Pedro may refer to:
Category:Spanish given names Category:Portuguese given names
de:Pedro fr:Pedro ko:페드로 it:Pedro nl:Pedro ja:ペドロ pt:Pedro ru:Педро sk:Pedro sl:Pedro sv:PedroThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Rubén Blades |
---|---|
background | solo_singer |
birth name | Rubén Blades Bellido de Luna |
birth date | July 16, 1948 |
birth place | Panama City, Panama |
genre | salsa, latin Jazz, Latin Pop, world music |
occupation | actor, singer, songwriter |
instrument | vocals, guitar |
years active | 1960's–present |
label | Fania Records, Elektra, Sony, Columbia |
associated acts | Willie Colón, Fania All Stars |
website | Rubén Blades' website }} |
He is an icon in Panama and is much admired throughout Latin America, and managed to attract 18% of the vote in his failed attempt to win the Panamanian presidency in 1994. In September 2004, he was appointed minister of tourism by Panamanian president Martín Torrijos for a five-year term. He holds a law degree from the University of Panama and a master's in international law from Harvard University. He is married to singer Luba Mason.
In Blades' early days, he was a vocalist in Los Salvajes del Ritmo with fellow university students including Antonio Jose Guzman, and also a songwriter and guest singer with a professional Latin music conjunto; Bush y sus Magníficos. His strongest influence of the day was the Joe Cuba sextet and Cheo Feliciano, whose singing style he copied to the point of imitating his voice tone and vocal range.
Blades' first notable hit was a song on the 1977 album ''Metiendo Mano'' that he had composed in 1968: "Pablo Pueblo," a meditation about a working-class father who returns to his home after a long day at work. The song later became his unofficial campaign song when he ran for president of Panama. The Colón and Blades recording on the same album of Tite Curet Alonso's composition, "Plantación Adentro," which dealt with the brutal treatment of Indian natives in Latin America's colonial times, was an enormous hit in various Caribbean countries. He wrote and performed several songs with the Fania All Stars and as a guest on other artists' releases, including the hits "Paula C," written about a girlfriend at the time; "Juan Pachanga," about a party animal who buries his pain for a lost love in dance and drink; and "Sin Tu Cariño," a love song, featuring a bomba break. The latter two songs feature piano solos by Papo Lucca.
In 1978 Blades wrote the song "El Cantante"; Colón convinced him to give the song to Colón's former musical partner, Héctor Lavoe, to record, since Lavoe's nickname was already "El Cantante de los Cantantes" ("the singer of singers"). Lavoe recorded it that same year, and it became both a big hit and Lavoe's signature song; a biographical film, ''El Cantante'' from Lavoe took the same title. (The film ''El Cantante'' told a fictionalized version of this story, in which Blades tells Lavoe he wrote the song for him.)
The Colón and Blades album ''Siembra'' (1978) became the best-selling salsa record in history. It has sold over 25 million copies, and almost all of its songs were hits at one time or another in various Latin American countries.,
Blades became dissatisfied with Fania and tried to terminate his contract, but was legally obliged to record several more albums. ''Maestra Vida'' and its follow-up ''Canciones del Solar de los Aburridos'' are highlights. In 1984, Blades signed with Elektra and assembled a top-notch band (known variously as Seis Del Solar or Son Del Solar) and recorded a number of albums with them including the Grammy Award-winning albums ''Escenas'' and ''Antecedente''. Fania continued to release recordings compiled from their archives for some years afterwards.
In 1982, Blades got his first acting role in ''The Last Fight (film)'', portraying a singer-turned-boxer vying for a championship against a fighter who was played by real-life world-champion boxer Salvador Sánchez. In 1984, he released ''Buscando América'', and in 1985, Blades gained widespread recognition as co-writer and star of the independent film ''Crossover Dreams'' as a New York salsa singer willing to do anything to break into the mainstream. Blades also began his career in films scoring music for soundtracks. Also in 1985, he earned a master's degree in international law from Harvard Law School. He was also the subject of Robert Mugge's documentary ''The Return of Ruben Blades'', which debuted at that year's Denver Film Festival.
After winning his first Grammy Award for ''Escenas'' in 1986, he recorded the album ''Agua de Luna'' based on the short stories of famed writer Gabriel García Márquez in 1987. The next year he released the English-language collaboration ''Nothing But the Truth'' with rock artists Sting, Elvis Costello, and Lou Reed the same year as the more traditionally salsa ''Antecedente'', another Grammy Award winner.
The English-language album received disappointing reviews, but he answered his critics, "I do not believe in the notion that one is condemned to do something because he looks in a certain way or speaks a certain language. To me, music is a universal thing, and I have always been interested in the directions offered me by music in English, directions I could not find, concretely in terms of construction, with the Afro-Cuban rhythms I'd always worked with. I also wanted to leave testimony of the meeting of urban tropical music with rock 'n roll".
Blades had also contributed guest vocals in English to "Bitter Fruit" a song on the 1984 album ''Freedom - No Compromise'' by Little Steven.
name | Rubén Blades |
---|---|
birth date | July 16, 1948 |
residence | Panama City |
office | Minister of Tourism of Panama |
term start | 2004 |
term end | 2009 |
spouse | Luba Mason |
website | Rubén Blades' website }} |
In 1996, Blades along with Son Miserables performed "No Te Miento (I Don't Lie [to you])" for the AIDS benefit album ''Silencio=Muerte: Red Hot + Latin'' produced by the Red Hot Organization.
In 1997, Blades headed the cast of singer/songwriter Paul Simon's first Broadway musical, ''The Capeman'', based on a true story about a violent youth who becomes a poet in prison, which also starred Marc Anthony and Ednita Nazario.
His many film appearances include ''The Milagro Beanfield War'' (1988), ''The Two Jakes'' (1990), ''Predator 2'' (1990), ''Mo' Better Blues'' (1990), ''Color of Night'' (1994), and ''Devil's Own'' (1997). In 1999, he played Mexican artist Diego Rivera in Tim Robbins' ''Cradle Will Rock''. In the 2003 film ''Once Upon a Time in Mexico'', starring Johnny Depp, Antonio Banderas, and Willem Dafoe, he played the role of a retired FBI agent.
Blades' 1999 album ''Tiempos'', which he recorded with musicians from the Costa Rican groups Editus and Sexteto de Jazz Latino, represented a break from his salsa past and a further rejection of commercial trends in Latin music. Ironically, the album won a Grammy Award for Best Latin Pop Album. Even more eclectic was the 2002 album ''Mundo'' with the 11-member Editus Ensemble and bagpiper Eric Rigler, which incorporated instruments from around the world. The same year, he guested on world music artist Derek Trucks' album, ''Joyful Noise''.
In 2003 he followed the World Music Grammy and Latin Grammy winner ''Mundo'' with a web site free-download project. As he said in 2005 when receiving the ASCAP Founders Award about his non-commercial choices, "That's the way I think."
In 2004, he put his artistic careers on hold when he began serving a five-year appointment as Panama's minister of tourism. Beginning in June 2007, however, Blades turned some of his attention back to his artistic career, presenting an "online tv show" titled ''Show de Ruben Blades (SDRB)'' on his website.
During the summer of 2008 he took a leave of absence for a mini-tour in Europe, backed by the Costa Rican band Son de Tikizia. When his government service was completed in June 2009, he reunited the members of Seis del Solar for the 25th anniversary of ''Buscando America'' in an ambitious tour of the Americas.
Category:1948 births Category:Cuban jazz (genre) bandleaders Category:Cuban jazz (genre) singers Category:Grammy Award winners Category:Latin Grammy Award winners Category:Harvard Law School alumni Category:Latin jazz musicians Category:Living people Category:American people of Panamanian descent Category:Salsa musicians Category:Maracas players Category:Fania Records artists Category:Elektra Records artists Category:Panamanian songwriters Category:Panamanian male singers Category:Panamanian lawyers
ca:Rubén Blades de:Rubén Blades es:Rubén Blades fr:Rubén Blades gl:Rubén Blades it:Rubén Blades ja:ルーベン・ブラデス ru:Блейдс, Рубен fi:Rubén Blades sv:Rubén BladesThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Chico Buarque |
---|---|
background | solo_singer |
birth name | Francisco Buarque de Hollanda |
alias | Chico Buarque |
birth date | June 19, 1944 |
origin | Rio de Janeiro, Brazil |
instrument | Voice, guitar |
occupation | Singer, songwriter, writer, Poet, playwright |
years active | 1962–present |
website | http://www.chicobuarque.com.br }} |
Francisco Buarque de Hollanda (born June 19, 1944 in Rio de Janeiro, Brazil), popularly known as Chico Buarque (), is a singer, guitarist, composer, dramatist, writer and poet. He is best known for his music, which often includes social, economic and cultural commentary on Brazil and Rio de Janeiro in particular.
Son of the academic Sérgio Buarque de Hollanda, Buarque lived in several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo and Italy. He wrote and studied literature as a child and came to music through the bossa nova compositions of João Gilberto. He performed music throughout the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several of his fellow musicians, were threatened by the government and eventually left Brazil in 1970. He moved to Italy again. However, he came back to Brazil in 1971, one year before the others, and continued to record albums, perform, and write, though much of his material was not allowed by government censors. He released several more albums in the 1980s and published three novels in the 1990s and 2000s, all of which were acclaimed critically.
Before becoming a musician, Buarque decided at one point to study architecture at the University of São Paulo, but this choice did not lead to a career in that field; for Buarque often skipped classes.
He made his public debut as musician and composer in 1964, rapidly building his reputation at music festivals and television variety shows when bossa nova rhythm came to light and Nara Leão recorded three of his songs. His eponymous debut album exemplified his future work, with catchy sambas characterized by inventive wordplay and an undercurrent of nostalgic tragedy. Buarque had his first hit with "A Banda" in 1966, written about a marching band, and soon released several more singles. Although playing bossa nova, during his career, samba and Música Popular Brasileira would also be widely explored. Despite that, Buarque was criticized by two of the leading musicians at the time, Caetano Veloso and Gilberto Gil as they believed his musical style was overly conservative. However, an existentially themed play that Buarque wrote and composed in 1968, ''Roda Viva'' ("Live Cycle"), was frowned upon by the military government and Buarque served a short prison sentence because of it. He left Brazil for Italy for 18 months in 1970, returning to write his first novel in 1972, which was not targeted by censors. At this time his thinly-veiled protest single "Apesar de Você" ("In spite of You" - in reference to the military dictatorship) was also produced. ("In spite of you") was overlooked by the military censors, becoming an important anthem in the democratic movement. After selling over 100,000 copies, the single was eventually censored and removed from the market. At one point in 1974, the censors banned any song authored by Chico Buarque. Then, he created a pseudonym, naming himself "Julinho da Adelaide", complete with life history and interviews to newspapers. "Julinho da Adelaide" authored songs such as "Jorge Maravilha" and "Acorda amor" before he was outed in ''Jornal do Brasil'' news story. Buarque also wrote a play named ''Calabar'', about the Dutch invasion of Brazil in the seventeenth century, drawing parallels with the military regime. Despite the censorship, songs such as "Samba de Orly" (1970), "Acorda amor" (1974, as "Julinho da Adelaide") manifested Buarque's continuing opposition to the military regime.
During the 1970s and 1980s, he collaborated with filmmakers, playwrights, and musicians in further protest works against the dictatorship. Buarque approached the 1983 Concert for Peace in Nicaragua as a valid forum to vocalize his strong political views. Throughout the decade, he crafted many of his songs as vehicles to describe the re-democratization of Brazil. The Concert for Peace in Nicaragua was one in a concert series known as the "Central American Peace Concerts." These concerts featured various Latin American artists. The political turmoil that plagued this era were expressed in many of Buarque's songs. He later wrote ''Budapeste'', a novel that achieved critical national acclaim and won the Prêmio Jabuti, a Brazilian literary award comparable to the Man Booker Prize.
Plays
Film
Category:1944 births Category:Living people Category:Latin Grammy Award winners Category:Bossa nova singers Category:Bossa nova guitarists Category:Samba musicians Category:Brazilian guitarists Category:Brazilian male singers Category:Brazilian poets Category:Brazilian socialists Category:Brazilian writers Category:Brazilian people of Portuguese descent Category:Brazilian people of Dutch descent Category:People from Rio de Janeiro (city) Category:Portuguese-language singers Category:Wrasse Records artists Category:Brazilian novelists
ast:Chico Buarque br:Chico Buarque de Holanda cs:Chico Buarque da:Chico Buarque de:Chico Buarque es:Chico Buarque eo:Chico Buarque fr:Chico Buarque io:Chico Buarque it:Chico Buarque he:שיקו בוארקי nl:Chico Buarque ja:シコ・ブアルキ pl:Chico Buarque pt:Chico Buarque ru:Буарке, Шико sc:Chico Buarque sv:Chico BuarqueThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Pedro Fernández |
---|---|
Background | solo_singer |
Real name | José Martín Cuevas Cobos |
Born | September 28, 1969Guadalajara, Jalisco, Mexico |
Instrument | Vocals |
Genre | Latin pop, folk, mariachi, banda, ranchera |
Occupation | Singer, actor |
Years active | 1979–present |
Website | pedritofernandez.com }} |
José Martín Cuevas Cobos (born September 28, 1969), known professionally as Pedro Fernández, is a Mexican recording artist and actor.
Category:1969 births Category:Mexican film actors Category:Mexican male singers Category:Mexican pop singers Category:Latin Grammy Award winners Category:Mexican telenovela actors Category:Living people Category:People from Guadalajara
es:Pedro Fernández (cantante) tl:Pedro FernándezThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
name | Raffaella Carrà |
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birth name | Raffaella Roberta Pelloni |
birth date | June 18, 1943 |
birth place | Bologna, Italy |
othername | Raffaella Carrà |
occupation | Actress, singer |
yearsactive | 1952–present |
domesticpartner | Sergio Japino |
website | }} |
Raffaella Carrà (born 18 June 1943, Bologna, Italy), in Italy often simply known as ''la Carrà'' and in some Latin American countries sometimes simply as ''Raffaella'', is an Italian singer, dancer, television presenter, and actress. She is a popular figure in Italy, Spain, Malta, Greece and Latin America and Russia, both as a result of her many well known taped presentations and records, and because of her many popular TV shows.
Carrà had a hit song with the sensual "Tuca Tuca" (1970), written for her singing and dancing television presentations by her long-time collaborator and former boyfriend, Gianni Boncompagni. Similarly, in 1971 Carrà achieved another hit with "Chissà se Va".
Her greatest international hit single was "Tanti Auguri" ("Best Wishes"), which has become a popular song amongst the gay community. The song is also known under its Spanish title "Para hacer bien el amor hay que venir al sur" (which refers to Southern Europe, since the hit was recorded and taped in Spain). The Estonian version of the song "Jätke võtmed väljapoole" was performed by Anne Veski. "A far l'amore comincia tu" ("To make love, your move first") was another success for her internationally, known in Spanish as "En el amor todo es empezar", in German as "Liebelei", in French as "Puisque tu l'aimes dis le lui", and in English as "Do It, Do It Again". It was her only entry to the UK Singles Chart, where she remains a one-hit wonder. In 1977, she recorded another hit single, "Fiesta" ('The Party' in English) originally in Spanish, but then recorded it in French and Italian after the song hit the charts.
In 1985, Carra's ''Starlight Express'' video was released featuring characters, costumes and sets from the show. In 2008, "Do It, Do It Again" was featured briefly in the ''Midnight'' episode of the fourth series of ''Doctor Who''. "A far l'amore comincia tu" has also been covered in Turkish by a Turkish popstar called Ajda Pekkan as "Sakın Ha" in 1977.
Most recently, Carrà has gained new attention for her appearance as the female vocal soloist in the proto hip-hop gibberish song Prisencolinensinainciusol (1973) by Adriano Celentano. A remixed video of her dancing and singing in the song went viral on the internet in 2008.
Recently Rafalle Carrà worked with Bob Sinclar with the new single Far l'Amore which was released on youtube 17th march 2011.
From 2008, returning by popular demand, Carrà hosts a variety show on Italy's National and International RAI network, "Carramba Che Fortuna". With the show's unique formula, families all over the world are reunited on live television. Carrà creates magic by surprising unsuspecting guests, detailing their life history with such intensity and emotion which climaxes in a once in a lifetime reunion with the overseas visitor.
During the 1960s, Carrà starred in about twenty Italian films and a few television shows. However, subsequently her actress career has been scarce with no more than five works mainly for television.
Owing to this stint, Carrà has generated much social controversy along the years, allegedly as a "puppet" of the Argentinian National Reorganization Process.
Category:1943 births Category:Italian actors Category:Italian female singers Category:Italian-language singers Category:Italian television personalities Category:Italian television presenters Category:Living people Category:People from Bologna Category:Spanish-language singers
ca:Raffaella Carrà de:Raffaella Carrà el:Ραφαέλα Καρά es:Raffaella Carrà fr:Raffaella Carrà gl:Raffaella Carrà it:Raffaella Carrà la:Raphaela Carra hu:Raffaella Carrà nl:Raffaella Carrà pt:Raffaela Carrà ru:Карра, Раффаэлла sk:Raffaella Carrà tr:Raffaella CarràThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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