name | In the Zone |
---|---|
type | studio |
artist | Britney Spears |
cover | Britneyspears-inthezone1.jpg |
released | |
recorded | 2002–03 |
genre | Pop, dance |
length | |
label | Jive |
producer | Brian and Josh, Bloodshy & Avant, Roy "Royalty" Hamilton, Jimmy Harry, Penelope Magnet, Moby, The Matrix, R. Kelly, Rishi Rich, Guy Sigsworth, Shep Soloman, Mark Taylor, Trixster |
last album | ''Britney''(2001) |
this album | ''In the Zone''(2003) |
next album | ''Blackout''(2007) |
misc | }} |
''In the Zone'' is the fourth studio album by American recording artist Britney Spears, released on November 16, 2003, by Jive Records. Following the end of the Dream Within a Dream Tour in July 2002 and her break-up with Justin Timberlake, Spears announced she would take a six-month break from her career. She started working on the album in November 2002, with producers such as Bloodshy & Avant, R. Kelly, Christopher Stewart, Moby, Guy Sigsworth and The Matrix. Musically, ''In the Zone'' is a dance-oriented album that incorporates elements of various genres, such as house, trip hop and hip hop. It features instrumentation from guitars, drums, synthesizers, strings and Middle Eastern musical instruments.
Spears began writing songs for ''In the Zone'' while touring around the world, despite not knowing the direction of the album. She started to experiment with different producers, trying to find those who she had chemistry with. The first song recorded was "Touch of My Hand", which Spears claims set the mood for the album. She co-wrote several tracks, and often changed the lyrics to suit herself. Spears stated she was an autobiographical songwriter, although not the point were she felt self-exploited. She also explained that the sexual nature of ''In the Zone'' was subconscious and happened while she was in the process of developing the album. The topic for the songs range from love, dancing, empowerment, and in the case of songs such as "Touch of My Hand", sex and masturbation.
After its release, ''In the Zone'' received mixed reviews from critics. Some appreciated the album, calling it a strong and confident pop record, while complimenting the mix of different styles and Spears's skills as a songwriter. Others however, criticized it for what they perceived as distant and processed vocals. Commercially, ''In the Zone'' became an international success, debuting atop of the charts in France and the United States, and peaking inside the top ten in eleven countries. In the United States, she became the first female artist to have four consecutive number-one albums. ''In the Zone'' went on to become the eighth best selling album of 2003.
Four singles were released from the album: "Me Against the Music", "Toxic" and "Everytime" became worldwide hits, peaking at number one in Australia and reaching top five positions worldwide. To promote ''In the Zone'', Spears performed the songs in a number of television appearances and also embarked on The Onyx Hotel Tour. The album and its music videos are largely seen by critics as the end of her transition from teen pop star to a more adult female artist. In 2009, Amy Schriefer of NPR listed ''In the Zone'' as one of The 50 Most Important Recordings of the Decade, calling it "a primer on the sound of pop in the '00s".
"She's taking it to the next level in her career. Madonna constantly takes what's in the club and puts what she does on top of it and makes it mainstream. I think Britney is starting to embrace that concept where she's looking to work on different stuff, instead of using the same familiar, and applying it to her. [...] I don't think [her fans] will be freaked out or upset. I think they'll be really into what's going to happen."Spears also previewed several songs to Quddus Philippe of MTV in May 2003, including "Touch of My Hand", "Brave New Girl" and "Everytime". Spears commented, "I've really been able to take my time and have creative control and make [the new album] special, special, special." On August 27, 2003, Spears opened the 2003 MTV Video Music Awards performing a medley of "Like a Virgin/Hollywood" with Madonna, Christina Aguilera and Missy Elliott. The performance started with Spears appearing on stage on top of a giant wedding cake while wearing a wedding gown and veil; she sang the first few lines of "Like a Virgin" before Aguilera appeared from behind the cake and joined her. Madonna then emerged from the cake wearing a black coat and a hat and started singing "Hollywood" before proceededing to kiss Spears and Aguilera on the lips. Missy Elliott came out from a wedding chapel to sing her song "Work It" halfway through the performance. The kiss generated strong reaction from the media. The performance was listed by ''Blender'' magazine as one of the twenty-five sexiest music moments on television history. MTV listed the performance as the number-one opening moment in the history of the MTV Video Music Awards.
Christopher Stewart and Penelope Magnet, known collectively as RedZone, presented Spears with the third song they had written and produced, "Pop Culture Whore". While her management liked the track, she rejected it, telling them the song "sucked". After bonding with Spears during a night in New York City to "get in her world", as Magnet explained, it was easier to "actually write and know what she would and wouldn't say, to know where her real vibe is". Stewart and Magnet began working on the first version of "Me Against the Music"; Stewart came up with the track, while Magnet developed the melody on a piano and some of the lyrics. During the recording sessions, Stewart recalls that the studio's air-conditioning died for three days, but Spears "didn't complain or anything, and for me that shows she's where she is for a reason." While rehearsing for their performance at the 2003 MTV Video Music Awards, Spears played a finished version of "Me Against the Music" to Madonna. After Madonna commented that she liked the track, Spears asked her to do the song with her. RedZone then handed "Me Against the Music" to Madonna, who arranged and recorded her vocal additions on her own, therefore making the song a duet. Spears, who has been a fan of Madonna for years, was "beyond surprised" when she heard Madonna's verse. She said "I just asked her to do a little thing, but she really went there. She did a lot of stuff to it." RedZone were then enlisted to work on several more songs for the album, including co-writing "Early Mornin'", recording background vocals for "Outrageous" and producing "The Hook Up".
The Matrix commented that after they presented songs to Spears, she tailored them to suit herself, especially the lyrics. Christy said, "... she really knows what she wants. She knows if she's trying something on that doesn't fit right for her. She's like, 'No, that's not me.' She's not one to strap on some sort of fake image." Christy also claimed to be impressed with Spears's vocal ability during the recording of "Shadow". Before the album was released, Spears's manager Larry Rudolph commented that it was important for Spears to continue moving away from a traditional pop sound, citing "I'm a Slave 4 U" and "Boys" from ''Britney'' as departures from her previous music. Barry Weiss, then-president of Jive Label Group, added, "She has achieved what she set out to achieve, which was to make a mature album that didn't sound like something she would have done three years while still making a commercial album that has hit singles. [...] It's the kind of record she should be doing right now, and it came down to her to make it." ''In the Zone'' was recorded at Battery Studios and The Dojo in New York City, 3:20 Studios, Decoy Studios, Pacifique Studios, Record Plant and Westlake Audio in Los Angeles, California, The Chocolate Factory, in Chicago, Illinois, Triangle Sond Studios in Atlanta, Georgia, Metrophonic Studios and Olympic Studios in London, England, and Murlyn Studios in Stockholm, Sweden. Throughout the beginning of 2003, Spears started testing tracks by playing them in nightclubs such as Show in New York City.
"Showdown" has "bubbly" beats and its lyrics, about "fighting and making up with carnal relations", include the lines "I don’t really want to be a tease / But would you undo my zipper, please?" The fourth track, "Breathe on Me", was described as the most sensual song of the record. Containing trip hop influences, Spears sings, "Oh, it's so hot, and I need some air/ And boy, don't stop 'cause I'm halfway there" and "Just put your lips together and blow." "Early Mornin'" depicts Spears looking for men at a club in New York City. The song has a percolating beat and featured subdued vocals from Spears, who purrs and yawns through the track. The nightclub Show is referenced. "Toxic", which Spears later named as her favorite song from her career, was originally offered to Kylie Minogue. Released as the album's second single, it contains elements of electropop and bhangra music, and features varied instrumentation, such as drums, synthesizers, high-pitched strings and surf guitars. Lyrically, "Toxic" talks about being addicted to a lover. "Outrageous", the fourth and final single from the album, is a hip hop-inspired track that according to MTV features Spears "whisper[ing] and moan[ing] [...] with a snake charmer melody giving the song an exotic feel." The lyrics talk about materialism and amusement, with the singer referencing in the chorus a number of things that give her pleasure. In "Touch of My Hand", which Spears felt it was comparable to Janet Jackson's "That's the Way Love Goes" (1993), she sings in a lower register. The instrumentation contains elements of Middle Eastern music and its lyrics refer to masturbation, "I will be bold/ Going to the places where I can be out of control/ Don't want to explain tonight/ All the things I try to hide."
The ninth track "The Hook Up" has a reggae feel and features Spears singing in a Jamaican Patois accent. The ballad "Shadow" talks about how reminders of a lover can still linger after he’s gone. "Brave New Girl" lyrics talk about a young woman finding her passion and losing inhibitions. Backed by choppy, electro-funk beats, she sings in a bouncy near-rap, "She's going to find her passion, she's going to find her way, she's going to get right out of this/ She don't want New York, she don't want L.A., she's going to find that special kiss." The song incorporates elements of the music of No Doubt, Blondie and Madonna. "Everytime" begins with a piano introduction accompanying Spears's breathy vocals, which build from soft to strong throughout the song. "Everytime" lyrics are a plea for forgiveness for inadvertently hurting a former lover. In the song, the singer explains she feels unable to continue in lines such as "Everytime I try to fly I fall / Without my wings I feel so small". During an interview with MTV, Spears said about the song, "It's about heartbreak, it's about your first love, your first true love. That's something all people can relate to, because you all have that first love that you think you're going to be with the rest of your life." When asked if "Everytime" was about Timberlake, she responded "I'll let the song speak for itself." The Rishi Rich's Desi Kulcha Remix of "Me Against the Music" removes the original melody of the song and adds a clattering backbeat and Punjabi shouts. In "The Answer", Spears sings that her lover is the answer to all her needs: "Who can hold me tight, keep me warm through the night? / Who can wipe my tears when it's wrong, make it right? / Who can give me love till I'm satisfied? / Who's the one I need in my life?". In "Don't Hang Up," she pleads on the phone for her lover to keep her satisfied long-distance.
''In the Zone'' holds a score of 66 out of 100 based on 13 critical reviews, according to the music review aggregator Metacritic. Jason Shawhan of About.com gave a positive review, saying that while the album's vibe is sexy, the result is a personal statement from Spears. He also added, "T[here]'s another thing about Spears' new record, as none of her previous albums ever managed to produce any kind of sustained emotional response than the pleasure that comes from a good pop record. I miss Max Martin, for sure, but it feels like Ms. S. has been paying attention to La Ciccone. To put it another way, this is Britney's ''True Blue''." Stephen Thomas Erlewine of Allmusic said that the album "[is] all club-ready, but despite some hints of neo-electro and the Neptunes, it doesn't quite sound modern—it sounds like cuts from 1993 or Madonna's ''Bedtime Stories'' and ''Ray of Light''. Production-wise, these tracks are not only accomplished but much more varied than any of her previous albums." Ruth Mitchell of BBC Online called "Early Mornin'" the best track of the album, but added, "Sadly, her attempts to prove her new-found maturity are what overwhelm and cloud all that is good about ''In The Zone''." Mim Udovitch of ''Blender'' commented, "This I’m-coming-out record is an unhesitant move from songs of the heart to songs of the groin [...] No longer a girl, freed from slavery, now fully a woman, she makes a pretty convincing mistress." David Browne of ''Entertainment Weekly'' called "Brave New Girl" and "Touch of My Hand" the best and most straightforward moments of the album, but added that "On a CD intended to celebrate her lurch into adulthood, Spears remains distant and submerged. For all her freedom, she's still finding her way."
Jon Pareles of ''Rolling Stone'' said, "[Spears's] voice is so processed, its physicality almost disappears. [...] ''In the Zone'' offers strip-club, 1-900 sex, accommodating and hollow. Beyond the glittering beats, Spears sounds about as intimate as a blowup doll." Sal Cinquemani of Slant Magazine stated, "Britney's fourth album, ''In The Zone'', finds the pop tart coming of age with a bold mix of hip-hop and dance music, wiping clean the last traces of her bubblegum-pop past. [...] For the most part, ''In The Zone'' is a big, fat, thumping love letter to the dancefloor, which makes Madonna's involvement [...] even more appropriate." Dorian Lynskey of ''The Guardian'' commented, "Unlike previous Britney albums, ''In the Zone'' has no filler and no shoddy cover versions, just 57 varieties of blue-chip hit-factory pop. There is southern hip-hop, deep house, Neptunes-style R&B;, the ubiquitous Diwali beat and, most importantly, oodles of Madonna." Keleffa Sanneh of ''The New York Times'' said, "Since singing seems not to be [Spears's] main interest (or to be sure, strength), she lets the beats do most of the work. When she's not whispering or moaning, she's disfiguring her voice with electronic effects or hiding behind a pack of back-up singers." Jason King of ''Vibe'' deemed it as "A supremely confident dance record that also illustrates Spears's development as a songwriter." "Toxic" won Spears her first Grammy Award for Best Dance Recording in 2004.
In Australia and New Zealand, ''In the Zone'' debuted at number ten and twenty-five in the official charts, respectively. It was certified platinum by the Australian Recording Industry Association (ARIA) indicating shipments of 70,000 units. The album debuted at number three on the Oricon weekly album chart in Japan, selling around 59,128 copies. In Mexico, ''In the Zone'' was certified platinum on December 17, 2003, by the Asociación Mexicana de Productores de Fonogramas y Videogramas (AMPROFON) for shipments of 60,000 copies. The album was also certified platinum in Argentina by the Argentine Chamber of Phonograms and Videograms Producers (CAPIF) for shipments of 40,000 copies in total. ''In the Zone'' debuted at number thirteen on the UK Albums Chart, and stayed on the chart for forty-three weeks. It was certified platinum by the British Phonographic Industry (BPI) for shipments of 300,000 copies. The album also debuted at the top of the charts in France. In April 2004, it was certified platinum by the International Federation of the Phonographic Industry (IFPI) for shipments of a million copies in Europe. ''In the Zone'' was the eighth best selling album of 2003.
"Everytime" was the third single released from the album, on May 17, 2004. It received positive appreciation from contemporary critics. "Everytime" was a commercial success, peaking inside the top five in most countries, while reaching the top of the charts in Australia, Hungary, Ireland and the United Kingdom. The music video for "Everytime" portrays Spears as a star hounded by paparazzi, who drowns in her bathtub when she starts bleeding from a wound in her head. In the hospital, doctors fail to resuscitate her while a child is born in the next room, implying she reeincarnated. The original treatment would have had Spears killing herself from a drug overdose, but the plot was removed after it received criticism by several organizations, who perceived it as a glamorization of suicide. "Outrageous" was the fourth and last single from the album, released on July 13, 2004. The song was finally chosen as a single after it was selected as the theme song for the 2004 film ''Catwoman''. "Outrageous" received mixed reviews from critics. Some praised its funky sound, noting its influence from Michael and Janet Jackson, while others deemed it as "forgettable". The song only charted in the United States, entering many of ''Billboard''s component charts and peaking at number seventy-nine on the Hot 100. The music video was being shot in New York City in June 2004, when Spears hurt her knee and had to undergo arthroscopic surgery. The video was canceled, as well as The Onyx Hotel Tour and the feature in the ''Catwoman'' soundtrack.
Spears first performed "Me Against the Music" at the 2003 NFL Kickoff Live on September 4, 2003 at the National Mall. The performance segued into a medley of "...Baby One More Time" and "I'm a Slave 4 U", which included pyrotechnics. On September 14, 2003, Spears played a surprise concert at Rain Nightclub in the Palms Casino Resort, and performed "Me Against the Music", "Breathe on Me" and a medley of "...Baby One More Time" and "I'm a Slave 4 U". On October 18, 2003, Spears performed "Me Against the Music" and "Everytime" during the twenty-ninth season of ''Saturday Night Live''. Spears opened the 2003 American Music Awards telecast with a performance of "Me Against the Music". On November 17, 2003, a concert special titled ''Britney Spears: In the Zone'' aired in ABC. The following day, she performed "Me Against the Music" and "(I Got That) Boom Boom" on the American music show ''TRL'' at Times Square. "Me Against the Music" was also performed on American late-night show ''The Tonight Show with Jay Leno'' and American morning show ''Live with Regis and Kelly'' on November 17 and November 24, 2003. She performed "Toxic", "Breathe on Me" and "Me Against the Music" as the headliner of the Jingle Ball on December 8, 2003, at the Staples Center. On January 24, 2004, Spears opened the 2004 NRJ Music Awards with a performance of "Toxic". On August 5, 2004, Spears performed "Everytime" at the British music chart show ''Top of the Pops''.
Julie Andsager in ''Sex in consumer culture'' (2006) said that the music videos from ''In the Zone'' presented a different Spears, and that although the album was intended to target the gay market, the videos were clearly designed for heterosexual men. Andsager suggested that Spears took cues more directly from sexual fantasies, and that the use of sanitized images of attractive young women posed in sexual ways (lesbian chic) serves two audiences: primarily, it seeked to fulfill heterosexual fantasies, but as a secondary function, it may also serve young women as a source of instruction in attracting males. From a marketing perspective, the fantasy-fullfilment purpose of the album was apparent not only on the videos, but also in the kiss between Spears at Madonna at the Video Music Awards. Finally, Andsager explained that "[Spears] has, perhaps, taken her sexuality to its extreme—for network television, at least—at the age of 22"
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;Books
Category:2003 albums Category:Albums produced by Bloodshy & Avant Category:Albums produced by Guy Sigsworth Category:Albums produced by The Matrix Category:Albums produced by Sean Combs Category:Albums produced by R. Kelly Category:Albums produced by Tricky Stewart Category:Britney Spears albums Category:Enhanced CDs Category:Jive Records albums Category:Albums certified platinum by the Recording Industry Association of Japan
bg:In The Zone cs:In the Zone da:In the Zone de:In the Zone es:In the Zone fa:داخل محدوده (آلبوم) fr:In the Zone ko:In the Zone hr:In the Zone it:In the Zone he:In the Zone ka:In the Zone lv:In the Zone lt:In The Zone hu:In the Zone nl:In the Zone ja:イン・ザ・ゾーン pl:In the Zone pt:In the Zone ru:In the Zone sq:In the Zone simple:In the Zone sl:In the Zone sr:In the Zone sh:In the Zone fi:In the Zone sv:In the Zone th:อินเดอะโซน tr:In the Zone uk:In the Zone vi:In the ZoneThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
The Zone is the flagship weekday afternoon programming block on the Canadian television channel YTV. It airs between 3:00 p.m. and 6:00 p.m. ET in Canada. It consists of a short segment hosted by a personality formerly called a PJ (program jockey) that airs in the space between the actual television shows, often in lieu of commercials.
The program usually features the hosts and the addition of one "real" guest host. The "guest host" is sometimes just an inanimate or personified object that is spoken to by Nayan Patel. Some examples would be "the Hand in the Toilet" (the toilet was embedded in the wall; a hand came out the hole once in a while) and "the camera-man." Also a seen but never heard voice, Egghead (the director). In its early history, the Zone had featured a group of puppets known as ''Grogs'' as the co-hosts. A large television with a frame resembling a piece of purple bubble gum with eyes and other mechanical miscellany called ''Snit'' (Atul N. Rao) was once a "host" on ''The Zone''; after him came ''Elvayz,'' a talking bust of Elvis Presley, although this character has been removed as well. Occasionally, real-life guest hosts would appear on ''The Zone,'' such as Robert Munsch and environmentalist David Suzuki.
While usually following a certain theme throughout the week, there are scheduled events that have occurred during ''The Zone'', such as:
!Event | !Description |
Music Mondays | Carlos interviews musicians and does some tunes of his own |
Quirky But True Tuesdays | Carlos brings up some funny stories on the Internet and tells them on the air in a news style format |
Game Drop Wednesdays | A new game will be released on ''The Zone's'' website on YTV.com, every Wednesday. |
Big Fun Fridays | In this special, of which two episodes have thus far aired, Carlos Bustamente interviews various people. During the first Hyper Action Friday, which aired May 5, Carlos interviewed a team of martial arts experts. During the second, Carlos visited an art museum. |
The "Afterschool" portion of the title was soon dropped and PJ "Phresh" Phil was sometimes joined by another PJ, Jenn (although she featured more prominently during weekend morning programming and was rarely on the Zone). The segments usually involved discussion or banter on various topics, video clips, previews, and viewer letter-mail.
Eventually, the PJs were joined by a variety of puppets named the Grogs, most famous of which, was Warren: a turtle/moss character resembling a chia-pet with a grumpy voice and cynical monkeys was morphed into the animatronic character Snit (Atul Rao), which displayed a pair of moving teeth on the television screen. When a primetime version of The Zone, ''YTV Shift'', was cancelled, its former host Paul McGuire joined Phil. On October 31, 1997, the two sent Snit into space, and Snit was replaced with the prop Elvays, a plastic Elvis head with a digitally added moving mouth.
Eventually, a week of programming was devoted to a plotline which featured PJs Phil and Paul on a quest hunting for extra-terrestrials and making a discovery. This discovery was revealed to be the return of the Snit character (minus its familiar purple coloring). Following cosmetic and technological upgrades, Snit went on to host ''Snit Station'', a weekend morning programming block, replacing ''Brainwash''; the block was later renamed ''The Vortex'', before its current name ''CRUNCH''.
In early 1999, a female counterpart,Sandra Jackson,was added to the The Zone. She was most well known for her Friday segment entitled, "Sandra's Weird Words." PJ Sandra left YTV in late 1999 and went on to work in numerous Film and Television productions.
As a slight format change, the "You Rule!" campaign was replaced with a "Keep it Weird!" theme. When the New Year came, Paul and Phil were found to not be "Y2K Compatible", and were thus replaced with comedian Pat Kelly and Jenny Katie Racicot (previously PJ Katie on Treehouse, with no relation to the original PJ Jenn or PJ Jazzy Jan). Phil went on to star in a new YTV show "Gamerz" from 1998–2000 and also ''The Anti-Gravity Room'' during the mid to late nineties. Elvays was replaced with "the Hand in the Toilet". One of the most memorable moments in the "Jenny and Pat" era was the formation of ''Nuclear Donkey'', a band featured at the end of the YTV's compilation album ''Big Fun Party Mix''. ''Nuclear Donkey'' still exists as of today. Another memorable moment was its ''Superheroes and Superstars'' promotion, which had the two pose as heroes. (Pat's character held a deep hatred for Corey Hart and weakness was handshakes, while Jenny's character hated the word "chesterfield", which someone would inevitably say). At one point during their tenure, a bizarre plotline emerged involving electronic insects known as yokomites that were under the control of a mysterious chicken-man named Fiendly Fowl. They were created by Fowl to destroy the station, should his demand to be given the station was ignored. At the end, there was an animated comic where Pat and Jenny went into the yokomite's lair to defeat them. The hand in the toilet was "killed" saving them.
With Jenny's departure, Pat had a brief breakdown as a one-week plotline, where he demanded a new co-host or he would not continue to host YTV. He built a giant wooden crate in the studio parking lot and locked himself inside it as a protest until YTV hired a new co-host. At the end of the week Sugar came along claiming to be Pat's new co-host and she opened the crate with a crowbar to reveal a very messy Pat who was in desperate need of a shower. The two co-hosted the block afterwards. However, Pat himself soon also departed, leaving Sugar as the lone host. A plotline emerged where Sugar would discover that one of the YTV janitors was playing with the cameras during off-hours, clandestinely acting out as Zone host. Employing detective skills to track down this janitor, Sugar eventually discovered Carlos and invited him to become her co-host.
On January 19, 2007, Sugar announced on The Zone that she would leave The Zone on January 26, 2007. Sugar's last Nuclear Donkey song appeared on Big Fun Party Mix 8, a compilation from YTV. Carlos hosted The Zone alone until Monday, December 31 2007, on the Zone's Countdown to Halfway to New Year's party, when he introduced his new co-host, Joyce. She had recently appeared on The Zone working at the Tree Farm, where Carlos chose the Zone's Christmas Tree. Joyce co-hosted until January 2, 2009, when she left to go travel the world. In fall 2009 The Zone began to start at 3:00PM instead of 4:00PM.
Category:YTV shows Category:Television programming blocks
ru:The ZoneThis text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
width | 230px |
---|---|
position | Shooting guard / Point guard |
number | 3 |
height ft | 6 |
height in | 4 |
weight lb | 220 |
nationality | American |
high school | Harold L. Richards High School |
birth date | January 17, 1982 |
birth place | Chicago, Illinois, United States |
college | Marquette (2001-2003) |
team | Miami Heat |
draft round | 1 |
draft pick | 5 |
draft year | 2003 |
draft team | Miami Heat |
career start | 2003 |
team1 | Miami Heat |years1–present |
highlights | |
medaltemplates | }} |
After entering the league as the fifth pick in the 2003 NBA Draft, Wade was named to the All-Rookie team and the All-Star team the following seven seasons. In his third season, Wade helped lead the Miami Heat to their first NBA Championship in franchise history. He was named the 2006 NBA Finals MVP as he helped lead the Heat to a 4–2 series win over the Dallas Mavericks. At the 2008 Summer Olympics, Wade led the United States Men's Basketball team, commonly known as the "Redeem Team", in scoring, as they captured gold medal honors in Beijing, China. In the 2008–09 season, Wade led the league in scoring and earned his first NBA scoring title.
Wade attended Harold L. Richards High School in Oak Lawn, playing for the school's varsity basketball team. While he did not acquire much playing time during his second year, his stepbrother, Demetris McDaniel, was the star of the team. Wade grew four inches in the summer before his junior year and saw an increase in playing time, averaging 20.7 points and 7.6 rebounds per game. The following year, Wade averaged 27.0 points and 11.0 rebounds per game while leading his team to a 24–5 record. It advanced to the title game of the Class AA Eisenhower Sectional. During this season he set school records for points (676) and steals (106) in a season. Wade was recruited by only three college basketball teams (Marquette University, Illinois State, and DePaul University) due to academic problems.
Wade's performance during the Midwest Regional Final of the 2003 NCAA Tournament was highly publicized by the national press. Against heavily favored, top-ranked and top-seeded Kentucky Wildcats, Wade recorded a triple-double with 29 points, 11 rebounds, and 11 assists. His triple double was the fourth in NCAA Tournament history. Wade's exceptional play helped lead Marquette over the Wildcats 83–69 and into the Final Four; Wade was named MVP of the Midwest Regional. Marquette finished the season ranked No.6 in the AP poll, the school's highest ranking since the 1976–77 season. Wade's strong tournament play resulted in increased visibility in the national media and, consequently, a high draft projection. As a result, he elected to forgo his senior year at Marquette and enter the 2003 NBA draft. On February 3, 2007, almost four years after Wade played in his final collegiate game, Marquette retired his jersey at halftime of a game against Providence. Although Marquette requires student-athletes to graduate prior to receiving jersey retirement honors, the University made a special exception for Wade based on his accomplishments since leaving Marquette.
In the first round of the 2005 NBA Playoffs, Wade averaged 26.3 points, 8.8 assists, and 6.0 rebounds while maintaining a 50% field-goal percentage as the Heat swept the New Jersey Nets. Wade continued his high level of play in the second round by averaging 31 points, 7 rebounds, and 8 assists per game as the Heat swept the Washington Wizards. The Heat's playoff run was stopped by the Detroit Pistons, the previous season's champions, in 7 games in the Eastern Conference Finals. Wade scored 42 and 36 points in Games 2 and 3 respectively despite playing with sinusitis, the flu, and a knee strain. He also suffered a strained rib muscle in Game 5 of the Conference Finals that prevented him from playing in the series' sixth game and limited him in the seventh. The Heat lost the series in the seventh game despite leading three games to two after the fifth game and holding a lead with three minutes remaining in Game 7.
Against the Chicago Bulls in the first round of the 2006 NBA Playoffs, Wade shook off a few injuries that scared Heat fans, including a severely bruised hip in Game 5. Returning late in the half, Wade resurrected his team by scoring 15 of his 28 points while suffering from intense pain, leading the Heat to the much-needed 3–2 series lead. After this, Wade successfully led his team to the 2006 NBA Finals, despite suffering from flu-like symptoms in game 6 of the Eastern Conference Finals against the Detroit Pistons. He put up a double-double with 14 points and 10 assists in that game, including an 8-point flurry to close out the third quarter that put the game out of reach.
In the playoffs, Wade averaged 23.5 points, 6.3 assists, and 4.8 rebounds per game, as the Heat were swept in the first round by the Chicago Bulls. Following the playoffs, Wade underwent a pair of successful surgeries to repair his dislocated left shoulder and left knee. The knee ailment, commonly called "jumper's knee," prevented Wade from joining USA Basketball in the Olympic Qualifying Tournament over the summer.
Following the All-Star game, Wade recorded 50 points on 56.6% shooting and added 5 rebounds and 5 assists in a blow-out loss against the Orlando Magic. Wade became the fourth player in NBA history to score at least 50 points while his team lost by at least 20 in a game. The following game, Wade recorded a career-high 16 assists and added 31 points and 7 rebounds in a 103–91 win against the Detroit Pistons. Wade became the second player to record 15 or more assists after scoring at least 50 points since Wilt Chamberlain did so in 1968. Two games later, Wade tied a franchise record with 24 points in the fourth quarter, as he led the Heat back from a 15 point deficit in the final nine minutes of the quarter to secure a 120–115 win over the New York Knicks. For the game, Wade recorded 46 points on 55% field goal shooting, 10 assists, 8 rebounds, 4 steals and 3 blocks. Wade followed the performance with a second-consecutive 40-point game against the Cleveland Cavaliers. Playing against his Eastern Conference rival and good friend, LeBron James, Wade registered 41 points on 53% shooting, 9 assists, 7 steals, 7 rebounds and one block as the Heat lost 107–100. The following game, in former teammate Shaquille O'Neal's return to Miami since being traded, Wade tied a career-high with 16 assists and added 35 points on 62% shooting, 6 rebounds, a steal and a block, as the Heat defeated the Phoenix Suns 135–129. Wade became the only player in Heat history to have multiple games with at least 30 points and 15 assists. Less than a week later, Wade tied his franchise record with his 78th consecutive game of scoring in double figures in a double overtime thriller against the Chicago Bulls, in which he scored the game-winning three-point basket to secure a 130–127 win. Wade finished with 48 points on 71.4% shooting, 12 assists, 6 rebounds, 4 steals and 3 blocks in 50 minutes. Wade joined Wilt Chamberlain as the only other player in NBA history to score that many points and have that many assists in a game, while having as high of a field goal percentage. Two games later, Wade surpassed Alonzo Mourning and became the Heat's all-time leading scorer in a triple overtime classic against the Utah Jazz. Wade finished with 50 points, 10 rebounds, 9 assists, 4 steals, and 2 blocks in a 140–129 win.
During the season, Wade became the first player in NBA history to accumulate at least 2,000 points, 500 assists, 100 steals, and 100 blocks in a season and is the first player of 6 ft. 5 in. or shorter to register at least 100 blocks in a season. Wade also became just the fifth player in NBA History to reach 2,000 points, 500 assists, and 150 steals in a season. After a 97–92 win against the Charlotte Bobcats, Wade helped the Heat clinch a playoff berth and become only the second team in NBA History to reach the postseason after winning 15 or fewer games the year before. In a 122–105 win against the New York Knicks, Wade recorded a career high 55 points on 63% field goal shooting and added 9 rebounds and 4 assists. Wade recorded 50 points through three quarters and was pulled out of the game while he was one point shy of eclipsing the franchise record of 56 points set by Glen Rice. For the season, Wade averaged a league high 30.2 points per game, earning his first NBA Scoring Title, and added 7.5 assists, 5.0 rebounds, 2.2 steals, and 1.3 blocks per game. Wade finished the season with higher point, assist, steal and block averages than LeBron James and Kobe Bryant, who both finished ahead of Wade in the MVP race.
In just his second game back from the All-Star Game on February 17, Wade strained his calf in the first quarter. He left the game with 8 points in 8 minutes of play, ending his personal and also Heat's franchise record streak of 148 consecutive games with at least 10 points. On April 2, Wade was named Eastern Conference Player of the Month and Player of the Week twice for his play in the month of March, leading the Heat to a 12–3, the team's best record since March 2006. It was his first Player of the Month award of the season and 5th of his career. He averaged 26.9 and 7.5 assists per game, which both ranked third in the Eastern Conference, and 2.3 steals per game, which ranked first. Wade recorded six 30 points games and had six double-doubles in the month, including a season-high 14 assists in an overtime win against the Los Angeles Lakers on March 4.
For the season, Wade averaged 26.6 points on 47.6% field goal shooting, 6.5 assists, 4.8 rebounds, 1.8 steals and 1.1 blocks per game, while leading his team to a 47–35 record, clinching the fifth seed in the NBA Playoffs. In the first round, with the Heat facing a sweep against the Boston Celtics, Wade recorded a career playoff-high and also franchise record 46 points, outscoring the entire Celtics team in the 4th quarter with 19 points versus 15 by Boston. It was also Wade's sixth career playoff game with at least 40 points scored. Despite averaging 33.2 points on 56.4% shooting, 6.8 assists, 5.6 rebounds, 1.6 steals and 1.6 blocks, Wade and the Heat would lose to Boston in five games.
At the 2008 Olympics, the United States went unbeaten and earned gold medal honors, defeating the 2006 World Champion Spain in the final game. Wade led the team in scoring throughout the tournament and tallied a game high 27 points in 27 minutes on 75% field goal shooting and added 4 steals, 2 assists and 2 rebounds in the game. For the tournament, he averaged a team high 16 points in 18 minutes on 67% field goal shooting, 4 rebounds, 2 assists and 2.3 steals, as the United States lived up to their Redeem Team moniker and captured gold medal honors for the first time since 2000.
David Thorpe, an athletic trainer who runs a training center for NBA players in the offseason, also cites Wade's developing post up game as one of his strengths. "Watching Wade operate on the left block is literally like watching old footage of MJ (Michael Jordan)," comments Thorpe. Thorpe goes on to say that Wade's best moves from the post are his turnaround jump shot, double pivot, and what Thorpe terms as a "freeze fake", a pump fake Wade uses to get his opponent to jump, so that he can then drive around him to the basket. The main weakness cited in Wade's ability is his lack of three-point range; he has averaged .292 on three-point field goal attempts for his career.
Wade is best known for his ability to convert difficult lay-ups, even after hard mid-air collisions with larger defenders. As crowd pleasing as his high-flying style of basketball may be, some have expressed concerns over the dangers of playing in this manner, as Wade has already hurt his knees and wrists after mid-air collisions with larger players. Wade has also established himself on defense for his ability to block shots and accumulate steals.
Season !! Team !! Salary | |||
2003–04 NBA season | 2003–04 | Miami Heat>Miami | $2,636,400 |
2004–05 NBA season | 2004–05 | Miami | |
2005–06 NBA season | 2005–06 | Miami | |
2006–07 NBA season | 2006–07 | Miami | |
2007–08 NBA season | 2007–08 | Miami | |
2008–09 NBA season | 2008–09 | Miami | |
2009–10 NBA season | 2009–10 | Miami | |
2010–11 NBA season | 2010–11 | Miami |
Wade has been featured in a number of magazine articles and publications. In 2005, he was featured on People's 50 Most Beautiful People, and in 2006 he was named the NBA's best dressed player by GQ Magazine. In 2007, Esquire named him to their 4th annual Best Dressed Men in the World list for the second straight year. Wade has endorsement deals with companies such as Gatorade, Lincoln, Staples, Sean John, T-Mobile (his TV commercials feature him paired with NBA legend Charles Barkley), and Topps. He had his own line of shoes with Converse named "The Wade" and a series of Sidekick phones known as the D-Wade Edition with T-Mobile. During the 2009–10 season, Wade switched from Converse to Nike's Jordan Brand. Wade noted that the partnership ended on good terms, stating, "When I came into the NBA, I didn't have a lot of exposure and Converse gave me an opportunity to head a brand and be the face of a brand. I'm really thankful for six long, good years. I've gotten five shoes out of the deal and my dream came true at the Converse brand, because they put my name on a pair of sneakers." Wade was hand-chosen by Michael Jordan and debuted the Air Jordan 2010 during the 2010 NBA All-Star break. During the 2011 NBA Playoffs, Wade debuted his first signature shoe for the Jordan Brand, joining fellow players Carmelo Anthony and Chris Paul, who have their own signature shoes for the brand.
After breaking his own Miami Heat single-season scoring record, Wade gave the jersey he wore in that night's victory to 8-year-old Michael Stolzenberg, an avid Heat fan that had his hands and feet removed surgically due to a bacterial infection. Wade stated that he knew Stolzenberg previously and wished to add to his collection of Heat memorabilia. Wade has been known for visiting other sick children, usually in private to avoid placing himself in the media spotlight.
In September 2009, Wade donated money from his foundation to keep the Robbins, Illinois public library from having to shut down. He handed the library director Priscilla Coatney a $25,000 check in order to resurrect the building, which brought Coatney to tears. He called the donation a "small contribution", and reminisced about the difficult experiences he faced as a child, stating that he sometimes did not know how he would find his next meal. In January 2010, Wade co-founded the Haitian earthquake relief fund with former teammate Alonzo Mourning. The fund seeks to raise money to help the victims of the 2010 Haiti earthquake. In the three days since the fund began soliciting donations from athletes, Wade announced that the "Athletes Relief Fund for Haiti" had already raised over $800,000. Wade stated, "I expected nothing less from my friends and colleagues in the sports community, our commitment to this cause knows no bounds, and we will continue to accept any and all donations throughout the days ahead."
His mother, Jolinda, strengthened her ties with Christianity in 2001 after years of drug abuse and dealing. She served as a minister during her final prison sentence in 2002 and 2003. She was ordained as a Baptist minister in January 2007, and formed the non-denominational Temple of Praise Binding and Loosing Ministry in Chicago. In May 2008, Wade purchased a church building for his mother's ministry.
Category:1982 births Category:Living people Category:African American basketball players Category:American basketball players Category:American Christians Category:Basketball players at the 2004 Summer Olympics Category:Basketball players at the 2008 Summer Olympics Category:Basketball players from Illinois Category:Marquette Golden Eagles men's basketball players Category:Miami Heat draft picks Category:Miami Heat players Category:NBA Finals MVP Award winners Category:Olympic basketball players of the United States Category:Olympic bronze medalists for the United States Category:Olympic gold medalists for the United States Category:Sportspeople from Chicago, Illinois Category:Shooting guards Category:United States men's national basketball team members Category:Olympic medalists in basketball
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years active | 1992–present |
---|---|
background | solo_singer |
birth name | Britney Jean Spears |
birth date | December 02, 1981 |
birth place | |
genre | Pop, dance |
occupation | Singer, songwriter, dancer, actress, record producer, author, fashion designer, video director |
instrument | Vocals, piano |
label | Jive |
associated acts | InnosenseThe New Mickey Mouse Club |
website | }} |
In 2001, she released her third studio album ''Britney'' and expanded her brand, playing the starring role in the film ''Crossroads''. She assumed creative control of her fourth studio album, ''In the Zone'' (2003), which yielded chart-topping singles "Me Against the Music", "Toxic" and "Everytime". After the release of two compilation albums, Spears experienced personal struggles and her career went under hiatus. Her fifth studio album, ''Blackout'', was released in 2007 and despite receiving little promotion, it spawned hits "Gimme More" and "Piece of Me". In 2008, her erratic behavior and hospitalizations caused her to be placed in a conservatorship. The same year, her sixth studio album ''Circus'' was released, with the global chart-topping lead single "Womanizer". She embarked on her highest-grossing global concert tour, The Circus Starring Britney Spears, in 2009. Her seventh studio album ''Femme Fatale'', released in 2011, has become the first of her albums to yield three top ten singles in the United States.
Spears has sold over 100 million records worldwide. According to the Recording Industry Association of America (RIAA), she is the eighth top-selling female artist in the United States, with 33 million certified albums. Spears is also recognized as the best-selling female artist of the first decade of the 21st century, as well as the fifth overall. She was ranked the 8th Artist of the 2000s by ''Billboard''. In June 2010, Spears was ranked sixth on ''Forbes'' list of the 100 Most Powerful and Influential celebrities in the world; she is also the third most mentioned musician on the internet, according to ''Forbes''.
In June 1997, Spears was in talks with manager Lou Pearlman to join female pop group Innosense. Lynne asked family friend and entertainment lawyer Larry Rudolph for his opinion and submitted a tape of Spears singing over a Whitney Houston karaoke song along with some pictures. Rudolph decided he wanted to pitch her to record labels, therefore she needed a professional demo. He sent Spears an unused song from Toni Braxton; she rehearsed for a week and recorded her vocals in a studio with a sound engineer. Spears traveled to New York with the demo and met with executives from four labels, returning to Kentwood the same day. Three of the labels rejected her, arguing audiences wanted pop bands such as the Backstreet Boys and the Spice Girls, and "there wasn't going to be another Madonna, another Debbie Gibson, or another Tiffany." Two weeks later, executives from Jive Records returned calls to Rudolph. Senior vice president of A&R; Jeff Fenster stated about Spears's audition that "It's very rare to hear someone that age who can deliver emotional content and commercial appeal. [...] For any artist, the motivation—the 'eye of the tiger'— is extremely important. And Britney had that." They appointed her to work with producer Eric Foster White for a month, who reportedly shaped her voice from "lower and less poppy" delivery to "distinctively, unmistakably Britney." After hearing the recorded material, president Clive Calder ordered a full album. Spears had originally envisioned "Sheryl Crow music, but younger more adult contemporary" but felt all right with her label's appointment of producers, since "It made more sense to go pop, because I can dance to it—it's more me." She flew to Cheiron Studios in Stockholm, Sweden, where half of the album was recorded from March to April 1998, with producers Max Martin, Denniz Pop and Rami Yacoub, among others.
The April 1999 cover of ''Rolling Stone'' featured Spears lying on her bed, clad with a bra, shorts and an open top. The American Family Association (AFA) referred to the shoot as "a disturbing mix of childhood innocence and adult sexuality" and called to "God-loving Americans to boycott stores selling Britney's albums." Spears responded to the outcry commenting, "What's the big deal? I have strong morals. [...] I'd do it again. I thought the pictures were fine. And I was tired of being compared to Debbie Gibson and all of this bubblegum pop all the time." Shortly before, Spears had announced publicly she would remain a virgin until marriage. On June 28, 1999, Spears began her first headlining ...Baby One More Time Tour in North America, which was positively received by critics, but generated some controversy due to her racy outfits. An extension of the tour, titled Crazy 2k, followed in March 2000. Spears premiered songs from her upcoming second album during the show. ''Oops!... I Did It Again'', her second studio album, was released in May 2000. It debuted at number one in the US, selling 1,3 million copies, breaking the SoundScan record for the highest debut sales by any solo artist. The album sold over 20 million copies worldwide. Rob Sheffield of ''Rolling Stone'' said that "the great thing about ''Oops!'' – under the cheese surface, Britney's demand for satisfaction is complex, fierce and downright scary, making her a true child of rock & roll tradition." The album's lead single, "Oops!... I Did It Again", peaked at the top of the charts in Australia, New Zealand, the United Kingdom and many other European nations. The album as well as the title track received Grammy nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance, respectively.
The same year, Spears embarked on the Oops!... I Did It Again World Tour, which grossed $40.5 million; she also released her first book, ''Britney Spears' Heart-to-Heart'', co-written with her mother. On September 7, 2000, Spears performed at the 2000 MTV Video Music Awards. Halfway through the performance, she ripped off her black suit to reveal a sequined flesh-colored bodysuit, followed by heavy dance routine. It is noted by critics as the moment that Spears showed signs of becoming a more provocative performer. Amidst media speculation, Spears confirmed she was dating 'N Sync member Justin Timberlake.
Spears's performance of the single at the 2001 MTV Video Music Awards featured a caged tiger and a large albino python draped over her shoulders. It was harshly received by animal rights organization PETA, who claimed the animals were mistreated and scrapped plans for an anti-fur billboard that was to feature Spears. To support the album, Spears embarked on the Dream Within a Dream Tour. The show was critically praised for its technical innovations, the ''pièce de résistance'' being a water screen that pumped two tons of water into the stage. The tour grossed $43.7 million, becoming the second highest grossing tour of 2002 by a female artist, behind Cher's Farewell Tour. Her career success was highlighted by ''Forbes'' in 2002, as Spears was ranked the world's most powerful celebrity. Spears also landed her first starring role in ''Crossroads'', released in February 2002. Although the film was largely panned, most critics actually praised Spears's acting. ''Crossroads'', which had a $11 million budget, went on to gross over $57 million worldwide. In June 2002, Spears opened her first restaurant, Nyla, in New York City, but terminated her relationship in November, citing mismanagement and "management's failure to keep her fully apprised". In July 2002, Spears announced she would take a six month break from her career; however, she went back into the studio in October to record her new album. Spears's relationship with Justin Timberlake ended after three years. In December 2002, Timberlake released the song "Cry Me a River" as the second single from his solo debut album. The music video featured a Spears look-alike and fueled the rumors that she had been unfaithful to him. As a response, Spears wrote the ballad "Everytime" with her backing vocalist and friend Annet Artani. The same year, Limp Bizkit frontman Fred Durst confirmed that he was in a relationship with Spears, only to deny it later. In a 2009 interview, he explained that "I just guess at the time it was taboo for a guy like me to be associated with a gal like her." Spears opened the 2003 MTV Video Music Awards with Christina Aguilera, performing "Like a Virgin". Halfway through they were joined by Madonna, with whom they both kissed. The incident was highly publicized.
Spears released her fourth studio album, ''In the Zone'', in November 2003. She assumed more creative control by writing and co-producing most of the material. ''Vibe'' called it "A supremely confident dance record that also illustrates Spears's development as a songwriter." NPR listed the album as one of "The 50 Most Important Recording of the Decade", adding that "the decade's history of impeccably crafted pop is written on her body of work." ''In the Zone'' sold over 609,000 copies in the United States and debuted at the top of the charts, making Spears the first female artist in the SoundScan era to have her first four studio albums to debut at number one. It also debuted at the top of the charts in France and the top ten in Belgium, Denmark, Sweden and the Netherlands. ''In the Zone'' sold over 10 million copies worldwide. The album produced the hit singles: "Me Against the Music", a collaboration with Madonna; "Toxic"—which won a Grammy for Best Dance Recording; "Everytime" and "Outrageous".
In July 2004, she announced her engagement to American dancer Kevin Federline, whom she had met three months before. The romance received intense attention from the media, since Federline had recently broken up with actress Shar Jackson, who was still pregnant with their second child at the time. The initial stages of their relationship were chronicled in Spears's first reality show ''Britney & Kevin: Chaotic''. They held a wedding ceremony on September 18, 2004, but were not legally married until three weeks later on October 6 due to a delay finalizing the couple's prenuptial agreement. Shortly after, she released her first fragrance with Elizabeth Arden, ''Curious'', which broke the company's first-week gross for a perfume. In October 2004, Spears announced she would be taking another career break to start a family. ''Greatest Hits: My Prerogative'', her first greatest hits compilation album, was released in November 2004. Spears's cover version of Bobby Brown's "My Prerogative" was released as the lead single from the album, reaching the top of the charts in Finland, Ireland, Italy and Norway. The second single, "Do Somethin'", was a top ten hit in Australia, the United Kingdom and other countries of mainland Europe. Worldwide, ''Greatest Hits: My Prerogative'' sold over 5 million copies. In late 2004, Spears went on KIIS-FM radio in Los Angeles, CA to play a new demo titled "Mona Lisa." The demo was to be the first single from an upcoming album called the "Original Doll." However, Spears' label later cancelled the album for unknown reasons. Spears gave birth to her first child, Sean Preston Federline, on September 14, 2005.
In November 2005, she released her first remix compilation, ''B in the Mix: The Remixes'', which consists of eleven remixes. In February 2006, pictures surfaced of Spears driving with her son Sean, on her lap instead of in a car seat. Child advocates were horrified by the photos of her holding the wheel with one hand and Sean with the other. Spears claimed that the situation happened because of a frightening encounter with paparazzi, and that it was a mistake on her part. The following month, she guest-starred on the ''Will & Grace'' episode "Buy, Buy Baby" as closeted lesbian Amber Louise. She publicly announced she no longer studied Kabbalah in June 2006, explaining, "my baby is my religion." Two months later, Spears posed nude for the cover of ''Harper's Bazaar''. The picture was heavily compared to Demi Moore's August 1991 ''Vanity Fair'' cover. She gave birth to her second child, Jayden James Federline, on September 12, 2006. On November 7, 2006, Spears filed for divorce from Federline, citing irreconcilable differences. Their divorce was finalized in July 2007, when the couple reached a global settlement and agreed to share joint custody of their children. Spears's aunt Sandra Bridges Covington, with whom she had been very close, died of ovarian cancer in January. On February 16, 2007, Spears stayed in a drug rehabilitation facility in Antigua for less than a day. The following night, she shaved her head with electric clippers at a hair salon in Tarzana, Los Angeles. She admitted herself to other treatment facilities during the following weeks. After completing a month-long program at Promises, she wrote on her website, "I truly hit rock bottom. Till this day I don't think that it was alcohol or depression. [...] was like a bad kid running around with ADD." In May 2007, she produced a series of promotional concerts at House of Blues venues, titled The M+M's Tour. Spears lost physical custody of her children to Federline on October 1, 2007. The reasons of the court ruling were not revealed to the public.
Her fifth studio album, ''Blackout'', was released in October 2007. It debuted at the top of charts in Canada and Ireland, number two in the U.S. ''Billboard'' 200,—held off from the top spot by Eagles's ''Long Road out of Eden''— France, Japan, Mexico and the United Kingdom and the top ten in Australia, Korea, New Zealand and many European nations. In the United States, Spears became the only female artist to have her first five studio albums debut at the two top slots of the chart. ''Blackout'' sold over 3.1 million copies worldwide. Peter Robinson of ''The Observer'' said that "Britney has delivered the best album of her career, raising the bar for modern pop music with an incendiary mix of Timbaland's ''Shock Value'' and her own back catalogue." Dennis Lim of ''Blender'' commented, "Spears’s fifth studio album is her most consistent, a seamlessly entertaining collection of bright, brash electropop." ''Blackout'' won Album of the Year at MTV Europe Music Awards 2008 and was listed as the fifth Best Pop Album of the Decade by ''The Times''. Spears performed the lead single "Gimme More" at the 2007 MTV Video Music Awards. The performance was panned by many critics. David Willis of BBC stated her performance would "go down in the history books as being one of the worst to grace the MTV Awards". Despite the backlash, the single rocketed to worldwide success, peaking at number one in Canada and the top ten in almost every country it charted. The second single "Piece of Me" reached the top of the charts in Ireland and reached the top five in Australia, Canada, Denmark, New Zealand and the United Kingdom. The third single "Break the Ice" was released the following year and had moderate success due to Spears not being able to promote it properly. In December 2007, Spears began a relationship with paparazzo Adnan Ghalib.
Her sixth studio album ''Circus'', was released in December 2008. It received positive reviews from critics; according to the music review aggregation of Metacritic, it garnered an average score of 64/100. ''Circus'' debuted at number one in Canada, Czech Republic and the United States, and inside the top in many European nations. In the United States, Spears became the youngest female artist to have five albums debut at number one, earning a place in the ''Guinness Book of World Records''. She also became the only act in the Soundscan era to have four albums debut with 500,000 or more copies sold. ''Circus'' became one of the fastest-selling albums of the year, and has sold 4 million copies worldwide. Its lead single, "Womanizer", became her first number one in the ''Billboard'' Hot 100 since "...Baby One More Time" and topped the charts in countries such as Belgium, Canada, Denmark, Finland, France, Norway and Sweden. It was also nominated for a Grammy in the category of Best Dance Recording. In January 2009, Spears and her father James obtained a restraining order against her former manager Sam Lufti, ex-boyfriend Adnan Ghalib and attorney Jon Eardley—all of whom, court documents claim, had been conspiring to gain control of Spears's affairs. The restraining order forbids Lutfi and Ghalib from contacting Spears or coming within 250 yards of her, her property or family members. Spears embarked on The Circus Starring Britney Spears in March 2009. With a gross of U.S. $131.8 million, it became the fifth highest grossing tour of the year.
She released her second greatest hits album, ''The Singles Collection'' in November 2009. "3" became her third number one single in the US, and was the first song to debut at the top of the charts in three years. Later that month, she released an application for iPhone and iPod Touch titled "It's Britney!". In May 2010, Spears's representatives confirmed she was dating her agent Jason Trawick, and that they had decided to end their professional relationship to focus on their personal relationship. Spears designed a limited edition clothing line for Candie's, which was released in stores in July 2010. On September 28, 2010, she made a cameo appearance on a Spears-themed tribute episode of American TV show ''Glee'', titled "Britney/Brittany". Spears approved of the episode, although her appearances received mixed reviews from critics. The episode drew ''Glee'''s second largest audience, as well as the show's highest ratings ever.
On March 2011, Spears announced that she would tour throughout the United States during summer 2011 The Femme Fatale Tour opened June 16 at the Power Balance Pavilion in Sacramento, California to positive reviews. Many critics noted that Spears sang more of the concert live in response to lip-synching accusations during The Circus Starring Britney Spears, and that the dancing is some of her best in years. The first ten US dates of the tour grossed $6.2 million, landing the fifty-fifth spot on Pollstar's Top 100 North American Tours list for the half-way point of the year. The tour will travel to Europe and South and Central America later in 2011. On August 12, Spears announced that her performances at the Air Canada Centre in Toronto will be taped to air on the EPIX television channel and for a DVD release, resulting in the doubling of traffic to EPIX social sites and 'Britney Spears' becoming a worldwide trending topic on Twitter. Her first televised concert since the Onyx Hotel Tour in 2004, the show, ''Britney Spears: Femme Fatale,'' was shot in 2D and 3D on August 13 and 14 and will premiere on Epix in November.
On June 15, 2011, it was announced by ''Billboard'' that the RCA/Jive Label Group would be splitting, with Jive Records going to a restructured Epic Records, and RCA Records staying intact. In August it was announced that Spears had officially joined the RCA's roster. During the 2011 MTV Video Music Awards on August 28 2011, MTV played tribute to Spears with a group of young female dancers that memorialised Britney's music videos, performances, and style. Following which, Spears accepted the MTV Video Vanguard Award from Lady Gaga, who said that "industry wouldn't be the same without [her]".
On September 9, 2011, Spears announced that her second remix album, ''B in the Mix: The Remixes Vol. 2'', will be released on October 11, along with the tracklist.
''Oops!...I Did It Again'' and subsequent albums saw Spears working with several contemporary R&B; producers, leading to "a combination of bubblegum, urban soul, and raga." Her third studio album, ''Britney'' derived from the teen pop niche, "[r]hythmically and melodically ... sharper, tougher than what came before. What used to be unabashedly frothy has some disco grit, underpinned by Spears' spunky self-determination that helps sell hooks that are already catchier, by and large, than those that populated her previous two albums." Guy Blackman of ''The Age'' wrote that while few would care to listen to an entire Spears album, "[t]he thing about Spears, though, is that her biggest songs, no matter how committee-created or impossibly polished, have always been convincing because of her delivery, her commitment and her presence. For her mostly teenage fans, Spears expresses perfectly the conflicting urges of adolescence, the tension between chastity and sexual experience, between hedonism and responsibility, between confidence and vulnerability."
Her vocal ability has also been criticized, often drawing unfavorable comparison to her pop rival, Christina Aguilera Critic Allan Raible derides her overdependence in Circus on digital effects and the robotic effect it creates. "She’s never been a strong vocalist..." writes Raible, "Could she handle these songs with stripped down arrangements and no vocal effects? More importantly, would anyone want to hear her attempt such a performance? Does it matter? No. The focus is still image over substance." Her image and persona are also often contrasted to Christina Aguilera. David Browne of ''Entertainment Weekly'' observed "Christina Aguilera may flash skin and belly button, but in her music and manner, she's too eager not to offend — she's a good girl pretending to be bad. Spears, however, comes across as a bad girl acting good ... Spears' artificial-sweetener voice is much less interesting than the settings, yet that blandness is actually a relief compared with Aguilera's numbing vocal gymnastics. In contrast, Allmusic comments: "Like her peer Christina Aguilera, Britney equates maturity with transparent sexuality and the pounding sounds of nightclubs ... Where Christina comes across like a natural-born skank, Britney is the girl next door cutting loose at college, drinking and smoking and dancing and sexing just a little too recklessly, since this is the first time she ''can'' indulge herself. Sal Cinquemani of Slant Magazine notes, "The disparity between Aguilera and Spears can't be measured solely by the timbre and octave range of their voices ... [Aguilera's] popularity has never reached the fever pitch of Britney's."
Like other dance-oriented pop stars, it has been widely reported that Spears lip-syncs in concert. Author Gary Giddins wrote in his book ''Natural selection: Gary Giddins on comedy, film, music, and books'' (2006) that "among many other performers accused of moving their lips while a machine does the labor are Britney Spears, Luciano Pavarotti, Shania Twain, Beyoncé, and Madonna." Rashod D. Ollison of ''The Baltimore Sun'' observes: "Many pop stars ... feel they have no choice but to seek vocal enhancement. Since the advent of MTV and other video music channels, pop audiences have been fed elaborate videos thick with jaw-dropping effects, awesome choreography, fabulous clothes, marvelous bodies. And the same level of perfection is expected to extend beyond the video set to the concert stage. So if Britney Spears, Janet Jackson or Madonna sounds shrill and flat without a backing track, fans won't pay up to $300 for a concert ticket." Giddins adds, "it was reported Britney Spears fans prefer her to lip-sync—despite her denials of doing so (contradicted by her own director)—because they expect flawless digitalization when they pay serious money for a concert."
In Australia, NSW Fair Trading Minister Virginia Judge has advised disclaimers be printed on any ticket for concerts which contain any prerecorded vocals. She commented: "There could have been some instances where people actually go and purchase a ticket thinking that they're going to have a live performance ... for some people that means that everything is live, it's fresh, it happens instantaneously, it's not something that's been pre-recorded. You want to make sure that they're actually paying for what they think they're getting." Noting on the prevalence of lip-syncing, ''Los Angeles Daily News'' reported "in the context of a Britney Spears concert, does it really matter? Like a Vegas revue show, you don't go to hear the music, you go for the somewhat-ridiculous spectacle of it all". Similarly, Aline Mendelsohn of the ''Orlando Sentinel'' remarked: "Let's get one thing straight: A Britney Spears concert is not about the music ... you have to remember that it's about the sight, not the sound." Critic Glenn Gamboa comments her concert tours are "like her life—a massive money-making venture designed to play up her talents and distract from her shortcomings with a mix of techno-tinged sex appeal and disco-flavored flash. And, like her life, it is, more or less, a success.
Many critics have argued that Spears should not be considered in the same league of talent as Jackson or Madonna. Journalists Erika Montalvo and Jackie Sheppard of the ''Rocky Mountain Collegian'' observed "[s]ome may argue that Spears is not only a good recording artist but also an important cultural icon." However, in examining her level of skill as an artist, it is questioned that "[a]lthough she has been classified among female elites such as Janet Jackson and Madonna, what does Ms. Spears really have in common with these divas of rock?" Joan Anderman of ''The Boston Globe'' remarked that "[t]hirteen costume changes in 90 minutes won't bless her with Madonna's intelligence or cultural barometer. An army of cutting-edge R&B; producers won't supply her with Janet Jackson's sense of humor or sincere smile ... Britney's heroes aren't great singers. But they're real singers. Spears sounds robotic, nearly inhuman, on her records, so processed is her voice by digital pitch-shifters and synthesizers."
Reporter Ed Bumgardner commented her transition from teen pop start to adult sex symbol with her third studio album ''Britney'' "takes its cues from two other successful performers—Madonna and Janet Jackson—both of whom she brazenly rips off and both of whom, like Spears, are passable singers, at best." Critic Shane Harrison wrote: "From the minimalist thump and "Nasty" feel of "I'm a Slave 4 U" to the scattered quotes in "Boys", [''Britney''] feels like [Spears's] attempt at 'Control'."
Citing Jackson's resolve to incorporate personal and social issues into her work and Madonna's ability to constantly redefine the boundaries of socially acceptable material in the industry, Spears's catalog ultimately pales in comparison, because "[w]hile Jackson and Madonna wrote their own music about subjects of importance, [Spears's] music sounds like an upbeat version of either, 'I want to grow up but the media won't let me,' or 'Here kitty, kitty, I'm wearing my underwear outside of my leather pants'-type ballads." In contrast, Guy Blackman argues that although "no one would argue that Spears is some kind of pioneering pop auteur, there’s still a lot to like about her back catalogue. During her world-conquering peak, she was just about as cutting edge as you could get in the world of global pop superstardom. Spears didn’t just work with big names, she gave big names their names, and maintained her high currency in the world’s most fickle industry for years, when most aspiring starlets are lucky to manage months."
After meeting Spears face to face, Janet Jackson stated: "she said to me, 'I'm such a big fan; I really admire you.' That's so flattering. Everyone gets inspiration from some place. And it's awesome to see someone else coming up who's dancing and singing, and seeing how all these kids relate to her. A lot of people put it down, but what she does is a positive thing." Madonna's respect for Spears has also been a subject of observation. Santiago Fouz-Hernández and Freya Jarman-Ivens, authors of ''Madonna's drowned worlds: new approaches to her cultural transformations, 1983-2003'' (2004) note that the most well known cross-generational relationship exists between Spears and Madonna in which "the entertainment newsmedia almost became obsessed with their relationship of mutual admiration." The biographers also report "[s]ome observers of popular culture, however, feel that the comparisons between the two artist are meaningless and fail to recognize Madonna's unique contribution: Madonna was never 'just another pop star' whereas Britney can more easily be seen as a standard manufactured pop act."
Barbara Ellen of ''The Observer'' has reported: "Spears is famously one of the 'oldest' teenagers pop has ever produced, almost middle aged in terms of focus and determination. Many 19-year-olds haven't even started working by that age, whereas Britney, a former Mouseketeer, was that most unusual and volatile of American phenomena — a child with a full-time career. While other little girls were putting posters on their walls, Britney was wanting to be the poster on the wall. Whereas other children develop at their own pace, Britney was developing at a pace set by the ferociously competitive American entertainment industry". 'Britney Spears' was Yahoo!'s most popular search term between 2005 and 2008, and has been in a total of seven different years. Spears was named as Most Searched Person in the ''Guinness World Records'' book edition 2007 and 2009. Spears has also become a major influence among many new artists, including Kristinia DeBarge, Lady Gaga, Little Boots, Selena Gomez & the Scene, Pixie Lott and Miley Cyrus who has cited Spears as one of her biggest inspirations and has also referenced Spears in her hit song "Party in the U.S.A.". Spears' personal breakdown was also cited as an inspiration for Barry Manilow's album "''15 Minutes''".
In 2011, Adam Markovitz of ''Entertainment Weekly'' commented on the cultural significance of Spears' voice and music. "We don't ask a whole lot from Britney Spears as an entertainer...we'll still send her straight up the charts simply because she's Britney. She's an American institution, as deeply sacred and messed up as pro wrestling or the filibuster. Musically, though, Spears will always have to measure up to her own gold standards of pop euphony: the operatic slither of 2004's 'Toxic' and the candied funk of 2000's 'Oops!...I Did It Again.' Spears is no technical singer, that's for sure. But backed by Martin and Dr. Luke's wall of pound, her vocals melt into a mix of babytalk coo and coital panting that is, in its own overprocessed way, just as iconic and propulsive as Michael Jackson's yips or Eminem's snarls."
Bebo Norman wrote a song about Spears, called "Britney", which was released as a single. Boy band Busted also wrote a song about Spears called "Britney", which was on their debut album. She is also mentioned in P!nk's song "Don't Let Me Get Me". She was cited as the inspiration of Gwyneth Paltrow's character in the 2010 film ''Country Strong''. Richard Cheese called Britney Spears "a remarkable recording artist" and also went on to say that she was "versatile" and what the industry calls an "artist". ''People'' magazine and MTV reported that October 1, 2008, the Bronx's John Philip Sousa Middle School, named their music studio in honor of Britney Spears. Spears herself was present during the ceremony and donated $10,000 to the school's music program.
Category:1981 births Category:21st-century actors Category:Actors from Louisiana Category:American child singers Category:American dance musicians Category:American dancers Category:American female pop singers Category:American female singers Category:American film actors Category:American music video directors Category:American musicians of English descent Category:American people of English descent Category:American people of Maltese descent Category:American pop singers Category:American singer-songwriters Category:American stage actors Category:American television actors Category:Baptists from the United States Category:English-language singers Category:Grammy Award winners Category:Innosense members Category:Jive Records artists Category:RCA Records artists Category:Living people Category:Mouseketeers Category:Musicians from Louisiana Category:Parklane Academy alumni Category:Participants in American reality television series Category:People from Kentwood, Louisiana Category:Sony BMG artists Category:World Music Awards winners
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This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Jamie Chung |
---|---|
Birthname | Jamie Jilynn Chung |
Birth date | April 10, 1983 |
Birth place | San Francisco, California, U.S. |
Occupation | Actress |
Yearsactive | 2004–present }} |
Six months after Chung and her castmates left the ''Real World'' house, they appeared to discuss their experiences both during and since their time on the show on ''2 Punk Rock 4 This: The Real World San Diego Reunion'', which premiered on July 9, 2004, and was hosted by Vanessa Minnillo.
After appearing on ''The Real World'', Chung appeared on its spin-off game show, ''Real World/Road Rules Challenge'', as a cast member in that show's 2005 season, during which she was a member of the "Good Guys" team, which squared off against the "Bad Asses". By the end of the season, after several cast members had been eliminated during the competition, Chung remained, along with her fellow Good Guys teammates Darrell Taylor, Landon Lueck, and Mike Mizanin. Chung and her teammates were victorious against the remaining members of the Bad Asses in the final event, and won the competition.
+ Film | ! Year | ! Title | ! Role | Notes |
2007 | ''Katrina'' | Ella | TV film | |
2007 | ''I Now Pronounce You Chuck and Larry'' | Hooters Girl | Cameo | |
2009 | ''Princess Protection Program'' | Chelsea Barnes | TV film; main villain | |
2009 | ''Dragonball Evolution'' | Main role | ||
2009 | ''Sorority Row'' | Clarie | Supporting role | |
2009 | Ginny Bai | Supporting role | ||
2010 | Amber Hilliard | Supporting role | ||
2011 | Amber | Main role | ||
2011 | '''' | Lauren, Stu's fiance | Supporting role | |
2011 | ''The Man with the Iron Fists'' | Lady Silk | ||
2012 | ''Premium Rush'' | Nima | Main role |
+ Television | ! Year | ! Title | ! Role | Notes |
2004 | '''' | Herself | 27 episodes | |
2005 | ''Real World/Road Rules Challenge: The Inferno II'' | Herself/Challenge Winner | 16 episodes | |
2006 | ''Veronica Mars'' | Flirting Girl | 1 episode | |
2007 | The Tri Pi Sister | 2 episodes | ||
2007 | ''Days of our Lives'' | Cordy Han | 10 episodes | |
2007 | Jin Kim | 1 episode | ||
2007 | ''CSI: NY'' | Misty | 1 episode | |
2008 | Sienna | 1 episode | ||
2008 | Heavan | Short Series | ||
2009 | Romy | 1 episode |
+ Video games | ! Year | ! Title | ! Role | Notes |
2009 | ''Command & Conquer Red Alert 3: Uprising'' | Takara |
Category:1983 births Category:Living people Category:Actors from California Category:American film actors Category:American soap opera actors Category:American people of Korean descent Category:Participants in American reality television series Category:People from San Francisco, California Category:The Real World cast members
de:Jamie Chung es:Jamie Chung fr:Jamie Chung it:Jamie Chung ms:Jamie Chung nl:Jamie Chung ja:ジェイミー・チャン pl:Jamie Chung pt:Jamie Chung ru:Чжун, Джеми fi:Jamie Chung sv:Jamie Chung zh:钟洁咪This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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