This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′50″N77°12′32″N |
---|---|
name | Charlie Parr |
landscape | yes |
background | solo_singer |
birth name | Charlie Parr |
origin | Duluth, Minnesota, U.S. |
instrument | Vocals, Guitar, Harmonica |
genre | Piedmont blues, blues-rock |
occupation | Musician, Singer, songwriter, guitarist |
years active | 2002–present |
label | Misplaced Music, Little Judges, Shaky Ray Records |
website | www.charlieparr.com |
notable instruments | National resonator guitarfretless open-back banjo }} |
As of May 2008, the song "1922" has been featured in an Australian and New Zealand Vodafone television ad. As a consequence Parr's album, 1922, was re-released in Australia on the Level 2 record label in Melbourne. In 2009, Parr toured Australia with Paul Kelly.
Charlie Parr is slated to play at the 2011 Pickathon Music Festival in Oregon.
Collaborations
Compilations
Promotional Singles
7" Singles
Contributions to Other Compilations
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′50″N77°12′32″N |
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name | Stephen King |
pseudonym | Richard Bachman, John Swithen |
birth date | September 21, 1947 |
birth name | Stephen Edwin King |
birth place | Portland, Maine, U.S. |
occupation | Novelist, short story writer, screenwriter, columnist, actor, television producer, film director |
genre | Horror, fantasy, science fiction, drama, gothic, genre fiction, dark fantasy |
net worth | ? |
notableworks | ''Carrie'', ''The Shining'', ''The Stand'', ''It'', and ''Misery'' |
influences | Burton HatlenBram StokerShirley JacksonH. P. LovecraftRichard MathesonRay BradburyEdgar Allan PoeJohn D. MacDonaldDon Robertson |
influenced | Peter David,J. J. Abrams,Damon Lindelof, Jeaniene Frost |
website | http://www.stephenking.com |
spouse | Tabitha King |
children | Naomi KingJoe KingOwen King |
Signature | Stephen King Signature.svg }} |
King has received Bram Stoker Awards, World Fantasy Awards, British Fantasy Society Awards, his novella ''The Way Station'' was a Nebula Award novelette nominee, and in 2003, the National Book Foundation awarded him the Medal for Distinguished Contribution to American Letters.
Stephen King was born September 21, 1947, in Portland, Maine. When King was two years old, his father left the family under the pretense of "going to buy a pack of cigarettes," leaving his mother to raise King and his adopted older brother, David, by herself, sometimes under great financial strain. The family moved to De Pere, Wisconsin, Fort Wayne, Indiana and Stratford, Connecticut. When King was eleven years old, the family returned to Durham, Maine, where Ruth King cared for her parents until their deaths. She then became a caregiver in a local residential facility for the mentally challenged.
As a child, King apparently witnessed one of his friends being struck and killed by a train, though he has no memory of the event. His family told him that after leaving home to play with the boy, King returned, speechless and seemingly in shock. Only later did the family learn of the friend's death. Some commentators have suggested that this event may have psychologically inspired some of King's darker works, but King himself has dismissed the idea.
King's primary inspiration for writing horror fiction was related in detail in his 1981 non-fiction ''Danse Macabre'', in a chapter titled "An Annoying Autobiographical Pause". King makes a comparison of his uncle successfully dowsing for water using the bough of an apple branch with the sudden realization of what he wanted to do for a living. While browsing through an attic with his elder brother, King uncovered a paperback version of an H.P. Lovecraft collection of short stories that had belonged to his father. The cover art—an illustration of a yellow-green Demon hiding within the recesses of a Hellish cavern beneath a tombstone—was, he writes, the moment in his life which "that interior dowsing rod responded to.”
From 1966, King studied English at the University of Maine, graduating in 1970 with a Bachelor of Arts in English. That same year his first daughter, Naomi Rachel, was born. He wrote a column for the student newspaper, ''The Maine Campus'', titled "Steve King's Garbage Truck", took part in a writing workshop organized by Burton Hatlen, and took odd jobs to pay for his studies, including one at an industrial laundry. He sold his first professional short story, "The Glass Floor", to ''Startling Mystery Stories'' in 1967. The Fogler Library at UMaine now holds many of King's papers.
After leaving the university, King earned a certificate to teach high school but, being unable to find a teaching post immediately, initially supplemented his laboring wage by selling short stories to men's magazines such as ''Cavalier''. Many of these early stories have been published in the collection ''Night Shift''. In 1971, King married Tabitha Spruce, a fellow student at the University of Maine whom he had met at the University's Fogler Library after one of Professor Hatlen's workshops. That fall, King was hired as a teacher at Hampden Academy in Hampden, Maine. He continued to contribute short stories to magazines and worked on ideas for novels. It was during this time that King developed a drinking problem, which stayed with him for more than a decade.
King and his wife, Tabitha, have three children, Naomi, Joe and Owen. Tabitha, Joe and Owen are also published writers.
After his mother's death, King and his family moved to Boulder, Colorado, where King wrote ''The Shining'' (published 1977). The family returned to western Maine in 1975, where King completed his fourth novel, ''The Stand'' (published 1978). In 1977, the family, with the addition of Owen Phillip (his third and last child), traveled briefly to England, returning to Maine that fall where King began teaching creative writing at the University of Maine. He has kept his primary residence in Maine ever since.
In 1985 King wrote his first work for the comic book medium, writing a few pages of the benefit X-Men comic book ''Heroes for Hope Starring the X-Men''. The book, whose profits were donated to assist with famine relief in Africa, was written by a number of different authors in the comic book field, such as Chris Claremont, Stan Lee, and Alan Moore, as well as authors not primarily associated with that industry, such as Harlan Ellison. The following year, King wrote the introduction to ''Batman'' #400, an anniversary issue in which he expressed his preference for that character over Superman.
In 1982, the fantasy small-press Donald M. Grant (known for publishing the entire canon of Robert E. Howard) printed these stories for the first time together in hardcover form with color and black-and-white illustrations by fantasy artist Michael Whelan, as ''The Gunslinger''. Each chapter was named for the story previously published in magazine form. King dedicated the hardcover edition to his editor at ''F&SF;'', Ed Ferman, who "took a chance on these stories". The original print-run was only 10,000 copies, which was, by this time, a comparatively low run for a first printing of a King novel in hardcover. His 1980 novel, ''Firestarter'', had an initial print-run in trade hardcover at 100,000 copies, and his 1983 novel, ''Christine'', had a trade hardcover print-run of 250,000 copies, both by the much larger publisher Viking. ''The Gunslinger'''s initial release was not highly publicized, and only specialty science-fiction and related bookstores carried it on their shelves. The book was generally not available in the larger chain stores, except by special order. Rumors spread among avid fans that there was a King book out that few readers knew about, let alone had actually read. When the initial 10,000 copies sold out, Grant printed another 10,000 copies in 1984, but these runs were still far short of the growing demand among fans for this book. ''The Dark Tower: The Gunslinger'' was the beginning of his magnum opus fantasy epic. Both the first and second printings of ''The Gunslinger'' garner premium prices on the collectible book market, notably among avid readers and collectors of Stephen King, horror literature, fantasy literature, American western literature, and fans of the artwork of Michael Whelan.
In 1987, King released the second installment, ''The Dark Tower II: The Drawing of the Three'', in which Roland draws three people from 20th-century United States into his world through magical doors. Grant published ''The Drawing of the Three'' with illustrations by Phil Hale in a slightly larger run of 30,000 copies, which was still well below King's typical initial hardcover print-run of a new book. (''It'', published in 1986, had an initial print-run of 1,000,000 copies, King's largest to date.) King had believed that the Dark Tower books would only be of interest to a select group of his fans, and he had resisted releasing it on a larger scale. Finally, in the late 1980s, bowing to pressure from his publishers and fans who were searching for the books (at this point fewer than 50,000 of his millions of readers would have been able to own any of the Dark Tower books), King agreed to release ''The Gunslinger'' and all subsequent Dark Tower books in trade paperback and mass market formats. The series reached seven books, with the final installment called ''The Dark Tower VII: The Dark Tower'', in 2004.
In the early 2000s King revised the original book, ''The Gunslinger'', because he felt the voice and imagery of the original stories of the late 1970s did not seem to fit the voice of the final installment of 2004. King felt the style of the work had markedly changed during the intervening 27 years. The revised version was published in 2003 by his former hardcover publisher Viking. Grant published its hardcover limited edition of the revised version of ''The Gunslinger'' along with a prequel story set in the Dark Tower world called "The Little Sisters of Eluria" (from King's short story collection ''Everything's Eventual'') in 2009.
Although ''The Hollywood Reporter'' announced in February 2007 that plans were underway for ''Lost'' co-creator J. J. Abrams to do an adaptation of King's epic ''Dark Tower'' series, Abrams stated in a November 2009 interview with MTV that he would not be adapting the series.
Akiva Goldsman, Ron Howard and Brian Grazer will produce a feature film trilogy and a television series for Universal Pictures and NBC, based on ''The Dark Tower'' series, with Howard slated to direct the first movie, which is scheduled for a May 17, 2013 release. That film will be followed by a TV series that will tie into the second movie.
Richard Bachman was exposed as being King's pseudonym after a persistent Washington D.C. bookstore clerk, Steve Brown, noticed similarities between the two's works and later located publisher's records at the Library of Congress naming King as the author of one of Bachman's novels. This led to a press release heralding Bachman's "death"—supposedly from "cancer of the pseudonym." King dedicated his 1989 book ''The Dark Half'', about a pseudonym turning on a writer, to "the deceased Richard Bachman", and in 1996, when the Stephen King novel ''Desperation'' was released, the companion novel ''The Regulators'' carried the "Bachman" byline.
In 2006, during a press conference in London, King declared that he had discovered another Bachman novel, titled ''Blaze''. It was published on June 12, 2007. In fact, the manuscript had been held at King's alma mater, the University of Maine in Orono, for many years and had been covered by numerous King experts. King completely rewrote the 1973 manuscript for its publication.
King was conscious enough to give the deputy phone numbers to contact his family but was in considerable pain. The author was first transported to Northern Cumberland Hospital in Bridgton and then flown by helicopter to Central Maine Medical Center, in Lewiston. His injuries—a collapsed right lung, multiple fractures of his right leg, scalp laceration and a broken hip—kept him at CMMC until July 9. His leg bones were so shattered doctors initially considered amputating it, but stabilized the bones in the leg with an external fixator. After five operations in ten days and physical therapy, King resumed work on ''On Writing'' in July, though his hip was still shattered and he could only sit for about forty minutes before the pain became worse. Soon it became nearly unbearable.
King's lawyer and two others purchased Smith's van for $1,500, reportedly to prevent it from appearing on eBay. The van was later crushed at a junkyard, much to King's disappointment, as he dreamed of beating it with a baseball bat once his leg was healed. King later mentioned during an interview with ''Fresh Air's'' Terry Gross that he wanted to completely destroy the vehicle himself with a pickaxe.
Two years later, King suffered severe pneumonia as a direct result of his lung being punctured in the accident. During this time, Tabitha King was inspired to redesign his studio. King visited the space while his books and belongings were packed away. What he saw was an image of what his studio would look like if he died, providing a seed for his novel ''Lisey's Story''.
"I'm writing but I'm writing at a much slower pace than previously and I think that if I come up with something really, really good, I would be perfectly willing to publish it because that still feels like the final act of the creative process, publishing it so people can read it and you can get feedback and people can talk about it with each other and with you, the writer, but the force of my invention has slowed down a lot over the years and that's as it should be."
In 2000, King published a serialized novel, ''The Plant'', online, bypassing print publication. At first it was presumed by the public that King had abandoned the project because sales were unsuccessful, but he later stated that he had simply run out of stories. The unfinished epistolary novel is still available from King's official site, now free. Also in 2000, he wrote a digital novella, ''Riding the Bullet'', and has said he sees e-books becoming 50% of the market "probably by 2013 and maybe by 2012." But he also warns: "Here's the thing—people tire of the new toys quickly."
In August 2003 King began writing a column on pop culture appearing in ''Entertainment Weekly'', usually every third week. The column is called "The Pop of King", a play on the nickname "The King of Pop" commonly given to Michael Jackson.
In 2006, King published an apocalyptic novel, ''Cell''.
In 2007, Marvel Comics began publishing comic books based on King's ''Dark Tower'' series, followed by adaptations of ''The Stand'' in 2008 and ''The Talisman'' in 2009.
In 2008, King published both a novel, ''Duma Key'', and a collection, ''Just After Sunset''. The latter featured 13 short stories, including a novella, ''N.'', which was later released as a serialized animated series that could be seen for free, or, for a small fee, could be downloaded in a higher quality; it then was adopted into a limited comic book series.
In 2009, King published ''Ur'', a novella written exclusively for the launch of the second-generation Amazon Kindle and available only on Amazon.com, and ''Throttle'', a novella co-written with his son Joe Hill, which later was released as an audiobook ''Road Rage'', which included Richard Matheson's short story "Duel". On November 10 that year, King's novel, ''Under the Dome'', was published. It is a reworking of an unfinished novel he tried writing twice in the late 1970s and early 1980s, and at 1,074 pages, it is the largest novel he has written since 1986's ''It''. It debuted at #1 in The New York Times Bestseller List, and #3 in UK Book Charts.
On February 16, 2010, King announced on his website that his next book will be a collection of four previously unpublished novellas. The book is called ''Full Dark, No Stars''. In April of that year, King published ''Blockade Billy'', an original novella issued first by independent small press Cemetery Dance Publications and later released in mass market paperback by Simon & Schuster. This baseball-related suspense novella is not set to be reprinted in ''Full Dark, No Stars''. The following month, DC Comics premiered ''American Vampire'', a monthly comic book series written by King with short story writer Scott Snyder, and illustrated by Rafael Albuquerque, which represents King's first original comics work.
In March 2011, Stephen King announced two new books: his next novel, ''11/22/63'', will be published November 8, 2011, and the eighth Dark Tower volume, ''The Wind Through the Keyhole'' will be published in 2012.
King also wrote the nonfiction book, ''Faithful'', with novelist and fellow Red Sox fanatic Stewart O'Nan.
In 1996 King collaborated with Michael Jackson to create ''Ghosts'', a 40-minute musical video in which the singer portrays a recluse living in a mansion confronting an unwelcoming group of townsfolk initially calling for his exodus from their community.
"Throttle", a novella written in collaboration with his son Joe Hill, appears in the anthology ''He Is Legend: Celebrating Richard Matheson'', (Gauntlet Press, 2009).
''The Diary of Ellen Rimbauer: My Life at Rose Red'', was a paperback tie-in for the King-penned miniseries ''Rose Red''. The book was published under anonymous authorship, and written by Ridley Pearson. This spin-off is a rare occasion of another author being granted permission to write commercial work using characters and story elements invented by King.
King has written a musical play with John Mellencamp titled ''Ghost Brothers of Darkland County''.
King played guitar for the rock band Rock-Bottom Remainders, several of whose members are authors. Other members include Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, James McBride, Mitch Albom, Roy Blount, Jr., Matt Groening, Kathi Kamen Goldmark, Sam Barry, and Greg Iles. None of them claim to have any musical talent. King is a fan of the rock band AC/DC, who did the soundtrack for his 1986 film, ''Maximum Overdrive''. He is also a fan of The Ramones, who wrote the title song for ''Pet Sematary'' and appeared in the music video. King referred to the band several times in various novels and stories and The Ramones referenced King on the song "It's Not My Place (In the 9 to 5 World)", which is on 1981's ''Pleasant Dreams''. In addition he wrote the liner notes for their tribute album ''We're a Happy Family.'' In 1988, the band Blue Öyster Cult recorded an updated version of their 1974 song "Astronomy". The single released for radio play featured a narrative intro spoken by King.
On Sunday, October 25, 2009 the DC Comics Vertigo blog news feed released that King will team up with short story writer Scott Snyder and artist Rafael Albuquerque in a new monthly comic book series from Vertigo in March 2010 called ''American Vampire''. King is to write the background history of the very first American vampire, Skinner Sweet, in the five issues of the first arc. Scott Snyder will write the story of Pearl. Both stories are to weave together to form the first story arc.
In 2010, King collaborated with musician Shooter Jennings and his band Hierophant, providing the narration for their most recent album, ''Black Ribbons''.
Shortly after his accident, King wrote the first draft of the book ''Dreamcatcher'' with a notebook and a Waterman fountain pen, which he called "the world's finest word processor."
When asked why he writes, King responds: "The answer to that is fairly simple—there was nothing else I was made to do. I was made to write stories and I love to write stories. That's why I do it. I really can't imagine doing anything else and I can't imagine not doing what I do." He is also often asked why he writes such terrifying stories and he answers with another question "Why do you assume I have a choice?"
King often uses authors as characters, or includes mention of fictional books in his stories, novellas and novels, such as Paul Sheldon who is the main character in ''Misery'' and Jack Torrance in ''The Shining''. See also List of fictional books in the works of Stephen King for a complete list. In September 2009 it was announced he would serve as a writer for ''Fangoria''.
King refers to H. P. Lovecraft several times in ''Danse Macabre''. "Gramma", a short story made into a film in the 1980s anthology horror show ''The New Twilight Zone'', mentions Lovecraft's notorious fictional creation ''Necronomicon'', also borrowing the names of a number of the fictional monsters mentioned therein. "I Know What You Need" from the 1976 collection ''Night Shift'', and '''Salem's Lot'' also mention the tome. In ''On Writing'', King is critical of Lovecraft's dialogue-writing skills, using passages from ''The Colour Out of Space'' as particularly poor examples. There are also several examples of King referring to Lovecraftian characters in his work, such as Nyarlathotep and Yog-Sothoth.
King acknowledges the influence of Bram Stoker, particularly on his novel '''Salem's Lot'', which he envisioned as a retelling of ''Dracula''. Its related short story "Jerusalem's Lot", is reminiscent of Stoker's ''The Lair of the White Worm''.
King has also referenced author Shirley Jackson. '''Salem's Lot'' opens with a quotation from Jackson's ''The Haunting of Hill House'', and a character in ''Wolves of the Calla'' references the Jackson book ''We Have Always Lived in the Castle''.
King is a fan of John D. MacDonald, and dedicated the novella "Sun Dog" to MacDonald, saying "I miss you, old friend." For his part, MacDonald wrote an admiring preface to ''Night Shift'', and even had his famous character, Travis McGee, reading ''Cujo'' in one of the last McGee novels and ''Pet Sematary'' in the last McGee novel, ''The Lonely Silver Rain.''
In 1987 King's Philtrum Press published Don Robertson's novel, ''The Ideal, Genuine Man''. In his forenote to the novel, King wrote, "Don Robertson was and is one of the three writers who influenced me as a young man who was trying to 'become' a novelist (the other two being Richard Matheson and John D. MacDonald)."
Robert A. Heinlein's book ''The Door into Summer'' is repeatedly mentioned in King's ''Wolves of the Calla''.
In an interview with King, Published in the ''USA Weekend'' in March 2009, the author stated, "People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and – not to be morbid or anything, although morbid is my life to a degree – don't see his obituary in the paper, I think to myself, "Great! He's probably working somewhere. He's gonna produce another book, and I'll have another book to read." Because when he's gone, there's nobody else."
King partly dedicated his book ''Cell'' to film director George Romero, and wrote an essay for the Elite DVD version of ''Night of the Living Dead''.
Science fiction editors John Clute and Peter Nichols offer a largely favorable appraisal of King, noting his "pungent prose, sharp ear for dialogue, disarmingly laid-back, frank style, along with his passionately fierce denunciation of human stupidity and cruelty (especially to children) [all of which rank] him among the more distinguished 'popular' writers."
In his analysis of post-World War II horror fiction, ''The Modern Weird Tale'' (2001), critic S. T. Joshi devotes a chapter to King's work. Joshi argues that King's best-known works (his supernatural novels), are his worst, describing them as mostly bloated, illogical, maudlin and prone to ''deus ex machina'' endings. Despite these criticisms, Joshi argues that since ''Gerald's Game'' (1993), King has been tempering the worst of his writing faults, producing books that are leaner, more believable and generally better written. Joshi suggests that King's strengths as a writer include the accessible "everyman" quality of his prose, and his unfailingly insightful observations about the pains and joys of adolescence. Joshi cites two early non-supernatural novels—''Rage'' (1977) and ''The Running Man'' (1982)—as King's best, suggesting both are riveting and well-constructed suspense thrillers, with believable characters.
In 1996, King won an O. Henry Award for his short story "The Man in the Black Suit".
In 2003, King was honored by the National Book Awards with a lifetime achievement award, the Medal of Distinguished Contribution to American Letters, with his work being described thus:
Stephen King’s writing is securely rooted in the great American tradition that glorifies spirit-of-place and the abiding power of narrative. He crafts stylish, mind-bending page-turners that contain profound moral truths–some beautiful, some harrowing–about our inner lives. This Award commemorates Mr. King’s well-earned place of distinction in the wide world of readers and book lovers of all ages.
Some in the literary community expressed disapproval of the award: Richard Snyder, the former CEO of Simon & Schuster, described King's work as "non-literature", and critic Harold Bloom denounced the choice:
The decision to give the National Book Foundation's annual award for "distinguished contribution" to Stephen King is extraordinary, another low in the shocking process of dumbing down our cultural life. I've described King in the past as a writer of penny dreadfuls, but perhaps even that is too kind. He shares nothing with Edgar Allan Poe. What he is is an immensely inadequate writer on a sentence-by-sentence, paragraph-by-paragraph, book-by-book basis.
However, others came to King's defense, such as writer Orson Scott Card, who responded:
Let me assure you that King's work most definitely is literature, because it was written to be published and is read with admiration. What Snyder really means is that it is not the literature preferred by the academic-literary elite."
In Roger Ebert's review of the 2004 movie ''Secret Window'', he stated, "A lot of people were outraged that [King] was honored at the National Book Awards, as if a popular writer could not be taken seriously. But after finding that his book ''On Writing'' had more useful and observant things to say about the craft than any book since Strunk and White's ''The Elements of Style'', I have gotten over my own snobbery."
In 2008, King's book ''On Writing'' was ranked 21st on ''Entertainment Weekly'' list of "The New Classics: The 100 Best Reads from 1983 to 2008".
King has stated that his favorite book-to-film adaptations are ''Stand by Me'', ''The Shawshank Redemption'', and ''The Mist''.
King's first film appearance was in George Romero's ''Knightriders'' as a buffoonish audience member. His first featured role was in ''Creepshow'', playing Jordy Verrill, a backwoods redneck who, after touching a fallen meteorite in hopes of selling it, grows moss all over his body. He has since made cameos in several adaptations of his works. He appeared in ''Pet Sematary'' as a minister at a funeral, in ''Rose Red'' as a pizza deliveryman, as a news reporter in ''The Storm of the Century'', in ''The Stand'' as "Teddy Wieszack," in the ''Shining'' miniseries as a band member, in ''The Langoliers'' as Tom Holby and in ''Sleepwalkers'' as the cemetery caretaker. He has also appeared in ''The Golden Years'', in ''Chappelle's Show'' and, along with fellow author Amy Tan, on ''The Simpsons'' as himself. In addition to acting, King tried his hand at directing with ''Maximum Overdrive'', in which he also made a cameo appearance as a man using an ATM that is on the fritz.
King produced and acted in a miniseries, ''Kingdom Hospital'', which is based on the Danish miniseries ''Riget'' by Lars von Trier. He also co-wrote ''The X-Files'' season 5 episode "Chinga" with the creator of the series Chris Carter.
King made an appearance as a contestant on ''Celebrity Jeopardy!'' in 1995, playing to benefit the Bangor Public Library.
King provided the voice of Abraham Lincoln in the audiobook version of ''Assassination Vacation''.
In 2010, King appeared in a cameo role as a cleaner named Bachman on the FX series ''Sons of Anarchy''.
The Syfy TV series ''Haven'' is based on King's novella, ''The Colorado Kid''.
A controversy emerged on May 5, 2008, when a conservative blogger posted a clip of King at a Library of Congress reading event. King, talking to high-school students, had said: "If you can read, you can walk into a job later on. If you don't, then you've got the Army, Iraq, I don't know, something like that." The comment was described by the blog as "another in a long line of liberal media members bashing the military," and likened to John Kerry's similar remark from 2006. King responded later that day, saying, "That a right-wing-blog would impugn my patriotism because I said children should learn to read, and could get better jobs by doing so, is beneath contempt...I live in a national guard town, and I support our troops, but I don’t support either the war or educational policies that limit the options of young men and women to any one career—military or otherwise." King again defended his comment in an interview with the ''Bangor Daily News'' on May 8, saying, "I’m not going to apologize for promoting that kids get better education in high school, so they have more options. Those that don’t agree with what I’m saying, I’m not going to change their minds."
King's website states that he is a supporter of the Democratic Party. During the 2008 presidential election, King voiced his support for Democratic candidate Barack Obama. King was quoted as calling conservative commentator Glenn Beck "Satan's mentally challenged younger brother."
On March 8, 2011, King spoke at a political rally in Sarasota aimed against Governor Rick Scott (R-FL), voicing his opposition to the Tea Party movement.
Shortly after publication of ''The Tommyknockers'', King's family and friends staged an intervention, dumping evidence of his addictions taken from the trash including beer cans, cigarette butts, grams of cocaine, Xanax, Valium, NyQuil, dextromethorphan (cough medicine) and marijuana, on the rug in front of him. As King related in his memoir, he then sought help and quit all forms of drugs and alcohol in the late 1980s, and has remained sober since.
Tabitha King has published nine of her own novels. Both King's sons are published authors: Owen King published his first collection of stories, ''We're All in This Together: A Novella and Stories'', in 2005. Joseph Hillstrom published a collection of short stories, ''20th Century Ghosts'', in 2005. and his first novel, ''Heart-Shaped Box'' will be adapted into a feature film by director Neil Jordan.
King's daughter Naomi spent two years as a minister in the Unitarian Universalist Church, in Utica, New York. Naomi now ministers for the Unitarian Universalist Church of River of Grass, in Plantation, Florida with her same-sex partner, Rev. Dr. Thandeka.
King was raised Methodist, while his wife, Tabitha, was raised Catholic.
King is a fan of baseball, and of the Boston Red Sox in particular; he frequently attends the team's home and away games, and occasionally mentions the team in his novels and stories. He helped coach his son Owen's Bangor West team to the Maine Little League Championship in 1989. He recounts this experience in the ''New Yorker'' essay "Head Down", which also appears in the collection ''Nightmares & Dreamscapes''. In 1999, King wrote ''The Girl Who Loved Tom Gordon,'' which featured former Red Sox pitcher Tom Gordon as the protagonist's imaginary companion. In 2004, King co-wrote a book titled ''Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season'' with Stewart O'Nan, recounting the authors' roller coaster reaction to the Red Sox's 2004 season, a season culminating in the Sox winning the 2004 American League Championship Series and World Series. In the 2005 film ''Fever Pitch,'' about an obsessive Boston Red Sox fan, King tosses out the first pitch of the Sox's opening day game. He has also devoted one of his columns for ''Entertainment Weekly'' on the subject of commercialism in Major League Baseball. He also starred in an ESPN ''SportsCenter'' advertisement referencing both his allegiance to the Red Sox and his preferred writing genre (horror fiction).
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Coordinates | 28°36′50″N77°12′32″N |
---|---|
name | Rudolph Valentino |
birth name | Rodolfo Alfonso Raffaello Piero Filiberto Guglielmi di Valentina d'Antonguolla |
birth date | May 06, 1895 |
birth place | Castellaneta, Italy |
death date | August 23, 1926 |
death place | New York City, New York, U.S. |
years active | 1914–1926 |
occupation | Actor |
spouse | }} |
Rudolph Valentino (May 6, 1895 – August 23, 1926) was an Italian actor, and early pop icon. A sex symbol of the 1920s, Valentino was known as the "Latin Lover". He starred in several well known silent films including ''The Four Horsemen of the Apocalypse'', ''The Sheik'', ''Blood and Sand'', ''The Eagle'' and ''Son of the Sheik''.
His sudden death at age 31 caused mass hysteria among his female fans, propelling him into icon status. Though his films are not as well known today, his name is still widely known.
As a child, Valentino was reportedly spoiled and troublesome. His mother coddled him while his father disapproved of his behavior. He did poorly in school, and was eventually enrolled in agricultural school where he received a degree.
After living in Paris in 1912, he soon returned to Italy. Unable to secure employment, he departed for the United States in 1913. He was processed at Ellis Island at age 18 on December 23, 1913.
Valentino eventually befriended Chilean heiress Blanca de Saulles who was unhappily married to prominent businessman John de Saulles, with whom she had a son. Whether Blanca and Valentino actually had a romantic relationship is unknown, but when the de Saulles couple divorced, Valentino took the stand to support Blanca de Saulles' claims of infidelity on her husband's part. Following the divorce, John de Saulles reportedly used his political connections to have Valentino arrested, along with a Mrs. Thyme, a known madam, on some unspecified vice charges. The evidence was flimsy at best and after a few days in jail, Valentino's bail was lowered from $10,000 to $1,500.
The trial and subsequent scandal was well publicized, following which Valentino could not find employment. Shortly after the trial, Blanca de Saulles fatally shot her ex-husband during a custody dispute over their son. Fearful of being called in as a witness in another sensational trial, Valentino left town, joining a traveling musical that led him to the West Coast.
Valentino, with Kerry as a roommate, moved back to Los Angeles and took up residence at the Alexandria Hotel. He continued dancing, teaching dance and building up a following which included older female clientele who would let him borrow their luxury cars.
With his dancing success, Valentino found a room of his own on Sunset Boulevard and began actively seeking screen roles. His first part was as an extra in the film ''Alimony'', moving on to small parts in several films. Despite his best efforts he was typically cast as a "heavy" (villain) or gangster. At the time, the major male star was Wallace Reid, with a fair complexion, light eyes, and an All American look, with Valentino the opposite, eventually supplanting Sessue Hayakawa as Hollywood's most popular "exotic" male lead.
By 1919, he had carved out a career in bit parts. It was a bit part as a "cabaret parasite" in the drama ''Eyes of Youth'' that caught the attention of screenwriter June Mathis, who thought he would be perfect for her next movie. He also appeared as second lead in ''The Delicious Little Devil'' (1919) with star Mae Murray.
While traveling to Palm Springs, Florida to film ''Stolen Moments'', Valentino read the novel ''The Four Horsemen of the Apocalypse'' by Vicente Blasco Ibáñez. Seeking out a trade paper, he discovered that Metro had bought the film rights to the story. In New York, he sought out Metro's Office, only to find June Mathis had been trying to find him. She cast him in the role of Julio Desnoyers. For director, Mathis had chosen Rex Ingram, with whom Valentino did not get along, leading Mathis to play the role of peacekeeper between the two.
''The Four Horsemen of the Apocalypse'' was released in 1921, becoming a commercial and critical success. It was one of the first films to make $1,000,000 at the box office, as well as the sixth highest grossing silent film ever.
Metro Pictures seemed unwilling to acknowledge it had made a star. Most likely due to Rex Ingram's lack of faith in him, the studio refused to give him a raise beyond the $350 a week he had made for ''Four Horsemen''. For his follow up film, they forced him into a bit part in a B film called ''Uncharted Seas''. It was on this film that Valentino met his second wife, Natacha Rambova.
Rambova, Mathis, Ivano, and Valentino began work on the Alla Nazimova film ''Camille''. Valentino was cast in the role of Armand, Nazimova's love interest. The film, mostly under the control of Rambova and Nazimova, was considered too avant garde by critics and the public.
Valentino's final film for Metro was the Mathis-penned ''The Conquering Power''. The film received critical acclaim and did well at the box office. After the film's release, Valentino made a trip to New York where he met with several French producers. Yearning for Europe, better pay, and more respect, Valentino returned and promptly quit Metro.
Jesse Lasky intended to capitalize on the star power of Valentino, and cast him in a role that would solidify his reputation as the "Latin Lover". In ''The Sheik'', Valentino played the starring role as Sheik Ahmed Ben Hassan. The film was a major success and would go on to define not only his career but his image and legacy. Valentino tried to distance the character from a stereotypical portrayal of an Arab man. Asked if Lady Diana (his love interest) would have fallen for a 'savage' in real life Valentino replied, "People are not savages because they have dark skins. The Arabian civilization is one of the oldest in the world...the Arabs are dignified and keen brained."
Famous Players produced four more feature length films over the next 15 months. His leading role in ''Moran of the Lady Letty'' was of a typical Douglas Fairbanks nature, however to capitalize on Valentino's bankability, his character was given a Spanish name and ancestry. The film received mixed reviews but was still a hit with audiences.
In November 1921, Valentino starred alongside Gloria Swanson in ''Beyond the Rocks''. The film contained lavish sets and extravagant costumes, though ''Photoplay'' magazine said the film was "a little unreal and hectic". Released in 1922, the film was a critical disappointment. Years after its release, ''Beyond the Rocks'' was thought to be lost, save for a one minute portion. In 2002, the film was discovered by the Netherlands Film Museum. The restored version was released on DVD in 2006.
In 1922, Valentino began work on another Mathis-penned film, ''Blood and Sand''. Co-starring Lila Lee and Nita Naldi, Valentino played the lead, bullfighter Juan Gallardo. Initially believing the film would be shot in Spain, Valentino was upset to learn that the studio planned on shooting on a Hollywood back lot. He was further irritated by changes in production, including a director of whom he did not approve.
After finishing the film, Valentino married Rambova, which led to a bigamy trial. The trial was a sensation and the pair was forced to have their marriage annulled and separated for a year. Despite the trial, the film was still a success, with critics calling it a masterpiece on par with ''Broken Blossoms'' and ''Four Horsemen''. ''Blood and Sand'' went on to become one of the top four grossing movies of 1922, breaking attendance records, and grossing $37,400 at the Rivoli Theatre alone. Valentino would consider this one of his best films.
During his forced break from Rambova, the pair began working (separately) on the Mathis-penned ''The Young Rajah''. Only fragments of this film, recovered in 2005, still remain. The film did not live up to expectations and underperformed at the box office. Valentino felt he had underperformed in the film, being upset over his separation with Rambova. Missing Rambova, Valentino returned to New York after the release of ''The Young Rajah''. They were spotted and followed by reporters constantly. During this time Valentino began to contemplate not returning to Famous Players, although Jesse Lasky already had his next picture, ''The Spanish Cavalier'', in preparation. After speaking with Rambova and his lawyer Arthur Butler Graham, Valentino declared a 'One man Strike' against Famous Players.
In September 1922, he refused to accept paychecks from Famous Players until the dispute was solved, although he owed them money he had spent to pay off Jean Acker. Angered, Famous Players in turn filed suit against him.
Valentino did not back down, and Famous Players realized how much they stood to lose. In trouble after shelving Fatty Arbuckle pictures, the studio tried to settle by upping his salary from $1,250 to $7,000 a week. Variety, erroneously, announced the salary increase as a 'new contract' before news of the lawsuit was released. Valentino refused the offer.
Valentino went on to claim that artistic control was more of an issue than the money. He wrote an open letter to Photoplay magazine, entitled "Open Letter to the American Public", where he argued his case, although the average American had trouble sympathizing, as most made $2,000 a year. Famous Players made their own public statements deeming him more trouble than he was worth (the divorce, bigamy trials, debts) and that he was temperamental, almost diva-like. They claimed to have done all they could and that they had made him a real star.
Other studios began courting him. Joseph Schenck was interested in casting his wife, Norma Talmadge, opposite Valentino in a version of ''Romeo and Juliet''. June Mathis had moved to Goldwyn Pictures where she was in charge of the ''Ben-Hur'' project, and interested in casting Valentino in the film. However, Famous Players exercised their option to extend his contract, preventing him from accepting any employment other than with the studio. By this point Valentino was around $80,000 in debt. Valentino filed an appeal, a portion of which was granted. Although he was still not allowed to work as an actor, he could accept other types of employment.
The tour was a tremendous success with Valentino and Rambova performing in 88 cities in the United States and Canada. In addition to the tour, Valentino also sponsored Mineralava beauty products and judged Mineralava sponsored beauty contests. One beauty contest was filmed by a young David O. Selznick entitled ''Rudolph Valentino and His 88 Beauties''.
The first film under the new contract was ''Monsieur Beaucaire'', wherein Valentino played the lead, Duke of Chartres. The film did poorly and American audiences found it 'effeminate'. The failure of the film, under Rambova's control, is often seen as proof of her controlling nature and would later cause her to be barred from Valentino sets. Valentino made one final movie for Famous Players. In 1924 he starred in ''The Sainted Devil'', now one of his lost films. It had lavish costumes but apparently a weak story. It opened to strong sales but soon dropped off in attendance and ended up as another disappointment.
With his contract fulfilled, Valentino was released from Famous Players but still obligated to Ritz-Carlton for four films. Valentino's next film was a pet project entitled ''The Hooded Falcon''. The production was beset with problems from the start, beginning with the script written by June Mathis. The Valentinos were dissatisfied with Mathis' version and requested that it be rewritten. Mathis took it as a great insult and did not speak to Valentino for almost two years. While Rambova worked designing costumes and rewriting the script for ''Falcon'', Valentino was persuaded to film ''Cobra'' with Nita Naldi. Valentino agreed only on condition that it not be released until after ''The Hooded Falcon'' debuted.
After filming ''Cobra'', the cast of ''The Hooded Falcon'' sailed for France to be fitted for costumes. After three months, they headed back to the United States, where Valentino's new beard, which he had grown for the film, caused a sensation. The crew and cast headed for Hollywood to begin preparations for the film, but much of the budget was taken up during pre-production. Due to the Valentinos' lavish spending on costumes and sets, Ritz-Carlton terminated the deal with the couple, effectively ending Valentino's contract with Ritz-Carlton.
Valentino chose his first UA project, ''The Eagle''. With the marriage under strain, Valentino began shooting and Rambova announced that she needed a "marital vacation". During the filming of ''The Eagle'', rumors of an affair with co-star Vilma Bánky were reported and ultimately denied by both Bánky and Valentino. The film opened to positive reviews, but a moderate box office.
For the film's release, Valentino travelled to London, staying there and in France, spending money with abandon while his divorce took place. It would be some time before he made another film, ''The Son of the Sheik'', despite his hatred of the sheik image. The film began shooting in February 1926, with Valentino given his choice of director, and pairing him again with Vilma Banky. The film used the authentic costumes he bought abroad and allowed him to play a dual role. Valentino was ill during production, but needed the money to pay his many debts. The film opened on July 8, 1926 to great fanfare. During the premiere, Valentino was reconciled with Mathis; the two had not spoken in almost two years.
Some journalists were still calling his masculinity into question, going on at length about his pomaded hair, his dandyish clothing, his treatment of women, his views on women, and whether he was effeminate or not. Valentino hated these stories and was known to carry the clippings of the newspaper articles around with him and criticize them.
In July 1926, The ''Chicago Tribune'' reported that a vending machine dispensing pink talcum powder had appeared in an upscale hotel washroom. An editorial that followed used the story to protest the feminization of American men, and blamed the talcum powder on Valentino and his films. The piece infuriated Valentino and he challenged the writer to a duel and then a boxing match. Neither challenge was answered. Shortly afterward, Valentino met with journalist H.L. Mencken for advice on how best to deal with the incident. Mencken advised Valentino to "let the dreadful farce roll along to exhaustion", but Valentino insisted the editorial was "infamous." Mencken found Valentino to be likable and gentlemanly and wrote sympathetically of him in an article published in the ''Baltimore Sun'' a week after Valentino's death:
After Valentino challenged the ''Tribune'''s anonymous writer to a boxing match, the ''New York Evening Journal'' boxing writer, Frank O'Neill, volunteered to fight in his place. Valentino won the bout which took place on the roof of New York's Ambassador Hotel.
Boxing heavyweight champion Jack Dempsey, who trained Valentino and other Hollywood notables of the era in the art of boxing, said of him "He was the most virile and masculine of men. The women were like flies to a honeypot. He could never shake them off, anywhere he went. What a lovely, lucky guy."
Valentino was fascinated with every part of movie-making. During production on a Mae Murray film he spent time studying the director's plans. He craved authenticity and wished to shoot on location, finally forming his own production company, ''Rudolph Valentino Productions'', in 1925. Valentino, George Ullman, and Beatrice Ullman were the incorporators.
On May 14, 1923, while in New York City, Valentino made his only two vocal recordings for Brunswick Records; "Kashmiri Song" (''The Sheik'') and "El Relicario" (''Blood and Sand''). The recordings were not released until after Valentino's death by the Celebrity Recording Company; Brunswick did not release them because Valentino's English/Spanish pronunciation was subpar.
Valentino was one of the first in Hollywood to offer an award for artist accomplishments in films. The Academy Awards would later follow suit. In 1925, he gave out his one and only medal, to John Barrymore, for his performance in ''Beau Brummel''. The award, named ''The Rudolph Valentino Medal'', required the agreement of Valentino, two judges and the votes of 75 critics. Everyone other than Valentino himself was eligible.
Valentino first met Natacha Rambova, a costume designer and art director and protégée of Nazimova, on the set of ''Uncharted Seas'' in 1921. The two worked together on the Nazimova production of ''Camille'', by which time they were romantically involved. They married on May 13, 1922, in Mexicali, Mexico, which resulted in Valentino's arrest for bigamy since he had not been divorced for a full year, as required by California law at the time. Days passed and his studio at the time, Famous Players-Lasky, refused to post bail. Eventually, a few friends were able to post the cash bail.
Having to wait the year or face the possibility of being arrested again, Rambova and Valentino lived in separate apartments in New York City, each with their own roommates. On March 14, 1923, they legally remarried.
Many of Valentino's friends disliked Rambova and found her controlling. During his relationship with her, he lost many friends and business associates, including June Mathis. Toward the end of their marriage, Rambova was banned from his sets by contract. Valentino and Rambova divorced in 1925. The end of the marriage was bitter, with Valentino bequeathing Rambova one dollar in his will.
From the time he died until the 1960s, Valentino's sexuality was not generally questioned. At least four books, particularly ''Hollywood Babylon'', began to perpetuate that he may have been homosexual despite his marriage with Rambova. In fact, the marriages to Acker and Rambova, as well as the relationship with Pola Negri only serves to add to the suspicion that Valentino was homosexual and that these were "lavender marriages", as all have documented lesbian relationships. Such books gave rise to claims that Valentino had a relationship with Ramón Novarro, despite even Novarro stating they barely knew each other. ''Hollywood Babylon'' in particular spread the rumor that Valentino had given Novarro an art deco dildo as a gift, which was found stuffed in his throat at the time of his murder. No such gift ever existed. These books also gave rise to claims that he may have had relationships with both roommates Paul Ivano and Douglas Gerrad, as well as Norman Kerry, openly gay French actor Jacques Herbertot and André Daven. However, Ivano maintained that it was completely untrue and both he and Valentino were heterosexual. Biographers Emily Leider and Allan Ellenberger generally agree that he was most likely straight.
Further evidence that Valentino was gay are documents in the estate of the late author Samuel Steward indicating that Valentino was a sexual partner of his. However, evidence found in Steward's claim was subsequently refuted. In 1924, Valentino recorded an explicit account of a one night stand with another man in his journal.
Shortly before his death, Valentino was dating actress Pola Negri. Upon his death, Negri made a scene at his funeral, claiming they had been engaged. Valentino had never confirmed the engagement claim.
An estimated 100,000 people lined the streets of New York City to pay their respects at his funeral, handled by the Frank Campbell Funeral Home. The event was a drama itself: Suicides of despondent fans were reported. Windows were smashed as fans tried to get in and an all day riot erupted on August 24. Over 100 Mounted officers and NYPD's Police Reserve was deployed to restore order. A phalanx of officers would line the streets for the remainder of the viewing. The drama inside would not be outdone. Polish Actress Pola Negri, claiming to be Valentino's fiancee, collapsed in hysterics while standing over the coffin, and Campbell's hired four actors to impersonate a Fascist Blackshirt honor guard, which claimed to have been sent by Benito Mussolini. It was later revealed as a planned publicity stunt. Media reports that the body on display in the main salon was not Valentino but a decoy were continually denied by Campbell.
Valentino's funeral mass in New York was held at Saint Malachy's Roman Catholic Church, often called "The Actor's Chapel", as it is located on West 49th Street in the Broadway theater district, and has a long association with show business figures.
After the body was taken by train across the country, a second funeral was held on the West Coast, at the Catholic Church of the Good Shepherd in Beverly Hills. Valentino had no final burial arrangements and his friend June Mathis offered her crypt for him in what she thought would be a temporary solution. However, she died the following year and Valentino was placed in the adjoining crypt. The two are still interred side by side in adjoining crypts at the Hollywood Memorial Park Cemetery (now the Hollywood Forever Cemetery) in Hollywood, California.
Also in 2010, Rudolph Valentino's historic Bayside, Queens, house was restored. John Joseph Fasano, a New York artist, restored all the original mahagony in the famous "Valentino Room". Fasano also painted two traditional murals in oil paint at the estate, and created decorative wall finishes inside the "Valentino Room".
Over the years, a "woman in black" carrying a red rose has come to mourn at Valentino's grave, usually on the anniversary of his death. Several myths surround the woman, though it seems the first woman in black was actually a publicity stunt cooked up by press agent Russel Birdwell in 1928. Several copycats have followed over the years.
Valentino has been depicted frequently in literature, most notably in Mitzi Szereto's ''Wicked: Sexy Tales of Legendary Lovers'' and Jacob Appel's ''After Valentino''.
Valentino's hometown of Castellaneta, Italy has created several services in his honor. A Museo Rodolfo Valentino was opened in his childhood home. A Fondazione Rodolfo Valentino was created to promote his life and his work. In 2009 a film school was also opened in his hometown, "Centro Studi Cine Club Rodolfo Valentino Castellaneta." At the centennial of his birth several events were held in his honor. From 1972 to 2006 an Italian acting award, "The Rudolph Valentino Award", was handed out every year. Several actors from all over the world received this award including Leonardo DiCaprio and Elizabeth Taylor.
In 2006, the Italians planned a one-off film festival to celebrate the opening of the Museo Rodolfo Valentino. In May 2010, the American Society held The Rudolph Valentino Film Festival in Los Angeles, California.
An earlier feature film about Valentino's life, also called ''Valentino'', was released in 1951, starring Anthony Dexter as Valentino.
In 2003, Edoardo Ballerini premiered the short film ''Good Night Valentino'' at the Sundance Film Festival to critical acclaim. It is based on the transcripts of the conversation between Rudolph Valentino and H.L. Mencken.
In 2010, Italian film director Giuseppe Sansonna shot the documentary film, ''The Sheik from Castellaneta'', on the cult of Valentino in Castellaneta, where he is still considered a demigod. The film shows the curious, sometimes even grotesque, forms that Valentino's myth has taken in local popular culture.
In 2011 American full length silent film "Death of the Sheik" (Silent Life), directed by Vlad Kozlov, is produced and will be premiered in late 2011 in Hollywood.
The original Royal Hawaiian resort was fashioned in a Spanish-Moorish style which was popular during the time period and influenced by screen star Rudolph Valentino.
! Year | ! Title | ! Role | Notes |
1914 | ''My Official Wife'' | Extra | Uncredited |
1914 | Dance Extra | Uncredited | |
1916 | ''The Quest of Life'' | Uncredited | |
1916 | ''The Foolish Virgin'' | Uncredited | |
1916 | ''Seventeen'' | Extra | Uncredited |
1917 | ''Alimony'' | Dancer | Uncredited |
1917 | ''Patria'' | ||
1918 | ''A Society Sensation'' | Dick Bradley | as Rudolpho De Valentina |
1918 | ''All Night'' | Richard Thayer | as Rudolpho di Valentina |
1918 | ''The Married Virgin'' | Count Roberto di San Fraccini | as Rodolfo di Valentini |
1919 | ''The Delicious Little Devil'' | Jimmy Calhoun | as Rudolpho De Valintine |
1919 | ''The Big Little Person'' | Arthur Endicott | as M. Rodolpho De Valentina |
1919 | ''A Rogue's Romance'' | Apache Dancer | as Rudolph Volantino |
1919 | ''The Homebreaker'' | Dance Extra | Uncredited |
1919 | ''Out of Luck'' | ||
1919 | ''Virtuous Sinners'' | Bit Part | |
1919 | ''The Fog'' | ||
1919 | ''Nobody Home'' | Maurice Rennard | as Rodolph Valentine |
1919 | ''Eyes of Youth'' | Clarence Morgan | as Rudolfo Valentino |
1920 | Jose Dalmarez | as Rudolph Valentine | |
1920 | Jacques Rudanyi | as Rodolph Valentino | |
1920 | ''The Cheater'' | Extra | Uncredited |
1920 | ''Passion's Playground'' | Prince Angelo Della Robbia | as Rudolph Valentine |
1920 | ''The Wonderful Chance'' | Joe Klingsby | |
1921 | Julio Desnoyers | ||
1921 | ''Uncharted Seas'' | Frank Underwood | |
1921 | ''The Conquering Power'' | Charles Grandet | |
1921 | Sheik Ahmed Ben Hassan | ||
1921 | Armand Duval / Manon's Lover in Daydream | ||
1922 | ''Moran of the Lady Letty '' | Ramon Laredo | |
1922 | Lord Hector Bracondale | ||
1922 | Juan Gallardo | as Rodolph Valentino | |
1922 | ''The Young Rajah'' | Amos Judd, also known as the Maharajah Sirdir Singh | as Rodolph Valentino |
1924 | Duke de Chartres/Beaucaire | ||
1924 | ''A Sainted Devil'' | Don Alonzo Castro | |
1925 | Count Rodrigo Torriani | ||
1925 | Lt. Vladimir Dubrovsky, aka The Black Eagle and Marcel Le Blanc | ||
1926 | ''The Son of the Sheik'' | Ahmed, the Sheik's Son / Sheik Ahmed Ben Hassan | Final film |
Category:American actors Category:Burials at Hollywood Forever Cemetery Category:Deaths from surgical complications Category:Deaths from peritonitis Category:American people of Italian descent Category:Italian expatriates in the United States Category:Italian actors Category:Italian film actors Category:American film actors Category:Italian emigrants to the United States Category:Italian silent film actors Category:People from the Province of Taranto Category:20th-century actors Category:1895 births Category:1926 deaths
ar:رودلف فالنتينو az:Rudolf Valentino bg:Рудолфо Валентино ca:Rodolfo Valentino da:Rudolph Valentino de:Rudolph Valentino et:Rudolph Valentino es:Rodolfo Valentino eo:Rudolph Valentino eu:Rodolfo Valentino fr:Rudolph Valentino gl:Rodolfo Valentino hr:Rudolph Valentino io:Rodolfo Valentino id:Rudolph Valentino it:Rodolfo Valentino he:רודולף ולנטינו la:Rudolphus Valentino hu:Rudolph Valentino nl:Rudolph Valentino ja:ルドルフ・ヴァレンティノ no:Rudolph Valentino oc:Rodolfo Valentino pl:Rudolf Valentino pt:Rodolfo Valentino ru:Валентино, Рудольф scn:Rudolfu Valintinu simple:Rudolph Valentino sr:Рудолф Валентино sh:Rudolph Valentino fi:Rudolph Valentino sv:Rudolph Valentino roa-tara:Rodolfo Valentino th:รูดอล์ฟ วาเลนติโน tr:Rudolph Valentino uk:Рудольф Валентіно zh:魯道夫·瓦倫蒂諾This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 28°36′50″N77°12′32″N |
---|---|
Name | Kurt Vonnegut |
Birth name | Kurt Vonnegut, Jr. |
Birth date | November 11, 1922 |
Birth place | Indianapolis, Indiana, United States |
Death date | April 11, 2007 |
Death place | New York City, United States |
Occupation | Novelist, essayist |
Nationality | American |
Period | 1949–2007 |
Genre | SatireGallows humorScience fiction |
Influences | ''Subtreasury of American Humor'', Louis-Ferdinand Céline, Joseph Heller, William March, Mark Twain, George Orwell, Eugene V. Debs, Powers Hapgood, George Bernard Shaw, James Thurber, James Joyce, Aldous Huxley |
Influenced | Douglas Adams, Bill Bryson, Paul Auster, Mitch Berman, T. Coraghessan Boyle, Jhonen Vasquez, Louis Sachar, George Saunders, Haruki Murakami, Carlton Mellick III, Kula Shaker, Chris Bachelder, James Rivera, John Irving, Aka Morchiladze, Jon Stewart |
website | http://vonnegut.com/ }} |
Vonnegut was one of a group of American prisoners of war to survive the attack in an underground slaughterhouse meat locker used by the Germans as an ad hoc detention facility. The Germans called the building ''Schlachthof Fünf'' (Slaughterhouse Five) which the Allied POWs adopted as the name for their prison. Vonnegut said the aftermath of the attack was "utter destruction" and "carnage unfathomable." This experience was the inspiration for his famous novel, ''Slaughterhouse-Five'', and is a central theme in at least six of his other books. In ''Slaughterhouse-Five'' he recalls that the remains of the city resembled the surface of the moon, and that the Germans put the surviving POWs to work, breaking into basements and bomb shelters to gather bodies for mass burial, while German civilians cursed and threw rocks at them. Vonnegut eventually remarked, "There were too many corpses to bury. So instead the Germans sent in troops with flamethrowers. All these civilians' remains were burned to ashes."
Vonnegut was repatriated by Red Army troops in May 1945 at the Saxony-Czechoslovakian border. Upon returning to America, he was awarded a Purple Heart for what he called a "ludicrously negligible wound," later writing in ''Timequake'' that he was given the decoration after suffering a case of "frostbite".
In the mid 1950s, Vonnegut worked very briefly for ''Sports Illustrated'' magazine, where he was assigned to write a piece on a racehorse that had jumped a fence and attempted to run away. After staring at the blank piece of paper on his typewriter all morning, he typed, "The horse jumped over the fucking fence," and left. On the verge of abandoning writing, Vonnegut was offered a teaching job at the University of Iowa Writers' Workshop. While he was there, ''Cat's Cradle'' became a best-seller, and he began ''Slaughterhouse-Five'', now considered one of the best American novels of the 20th century, appearing on the 100 best lists of ''Time'' magazine and the Modern Library.
Early in his adult life he moved to Barnstable, Massachusetts, a town on Cape Cod, where he managed the first Saab dealership established in the U.S.
After returning from World War II, Kurt Vonnegut married his childhood sweetheart, Jane Marie Cox, writing about their courtship in several of his short stories. In the 1960s they lived in Barnstable, Massachusetts, where for a while Vonnegut worked at a Saab dealership. The couple separated in 1970. He did not divorce Cox until 1979, but from 1970 Vonnegut lived with the woman who would later become his second wife, photographer Jill Krementz. Krementz and Vonnegut were married after the divorce from Cox was finalized.
He raised seven children: three from his first marriage; his sister Alice's three children, adopted by Vonnegut after her death from cancer; and a seventh, Lily, adopted with Krementz. His only biological son, Mark Vonnegut, a pediatrician, wrote the book ''The Eden Express: A Memoir of Insanity'' (Seven Stories Press, 2010), about his experiences in the late 1960s and his major psychotic breakdown and recovery. Mark was named after Mark Twain, whom Vonnegut considered an American saint.
His daughter Edith ("Edie"), an artist, was named after Kurt Vonnegut's mother, Edith Lieber. She has had her work published in a book titled ''Domestic Goddesses'' and was once married to Geraldo Rivera. His youngest biological daughter, Nanette ("Nanny"), was named after Nanette Schnull, Vonnegut's paternal grandmother. She is married to realist painter Scott Prior and is the subject of several of his paintings, notably "Nanny and Rose".
Of Vonnegut's four adopted children, three are his nephews: James, Steven, and Kurt Adams; the fourth is Lily, a girl he adopted as an infant in 1982. James, Steven, and Kurt were adopted after a traumatic week in 1958, in which their father James Carmalt Adams was killed on September 15 in the Newark Bay rail crash when his commuter train went off the open Newark Bay bridge in New Jersey, and their mother—Kurt's sister Alice—died of cancer. In ''Slapstick'', Vonnegut recounts that Alice's husband died two days before Alice herself, and her family tried to hide the knowledge from her, but she found out when an ambulatory patient gave her a copy of the ''New York Daily News'' a day before she herself died. The fourth and youngest of the boys, Peter Nice, went to live with a first cousin of their father in Birmingham, Alabama, as an infant. Lily is a singer and actress.
Jane Marie Cox later married Adam Yarmolinsky and wrote an account of the Vonneguts' life with the Adams children. It was published after her death as the book ''Angels Without Wings: A Courageous Family's Triumph Over Tragedy''.
On November 11, 1999, the asteroid 25399 Vonnegut was named in Vonnegut's honor.
On January 31, 2001, a fire destroyed the top story of his home. Vonnegut suffered smoke inhalation and was hospitalized in critical condition for four days. He survived, but his personal archives were destroyed. After leaving the hospital, he recuperated in Northampton, Massachusetts.
Vonnegut smoked unfiltered Pall Mall cigarettes, a habit he referred to as a "classy way to commit suicide".
Vonnegut suffered irreversible brain injuries following a fall at his home and died in Manhattan on April 11, 2007.
These structural experiments were continued in ''Breakfast of Champions'' (1973), which includes many rough illustrations, lengthy non-sequiturs and an appearance by the author himself, as a ''deus ex machina''.
:"This is a very bad book you're writing," I said to myself. : :"I know," I said. : :"You're afraid you'll kill yourself the way your mother did," I said. : :"I know," I said.
''Deadeye Dick'', although mostly set in the mid-twentieth century, foreshadows the turbulent times of contemporary America; it ends prophetically with the lines "You want to know something? We are still in the Dark Ages. The Dark Ages — they haven't ended yet." The novel explores themes of social isolation and alienation that are particularly relevant in the postmodern world. Society is seen as openly hostile or indifferent at best, and popular culture as superficial and excessively materialistic.
Vonnegut attempted suicide in 1984 and later wrote about this in several essays.
''Breakfast of Champions'' became one of his best-selling novels. It includes, in addition to the author himself, several of Vonnegut's recurring characters. One of them, science fiction author Kilgore Trout, plays a major role and interacts with the author's character.
In 1974, ''Venus on the Half-Shell'', a book by Philip José Farmer in a style similar to that of Vonnegut and attributed to Kilgore Trout, was published. This caused some confusion among readers, as for some time many assumed that Vonnegut wrote it; when the truth of its authorship came out, Vonnegut was reported as being "not amused". In an issue of the semi-prozine ''The Alien Critic''/''Science Fiction Review'', published by Richard E. Geis, Farmer claimed to have received an angry, obscenity-laden telephone call from Vonnegut about it.
In addition to recurring characters, there are also recurring themes and ideas. One of them is ice-nine (a central wampeter in his novel ''Cat's Cradle'').
Although many of his novels involved science fiction themes, they were widely read and reviewed outside the field, not least due to their anti-authoritarianism. For example, in his seminal short story "Harrison Bergeron" egalitarianism is rigidly enforced by overbearing state authority, engendering horrific repression.
In much of his work, Vonnegut's own voice is apparent, often filtered through the character of science fiction author Kilgore Trout (whose name is based on that of real-life science fiction writer Theodore Sturgeon). It is characterized by wild leaps of imagination and a deep cynicism, tempered by humanism. In the foreword to ''Breakfast of Champions'', Vonnegut wrote that as a child, he saw men with locomotor ataxia, and it struck him that these men walked like broken machines; it followed that healthy people were working machines, suggesting that humans are helpless prisoners of determinism. Vonnegut also explored this theme in ''Slaughterhouse-Five'', in which protagonist Billy Pilgrim "has come unstuck in time" and has so little control over his own life that he cannot even predict which part of it he will be living through from minute to minute. Vonnegut's well-known phrase "So it goes", used ironically in reference to death, also originated in ''Slaughterhouse-Five.'' "Its combination of simplicity, irony, and rue is very much in the Vonnegut vein."
With the publication of his novel ''Timequake'' in 1997, Vonnegut announced his retirement from writing fiction. He continued to write for the magazine ''In These Times'', where he was a senior editor, until his death in 2007, focusing on subjects ranging from contemporary U. S. politics to simple observational pieces on topics such as a trip to the post office. In 2005, many of his essays were collected in a new bestselling book titled ''A Man Without a Country'', which he insisted would be his last contribution to letters.
An August 2006 article reported:
:He has stalled finishing his highly anticipated novel ''If God Were Alive Today'' — or so he claims. "I've given up on it... It won't happen... The Army kept me on because I could type, so I was typing other people's discharges and stuff. And my feeling was, 'Please, I've done everything I was supposed to do. Can I go home now?' That's what I feel right now. I've written books. Lots of them. Please, I've done everything I'm supposed to do. Can I go home now?"
The April 2008 issue of ''Playboy'' featured the first published excerpt from ''Armageddon in Retrospect'', the first posthumous collection of Vonnegut's work. The book itself was published in the same month. It included never before published short stories by the writer and a letter that was written to his family during World War II when Vonnegut was captured as a prisoner of war. The book also contains drawings by Vonnegut and a speech he wrote shortly before his death. The introduction was written by his son, Mark Vonnegut.
Vonnegut also taught at Harvard University, where he was a lecturer in English, and the City College of New York, where he was a Distinguished Professor.
In 2004, Vonnegut participated in the project ''The Greatest Album Covers That Never Were'', for which he created an album cover for Phish called ''Hook, Line and Sinker'', which has been included in a traveling exhibition for the Rock and Roll Hall of Fame.
In 1968, he signed the “Writers and Editors War Tax Protest” pledge, vowing to refuse tax payments in protest against the Vietnam War.
Vonnegut frequently addressed moral and political issues but rarely dealt with specific political figures until after his retirement from fiction. Though the downfall of Walter Starbuck, a minor Nixon administration bureaucrat who is the narrator and main character in ''Jailbird'' (1979), would not have occurred but for the Watergate scandal, the focus is not on the administration. His collection ''God Bless You, Dr. Kevorkian'' referenced controversial assisted suicide proponent Jack Kevorkian.
With his columns for ''In These Times'', he began an attack on the Bush administration and the Iraq war. "By saying that our leaders are power-drunk chimpanzees, am I in danger of wrecking the morale of our soldiers fighting and dying in the Middle East?" he wrote. "Their morale, like so many bodies, is already shot to pieces. They are being treated, as I never was, like toys a rich kid got for Christmas." ''In These Times'' quoted him as saying "The only difference between Hitler and Bush is that Hitler was elected." In a 2003 interview Vonnegut said, "I myself feel that our country, for whose Constitution I fought in a just war, might as well have been invaded by Martians and body snatchers. Sometimes I wish it had been. What has happened, though, is that it has been taken over by means of the sleaziest, low-comedy, Keystone Cops-style coup d’etat imaginable. And those now in charge of the federal government are upper-crust C-students who know no history or geography, plus not-so-closeted white supremacists, aka 'Christians,' and plus, most frighteningly, psychopathic personalities,or 'PPs.'" When asked how he was doing at the start of a 2003 interview, he replied: "I'm mad about being old and I'm mad about being American. Apart from that, OK."
He did not regard the 2004 election with much optimism; speaking of Bush and John Kerry, he said that "no matter which one wins, we will have a Skull and Bones President at a time when entire vertebrate species, because of how we have poisoned the topsoil, the waters and the atmosphere, are becoming, hey presto, nothing but skulls and bones."
In 2005, Vonnegut was interviewed by David Nason for ''The Australian''. During the course of the interview Vonnegut was asked his opinion of modern terrorists, to which he replied, "I regard them as very brave people." When pressed further Vonnegut also said that "They [suicide bombers] are dying for their own self-respect. It's a terrible thing to deprive someone of their self-respect. It's [like] your culture is nothing, your Race is nothing, you're nothing ... It is sweet and noble—sweet and honourable I guess it is—to die for what you believe in." (This last statement is a reference to the line "Dulce et decorum est pro patria mori" ["it is sweet and fitting to die for one's country"] from Horace's ''Odes'', or possibly to Wilfred Owen's ironic use of the line in his ''Dulce Et Decorum Est''.) Nason took offense at Vonnegut's comments and characterized him as an old man who "doesn't want to live any more ... and because he can't find anything worthwhile to keep him alive, he finds defending terrorists somehow amusing." Vonnegut's son, Mark, responded to the article by writing an editorial to the ''Boston Globe'' in which he explained the reasons behind his father's "provocative posturing" and stated that "If these commentators can so badly misunderstand and underestimate an utterly unguarded English-speaking 83-year-old man with an extensive public record of saying exactly what he thinks, maybe we should worry about how well they understand an enemy they can't figure out what to call."
A 2006 interview with ''Rolling Stone'' stated, " ... it's not surprising that he disdains everything about the Iraq War. The very notion that more than 2,500 U.S. soldiers have been killed in what he sees as an unnecessary conflict makes him groan. 'Honestly, I wish Nixon were president,' Vonnegut laments. 'Bush is so ignorant.' "
Though he was a dissident to the end, Vonnegut held a bleak view on the power of artists to effect change. "During the Vietnam War," he told an interviewer in 2003, "every respectable artist in this country was against the war. It was like a laser beam. We were all aimed in the same direction. The power of this weapon turns out to be that of a custard pie dropped from a stepladder six feet high."
Vonnegut described himself variously as a skeptic, freethinker, humanist, Unitarian Universalist, agnostic, and atheist. He disbelieved in the supernatural, considered religious doctrine to be "so much arbitrary, clearly invented balderdash," and believed people were motivated by loneliness to join religions.
Vonnegut considered humanism to be a modern-day form of freethought, and advocated it in various writings, speeches and interviews. His ties to organized humanism included membership as a Humanist Laureate in the Council for Secular Humanism's International Academy of Humanism. In 1992, the American Humanist Association named him the Humanist of the Year. Vonnegut went on to serve as honorary president of the American Humanist Association (AHA), having taken over the position from his late colleague Isaac Asimov, and serving until his own death in 2007. In a letter to AHA members, Vonnegut wrote: "I am a humanist, which means, in part, that I have tried to behave decently without expectations of rewards or punishments after I am dead."
Vonnegut was at one time a member of a Unitarian congregation. ''Palm Sunday'' reproduces a sermon he delivered to the First Parish Unitarian Church in Cambridge, Massachusetts, concerning William Ellery Channing, who was a principal founder of Unitarianism in the United States. In 1986, Vonnegut spoke to a gathering of Unitarian Universalists in Rochester, New York, and the text of his speech is reprinted in his book ''Fates Worse Than Death''. Also reprinted in that book was a "mass" by Vonnegut, which was performed by a Unitarian Universalist choir in Buffalo, New York. Vonnegut identified Unitarianism as the religion that many in his freethinking family turned to when freethought and other German "enthusiasms" became unpopular in the United States during the World Wars. Vonnegut's parents were married by a Unitarian minister, and his son had at one time aspired to become a Unitarian minister.
Vonnegut's views on religion were unconventional and nuanced. While rejecting the divinity of Jesus, he was nevertheless an ardent admirer, and believed that Jesus's Beatitudes informed his own humanist outlook. While he often identified himself as an agnostic or atheist, he also frequently spoke of God. Despite describing freethought, humanism and agnosticism as his "ancestral religion," and despite being a Unitarian, he also spoke of himself as being irreligious. A press release by the American Humanist Association described him as "completely secular."
#Use the time of a total stranger in such a way that he or she will not feel the time was wasted. #Give the reader at least one character he or she can root for. #Every character should want something, even if it is only a glass of water. #Every sentence must do one of two things—reveal character or advance the action. #Start as close to the end as possible. #Be a Sadist. No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. #Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. #Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Vonnegut qualifies the list by adding that Flannery O'Connor broke all these rules except the first, and that great writers tend to do that. He wrote an earlier version of writing tips that was even more straightforward and contained only seven rules (though it advised using ''Elements of Style'' for more indepth advice).
In "The Sexual Revolution", Chapter 18 of his book ''Palm Sunday'', Vonnegut grades his own works. He states that the grades "do not place me in literary history" and that he is comparing "myself with myself." The grades are as follows:
Category:1922 births Category:2007 deaths Category:Accidental deaths from falls Category:Accidental deaths in New York Category:American agnostics Category:American anti–Iraq War activists Category:American anarchists Category:American atheists Category:American essayists Category:American humanists Category:American military personnel of World War II Category:American novelists Category:American pacifists Category:American prisoners of war Category:American satirists Category:American science fiction writers Category:American short story writers Category:American socialists Category:American tax resisters Category:American Unitarian Universalists Category:Cornell University alumni Category:General Electric people Category:American writers of German descent Category:Iowa Writers' Workshop faculty Category:Members of the American Academy of Arts and Letters Category:People from Barnstable, Massachusetts Category:People from Indianapolis, Indiana Category:Postmodern writers Category:Recipients of the Purple Heart medal Category:United States Army soldiers Category:University of Chicago alumni Category:University of Iowa faculty Category:World War II prisoners of war held by Germany Category:Writers from Indiana Category:Writers from Massachusetts Category:Writers who illustrated their own writing Category:Vonnegut family Category:Harvard University faculty Category:City College of New York faculty
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