The Muses (Ancient Greek , ''hai moũsai'': perhaps from the o-grade of the Proto-Indo-European root *''men-'' "think") in Greek mythology, poetry and literature are the goddesses who inspire the creation of literature and the arts. They were considered the source of the knowledge, related orally for centuries in the ancient culture, that was contained in poetic lyrics and myths. The compliment to a real woman who inspires creative endeavor is a later idea.
Writers similarly disagree also concerning the number of the Muses; for some say that they are three, and others that they are nine, but the number nine has prevailed since it rests upon the authority of the most distinguished men, such as Homer and Hesiod and others like them.
Three ancient Muses were also reported in Plutarch's ''Quaestiones Conviviviales'' (9.I4.2-4). The Roman scholar Varro relates that there are only three Muses: one who is born from the movement of water, another who makes sound by striking the air, and a third who is embodied only in the human voice. They were Melete or Practice, Mneme or Memory and Aoide or Song.
However the Classical understanding of the muses tripled their triad, set at nine goddesses, who embody the arts and inspire creation with their graces through remembered and improvised song and stage, writing, traditional music, and dance.
In one myth, King Pierus, king of Macedon, had nine daughters he named after the nine Muses, believing that their skills were a great match to the Muses. He thus challenged the Muses to a match, resulting in his daughters, the ''Pierides'', being turned into chattering magpies for their presumption.
Sometimes they are referred to as water nymphs, associated with the springs of Helicon and with Pieris. It was said that the winged horse Pegasus touched his hooves to the ground on Helicon, causing four sacred springs to burst forth, from which the muses were born. Athena later tamed the horse and presented him to the muses.
The Olympian myths set Apollo as their leader, ''Apollon Mousagetēs''. Not only are the Muses explicitly used in modern English to refer to an artistic inspiration, as when one cites one's own artistic muse, but they also are implicit in words and phrases such as "a''muse''", "''muse''um" (Latinised from mouseion—a place where the muses were worshipped), "''mus''ic", and "''mus''ing upon".
According to Hesiod's ''Theogony'' (7th century BC), they were daughters of Zeus, the second generation king of the gods, and the offspring of Mnemosyne, goddess of memory. For Alcman and Mimnermus, they were even more primordial, springing from the early deities, Uranus and Gaia. Gaia is Mother Earth, an early mother goddess who was worshipped at Delphi from prehistoric times, long before the site was rededicated to Apollo, possibly indicating a transfer to association with him after that time. Pausanias records a tradition of two generations of Muses; the first being daughters of Uranus and Gaia, the second of Zeus and Mnemosyne. Another, rarer genealogy is that they are daughters of Harmonia (the daughter of Aphrodite and Ares) which contradicts the myth in which they were dancing at the wedding of Harmonia and Cadmus. This later inconsistency is an example of how clues to the true dating, or chronology, of myths may be determined by the appearance of figures and concepts in Greek myths.
Compare the Roman inspiring nymphs of springs, the Camenae, the Völva of Norse Mythology and also the apsaras in the mythology of classical India.
In later tradition, four Muses were recognized: Thelxinoē, Aoedē, Arche, and Meletē, said to be daughters of Zeus and Plusia or of Uranus.
One of the persons frequently associated with the Muses was Pierus. By some he was called the father (by a Pimpleian nymph: called Antiope by Cicero) of a total of seven Muses, called Neilo (Νειλώ), Tritone (Τριτώνη), Asopo (Ἀσωπώ), Heptapora (Ἑπτάπορα), Achelois, Tipoplo (Τιποπλώ), and Rhodia.
In one myth, the Muses judged a contest between Apollo and Marsyas. They also gathered the pieces of the dead body of Orpheus, son of Calliope, and buried them. They blinded Thamyris for his hubris in challenging them to a contest.
Though the Muses, when taken together, form a complete picture of the subjects proper to poetic art, the association of specific Muses with specific art forms is a later innovation. The Muses were not assigned standardized divisions of poetry with which they are now identified until late Hellenistic times.
! Muse | ! Domain | ! Emblem |
Calliope | Epic poetry | |
Clio | History | Scrolls |
Erato | Love poetry | Cithara (an ancient Greek musical instrument in the lyre family) |
Euterpe | Song and Elegiac poetry | Aulos (an ancient Greek musical instrument like a flute) |
Melpomene | Tragedy | |
Polyhymnia | Hymns | Veil |
Terpsichore | Dance | Lyre |
Comedy | ||
Urania | Astronomy | |
In Renaissance and Neoclassical art, the dissemination of emblem books such as Cesare Ripa's ''Iconologia'' (1593 and many further editions) helped standardize the depiction of Muses in sculptures or paintings, who could be distinguished by certain props, together with which they became emblems readily identifiable by the viewer, enabling one immediately to recognize the art with which they had become bound. Calliope (epic poetry) carries a writing tablet; Clio (history) carries a scroll and books; Erato (love/erotic poetry) is often seen with a lyre and a crown of roses; Euterpe (lyric poetry) carries a flute, the ''aulos''; Melpomene (tragedy) is often seen with a tragic mask; Polyhymnia (sacred poetry) is often seen with a pensive expression; Terpsichore (choral dance and song) is often seen dancing and carrying a lyre; Thalia (comedy) is often seen with a comic mask; and Urania (astronomy) carries a pair of compasses and the celestial globe.
The Muses, therefore, were both the embodiments and sponsors of performed metrical speech: ''mousike'', whence we get our English term "music", was just "one of the arts of the Muses". Others included Science, Geography, Mathematics, Philosophy, and especially Art, Drama, and inspiration. In the archaic period, before the widespread availability of books (scrolls), this included nearly all of learning. The first Greek book on astronomy, by Thales, was set in dactylic hexameter, as were many works of pre-Socratic philosophy; both Plato and the Pythagoreans explicitly included philosophy as a sub-species of ''mousike''. The ''Histories'' of Herodotus, whose primary medium of delivery was public recitation, were divided by Alexandrian editors into nine books, named after the nine Muses.
For poet and "law-giver" Solon, the Muses were "the key to the good life"; since they brought both prosperity and friendship. Solon sought to perpetuate his political reforms by establishing recitations of his poetry—complete with invocations to his practical-minded Muses—by Athenian boys at festivals each year. It was believed that the muses would help inspire people to do their best.
:Homer, in Book I of ''The Odyssey'': ::"Sing to me of the man, Muse, the man of twists and turns ::driven time and again off course, once he had plundered ::the hallowed heights of Troy." (Robert Fagles translation, 1996)
:Virgil, in Book I of the ''Aeneid'': ::O Muse! the causes and the crimes relate; ::What goddess was provok'd, and whence her hate; ::For what offense the Queen of Heav'n began ::To persecute so brave, so just a man; [...] ::(John Dryden translation, 1697)
:Catullus, in Carmen I: ::"And so, have them for yourself, whatever kind of book it is, ::and whatever sort, oh patron Muse ::let it last for more than one generation, eternally." ::(Student translation, 2007)
:Dante Alighieri, in Canto II of The Inferno: ::O Muses, O high genius, aid me now! ::O memory that engraved the things I saw, ::Here shall your worth be manifest to all! ::(Anthony Esolen translation, 2002)
:John Milton, opening of Book 1 of ''Paradise Lost'': ::Of Man’s first disobedience, and the fruit ::Of that forbidden tree whose mortal taste ::Brought death into the World, and all our woe, ::With loss of Eden, till one greater Man ::Restore us, and regain the blissful Seat, ::Sing, Heavenly Muse, [...]
:William Shakespeare, Act 1, Prologue of ''Henry V'': ::Chorus: O for a Muse of fire, that would ascend ::The brightest heaven of invention, ::A kingdom for a stage, princes to act ::And monarchs to behold the swelling scene!
:Geoffrey Chaucer, in Book II of Troilus and Criseyde: ::O lady myn, that called art Cleo, ::Thow be my speed fro this forth, and my Muse, ::To ryme wel this book til I haue do; ::Me nedeth here noon othere art to vse. ::ffor-whi to euery louere I me excuse ::That of no sentement I this endite, ::But out of Latyn in my tonge it write.
In modern English usage, ''muse'' (non capitalized but deriving from the classical Muses) can refer in general to a person who inspires an artist, writer, or musician.
When Pythagoras arrived at Croton, his first advice to the Crotoniates was to build a shrine to the Muses at the center of the city, to promote civic harmony and learning.
Local cults of the Muses often became associated with springs or with fountains. The Muses themselves were sometimes called Aganippids because of their association with a fountain called Aganippe. Other fountains, Hippocrene and Pirene, were also important locations associated with the Muses. Some sources occasionally referred to the Muses as "Corycides" (or "Corycian nymphs") after a cave on Mount Parnassos, called the Corycian Cave.
The Muses were venerated especially in Boeotia, in the Valley of the Muses near Helicon, and in Delphi and the Parnassus, where Apollo became known as ''Mousagetes'' ("Muse-leader") after the sites were rededicated to his cult.
Often Muse-worship was associated with the hero-cults of poets: the tombs of Archilochus on Thasos and of Hesiod and Thamyris in Boeotia all played host to festivals in which poetic recitations accompanied sacrifices to the Muses.
The Library of Alexandria and its circle of scholars formed around a ''mousaion'' ("museum" or shrine of the Muses) close to the tomb of Alexander the Great.
Many Enlightenment figures sought to re-establish a "Cult of the Muses" in the 18th century. A famous Masonic lodge in pre-Revolutionary Paris was called Les Neuf Soeurs ("the nine sisters", that is, the nine Muses) - Voltaire, Benjamin Franklin, Danton, and other influential Enlightenment figures attended it. As a side-effect of this movement the word "museum" (originally, "cult place of the Muses") came to refer to a place for the public display of knowledge.
The British poet Robert Graves popularized the concept of the Muse-poet in modern times. His concept was based on pre-12th century traditions of the Celtic poets, the tradition of the medieval troubadours who celebrated the concept of courtly love, and the romantic poets.
''"No Muse-poet grows conscious of the Muse except by experience of a woman in whom the Goddess is to some degree resident; just as no Apollonian poet can perform his proper function unless he lives under a monarchy or a quasi-monarchy. A Muse-poet falls in love, absolutely, and his true love is for him the embodiment of the Muse...''''But the real, perpetually obsessed Muse-poet distinguishes between the Goddess as manifest in the supreme power, glory, wisdom, and love of woman, and the individual woman whom the Goddess may make her instrument...''
''The Goddess abides; and perhaps he will again have knowledge of her through his experience of another woman...''
Anne Bradstreet, a Puritan poet of New England, was honored with this title after the publication of her poems in London in 1650, in a volume titled by the publisher as ''The Tenth Muse Lately Sprung Up in America''. This also was the first volume of American poetry ever published.
Sor Juana Inés de la Cruz, a Mexican poet, is well known in the Spanish literary world as the tenth Muse.
Gabriele d'Annunzio's 1920 Constitution for the Free State of Fiume was based on the nine Muses and invoked Energeia (energy) as "the tenth Muse". In 1924, Karol Irzykowski published a monograph on cinematography entitled "The Tenth Muse" ("Dziesiąta muza"). Analyzing silent film, he pronounced his definition of cinema: "It is the visibility of man's interaction with reality".
In ''The Tenth Muse: A historical study of the opera libretto'' Patrick J. Smith implicitly suggests that the libretto be considered as the tenth muse. The claim, if made explicit, is that the relation of word and music as constituted by the libretto is not only of significant import, but that the critical appreciation of that relation constitutes a crucial element in the understanding of opera.
The Muses were notably present in Disney's portrayal of 'Hercules', where they sang a number of songs about the love of Hercules' life (although there were only five of them).
In the movie 'Xanadu,' a young man is inspired by a Muse to build a dance hall. The Muse goes by the name of Kira in the movie. At one point in the movie she is about to tell the man her real name, but is interrupted in the middle. However, it sounds like she was about to say 'Terpsichore,' which would have been appropriate as the Muse of dance.
Shakespeare's Sonnet 38 invokes the Tenth Muse:
"How can my Muse want subject to invent, While thou dost breathe, that pour'st into my verse Thine own sweet argument?"
The poet asks, and in the opening of the sestet calls upon his muse:
"Be thou the tenth Muse, ten times more in worth Than those old nine which rhymers invocate."
Category:Greek mythology Category:Greek legendary creatures Category:Arts goddesses Category:Greek goddesses Category:Offspring of Zeus Category:Museology
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Coordinates | 3°8′51″N101°41′36″N |
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name | Mike Oldfield |
landscape | yes |
background | solo_singer |
birth name | Michael Gordon Oldfield |
birth date | May 15, 1953 |
birth place | Reading, Berkshire, England |
instrument | Guitar, keyboards, Percussion, vocals, Bass guitar, drums, piano, organ, glockenspiel, mandolin, banjo, tubular bells, Chapman stick |
genre | Ambient, Celtic fusion, classical, Synthpop, experimental, minimalist, Honky-Tonk, Neoclassical, new age, Neofolk, pop, progressive rock, rock and roll, world |
occupation | Musician, Songwriter, Producer, Game designer |
years active | 1967–present |
label | Virgin (1972–1991)Warner Bros. (1992–2003)Mercury (2005–present) |
associated acts | Maggie Reilly, Kevin Ayers, Robert Wyatt, David Bedford, Anita Hegerland, Pekka Pohjola |
website | www.mikeoldfieldofficial.com }} |
In 1970 he joined The Whole World - backing group to vocalist Kevin Ayers, formerly of the Soft Machine - playing bass guitar and occasionally lead guitar. The band also included keyboardist and composer David Bedford, who quickly befriended Oldfield, and encouraged him in his composition of an early version of ''Tubular Bells''. Bedford would later arrange and conduct an orchestral version of that album. Oldfield is featured on two Ayers albums, ''Whatevershebringswesing'' and ''Shooting at the Moon''.
Having recorded a demo version of ''Tubular Bells'', Oldfield attempted to persuade record labels to take the project on. In 1972 he met the young Richard Branson who was setting up his own record label, Virgin Records, and after playing the demo to engineers Tom Newman and Simon Heyworth, he began recording the 1973 version of the album.
Like ''Tubular Bells'', ''Hergest Ridge'' is a two-movement instrumental piece, this time evoking scenes from Oldfield's Herefordshire country retreat. It was followed in 1975 by the pioneering world music piece ''Ommadawn'', and 1978's ''Incantations'' which introduced more diverse choral performances from Sally Oldfield, Maddy Prior, and the Queen's College Girls Choir. In 1975 Oldfield recorded a version of the Christmas piece "In Dulci Jubilo" which charted at number four in the UK. Oldfield's 1976 rendition of "Portsmouth" remains his highest charting single on the UK Singles Chart, reaching number three.
In 1976 Oldfield and his sister Sally joined his friend and band member Pekka Pohjola to play on his album ''Mathematician's Air Display'', which was released in 1977. The album was recorded and edited at Oldfield's Througham Slad Manor in Gloucestershire by Oldfield and Paul Lindsay.
Around the time of ''Incantations'', Oldfield underwent a controversial self-assertiveness therapy course known as Exegesis. Possibly as a result, the formerly reclusive musician staged a major European tour to promote the album, chronicled in his live album ''Exposed'', much of which was recorded at the National Exhibition Centre near Birmingham, the first-ever concert there.
In 1975, Oldfield received a Grammy award for Best Instrumental Composition in "Tubular Bells – Theme from ''The Exorcist''". In 1979, he recorded a version of the signature tune of the popular British Children's Television programme, ''Blue Peter'', which was used by the show for 10 years.
The early 1980s saw Oldfield make a transition to mainstream pop music, beginning with the inclusion of shorter instrumental tracks and contemporary cover versions on ''Platinum'' and ''QE2'' (the latter named after the ocean liner). Soon afterwards he turned to songwriting, with a string of collaborations featuring various lead vocalists alongside his characteristic searing guitar solos. The best known of these is "Moonlight Shadow", his 1983 hit with Maggie Reilly. The most successful Oldfield composition on the US pop charts during this period was actually a cover version — Hall & Oates's remake of Oldfield's "Family Man" for their 1982 album ''H2O''. Released as the album's third single, it hit the Top 10 during the spring of 1983 and was a hugely popular MTV music video.
Oldfield later turned to film and video, writing the score for Roland Joffé's acclaimed film ''The Killing Fields'' and producing substantial video footage for his album ''Islands''. ''Islands'' continued what Oldfield had been doing on the past couple of albums, with an instrumental piece on one side and rock/pop singles on the other. Of these, "Islands", sung by Bonnie Tyler and "Magic Touch", with vocals by Max Bacon (in the U.S. version) and Glasgow vocalist Southside Jimmy (in other versions), were the major hits. In the U.S., the Virgin America airline promoted the song "Magic Touch" to a large extent, making it a success, reaching the top 10 on the Billboard album rock charts. During the 1980s, Oldfield's then-wife, Norwegian singer Anita Hegerland, contributed vocals to many songs including "Pictures in the Dark".
''Earth Moving'' was released in July 1989, and was a moderate success. The album was the first to exclusively feature rock/pop songs, several of which were released: "Innocent" and "Holy" in Europe, and "Hostage" in the USA for album rock stations. This was, however, a time of much friction with his record label. Virgin Records reportedly insisted that any future instrumental album should be billed as ''Tubular Bells 2''. Oldfield's rebellious response was ''Amarok'', an hour-long work featuring rapidly changing themes (supposedly devised to make cutting a single from the album impossible), unpredictable bursts of noise, and a very cleverly hidden Morse code insult directed at Richard Branson. Although regarded by many fans as his greatest work, it was not a commercial success. His parting shot from the Virgin label was ''Heaven's Open'', which continued the veiled attacks on Branson but was notable for being the first time Oldfield had contributed all the lead vocals himself. It was the only album he released under the name 'Michael Oldfield'.
In 1995 Oldfield further continued to embrace new musical styles by producing a Celtic-themed album, ''Voyager''. In 1992 Oldfield met Luar na Lubre, a Galician Celtic-folk band (from A Coruña, Spain). The band's popularity grew after Oldfield covered their song "O son do ar" ("The sound of the air") on his ''Voyager'' album.
In 1998 he produced the third ''Tubular Bells'' album (also premiered at a concert, this time in Horse Guards Parade, London), drawing from the dance music scene at his then new home on the island of Ibiza. This album was still inspired by themes from ''Tubular Bells'', but differed in lacking a clear two-part layout.
During 1999 Oldfield released two albums. The first, ''Guitars'', used guitars as the source for all the sounds on the album, including percussion. The second, ''The Millennium Bell'', consisted of pastiches of a number of styles of music that represented various historical periods over the past millennium. The work was performed live in Berlin for the city's millennium celebrations in 1999–2000.
He added to his repertoire the MusicVR project, combining his music with a virtual reality-based computer game. His first work on this project is ''Tr3s Lunas'' launched in 2002, a virtual game where the player can interact with a world full of new music. This project appeared as a double CD, one with the music, and the other with the game.
In 2003 he released ''Tubular Bells 2003'', a re-recording of the original ''Tubular Bells'', on CD, and DVD-Audio. This was done to "fix" many "imperfections" in the original due to the recording technologies of the early 1970s and limitations in time that he could spend in the recording studio. It celebrated the 30th anniversary of ''Tubular Bells'', Oldfield's 50th birthday and his marriage to Fanny in the same year. At around the same time Virgin released an SACD version containing both the original stereo album and the 1975 quadraphonic mix by Phil Newell. In the 2003 version, the original voice of the 'Master of Ceremonies' (Viv Stanshall) was replaced by the voice of John Cleese, Stanshall having died in the interim.
His autobiography ''Changeling'' was published in May 2007 by Virgin Books. In March 2008 Oldfield released his first classical album, ''Music of the Spheres''; Karl Jenkins assisted with the orchestration. In the first week of release the album topped the UK Classical chart and reached number 9 on the main UK Album Chart. A single, "Spheres", featuring a demo version of pieces from the album was released digitally. The album was nominated for a Classical Brit Award, the NS&I; Best Album of 2009.
In 2008 Oldfield contributed an exclusive song ("Song for Survival") to a charity album called ''Songs for Survival'', in support of the Survival International. Oldfield's daughter, Molly, played a large part in the project.
In 2008 when Oldfield's original 35-year deal with Virgin Records ended, the rights to ''Tubular Bells'' and his other Virgin releases were returned to him, and then they were transferred to Mercury Records. Mercury issued a press release on 15 April 2009, noting that Oldfield's Virgin albums would be re-released, starting 8 June 2009. These releases include special features from the archives. On 6 June 2009, an International Bell Ringing day took place, to promote the reissue of his first album, ''Tubular Bells''. The next two albums were reissued in June 2010 along with the launch of a new official web site. ''Incantations'' was reissued in July 2011.
In March 2010 ''Music Week'' reported that publishing company Stage Three Music (now a part of BMG) had acquired a 50% stake in the songs of Oldfield's entire recorded output in a seven-figure deal. In 2010 lyricist Don Black said in an interview with ''Music Week'' that he had been working with Oldfield. In early 2011 Mike Oldfield was in a studio with German producer Torsten Stenzel, collaborating on a chill-out track for a forthcoming album by Torsten Stenzel's York project.
Mike Oldfield has seven children. In the early 1980s, he had three children with Sally Cooper (Molly, Dougal and Luke). In the late 1980s, he had two children (Greta and Noah) with Norwegian singer Anita Hegerland. In the 2000s, he married Fanny Vandekerckhove (born 1977), whom he met during his time in Ibiza; they have two sons together (Jake and Eugene).
Oldfield is a motorcycle fan and has five bikes. These include a BMW R1200GS, a Suzuki GSX-R750, a Suzuki GSX-R1000, and a Yamaha R1. He also says that some of his inspiration for composing comes from riding them. Throughout his life Oldfield has also had a passion for aircraft and building model aircraft. Since 1980 he has also been a licensed pilot and has flown fixed wing aircraft, the first of which was a Beechcraft Sierra and helicopters including the Agusta Bell 47G which featured on the sleeve of his cover version of the ABBA song "Arrival" as a parody of their album artwork. He is also interested in cars and has owned a Ferrari and a Bentley which was a gift from Richard Branson as an incentive for him to give his first live performance of ''Tubular Bells''. He has endorsed the Mercedes-Benz S-Class in the Mercedes UK magazine. Oldfield also considers himself to be a Trekkie (fan of the popular science fiction television series ''Star Trek''). He also noted in an interview in 2008 that he had two boats.
In November 2006, musician Noel Gallagher won a Spanish court case against Oldfield. Gallagher had bought an Ibiza villa for £2.5 million from Oldfield in 1999, but quickly discovered that part of the cliff-top property was falling into the sea. According to ''The Sun'', the resulting court case awarded Gallagher a six-figure sum in compensation. Suspicion abounds in the music industry that the law-suit was initiated because of embarrassment that Gallagher brought on himself by not having a proper survey done on the property before buying it. This included making an immediate and noisy complaint about someone's yacht tied up at the villa's jetty before it was pointed out that the yacht came with the villa and was, in fact, his.
In 2007 Oldfield caused a minor stir in the British press by criticizing Britain for being too controlling and protective, specifically concentrating on the smoking ban which England and Wales had introduced that year. Oldfield then moved from his Gloucestershire home to Palma de Mallorca, Spain. He has lived outside the UK in the past, including living in Los Angeles and Ibiza in the 1990s, and Switzerland in the mid-1980s, for tax reasons. He also currently has a home in Monaco. In 2009 he decided to move to the Bahamas, and put his home in Mallorca up for sale; the asking price was around €3.5 million, but has since been lowered, and as of August 2011 is still listed as available for sale by a major international real estate agency.
Oldfield used a modified Roland GP8 effects processor in conjunction with his PRS Artist to get many of his heavily overdriven guitar sounds from the ''Earth Moving'' album onwards. Oldfield has also been using Guitar synthesizers since the mid-1980s, using a 1980s Roland GR-300/G-808 type system, then a 1990s Roland GK2 equipped red PRS Custom 24 (sold in 2006) with a Roland VG8, and most recently a Line 6 Variax.
Oldfield has an unusual playing style, using both fingers and fingernails and several ways of creating vibrato: a "very fast side-to-side vibrato" or "violinist's vibrato". Oldfield has also stated that his playing style originates from his musical roots playing folk music and the bass guitar.
Category:1953 births Category:Living people Category:English songwriters Category:English guitarists Category:English multi-instrumentalists Category:English buskers Category:English New Age musicians Category:English composers Category:British people of Irish descent Category:People from Reading, Berkshire Category:Grammy Award winners Category:Virgin Records artists Category:Mercury Records artists Category:English Roman Catholics Category:Warner Bros. Records artists Category:FL Studio users Category:People educated at Presentation College, Reading Category:People educated at The Highlands School, Reading
af:Mike Oldfield ar:مايك أولدفيلد an:Mike Oldfield bg:Майк Олдфийлд ca:Mike Oldfield cs:Mike Oldfield da:Mike Oldfield de:Mike Oldfield es:Mike Oldfield eu:Mike Oldfield fa:مایک اولدفیلد fr:Mike Oldfield gl:Mike Oldfield id:Mike Oldfield it:Mike Oldfield he:מייק אולדפילד ka:მაიკ ოლდფილდი la:Michael Oldfield lv:Maiks Oldfīlds hu:Mike Oldfield mk:Мајк Олдфилд nl:Mike Oldfield ja:マイク・オールドフィールド no:Mike Oldfield nds:Mike Oldfield pl:Mike Oldfield pt:Mike Oldfield ro:Mike Oldfield ru:Олдфилд, Майк sk:Mike Oldfield sl:Mike Oldfield sr:Мајк Олдфилд fi:Mike Oldfield sv:Mike Oldfield th:ไมค์ โอลด์ฟิลด์ uk:Майк Олдфілд zh:麦克·欧菲尔德This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 3°8′51″N101°41′36″N |
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name | Jools Holland |
background | solo_singer |
birth name | Julian Miles Holland |
birth date | January 24, 1958 |
birth place | Blackheath, London, England |
instrument | Piano, keyboard, guitar |
genre | Boogie-woogie, jazz, blues, R&B; |
occupation | Musician, composer, television presenter, bandleader |
years active | 1974–present |
associated acts | Squeeze Rhythm & Blues Orchestra |
website | Official site }} |
Julian Miles "Jools" Holland OBE, DL (born 24 January 1958) is an English pianist, bandleader, singer, composer, and television presenter. He was a founder of the band Squeeze (1974-1980 & 1985-1990) and his work has involved him with many artists including Sting, Eric Clapton, George Harrison, The Who, David Gilmour, Magazine and Bono.
Holland is a published author and appears on television shows besides his own and contributes to radio shows. In 2004, he collaborated with Tom Jones on an album of traditional R&B; music. He currently hosts ''Later... with Jools Holland'', a music-based show aired on BBC2, on which his annual show the Hootenanny, is based.
Holland played as a session musician before finding fame, and his first studio session was with Wayne County & the Electric Chairs in 1976 on their track "F*ck Off."
Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1981 and helped the band to achieve millions of record sales, before pursuing his solo career.
Holland began issuing solo records in 1978, his first EP being ''Boogie Woogie '78''. He continued his solo career through the early 1980s, releasing an album and several singles between 1981 and 1984. He branched out into TV, co-presenting the Newcastle-based TV music show ''The Tube'' with Paula Yates. Holland achieved notoriety by inadvertently using the phrase "groovy fuckers" in a live, early evening TV trailer for the show, causing it to be suspended for six weeks. He referred to this in his sitcom "The Groovy Fellers" with Rowland Rivron.
thumb|right|Holland at the Tsunami Relief concert in Cardiff's Millennium Stadium, 22 January 2005In 1983 Holland played an extended piano solo on The The's re-recording of "Uncertain Smile" for the album ''Soul Mining''. In 1985, Squeeze (which had continued in Holland's absence through to 1982) unexpectedly regrouped including Jools Holland as their keyboard player. Holland remained in the band until 1990, at which point, he again departed Squeeze on amicable terms to resume his solo career as a musician and a TV host.
In 1987, Holland formed The ''Jools Holland Big Band'' which consisted of himself and Gilson Lavis from Squeeze. This gradually became his 18-piece Rhythm & Blues Orchestra.
Between 1988 and 1990 he performed and co-hosted along with David Sanborn during the two seasons of the music performance program Sunday Night on NBC late-night television. Since 1992 he has presented the eclectic music program ''Later... with Jools Holland'', plus an annual New Year's Eve "Hootenanny".
In 1996 Holland signed a record deal with Warner Bros. Records and his records are now marketed through Rhino Records.
Holland has a touring band, The Rhythm And Blues Orchestra, which often includes singers Sam Brown and Ruby Turner. In January 2005 Holland and his band performed with Eric Clapton as the headline act of the Tsunami Relief Cardiff. He also headlined the Skegness SO Festival in July 2010.
Holland was an interviewer for The Beatles Anthology TV project, and appeared in the 1997 film ''Spiceworld'' as a musical director.
He received an OBE in 2003 in the Queen's Birthday Honours list, for services to the British music industry as a television presenter and musician. In September 2006 Holland was appointed a Deputy Lieutenant for Kent. He is also known for his charity work: in June 2006 he performed in Southend for HIV/AIDS charity Mildmay, and in early 2007 he performed at Wells and Rochester Cathedrals to raise money for maintaining cathedral buildings. He is also patron of the Drake Music Project and has raised many thousands of pounds for the charity.
Jools Holland was appointed an Honorary Fellow of Canterbury Christ Church University at a ceremony held at Canterbury Cathedral on 30 January 2009.
On 29 August 2005 Holland married Christabel McEwen, his girlfriend of 15 years (between 1983 and 1995 she had been married to Edward Lambton, 7th Earl of Durham, but they divorced). The wedding, at St James's Church, Cooling near Rochester, was attended by many celebrities, including Ringo Starr, Robbie Coltrane, Stephen Fry, Lenny Henry, Noel Gallagher, Dawn French and Jennifer Saunders.
Holland is also a patron for The Milton Rooms, a new Arts centre in Malton, North Yorkshire, along with Bill Nighy, Imelda Staunton and Kathy Burke.
Category:1958 births Category:Living people Category:Boogie-woogie pianists Category:English rock pianists Category:English television presenters Category:Officers of the Order of the British Empire Category:Bandleaders Category:Squeeze (band) members Category:I.R.S. Records artists Category:People from Blackheath, London Category:BBC Radio 2 presenters Category:Deputy Lieutenants of Kent Category:British people of Irish descent Category:English people of Irish descent
cy:Jools Holland de:Jools Holland es:Jools Holland fr:Jools Holland nl:Jools Holland pl:Jools Holland pt:Jools Holland fi:Jools HollandThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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