1998), the Gospel Music Hall of Fame (2001), and the Rockabilly Hall of Fame (2007). In 1984, he received the W. C. Handy Award from the Blues Foundation and the Academy of Country Music's first Golden Hat Award. In 1987, he received the American Music Awards' Award of Merit.

A Junkie XL remix of Presley's "A Little Less Conversation" (credited as "Elvis Vs JXL") was used in a Nike advertising campaign during the 2002 FIFA World Cup. It topped the charts in over 20 countries, and was included in a compilation of Presley's number one hits, ''ELV1S'', that was also an international success. In 2003, a remix of "Rubberneckin'", a 1969 recording of Presley's, topped the U.S. sales chart, as did a 50th-anniversary re-release of "That's All Right" the following year. The latter was an outright hit in Great Britain, reaching number three on the pop chart.

In 2005, another three reissued singles, "Jailhouse Rock", "One Night"/"I Got Stung", and "It's Now or Never", went to number one in Great Britain. A total of 17 Presley singles were reissued during the year; all made the British top five. For the fifth straight year, ''Forbes'' named Presley the top-earning deceased celebrity, with a gross income of $45 million. He placed second in 2006, returned to the top spot the next two years, and ranked fourth in 2009. The following year, he was ranked second, with his highest annual income ever—$60 million—spurred by the celebration of his 75th birthday and the launch of Cirque du Soleil's ''Viva Elvis'' show in Las Vegas. In November 2010, ''Viva Elvis: The Album'' was released, setting his voice to newly recorded instrumental tracks. As of mid-2011, there were an estimated 15,000 licensed Presley products. He was again the second-highest-earning deceased celebrity.

Presley holds the records for most songs charting in ''Billboard''s top 40 and top 100: chart statistician Joel Whitburn calculates the respective totals as 104 and 151; Presley historian Adam Victor gives 114 and 138. Presley's rankings for top ten and number one hits vary depending on how the double-sided "Hound Dog/Don't Be Cruel" and "Don't/I Beg of You" singles, which precede the inception of ''Billboard''s unified Hot 100 chart, are analyzed. According to Whitburn, Presley holds the record for most top ten hits with 38; per ''Billboard''s current assessment, he ranks second with 36, behind Madonna's 37. Whitburn and ''Billboard'' concur that The Beatles hold the record for most number one hits with 20 and that Mariah Carey is second with 18. Whitburn has Presley also with 18 and thus tied for second; ''Billboard'' has him third with 17. Presley retains the record for cumulative weeks at number one: alone at 80, according to Whitburn and the Rock and Roll Hall of Fame; tied with Carey at 79, according to ''Billboard''. He holds the records for most British number one hits, with 21, and top ten hits, with 76.

Musical style

Influences

Presley's earliest musical influence came from gospel. His mother recalled that from the age of two, at the Assembly of God church in Tupelo attended by the family, "he would slide down off my lap, run into the aisle and scramble up to the platform. There he would stand looking at the choir and trying to sing with them." In Memphis, Presley frequently attended all-night gospel singings at the Ellis Auditorium, where groups such as the Statesmen Quartet led the music in a style that, Guralnick suggests, sowed the seeds of Presley's future stage act: }} As a teenager, Presley's musical interests were wide-ranging, and he was deeply informed about African American musical idioms as well as white ones (see "Teenage life in Memphis"). Though he never had any formal training, he was blessed with a remarkable memory, and his musical knowledge was already considerable by the time he made his first professional recordings in 1954 at the age of 19. When Jerry Leiber and Mike Stoller met him two years later, they were astonished at his encyclopedic understanding of the blues. At a press conference the following year, he proudly declared, "I know practically every religious song that's ever been written."

Genres

Presley was a central figure in the development of rockabilly, according to music historians. Katherine Charlton calls him "rockabilly's originator". "Rockabilly crystallized into a recognizable style in 1954 with Elvis Presley's first release, on the Sun label", writes Craig Morrison. Paul Friedlander describes the defining elements of rockabilly, which he similarly characterizes as "essentially ... an Elvis Presley construction": "the raw, emotive, and slurred vocal style and emphasis on rhythmic feeling [of] the blues with the string band and strummed rhythm guitar [of] country". In "That's All Right", the Presley trio's first record, Scotty Moore's guitar solo, "a combination of Merle Travis–style country finger-picking, double-stop slides from acoustic boogie, and blues-based bent-note, single-string work, is a microcosm of this fusion."

At RCA, Presley's rock and roll sound grew distinct from rockabilly with group chorus vocals, more heavily amplified electric guitars and a tougher, more intense manner. While he was known for taking songs from various sources and giving them a rockabilly/rock and roll treatment, he also recorded songs in other genres from early in his career, from the pop standard "Blue Moon" at Sun to the country ballad "How's the World Treating You?" on his second LP to the blues of "Santa Claus Is Back In Town". In 1957, his first gospel record was released, the four-song EP ''Peace in the Valley''. Certified as a million seller, it became the top-selling gospel EP in recording history. Presley would record gospel periodically for the rest of his life. }} After his return from military service in 1960, Presley continued to perform rock and roll, but the characteristic style was substantially toned down. His first post-Army single, the number one hit "Stuck on You", is typical of this shift. RCA publicity materials referred to its "mild rock beat"; discographer Ernst Jorgensen calls it "upbeat pop". The modern blues/R&B; sound captured so successfully on ''Elvis Is Back!'' was essentially abandoned for six years until such 1966–67 recordings as "Down in the Alley" and "Hi-Heel Sneakers". The singer's output during most of the 1960s emphasized pop music, often in the form of ballads such as "Are You Lonesome Tonight?", a number one in 1960. While that was a dramatic number, most of what Presley recorded for his movie soundtracks was in a much lighter vein.

While Presley performed several of his classic ballads for the '68 Comeback Special, the sound of the show was dominated by aggressive rock and roll. He would record few new straight-ahead rock and roll songs thereafter; as he explained, they were "hard to find". A significant exception was "Burning Love", his last major hit on the pop charts. Like his work of the 1950s, Presley's subsequent recordings reworked pop and country songs, but in markedly different permutations. His stylistic range now began to embrace a more contemporary rock sound as well as soul and funk. Much of ''Elvis In Memphis'', as well as "Suspicious Minds", cut at the same sessions, reflected his new rock and soul fusion. In the mid-1970s, many of his singles found a home on country radio, the field where he first became a star.

Vocal style and range

Music critic Henry Pleasants observes that "Elvis Presley has been described variously as a baritone and a tenor. An extraordinary compass ... and a very wide range of vocal color have something to do with this divergence of opinion." He identifies Presley as a high baritone, calculating his range as two octaves and a third, "from the baritone low G to the tenor high B, with an upward extension in falsetto to at least a D-flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down." In Pleasants' view, his voice was "variable and unpredictable" at the bottom, "often brilliant" at the top, with the capacity for "full-voiced high Gs and As that an opera baritone might envy." Scholar Lindsay Waters, who figures Presley's range as two and a quarter octaves, emphasizes that "his voice had an emotional range from tender whispers to sighs down to shouts, grunts, grumbles and sheer gruffness that could move the listener from calmness and surrender, to fear. His voice can not be measured in octaves, but in decibels; even that misses the problem of how to measure delicate whispers that are hardly audible at all." Presley was always "able to duplicate the open, hoarse, ecstatic, screaming, shouting, wailing, reckless sound of the black rhythm-and-blues and gospel singers," writes Pleasants, and also demonstrated a remarkable ability to assimilate many other vocal styles.

Questions over cause of death

"Drug use was heavily implicated" in Presley's death, writes Guralnick. "No one ruled out the possibility of anaphylactic shock brought on by the codeine pills ... to which he was known to have had a mild allergy." A pair of lab reports filed two months later each strongly suggested that polypharmacy was the primary cause of death; one reported "fourteen drugs in Elvis' system, ten in significant quantity." Forensic historian and pathologist Michael Baden views the situation as complicated: "Elvis had had an enlarged heart for a long time. That, together with his drug habit, caused his death. But he was difficult to diagnose; it was a judgment call."

The competence and ethics of two of the centrally involved medical professionals were seriously questioned. Before the autopsy was complete and toxicology results known, medical examiner Dr. Jerry Francisco declared the cause of death as cardiac arrhythmia, a condition that can be determined only in someone who is still alive. Allegations of a cover-up were widespread. While Presley's main physician, Dr. Nichopoulos, was exonerated of criminal liability for the singer's death, the facts were startling: "In the first eight months of 1977 alone, he had [prescribed] more than 10,000 doses of sedatives, amphetamines and narcotics: all in Elvis's name." His license was suspended for three months. It was permanently revoked in the 1990s after the Tennessee Medical Board brought new charges of over-prescription.

In 1994, the Presley autopsy was reopened. Coroner Dr. Joseph Davis declared, "There is nothing in any of the data that supports a death from drugs. In fact, everything points to a sudden, violent heart attack." Whether or not combined drug intoxication was in fact the cause, there is little doubt that polypharmacy contributed significantly to Presley's premature death.

Racial issues

When Dewey Phillips first aired "That's All Right" on Memphis radio, many listeners who contacted the station by phone and telegram to ask for it again assumed that its singer was black. From the beginning of his national fame, Presley expressed respect for African American performers and their music, and disregard for the norms of segregation and racial prejudice then prevalent in the South. Interviewed in 1956, he recalled how in his childhood he would listen to blues musician Arthur Crudup—the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw." ''The Memphis World'', an African American newspaper, reported that Presley, "the rock 'n' roll phenomenon", "cracked Memphis's segregation laws" by attending the local amusement park on what was designated as its "colored night". Such statements and actions led Presley to be generally hailed in the black community during the early days of his stardom. By contrast, many white adults, according to ''Billboard''s Arnold Shaw, "did not like him, and condemned him as depraved. Anti-negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll', Presley impressed them as the visual and aural embodiment of sex."

Despite the largely positive view of Presley held by African Americans, a rumor spread in mid-1957 that he had at some point announced, "The only thing Negroes can do for me is buy my records and shine my shoes." A journalist with the national African American weekly ''Jet'', Louie Robinson, pursued the story. On the set of ''Jailhouse Rock'', Presley granted him an interview, though he was no longer dealing with the mainstream press. He denied making such a statement or holding in any way to its racist view. Robinson found no evidence that the remark had ever been made, and on the contrary elicited testimony from many individuals indicating that Presley was anything but racist. Blues singer Ivory Joe Hunter, who had heard the rumor before he visited Graceland one evening, reported of Presley, "He showed me every courtesy, and I think he's one of the greatest." Though the rumored remark was wholly discredited at the time, it was still being used against Presley decades later. The identification of Presley with racism—either personally or symbolically—was expressed most famously in the lyrics of the 1989 rap hit "Fight the Power", by Public Enemy: "Elvis was a hero to most / But he never meant shit to me / Straight-up racist that sucker was / Simple and plain".

The persistence of such attitudes was fueled by resentment over the fact that Presley, whose musical and visual performance idiom owed much to African American sources, achieved the cultural acknowledgment and commercial success largely denied his black peers. Into the 21st century, the notion that Presley had "stolen" black music still found adherents. Notable among African American entertainers expressly rejecting this view was Jackie Wilson, who argued, "A lot of people have accused Elvis of stealing the black man's music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis." And throughout his career, Presley plainly acknowledged his debt. Addressing his '68 Comeback Special audience, he said, "Rock 'n' roll music is basically gospel or rhythm and blues, or it sprang from that. People have been adding to it, adding instruments to it, experimenting with it, but it all boils down to [that]." Nine years earlier, he had said, "Rock 'n' roll has been around for many years. It used to be called rhythm and blues."

Influence of Colonel Parker and others

Parker and the Aberbachs

Once he became Presley's manager, Colonel Tom Parker insisted on exceptionally tight control over his client's career. Early on, he and his Hill and Range allies, the brothers Jean and Julian Aberbach, perceived the close relationship that developed between Presley and songwriters Jerry Leiber and Mike Stoller as a serious threat to that control. Parker effectively ended the relationship, deliberately or not, with the new contract he sent Leiber in early 1958. Leiber thought there was a mistake—the sheet of paper was blank except for Parker's signature and a line on which to enter his. "There's no mistake, boy, just sign it and return it", Parker directed. "Don't worry, we'll fill it in later." Leiber declined, and Presley's fruitful collaboration with the writing team was over. Other respected songwriters lost interest in or simply avoided writing for Presley because of the requirement that they surrender a third of their usual royalties.

By 1967, Parker's contracts with Presley gave him 50 percent of most of the singer's earnings from recordings, films, and merchandise. Beginning in February 1972, he took a third of the profit from live appearances; a January 1976 agreement entitled him to half of that as well. Priscilla Presley noted that "Elvis detested the business side of his career. He would sign a contract without even reading it." Presley's friend Marty Lacker regarded Parker as a "hustler and a con artist. He was only interested in 'now money'—get the buck and get gone."

Lacker was instrumental in convincing Presley to record with Memphis producer Chips Moman and his handpicked musicians at American Sound Studio in early 1969. The American Sound sessions represented a significant departure from the control customarily exerted by Hill and Range. Moman still had to deal with the publisher's staff on site, whose song suggestions he regarded as unacceptable. He was on the verge of quitting, until Presley ordered the Hill and Range personnel out of the studio. Although RCA executive Joan Deary was later full of praise for the producer's song choices and the quality of the recordings, Moman, to his fury, received neither credit on the records nor royalties for his work.

Throughout his entire career, Presley performed in only three venues outside the United States—all of them in Canada, during brief tours there in 1957. Rumors that he would play overseas for the first time were fueled in 1974 by a million-dollar bid for an Australian tour. Parker was uncharacteristically reluctant, prompting those close to Presley to speculate about the manager's past and the reasons for his apparent unwillingness to apply for a passport. Parker ultimately squelched any notions Presley had of working abroad, claiming that foreign security was poor and the venues unsuitable for a star of his magnitude.

Parker arguably exercised tightest control over Presley's movie career. In 1957, Robert Mitchum asked Presley to costar with him in ''Thunder Road'', on which Mitchum was writer and producer. According to George Klein, one of his oldest friends, Presley was offered starring roles in ''West Side Story'' and ''Midnight Cowboy''. In 1974, Barbra Streisand approached Presley to star with her in the remake of ''A Star is Born''. In each case, any ambitions the singer may have had to play such parts were thwarted by his manager's negotiating demands or flat refusals. In Lacker's description, "The only thing that kept Elvis going after the early years was a new challenge. But Parker kept running everything into the ground." The operative attitude may have been summed up best by the response Leiber and Stoller received when they brought a serious film project for Presley to Parker and the Hill and Range owners for their consideration. In Leiber's telling, Jean Aberbach warned them to never again "try to interfere with the business or artistic workings of the process known as Elvis Presley".

Memphis Mafia

In the early 1960s, the circle of friends with whom Presley constantly surrounded himself until his death came to be known as the "Memphis Mafia". "Surrounded by the[ir] parasitic presence", as journalist John Harris puts it, "it was no wonder that as he slid into addiction and torpor, no-one raised the alarm: to them, Elvis was the bank, and it had to remain open." Tony Brown, who played piano for Presley regularly in the last two years of the singer's life, observed his rapidly declining health and the urgent need to address it: "But we all knew it was hopeless because Elvis was surrounded by that little circle of people ... all those so-called friends". In the Memphis Mafia's defense, Marty Lacker has said, "[Presley] was his own man. ... If we hadn't been around, he would have been dead a lot earlier."

Larry Geller became Presley's hairdresser in 1964. Unlike others in the Memphis Mafia, he was interested in spiritual questions and recalls how, from their first conversation, Presley revealed his secret thoughts and anxieties: "I mean there ''has'' to be a purpose...there's got to be a reason...why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel." Thereafter, Geller supplied him with books on religion and mysticism, which the singer read voraciously. Presley would be preoccupied by such matters for much of his life, taking trunkloads of books with him on tour.

Sex symbol

Presley's physical attractiveness and sexual appeal were widely acknowledged. "He was once beautiful, astonishingly beautiful", in the words of critic Mark Feeney. Television director Steve Binder, no fan of Presley's music before he oversaw the '68 Comeback Special, reported, "I'm straight as an arrow and I got to tell you, you stop, whether you're male or female, to look at him. He was that good looking. And if you never knew he was a superstar, it wouldn't make any difference; if he'd walked in the room, you'd know somebody special was in your presence." His performance style, as much as his physical beauty, was responsible for Presley's eroticized image. Writing in 1970, critic George Melly described him as "the master of the sexual simile, treating his guitar as both phallus and girl." In his Presley obituary, Lester Bangs credited him as "the man who brought overt blatant vulgar sexual frenzy to the popular arts in America." Ed Sullivan's declaration that he perceived a soda bottle in Presley's trousers was echoed by rumors involving a similarly positioned toilet roll tube or lead bar.

While Presley was marketed as an icon of heterosexuality, some cultural critics have argued that his image was ambiguous. In 1959, ''Sight and Sound''s Peter John Dyer described his onscreen persona as "aggressively bisexual in appeal". Brett Farmer places the "orgasmic gyrations" of the title dance sequence in ''Jailhouse Rock'' within a lineage of cinematic musical numbers that offer a "spectacular eroticization, if not homoeroticization, of the male image". In the analysis of Yvonne Tasker, "Elvis was an ambivalent figure who articulated a peculiar feminised, objectifying version of white working-class masculinity as aggressive sexual display."

Reinforcing Presley's image as a sex symbol were the reports of his dalliances with various Hollywood stars and starlets, from Natalie Wood in the 1950s to Connie Stevens and Ann-Margret in the 1960s to Candice Bergen and Cybill Shepherd in the 1970s. June Juanico of Memphis, one of Presley's early girlfriends, later blamed Parker for encouraging him to choose his dating partners with publicity in mind. Presley, however, never grew comfortable with the Hollywood scene, and most of these relationships were insubstantial.

Legacy

Presley's rise to national attention in 1956 transformed the field of popular music and had a huge effect on the broader scope of popular culture. As the catalyst for the cultural revolution that was rock and roll, he was central not only to defining it as a musical genre but in making it a touchstone of youth culture and rebellious attitude. With its racially mixed origins—repeatedly affirmed by Presley—rock and roll's occupation of a central position in mainstream American culture facilitated a new acceptance and appreciation of black culture. In this regard, Little Richard said of Presley, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music." Al Green agreed: "He broke the ice for all of us." Presley also heralded the vastly expanded reach of celebrity in the era of mass communication: at the age of 21, within a year of his first appearance on American network television, he was one of the most famous people in the world.

Presley's name, image, and voice are instantly recognizable around the globe. He has inspired a legion of impersonators. In polls and surveys, he is recognized as one of the most important popular music artists and influential Americans. "Elvis Presley is the greatest cultural force in the twentieth century", said composer and conductor Leonard Bernstein. "He introduced the beat to everything and he changed everything—music, language, clothes. It's a whole new social revolution—the sixties came from it." Bob Dylan described the sensation of first hearing Presley as "like busting out of jail".

A ''New York Times'' editorial on the 25th anniversary of Presley's death observed, "All the talentless impersonators and appalling black velvet paintings on display can make him seem little more than a perverse and distant memory. But before Elvis was camp, he was its opposite: a genuine cultural force. ... Elvis's breakthroughs are underappreciated because in this rock-and-roll age, his hard-rocking music and sultry style have triumphed so completely." Not only Presley's achievements, but his failings as well, are seen by some cultural observers as adding to the power of his legacy, as in this description by Greil Marcus:

Elvis Presley is a supreme figure in American life, one whose presence, no matter how banal or predictable, brooks no real comparisons. ... The cultural range of his music has expanded to the point where it includes not only the hits of the day, but also patriotic recitals, pure country gospel, and really dirty blues. ... Elvis has emerged as a great ''artist,'' a great ''rocker,'' a great ''purveyor of schlock,'' a great ''heart throb,'' a great ''bore,'' a great ''symbol of potency,'' a great ''ham,'' a great ''nice person,'' and, yes, a great American.

Discography

A vast number of recordings have been issued under Presley's name. The total number of his original master recordings has been variously calculated as 665 and 711. His career began and he was most successful during an era when singles were the primary commercial medium for pop music. In the case of his albums, the distinction between "official" studio records and other forms is often blurred. For most of the 1960s, his recording career focused on soundtrack albums. In the 1970s, his most heavily promoted and best-selling LP releases tended to be concert albums. This summary discography lists only the albums and singles that reached the top of one or more of the following charts: the main U.S. ''Billboard'' pop chart; the ''Billboard'' country chart, the genre chart with which he was most identified (there was no country album chart before 1964); and the official British pop chart. In the United States, Presley also had five or six number one R&B; singles and seven number one adult contemporary singles; in 1964, his "Blue Christmas" topped the Christmas singles chart during a period when ''Billboard'' did not rank holiday singles in its primary pop chart. He also had number one hits in many countries beside the United States and United Kingdom.

Number one albums

Year	Album	Type	Chart positions
!style="width: 60px;"	!style="width: 60px;"	!style="width: 60px;"
	style="text-align:left;"	studio/comp.	1	n.a.	1
style="text-align:left;"	studio	1	n.a.	3
	style="text-align:left;"	sound./studio	1	n.a.	1
	studio	1	n.a.	2
		studio	2	n.a.	1
style="text-align:left;"	soundtrack	1	n.a.	1
		studio	1	n.a.	2
style="text-align:left;"	soundtrack	1	n.a.	1
1962	style="text-align:left;"	studio	4	n.a.	1
1964	style="text-align:left;"	soundtrack	1	—	12
1969		studio	13	2	1
1973		live	1	1	11
1974		compilation	43	1	20
1975	style="text-align:left;"	studio	47	1	21
1976		studio	41	1	29
		compilation	—	—	1
	studio/live	3	1	3
style="text-align:left;"	live	5	1	13
2002	style="text-align:left;"	compilation	1	1	1
2007		compilation	—	—	1

Number one singles

Year	Single	Chart positions
!style="width: 45px;"	!style="width: 45px;"	!style="width: 45px;"
		—	1	—
	1	1	2
	1	1	14
	1	1	2
style="text-align:left;"	1	1	2
style="text-align:left;"	1	3	11
	style="text-align:left;"	1	3	6
	1	1	1
style="text-align:left;"	1	1	3
style="text-align:left;"	1	1	1
	style="text-align:left;"	1	2	2
	1	2	2
	style="text-align:left;"	4/8	24/—	1
style="text-align:left;"	2/4	—	1
	1	—	4
	style="text-align:left;"	1	27	3
style="text-align:left;"	1	—	1
style="text-align:left;"	1	22	1
		—	—	1
style="text-align:left;"	1	—	1
style="text-align:left;"	4/5	—	1
		2/23	—	1
	1	—	1
	5	—	1
style="text-align:left;"	2	—	1
1963		3	—	1
1965		3	—	1
1969		1	—	2
1970		9	37	1
	style="text-align:left;"	31	1	6
	18	1	1
1981	style="text-align:left;"	28	1	43
2002	style="text-align:left;"	50	—	1
		—	—	1
	—	—	1
	—	—	1

Filmography

See also

Elvis Presley Enterprises

Honorific nicknames in popular music

List of artists by total number of UK number one singles

List of best-selling music artists

Personal relationships of Elvis Presley

Notes

Although some pronounce his surname "PREZ-lee", Presley himself used the pronunciation of the American South, "PRESS-lee", as did his family and those who worked with him. The correct spelling of his middle name has long been a matter of debate. The physician who delivered him wrote "Elvis Aaron Presley" in his ledger. The state-issued birth certificate reads "Elvis Aron Presley". The name was chosen after the Presleys' friend and fellow congregation member Aaron Kennedy, though a single-A spelling was probably intended by Presley's parents in order to parallel the middle name of Presley's stillborn brother, Jesse Garon. It reads Aron on most official documents produced during his lifetime, including his high school diploma, RCA record contract, and marriage license, and this was generally taken to be the proper spelling. In 1966, Presley expressed the desire to his father that the more traditional biblical rendering, Aaron, be used henceforth, "especially on legal documents." Five years later, the Jaycees citation honoring him as one of the country's Outstanding Young Men used Aaron. Late in his life, he sought to officially change the spelling to Aaron and discovered that state records already listed it that way. Knowing his wishes for his middle name, Aaron is the spelling his father chose for Presley's tombstone, and it is the spelling his estate has designated as official. According to a third cousin of Presley's, one of Gladys's great-grandmothers was Jewish. There is no evidence that Presley or his mother shared this belief in a Jewish heritage. Syndicated columnist Nate Bloom has challenged the cousin's account, which he calls a "tall tale". Of the $40,000, $5,000 covered back royalties owed by Sun. In 1956–57, Presley was also credited as a cowriter on several songs where he had no hand in the writing process: "Heartbreak Hotel"; "Don't Be Cruel"; all four songs from his first film, including the title track, "Love Me Tender"; "Paralyzed"; and "All Shook Up". He received credit on two other songs to which he did contribute: he provided the title for "That's Someone You Never Forget" (1961), written by his friend Red West; Presley and West collaborated with another friend, guitarist Charlie Hodge, on "You'll Be Gone" (1962). Whitburn follows actual ''Billboard'' history in considering the four songs on the "Don't Be Cruel/Hound Dog" and "Don't/I Beg of You" singles as distinct. He tallies each side of the former single as a number one (''Billboard''s sales chart had "Don't Be Cruel" at number one for five weeks, then "Hound Dog" for six) and reckons "I Beg of You" as a top ten, as it reached number eight on the old Top 100 chart. ''Billboard'' now considers both singles as unified items, ignoring the historical sales split of the former and its old Top 100 chart entirely. Whitburn thus analyzes the four songs as yielding three number ones and a total of four top tens. ''Billboard'' now states that they yielded just two number ones and a total of two top tens, voiding the separate chart appearances of "Hound Dog" and "I Beg of You". VH1 ranked Presley #8 among the "100 Greatest Artists of Rock & Roll" in 1998. The BBC ranked him as the #2 "Voice of the Century" in 2001. ''Rolling Stone'' placed him #3 in its list of "The Immortals: The Fifty Greatest Artists of All Time" in 2004. CMT ranked him #15 among the "40 Greatest Men in Country Music" in 2005. The Discovery Channel placed him #8 on its "Greatest American" list in 2005. ''Variety'' put him in the top ten of its "100 Icons of the Century" in 2005. ''The Atlantic Monthly'' ranked him #66 among the "100 Most Influential Figures in American History" in 2006. (1) The year given is the year the record first reached number one, rather than its original year of release. For instance, in 1974, ''Elvis' 40 Greatest'', a compilation on the budget Arcade label, was the fourth highest selling album of the year in the United Kingdom; at the time, the main British chart did not rank such compilations, relegating them to a chart for midpriced and TV-advertised albums, which ''Elvis' 40 Greatest'' topped for 15 weeks. The policy was altered in 1975, allowing the album to hit number one on the main chart in 1977, following Presley's death. (2) Before late 1958, rather than unified pop and country singles charts, ''Billboard'' had as many as four charts for each, separately ranking records according to sales, jukebox play, jockey spins (i.e., airplay), and, in the case of pop, a general Top 100. ''Billboard'' now regards the sales charts as definitive for the period. Widely cited chart statistician Joel Whitburn accords historical releases the highest ranking they achieved among the separate charts. Presley discographer Ernst Jorgensen refers only to the Top 100 chart for pop hits. All of the 1956–58 songs listed here as number one U.S. pop hits reached the top of both the sales and, with three exceptions, the Top 100 charts: "I Want You, I Need You, I Love You" (three), "Hound Dog" (two, behind its flip side, "Don't Be Cruel"), and "Hard Headed Woman" (two). (3) Several Presley singles reached number one in the United Kingdom as double A-sides; in the United States, the respective sides of those singles were ranked separately by ''Billboard''. Whitburn calculates a total of six number one R&B; singles, including "Don't Be Cruel", released as a double A-side with "Hound Dog"; ''Billboard''s Keith Caulfield excludes "Don't Be Cruel".

Citations

References

Further reading

Allen, Lew (2007). ''Elvis and the Birth of Rock''. Genesis. ISBN 1905662009.

Ann-Margret and Todd Gold (1994). ''Ann-Margret: My Story''. G.P. Putnam's Sons. ISBN 0399138919.

Cantor, Louis (2005). ''Dewey and Elvis: The Life and Times of a Rock 'n' Roll Deejay''. University of Illinois Press. ISBN 025202981X.

Dickerson, James L. (2001). ''Colonel Tom Parker: The Curious Life of Elvis Presley's Eccentric Manager''. Cooper Square Press. ISBN 0815412673.

Finstad, Suzanne (1997). ''Child Bride: The Untold Story of Priscilla Beaulieu Presley''. Harmony Books. ISBN 0517705850.

Goldman, Albert (1981). ''Elvis''. McGraw-Hill. ISBN 0070236577.

Goldman, Albert (1990). ''Elvis: The Last 24 Hours''. St. Martin's. ISBN 0312925417.

Klein, George (2010). ''Elvis: My Best Man: Radio Days, Rock 'n' Roll Nights, and My Lifelong Friendship with Elvis Presley''. Virgin Books. ISBN 9780307452740

Marcus, Greil (1999). ''Dead Elvis: A Chronicle of a Cultural Obsession''. Harvard University Press. ISBN 0674194225.

Marcus, Greil (2000). ''Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternative''. Picador. ISBN 057120676X.

Nash, Alanna (2010). ''Baby, Let's Play House: Elvis Presley and the Women Who Loved Him''. It Books. ISBN 0061699845.

West, Red, Sonny West, and Dave Hebler (as told to Steve Dunleavy) (1977). ''Elvis: What Happened?'' Bantam Books. ISBN 0345272153.

External links

Elvis Presley Enterprises official site of the Elvis Presley brand

Elvis The Music official record label site

Elvis Presley Interviews on officially sanctioned Elvis Australia site

Elvis Presley Ancestry at Genealogy.com

Elvis Presley 1955 interview material on ''Pop Chronicles''

Category:1935 births Category:1977 deaths Category:20th-century actors Category:Actors from Mississippi Category:Actors from Tennessee Category:American baritones Category:American country singers Category:American crooners Category:American expatriates in West Germany Category:American film actors Category:American gospel singers Category:American karateka Category:American male singers Category:American musicians of French descent Category:American musicians of German descent Category:American Pentecostals Category:American people of Cherokee descent Category:American people of Scotch-Irish descent Category:American people of Scottish descent Category:American performers of Christian music Category:American rock singers Category:Blues musicians from Mississippi Category:Burials in Tennessee Category:Country Music Hall of Fame inductees Category:Deaths from myocardial infarction Category:English-language singers Category:Gospel Music Hall of Fame inductees Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Identical twins Category:Las Vegas musicians Category:Million Dollar Quartet members Category:Mississippi Blues Trail Category:Musicians from Mississippi Category:Musicians from Nevada Category:Musicians from Tennessee Category:People from Memphis, Tennessee Category:People from the Las Vegas metropolitan area Category:People from Tupelo, Mississippi Category:RCA Victor artists Category:Rock and Roll Hall of Fame inductees Category:Rockabilly Hall of Fame inductees Category:Rockabilly musicians Category:Southern Gospel performers Category:Sun Records artists Category:Traditional pop music singers Category:Twin people from the United States Category:United States Army soldiers

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name	Cody Simpson
background	solo_singer
birth name	Cody Robert Simpson
born	January 11, 1997Gold Coast, Queensland, Australia
origin	Gold Coast, Queensland, Australia
instrument	Vocals, guitar
genre	Pop, R&B;
occupation	Singer
years active	2009–present
label	Atlantic 2010 – Present
associated acts
website	codysimpson.com }}

Cody Robert Simpson (born 11 January 1997) is an Australian pop singer from Gold Coast, Queensland, who is currently signed to US record label Atlantic Records.

Early life

Simpson was born to Brad and Angie Simpson. He has two younger siblings, Tom and Alli. He is also a talented swimmer, winning two gold medals at the Queensland Swimming Championships. Simpson trained at the Miami Swimming Club under coach Ken Nixon. Simpson's mother Angie works as a volunteer at the club.

Simpson began to record songs in his bedroom during the summer of 2009 on YouTube, performing "I'm Yours" by Jason Mraz, "Cry Me a River" and "Señorita" by Justin Timberlake, "I Want You Back" by the Jackson 5, and his own songs, "One" and "Perfect." He was subsequently discovered on YouTube by Shawn Campbell, a Grammy-nominated record producer who has produced for Jay-Z and other artists.

Music career

Simpson's rise to recognition was featured on ''The 7.30 Report'' in December 2009. He released his debut single, "iYiYi" (which features American rapper Flo Rida), on 15 May 2010. It was digitally released on 30 May 2010. The music video for "iYiYi" was released on 30 June 2010. The music video for Simpson's second single, "Summertime", was released on 20 September 2010.

Simpson relocated to Los Angeles in June 2010 with his family to record his songs with Atlantic Records and his producer Shawn Campbell. His manager is Michael 'Blue' Williams. That same month, Simpson appeared on ''Sunrise''. On 22 June 2010, it was announced that Simpson would participate in the ''Camplified 2010 Tour'', along with other artists, touring across the United States. The tour began on 5 July 2010 and ended on 14 August 2010. It was also Simpson's first public tour. While on tour, Simpson performed a song called "Love So Strong". In an interview with ''Popstar Magazine'', Simpson stated that his inspiration for the song was "A girl, back home. That's all I can say."

On 4 December 2010, it was announced on Simpson's official website that an EP entitled ''4 U'' would be released through iTunes on 21 December 2010. The EP includes five tracks in total, four of them being previously unreleased.

Simpson recorded a remake of the song "I Want Candy" by The Strangeloves as the main theme song for the Easter-themed live-action/CGI-animated film ''Hop''.

On 23 April 2011, Simpson released the single "On My Mind" through his website. It was released on iTunes on 23 May 2011 and the music video was released on 17 June 2011.

Simpson is currently working on tracks for an upcoming EP on Atlantic Records. It will be released on 20 September 2011. Simpson's best friend, Campbell Carsley announced the release date on twitter on 18 July 2011. It will be called Coast To Coast, the same name as his current mall tour.

Touring

Simpson has been on tour recently promoting his new EP, making stops at various locations in the United States. Most notably, Simpson participated in the "Camplified 2010" tour in June. Other tours include a middle school tour that took place from October–November 2010 and covered 9 U.S States.

In May 2011, Simpson was “egged” during a live show at ''Miranda Fair'', Sydney. Simpson told Australian radio show ''The Kyle & Jackie O Show'' that he wasn’t in fact hit by the eggs and that he was upset on behalf of his fans because the remainder of his show was cancelled because of security concerns.

Filmography

Television

Notes
2011	''So Random!''	Himself

Discography

Extended plays

{|class="wikitable plainrowheaders" style="text-align:center;" border="1" |+ List of albums, with selected chart positions ! scope="col" rowspan="2" style="width:8em;"| Title ! scope="col" rowspan="2" style="width:16em;"| Album details ! scope="col" | Peak |- ! scope="col" style="width:3em;font-size:85%;"| US Heat |- ! scope="row" |''4 U'' |

Released: 21 December 2010

Label: Atlantic

Format: Digital download

| 4 |- ! scope="row" |''Coast to Coast'' |

Released: 20 September 2011

Label: Atlantic

Format: CD, digital download

| — |}

Singles

— 19 — —

rowspan="2"	Year	Single	Peak chart positions				Album
! width="45"	! width="45"		! width="45"	! width="45"
rowspan="2"	2010		19	83	73	''4 U''
align="left"	—	|	—	—	Non-album single
	align="left"	97	|	79	—	''4 U''
align="left"	—	|	—	—	''Hop (film)	Hop''
align="left"	—	|	83	—

Music videos

!Year	Song	Director(s)
	iYiYi (featuring Flo Rida)	Mark Staubach
"Summertime"
	"All Day"	David Ovenshire
"On My Mind"	Travis Kopach

Tours

Waiting 4U Tour

Awards and nominations

! Year	! Type	! Award	! Result
	Nickelodeon Australian Kids Choice Awards 2010	Fresh Aussie Musos
Breakthrough Of The Year Awards 2010	Breakthrough Internet Sensation
	Iconic Fan Favorite
Icon of Tomorrow
Capricho Awards 2010	International Singer
Hollywood Teen TV Awards	"Teen Pick Music: Male Artist"
		Super Fresh Award
Aussie Musos
Awesome Aussie

References

External links

Category:1997 births Category:Atlantic Records artists Category:Australian child singers Category:Australian male singers Category:Australian pop singers Category:Australian rhythm and blues singers Category:Australian singer-songwriters Category:Living people Category:People from the Gold Coast, Queensland

ar:كودي سيمبسون de:Cody Simpson es:Cody Simpson fa:کودی سیمپسون fr:Cody Simpson id:Cody Simpson it:Cody Simpson la:Cody Simpson nl:Cody Simpson ja:コーディー・シンプソン no:Cody Simpson pl:Cody Simpson pt:Cody Simpson fi:Cody Simpson sv:Cody Simpson tr:Cody Simpson

Name	Sean Paul
Background	solo_singer
Birth name	Sean Paul Ryan Francis Henriques
Born	January 09, 1973 Kingston, Jamaica
Genre	Dancehall, Reggae, R&B;
Occupation	Musician, Actor, Songwriter, Producer
Years active	1998–present
Associated acts	Dutty Cup Crew, Mr. Vegas, Jay Sean, Beyonce, Ziggy Marley
Label	VP/Atlantic Records
Website	}}

Sean Paul Ryan Francis Henriques (born January 9, 1973), who performs under stage name Sean Paul, is a Jamaican pop rap and reggae singer from Dutty Cup Crew.

Life and career

1973–1996: Early life

Sean Paul was born in Kingston and spent his early years in Upper Saint Andrew Parish, a few miles north of Kingston. His parents, Garth and Frances, were both talented athletes, and his mother is a well-known painter. His paternal grandfather was a Sephardic Jew whose family emigrated from Portugal, and his paternal grandmother was Afro-Caribbean; his mother is of English and Chinese Jamaican descent. Sean Paul was raised as a Catholic. Many members of his family are swimmers. His grandfather was on the first Jamaican men's national water polo team. His father also played water polo for the team in the 1960s, and competed in long-distance swimming, while Sean Paul's mother was a backstroke swimmer. Sean Paul played for the national water polo team from the age of thirteen to twenty-one, when he gave up the sport in order to launch his musical career. He attended the Wolmers High School for Boys, Hillel Academy High School, and the College of Arts, Science, and Technology, now known as the University of Technology, where he was trained in commerce with a view to pursuing an occupation in hotel management.

1998–2004: ''Stage One'' and ''Dutty Rock''

left|thumb|Sean Paul in September 2005. He made a quick cameo appearance in the 1998 film ''Belly'' on stage performing. He made a very successful collaboration with DMX & Mr. Vegas (Top Shotter) as a soundtrack of the film. In 2000, Sean Paul released his debut album, ''Stage One'' with VP Records. In 2002, he began working extensively with a team of producers and choreographers from Toronto, namely Jae Blaze and Blaze Entertainment and announced the release of his second album, ''Dutty Rock''. Pushed by the success of the singles "Gimme the Light" and the Billboard Hot 100 topper, "Get Busy", the album was a worldwide success, eventually selling over six million copies. Simultaneously, Sean Paul was heard on Beyoncé's U.S. #1 single "Baby Boy" and Blu Cantrell's "Breathe", a chart hit in Europe. Both helped to push his reputation further still in the United States.

He appeared on ''Punk'd'', ''106 & Park'', ''Sean Paul Respect'', ''Making the Video'' ("Get Busy", "Gimme the Light", and "Like Glue") and his music videos have been broadcast on MTV and BET. Paul's biggest hits included "Get Busy", "Like Glue", "Gimme the Light", "Baby Boy", and "I'm Still in Love with You".

2005–2008: ''The Trinity''

Sean Paul's third album ''The Trinity'' was released in on September 27, 2005. The album produced five big hits, "We Be Burnin'", "Ever Blazin'", "Give It Up to Me", "Never Gonna Be The Same" and the U.S. chart-topping smash hit "Temperature".

The video of "(When You Gonna) Give It up to Me" (featuring Keyshia Cole) was also featured in the movie ''Step Up'' in 2006.

He was nominated for four awards at the 2006 Billboard Music Awards, including male artist of the year, rap artist of the year, hot 100 single of the year, and pop single of the year for his hit "Temperature". He also won an American Music Award for "(When You Gonna) Give It Up To Me" beating Kanye West and Nick Lachey who were also nominated for the award.

His song "Send It On" from "The Trinity" featured on the 2005 Vauxhall Corsa advert. Sean Paul often contributes his songs to various ''Riddim Driven'' albums (by VP Records). In March 2007, he returned to his native Jamaica to perform at the Cricket World Cup 2007 opening ceremony.

Sean Paul appears on the game Def Jam: Fight for NY as part of Snoop Dogg's crew and again in the game's sequel, Def Jam Icon.

2009: ''Imperial Blaze''

The newest Sean Paul album entitled "Imperial Blaze" was released on August 18, 2009. The lead single, “So Fine”, which was produced by Stephen “Di Genius” McGregor, premiered on Sean Paul's official website on April 26, 2009.

Speaking to Pete Lewis of 'Blues & Soul' magazine in August 2009, Sean Paul stated that 'Imperial Blaze' "Actually signifies 'The King's Fire'. It's that thing inside of you that gives you the desire to do whatever you do, and be the best in the world at it."

The new album consists of 20 tracks including "So Fine", "Press it Up", "She Want Me", "Private Party" which are party tracks and also love songs such as "Hold My Hand" (feat Keri Hilson), "Lately", "Now That I've Got Your Love" among others. Producers on the album include Don Corleone, Jeremy Harding, and Sean's brother Jason 'Jigzagula' Henriques. All the full songs of the album have been added to Sean Paul's Myspace page on the day of release of the album.

Up until now there have been eight music videos: "Always On My Mind (with Da'Ville)", "Give It To You (with Eve)", "Watch Them Roll", "Back It Up" (with Left Side/Mr. Evil), "(I Wanna See You) Push It Baby" (with Pretty Ricky), "Hit 'Em" (with Fahrenheit and his brother Jason "Jigzagula" Henriques), "Come Over" with Estelle, and also the video of his first single, "So Fine" from the new album.

He has recently been featured in Shaggy's video, "Save A Life", which also includes appearances from Elephant Man and Da'Ville, among others. In an effort to raise money for a children's hospital, Shaggy, Sean Paul and others will be having a benefit concert. All proceeds will go towards getting new equipment and technology 'For Aid to the Bustamante Hospital for Children'. In an interview in 2009 he says he is planning to release a new album in 2011.

During the premiere for MNET's Big Brother Africa 5: All-Stars on July 18, 2010, he performed his songs "Temperature", "Hold My Hand", and "So Fine". Sean Paul made a show in Colombo, Sri Lanka.

(2011- present): New studio album

Sean Paul is currently in the studio making his fifth coming album due for release at the end of 2011. The first song, " Got 2 Luv U" (featuring Alexis Jordan) was released for purchase on the 26th of June.

Discography

''Stage One'' (2000)

''Dutty Rock'' (2002)

''The Trinity'' (2005)

''Imperial Blaze'' (2009)

''Upcoming Fifth Studio Album'' (2011)

Filmography

;Films

1998

Year !! Title !! Role
	|	Belly (film)>Belly''	Himself

Awards and nominations

American Music Awards

*2006, Favorite Pop/Rock Male Artist (winner)

*2003, Favorite Hip-Hop/Rap Male Artist (nominated)

*2003, Favorite Hip-Hop/Rap Album ''Dutty Rock'' (nominated)

BET Awards

*2003, Best New Artist (Nominated)

MTV Romania Music Awards

*2007, Best International Artist (winner)

Grammy Awards

*2010, Best Reggae Album: ''Imperial Blaze'' (nominated)

*2006, Best Reggae Album: ''The Trinity'' (nominated)

*2004, Best New Artist: (nominated)

*2004, Best Reggae Album: ''Dutty Rock'' (winner)

*2004, Best Male Rap Solo Performance: "Get Busy" (nominated)

MOBO Awards

*2009, Best Reggae Act (Winner)

*2006, Best Reggae Act (Winner)

*2005, Best Reggae Act (Nominated)

MTV Video Music Awards

*2006, Best Dance Video "Temperature" (nominated)

*2003, Best Dance Video "Get Busy" (nominated)

*2003, Best New Artist "Get Busy" (nominated)

Soul Train Awards

*2009, Best Reggae Artist (Winner)

*2007, Best Dance Cut "When You Gonna (Give It Up to Me)" (nominated)

References

External links

Official website

Category:1973 births Category:Atlantic Records artists Category:Dancehall musicians Category:Grammy Award winners Category:Jamaican Roman Catholics Category:Jamaican male singers Category:Jamaican people of Chinese descent Category:Jamaican reggae singers Category:Living people Category:People from Kingston, Jamaica Category:Jamaican people of English descent Category:Reggae fusion artists

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