DualDiscs first appeared in the United States in March 2004 as part of a marketing test conducted by the same five record companies who developed the product. The test involved thirteen titles being released to a limited number of retailers in the Boston, Massachusetts, and Seattle, Washington, markets. The test marketing was seen as a success after 82% of respondents to a survey (which was included with the test titles) said that DualDiscs met or exceeded their expectations. In addition, 90% of respondents said that they would recommend DualDisc to a friend. However, sales plummeted over the next three years, particularly in competition with rival formats like SACD and DVD-A discs, and DualDisc disappeared from the market by 2009.
DualDisc titles received a mass rollout to retailers throughout the United States in February 2005, though some titles were available as early as November 2004. The recording industry had nearly 200 DualDisc titles available by the end of 2005 and over 2,000,000 units had been sold by the middle of that year.
DualDiscs were based on double-sided DVD technology such as DVD-10, DVD-14 and DVD-18 except that DualDisc technology replaced one of the DVD sides with a CD. The discs were made by fusing together a standard 0.6 mm-thick DVD layer (4.7-gigabyte storage capacity) to a 0.9 mm-thick CD layer (60-minute or 525-megabyte storage capacity), resulting in a 1.5 mm-thick double-sided hybrid disc that contained CD content on one side and DVD content on the other.
The challenge for the designers of DualDisc was to produce a dual-sided disc which was not too thick to play reliably in slot-loading drives, while the CD side was not too thin to be tracked easily by the laser. DVDplus, though conceptually similar, used a thicker CD layer and thus is more likely to get stuck in a slot-loading player (although this appears to be almost unknown); DualDisc took the other course by thinning the CD layer.
Because the 0.9 mm thickness of the DualDisc CD layer did not conform to Red Book CD Specifications, which called for a layer no less than 1.1 mm thick, some CD players were not be able to play the CD side of a DualDisc due to a phenomenon called spherical aberration. As a result, the laser reading the CD side might get a "blurry" picture of the data on the disc — the equivalent of a human reading a book with glasses of the wrong strength. Engineers tried to get around this by making the pits in the CD layer larger than on a conventional CD. This makes the CD side easier for the laser to read — equivalent to a book using bigger print to make it easier to see, even if the person's glasses are of the wrong strength. The downside to this, however, is that the playing time for the CD layer of some early DualDiscs decreased from the standard 74 minutes of a conventional CD to around 60 minutes, although this early limitation now appears to have been overcome.
Because the DualDisc CD layer did not conform to Red Book specifications, Philips and Sony refused to allow DualDisc titles to carry the CD logo and most DualDiscs contain one of two warnings:
"This disc is intended to play on standard DVD and CD players.''May not play on certain car, slot load players and mega-disc changers."
The DVD side of a DualDisc completely conformed to the specifications set forth by the DVD Forum and DualDiscs have been cleared to use the DVD logo.
In addition, several SonyBMG titles whose regular editions include copy protection programs (such as XCP and SunnComm) did not feature the software on the DualDisc versions.
DualDiscs took the approach of using a double-sided disc to provide the necessary backwards compatibility; hybrid SACDs are a one-sided solution that instead use two layers: a conventional CD layer and a high-resolution layer.
Hybrid SACDs claim a higher compatibility rate with conventional CD players than DualDisc, because hybrid SACDs conform to Red Book standards. However, a SACD or SACD-capable DVD player is required to take advantage of the enhanced SACD layer. With a DualDisc, consumers could use their existing DVD player to hear surround mixes. (DVD-Audio capable players are required for higher-resolution audio, if present.) It is currently estimated that 75% of households in the United States have at least one DVD player.
These warnings ranged in severity from DualDiscs just not working with the equipment to actual damage to the disc and/or equipment. Meridian Audio, Ltd., on the other hand, issued a statement that "no harm or damage whatsoever" would be caused to the player or the disc if DualDiscs were used on their equipment, but noted that their players with DVD drives would not reliably play the CD layer.
All of these DualDisc titles are now out of print. Some were reissued as standard commercial issue DualDiscs, once the test marketing phase was over, but in every case this was done with packaging changes (although not necessarily changes to the UPC). For example, the test market version of AC/DC's Back in Black does not have a large "FBI warning" logo on the back, whereas the standard reissue does. The following is a complete list of titles made available during the test market campaign in Boston and Seattle. These are the only titles that were part of the test market campaign. Many other dualdisc releases were issued in subsequent years, following the completion of the test market. But these were not part of the original set of releases. The test market version of any title on this list should be considered scarce or rare. Two of these 15 titles were issued after the test market had begun; these late addition titles are those by Fischerspooner and Jane's Addiction. The remaining 13 titles were available from the start of the test marketing campaign.
The titles by Fisherspooner and Jane's Addiction were released during the test marketing phase, but were not in the initial shipments. They shipped to the select test market retailers after the test began. Three additional titles were announced as being part of the test, but were never issued: Barbara Streisand: The Movie Album (82796-90789-2-1), Missy Elliot: This is Not a Test (0-7559-62934-2-6) and Sheryl Crow: The Globe Sessions (02498-61433-4).
Category:Audio storage Category:Certification marks Category:DVD Category:Video storage Category:High-end audio Category:2004 introductions Category:Holography
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