Sonny Burke (born Joseph Francis Burke; March 22, 1914, Scranton, Pennsylvania – May 31, 1980) was an accomplished musical arranger, composer, big band leader and producer. In 1937, he graduated from Duke University, where he had formed and led the jazz big band known as the Duke Ambassadors.

During the 1930s and 1940s he was a big band arranger in New York, worked with Sam Donahue's band, and during the 1940s and 1950s worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. In 1955 he wrote, along with Peggy Lee, the songs to Disney's Lady and the Tramp. He also wrote songs with John Elliot for Disney's Toot, Whistle, Plunk and Boom which won the 1953 Oscar for Best Short Animated Feature.

He wrote the music for number of popular songs that continue to be regarded as 'standards'. These include, Black Coffee, with lyric by Paul Francis Webster, and "Midnight Sun" co-written with jazz vibraphonist Lionel Hampton. The songs famous lyric was added later by Johnny Mercer. Burke was an active arranger, conductor and 'A and R man' [Artists and repertoire] in major Hollywood recording studios, including and especially Decca Records.

Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Song and was nominated sixteen times for the award.

He was born in New York City, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. He attended the Horace Mann School (Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He served in the United States Navy and then became a dance instructor at a studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was Masquerade (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman.

In 1935 Twentieth Century Fox signed him to a contract to write lyrics for Shirley Temple's films, but shortly afterward he went back to freelance writing. His first hit was a collaboration in 1941 with Duke Ellington on the song "I Got It Bad (And That Ain't Good)".

Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, bandleader and actor. Like Red Norvo, he was one of the first jazz vibraphone players. Hampton ranks among the great names in jazz history, having worked with a who's who of jazz musicians, from Benny Goodman and Buddy Rich to Charlie Parker and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame.

Lionel Hampton was born in Louisville, Kentucky, in 1908, and was raised by his grandmother. Shortly after he was born, he and his mother moved to her hometown Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin before he and his family moved to Chicago, Illinois in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off limits because of racial segregation. During the 1920s—while still a teenager—Hampton took xylophone lessons from Jimmy Bertrand and started playing drums. Hampton was raised Roman Catholic, and started out playing fife and drum at the Holy Rosary Academy near Chicago.

John Herndon "Johnny" Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter and singer. He is best known as a lyricist, but he also composed music. He was also a popular singer who recorded his own songs as well as those written by others. From the mid-1930s through the mid-1950s, many of the songs Mercer wrote and performed were among the most popular hits of the time. He wrote the lyrics to more than fifteen hundred songs, including compositions for movies and Broadway shows. He received nineteen Academy Award nominations, and won four. Mercer was also a co-founder of Capitol Records.

Mercer was born in Savannah, Georgia. His father, George Anderson Mercer, was a prominent attorney and real estate developer, and his mother, Lillian Elizabeth (née Ciucevich), George Mercer’s secretary and then second wife, was the daughter of Croatian-Irish immigrants who came to America in the 1850s. Lillian's father was a merchant seaman who ran the Union blockade during the U.S. Civil War. Mercer was George's fourth son, first by Lillian. His great-grandfather was Confederate General Hugh Weedon Mercer and he was a direct descendant of American Revolutionary War General Hugh Mercer, a Scottish soldier-physician who died at the Battle of Princeton. Mercer was also a distant cousin of General George S. Patton. The construction of Mercer House in Savannah was started by General Hugh Weedon Mercer in 1860 (although never finished by him; the next owners of the house finished it), later the home of Jim Williams, whose trial for murder was the centerpiece of John Berendt's book Midnight in the Garden of Good and Evil, although neither the General nor Johnny ever lived there.

Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer, described by Scott Yanow as having "one of the most wondrous voices of the 20th century."

Nicknamed "Sailor" (for her salty speech), "Sassy" and "The Divine One", Sarah Vaughan was a Grammy Award winner. The National Endowment for the Arts bestowed upon her its "highest honor in jazz", the NEA Jazz Masters Award, in 1989.

Biographies of Vaughan frequently stated that she was immediately thrust into stardom after a winning Amateur Night performance at Harlem's Zeus Theater. In fact, the story that biographer Renee relates seems to be a bit more complex. Vaughan was frequently accompanied by a friend, Doris Robinson, on her trips into New York City. Sometime in the fall of 1942 (when Sarah was 18 years old), Vaughan suggested that Robinson enter the Apollo Theater Amateur Night contest. Vaughan played piano accompaniment for Robinson, who won second prize. Vaughan later decided to go back and compete herself as a singer. Vaughan sang "Body and Soul" and won, although the exact date of her victorious Apollo performance is uncertain. The prize, as Vaughan recalled later to Marian McPartland, was US$10 and the promise of a week's engagement at the Apollo. After a considerable delay, Vaughan was contacted by the Apollo in the spring of 1943 to open for Ella Fitzgerald.