Thomas Alan "Tom" Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and as a supporting actor in films, including ''Down By Law'' and ''Bram Stoker's Dracula''. He was nominated for an Academy Award for his soundtrack work on ''One from the Heart''.

Lyrically, Waits' songs frequently present atmospheric portrayals of grotesque, often seedy characters and places – although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artists: "Jersey Girl", performed by Bruce Springsteen, "Ol' '55", performed by the Eagles, and "Downtown Train", performed by Rod Stewart. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, ''Bone Machine'' and ''Mule Variations''. In 2011, Waits was inducted into the Rock and Roll Hall of Fame.

Waits currently lives in Sonoma County, California with his wife, Kathleen Brennan, and three children.

Origins and musical beginnings

By 1965, while attending Hilltop High School within the Sweetwater Union High School District, Chula Vista, Waits was playing in an R&B;/soul band called The Systems and had begun his first job at Napoleone Pizza House in National City (about which he would later sing on "I Can't Wait to Get Off Work (And See My Baby on Montgomery Avenue)" from ''Small Change'' and "The Ghosts of Saturday Night (After Hours at Napoleone's Pizza House)" on ''The Heart of Saturday Night''). He later admitted that he was not a fan of the 1960s music scene, stating, "I wasn't thrilled by Blue Cheer, so I found an alternative, even if it was Bing Crosby." Five years later, he was working as a doorman at the Heritage nightclub in San Diego—where artists of every genre performed—when he did his first paid gig for $25. A fan of Bob Dylan, Lord Buckley, Jack Kerouac, Louis Armstrong, Howlin' Wolf, and Charles Bukowski, Waits began developing his own idiosyncratic musical style.

After serving with the United States Coast Guard, he took his newly formed act to Monday nights at The Troubadour in Los Angeles, where musicians would line up all day for the opportunity to perform on stage that night. In 1971, Waits moved to the Echo Park neighborhood of L.A. (at the time, also home to musicians Glenn Frey of the Eagles, J. D. Souther, Jackson Browne, and Frank Zappa) and signed with Herb Cohen at the age of 21. From August to December 1971, Waits made a series of demo recordings for Cohen's Bizarre/Straight label, including many songs for which he would later become known. These early tracks were eventually to be released twenty years later on ''The Early Years, Volume One'' and ''Volume Two''.

1970s

He began touring and opening for such artists as Charlie Rich, Martha and the Vandellas, and Frank Zappa. Waits received increasing critical acclaim and gathered a loyal cult following with his subsequent albums. ''The Heart of Saturday Night'' (1974), featuring the song "(Looking for) The Heart of Saturday Night", revealed Waits's roots as a nightclub performer, with half-spoken and half-crooned ballads often accompanied by a jazz backup band. Waits described the album as:

...a comprehensive study of a number of aspects of this search for the center of Saturday night, which Jack Kerouac relentlessly chased from one end of this country to the other, and I've attempted to scoop up a few diamonds of this magic that I see.

In 1975, Waits moved to the Tropicana Motel on Santa Monica Boulevard and released the double album ''Nighthawks at the Diner'', recorded in a studio with a small audience in order to capture the ambience of a live show. The record exemplifies this phase of his career, including the lengthy spoken interludes between songs that punctuated his live act. That year, he also contributed backing vocals to Bonnie Raitt's "Your Sweet and Shiny Eyes", from her album ''Home Plate''.

By this time, Waits was drinking heavily, and life on the road was starting to take its toll. Waits, looking back at the period, has said,

I was sick through that whole period [...] It was starting to wear on me, all the touring. I'd been traveling quite a bit, living in hotels, eating bad food, drinking a lot — too much. There's a lifestyle that's there before you arrive and you're introduced to it. It's unavoidable.

In reaction to these hardships, Waits recorded ''Small Change'' (1976), which finds him in a much more cynical and pessimistic mood, lyrically, with many songs such as "The Piano Has Been Drinking (Not Me) (An Evening With Pete King)" and "Bad Liver and a Broken Heart (In Lowell)". With the album, Waits asserted that he "tried to resolve a few things as far as this cocktail lounge, maudlin, crying-in-your-beer image that I have. There ain't nothin' funny about a drunk [...] I was really starting to believe that there was something amusing and wonderfully American about being a drunk. I ended up telling myself to cut that shit out." The album, which also included long-time fan favorite "Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)", featured famed drummer Shelly Manne and was, like his previous albums, heavily influenced by jazz.

''Small Change'', which was accompanied by the double A-side single "Step Right Up"/"The Piano Has Been Drinking", was a critical and commercial success and far outsold any of Waits's previous albums. With it, Waits broke onto ''Billboard'''s Top 100 Albums chart for the first time in his career (a feat Waits would not repeat until 1999 with the release of ''Mule Variations''). This resulted in a much higher public profile, which brought with it interviews and articles in ''Time'', ''Newsweek'', and ''Vogue''. Waits put together a regular touring band, The Nocturnal Emissions, which featured Frank Vicari on tenor saxophone, Fitzgerald Jenkins on bass guitar, and Chip White on drums and vibraphone. Tom Waits and the Nocturnal Emissions toured the United States and Europe extensively from October 1976 until May 1977, including a performance of "The Piano Has Been Drinking" on cult BBC2 television music show the ''Old Grey Whistle Test'' in May 1976.

''Foreign Affairs'' (1977) was musically in a similar vein to ''Small Change'', but showed further artistic refinement and exploration into jazz and blues styles. Particularly noteworthy is the long cinematic spoken-word piece, "Potter's Field", set to an orchestral score. The album also features Bette Midler singing a duet with Waits on "I Never Talk to Strangers." The album ''Blue Valentine'' (1978) displayed Waits's biggest musical departure to date, with much more focus on electric guitar and keyboards than on previous albums and hardly any strings (with the exception of album-opener "Somewhere" — a cover of Leonard Bernstein's song from ''West Side Story'' — and "Kentucky Avenue") for a darker, more blues-oriented sound. The song "Blue Valentines" was also unique for Waits in that it featured a desolate arrangement of solo electric guitar played by Ray Crawford, accompanied by Waits' vocal. Around this time, Waits had a relationship with Rickie Lee Jones (who appears on the sleeve art of the ''Blue Valentine'' album). In 1978, Waits also appeared in his first film role, in ''Paradise Alley'' as Mumbles the pianist, and contributed the original compositions "(Meet Me in) Paradise Alley" and "Annie's Back in Town" to the film's soundtrack.

''Heartattack and Vine'', Waits's last studio album for Asylum, was released in 1980, featuring a developing sound that included both ballads ("Jersey Girl") and rougher-edged rhythm and blues. The same year, he began a long working relationship with Francis Ford Coppola, who asked Waits to provide music for his film ''One from the Heart''. For Coppola's film, Waits originally wanted to work with Bette Midler; she was unavailable due to prior engagements, however. Waits ended up working with singer/songwriter Crystal Gayle as his vocal foil for the album.

1980s

After leaving Asylum for Island Records, Waits released ''Swordfishtrombones'' in 1983, a record that marked a sharp turn in his musical direction. While Waits had before played either piano or guitar, he now gravitated towards less common instruments, saying, "Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone." ''Swordfishtrombones'' also introduced instruments such as bagpipes ("Town with No Cheer") and marimba ("Shore Leave") to Waits' repertoire, as well as pump organs, percussion (sometimes reminiscent of the music of Harry Partch), horn sections (often featuring Ralph Carney playing in the style of brass bands or soul music), experimental guitar, and obsolete instruments (many of Waits' albums have featured a damaged, unpredictable Chamberlin, and more recent albums have included the little-used Stroh violin).

His songwriting shifted as well, moving away from the traditional piano-and-strings ballad sound of his 1970s output towards a number of styles largely ignored in pop music, including primal blues, cabaret stylings, rumbas, theatrical approaches in the style of Kurt Weill, tango music, early country music and European folk music as well as the Tin Pan Alley-era songs that influenced his early output. He also recorded a spoken word piece, "Frank's Wild Years", influenced by Ken Nordine's "word jazz" records of the 1950s. Apart from Captain Beefheart and some of Dr. John's early output, there was little precedent in popular music.

Waits's new emphasis on experimenting with various styles and instrumentation continued on 1985's ''Rain Dogs'', a sprawling, 19-song collection which received glowing reviews (the album was ranked #21 on ''Rolling Stone'''s list of the 100 greatest albums of the 1980s. In 2003, the album was ranked number 397 on ''Rolling Stone'' magazine's list of the 500 greatest albums of all time.) Contributions from guitarists Marc Ribot, Robert Quine, and Keith Richards accompanied Waits' move away from piano-based songs, in juxtaposition with an increased emphasis on instruments such as marimba, accordion, double bass, trombone, and banjo. The album also spawned the 12" single "Downtown Train/Tango Till They're Sore/Jockey Full of Bourbon", with Jean Baptiste Mondino filming a promotional music video for "Downtown Train" (which would later become a hit for Rod Stewart), featuring a cameo from boxing legend Jake LaMotta. The album peaked at #188 on Billboard's Top 200 albums chart; however, its reputation has come to far outshine low initial sales.

''Franks Wild Years'', a musical play by Waits and Brennan, was staged as an Off-Broadway musical in 1986, directed by Gary Sinise, in a successful run at Chicago's famed Steppenwolf Theater. Waits himself played the lead role. Waits developed his acting career with several supporting roles and a lead role in Jim Jarmusch's ''Down by Law'' in 1986, which also featured two of Waits's songs from ''Rain Dogs'' in the soundtrack. In the same year, Waits also contributed vocals to the song "Harlem Shuffle" on The Rolling Stones' album ''Dirty Work''.

In 1987, he released ''Franks Wild Years'' (subtitled "Un Operachi Romantico in Two Acts"), which included studio versions from Waits' play of the same name. ''Rolling Stone'' summed up the album's myriad styles this way: "Everything from sleazy strip-show blues to cheesy waltzes to supercilious lounge lizardry is given spare, jarring arrangements using various combinations of squawking horns, bashed drums, plucked banjo, snaky double bass, carnival organ and jaunty accordion." Waits also continued to further his acting career with a supporting role as Rudy the Kraut in ''Ironweed'' (an adaptation of William Kennedy's Pulitzer Prize-winning novel) alongside Jack Nicholson and Meryl Streep, in which Waits performed the song "Big Rock Candy Mountain", as well as a part in Robert Frank's ''Candy Mountain'', in which Waits also performed "Once More Before I Go." In 1988, Waits performed in ''Big Time'', a surreal concert movie and soundtrack which he cowrote with his wife.

In 1989, Waits appeared in his final theatrical stage role to date, appearing as Curly in Thomas Babe's ''Demon Wine'', alongside Bill Pullman, Philip Baker Hall, Carol Kane, and Bud Cort. The play opened at the Los Angeles Theater Center in February 1989 to mixed reviews, although Waits' performance was singled out by a number of critics, including John C. Mahoney, who described it as "mesmerizing." Waits finished the decade with appearances in three movies: as the voice of a radio DJ in Jim Jarmusch's ''Mystery Train''; as Kenny the Hitman in Robert Dornhelm's ''Cold Feet''; and the lead role of Punch & Judy man Silva in ''Bearskin: An Urban Fairytale''. His only musical output of the year consisted of contributing his cover of Phil Phillips' "Sea of Love" to the soundtrack of the Al Pacino movie of the same name and contributing vocals to The Replacements song "Date to Church", which appeared as a B-side to their single "I'll Be You".

1990s

The following year, Waits was extremely busy working on movie soundtracks, acting, and contributing to a number of music projects by other artists. First, Waits appeared on the Primus album ''Sailing the Seas of Cheese'' as the voice of "Tommy the Cat", which exposed him to a new audience in alternative rock. This was the first of several collaborations between Waits and the group; Frontman Les Claypool would appear on several subsequent Waits releases. The same year saw Waits provide spoken word contributions to ''Devout Catalyst'', an album by one of Waits' greatest influences, Ken Nordine, on the songs "A Thousand Bing Bangs" and "The Movie." Waits also contributed vocals to a duet with singer Bob Forrest on the song "Adios Lounge" on the Thelonious Monster album ''Beautiful Mess''. He also contributed vocals to two songs ("Little Man" and "I'm Not Your Fool Anymore") on jazz tenor saxophonist Teddy Edwards' album ''Mississippi Lad''. Edwards was extremely complimentary of Waits' contributions, saying:

Tom Waits is the one who got me my contract with PolyGram. He's wonderful, he's America's best lyricist since Johnny Mercer. He came down to the studio on the ''Mississippi Lad'' album, that's the first one I did for PolyGram, and he sang two of my songs, wouldn't accept any money, just trying to give me the best boost that he could.

The only collection of exclusively Waits-performed material of 1991 appeared when Waits composed and conducted the almost exclusively instrumental music for Jim Jarmusch's 1991 film ''Night on Earth'', which was released as an album the following year. In July 1991, Screamin' Jay Hawkins released the album ''Black Music for White People'', which features covers of two Waits compositions: "Heartattack & Vine" (which later that year was used in a European Levi's advertisement without Waits' permission, resulting in a lawsuit) and "Ice Cream Man". Waits continued to appear in movie acting roles, the most significant of which was his uncredited cameo as a disabled veteran in Terry Gilliam's ''The Fisher King''. He also appeared alongside Kevin Bacon, John Malkovich, and Jamie Lee Curtis in Steve Rash's ''Queens Logic'', and opposite Tom Berenger and Kathy Bates in Hector Babenco's film ''At Play in the Fields of the Lord'', adapted from Peter Matthiessen's 1965 novel.

''Bone Machine'', Waits's first studio album in five years, was released in 1992. The stark record featured a great deal of percussion and guitar (with little piano or sax), marking another change in Waits' sound. Critic Steve Huey calls it "perhaps Tom Waits's most cohesive album... a morbid, sinister nightmare, one that applied the quirks of his experimental '80s classics to stunningly evocative — and often harrowing — effect... Waits' most affecting and powerful recording, even if it isn't his most accessible." ''Bone Machine'' was awarded a Grammy in the Best Alternative Album category. On December 19, 1992 ''Alice'', Waits's second theatrical project with Robert Wilson, premiered at the Thalia Theatre in Hamburg. Paul Schmidt adapted the text from the works of Lewis Carroll (''Alice's Adventures in Wonderland'' and ''Through the Looking-Glass'', in particular), with songs by Waits and Kathleen Brennan presented as intersections with the text rather than as expansions of the story, as would be the case in conventional musical theater. These songs would be recorded by Waits as a studio album 10 years later on ''Alice''. 1992 also saw Waits featuring in Francis Ford Coppola's film ''Bram Stoker's Dracula'', as the possessed lunatic Renfield.

In 1993, he released ''The Black Rider'', which contained studio versions of the songs that Waits had written for the musical of the same name three years previously, with the exceptions of "Chase the Clouds Away" and "In the Morning", which appeared in the theatrical production but not on the studio album. William S. Burroughs also guests on vocals on "'Tain't No Sin". In the same year, Waits lent his vocals to Gavin Bryars' 75-minute reworking of his 1971 classical music piece ''Jesus' Blood Never Failed Me Yet''; appeared in Robert Altman's film version of Raymond Carver's stories ''Short Cuts'' and Jim Jarmusch's ''Coffee and Cigarettes: Somewhere in California'', a short black-and-white movie with Iggy Pop; and his third child, Sullivan, was born. In 1997, Waits and Brennan wrote and performed the music for ''Bunny'' the animated short film by 20th Century Fox's Blue Sky Studios, which was awarded Best Animated Short Film by the Academy of Motion Picture Arts and Sciences.

In 1995, Holly Cole released ''Temptation'', a tribute album consisting entirely of Waits covers.

Another Waits cover was released in 1996, as Meat Loaf covered ''Martha'' for his concept album ''Welcome to the Neighborhood''.

In 1998, after Island Records released the compilation ''Beautiful Maladies: The Island Years'', Waits left the label for Epitaph, whose president, Andy Kaulkin, said the label was "...blown away that Tom would even consider us. We are huge fans." Waits himself was full of praise for the label, saying "Epitaph is rare for being owned and operated by musicians. They have good taste and a load of enthusiasm, plus they're nice people. And they gave me a brand-new Cadillac, of course."

Waits's first album on his new label, ''Mule Variations'', was issued in 1999. ''Billboard'' described the album as musically melding "backwoods blues, skewed gospel, and unruly art stomp into a sublime piece of junkyard sound sculpture." The album was Waits' first release to feature a turntablist. The album won a Grammy in 2000; as an indicator of how difficult it is to classify Waits's music, he was nominated simultaneously for Best Contemporary Folk Album (which he won) and Best Male Rock Vocal Performance (for the song "Hold On"), both different from the genre for which he won his previous Grammy. The album was also his highest-charting album in the U.S. to date, reaching #30.

The same year, Waits made a foray into producing music for other artists, teaming up with his old friend Chuck E. Weiss to coproduce (with his wife, Kathleen Brennan) ''Extremely Cool'', as well as appearing on the record as a guest vocalist and guitarist. He also contributed a cover of Skip Spence's "Books of Moses" to ''More Oar: A Tribute to the Skip Spence Album'', a collection of covers of the singer's songs on Birdman Records. The same year, Waits appeared in the comedy ''Mystery Men''.

2000s

Tori Amos included a cover of the song "Time", from ''Rain Dogs'' on her 2001 album ''Strange Little Girls''. In 2002, Waits simultaneously released two albums, ''Alice'' and ''Blood Money''. Both collections had been written almost 10 years previously and were based on theatrical collaborations with Robert Wilson; the former a musical play about Lewis Carroll, and the latter an interpretation of Georg Büchner's play fragment ''Woyzeck''. Both albums revisit the tango, Tin Pan Alley, and spoken-word influences of ''Swordfishtrombones'', while the lyrics are both profoundly cynical and melancholic, exemplified by "Misery is the River of the World" and "Everything Goes to Hell." "Diamond in Your Mind", which Waits wrote for Wilson's ''Woyzeck'', did not appear on ''Blood Money''; however, it did emerge on Solomon Burke's album ''Don't Give Up on Me'' of the same year. While Waits has played the song live a number of times, an official version would not be released until 2007. The same year, Waits contributed a version of "The Return of Jackie and Judy" by The Ramones to the compilation album ''We're a Happy Family - A Tribute to Ramones'', which was released in 2003 on Columbia Records. That same year, Waits was also a judge for the 2nd annual Independent Music Awards to support independent artists' careers. Waits was also a judge for the 10th annual Independent Music Awards.

Waits released ''Real Gone'', his first nontheatrical studio album since ''Mule Variations'', in 2004. It is Waits's only album to date to feature absolutely no piano on any of its tracks. Waits beatboxes on the opening track, "Top of the Hill", and most of the album's songs begin with Waits's "vocal percussion" improvisations. It is also more rock-oriented, with less blues influence than he has previously demonstrated. The same year, Waits contributed backing vocals to the track "Go Tell It on the Mountain" on the Grammy Award (Best Traditional Gospel Album)-winning album of the same name by The Blind Boys of Alabama. He also contributed a version of Daniel Johnston's "King Kong" to the tribute album ''The Late Great Daniel Johnston: Discovered Covered'', released on Gammon Records.

At this time, Waits made a return to acting after a five-year break, marked at first by the re-release of his 1993 Jim Jarmusch-directed short ''Coffee and Cigarettes: Somewhere in California'', costarring Iggy Pop, compiled in ''Coffee and Cigarettes''. In 2005, Waits appeared in the Tony Scott film ''Domino'' as a soothsayer. In the same year, Waits appeared as himself in Roberto Benigni's romantic comedy ''La Tigre e la Neve'', set in occupied Baghdad during the Iraq War. In the movie, Waits appears in a dream scene as himself, singing the ballad "You Can Never Hold Back Spring" and accompanying himself at the piano.

A 54-song three-disc box set of rarities, unreleased tracks, and brand-new compositions called ''Orphans: Brawlers, Bawlers & Bastards'' was released in November 2006. The three discs are subdivided relating to their content: "Brawlers" features Waits's more upbeat rock and blues songs; "Bawlers", his ballads and love songs; and "Bastards", songs that fit in neither category, including a number of spoken-word tracks. A video for the song "Lie to Me" was produced as a promotion for the collection. ''Orphans'' also continues Waits's newfound interest in politics with "Road to Peace", a song about the Israeli-Palestinian conflict. The album is also notable for containing a number of covers of songs by other artists, including The Ramones ("The Return of Jackie and Judy" and "Danny Says"), Daniel Johnston ("King Kong"), Kurt Weill and Bertolt Brecht ("What Keeps Mankind Alive"), and Leadbelly ("Ain't Goin' Down to the Well" and "Goodnight Irene"), as well as renditions of works by poets and authors admired by Waits, such as Charles Bukowski and Jack Kerouac and a previously released duet with Mark Linkous of Sparklehorse entitled "Dog Door". Waits' albums ''Orphans: Brawlers, Bawlers & Bastards'' and ''Alice'' are both included in metacritic.com's list of the "Top 200: Best-Reviewed Albums" since 2000 at #10 and #20, respectively (as of November 2009). The same years, Waits appeared on Sparklehorse's album ''Dreamt for Light Years in the Belly of a Mountain'', playing piano on the track "Morning Hollow."

Five different versions of Waits's song "Way Down in the Hole" have been used as the opening theme songs for the HBO television show ''The Wire''. Waits's own version, from ''Frank's Wild Years'', was used for season two. The other versions used for the series were performed by, in season order, The Blind Boys of Alabama, The Neville Brothers, "DoMaJe" and Steve Earle.

Waits made a number of high-profile television and concert appearances between 2006 and 2010. In November 2006, Waits appeared on ''The Daily Show'' and performed "The Day After Tomorrow." This was significant for his having been only the third performing guest on the show, the first being Tenacious D and the second The White Stripes. On May 4, 2007, Waits performed "Lucinda" and "Ain't Goin' Down to the Well" from ''Orphans'' on the last show of a week ''Late Night with Conan O'Brien'' spent in San Francisco. There was a short interview after the last performance. Waits also played in the Bridge School Benefit on October 27–28, 2007 with Kronos Quartet.

On July 10, 2007, Waits released the download-only digital single "Diamond In Your Mind". The version of the song was recorded with Kronos Quartet, with Greg Cohen, Philip Glass, and The Dalai Lama at the benefit concert "Healing The Divide: A Concert for Peace and Reconciliation" at Avery Fisher Hall, recorded on September 21, 2003.

Waits's song "Trampled Rose" (from ''Real Gone'') appeared on the critically acclaimed album ''Raising Sand'', a collaboration between Robert Plant and Alison Krauss. Waits also provided guest vocals on the song "Pray" by fellow ANTI- artists The Book of Knots on their album ''Traineater''.

He played the role of Kneller in the film ''Wristcutters: A Love Story'', which opened in November 2007.

On January 22, 2008, Waits made a rare live appearance in Los Angeles, performing at a benefit for Bet Tzedek Legal Services—The House of Justice, a nonprofit poverty law center.

On May 7, 2008, Waits announced the Glitter and Doom Tour starting in June 2008, touring cities in the southern United States and subsequently announced a series of dates in the UK, Ireland and mainland Europe. Waits was awarded the key to the city of El Paso, Texas during a concert on June 20, 2008. In his generally positive review of the opening show of the tour, ''The Wall Street Journal'' critic Jim Fusilli described Waits' music thus: }}

On May 20, 2008 Scarlett Johansson's debut album, entitled ''Anywhere I Lay My Head'', featured covers of ten Tom Waits songs. Waits made an appearance on the album ''The Spirit of Apollo'' by alternative hip hop project N.A.S.A., on the track "Spacious Thoughts."

Waits wrote the following introduction for the Tompkins Square compilation ''People Take Warning – Murder Ballads & Disaster Songs, 1913–1938'':

In late 2009, Terry Gilliam's film ''The Imaginarium of Doctor Parnassus'' was released, with Waits in the role of Mr. Nick. Production began in December 2007 in London. Star Heath Ledger's death in January 2008 cast doubt on the film's future, but the production was salvaged with the addition of new actors playing his character in scenes he did not complete.

2010s

He is currently working on a new stage musical with director and long-time collaborator Robert Wilson and playwright Martin McDonagh.

In early 2011, Tom Waits completed a set of 23 poems entitled ''Seeds on Hard Ground'', which were inspired by Michael O'Brien's portraits of the homeless in his upcoming book, ''Hard Ground'', which will include the poems alongside the portraits. In anticipation of the book release, Waits and Anti- printed limited edition chapbooks of the poems to raise money for Redwood Empire Food Bank, a homeless referral and family support service in Sonoma County, California. As of January 26, 2011, four editions, each limited to a thousand copies costing $24.99US each, sold out, raising $90,000 for the food bank.

It was announced on February 9, 2011, that Waits was to be inducted into the Rock and Roll Hall of Fame by Neil Young. The ceremony was held at the Waldorf-Astoria on Monday, March 14, 2011, at 8:30pm EST. Waits accepted the award with his customary humor, stating, "They say I have no hits and that I'm difficult to work with... like it's a bad thing."

On February 24, 2011, it was announced via Waits' official website that he has begun work on his next studio album.

Waits said through his website that on August 23 he would "set the record straight" in regards to rumors of a new release. On August 23, the title of the new album was revealed to be ''Bad as Me'', and a new single, also titled "Bad as Me," started being offered via Amazon.com and other sites.

Record companies

Lawsuits

Waits filed his first lawsuit in 1988 against Frito-Lay. The 9th Circuit Court of Appeals affirmed an award of $2.375-million in his favor (''Waits v. Frito-Lay'', 978 F. 2d 1093 (9th Cir. 1992)). Frito-Lay had approached Waits to use one of his songs in an advertisement. Waits declined the offer, and Frito-Lay hired a Waits soundalike to sing a jingle similar to ''Small Change'''s "Step Right Up", which is, ironically, a song Waits has called "an indictment of advertising". Waits won the lawsuit, becoming one of the first artists to successfully sue a company for using an impersonator without permission.

In 1993, Levi's used Screamin' Jay Hawkins' version of Waits' "Heartattack and Vine" in a commercial. Waits sued, and Levi's agreed to cease all use of the song and offered a full page apology in ''Billboard''. Waits found himself in a situation similar to his earlier one with Frito Lay in 2000 when Audi approached him, asking to use "Innocent When You Dream" (from ''Franks Wild Years'') for a commercial broadcast in Spain. Waits declined, but the commercial ultimately featured music very similar to that song. Waits undertook legal action, and a Spanish court recognized that there had been a violation of Waits's moral rights in addition to the infringement of copyright. The production company, Tandem Campany Guasch, was ordered to pay compensation to Waits through his Spanish publisher. Waits was later quoted as jokingly saying the company got the name of the song wrong, thinking it was called "Innocent When You Scheme".

In 2005, Waits sued Adam Opel AG, claiming that, after having failed to sign him to sing in their Scandinavian commercials, they had hired a sound-alike singer. In 2007, the suit was settled, and Waits gave the sum to charity.

Waits has also filed a lawsuit unrelated to his music. He was arrested in 1977 outside Duke's Tropicana Coffee Shop in Los Angeles. Waits and a friend were trying to stop some men from bullying other patrons. The men were plainclothes police, and Waits and his friend were taken into custody and charged with disturbing the peace. The jury found Waits not guilty; he took the police department to court and was awarded $7,500 compensation.

Discography and filmography

Tours

Further reading

References

External links

Category:1949 births Category:Living people Category:American people of Norwegian descent Category:American composers Category:American film actors Category:American male singers Category:American multi-instrumentalists Category:American musicians of Norwegian descent Category:American people of Scotch-Irish descent Category:American rock singers Category:American blues singers Category:American singer-songwriters Category:Eels (band) members Category:English-language singers Category:Epitaph Records artists Category:Grammy Award winners Category:People from Chula Vista, California Category:People from Pomona, California Category:People from the San Fernando Valley Category:People from Sonoma County, California Category:Singers from California Category:Songwriters from California Category:Writers from California Category:Sebastopol, California Category:Rock and Roll Hall of Fame inductees Category:People from Echo Park, Los Angeles

Myocardial infarction (MI) or acute myocardial infarction (AMI), commonly known as a heart attack, is the interruption of blood supply to a part of the heart, causing heart cells to die. This is most commonly due to occlusion (blockage) of a coronary artery following the rupture of a vulnerable atherosclerotic plaque, which is an unstable collection of lipids (fatty acids) and white blood cells (especially macrophages) in the wall of an artery. The resulting ischemia (restriction in blood supply) and oxygen shortage, if left untreated for a sufficient period of time, can cause damage or death (''infarction'') of heart muscle tissue (''myocardium'').

Classical symptoms of acute myocardial infarction include sudden chest pain (typically radiating to the left arm or left side of the neck), shortness of breath, nausea, vomiting, palpitations, sweating, and anxiety (often described as a sense of impending doom). Women may experience fewer typical symptoms than men, most commonly shortness of breath, weakness, a feeling of indigestion, and fatigue. Approximately one quarter of all myocardial infarctions are "silent", without chest pain or other symptoms.

Among the diagnostic tests available to detect heart muscle damage are an electrocardiogram (ECG), echocardiography, and various blood tests. The most often used markers are the creatine kinase-MB (CK-MB) fraction and the troponin levels. Immediate treatment for suspected acute myocardial infarction includes oxygen, aspirin, and sublingual nitroglycerin.

Most cases of STEMI (ST elevation MI) are treated with thrombolysis or percutaneous coronary intervention (PCI). NSTEMI (non-ST elevation MI) should be managed with medication, although PCI is often performed during hospital admission. In people who have multiple blockages and who are relatively stable, or in a few emergency cases, bypass surgery may be an option.

Heart attacks are the leading cause of death for both men and women worldwide. Important risk factors are previous cardiovascular disease, older age, tobacco smoking, high blood levels of certain lipids (triglycerides, low-density lipoprotein) and low levels of high density lipoprotein (HDL), diabetes, high blood pressure, obesity, chronic kidney disease, heart failure, excessive alcohol consumption, the abuse of certain drugs (such as cocaine and methamphetamine), and chronic high stress levels.

Classification

Clinically, a myocardial infarction can be further subclassified into a ST elevation MI (STEMI) versus a non-ST elevation MI (non-STEMI) based on ECG changes.

The phrase "heart attack" is sometimes used incorrectly to describe sudden cardiac death, which may or may not be the result of acute myocardial infarction. A heart attack is different from, but can be the cause of cardiac arrest, which is the stopping of the heartbeat, and cardiac arrhythmia, an abnormal heartbeat. It is also distinct from heart failure, in which the pumping action of the heart is impaired; severe myocardial infarction may lead to heart failure, but not necessarily.

A 2007 consensus document classifies myocardial infarction into five main types:

Signs and symptoms

The onset of symptoms in myocardial infarction (MI) is usually gradual, over several minutes, and rarely instantaneous. Chest pain is the most common symptom of acute myocardial infarction and is often described as a sensation of tightness, pressure, or squeezing. Chest pain due to ischemia (a lack of blood and hence oxygen supply) of the heart muscle is termed angina pectoris. Pain radiates most often to the left arm, but may also radiate to the lower jaw, neck, right arm, back, and epigastrium, where it may mimic heartburn. Levine's sign, in which the patient localizes the chest pain by clenching their fist over the sternum, has classically been thought to be predictive of cardiac chest pain, although a prospective observational study showed that it had a poor positive predictive value.

Shortness of breath (dyspnea) occurs when the damage to the heart limits the output of the left ventricle, causing left ventricular failure and consequent pulmonary edema. Other symptoms include diaphoresis (an excessive form of sweating), weakness, light-headedness, nausea, vomiting, and palpitations. These symptoms are likely induced by a massive surge of catecholamines from the sympathetic nervous system which occurs in response to pain and the hemodynamic abnormalities that result from cardiac dysfunction. Loss of consciousness (due to inadequate cerebral perfusion and cardiogenic shock) and sudden death (frequently due to the development of ventricular fibrillation) can occur in myocardial infarctions.

Women and older patients report atypical symptoms more frequently than their male and younger counterparts. Women also report more numerous symptoms compared with men (2.6 on average vs 1.8 symptoms in men). The most common symptoms of MI in women include dyspnea (shortness of breath), weakness, and fatigue. Fatigue, sleep disturbances, and dyspnea have been reported as frequently occurring symptoms which may manifest as long as one month before the actual clinically manifested ischemic event. In women, chest pain may be less predictive of coronary ischemia than in men.

Approximately one fourth of all myocardial infarctions are silent, without chest pain or other symptoms. These cases can be discovered later on electrocardiograms, using blood enzyme tests or at autopsy without a prior history of related complaints. A silent course is more common in the elderly, in patients with diabetes mellitus and after heart transplantation, probably because the donor heart is not fully innervated by the nervous system of the recipient. In diabetics, differences in pain threshold, autonomic neuropathy, and psychological factors have been cited as possible explanations for the lack of symptoms.

Any group of symptoms compatible with a sudden interruption of the blood flow to the heart are called an acute coronary syndrome.

The differential diagnosis includes other catastrophic causes of chest pain, such as pulmonary embolism, aortic dissection, pericardial effusion causing cardiac tamponade, tension pneumothorax, and esophageal rupture. Other non-catastrophic differentials include gastroesophageal reflux and Tietze's syndrome.

Causes

Acute severe infection, such as pneumonia, can trigger myocardial infarction. A more controversial link is that between ''Chlamydophila pneumoniae'' infection and atherosclerosis. While this intracellular organism has been demonstrated in atherosclerotic plaques, evidence is inconclusive as to whether it can be considered a causative factor. Treatment with antibiotics in patients with proven atherosclerosis has not demonstrated a decreased risk of heart attacks or other coronary vascular diseases.

There is an association of an increased incidence of a heart attack in the morning hours, more specifically around 9 a.m. Some investigators have noticed that the ability of platelets to aggregate varies according to a circadian rhythm, although they have not proven causation.

Risk factors

Many of these risk factors are modifiable, so many heart attacks can be prevented by maintaining a healthier lifestyle. Physical activity, for example, is associated with a lower risk profile. Non-modifiable risk factors include age, sex, and family history of an early heart attack (before the age of 60), which is thought of as reflecting a genetic predisposition.

Socioeconomic factors such as a shorter education and lower income (particularly in women), and unmarried cohabitation may also contribute to the risk of MI. To understand epidemiological study results, it's important to note that many factors associated with MI mediate their risk via other factors. For example, the effect of education is partially based on its effect on income and marital status.

Women who use combined oral contraceptive pills have a modestly increased risk of myocardial infarction, especially in the presence of other risk factors, such as smoking.

Inflammation is known to be an important step in the process of atherosclerotic plaque formation. C-reactive protein (CRP) is a sensitive but non-specific marker for inflammation. Elevated CRP blood levels, especially measured with high sensitivity assays, can predict the risk of MI, as well as stroke and development of diabetes. Moreover, some drugs for MI might also reduce CRP levels. The use of high sensitivity CRP assays as a means of screening the general population is advised against, but it may be used optionally at the physician's discretion, in patients who already present with other risk factors or known coronary artery disease. Whether CRP plays a direct role in atherosclerosis remains uncertain.

Inflammation in periodontal disease may be linked to coronary heart disease, and since periodontitis is very common, this could have great consequences for public health. Serological studies measuring antibody levels against typical periodontitis-causing bacteria found that such antibodies were more present in subjects with coronary heart disease. Periodontitis tends to increase blood levels of CRP, fibrinogen and cytokines; thus, periodontitis may mediate its effect on MI risk via other risk factors. Preclinical research suggests that periodontal bacteria can promote aggregation of platelets and promote the formation of foam cells. A role for specific periodontal bacteria has been suggested but remains to be established. There is some evidence that influenza may trigger an acute myocardial infarction.

Baldness, hair greying, a diagonal earlobe crease (Frank's sign) and possibly other skin features have been suggested as independent risk factors for MI. Their role remains controversial; a common denominator of these signs and the risk of MI is supposed, possibly genetic.

Calcium deposition is another part of atherosclerotic plaque formation. Calcium deposits in the coronary arteries can be detected with CT scans. Several studies have shown that coronary calcium can provide predictive information beyond that of classical risk factors.

The European Society of Cardiology and the European Association for Cardiovascular Prevention and Rehabilitation have developed an interactive tool for prediction and managing the risk of heart attack and stroke in Europe. HeartScore is aimed at supporting clinicians in optimising individual cardiovascular risk reduction. The Heartscore Programme is available in 12 languages and offers web based or PC version.

Pathophysiology

Acute myocardial infarction refers to two subtypes of acute coronary syndrome, namely non-ST-elevated myocardial infarction and ST-elevated myocardial infarction, which are most frequently (but not always) a manifestation of coronary artery disease. The most common triggering event is the disruption of an atherosclerotic plaque in an epicardial coronary artery, which leads to a clotting cascade, sometimes resulting in total occlusion of the artery. Atherosclerosis is the gradual buildup of cholesterol and fibrous tissue in plaques in the wall of arteries (in this case, the coronary arteries), typically over decades. Blood stream column irregularities visible on angiography reflect artery lumen narrowing as a result of decades of advancing atherosclerosis. Plaques can become unstable, rupture, and additionally promote a thrombus (blood clot) that occludes the artery; this can occur in minutes. When a severe enough plaque rupture occurs in the coronary vasculature, it leads to myocardial infarction (necrosis of downstream myocardium).

If impaired blood flow to the heart lasts long enough, it triggers a process called the ischemic cascade; the heart cells in the territory of the occluded coronary artery die (chiefly through necrosis) and do not grow back. A collagen scar forms in its place. Recent studies indicate that another form of cell death called apoptosis also plays a role in the process of tissue damage subsequent to myocardial infarction. As a result, the patient's heart will be permanently damaged. This myocardial scarring also puts the patient at risk for potentially life threatening arrhythmias, and may result in the formation of a ventricular aneurysm that can rupture with catastrophic consequences.

Injured heart tissue conducts electrical impulses more slowly than normal heart tissue. The difference in conduction velocity between injured and uninjured tissue can trigger re-entry or a feedback loop that is believed to be the cause of many lethal arrhythmias. The most serious of these arrhythmias is ventricular fibrillation (''V-Fib''/VF), an extremely fast and chaotic heart rhythm that is the leading cause of sudden cardiac death. Another life threatening arrhythmia is ventricular tachycardia (''V-Tach''/VT), which may or may not cause sudden cardiac death. However, ventricular tachycardia usually results in rapid heart rates that prevent the heart from pumping blood effectively. Cardiac output and blood pressure may fall to dangerous levels, which can lead to further coronary ischemia and extension of the infarct.

The cardiac defibrillator is a device that was specifically designed to terminate these potentially fatal arrhythmias. The device works by delivering an electrical shock to the patient in order to depolarize a critical mass of the heart muscle, in effect "rebooting" the heart. This therapy is time dependent, and the odds of successful defibrillation decline rapidly after the onset of cardiopulmonary arrest.

Diagnosis

A chest radiograph and routine blood tests may indicate complications or precipitating causes and are often performed upon arrival to an emergency department. New regional wall motion abnormalities on an echocardiogram are also suggestive of a myocardial infarction. Echo may be performed in equivocal cases by the on-call cardiologist. In stable patients whose symptoms have resolved by the time of evaluation, Technetium (99mTc) sestamibi (i.e. a "MIBI scan") or thallium-201 chloride can be used in nuclear medicine to visualize areas of reduced blood flow in conjunction with physiologic or pharmocologic stress. Thallium may also be used to determine viability of tissue, distinguishing whether non-functional myocardium is actually dead or merely in a state of hibernation or of being stunned.

WHO criteria formulated in 1979 have classically been used to diagnose MI; a patient is diagnosed with myocardial infarction if two (probable) or three (definite) of the following criteria are satisfied: # Clinical history of ischaemic type chest pain lasting for more than 20 minutes # Changes in serial ECG tracings # Rise and fall of serum cardiac biomarkers such as creatine kinase-MB fraction and troponin

The WHO criteria were refined in 2000 to give more prominence to cardiac biomarkers. According to the new guidelines, a cardiac troponin rise accompanied by either typical symptoms, pathological Q waves, ST elevation or depression or coronary intervention are diagnostic of MI.

Prevention

Antiplatelet drug therapy such as aspirin and/or clopidogrel should be continued to reduce the risk of plaque rupture and recurrent myocardial infarction. Aspirin is first-line, owing to its low cost and comparable efficacy, with clopidogrel reserved for patients intolerant of aspirin. The combination of clopidogrel and aspirin may further reduce risk of cardiovascular events, however the risk of hemorrhage is increased. Beta blocker therapy such as metoprolol or carvedilol should be commenced. These have been particularly beneficial in high-risk patients such as those with left ventricular dysfunction and/or continuing cardiac ischaemia. β-Blockers decrease mortality and morbidity. They also improve symptoms of cardiac ischemia in NSTEMI. ACE inhibitor therapy should be commenced 24–48 hours post-MI in hemodynamically-stable patients, particularly in patients with a history of MI, diabetes mellitus, hypertension, anterior location of infarct (as assessed by ECG), and/or evidence of left ventricular dysfunction. ACE inhibitors reduce mortality, the development of heart failure, and decrease ventricular remodelling post-MI. Statin therapy has been shown to reduce mortality and morbidity post-MI. The effects of statins may be more than their LDL lowering effects. The general consensus is that statins have plaque stabilization and multiple other ("pleiotropic") effects that may prevent myocardial infarction in addition to their effects on blood lipids. The aldosterone antagonist agent eplerenone has been shown to further reduce risk of cardiovascular death post-MI in patients with heart failure and left ventricular dysfunction, when used in conjunction with standard therapies above. Spironolactone is another option that is sometimes preferable to eplerenone due to cost. Evidence supports the consumption of polyunsaturated fats instead of saturated fats as a measure of decreasing coronary heart disease. Omega-3 fatty acids, commonly found in fish, have been shown to reduce mortality post-MI. While the mechanism by which these fatty acids decrease mortality is unknown, it has been postulated that the survival benefit is due to electrical stabilization and the prevention of ventricular fibrillation. However, further studies in a high-risk subset have not shown a clear-cut decrease in potentially fatal arrhythmias due to omega-3 fatty acids.

Blood donation may reduce the risk of heart disease for men, but the link has not been firmly established.

A Cochrane review found that giving heparin to people who have heart conditions like unstable angina and some forms of heart attacks reduces the risk of having another heart attack. However, heparin also increases the chance of suffering from minor bleeding.

Management

Prognosis

Some of the more reproduced risk stratifying factors include: age, hemodynamic parameters (such as heart failure, cardiac arrest on admission, systolic blood pressure, or Killip class of two or greater), ST-segment deviation, diabetes, serum creatinine, peripheral vascular disease and elevation of cardiac markers. Assessment of left ventricular ejection fraction may increase the predictive power. The prognostic importance of Q-waves is debated. Prognosis is significantly worsened if a mechanical complication such as papillary muscle or myocardial free wall rupture occur. Morbidity and mortality from myocardial infarction has improved over the years due to better treatment.

Complications

Epidemiology

Coronary heart disease is responsible for 1 in 5 deaths in the United States. It is becoming more common in the developing world such that in India, cardiovascular disease (CVD) is the leading cause of death. The deaths due to CVD in India were 32% of all deaths in 2007 and are expected to rise from 1.17 million in 1990 and 1.59 million in 2000 to 2.03 million in 2010. Although a relatively new epidemic in India, it has quickly become a major health issue with deaths due to CVD expected to double during 1985–2015. Mortality estimates due to CVD vary widely by state, ranging from 10% in Meghalaya to 49% in Punjab (percentage of all deaths). Punjab (49%), Goa (42%), Tamil Nadu (36%) and Andhra Pradesh (31%) have the highest CVD related mortality estimates. State-wise differences are correlated with prevalence of specific dietary risk factors in the states. Moderate physical exercise is associated with reduced incidence of CVD in India (those who exercise have less than half the risk of those who don't).

Legal implications

Research

There are currently 3 biomaterial and tissue engineering approaches for the treatment of MI, but these are in an even earlier stage of medical research, so many questions and issues need to be addressed before they can be applied to patients. The first involves polymeric left ventricular restraints in the prevention of heart failure. The second utilizes ''in vitro'' engineered cardiac tissue, which is subsequently implanted ''in vivo''. The final approach entails injecting cells and/or a scaffold into the myocardium to create ''in situ'' engineered cardiac tissue.

References

External links

Category:Aging-associated diseases Category:Causes of death Category:Ischemic heart diseases Category:Medical emergencies

Henry Charles Bukowski (born Heinrich Karl Bukowski; August 16, 1920 – March 9, 1994) was an American poet, novelist and short story writer. His writing was influenced by the social, cultural and economic ambience of his home city of Los Angeles. It is marked by an emphasis on the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women and the drudgery of work. Bukowski wrote thousands of poems, hundreds of short stories and six novels, eventually publishing over sixty books. In 1986 ''Time'' called Bukowski a "laureate of American lowlife". Regarding Bukowski's enduring popular appeal, Adam Kirsch of ''The New Yorker'' wrote, "the secret of Bukowski’s appeal. . . [is that] he combines the confessional poet’s promise of intimacy with the larger-than-life aplomb of a pulp-fiction hero."

Early years

Due to the collapse of the German economy following the end of World War I, the family emigrated to the United States in 1923, when Bukowski was two, and initially settled in Baltimore, Maryland. Wanting a more Anglophone kind of name, Bukowski's parents began addressing young Heinrich as "Henry" and altered the pronunciation of the family name from to ; the surname ''Bukowski'' is of Polish origin. The family settled in South Central Los Angeles in 1930, the city from which his father's family originated. During Bukowski's childhood his father was often unemployed, and Bukowski stated in the autobiographical ''Ham on Rye'' that, with his mother's acquiescence, his father was frequently abusive, both physically and mentally, beating his son for the smallest imagined offence. During his youth Bukowski was shy and socially withdrawn, a condition exacerbated during his teens by an extreme case of acne. Neighborhood children ridiculed his German accent and the clothing his parents made him wear. In his early teens, Henry had an epiphany when he was introduced to alcohol by his loyal friend William "Baldy" Mullinax, depicted as "Eli Lacross" in Ham on Rye, son of an alcoholic surgeon. "This [alcohol] is going to help me for a very long time", he later wrote, describing the genesis of his chronic alcoholism; or, as he saw it, the genesis of a method he could utilize to come to more amicable terms with his own life. After graduating from Los Angeles High School, Bukowski attended Los Angeles City College for two years, taking courses in art, journalism and literature, before quitting at the start of World War II. He then moved to New York to begin a career as a writer.

On July 22, 1944, with World War II ongoing, Bukowski was arrested by FBI agents in Philadelphia, Pennsylvania, where he was living at the time, on suspicion of draft evasion. He was held for 17 days in Philadelphia's Moyamensing Prison. Sixteen days later he failed a psychological exam that was part of his mandatory military entrance "physical" and was given a Selective Service Classification of 4-F (unfit for military service).

Early writing

During part of this period he continued living in Los Angeles, working at a pickle factory for a short time but also spending some time roaming about the United States, working sporadically and staying in cheap rooming houses. In the early 1950s, Bukowski took a job as a fill-in letter carrier with the U.S. Postal Service in Los Angeles but resigned just before he reached three years' service.

In 1955 he was treated for a near-fatal bleeding ulcer. After leaving the hospital he began to write poetry. In 1957 he agreed to marry small-town Texas poet Barbara Frye, sight unseen, but they divorced in 1959. According to Howard Sounes's ''Charles Bukowski: Locked in the Arms of a Crazy Life'' she later died under mysterious circumstances in India. Following his divorce Bukowski resumed drinking and continued writing poetry.

1960s

Jon and Louise Webb, now recognized as giants of the post-war 'small-press movement', published ''The Outsider'' literary magazine and featured some of Bukowski's poetry. Under the Loujon Press imprint, they published Bukowski's ''It Catches My Heart in Its Hands'' in 1963 and ''Crucifix in a Deathhand'' in 1965.

Beginning in 1967 Bukowski wrote the column "Notes of a Dirty Old Man" for Los Angeles' ''Open City'', an underground newspaper. When ''Open City'' was shut down in 1969, the column was picked up by the ''Los Angeles Free Press'' as well as the hippie underground paper ''NOLA Express'' in New Orleans. In 1969 Bukowski and Neeli Cherkovski launched their own short-lived mimeographed literary magazine, ''Laugh Literary and Man the Humping Guns''. They produced three issues over the next two years.

Black Sparrow years

Bukowski embarked on a series of love affairs and one-night trysts. One of these relationships was with Linda King, a poet and sculptress. Critic Robert Peters viewed the debut of Linda King’s play ''The Tenant'' in which she and Bukowski starred back in the 1970s in Los Angeles. This play was a one-off performance. His other affairs were with a recording executive and a 23-year-old redhead; he wrote a book of poetry as a tribute of his love for the latter, titled, "Scarlet" (Black Sparrow Press, 1976). His various affairs and relationships provided material for his stories and poems. Another important relationship was with "Tanya", pseudonym of "Amber O'Neil" (also a pseudonym), described in Bukowski's "Women" as a pen-pal that evolved into a weekend tryst at Bukowski's residence in Los Angeles in the 1970s. "Amber O'Neil" later self-published a chapbook about the affair entitled "Blowing My Hero."

In 1976, Bukowski met Linda Lee Beighle, a health food restaurant owner, aspiring actress and devotee of Meher Baba, leader of an Indian religious society. Two years later Bukowski moved from the East Hollywood area, where he had lived for most of his life, to the harborside community of San Pedro, the southernmost district of the City of Los Angeles. Beighle followed him and they lived together intermittently over the next two years. They were eventually married by Manly Palmer Hall, a Canadian-born author and mystic, in 1985. Beighle is referred to as "Sara" in Bukowski's novels ''Women'' and ''Hollywood''.

Death

In 2007 and 2008 there was a movement to save Bukowski's bungalow at 5124 De Longpre Ave. from destruction. The campaign was spearheaded by preservationist Lauren Everett. The cause was covered extensively in the local and international press, including a feature in ''Beatdom'' magazine, and was ultimately successful. The bungalow subsequently was listed as a Los Angeles Historic-Cultural Monument called Bukowski Court. The cause was criticized by some as cheapening Bukowski's "outsider" reputation.

Work

Bukowski also performed live readings of his works, beginning in 1962 on radio station KPFK in Los Angeles and increasing in frequency through the 1970s. Drinking was often a featured part of the readings, along with a combative banter with the audience. By the late 1970s Bukowski's income was sufficient to give up live readings. His last international performance was in October 1979 in Vancouver, British Columbia. It was released on DVD as ''There's Gonna be a God Damn Riot in Here''. In March 1980 he gave his very last reading at the Sweetwater club in Redondo Beach, which was released as ''Hostage'' on audio CD and ''The Last Straw'' on DVD.

Bukowski often spoke of Los Angeles as his favorite subject. In a 1974 interview he said, "You live in a town all your life, and you get to know every bitch on the street corner and half of them you have already messed around with. You've got the layout of the whole land. You have a picture of where you are.... Since I was raised in L.A., I've always had the geographical and spiritual feeling of being here. I've had time to learn this city. I can't see any other place than L.A."

One critic has described Bukowski's fiction as a "detailed depiction of a certain taboo male fantasy: the uninhibited bachelor, slobby, anti-social, and utterly free", an image he tried to live up to with sometimes riotous public poetry readings and boorish party behaviour. Since his death in 1994 Bukowski has been the subject of a number of critical articles and books about both his life and writings. His work has received relatively little attention from academic critics. ECCO continues to release new collections of his poetry, culled from the thousands of works published in small literary magazines. According to ECCO, the 2007 release ''The People Look Like Flowers At Last'' will be his final posthumous release as now all his once-unpublished work has been published.

In June 2006 Bukowski's literary archive was donated by his widow to the Huntington Library in San Marino, California. Copies of all editions of his work published by the Black Sparrow Press are held at Western Michigan University which purchased the archive of the publishing house after its closure in 2003.

Film depictions

''Barfly'' (1987) starred Mickey Rourke as Henry Chinaski (Bukowski) and Faye Dunaway as Wanda Wilcox (his lover). Sean Penn had offered to play the part of Chinaski (Bukowski) for as little as a dollar as long as his friend Dennis Hopper would provide direction, but the European director Barbet Schroeder had invested many years and thousands of dollars in the project and Bukowski felt Schroeder deserved to make it. Bukowski wrote the screenplay for the film and appears as a bar patron in a brief cameo.

A film adaptation of ''Factotum'', starring Matt Dillon, Lili Taylor, and Marisa Tomei, was released in 2005.

In 2011, the actor James Franco publicly stated that he is in the process of making a film adaptation of Bukowski's novel ''Ham on Rye.'' He is currently writing the script with his brother David Franco and explained that his reason for wanting to make the film is because "''Ham on Rye'' is one of my favorite books of all time."

Major works

Novels

Poetry collections

Short story chapbooks and collections

Nonfiction books

Screenplays

Films

Major biographies and bibliographies

References

External links

Category:1983 books Category:Short story collections by Charles Bukowski Category:1920 births Category:1994 deaths Category:American novelists Category:American poets Category:Writers from California Category:Deaths from leukemia Category:American people of German descent Category:People from the Rhine Province Category:People from Los Angeles, California Category:Cancer deaths in California Category:Outlaw poets Category:People self-identifying as alcoholics