ACME Zoopa Q 410 Movie - Quadrocopter-Videoaufnahme
wile e. coyote
Let's Play Tiny Toon Adventures 2 / Montana's Movie Madness (Gameboy/German) Teil 1
UmbauBR120
5 Poems by Osip Mandelstam
Osip Emilyevich Mandelstam (1891 - 1938) اوسیپ امیلی ویچ مندلستام
Imagination in the poetry of Anna Akhmatova
Zen Jenga - Amerikanka (Осип Эмильевич Мандельштам)
Anna Akhmatova (1889-1966) - Muse of Keening
ACME Zoopa Q 410 Movie - Quadrocopter-Videoaufnahme
wile e. coyote
Let's Play Tiny Toon Adventures 2 / Montana's Movie Madness (Gameboy/German) Teil 1
UmbauBR120
5 Poems by Osip Mandelstam
Osip Emilyevich Mandelstam (1891 - 1938) اوسیپ امیلی ویچ مندلستام
Imagination in the poetry of Anna Akhmatova
Zen Jenga - Amerikanka (Осип Эмильевич Мандельштам)
Anna Akhmatova (1889-1966) - Muse of Keening
Acmeism, or the Guild of Poets, was a transient poetic school which emerged in 1910 in Russia under the leadership of Nikolay Gumilev and Sergei Gorodetsky.Their ideals were compactness of form and clarity of expression. The term was coined after the Greek word acme, i.e., "the best age of man".
The Acmeist mood was first announced by Mikhail Kuzmin in his 1910 essay "Concerning Beautiful Clarity". The Acmeists contrasted the ideal of Apollonian clarity (hence the name of their journal, Apollo) to "Dionysian frenzy" propagated by the Russian Symbolist poets like Bely and Vyacheslav Ivanov. To the Symbolists' preoccupation with "intimations through symbols" they preferred "direct expression through images".
In his later manifesto "The Morning of Acmeism" (1913), Osip Mandelstam defined the movement as "a yearning for world culture". As a "neo-classical form of modernism" which essentialized "poetic craft and cultural continuity", the Guild of Poets placed Alexander Pope, Théophile Gautier, Rudyard Kipling, Innokentiy Annensky, and the Parnassian poets among their predecessors.
Osip Emilyevich Mandelstam (Russian: О́сип Эми́льевич Мандельшта́м; IPA: [ˈosʲɪp ɪˈmʲilʲjɪvʲɪt͡ɕ məndʲɪlʲˈʂtam]; January 15 [O.S. January 3] 1891 – December 27, 1938) was a Russian poet and essayist who lived in Russia during and after its revolution and the rise of the Soviet Union. He was one of the foremost members of the Acmeist school of poets. He was arrested by Joseph Stalin's government during the repression of the 1930s and sent into internal exile with his wife Nadezhda. Given a reprieve of sorts, they moved to Voronezh in southwestern Russia. In 1938 Mandelstam was arrested again and sentenced to a camp in Siberia. He died that year at a transit camp.
Mandelstam was born in Warsaw (then part of the Russian Empire) to a wealthy Polish Jewish family. His father, a leather merchant by trade, was able to receive a dispensation freeing the family from the pale of settlement and, soon after Osip's birth, they moved to Saint Petersburg. In 1900, Mandelstam entered the prestigious Tenishevsky School. The writer Vladimir Nabokov and other significant figures of Russian and Soviet culture have been among its alumni. His first poems were printed in 1907 in the school's almanac.
Anna Andreyevna Gorenko (Russian: А́нна Андре́евна Горе́нко Russian pronunciation: [ˈanə ɐndrʲəˈjɛvnə gɐˈrʲɛnkə]; Ukrainian: А́нна Андрі́ївна Горе́нко) (June 23 [O.S. June 11] 1889 – March 5, 1966), better known by the pen name Anna Akhmatova (Russian and Ukrainian: А́нна Ахма́това), was a Russian and Soviet modernist poet, one of the most acclaimed writers in the Russian canon.
Akhmatova's work ranges from short lyric poems to intricately structured cycles, such as Requiem (1935–40), her tragic masterpiece about the Stalinist terror. Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries. The strong and clear leading female voice struck a new chord in Russian poetry. Her writing can be said to fall into two periods – the early work (1912–25) and her later work (from around 1936 until her death), divided by a decade of reduced literary output. Her work was condemned and censored by Stalinist authorities and she is notable for choosing not to emigrate, and remaining in Russia, acting as witness to the atrocities around her. Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of Stalinism.
(Maiagare! Suzaku miracle-la)
Densetsu ga ugoki dashite
Hontou no watashi ga hirogaru
(Tooku hibiku wo ai ni) anata ni michibi karete
(Mezamete yuku tamashii) hikari dasu mou 1 tsu no sekai
Itooshi hito no tame ni ima nani ga dekiru ka na?
Kanawanai yume wa nai yo! massugu ni shinjiteru
Ten to chi no aida ni aru
Mekuru meku bouken ni muchuu
(Egao misete ni hao ma) anata ni mima morarete
(Ai wa hikaru seiza) omoidasu mou 1 tsu no kiseki
Isshou ichido no deai tamashii ni kizande ne
Donna toki datte ai wa sukui da to omou kara
Itooshi hito no tame ni ima nani ga dekiru ka na?
Kanawanai yume wa nai yo! massugu ni shinjiteru
(Mugen e to hirake fushigi yuugi)
* * * * *
(Fly high! Suzaku miracle-la)
The legend begins to move
The real me will blossom
(A distant echo of wo ai ni) I am led by you
(A spirit will awaken) 1 more world begins to shine
For the sake of my beloved what can I do now?
Theres no dream that is impossible! believe in it whole heartedly
Existing between heaven and earth
I turn over an adventure in a dreamlike daze
(I see a smile ni hao ma) I am watched over by you
(Love is a shining constellation) remember 1 more miracle
A once in a lifetime meeting keep it within your spirit
Because I think that love is always the salvation
For the sake of my beloved what can I do now?
Theres no dream that is impossible! believe in it whole heartedly
(Open onto infinity fushigi yuugi)