bgcolour	#FFCC66
name	Saturn
symbol
orbit ref
epoch	J2000.0
aphelion	1,513,325,783 km10.115 958 04 AU
perihelion	1,353,572,956 km9.048 076 35 AU
semimajor	1,433,449,370 km9.582 017 20 AU
eccentricity	0.055 723 219
period	10,759.22 days29.4571 yr24,491.07 Saturn solar days
synodic period	378.09 days
avg speed	9.69 km/s
inclination	2.485 240° to Ecliptic5.51° to Sun’s equator0.93° to invariable plane
asc node	113.642 811°
arg peri	336.013 862°
mean anomaly	320.346 750°
satellites	~ 200 observed (61 with secure orbits)
Maximum distance from sun	1.5 billion km (938 million miles)
Minimum distance from sun	1.35 billion km (840 million miles)
physical characteristics	yes
flattening	0.097 96 ± 0.000 18
equatorial radius	60,268 ± 4 km9.4492 Earths
polar radius	54,364 ± 10 km8.5521 Earths
surface area	4.27 km²83.703 Earths
volume	8.2713 km³763.59 Earths
mass	5.6846 kg95.152 Earths
density	0.687 g/cm³ (less than water)
surface grav	10.44 m/s²1.065 ''g''
escape velocity	35.5 km/s
sidereal day	10.57 hours (10 hr 34 min)
rot velocity	9.87 km/s35,500 km/h
axial tilt	26.73°
right asc north pole	40.589°
declination	83.537°
albedo	0.342 (Bond) 0.47 (geometric)
magnitude	+1.47 to −0.24
angular size	14.5"–20.1"(excludes rings)
temperatures	yes
temp name1	1 bar level
mean temp 1	134 K
temp name2	0.1 bar
mean temp 2	84 K
pronounce
adjectives	Saturnian, Cronian
atmosphere	yes
atmosphere ref
scale height	59.5 km
atmosphere composition	~96% hydrogen (H2) ~3% helium ~0.4% methane ~0.01% ammonia ~0.01% hydrogen deuteride (HD) 0.000 7% ethane Ices: ammonia water ammonium hydrosulfide(NH4SH) }}

Saturn is the sixth planet from the Sun and the second largest planet in the Solar System, after Jupiter. Saturn is named after the Roman god Saturn, equated to the Greek Cronus (the Titan father of Zeus), the Babylonian Ninurta and the Hindu Shani. Saturn's astronomical symbol () represents the Roman god's sickle.

Saturn, along with Jupiter, Uranus and Neptune, is classified as a gas giant. Together, these four planets are sometimes referred to as the Jovian, meaning "Jupiter-like", planets. Saturn has an average radius about 9 times larger than the Earth's. While only 1/8 the average density of Earth, due to its larger volume, Saturn's mass is just over 95 times greater than Earth's.

Because of Saturn's large mass and resulting gravitation, the conditions produced on Saturn are extreme if compared to Earth. The interior of Saturn is probably composed of a core of iron, nickel, silicon and oxygen compounds, surrounded by a deep layer of metallic hydrogen, an intermediate layer of liquid hydrogen and liquid helium and finally, an outer gaseous layer. Electrical current within the metallic-hydrogen layer is thought to give rise to Saturn's planetary magnetic field, which is slightly weaker than Earth's and approximately one-twentieth the strength of Jupiter's. The outer atmosphere is generally bland in appearance, although long-lived features can appear. Wind speeds on Saturn can reach 1,800 km/h, significantly faster than those on Jupiter.

Saturn has nine rings, consisting mostly of ice particles with a smaller amount of rocky debris and dust. Sixty-two known moons orbit the planet; fifty-three are officially named. This does not include the hundreds of "moonlets" within the rings. Titan, Saturn's largest and the Solar System's second largest moon (after Jupiter's Ganymede), is larger than the planet Mercury and is the only moon in the Solar System to possess a significant atmosphere.

Physical characteristics

Due to a combination of its lower density, rapid rotation and fluid state, Saturn is an oblate spheroid; that is, it is flattened at the poles and bulges at the equator. Its equatorial and polar radii differ by almost 10%—60,268 km versus 54,364 km. The other gas planets are also oblate, but to a lesser extent. Saturn is the only planet of the Solar System that is less dense than water (about 30% less). Although Saturn's core is considerably denser than water, the average specific density of the planet is 0.69 g/cm³ due to the gaseous atmosphere. Saturn is only 95 Earth masses, compared to Jupiter, which is 318 times the mass of the Earth but only about 20% larger than Saturn.

Internal structure

Though there is no direct information about Saturn's internal structure, it is thought that its interior is similar to that of Jupiter, having a small rocky core surrounded mostly by hydrogen and helium. The rocky core is similar in composition to the Earth, but more dense. This is surrounded by a thicker liquid metallic hydrogen layer, followed by a liquid hydrogen/helium layer and a gaseous atmosphere in the outermost 1000 km. Traces of various volatiles are also present. The core region is estimated to be about 9–22 times the mass of the Earth. Saturn has a very hot interior, reaching 11,700 °C at the core and it radiates 2.5 times more energy into space than it receives from the Sun. Most of this extra energy is generated by the Kelvin-Helmholtz mechanism (slow gravitational compression), but this alone may not be sufficient to explain Saturn's heat production. It is proposed that an additional mechanism might be at play whereby Saturn generates some of its heat through the "raining out" of droplets of helium deep in its interior, thus releasing heat by friction as they fall down through the lighter hydrogen. The gases which Saturn is mostly made of change to liquid in Saturn's internal structure, but the change is very gradual. The interior is estimated to be about 25,000 km across.

Atmosphere

The outer atmosphere of Saturn consists of 96.3% molecular hydrogen and 3.25% helium. Trace amounts of ammonia, acetylene, ethane, phosphine and methane have also been detected. The upper clouds on Saturn are composed of ammonia crystals, while the lower level clouds appear to be composed of either ammonium hydrosulfide (NH₄SH) or water. The atmosphere of Saturn is significantly deficient in helium relative to the abundance of the elements in the Sun.

The quantity of elements heavier than helium are not known precisely, but the proportions are assumed to match the primordial abundances from the formation of the Solar System. The total mass of these elements is estimated to be 19–31 times the mass of the Earth, with a significant fraction located in Saturn's core region.

Cloud layers

Saturn's atmosphere exhibits a banded pattern similar to Jupiter's (the nomenclature is the same), but Saturn's bands are much fainter and are also much wider near the equator. At depth, extending for 10 km and with a temperature of −23 °C, is a layer made up of water ice. Above this layer is probably a layer of ammonium hydrosulfide ice, which extends for another 50 km and is approximately −93 °C. Eighty kilometers above that layer are ammonia ice clouds, where the temperatures are roughly −153 °C. Near the top of the atmosphere, extending for some 200 km to 270 km above the visible ammonia clouds, are gaseous hydrogen and helium. Saturn's winds are among the Solar System's fastest. Voyager data indicate peak easterly winds of 500 m/s (1800 km/h). Saturn's finer cloud patterns were not observed until the Voyager flybys. Since then, Earth-based telescopy has improved to the point where regular observations can be made.

Saturn's usually bland atmosphere occasionally exhibits long-lived ovals and other features common on Jupiter. In 1990 the Hubble Space Telescope observed an enormous white cloud near Saturn's equator which was not present during the Voyager encounters and in 1994, another smaller storm was observed. The 1990 storm was an example of a Great White Spot, a unique but short-lived phenomenon which occurs once every Saturnian year, roughly every 30 Earth years, around the time of the northern hemisphere's summer solstice. Previous Great White Spots were observed in 1876, 1903, 1933 and 1960, with the 1933 storm being the most famous. If the periodicity is maintained, another storm will occur in about 2020.

In recent images from the Cassini spacecraft, Saturn's northern hemisphere appears a bright blue, similar to Uranus, as can be seen in the image below. This blue color cannot currently be observed from Earth, because Saturn's rings are currently blocking its northern hemisphere. The color is most likely caused by Rayleigh scattering.

Infrared imaging has shown that Saturn's south pole has a warm polar vortex, the only example of such a phenomenon known to date in the Solar System. Whereas temperatures on Saturn are normally −185 °C, temperatures on the vortex often reach as high as −122 °C, believed to be the warmest spot on Saturn.

File:mimasrings.jpg|Saturn's northern hemisphere, as seen by the Cassini–Huygens space probe. (Note the planet's blue appearance through the ring.) File:Saturn Storm Panoramas.jpg|False-colour images showing a huge storm on Saturn.

North pole hexagonal cloud pattern

A persisting hexagonal wave pattern around the north polar vortex in the atmosphere at about 78°N was first noted in the Voyager images. Unlike the north pole, HST imaging of the south polar region indicates the presence of a ''jet stream'', but no strong polar vortex nor any hexagonal standing wave. NASA reported in November 2006 that the Cassini spacecraft observed a "hurricane-like" storm locked to the south pole that had a clearly defined eyewall. This observation is particularly notable because eyewall clouds had not previously been seen on any planet other than Earth. For example, images from the Galileo spacecraft did not show an eyewall in the Great Red Spot of Jupiter.

The straight sides of the northern polar hexagon are each approximately long, making them larger than the diameter of the Earth. The entire structure rotates with a period of , the same period as that of the planet's radio emissions, which is assumed to be equal to the period of rotation of Saturn's interior. The hexagonal feature does not shift in longitude like the other clouds in the visible atmosphere.

The pattern's origin is a matter of much speculation. Most astronomers seem to think it was caused by some standing-wave pattern in the atmosphere; but the hexagon might be a novel aurora. Polygonal shapes have been replicated in spinning buckets of fluid in a laboratory.

Magnetosphere

Saturn has an intrinsic magnetic field that has a simple, symmetric shape—a magnetic dipole. Its strength at the equator—0.2 gauss (20 µT)—is approximately one twentieth than that of the field around Jupiter and slightly weaker than Earth's magnetic field. As a result Saturn's magnetosphere is much smaller than Jupiter's and extends slightly beyond the orbit of Titan. Most probably, the magnetic field is generated similarly to that of Jupiter—by currents in the metallic-hydrogen layer, which is called a metallic-hydrogen dynamo. Similarly to those of other planets, this magnetosphere is efficient at deflecting the solar wind particles from the Sun. The moon Titan orbits within the outer part of Saturn's magnetosphere and contributes plasma from the ionized particles in Titan's outer atmosphere. When ''Voyager 2'' entered the magnetosphere, the solar wind pressure was high and the magnetosphere extended only 19 Saturn radii, or 1.1 million km (712,000 mi), although it enlarged within several hours, and remained so for about three days. Saturn's magnetosphere, like Earth's, produces aurorae.

Orbit and rotation

The average distance between Saturn and the Sun is over 1,400,000,000 km (9 AU). With an average orbital speed of 9.69 km/s, it takes Saturn 10,759 Earth days (or about 29½ years), to finish one revolution around the Sun. The elliptical orbit of Saturn is inclined 2.48° relative to the orbital plane of the Earth. Because of an eccentricity of 0.056, the distance between Saturn and the Sun varies by approximately 155,000,000 km between perihelion and aphelion, which are the nearest and most distant points of the planet along its orbital path, respectively.

The visible features on Saturn rotate at different rates depending on latitude and multiple rotation periods have been assigned to various regions (as in Jupiter's case): ''System I'' has a period of 10 h 14 min 00 s (844.3°/d) and encompasses the Equatorial Zone, which extends from the northern edge of the South Equatorial Belt to the southern edge of the North Equatorial Belt. All other Saturnian latitudes have been assigned a rotation period of 10 h 39 min 24 s (810.76°/d), which is ''System II''. ''System III'', based on radio emissions from the planet in the period of the Voyager flybys, has a period of 10 h 39 min 22.4 s (810.8°/d); because it is very close to System II, it has largely superseded it.

A precise value for the rotation period of the interior remains elusive. While approaching Saturn in 2004, the Cassini spacecraft found that the radio rotation period of Saturn had increased appreciably, to approximately 10 h 45 m 45 s (± 36 s). The cause of the change is unknown—it was thought to be due to a movement of the radio source to a different latitude inside Saturn, with a different rotational period, rather than because of a change in Saturn's rotation.

Later, in March 2007, it was found that the rotation of the radio emissions did not trace the rotation of the planet, but rather is produced by convection of the plasma disc, which is dependent also on other factors besides the planet's rotation. It was reported that the variance in measured rotation periods may be caused by geyser activity on Saturn's moon Enceladus. The water vapor emitted into Saturn's orbit by this activity becomes charged and "weighs down" Saturn's magnetic field, slowing its rotation slightly relative to the rotation of the planet. At the time it was stated that there is no currently known method of determining the rotation rate of Saturn's core.

The latest estimate of Saturn's rotation based on a compilation of various measurements from the Cassini, Voyager and Pioneer probes was reported in September 2007 is 10 hours, 32 minutes, 35 seconds.

Planetary rings

Saturn is probably best known for its system of planetary rings, which makes it the most visually remarkable object in the solar system. The rings extend from 6,630 km to 120,700 km above Saturn's equator, average approximately 20 meters in thickness and are composed of 93% water ice with a smattering of tholin impurities and 7% amorphous carbon. The particles that make up the rings range in size from specks of dust to the size of a small automobile. There are two main theories regarding the origin of the rings. One theory is that the rings are remnants of a destroyed moon of Saturn. The second theory is that the rings are left over from the original nebular material from which Saturn formed. Some ice in the central rings comes from the moon Enceladus' ice volcanoes.

Beyond the main rings at a distance of 12 million km from the planet is the sparse Phoebe ring, which is tilted at an angle of 27° to the other rings and, like Phoebe, orbits in retrograde fashion. Some of the moons of Saturn, including Pan and Prometheus, act as shepherd moons to keep the planetary rings stable and prevent them from escaping. Pan and Atlas cause weak, linear density waves in Saturn's rings that have yielded more reliable calculations of their masses.

The age of these planetary rings is probably hundreds of millions of years old (in contrast to previous thoughts that the rings formed alongside the planet when it formed billions of years ago) and their fate include spiraling inward towards the planet, or the boulders forming the rings colliding with each other and disappearing.

Natural satellites

Saturn has at least 62 moons, 53 of which have formal names. Titan, the largest, comprises more than 90% of the mass in orbit around Saturn, including the rings. Saturn's second largest moon, Rhea, may have a tenuous ring system of its own, along with a tenuous atmosphere. Many of the other moons are very small: 34 are less than 10 km in diameter and another 14 less than 50 km. Traditionally, most of Saturn's moons have been named after Titans of Greek mythology. Titan is the only satellite in the Solar System with a major atmosphere in which a complex organic chemistry occurs. It is also the only satellite with hydrocarbon lakes.

Saturn's moon Enceladus has often been regarded as a potential base for microbial life. Evidence of this life includes that the satellite's salt-rich particles have an "ocean-like" composition that indicates most of Enceladus's expelled ice comes from the evaporation of liquid salt water.

History of exploration

There are three main phases of observation and exploration of Saturn. The first era was ancient observations (such as with the naked eye), before the invention of the modern telescopes. Starting in the 17th century progressively more advanced telescopic observations from earth have been made. The other type is visitation by spacecraft, either by orbiting or flyby. In the 21st century observations continue from the earth (or earth orbiting observatories) and from the Cassini orbiter at Saturn.

Ancient observations

Saturn has been known since prehistoric times. In ancient times, it was the most distant of the five known planets in the solar system (excluding Earth) and thus a major character in various mythologies. Babylonian astronomers systematically observed and recorded the movements of Saturn. In ancient Roman mythology, the god Saturnus, from which the planet takes its name, was the god of the agricultural and harvest sector. The Romans considered Saturnus the equivalent of the Greek god Cronus. The Greeks had made the outermost planet sacred to Cronus, and the Romans followed suit.

Ptolemy, a Greek living in Alexandria, observed an opposition of Saturn, which was the basis for his determination of the elements of its orbit. In Hindu astrology, there are nine astrological objects, known as Navagrahas. Saturn, one of them, is known as "Shani", judges everyone based on the good and bad deeds performed in life. In the 5th century CE, the Indian astronomical text ''Surya Siddhanta'' estimated the diameter of Saturn as 73,882 miles, an error of less than 1% from the currently accepted value of 74,580 miles, for which there exist several possible explanations. Ancient Chinese and Japanese culture designated the planet Saturn as the ''earth star'' (土星). This was based on Five Elements which were traditionally used to classify natural elements.

In ancient Hebrew, Saturn is called 'Shabbathai'. Its angel is Cassiel. Its intelligence or beneficial spirit is Agiel (layga) and its spirit (darker aspect) is Zazel (lzaz). In Ottoman Turkish, Urdu and Malay, its name is 'Zuhal', derived from Arabic زحل.

European observations (17th–19th centuries)

Saturn's rings require at least a 15 mm diameter telescope to resolve and thus were not known to exist until Galileo first saw them in 1610. He thought of them as two moons on Saturn's sides. It was not until Christian Huygens used greater telescopic magnification that this notion was refuted. Huygens also discovered Saturn's moon Titan. Some time later, Giovanni Domenico Cassini discovered four other moons: Iapetus, Rhea, Tethys and Dione. In 1675, Cassini also discovered the gap now known as the Cassini Division.

No further discoveries of significance were made until 1789 when William Herschel discovered two further moons, Mimas and Enceladus. The irregularly shaped satellite Hyperion, which has a resonance with Titan, was discovered in 1848 by a British team.

In 1899 William Henry Pickering discovered Phoebe, a highly irregular satellite that does not rotate synchronously with Saturn as the larger moons do. Phoebe was the first such satellite found and it takes more than a year to orbit Saturn in a retrograde orbit. During the early 20th century, research on Titan led to the confirmation in 1944 that it had a thick atmosphere—a feature unique among the solar system's moons.

Modern NASA/ESA probes

Pioneer 11 flyby

Saturn was first visited by Pioneer 11 in September 1979. It flew within 20 000 km of the planet's cloud tops. Low resolution images were acquired of the planet and a few of its moons; the resolution of the images was not good enough to discern surface features. The spacecraft also studied the rings; among the discoveries were the thin F-ring and the fact that dark gaps in the rings are bright when viewed towards the Sun, in other words, they are not empty of material. Pioneer 11 also measured the temperature of Titan. The Pioneer images of Saturn were significantly dimmer as the planet and its moons only receive 14.90 W/m^2 (Solar Irradiance) where Jupiter gets around 400 W/m^2. Camera technology would be improved in subsequent missions to the planet.

Voyager flybys

In November 1980, the Voyager 1 probe visited the Saturn system. It sent back the first high-resolution images of the planet, its rings and satellites. Surface features of various moons were seen for the first time. Voyager 1 performed a close flyby of Titan, greatly increasing our knowledge of the atmosphere of the moon. It also proved that Titan's atmosphere is impenetrable in visible wavelengths; so, no surface details were seen. The flyby also changed the spacecraft's trajectory out from the plane of the solar system.

Almost a year later, in August 1981, Voyager 2 continued the study of the Saturn system. More close-up images of Saturn's moons were acquired, as well as evidence of changes in the atmosphere and the rings. Unfortunately, during the flyby, the probe's turnable camera platform stuck for a couple of days and some planned imaging was lost. Saturn's gravity was used to direct the spacecraft's trajectory towards Uranus.

The probes discovered and confirmed several new satellites orbiting near or within the planet's rings. They also discovered the small Maxwell Gap (a gap within the C Ring) and Keeler gap (a 42 km wide gap in the A Ring).

Cassini–Huygens spacecraft

On July 1, 2004, the Cassini–Huygens space probe performed the SOI (Saturn Orbit Insertion) maneuver and entered into orbit around Saturn. Before the SOI, Cassini had already studied the system extensively. In June 2004, it had conducted a close flyby of Phoebe, sending back high-resolution images and data.

Cassini's flyby of Saturn's largest moon, Titan, has captured radar images of large lakes and their coastlines with numerous islands and mountains. The orbiter completed two Titan flybys before releasing the Huygens probe on December 25, 2004. Huygens descended onto the surface of Titan on January 14, 2005, sending a flood of data during the atmospheric descent and after the landing. During 2005, Cassini conducted multiple flybys of Titan and icy satellites. Cassini's last Titan flyby started on March 23, 2008.

Since early 2005, scientists have been tracking lightning on Saturn. The power of the lightning is approximately 1000 times that of lightning on Earth.

In 2006, NASA reported that the Cassini probe found evidence of liquid water reservoirs that erupt in geysers on Saturn's moon Enceladus. Images had also shown particles of water in its liquid state emitted by icy jets and towering plumes. According to Dr. Andrew Ingersoll, California Institute of Technology, "Other moons in the solar system have liquid-water oceans covered by kilometers of icy crust. What's different here is that pockets of liquid water may be no more than tens of meters below the surface." In May 2011, NASA scientists at an Encedalus Focus Group Conference reported that Enceladus "is emerging as the most habitable spot beyond Earth in the Solar System for life as we know it".

Cassini probe photographs have led to other significant discoveries. They have revealed a previously undiscovered planetary ring, outside the brighter main rings of Saturn and inside the G and E rings. The source of this ring is believed to be the crashing of a meteoroid off two of the moons of Saturn. In July 2006, Cassini images provided evidence of hydrocarbon lakes near Titan's north pole, the presence of which were confirmed in January 2007. In March 2007, additional images near Titan's north pole discovered hydrocarbon "seas", the largest of which is almost the size of the Caspian Sea. In October 2006, the probe detected a 8,000 km diameter hurricane with an eyewall at Saturn's South Pole.

From 2004 to November 2, 2009, the probe discovered and confirmed 8 new satellites. Its primary mission ended in 2008 when the spacecraft had completed 74 orbits around the planet. The probe's mission was extended to September 2010 and then extended again to 2017, to study a full period of Saturn's seasons.

Observation

Saturn is the most distant of the five planets easily visible to the naked eye, the other four being Mercury, Venus, Mars and Jupiter (Uranus and occasionally 4 Vesta are visible to the naked eye in very dark skies). It was the last planet known to early astronomers until Uranus was discovered in 1781. Saturn appears to the naked eye in the night sky as a bright, yellowish point of light whose magnitude is usually between +1 and 0 and takes approximately 29½ years to make a complete circuit of the ecliptic against the background constellations of the zodiac. Most people will require optical aid (large binoculars or a telescope) magnifying at least 20× to clearly resolve Saturn's rings.

While it is a rewarding target for observation for most of the time it is visible in the sky, Saturn and its rings are best seen when the planet is at or near opposition (the configuration of a planet when it is at an elongation of 180° and thus appears opposite the Sun in the sky). During the opposition of December 17, 2002, Saturn appeared at its brightest due to a favorable orientation of its rings relative to the Earth, even though Saturn was closer to the Earth and Sun in late 2003.

In culture

Saturn in astrology (22px) is the ruling planet of Capricorn and, traditionally, Aquarius.

''Saturn, the Bringer of Old Age'' is a movement in Gustav Holst's ''The Planets''.

The Saturn family of rockets were developed by a team of mostly German rocket scientists led by Wernher von Braun to launch heavy payloads to Earth orbit and beyond. Originally proposed as a military satellite launcher, they were adopted as the launch vehicles for the Apollo program.

Sega's video game console, the Sega Saturn, is named after the planet and features a ringed planet as its logo.

The day Saturday is named after Saturn, which itself its derived from the Roman god of agriculture, Saturn, although it has been argued that Saturday is rather named after the Roman god Saturn also.

See also

Dragon Storm (astronomy)

Space exploration

References

Further reading

External links

Saturn profile at NASA's Solar System Exploration site

Saturn Fact Sheet, by NASA

Gazeteer of Planetary Nomenclature – Saturn (USGS)

Cassini–Huygens mission to Saturn, by NASA

Research News about Saturn

General information about Saturn

Studies on the Rings of Saturn

Astronomy Cast: Saturn

Outside In – film animated from hundreds of thousands of still Cassini photographs

* Category:Gas giant planets

af:Saturnus als:Saturn (Planet) am:ማህፈድ ang:Sætern (tungol) ar:زحل an:Saturno (planeta) frp:Saturno (planèta) ast:Saturnu (planeta) az:Saturn (planet) bn:শনি গ্রহ zh-min-nan:Thó͘-chheⁿ map-bms:Saturnus ba:Сатурн (планета) be:Планета Сатурн be-x-old:Сатурн (плянэта) bar:Saturn (Planet) bo:སྤེན་པ། bs:Saturn br:Sadorn (planedenn) bg:Сатурн (планета) ca:Saturn (planeta) cv:Сатурн cs:Saturn (planeta) co:Saturnu cy:Sadwrn (planed) da:Saturn (planet) de:Saturn (Planet) nv:Séetin et:Saturn el:Κρόνος (πλανήτης) eml:Satûren es:Saturno (planeta) eo:Saturno (planedo) ext:Saturnu (praneta) eu:Saturno (planeta) fa:زحل hif:Sanigrah fo:Saturn fr:Saturne (planète) fy:Saturnus ga:Satarn (pláinéad) gv:Sarn (planaid) gd:Satarn gl:Saturno gan:土星 gu:શનિ (ગ્રહ) xal:Бемб һариг ko:토성 haw:Makulu hy:Երևակ hi:शनि hr:Saturn (planet) io:Saturno ilo:Saturno (planeta) id:Saturnus ia:Saturno (planeta) os:Сатурн (планетæ) is:Satúrnus (reikistjarna) it:Saturno (astronomia) he:שבתאי jv:Saturnus pam:Saturn ka:სატურნი (პლანეტა) csb:Saturna kk:Қоңырқай (ғаламшар) kw:Sadorn (planet) sw:Zohali kv:Сатурн ht:Satin ku:Keywan la:Saturnus (planeta) lv:Saturns (planēta) lb:Saturn (Planéit) lt:Saturnas lij:Satûrno (astrònomia) li:Saturnus (planeet) ln:Saturne jbo:saturn hu:Szaturnusz mk:Сатурн ml:ശനി mt:Saturnu (pjaneta) mr:शनी ग्रह arz:ساتورن mzn:زحل ms:Zuhal mwl:Saturno mdf:Сатурн (шары тяште) mn:Санчир my:စနေဂြိုဟ် nah:Tzitzimicītlalli nl:Saturnus (planeet) ne:शनिग्रह ja:土星 frr:Saturnus no:Saturn nn:Planeten Saturn nov:Saturne (planete) oc:Saturne (planeta) uz:Saturn pa:ਸ਼ਨੀ ਗ੍ਰਹਿ pnb:زحل ps:زحل km:ភពសៅរ៍ pms:Saturn (pianeta) nds:Saturn (Planet) pl:Saturn pt:Saturno (planeta) ksh:Satturrən (Planneet) ro:Saturn rm:Saturn (planet) qu:Hawcha rue:Сатурн ru:Сатурн (планета) sah:Сатурн se:Saturnus sa:शनिः stq:Saturn sq:Saturni scn:Saturnu (pianeta) simple:Saturn (planet) sk:Saturn sl:Saturn szl:Saturn so:Raage sr:Сатурн sh:Saturn (planeta) su:Saturnus fi:Saturnus sv:Saturnus tl:Saturno (planeta) ta:சனி (கோள்) tt:Сатурн (планета) th:ดาวเสาร์ tg:Зуҳал chr:ᏌᏓᏂ tr:Satürn uk:Сатурн (планета) ur:زحل ug:ساتۇرن vi:Sao Thổ vo:Saturn fiu-vro:Saturn zh-classical:土星 war:Saturno wuu:土星 yi:סאטורן yo:Sátúrnù zh-yue:土星 bat-smg:Satorns zh:土星

Gustav Theodore Holst (born Gustavus Theodore von Holst, 21 September 187425 May 1934) was an English composer. He is most famous for his orchestral suite ''The Planets''.

His early works show the influence of Grieg, Wagner, Richard Strauss and fellow student Ralph Vaughan Williams, and later, through Vaughan Williams, the music of Ravel. The combined influence of Ravel, Hindu spiritualism and English folk tunes enabled Holst to free himself of the influence of Wagner and Strauss and to forge his own style. Holst's music is well known for unconventional use of metre and haunting melodies.

Holst composed almost 200 works, including operas, ballets, choral hymns and songs. An enthusiastic educator, Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.

He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.

Early life

Holst was born on 21 September 1874, at 4 Pittville Terrace (named today Clarence Road). Cheltenham, Gloucestershire, EnglandThe house has been opened as a museum devoted to Holst's life and times since 1974, devoted partly to him and partly to illustrating local domestic life of the mid-19th century.

Holst's great-grandfather, Matthias von Holst, was of Scandinavian origin, and came to England in 1802 from Riga. Holst's mother, Clara von Holst, who died in 1882, was a singer who bore two sons, Gustav and Emil Gottfried (who later became Ernest Cossart, a film actor in Hollywood), Following his wife's death, Adolph von Holst eventually remarried,and had two further sons.

Holst was christened Gustavus Theodore von Holst, after his grandfather and his great-uncle Theodor, a painter. He was a frail child with neuritis in his arm which plagued him for the rest of his life. His early recollections were musical; he was taught to play the piano and violin, and began composing when he was about twelve. He also started to play the trombone when his father thought this might improve his son's asthma. He was educated at Cheltenham Grammar School for Boys. He began composition at school, writing piano pieces, organ voluntaries, songs, anthems and a Symphony in C minor (from 1892). He was also organist and choir master at Wyck Rissington in the Cotswolds.

He attended the Royal College of Music on a scholarship, where he studied composition with Charles Villiers Stanford and where in 1895 he met fellow student Ralph Vaughan Williams, who became a lifelong friend. Vaughan Williams's own music was in general quite different from Holst’s, but he praised Holst's work abundantly and the two men developed a shared interest in exploring and maintaining the English vocal and choral tradition as found primarily in folk song, madrigals and church music. Holst and Vaughan Williams were able to criticise each other's compositions as they were being written. They never lost this degree of mutual trust.

While at the Royal College of Music, Holst fell in love with the music of Wagner, which he was able to hear at Covent Garden. He also came under the influence of William Morris, joining the Hammersmith Socialist Society and attending lectures by Morris and George Bernard Shaw (with whom he shared a passion for vegetarianism ). Holst remained a socialist all his life. He was also invited to conduct the Hammersmith Socialist Choir, teaching them Madrigals by Thomas Morley, choruses by Purcell, extracts from Wagner as well as works by Mozart and himself.

Career

First steps

Holst had hoped to build his career partly as a pianist, but stricken from adolescence with a nerve condition that increasingly affected the movement of his right hand, he eventually gave up the piano for the trombone. He was good enough to earn employment with the Carl Rosa Opera Company and the Scottish Orchestra (forerunner of the Royal Scottish National Orchestra) although his salary was only just enough to live on..

He also played in a popular orchestra called the "White Viennese Band", conducted by Stanislas Wurm. The music was cheap and repetitive and not to Holst's liking, and he referred to this kind of work as "worming" (a pun on Wurm's name, which means "worm" in German) and regarded it as "criminal". His need to "worm" came to an end as his compositions became more successful, and his income was given stability by his teaching posts. With his finances secure, Holst married Emily Isobel Harrison, a fair-headed soprano, at Fulham Register Office on 22 June 1901, their union enduring until his death in 1934. Emily Isobel bore him a daughter, Imogen, on 12 April 1907; to be their only child.

The poetry of Walt Whitman also had a profound effect on Holst, as it did with many of his contemporaries, and he set Whitman's words in "Dirge for Two Veterans" and ''The Mystic Trumpeter'' (1904). He also set poetry by Thomas Hardy and Robert Bridges. Holst also wrote an orchestral ''Walt Whitman Overture'' in 1899, which was given a world premiere recording by the Munich Symphony Orchestra, as well as a recording by the London Philharmonic Orchestra.

During these years Holst also became interested in Hindu mysticism and spirituality, and this interest led to the composition of several works set to translations of Sanskrit texts, including: ''Sita'' (1899–1906), a three-act opera based on an episode in the ''Ramayana''; ''Sāvitri'' (1908), a chamber opera based on a tale from the ''Mahabharata''; 4 groups of ''Hymns from the Rig Veda'' (1908–14); and two texts originally by Kalidasa: ''Two Eastern Pictures'' (1909–10) and ''The Cloud Messenger'' (1913). The texts of these last three works were translated by Holst himself. To make these translations from Sanskrit to English, Holst enrolled at University College London (UCL) to study the language as a 'non-matriculated' student. On 14 January 1909 he paid 5 guineas for Sanskrit classes during the spring and summer terms of that year. The UCL records also show that during this time he moved from 23 Grena Road in Richmond, to 10 The Terrace in Barnes. On 19 October 1909 he re-enrolled at UCL for the autumn term and paid 3 guineas "special fee" for his Sanskrit classes of "2 hours a week". The records end at this point, and so it seems he only spent one year as a student at UCL.

Teaching

In 1904 Holst took up his first teaching job as music master at James Allen's Girls' School in West Dulwich, South London.

In 1905, Holst was appointed Director of Music at St Paul's Girls' School in Hammersmith, London. In 1907, Holst also became director of music at Morley College. These were the most important of his teaching posts, and he retained both until the end of his life.

During the first two decades of the 20th century, musical society as a whole (and Holst's friend Vaughan Williams in particular) became interested in old English folksongs, madrigal singers, and Tudor composers. Holst shared in his friend’s admiration for the simplicity and economy of these melodies, and their use in his compositions is one of his music’s most recognisable features.

Holst was an avid rambler. He walked extensively in Italy, France and England. He also travelled outside the bounds of Europe, heading to French-controlled Algeria in 1908 on doctor's orders as a treatment for asthma and the depression that crippled him after his submission failed to win the Ricordi Prize, a coveted award for composition. His travels in Arab and Berber lands, including an extensive cycling tour of the Algerian Sahara, inspired the suite ''Beni Mora'', written upon his return.

After the lukewarm reception of his choral work ''The Cloud Messenger'' in 1912, Holst was again off travelling, financing a trip to Spain with fellow composers Balfour Gardiner and brothers Clifford and Arnold Bax with funds from an anonymous donation. Despite being shy, Holst was fascinated by people and society, and had always believed that the best way to learn about a city was to get lost in it. In Girona, Catalonia, he often disappeared, only to be found hours later by his friends having abstract debates with local musicians. It was in Spain that Clifford Bax introduced Holst to astrology, a hobby that was to inspire the later ''Planets'' suite. He read astrological fortunes until his death, and called his interest in the stars his "pet vice".

Shortly after his return in 1913, St Paul's Girls School opened a new music wing, and Holst composed the still popular ''St Paul's Suite'' for the occasion. In 1913, Stravinsky premiered ''The Rite of Spring'', sparking riots in Paris and caustic criticism in London. A year later, Holst first heard Schoenberg’s ''Five Pieces for Orchestra'', an "ultra-modern" set of five movements employing "extreme chromaticism" (the consistent use of all 12 musical notes). Although he had earlier lampooned the stranger aspects of modern music, the new music of Stravinsky and Schoenberg influenced his work on ''The Planets''.

Holst's compositions include works for wind band, and have become standards in the repertoire. His most famous are the First Suite in E-flat for Military Band of 1909 and the Second Suite in F for Military Band of 1911 (see also ''Hammersmith'', below). He also wrote the "Moorside Suite" for brass band in 1928, the first recognised 'classical' composer to treat the medium seriously.

Holst and wife Isobel bought a cottage in Thaxted, Essex and, surrounded by medieval buildings and ample rambling opportunities, he started work on the suite that became his best known work, the orchestral suite ''The Planets''. Holst himself adapted the theme from "Jupiter" as a hymn tune under the name of "Thaxted", specifically for the words "I Vow to Thee My Country". (According to the documentary by Tony Palmer ''In the Bleak Midwinter'', Holst hated this association because the text was the opposite of what he believed. This is a little surprising, though, since he had made the adaptation himself in 1921.) His daughter Imogen later recalled of "I Vow to Thee" that "At the time when he was asked to set these words to music, Holst was so over-worked and over-weary that he felt relieved to discover they 'fitted' the tune from Jupiter".

While living in Thaxted, Holst became friendly with Rev. Conrad Noel, the famous 'Red Vicar', who supported the Independent Labour Party and espoused many unpopular causes. Holst became an occasional organist and choir master at Thaxted Parish Church and began an annual music festival at Whitsuntide in 1916, at which students from Morley College and St Paul's School performed. His best-known partsong, 'This Have I Done For My True Love' , was dedicated to Noel and often performed with dancing during religious ceremonies at Thaxted. This was controversial, as the Church of England still retained much of the Puritan ethic in its services. (The singing of non-biblical texts had been allowed only as recently as 1820, and religious dancing harked back to pre-Reformation times.) As late as 1951 at the Leith Hill Festival, singers from the Anglican tradition objected to the words of Holst's partsong, which mention dance and religion together. Vaughan Williams, who was conducting, advised the objectors to vocalise and leave the words to those singers who did not share the inhibition. Controversy surrounded Holst's friendship with Noel, whose opinions grew progressively uncompromising, leading to his displaying the Red Flag and that of Sinn Fein in the church. Holst's view was that Noel's philosophy was a "gospel of comic hate", but he ceased to hold the music festival at Thaxted after three seasons, moving it to Dulwich.

Other tunes that also became attached to hymns were ''Cranham'' which is the usual tune to Christina Rossetti's poem ''In the Bleak Midwinter'' and ''Sheen'' which is attached to a versification of the recessional ''From glory to glory advancing'' from the Orthodox Christian Liturgy of Saint James.

World War I and after

left|thumb|175px|Holst drawn by William Rothenstein, 1920 At the onset of World War I, Holst tried to enlist but was rejected because of his bad eyes, bad lungs and bad digestion. He dropped the "von" from his name in 1916 in response to anti-German sentiment, making it official by deed poll in 1918. His new music, however, benefited from the growing demand for new English music. This was partly in response to an embargo on contemporary German music that saw very few performances of Richard Strauss and Max Reger throughout the war (although older generations of German composers remained as popular as ever, culminating in a run of ''Die Walküre'', conducted by Thomas Beecham, in 1918). Towards the end of the war he was offered a post within the YMCA’s educational work programme as musical director and he set off for Salonica (present day Thessaloniki, Greece) and Constantinople (now Istanbul) in 1918. While he was teaching music to troops eager to escape the drudgery of army life, ''The Planets'' was being performed to audiences back home. Shortly after his return after the war’s end, Holst composed ''Ode to Death'', based upon a poem by Walt Whitman.

During the years 1920–1923, Holst's popularity grew through the success of ''The Planets'' and ''The Hymn of Jesus'' (1917) (based on the Apocryphal gospels), and the publication of a new opera, ''The Perfect Fool'' (a satire of a work by Wagner). Holst became something of "an anomaly, a famous English composer", and was busy with conducting, lecturing and teaching obligations. He hated publicity; he often refused to answer questions posed by the press and when asked for his autograph, handed out prepared cards that read, "I do not hand out my autograph". Always frail, after a collapse in 1923 he retired from all teaching (other than at St Paul's School, where he was still teaching at his death) to devote the remaining (eleven) years of his life to composition.

Later life

Holst's 'retirement' was immediately productive, with the ''First Choral Symphony'' to words by Keats (a ''Second Choral Symphony'' to words by George Meredith exists only in fragments). A short Shakespearian opera, ''At the Boar's Head'', followed quickly, although neither had the immediate popular appeal of ''A Moorside Suite'' for brass band of 1928.

Holst took advantage of new technology to publicise his work through sound recordings and the BBC’s wireless broadcasts. He began to conduct the London Symphony Orchestra for the Columbia company in 1922, using the acoustic process; his recordings of the period include ''Beni Mora'' , the ''Marching Song'' and (remarkably) the complete ''Planets''. Although, as his daughter Imogen noted, he couldn't quite achieve the gradual fade-out of women's voices and orchestra he had written (owing to the limitations of early recording), it was a landmark recording of the work. Holst conducted it again, with the same orchestra and for the same company, in an electrical recording of 1926. All performances have been issued on LP and CD format.

In 1927 he was commissioned by the New York Symphony Orchestra to write a symphony. Instead, he wrote an orchestral piece based on Thomas Hardy's Wessex, a work that became ''Egdon Heath'' and which was first performed a month after Hardy’s death, in his memory. By this time, Holst was going out of fashion, and the piece was poorly reviewed (although this may have as much to do with the austere nature of the work). However, Holst is said to have considered the short, subdued but powerful tone poem his "best work" . The piece has been much better received in recent years, with several recordings available. Holst did complete a scherzo for the symphony before his death; this music has been recorded.

Towards the end of his life, Holst wrote ''Choral Fantasia'' (1930), and he was commissioned by the BBC to write a piece for military band; the resulting ''Hammersmith'' was a tribute to the place where he had spent most of his life, a musical expression of the London borough (of Hammersmith), which begins with an attempt to recreate the haunting sound of the River Thames sleepily flowing its way. He then made an orchestral version of this work for its first performance, sharing the programme with the London premiere of Walton's ''Belshazzar's Feast''. This unlucky coincidence may account for its subsequent obscurity as an orchestral work.

Interested as ever in new mediums, Holst wrote a score for the Associated Sound Film Industries picture 'The Bells' in which Holst believed he appeared as an extra in a crowd scene. However, he was mortified when he heard the quality of the 1931 soundtrack. The film was the victim of poor marketing and no copy can now be traced. He also wrote a 'jazz band piece' that his daughter later arranged for orchestra as ''Capriccio''. A late flowering of academic life came when Harvard University offered him a lectureship for the first six months of 1932.

Holst had a lifetime of poor health, which worsened due to a concussion during a backward fall from the conductor's podium in 1923, from which he never fully recovered. In his final four years, Holst grew ill with stomach problems. One of his last compositions, the ''Brook Green Suite'', named after the land on which St Paul’s Girls’ School was built, was performed for the first time a few months before his death. Holst died on 25 May 1934, of complications following stomach surgery, in London. His ashes were interred at Chichester Cathedral in West Sussex, with Bishop George Bell giving the memorial oration at the funeral.

Memorial

On Sunday 27 September 2009, after a weekend of concerts at Chichester Cathedral in memory of Holst, a new memorial was unveiled to the public. On it are inscribed Holst's dates, and an epitaph, taken from the text of ''The Hymn of Jesus'', reading "The heavenly spheres make music for us".

Radio and television biographies

In 2007, BBC Radio 4 produced a radio play by Martyn Wade called ''The Bringer of Peace'', which is an intimate biographical portrait of Holst. The play follows his early dismay at his lack of composing success, to the creation of ''The Planets'' suite, with the play's seven tiers following the structure of ''The Planets''. Adrian Scarborough played Holst, and the producer was David Hitchinson.

''Holst: In the Bleak Midwinter'', directed by Tony Palmer, was first transmitted on 24 April 2011. The documentary charted his life with special reference to his support for socialism and for working class ventures.

Media

Extracts from ''The Planets'' can be found in the main article for the suite.

Notes

References

''Britannica Concise'', "Gustav Holst", 2006, Concise.Britannica.com webpage: ConciseBritannica-GHolst.

''Encyclopædia Britannica Online'', "Gustav Holst", 2006, Britannica.com webpage: Britannica2006-GHolst.

Michael Short, ''Gustav Holst: The Man and his Music'' Oxford: Oxford University Press, 1990.

Kenric Taylor, "Gustav Holst (1874–1934) | Compositions" (list of works), 2006, GustavHolst.info webpage: GHolstInfo-Compositions.

Further reading

Holst, Imogen, ''Gustav Holst: A Biography'', Oxford University Press, 1938.

Holst, Imogen, ''Gustav Holst and Thaxted'' (4-page pamphlet)

Randel, Michael, ''The Harvard Biographical Dictionary of Music'', Harvard University Press, 1996. Cf. p. 390.

External links

www.GustavHolst.info

* Ian Lace's Biography

* List of compositions

Gustav Holst: The Lost Films (Discovered 2009)

The Planets Suite Op. 32 Live recording by Peabody Concert Orchestra (2002)

Holst Birthplace Museum, Cheltenham

Gustav Holst at Pytheas Center for Contemporary Music

Compositions by Gustav Holst

Category:English people of Swedish descent Category:English composers Category:English classical trombonists Category:20th-century classical composers Category:Opera composers Category:Royal Philharmonic Society Gold Medallists Category:Old Patesians Category:People from Cheltenham Category:British people of Latvian descent Category:Music and musicians from Gloucestershire Category:Alumni of the Royal College of Music Category:English vegetarians Category:1874 births Category:1934 deaths Category:People from Barnes, London Category:Alumni of University College London Category:Ballet composers Category:Brass band composers Category:English socialists

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name	Stevie Wonder
background	solo_singer
birth name	Stevland Hardaway Judkins
alias	Stevland Hardaway Morris, Little Stevie Wonder, Eivets Rednow
born	May 13, 1950Saginaw, Michigan, United States
origin	Detroit, Michigan, United States
instrument	Vocals, synthesizer, piano, keyboards, harmonica, clavinet, drums, bass guitar, congas, bongos, melodica, keytar, accordion
genre	Soul, pop, R&B;, funk, jazz
occupation	Singer-songwriter, multi-instrumentalist, record producer, activist
years active	1961–present
label	Tamla, Motown
website	}}

Stevland Hardaway Morris (previously Judkins; born May 13, 1950), known by his stage name Stevie Wonder, is an American singer-songwriter, multi-instrumentalist, record producer and activist. Blind since shortly after birth, Wonder signed with Motown Records' Tamla label at the age of eleven, and continues to perform and record for Motown to this day.

Among Wonder's best known works are singles such as "Superstition", "Sir Duke", "I Wish" and "I Just Called to Say I Love You". Well known albums also include ''Talking Book'', ''Innervisions'' and ''Songs in the Key of Life''. He has recorded more than thirty U.S. top ten hits and received twenty-two Grammy Awards, the most ever awarded to a male solo artist. Wonder is also noted for his work as an activist for political causes, including his 1980 campaign to make Martin Luther King, Jr.'s birthday a holiday in the United States. In 2009, Wonder was named a United Nations Messenger of Peace. In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's fiftieth anniversary, with Wonder at number five.

Early life

Stevie Wonder was born in Saginaw, Michigan in 1950, the third of six children to Calvin Judkins and Lula Mae Hardaway. Owing to his being born six weeks premature, the blood vessels at the back of his eyes had not yet reached the front and their aborted growth caused the retinas to detach. The medical term for this condition is retinopathy of prematurity, or ROP, and while it may have been exacerbated by the oxygen pumped into his incubator, this was not the primary cause of his blindness.

When Stevie Wonder was four, his mother left his father and moved herself and her children to Detroit. She changed her name back to Lula Hardaway and later changed her son's surname to Morris, partly because of relatives. Morris has remained Stevie Wonder's legal name ever since. He began playing instruments at an early age, including piano, harmonica, drums and bass. During childhood he was active in his church choir.

Discovery and early Motown recordings

Ronnie White of The Miracles gives credit to his brother Gerald White for persistently nagging him to come to his friend's house in 1961 to check out Stevie Wonder. Afterward, White brought Wonder and his mother to Motown Records. Impressed by the young musician, Motown CEO Berry Gordy signed Wonder to Motown's Tamla label with the name Little Stevie Wonder. Before signing, producer Clarence Paul gave Wonder his trademark name after stating "we can't keep calling him the eighth wonder of the world". He then recorded the regional Detroit single, "I Call It Pretty Music, But the Old People Call It the Blues", which was released on Tamla in late 1961. Wonder released his first two albums, ''The Jazz Soul of Little Stevie'' and ''Tribute to Uncle Ray'', in 1962, to little success.

Music career

Early success: 1963–1971

By age 13, Wonder had a major hit, "Fingertips (Pt. 2)", a 1963 single taken from a live recording of a Motor Town Revue performance, issued on the album ''Recorded Live: The 12 Year Old Genius''. The song, featuring Wonder on vocals, bongos, and harmonica, and a young Marvin Gaye on drums, was a #1 hit on the U.S. pop and R&B; charts and launched him into the public consciousness.

In 1964, Stevie Wonder made his film debut in ''Muscle Beach Party'' as himself, credited as "Little Stevie Wonder". He returned in the sequel released five months later, ''Bikini Beach''. He performed on-screen in both films, singing "Happy Street," and "Happy Feelin' (Dance and Shout)," respectively.

Dropping the "Little" from his name, Wonder went on to have a number of other hits during the mid-1960s, including "Uptight (Everything's Alright)", "With a Child's Heart", and "Blowin' in the Wind", a Bob Dylan cover, co-sung by his mentor, producer Clarence Paul. He also began to work in the Motown songwriting department, composing songs both for himself and his label mates, including "Tears of a Clown", a number one hit performed by Smokey Robinson & the Miracles.

In 1968 he recorded an album of instrumental soul/jazz tracks, mostly harmonica solos, under the pseudonym (and title) ''Eivets Rednow'', which is "Stevie Wonder" spelled backwards. The album failed to get much attention, and its only single, a cover of "Alfie", only reached number 66 on the U.S. Pop charts and number 11 on the U.S. Adult Contemporary charts. Nonetheless, he managed to score several hits between 1968 and 1970 such as "I Was Made to Love Her"; "For Once in My Life" and "Signed, Sealed, Delivered I'm Yours". In September 1970, at the age of 20, Wonder married Syreeta Wright, a songwriter and former Motown secretary. Wright and Wonder co-wrote the songs on the next album, ''Where I'm Coming From'', which did not succeed in the charts. Reaching his twenty-first birthday on May 13, 1971, he allowed his Motown contract to expire.

In 1970, Wonder co-wrote, and played numerous instruments on the hit "It's a Shame" for fellow Motown act The Spinners. His contribution was meant to be a showcase of his talent and thus a weapon in his ongoing negotiations with Gordy about creative autonomy.

Classic period: 1972–1976

Wonder independently recorded two albums, which he used as a bargaining tool while negotiating with Motown. Eventually the label agreed to his demands for full creative control and the rights to his own songs. The 120-page contract was a precedent at Motown and gave Wonder a much higher royalty rate. Wonder returned to Motown in March 1972 with ''Music of My Mind''. Unlike most previous albums on Motown, which usually consisted of a collection of singles, B-sides and covers, ''Music of My Mind'' was a full-length artistic statement with songs flowing together thematically. Wonder's lyrics dealt with social, political, and mystical themes as well as standard romantic ones, while musically Wonder began exploring overdubbing and recording most of the instrumental parts himself. ''Music of My Mind'' marked the beginning of a long collaboration with Tonto's Expanding Head Band (Robert Margouleff and Malcolm Cecil).

Released in late 1972, ''Talking Book'' featured the No. 1 hit "Superstition", which is one of the most distinctive and famous examples of the sound of the Hohner clavinet keyboard. The song features a rocking groove that garnered Wonder an additional audience on rock radio stations. ''Talking Book'' also featured "You Are the Sunshine of My Life", which also peaked at No. 1. During the same time as the album's release, Stevie Wonder began touring with the Rolling Stones to alleviate the negative effects from pigeon-holing as a result of being an R&B; artist in America. Between them, the two songs won three Grammy Awards. On an episode of the children's television show ''Sesame Street'' that aired in April 1973, Wonder and his band performed "Superstition", as well as an original song called "Sesame Street Song", which demonstrated his abilities with the "talk box".

''Innervisions'', released in 1973, featured "Higher Ground" (#4 on the pop charts) as well as the trenchant "Living for the City" (#8). Both songs reached No. 1 on the R&B; charts. Popular ballads such as "Golden Lady" and "All in Love Is Fair" were also present, in a mixture of moods that nevertheless held together as a unified whole. ''Innervisions'' generated three more Grammy Awards, including Album of the Year. The album is ranked #23 on ''Rolling Stone Magazine's'' 500 Greatest Albums of All Time. Wonder had become the most influential and acclaimed black musician of the early 1970s.

On August 6, 1973, Wonder was in a serious automobile accident while on tour in North Carolina, when a car in which he was riding hit the back of a truck. This left him in a coma for four days and resulted in a partial loss of his sense of smell and a temporary loss of sense of taste. Despite the setback, Wonder re-appeared in concert at Madison Square Garden in March 1974 with a performance that highlighted both up-tempo material and long, building improvisations on mid-tempo songs such as "Living for the City". The album ''Fulfillingness' First Finale'' appeared in July 1974 and set two hits high on the pop charts: the #1 "You Haven't Done Nothin'" and the Top Ten "Boogie On Reggae Woman". The Album of the Year was again one of three Grammys won.

The same year Wonder took part in a Los Angeles jam session which would become known by the bootleg album ''A Toot and a Snore in '74''. He also co-wrote and produced the Syreeta Wright album ''Stevie Wonder Presents: Syreeta''.

On October 4, 1975, Wonder performed at the historical "Wonder Dream Concert" in Kingston, Jamaica, a benefit for the Jamaican Institute for the Blind.

By 1975, in his 25th year, Stevie Wonder had won two consecutive Grammy Awards: in 1974 for ''Innervisions'' and in 1975 for ''Fulfillingness' First Finale''. In 1975 he featured on the album ''It's My Pleasure'' by Billy Preston, playing harmonica on two tracks.

The double album-with-extra-EP ''Songs in the Key of Life'', was released in September 1976. Sprawling in style, unlimited in ambition, and sometimes lyrically difficult to fathom, the album was hard for some listeners to assimilate, yet is regarded by many as Wonder's crowning achievement and one of the most recognizable and accomplished albums in pop music history. The album became the first of an American artist to debut straight at #1 in the ''Billboard'' charts, where it remained for 14 non-consecutive weeks. Two tracks, became #1 Pop/R&B; hits "I Wish" and "Sir Duke". The baby-celebratory "Isn't She Lovely?" was written about his newborn daughter Aisha, while songs such as "Love's in Need of Love Today" (which years later Wonder would perform at the post-September 11, 2001 ''America: A Tribute to Heroes'' telethon) and "Village Ghetto Land" reflected a far more pensive mood. ''Songs in the Key of Life'' won Album of the Year and two other Grammys. The album ranks 56th on ''Rolling Stone Magazine'''s 500 Greatest Albums of All Time.

After such a concentrated and sustained level of creativity, Wonder stopped recording for three years, releasing only the 3 LP ''Looking Back'', an anthology of his first Motown period. The albums Wonder released during this period were very influential on the music world: the 1983 ''Rolling Stone Record Guide'' said they "pioneered stylistic approaches that helped to determine the shape of pop music for the next decade"; ''Rolling Stone'' magazine's 2003 list of the 500 Greatest Albums of All Time included four of the five albums, with three in the top 90; and in 2005, Kanye West said of his own work, "I'm not trying to compete with what's out there now. I'm really trying to compete with ''Innervisions'' and ''Songs in the Key of Life''. It sounds musically blasphemous to say something like that, but why not set that as your bar?"

Commercial period: 1979–1990

It was in Wonder's next phase that he began to commercially reap the rewards of his legendary classic period. The '80s saw Wonder scoring his biggest hits and reaching an unprecedented level of fame evidenced by increased album sales, charity participation, high-profile collaborations, political impact, and television appearances.

When Wonder did return, it was with the soundtrack album ''Journey through the Secret Life of Plants'' (1979), featured in the film ''The Secret Life of Plants''. Mostly instrumental, the album was composed using the Computer Music Melodian, an early sampler. Wonder toured briefly in support of the album, and used a Fairlight CMI sampler on stage. In this year Wonder also wrote and produced the dance hit "Let's Get Serious", performed by Jermaine Jackson and (ranked by ''Billboard'' as the #1 R&B; single of 1980).

''Hotter than July'' (1980) became Wonder's first platinum-selling single album, and its single "Happy Birthday" was a successful vehicle for his campaign to establish Dr. Martin Luther King's birthday as a national holiday. The album also included "Master Blaster (Jammin')", "I Ain't Gonna Stand for It", and the sentimental ballad, "Lately", which was later covered by Jodeci and S Club 7.

In 1982, Wonder released a retrospective of his '70s work with ''Stevie Wonder's Original Musiquarium'', which included four new songs: the ten-minute funk classic "Do I Do" (which featured Dizzy Gillespie), "That Girl" (one of the year's biggest singles to chart on the R&B; side), "Front Line", a narrative about a soldier in the Vietnam War that Stevie Wonder wrote and sang in the 1st person, and "Ribbon in the Sky", one of his many classic compositions. Wonder also gained a #1 hit that year in collaboration with Paul McCartney in their paean to racial harmony, "Ebony and Ivory".

In 1983, Wonder performed the song "Stay Gold", the theme to Francis Ford Coppola's film adaptation of S.E. Hinton's novel ''The Outsiders''. Wonder wrote the lyrics.

In 1983, Wonder scheduled an album to be entitled "People Work, Human Play." The album never surfaced and instead 1984 saw the release of Wonder's soundtrack album for ''The Woman in Red''. The lead single, "I Just Called to Say I Love You", was a #1 pop and R&B; hit in both the United States and the United Kingdom, where it was placed 13th in the list of best-selling singles in the UK published in 2002. It went on to win an Academy Award for "Best Song" in 1985. The album also featured a guest appearance by Dionne Warwick, singing the duet "It's You" with Stevie and a few songs of her own. The following year's ''In Square Circle'' featured the #1 pop hit "Part-Time Lover". The album also has a Top 10 Hit with "Go Home." It also featured the ballad "Overjoyed" which was originally written for ''Journey Through the Secret Life of Plants'', but didn't make the album. He performed "Overjoyed" on ''Saturday Night Live'' when he was the host. He was also featured in Chaka Khan's cover of Prince's "I Feel For You", alongside Melle Mel, playing his signature harmonica. In roughly the same period he was also featured on harmonica on Eurythmics' single, "There Must Be an Angel (Playing with My Heart)" and Elton John's "I Guess That's Why They Call It The Blues".

By 1985, Stevie Wonder was an American icon, the subject of good-humored jokes about blindness and affectionately impersonated by Eddie Murphy on ''Saturday Night Live''. Wonder sometimes joined in the jokes himself such as in ''The Motown Revue'' with Smokey Robinson. He was in a featured duet with Bruce Springsteen on the all-star charity single for African Famine Relief, "We Are the World", and he was part of another charity single the following year (1986), the AIDS-inspired "That's What Friends Are For". He also played the harmonica on the album ''Dreamland Express'' by John Denver in the song "If Ever", a song Wonder co-wrote with Stephanie Andrews. He also wrote the track "I Do Love You" for The Beach Boys' 1985 self-titled album. Stevie Wonder also played the harmonica on a track called "Can't Help Lovin' That Man" from "Showboat" on "The Broadway Album" by Barbra Streisand.

In 1986, Stevie Wonder appeared on ''The Cosby Show'', as himself, in the episode "A Touch of Wonder".

In 1987, Wonder appeared on Michael Jackson's ''Bad'' album on the duet "Just Good Friends". Michael Jackson also sang a duet with him titled "Get It" on Wonder's 1987 album ''Characters''. This was a minor hit single, as were "Skeletons" and "You Will Know". In the fall of 1988, Wonder dueted with Julio Iglesias on the hit single "My Love", which appeared on Iglesias' album ''Non Stop''.

Later career: 1991–2001

thumb|Stevie Wonder at the Grammy Awards of 1990 After 1987's ''Characters'' LP, Wonder continued to release new material, but at a slower pace. He recorded a soundtrack album for Spike Lee's film ''Jungle Fever'' in 1991. From this album, singles and videos were released for "Gotta Have You" and "These Three Words". The B-side to the "Gotta Have You" single was "Feeding Off The Love Of The Land", which was played during the end credits of the movie ''Jungle Fever'' but was not included on the soundtrack. A piano and vocal version of "Feeding Off The Love Of The Land" was also released on the ''Nobody's Child: Romanian Angel Appeal'' compilation. It is rumored that "Feeding Off The Love Of The Land" was originally intended for release on ''Fulfillingness' First Finale Volume Two'', a project that has never been confirmed as completed.

''Conversation Peace'' and the live album ''Natural Wonder'' were also released in the 1990s. The former received its European launch at a high-profile March 1995 press conference in Paris, where Stevie mentioned how the tearing down of The Wall between East and West Berlin and the desire for a united Europe had played a significant part in the inspiration behind the album.

In 1994, Wonder made a guest appearance on the KISS cover album ''KISS My Ass: Classic KISS Regrooved'', playing harmonica and supplying background vocals for the song "Deuce", performed by Lenny Kravitz.

In 1996, Stevie Wonder's ''Songs in the Key of Life'' was selected as a documentary subject for the Classic Albums documentary series. This series dedicates 60 minutes to one groundbreaking record per feature. The same year, he performed John Lennon's song "Imagine" in the closing ceremony of the Atlanta Olympic Games. The same year, Wonder performed in a remix of "Seasons of Love" from the Jonathan Larson musical ''Rent''.

In 1997, Wonder collaborated with Babyface for a song about abuse (domestic violence) called "How Come, How Long" which was nominated for an award.

In December 1999, Wonder announced that he was interested in pursuing an intraocular retinal prosthesis to partially restore his sight. That same year, Wonder was featured on harmonica in the Sting song "Brand New Day".

In 2000, Stevie Wonder contributed two new songs to the soundtrack for Spike Lee's ''Bamboozled'' album ("Misrepresented People" and "Some Years Ago").

Current career: 2002–present

In March 2002, Wonder performed at the opening ceremonies of the 2002 Winter Paralympics in Salt Lake City.

On July 2, 2005, Wonder performed in the Live 8 concert in Philadelphia.

Wonder's first new album in ten years, ''A Time to Love'', was released on October 18, 2005, after having been pushed back from first a May, and then a June release. The album was released electronically on September 27, 2005, exclusively on Apple's iTunes Music Store. The first single, "So What the Fuss", was released in April. A second single, "From the Bottom of My Heart" was a hit on adult-contemporary R&B; radio. The album also featured a duet with India.Arie on the title track "A Time to Love".

Wonder performed at the pre-game show for Super Bowl XL in Detroit in early 2006, singing various hit singles (with his four-year-old son on drums) and accompanying Aretha Franklin during "The Star Spangled Banner".

In March 2006, Wonder received new national exposure on the top-rated ''American Idol'' television program. Wonder performed "My Love Is on Fire" (from ''A Time To Love'') live on the show itself. In June 2006, Stevie Wonder made a guest appearance on Busta Rhymes' new album, ''The Big Bang'' on the track "Been through the Storm". He sings the refrain and plays the piano on the Dr. Dre and Sha Money XL produced track. He appeared again on the last track of Snoop Dogg's new album ''Tha Blue Carpet Treatment'', "Conversations". The song is a remake of "Have a Talk with God" from ''Songs in the Key of Life''.

In 2006, Wonder staged a duet with Andrea Bocelli on the latter's album ''Amore'', offering harmonica and additional vocals on "Canzoni Stonate". Stevie Wonder also performed at Washington, D.C.'s 2006 "A Capitol Fourth" celebration.

On August 2, 2007, Stevie Wonder announced the A Wonder Summer's Night 13 concert tour—his first U.S. tour in over ten years. This tour was inspired by the recent passing of his mother, as he stated at the conclusion of the tour on December 9 at the Jobing.com Arena in Glendale, Arizona.

On August 28, 2008, Wonder performed at the Democratic National Convention at Invesco Field at Mile High in Denver, Colorado. Songs included a previously unreleased song, "Fear Can't Put Dreams to Sleep," and "Signed, Sealed, Delivered I'm Yours".

On September 8, 2008, Wonder started the European leg of his Wonder Summer's Night Tour, the first time he had toured Europe in over a decade. His opening show was at the National Indoor Arena in Birmingham. During the tour, Wonder played eight UK gigs; four at The O2 Arena in London, two in Birmingham and two at the M.E.N. Arena in Manchester. Stevie Wonder's other stops in the tour's European leg also found him performing in Holland (Rotterdam), Sweden (Stockholm), Germany (Cologne, Mannheim and Munich), Norway (Hamar), France (Paris), Italy (Milan) and Denmark (Aalborg). Wonder also toured Australia (Perth, Adelaide, Melbourne, Sydney and Brisbane) and New Zealand (Christchurch, Auckland and New Plymouth) in October and November.

By June 2008, Wonder was working on two projects simultaneously: a new album titled ''The Gospel Inspired By Lula'' which will deal with the various spiritual and cultural crises facing the world, and ''Through The Eyes Of Wonder'', an album which Wonder has described as a performance piece that will reflect his experience as a blind man. Wonder was also keeping the door open for a collaboration with Tony Bennett and Quincy Jones concerning a rumored jazz album. If Wonder was to join forces with Bennett, it would not be for the first time; Their rendition of "For Once in My Life" earned them a Grammy for best pop collaboration with vocals in 2006. Wonder's harmonica playing can be heard on the 2009 Grammy-nominated "Never Give You Up" featuring CJ Hilton and Raphael Saadiq.

Wonder performed on January 18, 2009 at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial. On Inauguration Day, January 20, 2009, Wonder performed the song "Brand New Day" with musician Sting. He performed his new song "All About the Love Again" and, with other musical artists, "Signed, Sealed & Delivered". On February 23, 2009, Wonder became the second recipient of the Library of Congress's Gershwin Prize for pop music, honored by President Barack Obama at the White House.

On July 7, 2009, Wonder performed "Never Dreamed You'd Leave In Summer" and "They Won't Go When I Go" at the Staples Center for Michael Jackson's memorial service. On October 29, 2009, Wonder performed at the 25th anniversary concert for the Rock and Roll Hall of Fame. Among performing songs with B.B. King, Wonder performed Michael Jackson's 'The Way You Make Me Feel', during which he became emotionally distraught and was unable to perform until he regained his composure.

On January 22, 2010, Wonder performed Bridge Over Troubled Water for the Hope for Haiti Now: A Global Benefit for Earthquake Relief event to help victims of the earthquake in Port-au-Prince on January 12, 2010.

On March 6, 2010, Wonder was awarded the Commander of the Arts and Letters by French Culture Minister Frédéric Mitterrand. Wonder had been due to receive this award in 1981, but scheduling problems prevented this from happening. A lifetime achievement award was also given to Wonder on the same day, at France's biggest music awards.

His 2010 tour included a two-hour set at the Bonnaroo Music Festival in Manchester, Tennessee, a stop at London's "Hard Rock Calling" in Hyde Park, and appearances at England's Glastonbury Festival, Rotterdam's North Sea Jazz Festival, and a concert in Bergen, Norway and a concert in Dublin, Ireland at the O2 Arena on June 24.

In February 2011, the Apollo Theater announced that Stevie Wonder will be the next in line for the Apollo Legends Hall of Fame. The theater said that the singer will be inducted into the New York City institution's Hall of Fame in five months.

On June 25, 2011, Wonder performed at the opening ceremony of the 2011 Special Olympics World Summer Games in Athens, Greece.

Legacy

A prominent figure in popular music during the latter half of the 20th century, Wonder has recorded more than thirty U.S. top ten hits and won twenty-two Grammy Awards (the most ever won by a solo artist) as well as a Lifetime Achievement Award. He has also won an Academy Award for Best Song, and been inducted into both the Rock and Roll and Songwriters halls of fame. He has also been awarded the Polar Music Prize. American music magazine Rolling Stone named him the ninth greatest singer of all time. In June 2009 he became the fourth artist to receive the Montreal Jazz Festival Spirit Award.

He has ten U.S. number-one hits on the pop charts as well as 20 R&B; number one hits, and album sales totaling more than 100 million units. Wonder has recorded several critically acclaimed albums and hit singles, and writes and produces songs for many of his label mates and outside artists as well. Wonder plays the piano, synthesizer, harmonica, congas, drums, bass guitar, bongos, organ, melodica, and clavinet. In his childhood, he was best known for his harmonica work, but today he is better known for his keyboard skills and vocal ability. Wonder was the first Motown artist and second African American musician to win an Academy Award for Best Original Song for his 1984 hit single "I Just Called to Say I Love You" from the movie ''The Woman in Red''.

Classic period

Wonder's "classic period" is generally agreed to consist of the concept albums he created in the early- to mid-1970s, peaking in 1976. Some observers see in 1971's ''Where I'm Coming From'' certain indications of the beginning of the classic period, such as its new funky keyboard style which Wonder used throughout the classic period. Some determine Wonder's first "classic" album to be 1972's ''Music of My Mind'', on which he attained personal control of production, and on which he programmed a series of songs integrated with one another to make a concept album. Others skip over early 1972 and determine the beginning of the classic period to be ''Talking Book'' in late 1972, the album in which Wonder "hit his stride".

Impact

Wonder's songs are renowned for being quite difficult to sing. He has a very developed sense of harmony and uses many extended chords utilizing extensions such as ninths, elevenths, thirteenths, diminished fifths, etc. in his compositions. Many of his melodies make abrupt, unpredictable changes. Many of his vocal melodies are also melismatic, meaning that a syllable is sung over several notes. Some of his best known and most frequently covered songs are played in keys which are more often found in jazz than in pop and rock. For example, "Superstition", "Higher Ground" and "I Wish" are in the key of E flat minor, and feature distinctive riffs in the E flat minor pentatonic scale (i.e. largely on the black notes of the keyboard).

Wonder played a large role in bringing synthesizers to the forefront of popular music. He developed many new textures and sounds never heard before. In 1981, Wonder became the first owner of an E-mu Emulator.

Songs sampled by other musicians

Wonder has recorded with Jon Gibson, a Christian Soul musician, on a remake of his own song, "Have a Talk With God" (from the 1989 album ''Body & Soul''), covered by Gibson in which Wonder plays harmonica. The two men met in the early 1980s through a shared music agent (Bill Wolfer).

Red Hot Chili Peppers covered "Higher Ground" in 1989 on their ''Mother's Milk'' album. Stevie Ray Vaughan & Double Trouble covered "Superstition" and Wonder made a cameo appearance in the official music video for the song.

De La Soul sampled "Hey Love" in their song "Talkin' Bout Hey Love" on their 1991 album De La Soul Is Dead.

"Don't You Worry 'bout a Thing" was rendered by English band Incognito in 1992 and John Legend covered this song for the 2005 film, ''Hitch''. George Michael and Mary J. Blige covered "As" in the late 1990s. In 1999, Salome De Bahia made a Brazilian version of "Another Star". Tupac Shakur sampled "That Girl" for his hit song "So Many Tears".

"Pastime Paradise" would become an interpolation for Coolio's "Gangsta's Paradise" while Will Smith would use "I Wish" as the basis for the theme song to his movie, ''Wild Wild West''. The elements of "Love's In Need of Love Today" were used by 50 Cent in the song "Ryder Music", and Warren G sampled "Village Ghetto Land" for his song "Ghetto Village".

Mary Mary, did a cover of his song, "You Will Know" on their 2002 album, ''Incredible''. Australian soul artist Guy Sebastian recorded a cover of "I Wish" on his ''Beautiful Life'' album. In 2003, Raven-Symoné recorded a cover of "Superstition" for the soundtrack to Disney's ''The Haunted Mansion''. In 2005, Canadian singer Dave Moffatt, from the group The Moffatts, sang the song "Overjoyed" from the ''In Square Circle'' album on ''Canadian Idol''. Clay Aiken performed "Isn't She Lovely?" in the episode "My Life in Four Cameras" of ''Scrubs''.

Personal life

Wonder has been married twice: to Motown singer Syreeta Wright from 1970 until their divorce in 1972; and since 2001, to fashion designer Kai Milla Morris. He has seven children from his two marriages and several relationships.

His daughter Aisha Morris (born on February 2, 1975, with Yolanda Simmons as mother) was the inspiration for his hit single "Isn't She Lovely." Aisha Morris is a singer who has toured with her father and accompanied him on recordings, including his 2005 album, ''A Time 2 Love''. Wonder has two sons with Kai Milla Morris; the older is named Kailand and he occasionally performs as a drummer on stage with his father. The younger son, Mandla Kadjay Carl Stevland Morris, was born May 13, 2005, his father's 55th birthday. In May 2006, Wonder's mother died in Los Angeles, at the age of 76. During his September 8, 2008 UK concert in Birmingham, he spoke of his decision to begin touring again following his loss. "I want to take all the pain that I feel and celebrate and turn it around".

Wonder's Taxi Productions owns Los Angeles radio station KJLH.

Charting discography

Top 40 singles

style="width:28px;" rowspan="2"	Year	Title	Chart positions
! style="vertical-align:top; width:30px;"	! style="vertical-align:top; width:30px;"		! style="vertical-align:top; width:30px;"	! style="vertical-align:top; width:30px;"	! style="vertical-align:top; width:30px;"
	1963	"Fingertips	Fingertips – Pt. 2"
	"Uptight (Everything's Alright)"
"Blowin' in the Wind"
	1967	"I Was Made to Love Her (song)	I Was Made to Love Her"
	"For Once in My Life"
"Shoo-Be-Doo-Be-Doo-Da-Day"
"Yester-Me, Yester-You, Yesterday"
	"Never Had a Dream Come True"
"Signed, Sealed, Delivered I'm Yours"
"Heaven Help Us All"
	"We Can Work It Out"
"If You Really Love Me"
	"Superwoman (Where Were You When I Needed You)"
	"You Are the Sunshine of My Life"
"Living for the City"
	"He's Misstra Know It All"
"You Haven't Done Nothin'" (with The Jackson 5)
"Boogie On Reggae Woman"
"Sir Duke"
"Another Star"
	1979	"Send One Your Love"
	"Master Blaster (Jammin')"
"I Ain't Gonna Stand for It"
	"Do I Do"
"Ebony and Ivory" (with Paul McCartney)
"Ribbon in the Sky"
	1984	"I Just Called to Say I Love You"
	"Part-Time Lover"
"That's What Friends Are For" (with Dionne Warwick, Elton John and Gladys Knight)
"Love Light in Flight"
	"Go Home"
"Land of La La"
	1987	"Skeletons (Stevie Wonder song)	Skeletons"
"My Eyes Don't Cry"
"You Will Know"
	1989	"With Each Beat of My Heart"
	1990	"Keep Our Love Alive"
	1992	"These Three Words"
	1995
	"So What the Fuss"
"From the Bottom of My Heart"

U.S. and UK albums

{|class="wikitable" |- ! style="width:28px;" rowspan="2"| Year ! style="width:250px;" rowspan="2"| Album ! colspan="3"| Chart positions |- ! style="vertical-align:top; width:30px;"| US ! style="vertical-align:top; width:30px;"| US R&B; ! style="vertical-align:top; width:30px;"| UK |- |1963 |''Recorded Live: The 12 Year Old Genius'' | style="text-align:center;"| 1 | style="text-align:center;"| – | style="text-align:center;"| – |- |1966 |''Up-Tight'' | style="text-align:center;"| 33 | style="text-align:center;"| 2 | style="text-align:center;"| – |- |1966 |''Down to Earth'' | style="text-align:center;"| 72 | style="text-align:center;"| 8 | style="text-align:center;"| – |- |1967 |''I Was Made to Love Her'' | style="text-align:center;"| 45 | style="text-align:center;"| 7 | style="text-align:center;"| – |- |1968 |''For Once in My Life'' | style="text-align:center;"| 50 | style="text-align:center;"| 4 | style="text-align:center;"| – |- |1969 |''My Cherie Amour'' | style="text-align:center;"| 34 | style="text-align:center;"| 3 | style="text-align:center;"| 17 |- |1970 |''Signed, Sealed, and Delivered'' | style="text-align:center;"| 25 | style="text-align:center;"| 7 | style="text-align:center;"| – |- |1971 |''Where I'm Coming From'' | style="text-align:center;"| – | style="text-align:center;"| 7 | style="text-align:center;"| – |- |1972 |''Music of My Mind'' | style="text-align:center;"| 21 | style="text-align:center;"| 6 | style="text-align:center;"| – |- |1972 |''Talking Book'' | style="text-align:center;"| 3 | style="text-align:center;"| 1 | style="text-align:center;"| 16 |- |1973 |''Innervisions'' | style="text-align:center;"| 4 | style="text-align:center;"| 1 | style="text-align:center;"| 6 |- |1974 |''Fulfillingness' First Finale'' | style="text-align:center;"| 1 | style="text-align:center;"| 1 | style="text-align:center;"| 5 |- |1976 |''Songs in the Key of Life | style="text-align:center;"| 1 | style="text-align:center;"| 1 | style="text-align:center;"| 2 |- |1979 |''Journey through the Secret Life of Plants'' | style="text-align:center;"| 4 | style="text-align:center;"| 4 | style="text-align:center;"| 7 |- |1980 |''Hotter than July'' | style="text-align:center;"| 2 | style="text-align:center;"| 1 | style="text-align:center;"| 2 |- |1982 |''Stevie Wonder's Original Musiquarium | style="text-align:center;"| 4 | style="text-align:center;"| 1 | style="text-align:center;"| 8 |- |1984 |''The Woman in Red'' | style="text-align:center;"| 4 | style="text-align:center;"| 1 | style="text-align:center;"| 2 |- |1985 |''In Square Circle'' | style="text-align:center;"| 5 | style="text-align:center;"| 1 | style="text-align:center;"| 5 |- |1987 |''Characters'' | style="text-align:center;"| 17 | style="text-align:center;"| 1 | style="text-align:center;"| 33 |- |1995 |''Conversation Peace'' | style="text-align:center;"| 17 | style="text-align:center;"| 2 | style="text-align:center;"| 8 |- |1996 |''Natural Wonder'' | style="text-align:center;"| – | style="text-align:center;"| 88 | style="text-align:center;"| – |- |1996 |''Song Review A Greatest Hits Collection'' | style="text-align:center;"| – | style="text-align:center;"| 100 | style="text-align:center;"| 19 |- |2000 |''At the Close of a Century'' | style="text-align:center;"| – | style="text-align:center;"| 100 | style="text-align:center;"| – |- |2002 |''The Definitive Collection'' | style="text-align:center;"| 35 | style="text-align:center;"| 28 | style="text-align:center;"| – |- |2004 |''Best Of Stevie Wonder: 20th Century Masters Christmas Collection'' | style="text-align:center;"| – | style="text-align:center;"| 90 | style="text-align:center;"| – |- |2005 |''A Time to Love'' | style="text-align:center;"| 5 | style="text-align:center;"| 2 | style="text-align:center;"| 24 |- |2007 |''Number 1's'' | style="text-align:center;"| 171 | style="text-align:center;"| 40 | style="text-align:center;"| 23 |}

Awards and recognition

Grammy Awards

Wonder has received 25 Grammy Awards: including a Lifetime Achievement Award

!Year

|	Award	Title
1973	Grammy Award for Best R&B; Song>Best Rhythm & Blues Song
1973	Grammy Award for Best Male R&B; Vocal Performance>Best R&B; Vocal Performance, Male
1973	Grammy Award for Best Male Pop Vocal Performance>Best Pop Vocal Performance, Male
1973	Grammy Award for Album of the Year>Album of the Year
1973	Best Producer*
1974	Best Rhythm & Blues Song
1974	Best Male R&B; Vocal Performance
1974	Best Male Pop Vocal Performance
1974	Grammy Award for Album of the Year>Album of the Year
1974	Best Producer*
1976	Best Male R&B; Vocal Performance
1976	Best Male Pop Vocal Performance
1976	Grammy Award for Producer of the Year, Non-Classical>Best Producer of the Year*
1976	Album of the Year
1985	Best Male R&B; Vocal Performance
1986	Grammy Award for Best Pop Performance by a Duo or Group with Vocal>Best Pop Performance By A Duo Or Group With Vocal ''(awarded to Dionne Warwick, Elton John, Gladys Knight, and Wonder)
1995	Best Rhythm & Blues Song
1995	Best Male R&B; Vocal Performance
1996	Grammy Lifetime Achievement Award
1998	Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s)>Best Instrumental Arrangement Accompanying Vocal(s) ''(awarded to Herbie Hancock, Robert Sadin, and Wonder)
1998	Best Male R&B; Vocal Performance
2002	Grammy Award for Best R&B; Performance by a Duo or Group with Vocals>Best R&B; Performance By A Duo Or Group With Vocals ''(awarded to Wonder and Take 6)
2005	Best Male Pop Vocal Performance
2005	''(awarded to Beyoncé Knowles>Beyoncé and Wonder)
2006	Best Pop Collaboration With Vocals ''(awarded to Tony Bennett and Wonder)

Between 1965 and 1980, a self-produced artist won an additional Grammy as a producer as well as an artist.

Other awards and recognition

1983: inducted to the Songwriters Hall of Fame. 1984: received an Academy Award for Best Song for "I Just Called to Say I Love You" from the movie ''The Woman in Red''. 1989: inducted to the Rock and Roll Hall of Fame. 1996: received the Grammy Lifetime Achievement Award. 1999: received the Polar Music Prize and Kennedy Center Honors. 2002: received the George and Ira Gershwin Lifetime Achievement Award at UCLA's Spring Sing. The same year, Wonder received the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame. 2004: received the Billboard Century Award. Also in 2004, Rolling Stone Magazine ranked him #15 on their list of the 100 Greatest Rock and Roll Artists of All Time. 2006: was inducted, as one of the first inductees, into the Michigan Walk of Fame. The same year, Wonder received a Lifetime Achievement Award from the National Civil Rights Museum in Memphis. 2008: Ranked at number five on "The Billboard Hot 100 Top All-Time Artists", making him as the third most successful male artist in the history of ''Billboard'' Hot 100 chart. 2009: Recipient of the second Gershwin Prize For Popular Song. 2009: Recipient of the Montreal Jazz Festival Spirit Award. This special award underlines a popular artist’s extraordinary contribution to the musical world. The Montreal Jazz Festival Spirit Award is in bronze. 2009: Named a Messenger of Peace by the United Nations.

See also

Best selling music artists

List of number-one hits (United States)

List of Billboard Hot 100 chart achievements and milestones

List of artists who reached number one on the Hot 100 (U.S.)

References

External links

Official site

Never That Simple: Stevie Wonder—By Robert Christgau

Category:1950 births Category:African American drummers Category:African American singer-songwriters Category:African American pianists Category:African American record producers Category:African Americans' rights activists Category:American child singers Category:American composers Category:American funk drummers Category:American funk keyboardists Category:American funk singers Category:American harmonica players Category:American male singers Category:American multi-instrumentalists Category:American rhythm and blues keyboardists Category:American rhythm and blues singer-songwriters Category:American soul keyboardists Category:American soul singers Category:Best Song Academy Award winning songwriters Category:Blind musicians Category:Commandeurs of the Ordre des Arts et des Lettres Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Kennedy Center honorees Category:Living people Category:Motown artists Category:Musicians from Detroit, Michigan Category:Musicians from Michigan Category:People from Saginaw, Michigan Category:Rhythm and blues pianists Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:Soul drummers Category:United Nations Messengers of Peace

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{{infobox musical artist | name	Pantha du Prince | image Pantha_du_Prince.jpg | caption Pantha du Prince at Rocket Bar, Boston on May 31, 2007 | landscape yes | background non_performing_personnel | birth_name Hendrik Weber |alias Panthel, Glühen 4 | origin | genre ElectronicMinimal TechnoMicrohouseDark ambient | years_active 2002–present | label Dial Records | website http://www.panthaduprince.com }}

Hendrik Weber, better known as Pantha du Prince, Panthel and Glühen 4 is a German electronic music producer and DJ affiliated with Hamburg's Dial music label.

He made his debut as Pantha du Prince with a four-track 12" release, Nowhere (2002), followed a couple years later by a full-length CD/double LP, Diamond Daze (2004). The album garnered considerable acclaim, with some critics gleefully pointing out Weber's affinity for late-'80s British shoegaze bands such as Slowdive, Moose, Ride, and My Bloody Valentine. His affinity for Detroit techno (à la Carl Craig) and minimal techno (Chain Reaction) was evident as well. Following a remix 12" (Butterfly Girl Versions, 2005) and a one-off 12" of new material (Lichten/Walden, 2006), Weber released his second Pantha du Prince full-length, This Bliss (2007), which again garnered considerable acclaim. In 2010, he switched labels to Rough Trade Records before releasing his third album Black Noise.

Discography

As Pantha du Prince

Albums

''Diamond Daze'' (2004)

''This Bliss'' (2007)

''Black Noise'' (2010)

Singles

''Nowhere'' (2002)

''Butterfly Girl Versions'' (2005)

''Lichten/Walden'' (2006)

''Behind The Stars'' (2009)

As Glühen 4

Albums

''Das Schweigen der Sirenen'' (2003)

External links

Official Website

Official Myspace

[ Pantha du Prince] at Allmusic

Pantha du Prince on Discogs

Category:German electronic musicians Category:Year of birth missing (living people) Category:Living people

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